Jive Quotes

I stay cool, and dig all jive, That's the way I stay alive. My motto, as I live and learn, is Dig and be dug In return.

I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!

Hip - Someone who knows the score. Someone who understands "jive talk." Someone who is "with it." The expression is not subject to definition because, if you don't "dig" what it means, no one can ever tell you.

But some jokes are hilarious until they become true and they’re not so funny anymore.

When young Black boys learn that there are no limits to our possibilities on the basketball courts, we create the athletic genius of Michael Jordan or Magic Johnson and in their genius, they recreate the game of basketball. When our young people know that there are no limits to their potential in the world of manufacturing, communication, physics, chemistry or the science of the human mind, then those same young Black minds who create dances on the dance floor or compose music on their bodies with the ‘hand jive’ will recreate these fields of human endeavor with the same incomparability.

Lately, their love had been reduced to yellow emojis.

Part of the reason I actually preferred Twin Peaks's second season to its first was the fascinating spectacle of watching a narrative structure disintegrate and a narrative artist freeze up and try to shuck and jive when the plot reached a point where his own weaknesses as an artist were going to be exposed (just imagine the fear: this disintegration was happening on national TV).

Just because something 'happens', because it is 'true', because the 'facts' are correct, does not ensure that it is the truth.

I took her in the standard jive hold that I had practised on the skeleton, and immediately felt the awkwardness, approaching revulsion, that I feel when forced into intimate contact with another human.

America was never innocent. We popped our cherry on the boat over and looked back with no regrets. You can't ascribe our fall from grace to any single event or set of circumstances. You can't lose what you lacked at conception. Mass-market nostalgia gets you hopped up for a past that never existed. Hagiography sanctifies shuck-and-jive politicians and reinvents their expedient gestures as moments of great moral weight. Our continuing narrative line is blurred past truth and hindsight. Only a reckless verisimilitude can set that line straight. The real Trinity of Camelot was Look Good, Kick Ass, Get Laid. Jack Kennedy was the mythological front man for a particularly juicy slice of our history. He called a slick line and wore a world-class haircut. He was Bill Clinton minus pervasive media scrutiny and a few rolls of flab. Jack got whacked at the optimum moment to assure his sainthood. Lies continue to swirl around his eternal flame. It's time to dislodge his urn and cast light on a few men who attended his ascent and facilitated his fall. They were rouge cops and shakedown artist. They were wiretappers and soldiers of fortune and faggot lounge entertainers. Had one second of their lives deviated off course, American History would not exist as we know it. It's time to demythologize an era and build a new myth from the gutter to the stars. It's time to embrace bad men and the price they paid to secretly define there time. Here's to them.

Why can't people just be happy and live?

...we all face similar pressures to forget the simple truth of who we are. Particularly the truths that don't jive with what we see around us. As time wears us down we can forget who we once were.

but it's no use. I m already on my feet. She drags me onto the dance floor, jiving and snapping her fingers. When we're surrounded by other couples she turns to me. I take a deep breath and then take her in my arms. We wait a couple beats and then we're off, floating around the dance floor in a swirling sea of people. She's light as air--doesn't miss a step, and that's a feat considering how clumsy I am. And it's not as though I don't know how to dance, because I do. I don't know what the hell is wrong with me. I'm sure as hell not drunk.

Make mental note to listen to voicemail and change ringtone to something less embarrassing (this one is called 'Jive' and is far too funky for hospice setting. Not that funk does not have role in place of sickness, just that is not always appropriate).

Daddy is jive talking and showering the stripper Mommy is sleepwalking while changing baby's diaper

I hoped Tia was different. Easier to manage for people like me, who didn’t naturally jive with the little tykes. I’d only met her for a few seconds, so I had no idea what I was in for, here. All I knew was this wasn’t my element, and her father had just compared me to a pregnant woman. Wasn’t there something wrong with this picture?

Commala-come-come There’s a young man with a gun. Young man lost his honey When she took it on the run. Commala-come-one! She took it on the run! Left her baby lonely But he baby ain’t done. Commala-come-coo The wind’ll blow ya through. Ya gotta go where ka’s wind blows ya Cause there’s nothin else to do. Commala-come-two! Nothin else to do! Gotta go where ka’s wind blows ya Cause there’s nothin else to do. Commala-come-key Can you tell me what ya see? Is it ghosts or just the mirror That makes ya wanna flee? Commala-come-three! I beg ya, tell me! Is it ghosts or just your darker self That makes ya wanna flee? Commala-come-ko Whatcha doin at my do’? If ya doan tell me now, my friend I’ll lay ya on de flo’. Commala-come-fo’! I can lay ya low! The things I’ve do to such as you You never wanna know. Commala-gin-jive Ain’t it grand to be alive? To look out on Discordia When the Demon Moon arrives. Commala-come-five! Even when the shadows rise! To see the world and walk the world Makes ya glad to be alive. Commala-mox-nix! You’re in a nasty fix! To take a hand in traitor’s glove Is to grasp a sheaf of sticks! Commala-come-six! Nothing there but thorns and sticks! When your find your hand in traitor’s glove You’re in a nasty fix. Commala-loaf-leaven! They go to hell or up to heaven! The the guns are shot and the fires hot, You got to poke em in the oven. Commala-come-seven! Salt and yow’ for leaven! Heat em up and knock em down And poke em in the oven. Commala-ka-kate You’re in the hands of fate. No matter if it’s real or not, The hour groweth late. Commala-come-eight! The hour groweth late! No matter what shade ya cast You’re in the hands of fate. Commala-me-mine You have to walk the line. When you finally get the thing you need It makes you feel so fine. Commala-come-nine! It makes ya feel fine! But if you’d have the thing you need You have to walk the line. Commala-come-ken It’s the other one again. You may know her name and face But that don’t make her your friend. Commala-come-ten! She is not your friend! If you let her get too close She’ll cut you up again! Commala-come-call We hail the one who made us all, Who made the men and made the maids, Who made the great and small. Commala-come-call! He made us great and small! And yet how great the hand of fate That rules us one and all. Commala-come-ki, There’s a time to live and one to die. With your back against the final wall Ya gotta let the bullets fly. Commala-come-ki! Let the bullets fly! Don’t ‘ee mourn for me, my lads When it comes my day to die. Commala-come-kass! The child has come at last! Sing your song, O sing it well, The child has come to pass. Commala-come-kass, The worst has come to pass. The Tower trembles on its ground; The child has come at last. Commala-come-come, The battle’s now begun! And all the foes of men and rose Rise with the setting sun.

it occurred to him that kids were better at almost dying, and they were also better at incorporating the inexplicable into their lives. They believed implicitly in the invisible world. Miracles both bright and dark were to be taken into consideration, oh yes, most certainly, but they by no means stopped the world. A sudden upheaval of beauty or terror at ten did not preclude an extra cheesedog or two for lunch at noon. “But when you grew up, all that changed. You no longer lay awake in your bed, sure something was crouching in the closet or scratching at the window ... but when something did happen, something beyond rational explanation, the circuits overloaded. The axons and dendrites got hot. You started to jitter and jive, you started to shake rattle and roll, your imagination started to hop and bop and do the funky chicken all over your nerves. You couldn’t just incorporate what had happened into your life experience. It didn’t digest. Your mind kept coming back to it, pawing it lightly like a kitten with a ball of string ... until eventually, of course, you either went crazy or got to a place where it was impossible for you to function.

So how do you know she was a mermaid if you didn’t see her bottom half?

I, Lucifer, Fallen Angel, Prince Of Darkness, Bringer of Light, Ruler of Hell, Lord of the Flies, Father of Lies, Apostate Supreme, Tempter of Mankind, Old Serpent, Prince of This World, Seducer, Accuser, Tormentor, Blasphemer, and without a doubt Best Fuck in the Seen and Unseen Universe (ask Eve, that minx) have decided - oo la la! - to tell all. All? Some. I'm toying with that for a title: Some. Got a post-millennial modestry to it, don't you think? Some. My side of the story. The funk. The jive. The boogie. The rock and roll. (I invented rock and roll. You wouldn't believe the things I've invented. Anal sex, obviously. Smoking. Astrology. Money...Let's save time: Everything in the world that distracts you from thinking about God. Which...pretty much...is everything in the world, isn't it? Gosh.)

The day is early with birds beginning and the wren in a cloud piping like the child in the poem, drop thy pipe, thy happy pipe. And the place grows bean flower, pea-green lush of grass, swarm of insects dizzily hitting the high spots; dunny rosette creeping covering shawl ream in a knitted cosy of roses; ah the tipsy wee small hours of insects that jive upon the crippled grass blades and the face of the first flower alive.

Aster, occasionally, through no will of her own, worried she wasn’t pretty enough, and why? Pretty was a strange thing to concern oneself over. Pretty was subjective and fallacious. Pretty couldn’t be replicated in a lab. She, as much as anyone, enjoyed the prismatic sweep of amaranth in bloom and the geography of animalian bodies. Yet when applied to people, it didn’t jive with her that pretty was meant for some and not others. More pressingly, it didn’t jive with Aster that some days she wanted to be one of those folks who was prettier than the other folks. It was like wanting to be more vanadium-based, or wanting to have orange-pigmented skin—arbitrary, bizarre, pointless. Still, she wanted it, and Theo made her feel like it was already so.

Take It Easy" That the light stalks your skin, no, that your skin makes it: a radiating hum, jive, a freedom, a beehive packed just as much with honey as does it hazard; also, a balm for where the sting sits, a treaty, country upon which I first laid my claim, but was usurped; where carefully do I move to cross it again. Now here come my lips to it, pink over your body’s good bark. Now here is my mouth, entire. I’m scared of you, baby, it says, scared like a god is of his faithful, and like the faithful. Light -struck. Delighted. Terrorstruck. Come, lift up your gates, your countenance spread like a lily upon me: whip me, I am so whipped. These are my eyes.

Ah, I love you. When I'm with you, I am what you call...a hip cat. I am hip, to the jive. You set my soul on fire. It is not just a little spark. It is a flame; a big roaring flame. I can feel it now—it is burning, burning, BURNING

Gonzo, the enlightened hippy-biker island god, was a hermit in every sense of the word; a hermit crab and this island was his shell.

Wouldst like to con a glimmer with me this early black?’, which he [Cab Calloway] helpfully explains as ‘the proper way to ask a young lady to go to the movies’. It should be noted here, that if the object of your affections replies ‘Kill me’, they are not requesting to be euthanatised and you should not actually murder them. Kill me is merely the Cab Calloway way of saying ‘Show me a good time’ and is the best response you could have hoped for. Jive was rather confusing in this way.

The Dark Prophecy The words that memory wrought are set to fire, Ere new moon rises o'er the Devils Mount. The changeling lord shall face a dire, Till bodies fill the Tiber beyond count. Yet southward the sun now trace its course, Through mazes dark to lands of scorching death To find the master of the swift white horse And wrest from him the crossword speaker's breath. To westward palace must the Lester go; Demeter's daughter finds her ancient roots. The cloven guide alone the way does know, To walk the path in thine own enemy's boots. We three are known and Tiber reached alive, 'Tis only then Apollo starts to jive.

Their silence was not the result of boredom or apathy, nor were they quiet because it was expected of them or through fear of consequences; but they were listening, actively, attentively listening to those records, with the same raptness they had shown in their jiving; their bodies were still, but I could feel that their minds and spirits were involved with the music. I glanced towards Miss Blanchard and as though she divined my thoughts she smiled at me and nodded in understanding....

Opposites attract, mom.’ ‘Yes, but in your case, darling, it is hydrogen and oxygen, and we all know what happened the Hindenberg.’ Just in case their daughter wasn’t aware of the ill-fated zeppelin, Lambert clarified: ‘This too will end in flames.

Ah," I can hear you say, "so it was all a build-up to bore us with his buggy jiving. He only wanted us to listen to him rave!" But only partially true: Being invisible and without substance, a disembodied voice, as it were, what else could I do? What else but try to tell you what was really happening when your eyes were looking through? And it is this which frightens me: Who knows but that, on the lower frequencies, I speak for you?

Word,” said Jamal. “But you can jive on up to the taco hut on the boardwalk if you hungry, dig?

Seriously, what is the purpose? Maybe I’d feel better about walking around speaking fluent jive if I knew there was a reason for it.

My enlightened racial consciousness demands that I reject the so-called greatness of William Faulkner and William Shakespeare. I don't have time for any of that Hamlet jive -- but Marvel superheroes are super cool.

Errata Baby, give me just one more hiss We must lake it fast morever I want to cold you in my harms & never get lo I live you so much it perts! Baby, jive me gust one more bliss Whisper your neat nothings in my near Can we hock each other one tore mime? All light wrong? Baby give me just one more briss My won & homely You wake me meek in the needs Mill you larry me? Baby, hive me just one more guess With this sing I’ll thee shed

Earth is such a sweet ‘n sour place, thought Gonzo, puffing on his seaweed roll-up, and he knew that if aliens did exist, then they’d probably only stop to avail of this planet’s toilet facilities on the intergalactic highway.

NFL in general: Millionaire babies taking to the field to shuck, jive and juke for elderly billionaire plantation masters. The players who do take a stand by kneeling are vilified, nullified and ostracized. And fans continue to subsidize this cirque du soulless in some publicly funded, corporate-owned stadium with the audacity to charge ten dollars for a cup of warm beer, eight dollars for cold hot dogs and ninety dollars for jerseys bearing terminally concussed gridiron legends’ names and numbers.

I am on a lonely road and I am traveling Traveling, traveling, traveling Looking for something, what can it be Oh I hate you some, I hate you some, I love you some Oh I love you when I forget about me I want to be strong I want to laugh along I want to belong to the living Alive, alive, I want to get up and jive I want to wreck my stockings in some juke box dive Do you want - do you want - do you want to dance with me baby Do you want to take a chance On maybe finding some sweet romance with me baby Well, come on All I really really want our love to do Is to bring out the best in me and in you too All I really really want our love to do Is to bring out the best in me and in you I want to talk to you, I want to shampoo you I want to renew you again and again Applause, applause - Life is our cause When I think of your kisses my mind see-saws Do you see - do you see - do you see how you hurt me baby So I hurt you too Then we both get so blue. I am on a lonely road and I am traveling Looking for the key to set me free Oh the jealousy, the greed is the unraveling It's the unraveling And it undoes all the joy that could be I want to have fun, I want to shine like the sun I want to be the one that you want to see I want to knit you a sweater Want to write you a love letter I want to make you feel better I want to make you feel free I want to make you feel free

wI don’t care what they say about Aretha. She can be hiding out in her house in Detroit for years. She can go decades without taking a plane or flying off to Europe. She can cancel half her gigs and infuriate every producer and promoter in the country. She can sing all kinds of jive-ass songs that are beneath her. She can go into her diva act and turn off the world. But on any given night, when that lady sits down at the piano and gets her body and soul all over some righteous song, she’ll scare the shit out of you. And you’ll know—you’ll swear—that she’s still the best fuckin’ singer this fucked-up country has ever produced.

The Dark Prophecy The words that memory wrought are set to fire, Ere new moon rises o’er the Devil’s Mount. The changeling lord shall face a challenge dire, Till bodies fill the Tiber beyond count. Yet southward must the sun now trace its course, Through mazes dark to lands of scorching death To find the master of the swift white horse And wrest from him the crossword speaker’s breath. To westward palace must the Lester go; Demeter’s daughter finds her ancient roots. The cloven guide alone the way does know, To walk the path in thine own enemy’s boots. When three are known and Tiber reached alive, ’Tis only then Apollo starts to jive.

I don’t care what they say about Aretha,” said Billy Preston. “She can be hiding out in her house in Detroit for years. She can go decades without taking a plane or flying off to Europe. She can cancel half her gigs and infuriate every producer and promoter in the country. She can sing all kinds of jive-ass songs that are beneath her. She can go into her diva act and turn off the world. But on any given night, when that lady sits down at the piano and gets her body and soul all over some righteous song, she’ll scare the shit out of you. And you’ll know—you’ll swear—that she’s still the best fuckin’ singer this fucked-up country has ever produced.

While contentment is curled up on the sofa, and bliss is lost in tranquil meditation, joy is skipping, jiving, twirling, giggling. It is a uniquely exuberant emotion, a high-energy form of happiness.

America was never innocent. We popped our cherry on the boat over and looked back with no regrets. You can't ascribe our fall from grace to any single event or set of circumstances. You can't lose what you lacked at conception. Mass-market nostalgia gets you hopped up for a past that never existed. Hagiography sanctifies shuck-and-jive politicians and reinvents their expedient gestures as moments of great moral weight. Our continuing narrative line is blurred past truth and hindsight. Only a reckless verisimilitude can set that line straight. The real Trinity of Camelot was Look Good, Kick Ass, Get Laid. Jack Kennedy was the mythological front man for a particularly juicy slice of our history. He called a slick line and wore a world-class haircut. He was Bill Clinton minus pervasive media scrutiny and a few rolls of flab. Jack got whacked at the optimum moment to assure his sainthood. Lies continue to swirl around his eternal flame. It's time to dislodge his urn and cast light on a few men who attended his ascent and facilitated his fall. They were rouge cops and shakedown artists. They were wiretappers and soldiers of fortune and faggot lounge entertainers. Had one second of their lives deviated off course, American History would not exist as we know it. It's time to demythologize an era and build a new myth from the gutter to the stars. It's time to embrace bad men and the price they paid to secretly define their time. Here's to them.

You think because you slack and express no impulse control that you’re like, black power. Sticking it to the white man or whatever. But you’re just exactly what they expect. Like, I understand wanting to resist their demands. But they can be mediocre. We can’t.” “Mediocre?” “I can’t be associated with it. Like, there is actually a brief window where they don’t know to what extent you’re black, and you have to get in there. You have to get in the room. And if I have to, I will shuck and jive until the room I’m in is at the top.

As we charge the night we leer at pedestrians, the harder I stare, the faster they walk and we skip and jive in their shadows. They pull their coats round as a barrier, faces burning, I could crush their bones in the treads of my trainers, but I let them scamper away. We collect items to aid us in our quest, a shopping trolley, a brick, a single shoe. One petulant husk mutters, "There must be something meaningful you can do with your time," and we soak up his words and shudder with complete incomprehension – we are walking with the Gods, what is more meaningful than that?

But when you grew up, all that changed. You no longer lay awake in your bed, sure something was crouching in the closet or scratching at the window . . . but when something did happen, something beyond rational explanation, the circuits overloaded. The axons and dendrites got hot. You started to jitter and jive, you started to shake rattle and roll, your imagination started to hop and bop and do the funky chicken all over your nerves. You couldn’t just incorporate what had happened into your life experience. It didn’t digest. Your mind kept coming back to it, pawing it lightly like a kitten with a ball of string

But when you grew up, all that changed. You no longer lay awake in your bed, sure something was crouching in the closet or scratching at the window ... but when something did happen, something beyond rational explanation, the circuits overloaded. The axons and dendrites got hot. You started to jitter and jive, you started to shake rattle and roll, your imagination started to hop and bop and do the funky chicken all over your nerves. You couldn’t just incorporate what had happened into your life experience. It didn’t digest. Your mind kept coming back to it, pawing it lightly like a kitten with a ball of string ... until eventually, of course, you either went crazy or got to a place where it was impossible for you to function.

But of course the Western changed along with America’s view of itself, from some sort of heroic country, where everybody’s free, to the spiritually fucked-up defiled place it really is, and now you got jive Italians, if you can feature that, making the only Westerns worth seeing anymore because white America’s just too fucking confused, can’t figure out whether to embrace the myth or the anti-myth, so in a country where folks always figured you can escape your past, now the word is out that this is the country where you can do no such thing, this is the one place where, like the jive that finally becomes impossible to distinguish from the anti-jive, honor becomes impossible to distinguish from betrayal or just, you know, stone cold murder...

1. Close Friend, someone who got yo back, yo "main nigga." 2. Rooted in blackness and the Black experience. From a middle-aged social worker: "That Brotha ain like dem ol e-lights, he real, he a shonuff nigga" 3. Generic, neutral refrence to African Americans. From a 30 something college educated Sista: "The party was live, it was wall to wall niggaz there" 4. A sista's man/lover/partner. from the beauty shop. "Guess we ain gon be seein too much of girlfriend no mo since she got herself a new nigga" From Hip Hop artist Foxy brown, "Ain no nigga like the on I got." 5. Rebellious, fearless unconventional, in-yo-face Black man. From former NBA superstar Charles Barkley, "Nineties niggas... The DailyNews, The Inquirer has been on my back... They want their Black Athletes to be Uncle Tom. I told you white boys you've never heard of a 90s nigga. We do what we want to do" quoted in The Source, December 1992). 6. Vulgar, disrespectful Black Person, antisocial, conforming to negative sterotype of African Americans. From former Hip Hop group Arrested Development, in their best-selling song, "People Everyday" 1992: A black man actin like a nigga... got stomped by an African" 7. A cool, down person, rooted in Hip Hop and black culture, regardless of race, used today by non-blacks to refer to other non-Blacks. 8. Anyone engaged in inappropriate, negative behavior; in this sense, Blacks may even apply the term to White folk. According to African American scholar Clarence Major's From Juba to Jive, Queen Latifah was quoted in Newsweek as criticizing the US government with these words. "Those niggers don't know what the fuck they doing

TCA pretends to be about raising money for charity. That’s true, but only so far. If I had not taken time off from the Penn & Teller show to do The Celebrity Apprentice—if Teller and I had just done our show, gotten usual pay—I could have donated four times the amount of money that Trump had pledged to give my charity if I won the whole damn shooting match. Opportunity Village, “my” charity that helps intellectually disabled adults to enter society, got a lot of attention because I was on The Celebrity Apprentice, and that does count for something. And when I was “fired,” my real bosses at Caesars, who own the Rio and the Penn & Teller Theater, said, “Oh, you wanted a quarter million for Opportunity Village? We don’t have to do some jive TV show; we’ll just write a check.” They wrote the full winning amount to Opportunity Village and everyone was happy.

Strict Time There's a hand on a wire that leads to my mouth I can hear you knocking but I'm not coming out Don't want to be a puppet or a ventriloquist 'Cause there's no ventilation on a critical list Fingers creeping up my spine are not mine to resist Strict time Chorus: Toughen up, toughen up Keep your lip buttoned up Strict time Oh the muscles flex and the fingers curl And a cold sweat breaks out on the sweater girl Strict time Oh he's all hands, don't touch that dial The courting cold wars weekend witch trial Strict time All the boys are straight laced and the girls are frigid The talk is two-faced and the rules are rigid 'cause it's strict time Strict time You talk in hushed tones, I talk in lush tones Try to look Italian through the musical Valium Strict time Thinking of grand larceny Smoking the everlasting cigarette of chastity Cute assistants staying alive More like a hand job than the hand jive Strict time

Jives and jukes might look impressive, but they were quick ways to die.

How does what we see cloaked as “news” by “journalists” jive with his mandate that a journalist should strive to be objective, not blur facts with opinions, and maintain the impartial integrity of the noble profession of journalism?

Well butter my butt and call me a biscuit! -Savannah

America was never innocent. We popped our cherry on the boat over and looked back with no regrets. You can't ascribe our fall from grace to any single event or set of circumstances. You can't lose what you lacked at conception. Mass-market nostalgia gets you hopped up for a past that never existed. Hagiography sanctifies shuck-and-jive politicians and reinvents their expedient gestures as moments of great moral weight.

The proponents of Harlem jive talk ... do not hope that courses in the lingo will ever be offered at Harvard or Columbia. Neither do they expect to learn that Mrs. Faunteen-Chauncey of the Mayfair Set addresses her English butler as 'stud hoss', and was called in reply, 'a sturdy old hen.' -- Original Handbook of Harlem Jive, 1944.

What you can do: • Start by being consistent with your emails That said, don’t send an email just for the sake of sending it. Don’t compromise on quality just because you have to send something out. You can skip a week or two if your emails don’t have a strong call to action, or if you have no compelling reason to email your list. While not every email will be your best, make each email count. • Be bold and repel (on purpose) if you must Maybe your emails will inspire thought and change. Or challenge existing beliefs and myths. Your content may also raise more questions than it offers answers to. Not everyone jives with that type of content or style. But the bolder you are, the more you will attract your ideal reader and repel the rest. What wouldn’t your ideal reader do? What wouldn’t they relate to? Identify these characteristics and be as specific as you can; e.g., They are unlikely to read blogs such as…They are unlikely to identify with the term freelancer…They are unlikely to prefer quick tips over long-form content. Once you have identified these characteristics, keep them in mind as you’re working on your email content. Don’t water down your message to fit your average reader.

Jive undertakes to remedy that situation with language that makes up for the dullness of mere existence.

There’s a lot to be said for spiteful pettiness. It’s underrated by those moral do-gooders who jive to the beat of karma.

Peace is Jive

All atomic nuclei are composed of two types of particles: protons and their electrically neutral partners, neutrons. If a nucleus has too many of one type or the other, then the rules of quantum mechanics dictate that the balance has to be redressed and those excess particles will change into the other form: protons will become neutrons, or neutrons protons, via a process called beta-decay. This is precisely what happens when two protons come together: a composite of two protons cannot exist and one of them will beta-decay into a neutron. The remaining proton and the newly transformed neutron can then bind together to form an object called a deuteron (the nucleus of an atom of the heavy hydrogen isotopefn3 called deuterium), after which further nuclear reactions enable the building of the more complex nuclei of other elements heavier than hydrogen, from helium (with two protons and either one or two neutrons) through to carbon, nitrogen, oxygen, and so on. The key point is that the deuteron owes its existence to its ability to exist in two states simultaneously, by virtue of quantum superposition. This is because the proton and neutron can stick together in two different ways that are distinguished by how they spin. We will see later how this concept of ‘quantum spin’ is actually very different from the familiar spin of a big object, such as a tennis ball; but for now we will go with our classical intuition of a spinning particle and imagine both the proton and the neutron spinning together within the deuteron in a carefully choreographed combination of a slow, intimate waltz and a faster jive. It was discovered back in the late 1930s that within the deuteron these two particles are not dancing together in either one or the other of these two states, but in both states at the same time – they are in a blur of waltz and jive simultaneously – and it is this that enables them to bind together.fn4 An obvious response to this statement is: ‘How do we know?’ Surely, atomic nuclei are far too small to be seen, so might it not be more reasonable to assume that there is something missing in our understanding of nuclear forces? The answer is no, for it has been confirmed in many laboratories over and over again that if the proton and neutron were performing the equivalent of either a quantum waltz or a quantum jive, then the nuclear ‘glue’ between them would not be quite strong enough to bind them together; it is only when these two states are superimposed on top of each other – the two realities existing at the same time – that the binding force is strong enough. Think of the two superposed realities as a little like mixing two coloured paints, blue and yellow, to make a combined resultant colour, green. Although you know the green is made up of the two primary constituent colours, it is neither one nor the other. And different ratios of blue and yellow will make different shades of green. Likewise, the deuteron binds when the proton and neutron are mostly locked in a waltz, with just a tiny amount of jive thrown in. So

The contemporary music of Tina Turner might make you feel powerful and energized. South African music provides a mind-boggling choice of styles from folk tunes to jive. Beethoven’s Pastoral Symphony has the magical ability to transport you to a country scene and trap you in a driving rain storm.

writing - like any art - is so damned personal that there really isn't a right way to do it. You do what works for you; what matters is getting the words on the paper. Sure, if you hear advice, and it works, then excellent. But, if it doesn't, you have to realize that perhaps nothing is wrong with you. You don't jive with the advice.

Y’all don’t say jive anymore, do ya?” “No, that’s some ol’ Sanford and Son stuff.” “You shut your mouth, boy. That Redd Foxx is a comedic genius. That skinny dude you kids think is so funny? Jerry Murphy? Freddie Murphy?” “Eddie Murphy, and he’s the joint!” “Your little Eddie Murphy ain’t got nothing on no Redd Foxx.

-GLIMPSE- She was finally out from her cage, Taking steps with birth right freely embraced’ She did not ask the time that day, Cause she know, In 30 years, she probably won’t remember this’ She joins the party made by life’ Jive to the ecstasy, In the circle she stays’ She was what she repeatedly do, thinking’ That it may get her closer what she wants to be tomorrow, Indeed, she forget to smell the flowers She wants to go fast so she goes alone, But she was wrong ‘ Nothing worth having comes easy’ So she start planting her garden, Instead of waiting for someone to give a daisy She picked dandelion and blew the burden’ She defined herself, and swipes the mess “Love yourself” She tattooed it in mind She believes she can and she is halfway there To love and be loved….

That shallow mind who believe in a fallacy of a humbug Enjoying the sweet jive and venomous lies. Woe to those whose heart and mind are bandage by envy and insecurity. Keep distance for they bring no joy but vexation to the spirit.

I know I'm not your first dance.. But wasn't it your first jive?

Theo, she’s a living twenty-four-seven hormone production plant. The conveyor belts keep delivering more oestrogen n’ all kinds of female knicks ‘n knacks and bits ‘n bobs in all their knickerbocker glory. She’s got nowhere to put it all, Theo, but the conveyor belts keep on comin’, keep on a-chuggin’ – even on Christmas Day… and we all remember last Christmas Day, right?

Most of us have complicated backstories, messy histories, multiple narratives. It was a high-wire strategy, for Obama, this invocation of our collective human messiness. His enemies latched on to its imprecision, emphasizing the exotic, un-American nature of Dream City, this ill-defined place where you could be from Hawaii and Kenya, Kansas and Indonesia all at the same time, where you could jive talk like a street hustler and orate like a senator.

Who you jiving, L.J.?” I heard Joe Abernathy’s voice say, derisive and affectionate. I

The One Who Really Loves You Some other girls are filling your head with jive So now you're acting like you dont know that Im alive Love, you better wake up, yeah, before we break up And you lose me, look to me, the one who really loves you Susie only wants you until the day That she'll again have her true love who's far, far away So love, you better wake up, yeah, before we break up And you lose me, look to me, the one who really loves you Jenny only wants you 'cause she thinks she has to have everyone Minnie only wants you 'cause she think that hurting me would be fun Silly Lilly, you know she doesnt really want you with a love thats true In fact, theres no other girl in this whole wide world Who can love you like I do They get tired of you and they're gonna put you down Then they aint gonna want you hanging around So love, you better wake up, yeah, before we break up And you lose me, look to me, the one who really loves you I do really, really love you

The words that memory wrought are set to fire, Ere new moon rises o’er the Devil’s Mount. The changeling lord shall face a challenge dire, Till bodies fill the Tiber beyond count. Yet southward must the sun now trace its course, Through mazes dark to lands of scorching death To find the master of the swift white horse And wrest from him the crossword speaker’s breath. To westward palace must the Lester go; Demeter’s daughter finds her ancient roots. The cloven guide alone the way does know, To walk the path in thine own enemy’s boots. When three are known and Tiber reached alive, ’Tis only then Apollo starts to jive.

Chaos Cocktail by Stewart Stafford Herky-jerky's hanky-panky, Wakey-wakey, eggs n' bakey! Cosmic Mercury's retrograde trick, Nilsson's Brandy Alexander kick. John heard Bermuda's jingle-jangle, Storm surge in an Exorcist Triangle! Sea shanties upending Behan's hive, All stout hornets jigged and jived. Yoko's "Oh, no!" on firmer ground, Her ageing mariner didn't drown, Lonely Ringo plays bingo bongo, Paul, mugged down near the Congo. © 2024, Stewart Stafford. All rights reserved.

What is the absolute value of a grudge that was never yours to levy when time is a nonrenewable factor?

figured I would hear the general out, and if anything he told me didn’t jive with what Allison heard,

Us yokels who majored in beer and getting the skirts off Tri-Delts bear no responsibility for Thoreau’s hippie jive or John Kenneth Galbraith’s nitwit economics or Henry Kissinger’s brown-nosing the Shah of Iran. None of us served as models for characters in that greasy Love Story book. Our best and brightest stick to running insurance agencies and don’t go around cozening the nation into Vietnam wars. It wasn’t my school that laid the educational groundwork for FDR’s demagoguery or JFK’s Bay of Pigs slough-off or even Teddy Roosevelt’s fool decision to split the Republican Party and let that buttinski Wilson get elected. You can’t pin the rap on us.

joy,” they mean an intense, momentary experience of positive emotion, one that can be recognized by certain telltale signs: smiling, laughing, and a feeling of wanting to jump up and down. While contentment is curled up on the sofa, and bliss is lost in tranquil meditation, joy is skipping, jiving, twirling, giggling. It is a uniquely exuberant emotion, a high-energy form of happiness.

you are a Black man, the key to any white person’s heart is the ability to shuck, jive, or freestyle. But use it wisely and sparingly. Otherwise you’re liable to turn into Steve Harvey.

Virgil asked him what the fuck was wrong with him? What was this jive five hundred dollars extortion shit? You want five hundred dollars, go to the liquor store.

Jim: We got the idea of subtitling the Black dudes after we saw the 1975 Blaxploitation movie Shaft, starring Richard Roundtree. When we left the theater we thought it was pretty good, but we couldn’t understand a lot of the jive dialogue. The cast was 95 percent Black. So we thought wouldn’t it be fun to put a couple of those characters in Airplane! and subtitle them with idiotic white guy translations?

For the next couple of hours the dark mass of the primeval forest whisked past my peripheral vision, thick and tall, the white-painted trees soaring into the cerulean sky like watchful sentinels. This was an apt metaphor because watched was exactly how I felt. I didn’t know why. Zero animal life populated the woods. Not a single moose, elk, bird, or deer. I suppose the uncanny sensation might have been due to the profound silence that pervaded the winter day, which the whine of the snowmobile engines only seemed to accentuate. It was the same silence I’d experienced outside Fyodor’s cabin. What had I called it then? Predatory? Yes, predatory. It insinuated something primordial, something threatening and patient that didn’t jive with the modern cacophony of honking car horns, coffee-shop chatter, TV news anchors rambling off the day’s events, radio DJs counting down top-ten lists. In place of all this existed…nothing, a void…and on an existential level that was alien and frightening and, yes, predatory. It hinted at death and reinforced the simple fact that we didn’t belong here. Disco, Olivia, Vasily, me. Not even Fyodor.

If you are a Black man, the key to any white person's heart is the ability to shuck, jive, or freestyle. But use it wisely and sparingly. Otherwise you're liable to turn into Steve Harvey.

But the truth is you know exactly where you are with a Dick Francis, especially the early ones, which seem to me infinitely superior as works of literature to the razzmatazz stylistics of the highly pulicized and award-winning novels by young X, who jives egocentrically across the page, but fails to make one wish to turn it.... Although the above is clearly mere prejudice, feebly masquerading as taste and judgement, it is still an undeniable fact of my nature that I'm unable to follow any prose or verse that doesn't in some sense tell a story.

Today was Mardi Gras, Marvin remembered. The Episcopals called it Shrove Tuesday, Maria had explained to him, because they were supposed to shrive themselves of their sins, which, loosely translated, meant something like: no more jive, time to shrive, almost Lent, time to repent.

Remember when that huge, homeless, toothless man you brought in hugged you?” Maeve said with a hard laugh. “What did he say? ‘You ain’t like those other jive turkeys, man. You care.’” “No,” I said, laughing with her now. “He said, ‘Man, you’re the nicest damn honky I ever met.

Cheese by Maisie Aletha Smikle and Abigail LaTonya Waugh Cheese Cheese Cheese I must get some cheese A rat I must appease And put Micky mouse at ease I need cheese for the steak To shred and bake To make bread and cake While I'm awake Warm cheese is so gooey Heat it longer it melts to oil Floating when it’s boiled Water and oil they just won’t jive When they’re together They are still apart Oil refuses to be absorbed or victimized Frozen cheese is frozen oil hard as ice Grill cheese on toasts Stuff cheese in a roast Cubed cheese on fried rice Tasty and filled with spice While I play ball All I could think of was cheese ball O how I would love to munch On a very big bunch Pizza and cheese went to the circus fair It was indeed a festive affair In the cool breeze Pizza got married to cheese Clown brought the tux and gown On his way into town Pizza and cheese profess their love for each other And swore they'll forever be together Cheese promised pizza never to leave So to cheese, pizza cleave Pizza stuck to cheese like glue And vowed to bond after saying I do

Where the cutting has been wholesale, and has lasted, is in Congress—Congress: the first branch of government, closest to the people; Congress, which on our behalf keeps an eye on all those unelected bureaucrats. Congressmen and -women have sabotaged their own institution’s ability to do that for us. They have smashed the tools it possessed to help fashion laws in the public interest. They have crippled their own capacity to come to independent conclusions as to the nature of the problems such laws would address. Congress has been disabled from inside. Most of this happened in one of those revisions of the House of Representatives’ internal rules when an election flipped the majority party. It was January 1995, and a last-minute geyser of campaign cash had delivered an upset Republican victory two months before. Newt Gingrich held the gavel. The very first provision of the new rules he hammered through on January 5 reads: “In the One Hundred Fourth Congress, the total number of staff of House committees shall be at least one-third less than the corresponding total in the One Hundred Third Congress.” Congressional staffers are the citizens’ subject matter experts. Over years, these scientists and auditors and lawyers and military veterans build up historical knowledge on the complex issues that jostle for House and Senate attention. They help members, who have to be generalists, drill down into specifics. Cut staffs, and members lose the bandwidth to craft wise legislation, the expertise to ask telling questions in hearings—the ability to hold oversight hearings at all. The Congressional Research Service, the Government Accountability Office, the Congressional Budget Office all suffered the cuts. The Office of Technology Assessment was abolished—because, in 1995, what new technology could possibly be poised on the horizon? Democrats, when they regained control of the House, did not repair the damage. Today, the number of staff fielding thousands of corporate lobbyists or fact-checking their jive remains lower than it was a quarter century ago.

His level of sophistication didn’t jive with Slam,” said Tony Gervino, the magazine’s editor. “He wasn’t particularly cool; he was very polished. Slam was never polished. We were the opposite of polished.

People like murder, Peabody. They jive on it when it’s got at least one of those degrees of separation. Reading about it, watching vids about it, turning on the evening news to hear about it. As long as it isn’t too close.

How would you like to be the agent for the hottest swing musician in the world?” he asks. “Who is it — Nero and his fiddle?” I crack. But he doesn’t bend. “No, this is the genuine jive,” he tells me. “A hep Joe from Buffalo. A walkie-talkie from Milwaukee. Strictly a mutt from Connecticut.

thought I told your jive little…’ ” I froze. I looked up. Their eyes were still locked on me. I looked at the teacher, who shrugged and gave me an “Oh, well” smirk. I went back to the book: yup, there it was, the rare three-lettered word that starts with a. My lips opened and shut soundlessly. I couldn’t do it. I couldn’t read the word aloud to these fifth graders. My eyes went to Miss Bookworm, who had sprung the trap. “It’s okay,” she encouraged me. “Go ahead and read it. We already know what the word is.” My thought process in situations like this is similar to the way I used to play basketball—eventually effective but painfully slow and plodding. It seemed I stood in front of that class for hours, trying to figure what to do. I thought back to the many times when I’d take questions after a talk and some child would ask, “Why did you use swear words in this book?

The closest Apollo had ever come to expressing an interest in the opposite sex was the door signs of public bathrooms.