Nausea Novel Quotes

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But for me there is neither Monday nor Sunday: there are days which pass in disorder, and then, sudden lightning like this one. Nothing has changed and yet everything is different. I can't describe it, it's like the Nausea and yet it's just the opposite: at last an adventure happens to me and when I question myself I see that it happens that I am myself and that I am here; I am the one who splits in the night, I am as happy as the hero of a novel.
Jean-Paul Sartre
It seemed that everyone was shouting too loudly and moving too quickly. This sensation was accompanied by nausea, and she had had the impression that something absolutely material, which had been present around her and around everyone and everything forever, but imperceptible, was breaking down the outlines of persons and things and revealing itself.
Elena Ferrante (My Brilliant Friend (Neapolitan Novels, #1))
Nothing has changed and yet everything is different. I can’t describe it; it’s like the Nausea and yet it’s just the opposite: at last an adventure happens to me and when I question myself I see that it happens that I am myself and that I am here; I am the one who splits the night, I am as happy as the hero of a novel.
Jean-Paul Sartre (Nausea)
I’d been reading modern French novels, and William Faulkner as well. I knew what love was supposed to be: obsession, with undertones of nausea.
Margaret Atwood (Cat's Eye)
The perturbations, anxieties, depravations, deaths, exceptions in the physical or moral order, spirit of negation, brutishness, hallucinations fostered by the will, torments, destruction, confusion, tears, insatiabilities, servitudes, delving imaginations, novels, the unexpected, the forbidden, the chemical singularities of the mysterious vulture which lies in wait for the carrion of some dead illusion, precocious & abortive experiences, the darkness of the mailed bug, the terrible monomania of pride, the inoculation of deep stupor, funeral orations, desires, betrayals, tyrannies, impieties, irritations, acrimonies, aggressive insults, madness, temper, reasoned terrors, strange inquietudes which the reader would prefer not to experience , cants, nervous disorders, bleeding ordeals that drive logic at bay, exaggerations, the absence of sincerity, bores, platitudes, the somber, the lugubrious, childbirths worse than murders, passions, romancers at the Courts of Assize, tragedies,-odes, melodramas, extremes forever presented, reason hissed at with impunity, odor of hens steeped in water, nausea, frogs, devilfish, sharks, simoon of the deserts, that which is somnambulistic, squint-eyed, nocturnal, somniferous, noctambulistic, viscous, equivocal, consumptive, spasmodic, aphrodisiac, anemic, one-eyed, hermaphroditic, bastard, albino, pederast, phenomena of the aquarium, & the bearded woman, hours surfeited with gloomy discouragement, fantasies, acrimonies, monsters, demoralizing syllogisms, ordure, that which does not think like a child, desolation, the intellectual manchineel trees, perfumed cankers, stalks of the camellias, the guilt of a writer rolling down the slope of nothingness & scorning himself with joyous cries, that grind one in their imperceptible gearing, the serious spittles on inviolate maxims, vermin & their insinuating titillations, stupid prefaces like those of Cromwell, Mademoiselle de Maupin & Dumas fils, decaying, helplessness, blasphemies, suffocation, stifling, mania,--before these unclean charnel houses, which I blush to name, it is at last time to react against whatever disgusts us & bows us down.
Comte de Lautréamont (Chants de Maldoror (French Edition))
His recollections filled him with nausea,
W. Somerset Maugham (Of Human Bondage (The Unabridged Autobiographical Novel))
Sunday has left them with a taste of ashes and their thoughts are already turning towards Monday. But for me there is neither Monday nor Sunday: there are days which pass in disorder, and then, sudden lightning like this one. Nothing has changed and yet everything is different. I can't describe it; it's like the Nausea and yet it's just the opposite: at last an adventure happens to me and when I question myself I see that it happens that I am myself and that I am here; I am the one who splits the night, I am as happy as the hero of a novel.
Jean-Paul Sartre (Nausea)
The idiots. It horrifies me to think that I am going to see their thick, self-satisfied faces again. They make laws, they write Populist novels, they get married, they commit the supreme folly of having children. And meanwhile, vast, vague Nature has slipped into their town, it has infiltrated everywhere, into their houses, into their offices, into themselves. It doesn’t move, it lies low, and they are right inside it, they breathe it, and they don’t see it, they imagine that it is outside, fifty miles away. I see it, that Nature, I see it
Jean-Paul Sartre (Nausea (Penguin Modern Classics))
Couldn't I try...Naturally, it wouldn't be a question of a tune...But couldn't I in another medium?...It would have to be a book: I don't know how to do anything else. But not a history book: history talks about what has existed - an existent can never justify the existence of another existent. My mistake was to try to resuscitate Monsieur de Rollebon. Another kind of book. I don't quite know which kind - but you would have to guess, behind the printed words, behind the pages, something which didn't exist, which was above existence. The sort of story, for example, which could never happen, an adventure. It would have to be beautiful and hard as steel and make people ashamed of their existence. I am going, I feel irresolute. I dare not make a decision. If I were sure that I had talent...but I have never, never written anything of that sort; historical articles, yes - if you could call them that. A book. A novel. And there would be people who would read this novel and who would say: 'It was Antoine Roquentin who wrote it, he was a red-headed fellow who hung about in cafés', and they would think that about my life as I think about the life of the Negress: as about something precious and almost legendary. A book. Naturally, at first it would only be a tedious, tiring job, it wouldn't prevent me from existing or from feeling that I exist. But a time would have to come when the book would be written, would be behind me, and I think that a little of its light would fall over my past. Then, through it, I might be able to recall my life without repugnance. Perhaps one day, thinking about this very moment, about this dismal moment at which I am waiting, round-shouldered, for it to be time to get on the train, perhaps I might feel my heart beat faster and say to myself: 'It was on that day, at that moment that it all started.' And I might succeed - in the past, simply in the past - in accepting myself.
Jean-Paul Sartre (Nausea)
Nothing has changed and yet everything exists in a different way. I can't describe it; it's like the Nausea and yet it's just the opposite: at last an adventure is happening to me and when I question myself I see that it happens that I am myself and that I am here: it is I who am piercing the darkness, I am as happy as the hero of a novel.
Jean-Paul Sartre (Nausea)
The idiots. It horrifies me to think that I am going to see their thick, self-satisfied faces again. They make laws, they write Populist novels, they get married, they commit the supreme folly of having children. And meanwhile, vast, vague Nature has slipped into their town, it has infiltrated everywhere, into their houses, into their offices, into themselves. It doesn’t move, it lies low, and they are right inside it, they breathe it, and they don’t see it, they imagine that it is outside, fifty miles away. I see it, that Nature, I see it … I know that its submissiveness is laziness, I know that it has no laws, that what they consider its constancy doesn’t exist. It has nothing but habits and it may change those tomorrow.
Jean-Paul Sartre (Nausea (Penguin Modern Classics))
I feel so far away from them, on the top of this hill. It seems as though I belong to another species. They come out of their offices after their day of work, they look at the houses and the squares with satisfaction, they think it is their city, a good, solid, bourgeois city. They aren’t afraid, they feel at home. All they have ever seen is trained water running from taps, light which fills bulbs when you turn on the switch, half-breed, bastard trees held up with crutches. They have proof, a hundred times a day, that everything happens mechanically, that the world obeys fixed, unchangeable laws. In a vacuum all bodies fall at the same rate of speed, the public park is closed at 4 p.m. in winter, at 6 p.m. in summer, lead melts at 335 degrees centigrade, the last streetcar leaves the Hotel de Ville at 11.05 p.m. They are peaceful, a little morose, they think about Tomorrow, that is to say, simply, a new today; cities have only one day at their disposal and every morning it comes back exactly the same. They scarcely doll it up a bit on Sundays. Idiots. It is repugnant to me to think that I am going to see their thick, self-satisfied faces. They make laws, they write popular novels, they get married, they are fools enough to have children. And all this time, great, vague nature has slipped into their city, it has infiltrated everywhere, in their house, in their office, in themselves. It doesn’t move, it stays quietly and they are full of it inside, they breathe it, and they don’t see it, they imagine it to be outside, twenty miles from the city. I see it, I see this nature . . . I know that its obedience is idleness, I know it has no laws: what they take for constancy is only habit and it can change tomorrow. What if something were to happen? What if something suddenly started throbbing? Then they would notice it was there and they’d think their hearts were going to burst. Then what good would their dykes, bulwarks, power houses, furnaces and pile drivers be to them? It can happen any time, perhaps right now: the omens are present.
Jean-Paul Sartre (Nausea)
If I were sure I had talent. . . . But I have never—never written anything of that sort. Historical articles, yes—lots of them. A book. A novel. And there would be people who would read this book and say: "Antoine Roquentin wrote it, a red-headed man who hung around cafes," and they would think about my life as I think about the Negress's: as something precious and almost legendary. A book. Naturally, at first it would only be a troublesome, tiring work, it wouldn't stop me from existing or feeling that I exist. But a time would come when the book would be written, when it would be behind me, and I think that a litt'e of its clarity might fall over my past. Then, perhaps, because of it, I could remember my life without repugnance. Perhaps one day, thinking precisely of this hour, of this gloomy hour in which I wait, stooping, for it to be time to get on the train, perhaps I shall feel my heart beat faster and say to myself: "That was the day, that was the hour, when it all started." And I might succeed —in the past, nothing but the past—in accepting myself.
Jean-Paul Sartre (Nausea)
As he stood at the edge of the forest, his nostrils were suddenly assaulted by an indescribable stench. The smell was like nothing he had ever encountered before—as if the air itself had been tainted by rot and decay. It reminded him of the times he had accidentally left meat out in the sun for too long, except a hundred times worse. His eyes began to water, and his stomach churned with nausea. He doubled over, gripping his stomach tightly as his body heaved uncontrollably. The acrid taste of bile rose up his throat and spilled out of his mouth, landing in a puddle on the ground in front of him. There goes my morning coffee, thought Carter as he wiped his mouth with his sleeve and gasped for fresh air.
Kyle Steel (The Siege at Simeon Heights: Bigfoot Fiction Thriller - Drama Novel - Family Adventure - Action Adventure - Sasquatch - Cryptid Suspense)
All of my energy flew back to me at a rapid rate and all I could think about was how, with everything flying back to me at such a speed, my energy, my headache, my nausea... so did my feelings. So did my feelings for Caspian Marks.
Braelyn Wilson (Counting Stars)
Medical Warning: Talk to your doctor before beginning a John Locke series, as studies have shown them to be habit-forming and highly addictive. Do not read Locke if you suffer from high blood pressure or other heart-related issues, as readers often experience mood swings, increased pulses, elevated heart rates, and have reported unexpected shifts in body position that take them to the edge of their seats. Do not drive or use machinery while reading Locke novels. Locke novels are not for everyone, and may cause serious reactions including insomnia, night terrors, and uncontrollable, maniacal laughter. Tell your doctor right away if you have these, or if you experience unusual changes in your behavior including increased sexual urges, palpitations, or prolonged erections. Common side effects include confusion, hysteria, and trouble swallowing a given premise. Do not drink alcohol while reading Locke novels, though those with a history of drug or alcohol abuse may be more prone to understanding the material. Adverse reactions to Locke novels include nausea and vomiting, loss of appetite, severe itching, rectal bleeding, purple spots under the skin, and Jimmy Legs. In extreme cases, readers have reported laughing so hard they not only shit their pants, but other’s pants, as well. Upon completing a Locke series be prepared to experience symptoms of withdrawal, including fear, anger, extreme sadness, and moderate to severe depression. Ask your doctor today if John Locke novels are right for you!
John Locke (The President's Daughter (Donovan Creed))
Cosmic Voyager by Stewart Stafford I was the new Ulysses, Petals on a tide of darkness, Cast to bloom among the stars, Wilted, off the world's edge. Lieutenant General Tommy P., Name, rank and serial oblivion, My wife and hurricanes called me, Memories of love kept me going. I found myself fading adrift, Dying far beyond the reach, Of human hands and hearts, In withering away, I found all. They threw flags of all nations, To reel in a drowning person; One last breath for man, One lungful of air for Mankind. Falling from a height too high, Never landing when I should, Tumbling endlessly beyond nausea, To an ethereally crowded firmament. As water swirls down a plughole, I touched the edges of existence, And found the meaning of life, In silent rocks of an alien planet. In the speckled starling womb profound, Self-love filled the void around. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford