Obsessed With The Moon Quotes

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It's funny. When we were alive we spent much of our time staring up at the cosmos and wondering what was out there. We were obsessed with the moon and whether we could one day visit it. The day we finally walked on it was celebrated worldwide as perhaps man's greatest achievement. But it was while we were there, gathering rocks from the moon's desolate landscape, that we looked up and caught a glimpse of just how incredible our own planet was. Its singular astonishing beauty. We called her Mother Earth. Because she gave birth to us, and then we sucked her dry.
Jon Stewart (Earth (The Book): A Visitor's Guide to the Human Race)
Honestly? I don’t want people around me for two reasons – they ultimately betray you or they die on you. Either way, you’re screwed and you spend all your time obsessing on why you didn’t see it coming. Or that you did something or didn’t do something to cause it. No offense, but I don’t like to be hurt and I’d rather just avoid it.(Ravyn)
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
She smells like spring and flowers and rain, even though it’s winter. Sometimes, he thinks he loves her so much that his mind is unable to distinguish between love and obsession. Which is worse?
Christy A. Campbell (The Sharing Moon)
Most violent criminals smash through life like human sledgehammers. They have fists for hands and can’t plan beyond their sightlines. They’re caught easily. They talk too much. They return to the scene of the crime, as conspicuous as tin cans on a bumper. But every so often a blue moon surfaces. A snow leopard slinks by.
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
Oh my sweet muse tell me what do I do on such romantic full-moon nights! You inflame my passion, and the moon serenades my obsession!
Avijeet Das
Your window square a yellow kite, and the Moon a white balloon
John Geddes
It's time now to rent a car, roll down the windows and prepare for your first big thrill: the freeways. They're so much fun they should charge admission. Never fret about zigzagging back and forth through six lanes of traffic at high speeds; it erases jet lag in a split second. You're now heading toward Hollywood, like any normal tourist. Breathe in that smog and feel lucky that only in L.A. will you glimpse a green sun or a brown moon. Forget the propaganda you've heard about clean air; demand oxygen you can see in all its glorious discoloration.
John Waters (Crackpot: The Obsessions of John Waters)
I don’t like what I don’t understand, and I just don’t get the human race. They do the weirdest fucking stuff. Dress their pets in little outfits. Lie that they walked on the moon. Vote for Donald Trump. None of that makes sense to me. (Tao on why he doesn't like humans)
Suzanne Wright (Fierce Obsessions (The Phoenix Pack, #6))
Such obsession with reaching the moon, because they had failed to reach each other, each a solitary planet! In silence, in mystery, a human being was formed, was exploded, was struck by other passing bodies, was burned, was deserted. And then it was born in the molten love of the one who cared.
Anaïs Nin (Seduction of the Minotaur)
Stevie: "If you think he's a lecher and all men are disgusting, why do you want me to date?" Zena: "Because, Stevie. Now and then, when the moon is full and bluish, when the galaxy is all calm and peaceful and serenity rules and even the falling stars are falling gracefully, and the wind creates a beautiful song, that's when you find one outstanding man. Kind. Loyal. Funny and smart, great in bed but not kinky. A lover in his head and in his body. A man who doesn't think as a dick-obsessed monkey with a brain the size of a testicle, but one who is thoughtful and can hold his emotions in one hand and hug you close with the other. A man who is a hunky, manly man but who can talk to you like your best girlfriend, because that's what he wants to be for you. Your best friend." (Page 44)
Cathy Lamb (Such a Pretty Face)
Reckless affection and passionate, obsessive entanglements, these things only grew in the soil of youth. When Chu Wanning was young, he’d also hoped there might be someone who would stay by his side, with whom he might share wine beneath the moon, but he’d waited and waited, and still this person had never arrived.
Rou Bao Bu Chi Rou (The Husky and His White Cat Shizun: Erha He Ta De Bai Mao Shizun (Novel) Vol. 2)
We sate on the terrace. Again gazing at the moon. I don't understand women's obsession with the moon, lunatics in the most literal sense. ~ Aarush Kashyap
Kirtida Gautam (#iAm16iCan)
NINA Your life is beautiful. TRIGORIN I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!
Anton Chekhov (The Seagull)
Sometimes, if you want to be compassionate towards others, you have to be kind to yourself first. If you obsess too much over the restrictions you’ve placed on yourself, you’ll lose sight of you what you really want . Instead, liberate yourself . Embrace who you really are. - Cronus
Mai Mochizuki (The Full Moon Coffee Shop (The Full Moon Coffee Shop, #1))
I love you more than the moon longs for the sun.
Avina St. Graves (Death's Obsession)
If they are all so obsessed with change they should begin by changing for dinner.
Tom Stoppard (Lord Malquist and Mr. Moon: A Novel)
Wittgenstein had helped fake the moon landings.
Mark Adams (Meet Me in Atlantis: My Obsessive Quest to Find the Sunken City)
As the historian Richard Gid Powers has noted, J. Edgar Hoover found in Progressivism an approach that reflected his own obsession with organization and social control. What
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
This is my siren, my obsession, the love of my life, Deva.
M. Sinclair (Shadow Witch (Phases of the Moon, #3))
I’m supposed to rest, but that’s where the children live. In the hot mist of sleep. Dream after dream. Instead, I obsess.
Hala Alyan (The Moon That Turns You Back: Poems)
We are too small and our statecraft is too feeble to be seen by a spacecraft between the Earth and the Moon. From this vantage point, our obsession with nationalism is nowhere in evidence.
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
And yet there is no sign of humans in this picture, not our reworking of the Earth’s surface, not our machines, not ourselves: We are too small and our statecraft is too feeble to be seen by a spacecraft between the Earth and the Moon. From this vantage point, our obsession with nationalism is nowhere in evidence. The Apollo pictures of the whole Earth conveyed to multitudes something well known to astronomers: On the scale of worlds—to say nothing of stars or galaxies—humans are inconsequential, a thin film of life on an obscure and solitary lump of rock and metal.
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
A moon of unsurpassable brilliance flooded the silent landscape with a cruel glare of greenish light, which traced sharp inky shadows of the trees on the rounded white folds. The snow crystals caught and reflected the moonlight upon a myriad facets until I appeared to be walking in a world of sparkling diamonds. The frightful stillness of the woodland at midnight was almost startling – everything seemed to be frost-bound and nerveless. Even the icy air seemed frozen into immobility. The crisp crunch of my footfall appeared to be an unpardonable intrusion, while the scars they made upon the smooth field of scintillating white seemed a positive sacrilege.
Naoko Abe (The Sakura Obsession: The Incredible Story of the Plant Hunter Who Saved Japan's Cherry Blossoms)
You must be a myth that your lover can't grasp and you must chase the moon like a wolf in the night, as if it will show you something only you can understand. Everything you do is a ritual that can mean something more and you must connect and create bonds with the spirits both outer and inner. Seek the strange and mysterious, otherworldly explanations for yourself and things around. There is always more. Always more. Nothing is ordinary, and you must make love to him like his touch is your salvation. You must dare to love and lose and hear your heart break into a million little pieces, glittering like diamonds in the night. Don’t run into hiding when the rain hits us like planets shot down to see who wants to survive the most for you want to survive the most and you must not hide from madness. You must love and live and write like you're obsessed and possessed. Go mad for what you believe in.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
I lift a brow—a pitiful effort to lighten the mood. “You’re biased, Sire. And perhaps forgetting the fact that I almost hacked you open more than once.” “No. I’m fucking obsessed,” he growls, wrapping his other hand around my face and jerking me forward.
Sarah A. Parker (When the Moon Hatched (Moonfall, #1))
Of course a miracle may happen, and you may be a great painter, but you must confess the chances are a million to one against it. It'll be an awful sell if at the end you have to acknowledge you've made a hash of it." "I've got to paint," he repeated. "Supposing you're never anything more than third-rate, do you think it will have been worth while to give up everything? After all, in any other walk in life it doesn't matter if you're not very good; you can get along quite comfortably if you're just adequate; but it's different with an artist." "You blasted fool," he said. "I don't see why, unless it's folly to say the obvious." "I tell you I've got to paint. I can't help myself. When a man falls into the water it doesn't matter how he swims, well or badly: he's got to get out or else he'll drown.
W. Somerset Maugham (The Moon and Sixpence)
Konstantin Tsiolkovsky in Russia, Hermann Olberth in Germany, and Robert Goddard in the United States all came up with an eerily similar concept for using liquid fuel to power rockets for human spaceflight. I've seen this pointed out as an odd coincidence, one of those moments when an idea inexplicably emerges in multiple places at once. But when I read through each of these three men's biographies I discovered why they all had the same idea: all three of them were obsessed with Jules Verne's 1865 novel "De la terre a la lune (From the Earth to the Moon)." The novel details the strange adventures of three space explorers who travel to the moon together. What sets Verne's book apart from the other speculative fiction of the time was his careful attention to the physics involved in space travel -- his characters take pains to explain to each other exactly how and why each concept would work. All three real-life scientists -- the Russian, the German, and the American -- were following what they had learned from a French science fiction writer.
Margaret Lazarus Dean (Leaving Orbit: Notes from the Last Days of American Spaceflight)
Tingles traced up her spine, and even before she turned around she knew Reece was moving her way. That shouldn't excite her so much, but after his visit this morning he was all she'd been able to think about. Obsess about. Her nipples beaded tightly against her bra as his earthy, masculine scent grew stronger, invading all her senses. Damn that male
Savannah Stuart (To Catch His Mate (Crescent Moon, #5))
Both were ballads about a woman "marked by the moon." In them, the Song Mage praised his muse, describing her midnight hair, her rosebud mouth, her rocky spine. They were odes to her unparalleled beauty. "He's a little obsessed," said Emeline when she finished singing. "Even her teeth enchant him." She browsed through the next ballad---also about his moon-marked woman. "And she must have had some pretty sexy ankles, because there's an entire verse devoted to them in the next song...." The corner of Hawthorne's mouth turned up. "Maybe ankles were his weakness." Emeline glanced up at the boy cooking her dinner. He was like the forest, she thought. Quiet and steadfast in the way he held himself, with secrets hidden beneath. What's your weakness? she wondered.
Kristen Ciccarelli (Edgewood)
Just consider the next thought that pops up in your mind. Where did it come from? Did you freely choose to think it, and only then did you think it? Certainly not. The process of self-exploration begins with simple things, and becomes progressively harder. At first, we realise that we do not control the world outside us. I don’t decide when it rains. Then we realise that we do not control what’s happening inside our own body. I don’t control my blood pressure. Next, we understand that we don’t even govern our brain. I don’t tell the neurons when to fire. Ultimately we should realise that we do not control our desires, or even our reactions to these desires. Realising this can help us become less obsessive about our opinions, about our feelings, and about our desires. We don’t have free will, but we can be a bit more free from the tyranny of our will. Humans usually give so much importance to their desires that they try to control and shape the entire world according to these desires. In pursuit of their cravings, humans fly to the moon, wage world wars, and destabilise the entire ecosystem. If we understand that our desires are not the magical manifestations of free choice, but rather are the product of biochemical processes (influenced by cultural factors that are also beyond our control), we might be less preoccupied with them. It is better to understand ourselves, our minds and our desires rather than try to realise whatever fantasy pops up in our heads.
Yuval Noah Harari (21 Lessons for the 21st Century)
The tattoos around his eyes burned as he scanned the surrounding area. No one but him probably noticed, but the plumes of darkness branching in every direction were writhing and groaning, desperate to avoid the light of the moon and street lamps. Come to me, he beseeched them. They didn’t hesitate. As if they’d merely been waiting for the invitation, they danced toward him, flattening against his car, shielding it—and thereby him—from prying eyes. “Freaks me out every damn time you do that,” Rowan said as he crawled into the front passenger seat. For the first time, Sean’s friend had accompanied him to “keep you from doing something you’ll regret.” Not that Gabby had known. Rowan had lain in the backseat the entire drive. “I can’t see a damn thing.” “I can.” Sean’s gaze could cut through shadows as easily as a knife through butter. Gabby was in the process of settling behind the wheel of her car. Though more than two weeks had passed since their kiss, they hadn’t touched again. Not even a brush of fingers. He was becoming desperate for more. That kiss . . . it was the hottest of his life. He’d forgotten where he was, what—and who—was around him. He’d never, never, risked discovery like that. But that night, having Gabby so close, those lush lips of hers parted and ready, those brown eyes watching him as if he were something delicious, he’d been unable to stop himself. He’d beckoned the shadows around them, meshed their lips together, touched her in places a man should only touch a woman in private, and tasted her. Oh, had he tasted her. Sugar and lemon. Which meant she’d been sipping lemonade during her breaks. Lemonade had never been sexy to him before. Now he was addicted to the stuff. Drank it every chance he got. Hell, he sported a hard-on if he even spotted the yellow fruit. At night he thought about pouring lemon juice over her lean body, sprinkling that liquid with sugar, and then feasting. She’d come, he’d come, and then they could do it all over again. Seriously. Lemonade was like his own personal brand of cocaine now—which he’d once been addicted to, had spent years in rehab combating, and had sworn never to let himself become so obsessed with a substance again. Good luck with that. “I’m getting nowhere with her,” Rowan said. “You, she watches. You, she kissed.” “Yeah, I’ve been meaning to talk to you about that.” Gabby’s car passed his and he accelerated, staying close enough to her that anyone trying to merge into her lane wouldn’t clip his car because they couldn’t see him. Not that anyone was out and about at this time of night. “She’s mine. I don’t want you touching her.” “Finally. The truth. Which is a good thing, because I already called Bill and told him you were gonna be the one to seduce her.” “Thanks.” This was one of the reasons he and Rowan were such good friends. “But I thought you were here tonight to keep me from her.” “First, you’re welcome. Second, I lied.
Gena Showalter (The Bodyguard (Includes: T-FLAC, #14.5))
I stared at the little white agates in my hand, delicate as moon drops. The mystery of God's love as I understand it is that God loves the man who was being mean to his dog just as much as he loves babies; God loves Susan Smith, who drowned her two sons, as much as he loves Desmond Tutu. And he loved her just as much when she was releasing the handbrake of her car that sent her boys into the river as he did when she first nursed them. So of course, he loves old ordinary me, even or especially at my most scared and petty and mean and obsessive. Loves me; chooses me. Remembering this helped, but here is what in fact saved me: Sam came over to see what I held in my palm, glared contemptuously at my small white pebbles, and then without missing a beat slapped the bottom of my hand so that the agates scattered. He ran off down the beach, laughing with glee. It surprised me so, this small meanness, that it made me catch my breath. Boy, I thought, is he going to be hard to place. When I was young I would have felt, What’s the point of trying to be good if the people who aren’t even trying get to be equally loved? Now I just picked up my pace and tried to catch up with that rotten Sam, because I don’t know much of anything for sure. Only that I am loved – as is
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
Do they hear my call in the night? Dreams of faraway lands to go to live, Spending all my time in thinking of him? Knowing I have done all and to love and give. Not enough to keep my love, The moon is my only friend tonight it is calm and white as snow, I cannot stop thinking of his arms his face and smile, I want to leave somewhere away and go. Does anybody share my point of view, Wrapped up in a obsession of non stop thinking, My heart is in love with him, Can I stop this masquerade of my sinking? The butterfly with no home, The Rose that blooms in the night, Cloudy skies that cover the silver of the moon, A dark path in my heart, once so tender and bright. Softness now hurts, Living just being one, Reality sets in, It was over before it begun. Hear my call sweet winds, I ask to be healed and set me free, I know he does not love me, The winds of fate tell me. They tell me to see, What I need to hear and see
Albert Alexander Bukoski
Next to my own skin, her pearls. My mistress bids me wear them, warm them, until evening when I'll brush her hair. At six, I place them round her cool, white throat. All day I think of her, resting in the Yellow Room, contemplating silk or taffeta, which gown tonight? She fans herself whilst I work willingly, my slow heat entering each pearl. Slack on my neck, her rope. She's beautiful. I dream about her in my attic bed; picture her dancing with tall men, puzzled by my faint, persistent scent beneath her French perfume, her milky stones. I dust her shoulders with a rabbit's foot, watch the soft blush seep through her skin like an indolent sigh. In her looking-glass my red lips part as though I want to speak. Full moon. Her carriage brings her home. I see her every movement in my head.... Undressing, taking off her jewels, her slim hand reaching for the case, slipping naked into bed, the way she always does.... And I lie here awake, knowing the pearls are cooling even now in the room where my mistress sleeps. All night I feel their absence and I burn.
Carol Ann Duffy
It was my father who called the city the Mansion on the River. He was talking about Charleston, South Carolina, and he was a native son, peacock proud of a town so pretty it makes your eyes ache with pleasure just to walk down its spellbinding, narrow streets. Charleston was my father’s ministry, his hobbyhorse, his quiet obsession, and the great love of his life. His bloodstream lit up my own with a passion for the city that I’ve never lost nor ever will. I’m Charleston-born, and bred. The city’s two rivers, the Ashley and the Cooper, have flooded and shaped all the days of my life on this storied peninsula. I carry the delicate porcelain beauty of Charleston like the hinged shell of some soft-tissued mollusk. My soul is peninsula-shaped and sun-hardened and river-swollen. The high tides of the city flood my consciousness each day, subject to the whims and harmonies of full moons rising out of the Atlantic. I grow calm when I see the ranks of palmetto trees pulling guard duty on the banks of Colonial Lake or hear the bells of St. Michael’s calling cadence in the cicada-filled trees along Meeting Street. Deep in my bones, I knew early that I was one of those incorrigible creatures known as Charlestonians. It comes to me as a surprising form of knowledge that my time in the city is more vocation than gift; it is my destiny, not my choice. I consider it a high privilege to be a native of one of the loveliest American cities, not a high-kicking, glossy, or lipsticked city, not a city with bells on its fingers or brightly painted toenails, but a ruffled, low-slung city, understated and tolerant of nothing mismade or ostentatious. Though Charleston feels a seersuckered, tuxedoed view of itself, it approves of restraint far more than vainglory. As a boy, in my own backyard I could catch a basket of blue crabs, a string of flounder, a dozen redfish, or a net full of white shrimp. All this I could do in a city enchanting enough to charm cobras out of baskets, one so corniced and filigreed and elaborate that it leaves strangers awed and natives self-satisfied. In its shadows you can find metalwork as delicate as lace and spiral staircases as elaborate as yachts. In the secrecy of its gardens you can discover jasmine and camellias and hundreds of other plants that look embroidered and stolen from the Garden of Eden for the sheer love of richness and the joy of stealing from the gods. In its kitchens, the stoves are lit up in happiness as the lamb is marinating in red wine sauce, vinaigrette is prepared for the salad, crabmeat is anointed with sherry, custards are baked in the oven, and buttermilk biscuits cool on the counter.
Pat Conroy (South of Broad)
She hadn’t always been obsessed with babies. There was a time she believed she would change the world, lead a movement, follow Dolores Huerta and Sylvia Mendez, Ellen Ochoa and Sonia Sotomayor. Where her bisabuela had picked pecans and oranges in the orchards, climbing the tallest trees with her small girlbody, dropping the fruit to the baskets below where her tías and tíos and primos stooped to pick those that had fallen on the ground, where her abuela had sewn in the garment district in downtown Los Angeles with her bisabuela, both women taking the bus each morning and evening, making the beautiful dresses to be sold in Beverly Hills and maybe worn by a movie star, and where her mother had cared for the ill, had gone to their crumbling homes, those diabetic elderly dying in the heat in the Valley—Bianca would grow and tend to the broken world, would find where it ached and heal it, would locate its source of ugliness and make it beautiful. Only, since she’d met Gabe and become La Llorona, she’d been growing the ugliness inside her. She could sense it warping the roots from within. The cactus flower had dropped from her when she should have been having a quinceañera, blooming across the dance floor in a bright, sequined dress, not spending the night at her boyfriend’s nana’s across town so that her mama wouldn’t know what she’d done, not taking a Tylenol for the cramping and eating the caldo de rez they’d made for her. They’d taken such good care of her. Had they done it for her? Or for their son’s chance at a football scholarship? She’d never know. What she did know: She was blessed with a safe procedure. She was blessed with women to check her for bleeding. She was blessed with choice. Only, she hadn’t chosen for herself. She hadn’t. Awareness must come. And it did. Too late. If she’d chosen for herself, she would have chosen the cactus spines. She would’ve chosen the one night a year the night-blooming cereus uncoils its moon-white skirt, opens its opalescent throat, and allows the bats who’ve flown hundreds of miles with their young clutching to their fur as they swim through the air, half-starved from waiting, to drink their fill and feed their next generation of creatures who can see through the dark. She’d have been a Queen of the Night and taught her daughter to give her body to no Gabe. She knew that, deep inside. Where Anzaldúa and Castillo dwelled, where she fed on the nectar of their toughest blossoms. These truths would moonstone in her palm and she would grasp her hand shut, hold it tight to her heart, and try to carry it with her toward the front door, out onto the walkway, into the world. Until Gabe would bend her over. And call her gordita or cochina. Chubby girl. Dirty girl. She’d open her palm, and the stone had turned to dust. She swept it away on her jeans. A daughter doesn’t solve anything; she needed her mama to tell her this. But she makes the world a lot less lonely. A lot less ugly.  
Jennifer Givhan (Jubilee)
Hoover wanted the new investigation to be a showcase for his bureau, which he had continued to restructure. To counter the sordid image created by Burns and the old school of venal detectives, Hoover adopted the approach of Progressive thinkers who advocated for ruthlessly efficient systems of management. These systems were modeled on the theories of Frederick Winslow Taylor, an industrial engineer, who argued that companies should be run “scientifically,” with each worker’s task minutely analyzed and quantified. Applying these methods to government, Progressives sought to end the tradition of crooked party bosses packing government agencies, including law enforcement, with patrons and hacks. Instead, a new class of technocratic civil servants would manage burgeoning bureaucracies, in the manner of Herbert Hoover—“ the Great Engineer”—who had become a hero for administering humanitarian relief efforts so expeditiously during World War I. As the historian Richard Gid Powers has noted, J. Edgar Hoover found in Progressivism an approach that reflected his own obsession with organization and social control. What’s more, here was a way for Hoover, a deskbound functionary, to cast himself as a dashing figure—a crusader for the modern scientific age. The fact that he didn’t fire a gun only burnished his image. Reporters noted that the “days of ‘old sleuth’ are over” and that Hoover had “scrapped the old ‘gum shoe, dark lantern and false moustache’ traditions of the Bureau of Investigation and substituted business methods of procedure.” One article said, “He plays golf. Whoever could picture Old Sleuth doing that?
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
Isaac Newton is perhaps the greatest scientist who ever lived. In a world obsessed with witchcraft and sorcery, he dared to write down the universal laws of the heavens and apply a new mathematics he invented to study forces, called the calculus. As physicist Steven Weinberg has written, 'It is with Isaac Newton that the modern dream of a final theory really begins.' In its time, it was considered to be the theory of everything-that is, the theory that described all motion. It all began when he was twenty-three years old. Cambridge University was closed because of the black plague. One day in 1666, while walking around his country estate, he saw an apple fall. Then he asked himself a question that would alter the course of human history. If an apple falls, then does the moon also fall? Before Newton, the church taught that there were two kinds of laws. The first were the laws found on Earth, which were corrupted by the sin of mortals. The second were the pure, perfect, and harmonious laws of the heavens. The essence of Newton's idea was to propose a unified theory that encompassed the heavens and the Earth. In his notebook, he drew a fateful picture (see figure 1). If a cannonball is fired from a mountaintop, it goes a certain distance before hitting the ground. But if you fire the cannonball at increasing velocities, it travels farther and farther before coming back to Earth, until it eventually completely circles the Earth and returns to the mountaintop. He concluded that the natural law that governs apples and cannonballs, gravity, also grips the moon in its orbit around the Earth. Terrestrial and heavenly physics were the same.
Michio Kaku (The God Equation: The Quest for a Theory of Everything)
SHAEF had prepared for everything except the weather. It now became an obsession. It was the one thing for which no one could plan, and the one thing that no one could control. In the end, the most completely planned military operation in history was dependent on the caprice of winds and waves. Tides and moon conditions were predictable, but storms were not. From the beginning, everyone had counted on at least acceptable weather for D-Day.
Stephen E. Ambrose (Eisenhower: Soldier and President)
The ancients were obsessed with measures, and the number eleven is central in their metrological scheme. Shown opposite is the extraordinary fact that the size of the Moon relates to the size of the Earth as does three to eleven. What this means is that if we draw down the Moon to the Earth, as shown, then a heavenly circle through the moon will have a circumference equal to the perimeter of a square around the Earth. This is called 'squaring the circle'. Quite how the old druids worked this out we may never know, but they clearly did, for the Moon and the Earth are best measured in miles, as shown. A double rainbow also magically squares the circle.
John Martineau (Quadrivium: The Four Classical Liberal Arts of Number, Geometry, Music, & Cosmology)
properly. If Vom was destruction incarnate, and Smorgaz was creation personified, then West was order in its ultimate obsessive-compulsive form. It wasn’t an easy job. He wasn’t perfect. He still hadn’t found the time to nail down the confusing jumble that humans foolishly labeled quantum physics. And once, when he’d eaten a bad hot dog and been sick in bed for a week, the result had been the ludicrousness of superstring theory. A few extra dimensions leaked through here and there at the wrong times, and the human race just couldn’t let it go. He’d never found the time to fix the error. And it’d probably work out fine in the end. Like when he’d accidentally let space-time become curved. At first it’d bugged him, but now he hardly noticed. And the humans seemed to get a kick out of it.
A. Lee Martinez (Chasing the Moon)
I don’t like what I don’t understand, and I just don’t get the human race. They do the weirdest fucking stuff. Dress their pets in little outfits. Lie that they walked on the moon. Vote for Donald Trump. None of that makes sense to me.
Suzanne Wright (Fierce Obsessions (The Phoenix Pack, #6))
I miss you. I'd like to sit and stare at the moon with you again, I'd settle for that" William J Hudson.
Jo Priestley (The Calling of Highbrook: An unconventional story of love, pain and obsession (Women of Old Yorkshire))
I miss you. I'd like to just sit and stare at the moon with you again, I'd settle for that.
Jo Priestley (The Calling of Highbrook: An unconventional story of love, pain and obsession (Women of Old Yorkshire))
When Sasha was ten she had such an intense crush on Harrison Ford that sometimes she would lie in bed and cry with deep sorrow that they would never be together. She knew it was weird. He was a grown man and a famous actor and she was a child with a dawning awareness that little hairs were growing up and down her legs, and it all compounded into a tragedy so devastating that she could barely stand to watch him in movies when anyone else was in the room. Her brothers obviously noticed her mooning after him and taunted her mercilessly. Later in life, when she saw in some celebrity magazine at the nail salon that Harrison got an earring, she felt embarrassed all over again that she had been obsessed with someone so old.
Jenny Jackson (Pineapple Street)
So I’m curious, how far does the Pope think we should go in the direction of respecting and correcting the natural world and it’s wild inhabitants. Before I arrived the PIL media manager sent me a copy of Francis’s rather beautiful and cyclical ‘On Care For Our Common Home’. “Each creature has its own purpose” he writes “none is superfluous." He describes how Saint Francis would burst into song when he gazed at the sun, the moon or the smallest of animals. I read these passages to Father Carlo. He listens, nodding. “Saint Francis began a new relationship between nature and humanity. If you read his poems you find the expressions ‘Sister Water’, ‘Brother Sun’, ‘Sister Moon’.” “Would Saint Francis include brother rat?” I ask “Sister Boll Weevil, Uncle Blackbird who devours 2% of the North Dakota sunflower crop?”. Father Carlo says "Yes, Yes he would. He includes even death” he says.“Did saint Francis say anything specifically about rodents?”I hear myself say. “No, he didn’t. but the point is, brotherhood is not a simple relationship. with your brothers and sisters, normally you fight. You cannot think that there is an idillic way of being in a relationship with someone. Every relationship among humans and the earth is not only connotated with positive aspects. At the same time you also have negative aspects. The point is how do you deal with those aspects?” He’s good, this guy. “Yes” I say, “and how should we deal? It’s well and good to say these things, but how do we act in a way that serves both human and animal fairly? Let’s take the example of Canada Geese on gold courses. What is their crime? Befouling the turf, littering. For this should we be allowed to call someone in to round them up and gas them? Do they deserve to die because a few well-heeled humans want to hit a ball into hole and they need an obsessively tidy playing surface the size of the holy sea? Think of all the Sister Water that gets wasted watering the greens. Maybe it’s time to eliminate gold, not geese.” Father Carlos collects his thoughts. Among them, surely, ‘who let her in?’.
Mary Roach (Fuzz: When Nature Breaks the Law)
So I’m curious, how far does the Pope think we should go in the direction of respecting and correcting the natural world and it’s wild inhabitants. Before I arrived the PIL media manager sent me a copy of Francis’s rather beautiful and cyclical ‘On Care For Our Common Home’. “Each creature has its own purpose” he writes “none is superfluous." He describes how Saint Francis would burst into song when he gazed at the sun, the moon or the smallest of animals. I read these passages to Father Carlo. He listens, nodding. “Saint Francis began a new relationship between nature and humanity. If you read his poems you find the expressions ‘Sister Water’, ‘Brother Sun’, ‘Sister Moon’.” “Would Saint Francis include brother rat?” I ask “Sister Boll Weevil, Uncle Blackbird who devours 2% of the North Dakota sunflower crop?”. Father Carlo says "Yes, Yes he would. He includes even death” he says.“Did saint Francis say anything specifically about rodents?”I hear myself say. “No, he didn’t. but the point is, brotherhood is not a simple relationship. with your brothers and sisters, normally you fight. You cannot think that there is an idillic way of being in a relationship with someone. Every relationship among humans and the earth is not only connotated with positive aspects. At the same time you also have negative aspects. The point is how do you deal with those aspects?” He’s good, this guy. “Yes” I say, “and how should we deal? It’s well and good to say these things, but how do we act in a way that serves both human and animal fairly? Let’s take the example of Canada Geese on gold courses. What is their crime? Befouling the turf, littering. For this should we be allowed to call someone in to round them up and gas them? Do they deserve to die because a few well-heeled humans want to hit a ball into hole and they need an obsessively tidy playing surface the size of the holy sea? Think of all the Sister Water that gets wasted watering the greens. Maybe it’s time to eliminate golf, not geese.” Father Carlos collects his thoughts. Among them, surely, ‘who let her in?’.
Mary Roach (Fuzz: When Nature Breaks the Law)
Max let out a breath through his teeth. “Listen. Many people believe that Fragmented Valtain are less capable. The idea being that Valtain magic bleaches hair and skin, so by that logic, someone like you…” Someone like me would be inherently less powerful. I nodded, glancing down at my hand and my two tan fingers. Those patches of gold had hurt my value as a slave, and now they hurt my value as a Valtain, too. “It’s not proven. The point is, many people, especially full Valtain, will be expecting you to fail. They’ll be looking for a reason to prove that you’re not capable of doing this. We’ll make sure that you knock their moon-obsessed robes off, absolutely. But when you do it, you need to be technically perfect.
Carissa Broadbent (Daughter of No Worlds (The War of Lost Hearts, #1))
I’ve wondered why not. But then, women are in sync with nature. Our cycles are linked to the moon, to the tides. Like them, we change two dozen times over, every month. What do men do? They don’t get to experience much of life. We gestate the babies and bring them into existence while the men try not to faint. It’s why they’re obsessed with extrinsic markers of success. And war! Taking life to feel some speck of the power we get from making life. You have to hand it to men, they’ve managed to convince us that the things that make women powerful are weaknesses.
J. Courtney Sullivan (The Cliffs)
But in mine, she is the moon… the stars… sunlight… and oxygen all in one. I find shelter, warmth, and serenity in her arms. She is my turning point. My home. My obsession. Hell, she is everything. Living without her is not an option.
Molly Doyle (Bloodbath (Order of the Unseen))
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Professor Samson
He folds his arms over his broad chest, and the shift in his stance highlights the package in his boxers. The moon literally sends a beam of light right along the edge, outlining his bulge in 4K clarity.
Lauren Biel (Driving My Obsession (Ride or Die Romances))
Were you in love with Emma?" I ask. "I was hard-core obsessed," he says without thinking about it. "Not in love." "What's the difference?" He's about to throw a stone at ta yard light but stops. "Prison," he says, and puts the stone in his pocket.
Cath Crowley (Graffiti Moon)
Do they hear my call in the night? Dreams of faraway lands to go to live, Spending all my time in thinking of him? Knowing I have done all and to love and give. Not enough to keep my love, The moon is my only friend tonight it is calm and white as snow, I cannot stop thinking of his arms his face and smile, I want to leave somewhere away and go. Does anybody share my point of view, Wrapped up in a obsession of non stop thinking, My heart is in love with him, Can I stop this masquerade of my sinking? The butterfly with no home, The Rose that blooms in the night, Cloudy skies that cover the silver of the moon, A dark path in my heart, once so tender and bright. Softness now hurts, Living just being one, Reality sets in, It was over before it begun. Hear my call sweet winds, I ask to be healed and set me free, I know he does not love me, The winds of fate tell me. They tell me to see, What I need to hear and see.
Albert Alexander Bukoski
I’m not saying I don’t care about good-tasting pizza, but often the largest discernible difference between a Domino’s and the local pizzeria is that the latter one offers pizza sold by the slice. I never understood the big appeal of buying pizza by the slice. “Can you reheat a slice from that pizza that has been sitting out for a couple of hours?” It feels like you are eating someone else’s pizza. My major issue with the pizza delivery chains is their interpretation of sizes. Based on Domino’s “large” pizza, a small pizza would be roughly the size of a dog bowl. Because you are not actually in the restaurant, you can’t complain about the size. You’re not going to have the delivery guy send it back to the kitchen. Of course, I prefer pizza from Lombardi’s to Domino’s, but in the end all pizza is great. Everyone loves pizza. When the moon hits your eye like a big pizza pie, that’s an indication you have an unhealthy obsession with pizza. I know I do.
Jim Gaffigan (Food: A Love Story)
I know the way, my lord,” she said, glaring at him. “There is no need for this display.” “You are going to be responsible for Winnie’s first efforts to acquire a sense of decorum and reserve, Miss Farnum.” He picked up her hand and deposited it back on his forearm, then led her down the steps. “You must begin as you intend to go on and set a sincere example for the child. She’ll spot fraud at fifty paces, and even my authority won’t be able to salvage your efforts then. A lady graciously accepts appropriate escort.” “Is this how you trained recruits when you were soldiering?” She stomped along beside him, ignoring the beauty of the full moon and the fragrances of the summer night. “You box them in, reason with them, tease, argue, taunt, and twist until you get what you want?” “You are upset. If I have given offense, I apologize.
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
I’ve felt how you feel,” he said simply. “As if another had all I needed and lacked, and he didn’t even appreciate what he had.” “You?” She expostulated in disbelief but walked more slowly and made no objection to his hand lightly touching her back. “What could you possibly want for? You’re the firstborn of a duke, titled, wealthy; you’ve survived battles, and you can charm little girls. How could you long for more than that?” “My brother will succeed Moreland, if the duke ever condescends to expire. This harum-scarum earldom is a sop thrown to my younger brother’s conscience, and his wife’s, I suppose. He and my father had considerable influence with the Regent, and Westhaven’s wife may well be carrying the Moreland heir. Anna made the suggestion to see Rosecroft passed along to me, and Westhaven would not rest until that plan had been fulfilled.” “How can that be?” Emmie watched their moon shadows float along the ground as they walked. “A duke cannot choose which of his offspring inherits his title.” “He cannot. According to the Moreland letters patent, it goes to the oldest legitimate son surviving at the time of the duke’s death.” “Well, you aren’t going to die soon, are you?” She glanced over at his obviously robust frame, puzzled and concerned for some reason to think of him expiring of a pernicious illness. “No, Miss Farnum, the impediment is not death, but rather the circumstances of my birth.” There was a slight, half-beat pause in the darkness, a hitch in her gait he would not have seen. “Oh.” “Oh, indeed. I have a sister similarly situated, though Maggie and I do not share even the same mother. The duke was a busy fellow in his youth.” “Busy and selfish. What is it with men that they must strut and carry on, heedless of the consequences to any save themselves?” “What is it with women,” he replied, humor lacing his tone, “that they must indulge our selfish impulses without regard to the consequences even to themselves?” “Point taken.
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
You’re just annoyed because you can’t find a way to be in charge and control this whole thing and it’s making you jumpy.” Kerry considered that, relented a little. “Maybe.” “And because we all like him. A lot. And you’re feeling overly nudged.” “Nudged?” Kerry repeated, eyebrow raised. “How about all but shoved down the aisle? You know, just because you’re all schmoopy and wedding obsessed doesn’t mean the rest of us live to follow in your pearl-and-laced-encrusted footsteps.” Fiona just batted her lashes again. “Oh, come on. You love the schmoopy. You just don’t want to admit it. And you don’t have to go all pearls and lace. I’m sure we can find something in a tasteful banana leaf gown for you.” Kerry nudged her sister with a sharp elbow--it was that or snicker--but Fiona just nudged back, and clung to her arm like a kelp bed attached to the seafloor. “And, okay,” Fiona added, “perhaps we’re just enjoying seeing you so out of your depth. Between that and Cooper’s full-on pursuit, I can see it’s enough to make anyone a little grumpy.” She squeezed Kerry’s arm, then added, “Ms. I Can Run Circles Around the Globe But Not Around Mr. Dead Sexy Accent.” Kerry gave up, as she always did, in the face of Fiona’s unrelenting cheer and pulled her in for a quick, if purposely smothering hug. “Don’t say anything to Fergus,” she whispered against Fiona’s hair before turning her sister loose. “He’s already stuck his nose in way too far, and you know he’ll just worry about me.” Fiona laughed. “You’re the only one Fergus never worries about. And don’t kid yourself about slowing his roll; he’s thrilled--thrilled--finally to have the chance to stick his nose in your business. Do you think anything will stop him from ‘helping’ you make the right choice?
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Christine is everything to me, Dante. She is the sun and the moon, the stars that guide my path. She’s the only person that could have made me turn my entire life upside down.” My love for her has changed me, and she never asked for any of it.
Cora Kent (Dark Obsession (Blackmore University, #2))
Oh, my Lilith. I love you more than the moon longs for the sun.
Avina St. Graves (Death's Obsession)
But… the world needs to know about this! The world needs to know the truth!” I shook my head. “No, Myron, it doesn’t. In fact, that would be the worst thing for mankind right now.” “Don’t give me that. Humanity couldn’t handle it bullshit—” “I’m not. It’s not about that at all.” “So what, then?” I turned in my seat so I was facing him. “Myron, you’ve spent who knows how long obsessed with UFOs and Roswell, Area 51, conspiracy theories, abductions, that sort of stuff. And yes, you now know that a lot of it is true, although not in the ways you think it is.” I leaned forward. “The truth, and the threat, isn’t down there,” I said, pointing at the Arabian peninsula, which was now sliding beneath us. I turned my finger and pointed up. “It’s out there. The Men in Black aren’t your enemy, if they even exist at all, that is. The biggest threat to mankind are vicious, amoral alien assholes who would exploit the shit out of Earth if it ever lost the ignorance that’s protecting it.” “Ignorance? A protection?” I nodded. “There’s a community of peoples out there that put a lot of effort into protecting places like Earth, until they’re ready to take their first real steps into space. And I don’t mean sending a few guys to go futz around on the Moon. I mean serious, deep space travel. The organization I’m part of, the Peacemaker Guild, is part of that protection. But mankind’s ignorance of the truth is the far more important one. Once that’s gone, all bets are off.” I leaned forward even more, pressing my gaze into Myron’s. “Imagine the worst thing you can. Now, try and imagine something worse than that. That still doesn’t even come close to the true horror out there. Now, it’s not just horror, of course. There are lots of good things, wonderful things. But it’s the horror that keeps me awake at night.” “What Van is saying is that, if you managed to convince humanity of the truth, it would pretty much be the end of the line for Earth,” Perry put in. Myron sank back and shook his head. “So you mean that we now really do know the truth, and we can’t share it with anyone?” I leaned back and smiled at him. “Congratulations, Myron. You thought there was a conspiracy, and you were right—and now you’re part of it. Ain’t life a funny thing?
J.N. Chaney (Distant Horizon (Backyard Starship, #6))
When Aru opened her eyes, she found herself in the only place in the world that made her feel like she could breathe a bit easier, a place where broken things could be fixed, where all the answers lay in plain sight, where the aisles held the rare perfume of possibility tinged ever so slightly with the sweetness of mulch and wood chips…. “Aru, you really need to get over your Home Depot obsession,” said Nikita, staring down with her hands firmly planted on her hips. “Can’t you dream about someplace else?” “Nope,” said Aru. Of course, in the dream, Home Depot didn’t really look the same. First, Aru was sitting in an armchair that seemed to be made of cotton candy for no apparent reason. For another, the aisle banner over her head said FLOORING, but instead of the shelves being filled with things like wood laminate or vinyl plank, she was staring at a rotating row of moon jellyfish and miniature thunderclouds. At the end of the aisle, which somehow seemed as if it were hundreds of feet away and yet close enough to touch, stood a huge podium where an endless supply of doors rotated.
Roshani Chokshi (Aru Shah and the Nectar of Immortality (Pandava, #5))
I am rising from the pitfall where I crashed and burned. I am the dark. I am the light. I'm honest. Intuitive. I let feelings wash over me. I'm set in my ways. I'm obsessive. Aggressive. I like to be correct. I'm compassionate. Intimate. Dedicated. I'm wise. Still a child. I'm zesty. I'm temperamental. My heart is on my sleeve. I bury it deep like a treasure. There are days in the sun and some sleepless nights. I have laughter; I have tears. I show my courage; I offer my fear. Inside me is an enigma, a mystic moon with all its phases. My pulses are as vast and bewildering as tides. Out to the ocean, then retreating to the shore. To where they belong.
Cuong Le (STARS)
Niceness—let’s define it broadly as “deferring immediate self-gratification in favor of the common good”—is a road to building happy families, to making great works of art, to sending human beings to the moon.
Gavin Edwards (The World According to Tom Hanks: The Life, the Obsessions, the Good Deeds of America's Most Decent Guy)
… the several sub-types of mental illness should be functioning on this world as classes somewhat like those of ancient India. These people here, the hebephrenics, would be equivalent to the untouchables[*]. The maniacs would be the warrior class, without fear; one of the highest. … … The paranoids – actually paranoiac schizophrenics – would function as the statesman class; they’d be in charge of developing political ideology and social programs – they’d have the overall world view. The simple schizophrenics (…) [would] correspond to the poet class, although some of them would be religious visionaries – as would be some of the Heebs. The Heebs, however, would be inclined to produce ascetic saints, whereas the schizophrenics would produce dogmatists. Those with polymorphic schizophrenia simplex would be the creative members of the society, producing the new ideas. (…) There could be some with over-valent ideas, psychotic disorders that were advanced forms of milder obsessive-compulsive neurosis, the so-called diencephalic disturbances. Those people would be the clerks and office holders of the society, the ritualistic functionaries, with no original ideas. Their conservatism would balance the radical quality of the polymorphic schizophrenics and give the society stability.
Philip K. Dick (Clans of the Alphane Moon)
I do like it. The moon. My name…my name belonged to the moon goddess. Guess I’ve just always been a little obsessed.” “Ah. Yeah. That makes sense. What did this goddess do?” I want to tell him. It’s on the tip of my tongue to say she drove the moon across the sky and fell in love with a handsome shepherd by the name of Endymion, but I don’t say that.
S.M. Soto (Chasing the Moon)
After all that, I started becoming obsessed with using the moon to manifest my intentions. Which I know, it sounds crazy, but you’d be surprised what believing in something can do for you.
S.M. Soto (Chasing the Moon)
Naming species is not big science. It is like mapmaking or dictionary work and, on its own, of relatively little use. But it is the first step. It is the first thing children do as they lay hold of their surroundings. It is the simplest measure of the world. It is analogous to finding and naming the planets and the stars. Once named, it is another matter altogether to set the stars and planets, the moons and other bodies in motion relative to each other, but it is the beginning. Every culture known names species, then groups them, and then builds them into knowledge and stories. Naming, and the learning associated with it, is part of what makes us human.
Rob Dunn (Every Living Thing: Man's Obsessive Quest to Catalog Life, from Nanobacteria to New Monkeys)