Obituary Sayings Quotes

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When they write my obituary. Tomorrow. Or the next day. It will say, Leo Gursky is survived by an apartment full of shit
Nicole Krauss (The History of Love)
Read your own obituary notice; they say you live longer. Gives you second wind. New lease of life.
James Joyce (Ulysses)
I don't care if the New York Times writes an obituary for me. I just want you to write one. ... You say you're not special because the world doesn't know about you, but that's an insult to me. I know about you.
John Green (The Fault in Our Stars)
I'd been making desicions for days. I picked out the dress Bailey would wear forever- a black slinky one- innapropriate- that she loved. I chose a sweater to go over it, earrings, bracelet, necklace, her most beloved strappy sandals. I collected her makeup to give to the funeral director with a recent photo- I thought it would be me that would dress her; I didn't think a strange man should see her naked touch her body shave her legs apply her lipstick but that's what happened all the same. I helped Gram pick out the casket, the plot at the cemetery. I changed a few lines in the obituary that Big composed. I wrote on a piece of paper what I thought should go on the headstone. I did all this without uttering a word. Not one word, for days, until I saw Bailey before the funeral and lost my mind. I hadn't realized that when people say so-and-so snapped that's what actually happens- I started shaking her- I thought I could wake her up and get her the hell out of that box. When she didn't wake, I screamed: Talk to me. Big swooped me up in his arms, carried me out of the room, the church, into the slamming rain, and down to the creek where we sobbed together under the black coat he held over our heads to protect us from the weather.
Jandy Nelson (The Sky Is Everywhere)
Death devours not only those who have been cooked by old age; it also feasts on those who are half-cooked and even those who are raw.
Mokokoma Mokhonoana (The Use and Misuse of Children)
Although champagne was served, the mood was curiously subdued. After this reunion, they would probably never meet together as a class again—at least not in such numbers. They would spend the next decades reading obituaries of the men who had started out in 1954 as rivals and today were leaving Harvard as brothers. This was the beginning of the end. They had met once more and just had time enough to learn that they liked one another. And to say goodbye.
Erich Segal (The Class)
I have a friend who says we spend the first half of our life building it and the second half preventing it from falling apart. I’d rather be under construction when I die.
Heather Lende (Find the Good: Unexpected Life Lessons from a Small-Town Obituary Writer)
The lions of hard rock, guys like Robert Plant, Roger Daltrey, Brian Johnson, Rob Halford, these monsters feel completely timeless, iconic, eternal. They simply shall not, will not, do not die. It's almost impossible to imagine a musical world without Robert Plant. No metal fan of any stripe can imagine a day when, say, Iron Maiden shuts it all down because Bruce Dickinson turned 85 and suddenly can't remember the lyrics to "Hallowed Be Thy Name." Metal revels in the raw energy and unchecked phantasmagorical ridiculousness of youth. It is all fire and testosterone and rebellious fantasy. It doesn't go well with reality. So it is for hard rock and a guy like Dio, an elfin titan with an undying love for lasers and sorcery, dragons and kings. The man wrote some terribly corny metal songs, but he sang every one with a ferocity and love and total honesty. He also wrote some of the finest hard rock melodies of all time, sang them with a precision and love unmatched by any hard rock singer since. It's a rare thing to give metal some heartfelt props. It is time. Raise your devil horns and salute.
Mark Morford
Sometimes during the night I'd look at my poor sleeping mother cruelly crucified there in the American night because of no-money, no-hope-of-money, no family, no nothing, just myself the stupid son of plans all of them compacted of eventual darkness. God how right Hemingway was when he said there was no remedy for life - and to think that negative little paper-shuffling prissies should write condescending obituaries about a man who told the truth, nay who drew breath in pain to tell a tale like that! ... No remedy but in my mind I raise a fist to High Heaven promising that I shall bull whip the first bastard who makes fun of human hopelessness anyway - I know it's ridiculous to pray to my father that hunk of dung in a grave yet I pray to him anyway, what else shall I do? sneer? shuffle paper on a desk and burp rationality? Ah thank God for all the Rationalists the worms and vermin got. Thank God for all the hate mongering political pamphleteers with no left or right to yell about in the Grave of Space. I say that we shall all be reborn with the Only One, and that's what makes me go on, and my mother too. She has her rosary in the bus, don't deny her that, that's her way of stating the fact. If there can't be love among men let there be love at least between men and God. Human courage is an opiate but opiates are human too. If God is an opiate so am I. Thefore eat me. Eat the night, the long desolate American between Sanford and Shlamford and Blamford and Crapford, eat the hematodes that hang parasitically from dreary southern trees, eat the blood in the ground, the dead Indians, the dead pioneers, the dead Fords and Pontiacs, the dead Mississippis, the dead arms of forlorn hopelessness washing underneath - Who are men, that they can insult men? Who are these people who wear pants and dresses and sneer? What am I talking about? I'm talking about human helplessness and unbelievable loneliness in the darkness of birth and death and asking 'What is there to laugh about in that?' 'How can you be clever in a meatgrinder?' 'Who makes fun of misery?' There's my mother a hunk of flesh that didn't ask to be born, sleeping restlessly, dreaming hopefully, beside her son who also didn't ask to be born, thinking desperately, praying hopelessly, in a bouncing earthly vehicle going from nowhere to nowhere, all in the night, worst of all for that matter all in noonday glare of bestial Gulf Coast roads - Where is the rock that will sustain us? Why are we here? What kind of crazy college would feature a seminar where people talk about hopelessness, forever?
Jack Kerouac (Desolation Angels)
For most of my life, I would have automatically said that I would opt for conscientious objector status, and in general, I still would. But the spirit of the question is would I ever, and there are instances where I might. If immediate intervention would have circumvented the genocide in Rwanda or stopped the Janjaweed in Darfur, would I choose pacifism? Of course not. Scott Simon, the reporter for National Public Radio and a committed lifelong Quaker, has written that it took looking into mass graves in former Yugoslavia to convince him that force is sometimes the only option to deter our species' murderous impulses. While we're on the subject of the horrors of war, and humanity's most poisonous and least charitable attributes, let me not forget to mention Barbara Bush (that would be former First Lady and presidential mother as opposed to W's liquor-swilling, Girl Gone Wild, human ashtray of a daughter. I'm sorry, that's not fair. I've no idea if she smokes.) When the administration censored images of the flag-draped coffins of the young men and women being killed in Iraq - purportedly to respect "the privacy of the families" and not to minimize and cover up the true nature and consequences of the war - the family matriarch expressed her support for what was ultimately her son's decision by saying on Good Morning America on March 18, 2003, "Why should we hear about body bags and deaths? I mean it's not relevant. So why should I waste my beautiful mind on something like that?" Mrs. Bush is not getting any younger. When she eventually ceases to walk among us we will undoubtedly see photographs of her flag-draped coffin. Whatever obituaries that run will admiringly mention those wizened, dynastic loins of hers and praise her staunch refusal to color her hair or glamorize her image. But will they remember this particular statement of hers, this "Let them eat cake" for the twenty-first century? Unlikely, since it received far too little play and definitely insufficient outrage when she said it. So let us promise herewith to never forget her callous disregard for other parents' children while her own son was sending them to make the ultimate sacrifice, while asking of the rest of us little more than to promise to go shopping. Commit the quote to memory and say it whenever her name comes up. Remind others how she lacked even the bare minimum of human integrity, the most basic requirement of decency that says if you support a war, you should be willing, if not to join those nineteen-year-olds yourself, then at least, at the very least, to acknowledge that said war was actually going on. Stupid fucking cow.
David Rakoff (Don't Get Too Comfortable: The Indignities of Coach Class, The Torments of Low Thread Count, The Never-Ending Quest for Artisanal Olive Oil, and Other First World Problems)
When my obituary notice at last appears in The Times, and they say: ‘What, I thought he died years ago,’ my ghost will gently chuckle.
W. Somerset Maugham (A Writer's Notebook (Vintage Classics))
I understood for the first time how correct it was to say that she was 'survived by her husband'. I had seen that expression used in obituaries without ever giving it a thought, but it turned out to be a term of great precision. I had survived Mary Rose only barely. I was struggling to survive her.
Kathleen MacMahon (Nothing but Blue Sky)
The striking thing about death, she thought, was its eventfulness. It made you see you were leading a real life. Real life at last! you could say. Was that why she read the obituaries each morning, hunting familiar names? Was that why she carried on those hushed, awed conversations with the other workers when one of the nursing home patients was carted away in a hearse?
Anne Tyler (Breathing Lessons)
One day a little old lady came and asked my name, saying she couldn’t read my nametag. I told her and reached for the little slip of paper she held, but she put it behind her back. It seemed she wanted to chat before giving it up. Fine with me. We chatted about our matching cardigans (the fact that I dress like a little old lady was not lost on me) and we chatted about how the Portland weather bothered her bones. We talked for a long while about her husband and how much she’d grown to hate him over the years. Then, since I guessed I’d earned her trust, she handed me her slip of paper. It was for a book on exotic poisons. I got her the book and spent the next few weeks scanning the obituaries for every old man that had died. So, yes, folks I may be an accomplice to murder. Don’t say there’s no excitement at the library.
Nick Pageant (Beauty and the Bookworm (Beauty and the Bookworm #1))
Since her death in 1979, the woman who discovered what the universe is made of has not so much as received a memorial plaque. Her newspaper obituaries do not mention her greatest discovery. […] Every high school student knows that Isaac Newton discovered gravity, that Charles Darwin discovered evolution, and that Albert Einstein discovered the relativity of time. But when it comes to the composition of our universe, the textbooks simply say that the most abundant atom in the universe is hydrogen. And no one ever wonders how we know.
Jeremy Knowles
As in most obituaries, the author said little about the man; they rarely do. But the reticence here was greater than usual. It mentioned that Ravenscliff left a wife, but did not say when they married. It said nothing at all about his life, nor where he lived. There were not even any of the usual phrases to give a slight hint: ‘a natural raconteur’ (loved the sound of his own voice); ‘Noted for his generosity to friends’ (profligate); ‘a formidable enemy . . .’ (a brute); ‘a severe but fair employer . . .’ (a slave-driver); ‘devoted to the turf’ (never read a book in his life); ‘a life-long bachelor’ (vice); ‘a collector of flowers’ (this meant a great womaniser. Why it came to mean such a thing I do not know.) More browsing
Iain Pears (Stone's Fall)
This scroll is my personal obituary, a journal that documents my time toiling on this rocky orb. I labored to say who I am, how I lived, and frame the troubling questions regarding what I seek. I wrote in order to penetrate illusions, address the tedium of existence, gain insight into my true nature, and give conscious shape to the vestiges of a tormented man. I used this written journey of the mind to explore all prior reference points of self-identity and toiled to meld the disharmonious components of a fragmented psyche into a wholesome human being. Writing was a tool employed to use conscious suffering mercilessly to suppress a caustic ego and resurrect a more inclusive, synthetic, and unitive consciousness that no longer wants for anything or suffers from the travails of life.
Kilroy J. Oldster (Dead Toad Scrolls)
He recalls that the room went ‘icy cold’ as his patient Catherine strangely began to channel messages from Dr Weiss’s own deceased family members; things she could not have possibly known. “She didn’t know anything about me,” Dr Weiss says. “I didn’t even have diplomas in my office. This was before the internet, and she’s telling me “You’re Father’s here and your son.” Dr Weiss remembers his shock that a stranger shared so many facts about his life, including that his Father had tragically died from a heart condition. “She tells me my daughter is named after my Father..which she is, and it is an unusual name. She said, “Your Father is here; he died from his heart.” And she went into other medical details. “I’m thinking, “What is this? How does she know this?” My Father never had an obituary.
Tessy Rawlins (True Stories of Afterlife Communication. Messages from our loved ones; True Stories from Heaven. Proof of the Afterlife.)
Second, you should know that if you choose to be a tyrant, you are conscripting yourself to a life of paranoia and isolation. Your reign will be defined by treachery, rebellion, and terror of your own dwindling faculties. I have conducted a survey of history and found that the most common causes of death among dictators are beheading, dismembering, disemboweling, hanging, and poisoning. Have you never wondered why the bullies of the past are always anemic, impotent, depraved, incestuous, deformed bedwetters? It's because their obituaries were written by their victims, written by the very men and women who pulled down their pants and chopped off their heads. So shall it be for you. You will live in fear, die in violence, and your name will be scorned for generations. Ruminate upon your fate young man, that is all I have to say to you.
Josiah Bancroft (The Fall of Babel (The Books of Babel, #4))
I Won’t Write Your Obituary You asked if you could call to say goodbye if you were ever really gonna kill yourself. Sure, but I won’t write your obituary. I’ll commission it from some dead-end journalist who will say things like: “At peace… Better place… Fought the good fight…” Maybe reference the loving embrace of Capital-G-God at least 4 times. Maybe quote Charles fucking Bukowski. And I won’t stop them because I won’t write your obituary. But if you call me, I will write you a new sky, one you can taste. I will write you a D-I-Y cloud maker so on days when you can’t do anything you can still make clouds in whatever shape you want them. I will write you letters, messages in bottles, in cages, in orange peels, in the distance between here and the moon, in forests and rivers and bird songs. I will write you songs. I can’t write music, but I’ll find Rihanna, and I’ll get her to write you music if it will make you want to dance a little longer. I will write you a body whose veins are electricity because outlets are easier to find than good shrinks, but we will find you a good shrink. I will write you 1-800-273-8255, that’s the suicide hotline; we can call it together. And yeah, you can call me, but I won’t tell you it’s okay, that I forgive you. I won’t say “goodbye” or “I love you” one last time. You won’t leave on good terms with me, Because I will not forgive you. I won’t read you your last rights, absolve you of sin, watch you sail away on a flaming viking ship, my hand glued to my forehead. I will not hold your hand steady around a gun. And after, I won’t come by to pick up the package of body parts you will have left specifically for me. I’ll get a call like “Ma’am, what would you have us do with them?” And I’ll say, “Burn them. Feed them to stray cats. Throw them at school children. Hurl them at the sea. I don’t care. I don’t want them.” I don’t want your heart. It’s not yours anymore, it’s just a heart now and I already have one. I don’t want your lungs, just deflated birthday party balloons that can’t breathe anymore. I don’t want a jar of your teeth as a memento. I don’t want your ripped off skin, a blanket to wrap myself in when I need to feel like your still here. You won’t be there. There’s no blood there, there’s no life there, there’s no you there. I want you. And I will write you so many fucking dead friend poems, that people will confuse my tongue with your tombstone and try to plant daisies in my throat before I ever write you an obituary while you’re still fucking here. So the answer to your question is “yes”. If you’re ever really gonna kill yourself, yes, please, call me.
Nora Cooper
At the end of that week, Navin arrived to marry me. I was repulsed by the sight of him, not because I had betrayed him but because he still breathed, because he was there for me and had countless more days to live. And yet without his even realizing it, firmly but without force, Navin pulled me away from you, as the final gust of autumn wind pulls the last leaves from the trees. We were married, we were blessed, my hand was placed on top of his, and the ends of our clothing were knotted together. ... I returned to my existence, the existence I had chosen instead of you. It was another winter in Massachusetts, thirty years after you and your parents had first gone away. In February, Giovanna got in touch to say she had heard the news from Paola. A small obituary ran in The New York Times. By then I needed no proof of you absence from the world; I felt it as plainly and implacably as the cells that were gathering and shaping themselves in my body. Those cold, dark days I spent in bed, unable to speak, burning with new life but mourning your death, went unquestioned by Navin, who had already begun to take a quiet pride in my condition. ... It might have been your child but this was not the case. We had been careful, and you had left nothing behind.
Jhumpa Lahiri (Unaccustomed Earth)
She doesn't like obituaries. She says they're half bragging and half crying, and it's not a good combination" -Maisie
Ellen Wittlinger (Saturdays with Hitchcock)
Not Your Stereotypical Southern Belle By Betsy Shearon, George Grits I grew up being more interested in scoring touchdowns than wearing tiaras. I never particularly wanted to get married and was well into my thirties before I even got engaged. And although I am a devoted aunt, the call of motherhood for me has always sounded strangely similar to the “Warning Will Robinson!” cry on the old Lost in Space television show. Still, I consider myself a true Southern Girl, simply because, as we say in the South, my mama done raised me right. I say, “yes, ma’am,” “no, sir,” “please” and “thank you.” I am respectful of my elders, even my great-aunt Ida Mable, whose food we were never allowed to eat at family reunions. (Suffice it to say that eccentricity not only runs in my family, it pretty much gallops.) I always wear clean underwear in case I am in an accident. And I always leave the house clean before I go on a trip in case I get killed and strangers have to come into my house to get my funeral wear (this is despite the fact that I have yet to read an obituary that said, “she left a husband, two children, and an immaculate house.”) And I know things that only Southern girls know, such as the fact that it is possible to “never talk to strangers and at the same time greet everyone you meet with a smile and a hello. I know that it is possible to “always tell the truth,” but to always answer “fine” when someone asks how you are--even if your hair is on fire at the time. It is this knowledge that allows us to turn the other cheek when people say ugly things like “Southern girls are stupid, barefoot and pregnant.” Southern girls realize that, given the swollen feet and ankles that accompany pregnancy, going barefoot when possible is actually a very smart and sensible thing to do--and that the Yankees who say things like that probably wouldn’t talk so ugly if their feet didn’t hurt, bless their hearts.
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
Seventh of Ten Elegies for Fire and Oxycodone Larry Levis living down in the flat part of Virginia draws his life In a Late Style of Fire his obituary doesn't say it but drugs killed him one way or another of course they don't print those sorts of things in papers didn't used to in poems neither where he wrote about jacking off sending meth for god to try he was teaching then at the same college we'd find you or you'd find yourself getting kicked out of for growing weed I wonder what Levis knew about Rome its firemen the most American things you ever heard of that never heard of America - When that great aunt died we included After a long battle with breast cancer in the draft of her obituary the paper took out breast too sexy for the news when you died nobody included how in the paper for the sake of decorum as if they were pulling something off as if people around here saw an obit for a 25-year-old no listed cause of death thought anything other than overdose or suicide the only folks fooled are those from the future the ones combing death records to find out how we lived the trouble with decorum the future won't know who did this to us who and how bad
Robert Wood Lynn (Mothman Apologia)
Kanafani's obituary in the Daily Star, a Beirut English-language newspaper, described him as the "commando who never fired a gun" and went on to say that "his weapon was a ballpoint pen and his arena newspaper pages. And he hurt the enemy more than a column of commandos.
Barbara Harlow (Resistance Literature)
Capone: Yo, quick question… what you want your obituary to say? I stared at the text message from Capone confused. He surely must have sent that to the wrong person. Me: Wait… Huh? Capone: Tell that nigga to remove his hands from your waist or I’m shooting. Me: You’re here?! I quickly replied.
Jahquel J. (Capone (Season one: Delgato Family Book 1))
Have you ever had an experience where, had things turned out just a little bit differently, your entire life would have been transformed? Like a Supreme Court clerkship, a Rhodes Scholarship gets mentioned in your obituary. The door was open just a crack, in a way that seemed to say “I have an ‘open door’ policy, but I really don’t want to be bothered.” Success didn’t take you off the treadmill, but simply put you on a different treadmill, at a higher speed and with a steeper incline. When we’re young, overachieving, and unstoppable, we all think we’re special. But as we grow older, we reach a more realistic understanding of our place in the world. It happens at different times for different people, but eventually we all come to terms with our own ordinariness.
David Lat (Supreme Ambitions)
Sometime in her midthirties, she did an exercise writing her own obituary. What would people say about her after she died, she wondered. She wrote two versions of her obituary. The first version reflected how things would turn out given her then-current life trajectory. The second version reflected the life she aspired to live.
Chade-Meng Tan (Search Inside Yourself: The Unexpected Path to Achieving Success, Happiness (And World Peace))
Three times a day, every day, the meal we were given was exactly the same: a handful of rice, half a bowl of soup, and a few shreds of kimchi. And this was shared between two. The relief I felt when I was partnered with Kim Jin-su says something about the state I’d been reduced to at that point, a brute animal with whatever had once been human having been gradually sucked out. Why was I so relieved? Because he looked like he wouldn’t eat much. Because he was pale, with dark shadows around his eyes that made him look like he belonged in a hospital. Because of his empty, lifeless eyes. A month ago, when I saw his obituary, those eyes were the first things I thought of. Those eyes that used to track my every movement as I fished out a bean sprout from the watery soup; that regarded me in silence as I stared with open hatred at any morsel of food that passed his lips, consumed with the fear that he might take it all for himself; those cold, empty eyes, utterly devoid of anything that could be said to resemble humanity. Just like my own.
Han Kang (Human Acts)
I don’t care what anyone says, when you are reading nice things about yourself for two or three days straight it creates a weird sense of detachment; it’s almost an out-of-body experience. It felt like I was reading my obituary – one of my friends even texted me, asking, ‘Are you dead?
Alastair Cook (The Autobiography)
I have a feeling he’s aware of everything going on around him and that he’ll jump to his feet at the slightest provocation and kill whoever bothered him with that damn sausage. I wonder what my obituary would say in that scenario? Here lies Nicholette Bettencourt, who died from being whipped to death by sausage. Rest in peace. Then again, do the criminals here get obituaries?
Ashlyn Hades (Broken Phoenix (Wicked Island))
An Ode to The Occupants of The Titan Sub In the depths where everything is dark, Nothing exists and one tends to lose every mark, Of the reality that lies above, And the memories of the ones you love, Appear to float by like voluptuous sirens, And you think of the benevolent Titans, Then as the pressure mounts you hear a creaking sound, Slowly building up inside the hollow chamber where now only fear does abound, Then as your heart races and it does frantically pound, You feel you are to an unknown and impending doom bound, And you summon all your Gods in the form of your fears, And you gauge the ferocity of all the snares, Building from above, bottom, left and right, It is then you hold your equally fearful companion’s hand tight, And you remember all that you loved and those you still love, But they are far up and above, and you are here in the abyss now, Where darkness spreads endlessly and the creaking sound becomes louder, And all of a sudden you feel you are hit by a titanic sized aqueous boulder, Everything implodes, but only your heart and your memories explode, As they surface on the horizon of perception and your loved ones rush to the abode, Of the Gods where castles of prayers are erected, Prayers rising from the heart that gods have not defected, There they rush, and implore, But the Titans become quieter and they think Gods too ignore, The cries of the lamenting and remorseful heart, But little do they know praying is not an art, It is a feeling sublime and serene that arises from within, And when expressed with sincerity in the universe its resonance does deepen, And then Gods respond with care, And they always say, “darling, there is nothing to fear.” This sounds assuaging for many reasons, known and unknown, And your kin and kith experience the familiarity in these consolations offered by the unknown, And to the five departed adventurers of the deep sea, I hope in their Heavenward journey, now they shall new wonders see, And be the part of a greater adventure, That I call the God’s enterprising venture, As for the wonder of the abyss, There shall always be someone who for its thrill would miss, Anything and everything else, Because if he/she doesn't, then he/she will be someone else, That is why they dare to take on the Gods of the dark and deep, Because human passion is something that into the soul does seep, And unless tasted and confronted, this adventurer residing within the soul does not let him/her to sleep, So let me wish the 5 adventurers all the best on their new journey, Where there is no need for submersibles for in that world one attains natural buoyancy, and this too is one hell of a journey! As for those woe struck loved ones still residing in the realm of gravity, I hope they find assuaging moments in their thoughtful proclivity, Where they notice the universe flowing through their departed and loved one, Because every adventure is an expression of belief in love for someone, That someone who does not fear the abyss, That someone who dares to be the one, and never miss, The adventures that await him/her in those unknown realms, Where even the Titans sometimes bear signs of qualms, There let us go and seek the knowledge that awaits to reveal itself, Only if the adventurer believes in himself/herself, And I think that is where all 5 adventurers can always be found, In the realm of the Titans where knowledge does abound, where knowledge does abound!
Javid Ahmad Tak (They Loved in 2075!)
The radical acceptance of the accumulations of our lives is born in the giving up, the acknowledgment of the artifice. It is what journalist Ken Fuson exudes in his self-penned obituary. Having been unshackled from pretense by a public struggle with addiction and freed from performance by impending bodily death, Fuson delivered a remarkable eulogy for himself: He attended the university’s famous School of Journalism, which is a clever way of saying, “almost graduated but didn’t.” . . . In 1996, Ken took the principled stand of leaving the Register because The Sun in Baltimore offered him more money. Three years later, having blown most of that money at Pimlico Race Track, he returned to the Register, where he remained until 2008. For most of his life, Ken suffered from a compulsive gambling addiction that nearly destroyed him. But his church friends, and the loving people at Gamblers Anonymous, never gave up on him. Ken last placed a bet on Sept. 5, 2009. He died clean. He hopes that anyone who needs help will seek it, which is hard, and accept it, which is even harder. Miracles abound.9 Fuson evinces true authenticity, something close to real freedom, and it is beautiful. His prose is not a parade of accomplishments but a catalog of embarrassing details and defeats—the kind that makes a reader’s heart beam with appreciation, identification, laughter, and hope.
David Zahl (Low Anthropology: The Unlikely Key to a Gracious View of Others (and Yourself))
I’ve yet to read an obituary that says, “he died peacefully in his sleep surrounded by his lawyer, his stockbroker and his accountant.
Robin S. Sharma (The Greatness Guide: One of the World's Most Successful Coaches Shares His Secrets for Personal and Business Mastery)
I’m surrounded by dead poets and dead novelists writing about their dead lovers and dead mothers, all day, every day, at work. Dead people have things to say too.
Kristy McGinnis (Motion of Intervals)
A strange stranger gave me—gave us—thirteen thousand dollars and told us to use our imaginations. To seek well: to be curious, to find what we can in the world, to be alive while we’re alive. I thought of that line in his obituary—” Lyle’s eyes glittered. “—​about regretting arriving at death’s doormat with full pockets. I felt he was saying—don’t hoard what you’ve been given, because you think it’s all you’re going to get. Be generous. And be generous now, because the future isn’t a destination. It’s an extension of how we choose to live today.
Kate Racculia (Tuesday Mooney Talks To Ghosts)
May our obituaries someday say--preferably after we're dead, of course--that we lived in peace, in love, and mostly in grace
Jaime Jo Wright (The Reckoning at Gossamer Pond)
It is incontestable that the reality and credibility of the world — and therefore its equilibrium — rests largely in peoples' names. Upon waking each morning, we all confusedly feel the need to confirm that today's world is the same as yesterday's. This comfort can be found in the newspapers, through the names of people who continue to say, do, and write the very same things. The need for this reassurance is so urgent that it leads to exaggerated illusions. Our collective impression is that the dead under the heading 'Obituaries' are always the same, unless at that moment we have some friend or relation who is very sick. When we go out, doormen, newspaper boys, and colleagues at work call us by our names, and they haven't changed theirs. Nor have the names of third parties to whom one necessarily alludes in everyday conversation altered.
Paulo Emílio Sales Gomes (P's 3 Women)
And if you find the end a little flat, you might remember Professor Higgins’s take on that. He used to say that in reporting, it’s always the end for now, and in real life, the only full stop is on the obituary page.
Stephen King
I’m afraid,’ Mrs Martell said, ‘that I have no comment to make.’—That was the correct way to speak to the press, it was the phrase Mrs Martell’s mother had used over and over again, when Mrs Martell’s father had behaved so wrongly in the early nineteen-twenties. As it so happened Mrs Martell had had nothing to do with the murder which had occurred in the antique shop downstairs, that is to say, she had not committed it herself and had not been an accessory of the young criminal who had. All the same, nice people do not like to have their names in the papers, except in the obituary columns.
Elizabeth Eliot (Mrs. Martell)
My disapproval extended to the personnel of the various native tribes he had encountered in the course of his explorations. On his own showing, he had for years been horning in uninvited on the aborigines of Brazil, the Congo and elsewhere, and not one of them apparently had had the enterprise to get after him with a spear or to say it with poisoned darts from the family blowpipe. And these were fellows who called themselves savages. Savages, forsooth! The savages in the books I used to read in my childhood would have had him in the Obituary column before he could say 'What ho', but with the ones you get nowadays it's all slackness and laissez-faire. Can't be bothered. Leave it to somebody else. Let George do it. One sometimes wonders what the world's coming to.
P.G. Wodehouse (Stiff Upper Lip, Jeeves (Jeeves, #13))