Oasis In Desert Quotes

An oasis of horror in a desert of boredom.

I couldn't take my eyes off him. Like a desert wanderer afraid of mirages, I gazed at my oasis, but he was real.

You can't change the desert. You can only take the fastest course through it. Wishing it's an oasis won't make it so...

America is the greatest, freest and most decent society in existence. It is an oasis of goodness in a desert of cynicism and barbarism. This country, once an experiment unique in the world, is now the last best hope for the world.

On your journey to your dream, be ready to face oasis and deserts. In both cases, don't stop

I thirst for love like a camel thirsts for water. I’m going through a desert right now, but I’m searching for the oasis of my life.

In the desert, the only god is a well.

The room was an oasis in a desert of depression.

I have a dream that one day even the state of Mississippi, a desert state sweltering in the heat of injustice and oppression, will one day be transformed into an oasis of freedom and justice.

In the oasis complex, the thirsty man images he sees water, palm trees, and shade not because he has evidence for the belief, but because he has a need for it. Desperate needs bring about a hallucination of their solution: thirst hallucinates water, the need for love hallucinates a prince or princess. The oasis complex is never a complete delusion: the man in the desert does see something on the horizon. It is just that the palms have withered, the well is dry, and the place is infected with locusts.

I had to clear up my messy life. By letting go of the debris and filth, I have come to a deeper, more soulful beauty and clarity like an oasis in the desert. From that place of clarity, a vision of what I could have, what I could do, who I could be has emerged if I allow my heart to become a place of compassion, acceptance and forgiveness.

Each day, we feel more distant from each other, more alone, all while being surrounded by millions. Each day we watch as our city turns into a desert, one in which we are all lost, looking for that oasis we like to call “love”. The more we wait, the more everything and everyone looks like a grain of sand escaping between our fingers before vanishing into the wind. How do we find something or someone we can no longer see, but which is right there before us? And how do we hold on to what is most precious in life?

...to experience the reality was to suffer a boredom as endless as the illness itself...the boredom of insanity was a great desert, so great that anyone's violence or agony seemed an oasis, and the brief companionship seemed like a rain in the desert that was numbered and counted and remembered long after it was gone.

He'd been right about the world, but he was wrong about himself. The word was a desert, but he was a magician, and to be a magician was to be a secret spring - a moving oasis. He wasn't desolate, and he wasn't empty. He was full of emotion, full of feelings, bursting with them, and when it came down to it, that's what being a magician was. They weren't ordinary feelings - they weren't the tame, domesticated kind. Magic was wild feelings, the kind that escaped out of you and into the world and changed things. There was a lot of skill to it, and a lot of learning, and a lot of work, but that was where the power began: the power to enchant the world.

Where is my oasis? Too far from here for me to crawl with these dead legs, refusing to co-operate Hands and fingers clawing uselessly through the grains of sand...

The boy continued to listen to his heart as they crossed the desert. He came to understand its dodges and tricks, and to accept it as it was. He lost his fear, and forgot about his need to go back to the oasis, because, one afternoon, his heart told him that it was happy. "Even though I complain sometimes," it said, "it's because I'm the heart of a person, and people's hearts are that way. People are afraid to pursue their most important dreams, because they feel that they don't deserve them, or that they'll be unable to achieve them. We, their hearts, become fearful just thinking of loved ones who go away forever, or of moments that could have been good but weren't, or of treasures that might have been found but were forever hidden in the sands. Because, when these things happen, we suffer terribly.

Long ago Mars was an oasis of running water.Today the Martiansurfaceis a sterile,barren desert. Here on Earth, who knows what climactic knobs we unwittingly turn,which might one day render Earth as dry and lifeless as Mars. (From the cover of Old Poison by Joan Francis)

What to make of this man? He was proper. He was passionate. He had the public demeanor of an iceberg, but he kissed her as if she were his oasis in a vast, arid desert. What are you doing to me? he'd whispered. Charlotte had no idea. But whatever it was, he was doing it back.

Any man can stay sober in a desert, he mused, but only the loyal can sit in an oasis and refuse to part his lips.

Murtaugh Allsbrook and his riders spread the news like wildfire. Down every road, over every river, to the north and south and west, through snow and rain and mist, their hooves churning up the dust of each kingdom. And for every town they told, every tavern and secret meeting, more riders went out. More and more, until there was not a road they had not covered, until there was not one soul who did not know that Aelin Galathynius was alive—and willing to stand against Adarlan. Across the White Fangs and the Ruhnns, all the way to the Western Wastes and the red-haired queen who ruled from a crumbling castle. To the Deserted Peninsula and the oasis-fortress of the Silent Assassins. Hooves, hooves, hooves, echoing through the continent, sparking against the cobblestones, all the way to Banjali and the river-front palace of the King and Queen of Eyllwe, still in their midnight mourning clothes. Hold on, the riders told the world. Hold on.

There are oasis in deserts...so also in a life of conflicting situations, we can build our own beautiful home.

The world was fucking awful. It was a wretched, desolate place, a desert of meaninglessness, a heartless wasteland, where horrific things happened all the time for no reason and nothing good lasted for long. He'd been right about the world, but he was wrong about himself. The world was a desert, but he was a magician, and to be a magician was to be a secret spring - a moving oasis. He wasn't desolate, and he wasn't empty. He was full of emotion, full of feelings, bursting with them, and when it came down to it, that's what being a magician was. They weren't ordinary feelings - they weren't the tame, domesticated kind. Magic was wild feelings, the kind that escaped out of you and into the world and changed things. There was a lot of skill to it, and a lot of learning, and a lot of work, but that was where the power began: the power to enchant the world.

I listen to the clock striking out each determined tick. If only I could rewind, go back in time and ask my mother every question about every tiny thing. How crucial those little fragments are now; how great their absence. I should have saved them up, gathering them like drops of water in a desert. I'd always counted on having an oasis.

I say to you today, my friends, that in spite of the difficulties and frustrations of the moment, I still have a dream. It is a dream deeply rooted in the American dream. I have a dream that one day this nation will rise up and live out the true meaning of its creed: "We hold these truths to be self-evident: that all men are created equal." I have a dream that one day on the red hills of Georgia the sons of former slaves and the sons of former slaveowners will be able to sit down together at a table of brotherhood. I have a dream that one day even the state of Mississippi, a desert state, sweltering with the heat of injustice and oppression, will be transformed into an oasis of freedom and justice. I have a dream that my four children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character.

We are the oasis in the desert, the safe harbor in the storm, the place anyone is welcome, as long as you're not a jerk to the servers." —Arianna Spero

Damascus, is simply an oasis, that is what it is. For four thousand years its waters have not gone dry or its fertility failed. Now we can understand why the city has existed so long. It could not die. So long as its waters remain to it away out there in the midst of that howling desert, so long will Damascus live to bless the sight of the tired and thirsty wayfarer. "Though old as history itself, thou art fresh as the breath of spring, blooming as thine own orange flower, O Damascus, the pearl of the East!".

Sometimes she though being with her mother was like crossing a desert: long, hard stretches of burning sand that exhausted you, but every once in a while, you happened on a little oasis of kindness.

An oasis in the desert, surely, for a boy raised without a home. A boy who’d grown into an ambitious man . . . Osla knew Philip so well; of course he was ambitious. What man in his lonely, barebones position would turn down such a chance—status, wealth, power, allied to a loving family and a girl he thought he might very well be able to love?

Fatima went back to her tent, and, when daylight came, she went out to do the chores she had done for years. But everything had changed. The boy was no longer at the oasis, and the oasis would never again have the same meaning it had had only yesterday. It would no longer be a place with fifty thousand palm trees and three hundred wells, where the pilgrims arrived, relieved at the end of their long journeys. From that day on, the oasis would be an empty place for her. From that day on, it was the desert that would be important. She would look to it everyday, and would try to guess which star the boy was following in search of his treasure. She would have to send her kisses on the wind, hoping that the wind would touch the boy's face, and would tell him that she was alive. That she was waiting for him, a woman awaiting a courageous man in search of his treasure. From that day on, the desert would represent only one thing to her: the hope for his return.

Do not allow a trivial misunderstanding to wither the blossoms of spring, which, once put forth and blighted, cannot be renewed...The gushing fountains which sparkle in the sun must not be stopped in mere caprice; the oasis in the desert of Sahara must not be plucked up idly.

If only I could rewind, go back in time and ask my mother every question about every tiny thing. How crucial those little fragments are now; how great their absence. I should have saved them up, gathered them like drops of water in a desert. I’d always counted on having an oasis.

Food of Love Eating is touch carried to the bitter end. -Samuel Butler II I'm going to murder you with love; I'm going to suffocate you with embraces; I'm going to hug you, bone by bone, Till you're dead all over. Then I will dine on your delectable marrow. You will become my personal Sahara; I'll sun myself in you, then with one swallow Drain you remaining brackish well. With my female blade I'll carve my name In your most aspiring palm Before I chop it down. Then I'll inhale your last oasis whole. But in the total desert you become You'll see me stretch, horizon to horizon, Opulent mirage! Wisteria balconies dripping cyclamen. Vistas ablaze with crystal, laced in gold. So you will summon each dry grain of sand And move towards me in undulating dunes Till you arrive at sudden ultramarine: A Mediterranean to stroke your dusty shores; Obstinate verdue, creeping inland, fast renudes Your barrens; succulents spring up everywhere, Surprising life! And I will be that green. When you are fed and watered, flourishing With shoots entwining trellis, dome and spire, Till you are resurrected field in bloom, I will devour you, my natural food, My host, my final supper on the earth, And you'll begin to die again.

If You Love me.. -- Your love drove me towards the live volcano where i will be burnt and destroyed On your fake promises I made castles on air Oh! ! ! I was throwing some pearls in desert where oasis has value Pearls have no value just remember I am an ocean you are only a boat for a boat to explore ocean love need to be daring, desperate If You love me Plant a seed of truth make me part of your missing Just If you Love me.........

I suspect that in every good marriage there are times when love seems to be over. Sometimes these desert lines are simply the only way to the next oasis, which is far more lush and beautiful after the desert crossing than it could possibly have been without it.

We are an oasis in the desert, beautiful but doomed!

Earth as our home in space, a single blue-white oasis of life surrounded by a black desert.

Sarah is a mirage after all; an oasis in this arid, amnesiac, desert mindscape. I fear if I get too close she too will turn to dust.

Despair made the deserts and hope shaped the oasis.

We live in a society populated by strangers. Each day, we feel more distant from each other, more alone, all while being surrounding by millions. Each day we watch as our city turns into a desert, one in which we are all lost -- looking for that oasis we like to call... "love." The more we wait, the more everything--and everyone--looks like a grain of sand escaping between our fingers before vanishing into the wind. How do we find something--or someone-- we can no longer see, but which is right there before us? And how do we hold on to what is most precious in life?

I see the Divine in the mountains, the rivers, the clouds and the stars. I see the Divine in the highways, and skyscrapers, in farmland and playgrounds. But where is the Divine in the barren desert, in burned-down forests, and disaster-stricken towns? The Divine is in the oasis, and the people there who give water and rest to desert travelers. The Divine is in the firefighters’ tools, and the flowers that bloom from the ash. The Divine is in relief trucks, bringing food and water and comfort. The Divine rests in all things, but is no more awake than when we summon strength to do what is right.

Not long ago-incredible though it may seem-I heard a clerk of Oxford declare that he 'welcomed' the proximity of mass-production robot factories, and the roar of self-obstructive traffic, because it brought his university into 'contact with real life.' He may have meant that the way men were living and working in the twentieth century was increasing in barbarity at an alarming rate, and that the loud demonstration of this in the streets of Oxford might serve as a warning that it is not possible to preserve for long an oasis of sanity in a desert of unreason by mere fences, without actual offensive action (practical and intellectual). I fear he did not. In any case the expression 'real life' in this context seems to fall short of academic standards. The notion that motor-cars are more 'alive' than, say, centaurs or dragons is curious; that they are more 'real' than, say, horses is pathetically absurd. How real, how startlingly alive is a factory chimney compared with an elm tree: poor obsolete thing, insubstantial dream of an escapist!

We the darker ones come even now not altogether empty-handed: there are to-day no truer exponents of the pure human spirit of the Declaration of Independence than the American Negroes; there is no true American music but the wild sweet melodies of the Negro slave; the American fairy tales and folklore are Indian and African; and, all in all, we black men seem the sole oasis of simple faith and reverence in a dusty desert of dollars and smartness.

There was something lacking – in him, he thought, not in the place. He was not up to it. He was not strong enough to take what was so generously offered. He felt himself dry and arid, like a desert plant, in this beautiful oasis. Life on Anarres had sealed him, closed off his soul; the waters of life welled all around him, and yet he could not drink.

I was about to tell her that Miralles hadn't fought in one war, but many, but I couldn't, because I suddenly saw Miralles walking across the Libyan desert towards the Murzuk oasis- young, ragged, dusty and annonymous, carrying the tricolour flag of a country not his own, of a country that is all countries and also the country of liberty and which only exists because he and four Moors and a black guy are raising that flag as they keep walking onwards, onwards, ever onwards.

The only reason of living only you. Within my desert you are my oasis, the sweetest chocolate

Writing is like crawling across the desert- with each publication being an oasis.

she was an oasis in the desert bringing back life when it seemed to have vanished

The most beautiful place where reality seems completely unreal is a desert oasis!

But “To Be Near Unto God” in the midst of busy avocations yields its sweetest blessedness when it is cultivated in the face of sin and the world, as an oasis in the desert of life.

and then a solitary green speck appeared in the top left, a little, flickering oasis of hope in this digitally-challenged desert.

Books? Books are sacred. Books are to me what the host is to the priest, the oasis to the desert wanderer, the arrival of winged seraphim to a dying man.

She was like an oasis in this scorching hot desert.

Life without strife is a rose without thorns. Alive as one is thriving today towards tomorrow, Nowhere is the past but simply a school of memory. Dreams, wishes, goals then becomes a wheel of “wills,” Spirit of a unique being on each soul breathing. Care to ponder some matter or another? Awareness sliding towards discovery gliding… Peace, contentment, fulfillment, Enwrapped like a mirage enchantment. Soaring freely, excitingly, happily home-love-bound! Over precious moments in a breathing of a soul, Flowing high emotions, feelings, hearts in bliss. All around any season of one's existence, one asks: “Anyone out there? A heart of a soul that didn’t harden? A touch of a soul that didn’t hurt? A life of a soul that didn't love?” Sands of time, rough, warm, indefinite, simply spreading, transforming, mounting. Oasis of a soul from a desert journey, flourishing with endless beauty and security. Utmost bliss, fulfillment and contentment, under covers a struggling, hopeful soul, Laboring service, living justice, loving peace and tranquillity passed on to humanity!�

The man angered her, made her feel like she wasn't wanted, and yet her damned libido still wanted him. It was just her dry spell, and he happened to be an oasis in the desert. A Mirage. That was it.

So much had changed in the intervening years. So much had been lost. Tents had been replaced with concrete and mud-brick, camels with 4x4s, nomadic freedom with taxes and identity cards and paperwork and all manner of bureaucratic restrictions. For all that they remained Bedouin at heart, desert dwellers and desert travellers, and they had only to come out here for a few hours to remind themselves of the fact, to reconnect with their illustrious heritage.

The artist, wrote Joseph Conrad, “speaks to our capacity for delight and wonder, to the sense of mystery surrounding our lives.” That was the art that Scott Fitzgerald would find, reminding us that a mirage may be more marvelous in its way than an oasis in the desert. Gatsby’s great error is his belief in the reality of the mirage; Fitzgerald’s great gift was his belief in the mirage as a mirage. “Splendor,” Fitzgerald came to understand, “was something in the heart.

That the desert was, in its own way, very much alive: a gargantuan sentient being whose shifting colours – one minute soft yellow, the next livid red, here blinding white, there sombre black – were curiously suggestive of changing moods and thought patterns. Its varied shapes and textures – dunes slumping into gravel flats, salt pans rearing into rock hills – likewise gave the unnerving impression that the landscape was moving, bunching and stretching itself, flexing its muscles

It was, if you like, an oasis in the general desert of childish and adult ignorance where we could safely bring out our thoughts and not have them denigrated, laughed at, or trampled upon, even when they deserved it. A place like that is precious.

The boredom of insanity was a great desert, so great that anyone's violence or agony seemed an oasis, and the brief simple moments of companionship seemed like a rain in the desert that was numbered and counted and remembered long after it was gone.

All I know: I could only encounter you, my oasis, coming out of a desert. Deserted myself. This is all right. My futureless and solitary self. When suddenly I hear the voice of the springs--Right away you made me want to sing. To cry. Then to drink. But after the desert, the merest trickle of water sounds like a storm. And ever since, Promethea's every murmur shakes my life like an earthquake. I was asleep. I was not thirsty. It would have been possible for me not to hear the first three tears. Ever since I never sleep. I listen.

The magic of your larger blooming life has been trying to reach you -- pouring through cracks, seeping up through the ground around you. It has no aim, save one: to save you; to bring back the moist oasis of midnight wine and pillow talk to that dry desert you've become.

No matter how many times u get hurt,it's always a new feeling.... Every suffering teaches us a lesson but in that situation our mind fails t respond and our heart takes control ov our feelinx and keeps us stranded in the desert of pain where a tiny drop ov care fullfills our thirst for love and suddenly ee forgets our pain(the desert in which we were standing).... When a thirsty gets a drop ov water,his thirst increases,so he crave for more care/affection but one should never forget that in a desert u can find an oasis but not the whole sea.....

You make me feel…like a dying man in the desert. And you’re the fresh spring, the oasis. The water for my parched fucking soul.” He shuddered, a movement that spread through his whole body. “But I’m terrified,” he whispered, “absolutely fucking terrified…that you’re just a mirage.

The desert looked if anything even more spectacular than it had on the first leg of their journey, the softening light teasing out its full panoply of colours – yellows and oranges and a dozen different shades of red – the lengthening shadows throwing the landscape into ever sharper and more dramatic relief

It was here the land spoke to him most, in a region that lay high in the north of what was now Kazakhstan, though to the nomads with whom he was to spend the next three summers, all of Central Asia was one land, divided not into states but into mountain and steppe, desert and oasis. The steppe nomads made him feel he was looking back in time--his time. It was the strangest sensation, the first day he was invited to break bread with them. It was as though a mountain inside him were melting, leaving him naked and cleansed, entirely in his own skin, the skin he used to inhabit in the valley of his youth...before he had to don a thousand skins. In the steppe, he was undisguised, unwary, unwanting.

Martin is always telling me to put all of this behind me, to get on with my life. But the thing is, before Jesse, I never really had a life. I had a routine. I did things. But aside from the accident”—he gestured with his prosthetic arm—“nothing ever happened to me. But she happened. And it was like a train wreck. It was big and painful and beautiful and every second mattered. You know what Beaudelaire said about love? It’s ‘an oasis of horror in a desert of boredom.’ But it’s still an oasis. Our time together—that’s the story of my life. Everything before her was just the boring setup. Like the first hour of a miniseries, the part that’s just padding to stretch it out for three nights. And the time since she’s gone—that’s just been some sort of weird, dragged-out anticlimax. I can feel myself sitting in the audience watching my life and wondering, ‘Why isn’t this movie over?

He then said something in Arabic to Ali, who made a sign of obedience and withdrew, but not to any distance. As to Franz a strange transformation had taken place in him. All the bodily fatigue of the day, all the preoccupation of mind which the events of the evening had brought on, disappeared as they do at the first approach of sleep, when we are still sufficiently conscious to be aware of the coming of slumber. His body seemed to acquire an airy lightness, his perception brightened in a remarkable manner, his senses seemed to redouble their power, the horizon continued to expand; but it was not the gloomy horizon of vague alarms, and which he had seen before he slept, but a blue, transparent, unbounded horizon, with all the blue of the ocean, all the spangles of the sun, all the perfumes of the summer breeze; then, in the midst of the songs of his sailors, -- songs so clear and sonorous, that they would have made a divine harmony had their notes been taken down, -- he saw the Island of Monte Cristo, no longer as a threatening rock in the midst of the waves, but as an oasis in the desert; then, as his boat drew nearer, the songs became louder, for an enchanting and mysterious harmony rose to heaven, as if some Loreley had decreed to attract a soul thither, or Amphion, the enchanter, intended there to build a city. At length the boat touched the shore, but without effort, without shock, as lips touch lips; and he entered the grotto amidst continued strains of most delicious melody. He descended, or rather seemed to descend, several steps, inhaling the fresh and balmy air, like that which may be supposed to reign around the grotto of Circe, formed from such perfumes as set the mind a dreaming, and such fires as burn the very senses; and he saw again all he had seen before his sleep, from Sinbad, his singular host, to Ali, the mute attendant; then all seemed to fade away and become confused before his eyes, like the last shadows of the magic lantern before it is extinguished, and he was again in the chamber of statues, lighted only by one of those pale and antique lamps which watch in the dead of the night over the sleep of pleasure. They were the same statues, rich in form, in attraction, and poesy, with eyes of fascination, smiles of love, and bright and flowing hair. They were Phryne, Cleopatra, Messalina, those three celebrated courtesans. Then among them glided like a pure ray, like a Christian angel in the midst of Olympus, one of those chaste figures, those calm shadows, those soft visions, which seemed to veil its virgin brow before these marble wantons. Then the three statues advanced towards him with looks of love, and approached the couch on which he was reposing, their feet hidden in their long white tunics, their throats bare, hair flowing like waves, and assuming attitudes which the gods could not resist, but which saints withstood, and looks inflexible and ardent like those with which the serpent charms the bird; and then he gave way before looks that held him in a torturing grasp and delighted his senses as with a voluptuous kiss. It seemed to Franz that he closed his eyes, and in a last look about him saw the vision of modesty completely veiled; and then followed a dream of passion like that promised by the Prophet to the elect. Lips of stone turned to flame, breasts of ice became like heated lava, so that to Franz, yielding for the first time to the sway of the drug, love was a sorrow and voluptuousness a torture, as burning mouths were pressed to his thirsty lips, and he was held in cool serpent-like embraces. The more he strove against this unhallowed passion the more his senses yielded to its thrall, and at length, weary of a struggle that taxed his very soul, he gave way and sank back breathless and exhausted beneath the kisses of these marble goddesses, and the enchantment of his marvellous dream.

Are you actually aware why there are camels in the desert and no giraffes?' asked Assad. ... 'The answer is simple. If there were giraffes in the desert they'd die of sorrow.' 'Aha! And why's that?' 'Because they're so tall, they'd know that there was just endless sand as far as the eye could see. Fortunately for the camel, it doesn't know this, so it trudges on assuming that an oasis is just around the corner.' Carl nodded. 'I understand. You feel like a giraffe in the desert, right?' 'Yes, a bit. Just right now.

From east to west, in fact, her gaze swept slowly, without encountering a single obstacle, along a perfect curve. Beneath her, the blue-and-white terraces of the Arab town overlapped one another, splattered with the dark-red spots of the peppers drying in the sun. Not a soul could be seen, but from the inner courts, together with the aroma of roasting coffee, there rose laughing voices or incomprehensible stamping of feet. Father off, the palm grove, divided into uneven squares by clay walls, rustled its upper foliage in a wind that could not be felt up on the terace. Still farther off and all the way to the horizon extended the ocher-and-gray realm of stones, in which no life was visible. At some distance from the oasis, however, near the wadi that bordered the palm grove on the west could be seen broad black tents. All around them a flock of motionless dromedaries, tiny at the distance, formed against the gray ground the black signs of a strange handwriting, the meaning of which had to be deciphered. Above the desert, the silence was as vast as the space. Janine, leaning her whole body against the parapet, was speechless, unable to tear herself away from the void opening before her. Beside her, Marcel was getting restless. He was cold; he wanted to go back down. What was there to see here, after all? But she could not take her gaze from the horizon. Over yonder, still farther south, at that point where sky and earth met in a pure line - over yonder it suddenly seemed there was awaiting her something of which, though it had always been lacking, she had never been aware until now. In the advancing afternoon the light relaxed and softened; it was passing from the crystalline to the liquid. Simultaneously, in the heart of a woman brought there by pure chance a knot tightened by the years, habit, and boredom was slowly loosening. She was looking at the nomads' encampment. She had not even seen the men living in it' nothing was stirring among the black tents, and yet she could think only of them whose existence she had barely known until this day. Homeless, cut off from the world, they were a handful wandering over the vast territory she could see, which however was but a paltry part of an even greater expanse whose dizzying course stopped only thousands of miles farther south, where the first river finally waters the forest. Since the beginning of time, on the dry earth of this limitless land scraped to bone, a few men had been ceaselessly trudging, possessing nothing but serving no one, poverty-stricken but free lords of a strange kingdom. Janine did not know why this thought filled her with such a sweet, vast melancholy that it closed her eyes. She knew that this kingdom had been eternally promised her and yet that it would never be hers, never again, except in this fleeting moment perhaps when she opened her eyes again on the suddenly motionless sky and on its waves of steady light, while the voices rising from the Arab town suddenly fell silent. It seemed to her that the world's course had just stopped and that, from that moment on, no one would ever age any more or die. Everywhere, henceforth, life was suspended - except in her heart, where, at the same moment, someone was weeping with affliction and wonder.

No matter how many times u get hur,its always a new feeling.... Every suffering teaches us a lesson but in that situation our mind fails t respond and our heart takes control ov our feelinx and keeps us stranded in the desert of pain where a tiny drop ov care fullfills our thirst for love and suddenly v forgets our pain(the desert in which v were standing).... When a thirsty gets a drop ov water,his thirst increases,so he crave for more care/affection but one should never forget that in a desert u can find an oasis but not the whole sea.....

A small grazing gesture ignites the need for closer, and breaks the surface of the water, never in you enough, gulping air, never contain you enough, on dry land now, never hold you enough, the desert heat, drink you, oasis lover shimmering under a palm, I will burn to ashes here then blow away until that merciful peak is discovered, and once that is discovered, the slow tumble back down the hill, buckets of water spilling in slow motion, streaking the sand along their way until again the gentle sway, the ocean floor, the grazing touch that reignites the sea.

When a person is faithful to his or her times of prayer, day after day, week after week, it’s like someone with a well in the garden that’s choked with rubbish—branches, leaves, stones, mud—but underneath is water, clean and pure. In spending time in prayer, you’re setting to work patiently to unblock the well. What comes up at the start is the mud and dirt: our wretchedness, worries, fears, guilt, self-blame—the things we normally avoid. Plenty of people run away from themselves. There’s a real fear of silence today! But those who have the courage to go forward into the desert end up finding an oasis.

Storytellers like King make a conscious effort to incorporate metaphor into their speeches and presentations—the “promissory note” being just one of many metaphors in King’s speech. Metaphor gave King the tool to “breathe life” into abstract concepts: • “Let us not seek to satisfy our thirst for freedom by drinking from the cup of bitterness and hatred.” • “Now is the time to rise from the dark and desolate valley of segregation to the sunlit path of racial justice.” • “I have a dream that one day even the state of Mississippi, a desert state, sweltering with the heat of injustice and oppression, will be transformed into an oasis of freedom and justice.” • No, no, we are not satisfied, and we will not be satisfied until justice rolls down like waters and righteousness like a mighty stream.

The boy continued to listen to his heart as they crossed the desert. He came to understand its dodges and tricks, and to accept it as it was. He lost his fear, and forgot about his need to go back to the oasis, because, one afternoon, his heart told him that it was happy. “Even though I complain sometimes,” it said, “it’s because I’m the heart of a person, and people’s hearts are that way. People are afraid to pursue their most important dreams, because they feel that they don’t deserve them, or that they’ll be unable to achieve them. We, their hearts, become fearful just thinking of loved ones who go away forever, or of moments that could have been good but weren’t, or of treasures that might have been found but were forever hidden in the sands. Because, when these things happen, we suffer terribly.

I might have flaws, live anxiously and sometimes be irritated but, I do not forget that my life if the World’s biggest company, and I can avoid it to bankrupt. To be happy is to recognize that it is worth living, besides all challenges, incomprehension’s or crisis. To be happy is not to let ourselves beat by the problems, becoming an author of our own history. To be happy is to cross deserts outrageously, but to still be able to find your own oasis in the deepest of your soul. It is thanking God each morning for the miracle of life. To be happy is not to be afraid of your own feelings. To be happy is to speak about your personality. To be happy is to have the guts to hear a “NO”. Is to have the security hearing a critique, even that it is unfair. And if I have rocks on my way, I shall keep them all. Someday, I will build up my own castle…

Whence came Natohk?” rose the Shemite’s vibrant whisper. “Out of the desert on a night when the world was blind and wild with mad clouds driven in frenzied flight across the shuddering stars, and the howling of the wind was mingled with the shrieking of the spirits of the wastes. Vampires were abroad that night, witches rode naked on the wind, and werewolves howled across the wilderness. On a black camel he came, riding like the wind, and an unholy fire played about him, the cloven tracks of the camel glowed in the darkness. When Natohk dismounted before Set’s shrine by the oasis of Aphaka, the beast swept into the night and vanished. And I have talked with tribesmen who swore that it suddenly spread gigantic wings and rushed upward into the clouds, leaving a trail of fire behind it. No man has seen that camel since that night, but a black brutish man-like shape shambles to Natohk’s tent and gibbers to him in the blackness before dawn. I will tell you, Conan, Natohk is – look, I will show you an image of what I saw that day by Shushan when the wind blew aside his veil!

NAOMI, THE GODDESS OF OASIS It was a cool evening when destiny called, Naomi. The call that will revive the hearts of the children of men. Destiny presented herself like a Rose. With thorns that makes the crown. Destiny is beautiful. An enigma of peace that ponder the hearts of men. She adores herself with the blood of motherhood. Smiling in tears and with care she nurtures every soul. She's nature's friend, the waters that pushes with the wind and moves in path with her lings. Her nature is beauty and her songs nourishes the soul of men. Her light illuminates their Hope's and tears are wiped with her smiles. Oh daughter of the great land of Ozoro, the pride of her mother land. The rainbow rose that illuminates the garden of doubts. May your voice sends peace to the wailing hearts. May your day never grow dark on the mornings and may your evening be the time your waistline is with tiring and your love round about you. Great daughter of the forest kingdom. Enigma of royalty. Pride of her love. Queen of the Desert Kingdom. Goddess of Oasis Poem by Victor Vote to Atabeh Rezi. ©️2021 by VVF

WHEN YOU CROW UP IN KANSAS WEARING VERY LARGE SHORTS, thinking not very much of yourself, thinking mainly of your knees, looking mainly at your knees, your face a frisbee that cant fly, your teeth buck, your eyebrows rectangles, your forehead more than half of your face, your shirts shapeless, your shape shapeless, your Kansas shapeless, your lust absent, your legs bowed, your arches flat, your chest flat, your ears your only curves, your ears never pierced, your denim never dazzled, your sneakers white, your socks white, your teeth turquoise with rubber bands, your cheese orange, your milk whole, your bread wonder, your luxury a tuna casserole, your pale a neon pale, your fantasy to race a Mario Kart over the desert and into the final oasis, your earthly oasis a salted pretzel, your solitude total, your urges not even visible to you on the clearest days at the farthest horizons, your blank magnificent, your inertia wild and authentic, your nothing your preference, and then into it somebody walks, a Joan, this sudden hero can really take control. You’re susceptible first to idolatry, then to study, to apprenticeship, and finally to a kind of patient love that makes fun of itself and believes in itself without limit. Imagine being a pudding cup of a person and encountering a confident, elegant, powerful scholar who knows what to do with her shoulders. Imagine encountering you.

You can have flaws, be anxious and even be angry, but do not forget that your life is the greatest enterprise in the world. Only you can stop it from failing. You are appreciated, admired and loved by so many. Remember that being happy is not having a sky without storm, a road without accidents, a job without effort, a relationship without disappointments. “To be happy is to stop feeling like a victim and become the author of your own fate.” It's walking through deserts, but being able to find an oasis deep in the soul. Is thanking God every morning for the miracle of life. It’s kissing your children, cuddling your parents, having poetic moments with your friends, even when they hurt us. “Being happy is letting the creature that lives in each of us live, free, joyful and simple. You have the maturity to be able to say: "I've made mistakes". It's having the courage to say I'm sorry. It's having the sense to say "I need you". Is having the ability to say "I love you". May your life become a garden of opportunities for happiness... that in spring he may be a lover of joy and in winter a lover of wisdom. "And when you make a mistake, start over. Because only then will you be in love with life. You'll discover that being happy isn't having a perfect life. But use tears to irrigate tolerance. Use your defeats to train your patience. "Use your mistakes with the serenity of the sculptor. Use pain to tune into pleasure. Use obstacles to open the windows of intelligence. Never give up ... Above all never give up on the people that love you. Never give up on being happy, because life is an incredible spectacle.

I’m going to guide you across the desert,” the alchemist said. “I want to stay at the oasis,” the boy answered. “I’ve found Fatima, and, as far as I’m concerned, she’s worth more than treasure.” “Fatima is a woman of the desert,” said the alchemist. “She knows that men have to go away in order to return. And she already has her treasure: it’s you. Now she expects that you will find what it is you’re looking for.” “Well, what if I decide to stay?” “Let me tell you what will happen. You’ll be the counselor of the oasis. You have enough gold to buy many sheep and many camels. You’ll marry Fatima, and you’ll both be happy for a year. You’ll learn to love the desert, and you’ll get to know every one of the fifty thousand palms. You’ll watch them as they grow, demonstrating how the world is always changing. And you’ll get better and better at understanding omens, because the desert is the best teacher there is. “Sometime during the second year, you’ll remember about the treasure. The omens will begin insistently to speak of it, and you’ll try to ignore them. You’ll use your knowledge for the welfare of the oasis and its inhabitants. The tribal chieftains will appreciate what you do. And your camels will bring you wealth and power. “During the third year, the omens will continue to speak of your treasure and your Personal Legend. You’ll walk around, night after night, at the oasis, and Fatima will be unhappy because she’ll feel it was she who interrupted your quest. But you will love her, and she’ll return your love. You’ll remember that she never asked you to stay, because a woman of the desert knows that she must await her man. So you won’t blame her. But many times you’ll walk the sands of the desert, thinking that maybe you could have left … that you could have trusted more in your love for Fatima. Because what kept you at the oasis was your own fear that you might never come back. At that point, the omens will tell you that your treasure is buried forever. “Then, sometime during the fourth year, the omens will abandon you, because you’ve stopped listening to them. The tribal chieftains will see that, and you’ll be dismissed from your position as counselor. But, by then, you’ll be a rich merchant, with many camels and a great deal of merchandise. You’ll spend the rest of your days knowing that you didn’t pursue your Personal Legend, and that now it’s too late. “You must understand that love never keeps a man from pursuing his Personal Legend. If he abandons that pursuit, it’s because it wasn’t true love … the love that speaks the Language of the World.

But peace, too, is a living thing and like all life it must wax and wane, accommodate, withstand trials, and undergo changes. Such was the case with the peace Josephus Famulus enjoyed. It was unstable, visible one moment, gone the next, sometimes near as a candle carried in the hand, sometimes as remote as a star in the wintry sky. And in time a new and special kind of sin and temptation more and more often made life difficult for him. It was not a strong, passionate emotion such as indignation or a sudden rush of instinctual urges. Rather, it seemed to be the opposite. It was a feeling very easy to bear in its initial stages, for it was scarcely perceptible; a condition without any real pain or deprivation, a slack, luke-warm, tedious state of the soul which could only be described in negative terms as a vanishing, a waning, and finally a complete absence of joy. There are days when the sun does not shine and the rain does not pour, but the sky sinks quietly into itself, wraps itself up, is gray but not black, sultry, but not with the tension of an imminent thunderstorm. Gradually, Joseph's days became like this as he approached old age. Less and less could he distinguish the mornings from the evenings, feast days from ordinary days, hours of rapture from hours of dejection. Everything ran sluggishly long in limp tedium and joylessness. This is old age, he thought sadly. He was sad because he had expected aging and the gradual extinction of his passions to bring a brightening and easing of his life, to take him a step nearer to harmony and mature peace of soul, and now age seemed to be disappointing and cheating him by offering nothing but this weary, gray, joyless emptiness, this feeling of chronic satiation. Above all he felt sated: by sheer existence, by breathing, by sleep at night, by life in his cave on the edge of the little oasis, by the eternal round of evenings and mornings, by the passing of travelers and pilgrims, camel riders and donkey riders, and most of all by the people who came to visit him, by those foolish, anxious, and childishly credulous people who had this craving to tell him about their lives, their sins and their fears, their temptations and self-accusations. Sometimes it all seemed to him like the small spring of water that collected in its stone basin in the oasis, flowed through grass for a while, forming a small brook, and then flowed on out into the desert sands, where after a brief course it dried up and vanished. Similarly, all these confessions, these inventories of sins, these lives, these torments of conscience, big and small, serious and vain, all of them came pouring into his ear, by the dozens, by the hundreds, more and more of them. But his ear was not dead like the desert sands. His ear was alive and could not drink, swallow, and absorb forever. It felt fatigued, abused, glutted. It longed for the flow and splashing of words, confessions, anxieties, charges, self-condemnations to cease; it longed for peace, death, and stillness to take the place of this endless flow.

It is, but we can only help people by giving less than we take away from them. We enlarge the oasis by increasing the desert. That is the science of time and housekeeping. Some call it economics.

What bitter knowledge we gain from travelling! The world, monotonous and small, today, yesterday, tomorrow, always, show us our own image. An oasis of horror in a desert of tedium! Should we go? Stay? If you can stay, stay. Leave, if you must.

The approach to the city was not the finest. For that we ought to have come from Baghdad, crossing the desert to find Damascus shimmering in its oasis with the snowy bulk of Mount Hermon looming up behind. But rolling through the orchards of olive and lemon, pomegranate and orange, we saw Damascus standing on the plain, a gleaming, jewelled city of white in a lush green setting. It smelled, as all ancient cities do, of stone and smoke and donkey and spices, but over it all hung the perfume of the flowers that spilled from private courtyards and public gardens. Sewage ran in the streets, yet to me it would always be the city of jasmine, the air thick with the fragrance of crushed blossoms.

No matter the terrible fighting and shooting in the desert, the riffle fires can never dry the oasis.

You will have power and wealth, but what are these to a scholar? You will end your life an oasis in a desert of ignorance.

Through this tradition of face-to-face oral communication, now in danger of disappearing, black folks maintained the conviction of their own worth and saved their own souls by refusing to fall victim to fear or the hatred of their oppressors, which they recognized would have been more destructive to themselves than to their enemies. As the poet Lucille Clifton put it, “Ultimately if you fill yourself with venom you will be poisoned.”3 There were incidents of individual violence, usually crimes of passion committed by someone under the influence of alcohol and over a man or a woman. But despite the unimaginable cruelty that they suffered, blacks kept their sense of humor and created the art form of the blues as a way to work through and transcend the harshness of their lives. Living under the American equivalent of Nazism, they developed an oasis of civility in the spiritual desert of “me-firstism” that characterized the rest of the country.

in the middle of this God-forsaken desert, the government built an oasis.  The designers included rolling hills, a small river, walking trails, two small lakes, and dozens of large one and two story buildings that seemed to be part of the environment.  And there was grass, lots of bright green grass right there in the middle of the desert.  It was synthetic but it looked real and made the place look like a picture on a travel brochure. 

Vivien's friendship with Larry however was pure and untainted. It bore no signs of betrayal and bitterness. It had endured the trials of life and the hardships he bore. Like a a camel endured the parching sun in the desert until an oasis could be found.

An oasis of horror in a desert of boredom!

Sending you all a loving hug, Just don't forget me. The memories are still fresh, I so wish with you to be. We might be a distance apart, Living amidst a crisis. The happy vibes of recent past, In this desert are an oasis. Don't ever let thy hopes fade, Look up at the sky, a healthy hue. One thing I promise my friends, My heart will always be with you. The giggles and the friendly jabs, Those loud laughs over food and wine. They are my antidotes in need, Even the Virus wonders how am I fine. I am just waiting for to meet again, Life will bring back that time. Song of heart I cannot sing, But the words are there to rhyme. Nature knows how to correct us, Earth is saying, remember me. Sending you all a loving hug, Just don't forget me!

We the darker ones come even now not altogether empty-handed: there are to-day no truer exponents of the pure human spirit of the Declaration of Independence than the American Negroes; there is no true American music but the wild sweet melodies of the Negro slave; the American fairy tales and folk-lore are Indian and African; and, all in all, we black men seem the sole oasis of simple faith and reverence in a dusty desert of dollars and smartness. Will America be poorer if she replace her brutal dyspeptic blundering with light-hearted but determined Negro humility? or her coarse and cruel wit with loving jovial good-humor? or her vulgar music with the soul of the Sorrow Songs?

Anyway, it goes like this: there’s this desert prison, see, with an old prisoner, resigned to his life, and a young one just arrived. The young one talks constantly of escape, and, after a few months, he makes a break. He’s gone a week, and then he’s brought back by the guards. He’s half dead, crazy with hunger and thirst. He describes how awful it was to the old prisoner. The endless stretches of sand, no oasis, no signs of life anywhere. The old prisoner listens for a while, then says, ‘Yep. I know. I tried to escape myself, twenty years ago.’ The young prisoner says, ‘You did? Why didn’t you tell me, all these months I was planning my escape? Why didn’t you let me know it was impossible?’ And the old prisoner shrugs, and says, ‘So who publishes negative results?

He had made the journey from star to man, across the immense desert of the cosmos to the lonely oasis of the human soul.

The magic of your larger blooming life has been trying to reach you; pouring through the cracks, seeping up through the ground around you. It has no aim, save one: to save you; to bring back the moist oasis of midnight wine and pillow talk to that dry desert you've become. - from "May These Words Drive You Up A Wall," The School of Soft-Attention

16. The Beatitude of Zen. We are far from denying, as already shown in the foregoing chapters, the existence of troubles, pains, diseases, sorrows, deaths in life. Our bliss consists in seeing the fragrant rose of Divine mercy among the thorns of worldly trouble, in finding the fair oasis of Buddha's wisdom in the desert of misfortunes, in getting the wholesome balm of His love in the seeming poison of pain, in gathering the sweet honey of His spirit even in the sting of horrible death. History

The caravan and the desert speak the same language, and it’s for that reason that the desert allows the crossing. It’s going to test the caravan’s every step to see if it’s in time, and, if it is, we will make it to the oasis.

Murtaugh Allsbrook and his riders spread the news like wildfire. Down every road, over every river, to the north and south and west, through snow and rain and mist, their hooves churning up the dust of each kingdom. And for every town they told, every tavern and secret meeting, more riders went out. More and more, until there was not a road they had not covered, until there was not one soul who did not know that Aelin Galathynius was alive—and willing to stand against Adarlan. Across the White Fangs and the Ruhnns, all the way to the Western Wastes and the red-haired queen who ruled from a crumbling castle. To the Deserted Peninsula and the oasis-fortress of the Silent Assassins. Hooves, hooves, hooves, echoing through the continent, sparking against cobblestones, all the way to Banjali and the riverfront palace of the King and Queen of Eyllwe, still in their midnight mourning clothes. Hold on, the riders told the world. Hold on.

In biblical times, Hope was an Oasis in the Desert. In medieval days, a shack free of Plague. Today, Hope is no longer a place for contemplation—litigation being the preferred new order of the day.

The most famous child survivor of the Holocaust in the 1950s was not Anne Frank—after all, she didn’t survive—but a young woman named Hannah Bloch Kohner. NBC television’s This Is Your Life was one of television’s first reality shows, in which host Ralph Edwards surprised a guest, often a celebrity, by reuniting him or her with friends and family members the guest hadn’t heard from in years. The program didn’t shy away from either political controversy or questionable sentimentality, as when guest Reverend Kiyoshi Tanimoto, who had survived the atomic bombing of Hirsohima in 1945, was introduced to the copilot of the Enola Gay. On May 27, 1953, This Is Your Life ambushed a beautiful young woman in the audience, escorted her to the stage, and proceeded, in a matter of minutes, to package, sanitize, and trivialize the Holocaust for a national television audience. Hannah Bloch Kohner’s claim to fame was that she had survived Auschwitz before emigrating, marrying, and settling in Los Angeles. She was the first Holocaust survivor to appear on a national television entertainment program. “Looking at you, it’s hard to believe that during seven short years of a still short life, you lived a lifetime of fear, terror, and tragedy,” host Edwards said to Kohner in his singsong baritone. “You look like a young American girl just out of college, not at all like a survivor of Hitler’s cruel purge of German Jews.” He then reunited a stunned Kohner with Eva, a girl with whom she’d spent eight months in Auschwitz, intoning, “You were each given a cake of soap and a towel, weren’t you, Hannah? You were sent to the so-called showers, and even this was a doubtful procedure, because some of the showers had regular water and some had liquid gas, and you never knew which one you were being sent to. You and Eva were fortunate. Others were not so fortunate, including your father and mother, your husband Carl Benjamin. They all lost their lives in Auschwitz.” It was an extraordinary lapse of sympathy, good taste, and historical accuracy—history that, if not common knowledge, had at least been documented on film. It would be hard to explain how Kohner ever made it on This Is Your Life to be the Holocaust’s beautiful poster girl if you didn’t happen to know that her husband—a childhood sweetheart who had emigrated to the United States in 1938—was host Ralph Edwards’s agent. Hannah Bloch’s appearance was a small, if crass, oasis of public recognition for Holocaust survivors—and child survivors especially—in a vast desert of indifference. It would be decades before the media showed them this much interest again.