“
The loneliest moment in someone’s life is when they are watching their whole world fall apart, and all they can do is stare blankly.
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”
F. Scott Fitzgerald
“
Life starts all over again when it gets crisp in the fall.
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F. Scott Fitzgerald (The Great Gatsby)
“
Think how you love me,' she whispered. 'I don't ask you to love me always like this, but I ask you to remember.'
You'll always be like this to me.'
Oh no; but promise me you'll remember.' Her tears were falling. 'I'll be different, but somewhere lost inside me there'll always be the person I am tonight.
”
”
F. Scott Fitzgerald (Magnetism (Great Loves, #12))
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I hope something happens. I'm restless as the devil and have a horror of getting fat or falling in love and growing domestic.
”
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F. Scott Fitzgerald (This Side of Paradise)
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There’s a loneliness that only exists in one’s mind. The loneliest moment in someone’s life is when they are watching their whole world fall apart, and all they can do is blink.
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”
F. Scott Fitzgerald
“
I love New York on summer afternoons when everyone's away. There's something very sensuous about it - overripe, as if all sorts of funny fruits were going to fall into your hands.
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”
F. Scott Fitzgerald (The Great Gatsby)
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Blessed are the dead that the rain falls on
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F. Scott Fitzgerald (The Great Gatsby)
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When she saw him face to face their eyes met and brushed like birds’ wings. After that everything was all right, everything was wonderful, she knew that he was beginning to fall in love with her.
”
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F. Scott Fitzgerald (Tender Is the Night)
“
Read a verse of Homer and you can walk the walls of Troy alongside Hector; fall into a paragraph by Fitzgerald and your Now entangles with Gatsby’s Now; open a 1953 book by Ray Bradbury and go hunting T. rexes. Ursula Le Guin said: “Story is our only boat for sailing on the river of time,” and she’s right, of course. The shelves of every library in the world brim with time machines. Step into one, and off you go.
”
”
Anthony Doerr
“
he was figuratively following along beside her as she walked the fence, ready to catch her if she should fall.
”
”
F. Scott Fitzgerald
“
What'll we do with ourselves this afternoon,' cried Daisy, 'and the day after that, and the next thirty years?'
'Don't be morbid,' Jordan said. 'Life starts all over again when it gets crisp in the fall.'
'But it's so hot,' insisted Daisy, on the verge of tears, 'And everything's so confused. Let's all go to town!
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
She felt the essence of herself pulled finer and smaller like those streams of spun glass that pull and stretch till there remains but a glimmering illusion. Neither falling nor breaking, the stream spins finer. She felt herself very small and ecstatic. Alabama was in love.
”
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Zelda Fitzgerald (Save Me the Waltz)
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People fall in and out of love all the time. I wonder how they manage it.
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F. Scott Fitzgerald (The Love of the Last Tycoon)
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I can't describe to you how surprised I was to find out I loved her, old sport. I even hoped for a while that she'd throw me over, but she didn't, because she was in love with me too. She thought I knew a lot because I knew different things from her. . . . Well, there I was, 'way off my ambitions, getting deeper in love every minute, and all of a sudden I didn't care. What was the use of doing great things if I could have a better time telling her what I was going to do?" On the last afternoon before he went abroad, he sat with Daisy in his arms for a long, silent time. It was a cold fall day, with fire in the room and her cheeks flushed. Now and then she moved and he changed his arm a little, and once he kissed her dark shining hair. The afternoon had made them tranquil for a while, as if to give them a deep memory for the long parting the next day promised. They had never been closer in their month of love, nor communicated more profoundly one with another, than when she brushed silent lips against his coat's shoulder or when he touched the end of her fingers, gently, as though she were asleep.
”
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F. Scott Fitzgerald (The Great Gatsby)
“
The sheath that held her soul had assumed significance - that was all. She was a sun, radiant, growing, gathering light and storing it - then after an eternity pouring it forth in a glance, the fragment of a sentence, to that part of him that cherished all beauty and all illusion.
”
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F. Scott Fitzgerald (The Beautiful and Damned)
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Tom, I hope something happens. I'm restless as the devil and have a horror of getting fat or falling in love and growing domestic.
”
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F. Scott Fitzgerald (This Side of Paradise)
“
Life begins again when it gets crisp in the fall.
”
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F. Scott Fitzgerald
“
And now Rosalind enters. Rosalind is-- utterly Rosalind. She is one of those girls who need never make the slightest effort to have men fall in love with them. Two types of men seldom do: dull men are usually afraid of her cleverness and intellectual men are usually afraid of her beauty. All others are hers by natural prerogative.
”
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F. Scott Fitzgerald (This Side of Paradise)
“
Whether at Naishápúr or Babylon,
Whether the Cup with sweet or bitter run,
The Wine of Life keeps oozing drop by drop,
The Leaves of Life keep falling one by one.
”
”
Omar Khayyám
“
It was a morning for Ella Fitzgerald. There are fine things in the world, after all. Dignity, refinement, warmth and humour, where you'd never expect to find them. Even as an old woman, an amputee in a wheelchair, Ella sang like a girl who could still be at high school, falling in love for the first time".
”
”
David Mitchell (Ghostwritten)
“
I read somewhere that the sun's getting hotter every year," said Tom genially. "It seems that pretty soon the earth's going to fall into the sun--or wait a minute--it's just the opposite--the sun's getting colder every year." 1925
”
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F. Scott Fitzgerald (The Great Gatsby)
“
There is a loneliness that only exists in the mind. The loneliest moment in someone's life is when they are watching their world fall apart and all they can do is stare blankly.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
What’ll we do with ourselves this afternoon?' cried Daisy, 'and the day after that, and the next thirty years?'
'Don’t be morbid,' Jordan said. 'Life starts all over again when it gets crisp in the fall.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
One autumn night, five years before, they had been walking down the street when the leaves were falling, and they came to a place where there were no trees and the sidewalk was white with moonlight. They stopped here and turned toward each other. Now it was a cool night with that mysterious excitement in it which comes at the two changes of the year.
”
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F. Scott Fitzgerald (The Great Gatsby)
“
Fitzgerald could sense that America was poised on the edge of a vast transformation, and wrote a novel bridging his moment and ours. The Great Gatsby made manifest precisely what Fitzgerald’s contemporaries couldn’t bear to see, and thus it is not only the Jazz Age novel par excellence, but also the harbinger of its decline and fall.
”
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Sarah Churchwell (Careless People: Murder, Mayhem, and the Invention of The Great Gatsby)
“
Oh no; but promise me you'll remember.' Her tears were falling. 'I'll be different, but somewhere lost inside me there'll always be the person I am tonight.
”
”
F. Scott Fitzgerald
“
Gatsby's fall from grace may be grim, but the language of the novel is buoyant; Fitzgerald's plot may suggest that the American Dream is a mirage, but his words make that dream irresistible.
”
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Maureen Corrigan (So We Read On: How The Great Gatsby Came to Be and Why It Endures)
“
I've got a streak of what you'd call cheapness. I don't know where I get it but it's—oh, things like this and bright colors and gaudy vulgarity. I seem to belong here. These people could appreciate me and take me for granted, and these men would fall in love with me and admire me, whereas the clever men I meet would just analyze me and tell me I'm this because of this or that because of that.
”
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F. Scott Fitzgerald (The Beautiful and Damned)
“
Sara," I ask finally, "what do you want from me?"
"I want to look at you and remember what it used to be like," she says thickly. "I want to go back, Brian. I want you to take me back."
But she is not the woman I used to know, the woman who traveled a countryside counting prairie dog holes, who read aloud the classifieds of lonely cowboys seeking women and told me, in the darkest crease of the night, that she would love me until the moon lost its footing in the sky.
To be fair, I am not the same man. The one who listened. The one who believed her.
”
”
Jodi Picoult (My Sister’s Keeper)
“
His eyes were of a bright, hard blue. His nose was somewhat pointed and there was never any doubt at whom he was looking or talking - and this is a flattering attention, for who looks at us? - glances fall upon us, curious or disinterested, nothing more.
”
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F. Scott Fitzgerald (Tender Is the Night)
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Then the storm came swiftly, first falling from the heavens, then doubly falling in torrents from the mountains and washing loud down the roads and stone ditches; with it came a dark, frightening sky and savage filaments of lightning and world-splitting thunder, while ragged, destroying clouds fled along past the hotel. Mountains and lake disappeared - the hotel crouched amid tumult, chaos and darkness.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
She is one of those girls who need never make the slightest effort to have men fall in love with them. Two types of men seldom do: dull men are usually afraid of her cleverness and intellectual men are usually afraid of her beauty. All others are hers by natural prerogative.
”
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F. Scott Fitzgerald (This Side of Paradise)
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I'm sorry I was short with him--but I don't like a man to approach me telling me it for my sake.
"Maybe it was," said Wylie
"It's poor technique."
"I'd all for it," said Wylie. "I'm vain as a woman. If anybody pretends to be interested in me, I'll ask for more. I like advice."
Stahr shook his head distastefully. Wylie kept on ribbing him--he was one of those to whom this privilege was permitted. "You fall for some kinds of flattery," he said. "this 'little Napoleon stuff.'"
"It makes me sick," said Stahr, "but it's not as bad as some man trying to help you."
"If you don't like advice, why do you pay me?"
"That's a question of merchandise," said Stahr. "I'm a merchant. I want to buy what's in your mind."
"You're no merchant," said Wylie. "I knew a lot of them when I was a publicity man, and I agree with Charles Francis Adams."
"What did he say?"
"He knew them all--Gould, Vanderbilt, Carnegie, Astor--and he said there wasn't one he'd care to meet again in the hereafter. Well--they haven't improved since then, and that's why I say you're no merchant."
"Adams was probably a sourbelly," said Stahr. "He wanted to be head man himself, but he didn't have the judgement or else the character."
"He had brains," said Wylie rather tartly.
"It takes more than brains. You writers and artists poop out and get all mixed up, and somebody has to come in and straighten you out." He shrugged his shoulders. "You seem to take things so personally, hating people and worshipping them--always thinking people are so important-especially yourselves. You just ask to be kicked around. I like people and I like them to like me, but I wear my heart where God put it--on the inside.
”
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F. Scott Fitzgerald (The Last Tycoon)
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He was drafted early in the fall, and the examining doctor made no mention of low blood-pressure. It was all very purposeless and sad when Anthony told Gloria one night that he wanted, above all things, to be killed. But, as always, they were sorry for each other for the wrong things at the wrong times…. They
”
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F. Scott Fitzgerald (The Beautiful and Damned)
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It's raining.
the kind of rain that comes down so heavy it sounds like the shower's running, even when you've turned it off. The kind of rain that makes you think of dams and flash floods, arks. The kind of rain that tells you to crawl back into bed, where the sheets haven't lost your body heat, to pretend that the clock is five minutes earlier than it really is.
Ask any kid who's made it past fourth grade and they can tell you: water never stops moving. Rain falls, and runs down a mountain into a river. The river finds it way to the ocean. It evaporates, like a soul, into the clouds. And then, like everything else, it starts all over again.
”
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Jodi Picoult (My Sister’s Keeper)
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Always puts me in mind of that F. Scott Fitzgerald line: Life starts all over again when it gets crisp in the fall.
”
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Blake Crouch (Dark Matter)
“
Don’t be morbid,’ Jordan said. ‘Life starts all over again when it gets crisp in the fall.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
The loneliest moment in someone's life is when they are watching their whole world fall apart, and all they can do is stare blankly.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
Scott Fitzgerald line: Life starts all over again when it gets crisp in the fall.
”
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Blake Crouch (Dark Matter)
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He [suddenly]: I don't want to fall in love with you--
She [raising her eyebrows]: Nobody asked you to.
He [continuing coldly]: But I probably will.
”
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F. Scott Fitzgerald (This Side of Paradise)
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...there was never any doubt at whom he was looking or talking — and this is a flattering attention, for who looks at us? — glances fall upon us, curious or disinterested, nothing more.
”
”
F. Scott Fitzgerald (Tender Is the Night)
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It was October in 1913, midway in a week of pleasant days, with the sunshine loitering in the cross-streets and the atmosphere so languid as to seem weighted with ghostly falling leaves.
”
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F. Scott Fitzgerald (The Beautiful and Damned)
“
One autumn night, five years before, they had been walking down the street when the leaves were falling, and they came to a place where there were no trees and the sidewalk was white with moonlight. They stopped here and turned toward each other. Now it was a cool night with that mysterious excitement in it which comes at the two changes of the year. The quiet lights in the houses were humming out into the darkness and there was a stir and bustle among the stars. Out of the corner of his eye Gatsby saw that the blocks of the sidewalks really formed a ladder and mounted to a secret place above the trees - he could climb to it, if he climbed alone, and once there he could suck on the pap of life, gulp down the imcomparable milk of wonder.
”
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F. Scott Fitzgerald (The Great Gatsby)
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There is an old Thai proverb to the effect that it is worthwhile to try and help an elephant that is trying to stand up, but perfectly useless to help one that happens to be falling down.
”
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Frances FitzGerald (Fire in the Lake: The Vietnamese and the Americans in Vietnam)
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These people could appreciate me and take me for granted, and these men would fall in love with me and admire me, whereas the clever men I meet would just analyze me and tell me I'm this because of this or that because of that." —Anthony for the moment wanted fiercely to paint her, to set her down now, as she was, as, as with each relentless second she could never be again. "What
”
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F. Scott Fitzgerald (The Beautiful and Damned)
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What'll we do with ourselves this afternoon?' cried Daisy, 'and the day after that, and the next thirty years?'
'Don't be morbid,' Jordan said. 'Life starts all over again when it gets crisp in the fall.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
What’ll we do with ourselves this afternoon,’ cried Daisy, ‘and the day after that, and the next thirty years?’ ‘Don’t be morbid,’ Jordan said. ‘Life starts all over again when it gets crisp in the fall.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
What'll we do with ourselves this afternoon?' cried Daisy, 'and the day after that, and the next thirty years?'
'Don't be morbid,' Jordan said. 'Life starts all over again when it gets crisp in the fall.
”
”
F. Scott Fitzgerald (The Great Gatsby: The Original F. Scott Fitzgerald that You Must Read Before You Die (Annotated))
“
Among both the learned and the not so learned it is accepted that poetry can be the language of the emotions; what does not gain such ready acceptance is that poetry is a living language whose syllables fall naturally into verse. And yet both these effects may be illustrated simultaneously by the easy experiment of dropping a weight on your toe. Any really prolonged and heartfelt profanity may lack originality but its imagery is elaborately fantastic; and it invariably scans.
”
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R.D. Fitzgerald
“
For those minutes courage flowed like wine out of the November dusk, and he was the eternal hero, one with the sea-rover on the prow of a Norse galley, one with Roland and Horatius, Sir Nigel and Ted Coy, scraped and stripped into trim and then flung by his own will into the breach, beating back the tide, hearing from afar the thunder of cheers . . . finally bruised and weary, but still elusive, circling an end, twisting, changing pace, straight-arming . . . falling behind the Groton goal with two men on his legs, in the only touchdown of the game. THE
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F. Scott Fitzgerald (This Side of Paradise)
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The rain was still falling, but the darkness had parted in the west, and there was a pink and golden billow of foamy clouds above the sea. “Look at that,” she whispered, and then after a moment: “I’d like to just get one of those pink clouds and put you in it and push you around.
”
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F. Scott Fitzgerald (The Great Gatsby)
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But Dick Diver - he was all complete there. Silently she admired him. His complexion was reddish and weather-burnt, so was his short hair - a light growth of it rolled down his arms and hands. His eyes were of a bright, hard blue. His nose was somewhat pointed and there was never any doubt at whom he was looking or talking - and this is a flattering attention, for who looks at us? Glances fall upon us, curious or disinterested, nothing more. His voice, with some faint Irish melody running through it, wooed the world, yet she felt the layer of hardness in him, of self-control and of self-discipline, her own virtues. Oh, she chose him, and Nicole, lifting her head, saw her choose him, heard the little sigh at the fact that he was already possessed.
”
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F. Scott Fitzgerald (Tender Is the Night)
“
We fall back into silence. I look around XO Café and notice that chatter happens mostly at tables where the diners are young and hip. The older couples, the ones sporting wedding bands that wink with their silverware, eat without the pepper of conversation. Is it because they are so comfortable, they already know what the other is thinking? Or is it because after a certain point, there is simply nothing left to say?
”
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Jodi Picoult (My Sister’s Keeper)
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Something not going well, Mr. Boxley?"
The novelist looked back at him in thunderous silence.
"I read your letter," said Stahr. The tone of the pleasant young headmaster was gone. He spoke as to an equal, but with a faint two-edged deference.
"I can't get what I write on paper," broke out Boxley. "You've all been very decent, but it's a sort of conspiracy. Those two hacks you've teamed me with listen to what I say, but they spoil it--they seem to have a vocabulary of about a hundred words."
"Why don't you write it yourself?" asked Stahr.
"I have. I sent you some."
"But it was just talk, back and forth," said Stahr mildly. "Interesting talk but nothing more."
Now it was all the two ghostly attendants could do to hold Boxley in the deep chair. He struggled to get up; he uttered a single quiet bark which had some relation to laughter but non to amusement, and said:
"I don't think you people read things. The men are duelling when the conversation takes place. At the end one of them falls into a well and has to be hauled up in a bucket."
He barked again and subsided.
Would you write that in a book of your own, Mr. Boxley?"
"What? Naturally not."
"You'd consider it too cheap."
"Movie standards are different," said Boxley, hedging.
"Do you ever go to them?"
"No--almost never."
"Isn't it because people are always duelling and falling down wells?"
Yes--and wearing strained facial expressions and talking incredible and unnatural dialogue."
"Skip the dialogue for a minute," said Stahr. "Granted your dialogue is more graceful than what these hacks can write--that's why we brought you out here. But let's imagine something that isn't either bad dialogue or jumping down a well.
”
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F. Scott Fitzgerald (The Love of the Last Tycoon)
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Fitzgerald still has that doe-eyed innocent look about him, but Mike's seen him on the ice, seen what he can do and he knows the kid's as vicious, deep down as the rest of them. He's got big blue eyes and hair constantly falling in his face and an ass that's spectacular even compared to the average hockey player and Mike wants him so bad, his teeth hurt, but Fitzgerald has no clue what he's playing with, so Mike keeps his goddamn hands to himself.
”
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Taylor Fitzpatrick (Thrown Off the Ice)
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It was the best hour of the day now and Basil was terribly happy. This summer he and his mother and sister were going to the lakes and next fall he was starting away to school. Then he would go to Yale and be a great athlete, and after that-- if his two dreams had fitted onto each other chronologically instead of existing independently side by side-- he was due to become a gentleman burglar. Everything was fine. He had so many alluring things to think about that it was hard to fall asleep at night.
”
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F. Scott Fitzgerald (The Basil and Josephine Stories)
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In the deep, wet tangled, wild jungle where even natives won't go is a mystical, dangerous river. The river's got no name because naming it would make it real, and no one wanted to believe that river be real. They say you get there only inside a dream-but don't you think of it at bedtime, now, 'cause not everyone who goes there be able to leave! That jungle canopy, it so leafy true daylight can never break in the riverbank, it be wet muck thick with creatures that eat you alive if you stay still too long. To miss that fate, you gots to go into the black water. But the water be heavy as hot tar; once you in, it bind you and pull you along, bit by bit, 'til you come to the end of the land, and then over the water goes in a dark, slow cascade, the highest falls in the history of the world ever. There be demons in that cascading water, and snakes, and wraiths that whisper in your ears. They love you, they say. You should give yourself to them, stay with them, become one of them, they say. 'Isn't it good here?' they say. 'No pain, no trouble.' But also no light and no love and no joy and no ground. You tumble and tumble as you fall, and you try and choose, but your mind be topsy-turvy and maybe you can't think so well, and maybe you can't choose right, and maybe you never wake up. "It felt like that," I tell Tootsie, "even after you got me out and Scott moved me to Highland. I couldn't choose. I couldn't shut out the wraiths...But you would say, 'Hang on, sweetie,' and Scottie would say, 'I miss you, Mama,' and Scott would hold me, just hold me and say nothing at all." Tootsie snorts. "Scott was useless the whole while." "Scott was in the river, too.
”
”
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
“
Danny’s Song” by Kenny Loggins “Reminder” by Mumford & Sons “Barton Hollow” by The Civil Wars “Like a Bridge Over Troubled Waters” by Simon and Garfunkel “I and Love and You” by The Avett Brothers “Make You Feel My Love” by Adele “Can’t Break Her Fall” by Matt Kearney “Stillborn” by Black Label Society “Come On Get Higher” by Matt Nathanson “I Won’t Give Up” by Jason Mraz “This Girl” by City & Colour “My Funny Valentine” by Ella Fitzgerald “Dream a Little Dream of Me” by Ella Fitzgerald and Louis Armstrong “Stormy Blues” by Billie Holiday “I would be Sad” by The Avett Brothers “Hello, I’m Delaware” by City & Colour “99 Problems” by Hugo (originally written and performed by Jay-Z) “It’s Time” by Imagine Dragons “Let It Be Me” by Ray LaMontagne “Rocketship” by Guster “Don’t Drink The Water” by Dave Matthews Band “Blackbird” by The Beatles
”
”
Jasinda Wilder (Falling Into You (Falling, #1))
“
But as musically evocative as Fitzgerald’s diction is, it’s his luxurious syntax that choreographs the scene. Like the liquid movement of the partygoers, his sentences “swell with new arrivals, dissolve and form in the same breath.” Fitzgerald’s long, languid rhythms rise and fall seamlessly, then “with triumph glide on through the sea-change of faces and voices and color under the constantly changing light.” His language is as opulent as the women’s costumes and as free-flowing as the champagne, continuing breathlessly to the end of the passage. As readers, we may eventually forget Fitzgerald’s colorful and musical descriptions, but we probably won’t forget the atmosphere of his fictional dream. Long after the last guest has departed and we’ve closed the covers on the novel, something— a fragrance, a snatch of song, a feeling—will remain in the summer air. ATTITUDE
”
”
Rebecca McClanahan (Word Painting: A Guide to Writing More Descriptively)
“
walking down the street when the leaves were falling, and they came to a place where there were no trees and the sidewalk was white with moonlight. They stopped here and turned toward each other. Now it was a cool night with that mysterious excitement in it which comes at the two changes of the year. The quiet lights in the houses were humming out into the darkness and there was a stir and bustle among the stars. Out of the corner of his eye Gatsby saw that the blocks of the sidewalk really formed a ladder and mounted to a secret place above the trees—he could climb to it, if he climbed alone, and once there he could suck on the pap of life, gulp down the incomparable milk of wonder. His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
Deary me, boys, why? Why would someone with so much going for him have... have... ended it all in the way he appears to have done?
'Oh father, you see, it could be for any number of reasons ,' Andy said, serious and fluent, as if he was an expert on the subject. 'Personally I think it's a miracle that any of us survives.'
What do you mean? said the Priest.
'I mean' continued Andy, 'there's this one moment as you're growing up when the world suddenly feels more or less pointless- when the terribleness of reality lands on you, like something falling from the sky.'
'Something falling? Like what? asked Father Frank, trying his best.
'Something big, like a piano, say, or a fridge. And when that happens, there's no going back to the time when it hadn't landed on you.'
‘But what about the pleasures and the joy and the purpose, like sport, music, girls and the like?’ Father Frank was nearly pleading now.
‘Fiction,’ sighed Andy. ‘Mirages in the desert of life, to make people feel like it might be worth it.’
‘Oh,’ said Father Frank. ‘Oh I see, and do all you youngsters get this feeling?’
‘Yes, I think so,’ said Andy, not even asking anyone else for their opinion, but most of us learn to live with it.’
‘Well that’s a relief, I suppose.
”
”
Sarah Moore Fitzgerald
“
Dear Oscar
I don’t know how to say this any other way but, you see, I need to explain something. I can’t stop thinking about that night when you rescued Barney with you tart – and how good and kind I realise you’ve always been. It wasn’t until this morning when you sent me an apple tart of my own that I finally knew what it is that I have to tell you.
The timing is pretty terrible, but, you see, the reason I haven’t wanted to go away is because I’ve wanted to stay here, and the reason I’ve wanted to stay here is because of you.
I’ve nothing against New Zealand or anything but because of how I feel, specifically about you, the whole world looks different.
I don’t know whether it’s because of everything has got darker or lighter. I guess that depends on how you feel about me which is, I hope, the same.
So anyways, look, you’ve convinced me that I should, as you say ‘embrace the adventure’ so that is what I have decided to do. It was the taste of you apple tart that finally made up my mind to give this my all. But I need to know you’ll be here when I come back.
I love you Oscar Dunleavy.
I’ve been falling in love with you since that day we first met.
I need to have some idea about whether you feel the same way about me. Send me a sign.
Anything will do.
Love,
Meg
”
”
Sarah Moore Fitzgerald (The Apple Tart of Hope)
“
F. Scott Fitzgerald line: Life starts all over again when it gets crisp in the fall.
”
”
Blake Crouch (Dark Matter)
“
By combining software with another, more readily monetized product — services, in this case — Amazon is able to efficiently extract profit from a growing, volume market. What’s more impressive, however, is that because Amazon is building primarily from either free software (in the economic sense) or software it developed internally, it is paying out minimal premiums to third parties for the services it offers. Which means that not only is AWS a volume business, it may be a high-margin business at the same time. Amazon does not break out its AWS revenues, so we’re forced to rely on estimates, but UBS analysts Brian Fitzgerald and Brian Pitz projected in 2010 that AWS’s margins would grow from 47% in 2006 to 53% in 2014. Last year, Andreas Gauger, the chief marketing officer for Amazon competitor ProfitBricks, estimated Amazon’s margins were better than 80%.
”
”
Stephen O’Grady (The Software Paradox: The Rise and Fall of the Commercial Software Market)
“
We have constant need of prayer, therefore, in the same way that we need air to breathe. Prayer holds the key to our true happiness, our perseverance in faith and grace, our strength to avoid falling into sin, and our willingness to bear the weight of sorrows and trials. In a word, prayer holds the key to our eternal salvation. Jesus
”
”
Maurus Fitzgerald (Catholic Book of Prayers)
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Any athlete who experienced race-level effort completely out of context would instantly regain full respect for its awfulness. If a runner were to suddenly experience the same level of effort she felt during the last mile of her hardest marathon while climbing a flight of steps at home, for example, she would probably fall to the floor and call for help, believing she was dying.
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Matt Fitzgerald (How Bad Do You Want It?: Mastering the Psychology of Mind over Muscle)
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Of an entirely different order is Brennan’s magnificent performance as Pop Gruber, an aging grifter in Nobody Lives Forever (November 1, 1946), starring John Garfield as a con man, Nick Blake, who eventually goes straight after falling in love with Gladys Halvorsen (Geraldine Fitzgerald, in the prime of her beauty). The script by W. R. Burnett, one of masters of film noir, provides not just Brennan, but also George Coulouris (Doc Ganson) with more dimension than is usually accorded heavies in crime dramas.
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Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
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If ever Scott Fitzgerald needed evidence to substantiate his aphorism that “the very rich…are different from you and me,” it was here in spades in this portrait gallery of extravagant crazies that is the unique saga of the Vanderbilt family.
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Arthur T. Vanderbilt II (Fortune's Children: The Fall of the House of Vanderbilt)
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Oscar’s hobby was saving people. He used to save people all the time, and fix things that were broken and catch people when they were falling. It wasn’t a skill you’d immediately know about or notice. Stevie said that Oscar had a gift and the gift was that he could smell things you wouldn’t imagine would smell of anything- things like sadness and desperation. Things like far and hopelessness.
He never made a big deal about it, but he was quiet and confident – and when you believe in own abilities, you are much more likely to be always ready to act on them, which Oscar always was. Whenever I asked him about it, he claimed that his were not exceptional or extraordinary abilities in the slightest. Everyone, he said, is able to tell when someone is in need of help, but few people really take the time to listen to their instincts, and that, he said, was the only difference between him and a lot of other of people.
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Sarah Moore Fitzgerald (The Apple Tart of Hope)
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It doesn’t get any better than the first week of October. It always puts me in mind of that F. Scott Fitzgerald line: Life starts all over again when it gets crisp in the fall.
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Blake Crouch (Dark Matter)
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services as a tree trimmer.92 In the fall of 1975, while still promoting Cuckoo’s Nest, Nicholson played a very small part in his pal Sam Spiegel’s production of F. Scott Fitzgerald’s The Last Tycoon, based on the life of MGM wonder boy Irving Thalberg, who made Metro the dominant
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Edward Douglas (Jack: The Great Seducer: A Biography of Jack Nicholson)
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Somewhere he can shelter,’ he said, whispering and wheezing a bit, but not slowing for a second. ‘Somewhere he can get warm, and where no one can find him. Don’t mess it up, Barney. This boy is falling. You must catch him.
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Sarah Moore Fitzgerald (The Apple Tart of Hope)
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According to Fitzgerald, Omar Khayyam was educated along with two friends, both as bright as he: Nizam al Mulk and Hasan al Sabbah. One day Hasan proposed that, since at least one of the three would attain wealth and power, they should vow that “to whomsoever this fortune falls, he shall share it equally with the rest, and preserve no preeminence for himself.” They all took the oath, and in time Nizam became vizier to the sultan. His two friends sought him out and claimed their due, which he granted as promised.
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Peter L. Bernstein (Against the Gods: The Remarkable Story of Risk)
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It always puts me in mind of that F. Scott Fitzgerald line: Life starts all over again when it gets crisp in the fall.
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Blake Crouch (Dark Matter)
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I love Thy kingdom, Lord, The house of Thine abode, The Church our blest Redeemer bought With His own precious blood. I love the Church, O God! Her walls before Thee stand, Dear as the apple of Thine eye And graven on Thy hand. For her my tears shall fall, For her my prayers ascend; To her my cares and toils be given Till toils and cares shall end. Beyond my highest joy I prize her heavenly ways, Her sweet communion, solemn vows, Her hymns of love and praise. Sure as Thy truth shall last, To Zion shall be given The brightest glories earth can yield, And brighter bliss of heaven.
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Paul Fitzgerald Buckley (Confessions of a 21st Century Martyr)
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Love is an afterthought, plenty of people fall in love after many years of being married. Alice doesn't like me yet, but she will soon. And I have checked every rule and law, I am allowed this privilege so long as she came on her own, which with all things considered, she technically did. So, I'm claiming her as mine.
— Fitzgerald (King of Diamonds)
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B.A. Lovejoy (Alice in the Land of Clovers (Alice: Pick a Card #1))
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The loneliest moment in someone’s life is when they are watching their whole world fall apart, and all they can do is stare blankly.” —F. SCOTT FITZGERALD, THE GREAT GATSBY
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Julia Bryan Thomas (The Radcliffe Ladies’ Reading Club)
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At that precise moment, while the juniors were eating their dessert at Prunier's, Annie fell in love with RPD absolutely, and hers must have been the last generation to fall in love without hope in such an unproductive way. After the war the species no longer found it biologically useful, and indeed it was not useful to Annie. Love without hope grows in its own atmosphere, and should encourage the imagination, but Annie's grew narrower.
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Penelope Fitzgerald
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Into each life some rain must fall.
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Ella Fitzgerald
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LORD, God Almighty, You have brought us safely to the beginning of this day. Defend us today by Your mighty power, that we may not fall into any sin, but that all our words may so proceed and all our thoughts and actions be so directed, as to be always just in your sight. Through Christ our Lord. Amen. Direct, we beg You, O Lord, our actions by Your holy inspirations, and carry them on by Your gracious assistance, that every prayer and work of ours may begin always with You, and through You be happily ended. Amen.
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Maurus Fitzgerald (Catholic Book of Prayers)
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Someone once told me that I didn't have to be afraid. Fear isn't real. Like the ghosts of my childhood nightmares, it's an illusion. My father lied to comfort and protect me from the real world so I would fall back to sleep. I want to be little again; innocent and naïve. Today's world is cruel. Anxiety and fear are an intrinsic part of life. We fear the unknown, losing who we love and death. The only thing we ought to fear is fear itself, the feeling of unrelenting terror that paralyses your soul.
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Vicki Fitzgerald (Briguella)
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The loneliest moment in someone’s life is when they are watching their whole world fall apart, and all they can do is stare blankly. ― F. Scott Fitzgerald
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Susan Marie Molloy (The Stars Do Not Judge)
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We emerge into the warm night air and I smell the honeyed wisteria, hear an owl hooting across the fields on the far side of the river. I’m eager to dive in; I love to swim. I’m picking my way down the little slope when, behind me, I hear a commotion, and look back to see Paige braced between Evan and Leo; she’s tripped on her wedge heels and is cackling like a banshee.
Kendra looks at me and rolls her eyes.
“Hopefully the cold water’ll sober her up a bit,” she says resignedly.
I don’t answer, even though I completely agree. Because, leaning against the wall of the club on our left, long legs crossed at the ankles, shoulders propped square to the stone, black hair falling over his face, is a silhouette that looks eerily familiar, like a ghost that haunts my dreams. There’s a book called The Beautiful and Damned, by F. Scott Fitzgerald, that I found in the villa’s library, and I’ve been reading it. I don’t quite understand it all; to be honest, I pulled it off the shelf because the title spoke to me, made me think of him. Luca. Definitely beautiful, and the damned part fits too, because he’s so dark, so brooding, so sad; it feels sometimes as if he doesn’t want to reach for happiness, as if he actually pushes it away--
But he saved me when I saw in danger, I remind myself. He saved my life. And then he told me he thought I might be his half sister. Which meant we couldn’t see each other anymore, in case that was true…
A red dot flashes in the blue-black night as the figure raises a cigarette to his lips.
It can’t be Luca, I tell myself. We’re beyond Siena, miles and miles from Chianti, where he lives. It can’t be him.
Everyone’s already passed me, brushing by as I stopped to stare at the lean boy draped against the roadhouse wall.
“Violet!” Kelly calls, her voice high and thrilled. “Come on! Wait till you see this!”
I turn back toward the river and plunge down the little path as if I were being chased by the hounds of hell. Away from a silhouette that’s making me think of things--want things--that I can never have.
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Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
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The loneliest moment in someone’s life is when they are watching their whole world fall apart, and all they can do is stare blankly.’ F. Scott Fitzgerald
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Josiah Hartley (The Boy Between: A Mother and Son's Journey From a World Gone Grey)
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The loneliest moment in someone’s life is when they are watching their whole world fall apart, and all they can do is stare blankly.” —F. Scott Fitzgerald
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Thomas Benigno (The Criminal Lawyer (Good Lawyer, #2))
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Scott Fitzgerald’s, The Great Gatsby. “The loneliest moment in someone’s life is when they are watching their whole world fall apart, and all they can do is stare blankly.
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Thomas Benigno (The Criminal Lawyer (Good Lawyer, #2))