Oar Love Quotes

Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow. The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately: I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us." And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real. Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.

The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.

The barge she sat in, like a burnish’d throne, Burn’d on the water; the poop was beaten gold; Purple the sails, and so perfumed that The winds were love-sick with them; the oars were silver, Which to the tune of flutes kept stroke, and made The water which they beat to follow faster, As amorous of their strokes. For her own person, It beggar’d all description.

West Wind #2 You are young. So you know everything. You leap into the boat and begin rowing. But listen to me. Without fanfare, without embarrassment, without any doubt, I talk directly to your soul. Listen to me. Lift the oars from the water, let your arms rest, and your heart, and heart’s little intelligence, and listen to me. There is life without love. It is not worth a bent penny, or a scuffed shoe. It is not worth the body of a dead dog nine days unburied. When you hear, a mile away and still out of sight, the churn of the water as it begins to swirl and roil, fretting around the sharp rocks – when you hear that unmistakable pounding – when you feel the mist on your mouth and sense ahead the embattlement, the long falls plunging and steaming – then row, row for your life toward it.

Sea of Strangers In a sea of strangers, you've longed to know me. Your life spent sailing to my shores. The arms that yearn to someday hold me, will ache beneath the heavy oars. Please take your time and take it slowly; as all you do will run its course. And nothing else can take what only— was always meant as solely yours.

What would you have me do? Seek for the patronage of some great man, And like a creeping vine on a tall tree Crawl upward, where I cannot stand alone? No thank you! Dedicate, as others do, Poems to pawnbrokers? Be a buffoon In the vile hope of teasing out a smile On some cold face? No thank you! Eat a toad For breakfast every morning? Make my knees Callous, and cultivate a supple spine,- Wear out my belly grovelling in the dust? No thank you! Scratch the back of any swine That roots up gold for me? Tickle the horns Of Mammon with my left hand, while my right Too proud to know his partner's business, Takes in the fee? No thank you! Use the fire God gave me to burn incense all day long Under the nose of wood and stone? No thank you! Shall I go leaping into ladies' laps And licking fingers?-or-to change the form- Navigating with madrigals for oars, My sails full of the sighs of dowagers? No thank you! Publish verses at my own Expense? No thank you! Be the patron saint Of a small group of literary souls Who dine together every Tuesday? No I thank you! Shall I labor night and day To build a reputation on one song, And never write another? Shall I find True genius only among Geniuses, Palpitate over little paragraphs, And struggle to insinuate my name In the columns of the Mercury? No thank you! Calculate, scheme, be afraid, Love more to make a visit than a poem, Seek introductions, favors, influences?- No thank you! No, I thank you! And again I thank you!-But... To sing, to laugh, to dream To walk in my own way and be alone, Free, with a voice that means manhood-to cock my hat Where I choose-At a word, a Yes, a No, To fight-or write.To travel any road Under the sun, under the stars, nor doubt If fame or fortune lie beyond the bourne- Never to make a line I have not heard In my own heart; yet, with all modesty To say:"My soul, be satisfied with flowers, With fruit, with weeds even; but gather them In the one garden you may call your own." So, when I win some triumph, by some chance, Render no share to Caesar-in a word, I am too proud to be a parasite, And if my nature wants the germ that grows Towering to heaven like the mountain pine, Or like the oak, sheltering multitudes- I stand, not high it may be-but alone!

A dozen or more boats on the lake swung their rosy and moon–like lanterns low on the water, that reflected as from a fire. In the distance, the steamer twanged and thrummed and washed with her faintly–splashing paddles, trailing her strings of coloured lights, and occasionally lighting up the whole scene luridly with an effusion of fireworks, Roman candles and sheafs of stars and other simple effects, illuminating the surface of the water, and showing the boats creeping round, low down. Then the lovely darkness fell again, the lanterns and the little threaded lights glimmered softly, there was a muffled knocking of oars and a waving of music. Gudrun paddled almost imperceptibly. Gerald could see, not far ahead, the rich blue and the rose globes of Ursula’s lanterns swaying softly cheek to cheek as Birkin rowed, and iridescent, evanescent gleams chasing in the wake. He was aware, too, of his own delicately coloured lights casting their softness behind him.

You were not gazing at the fallen leaves. You went away from all the following seasons, feeling immortal. You loved tattoos and salt. Mariner, with two oars you knew the sea like a garden...then, you were gone.

Among a thousand other things, she loved Alex for his easy use of we. His willing, unconscious way of taking an oar at the galley of your problem, even if it was just to listen. Even if both of you knew he couldn’t do jack shit to help, he made it about us and made you feel less alone. “I

Anyone who manages to experience the history of humanity as a whole as his own history will feel in an enormously generalized way all the grief of an invalid who thinks of health, of an old man who thinks of the dream of his youth, of a lover deprived of his beloved, of the martyr whose ideal is perishing, of the hero on the evening after a battle that has decided nothing but brought him wounds and the loss of his friend. But if one endured, if one could endure this immense sum of grief of all kinds while yet being the hero who, as the second day of battle breaks, welcomes the dawn and his fortune, being a person whose horizon encompasses thousands of years, past and future, being the heir of all the nobility of all past spirit - an heir with a sense of obligation, the most aristocratic of old nobles and at the same time the first of a new nobility - the like of which no age has yet seen or dreamed of; if one could burden one’s soul with all of this - the oldest, the newest, losses, hopes, conquests, and the victories of humanity; if one could finally contain all this in one soul and crowd it into a single feeling - this would surely have to result in a happiness that humanity has not known so far: the happiness of a god full of power and love, full of tears and laughter, a happiness that, like the sun in the evening, continually bestows its inexhaustible riches, pouring them into the sea, feeling richest, as the sun does, only when even the poorest fishermen is still rowing with golden oars! This godlike feeling would then be called - humaneness.

When he came back, I hid my face within my hands. He said: "Fear nothing. Who has seen our kiss? --Who saw us? The night and the moon." "And the stars and the first flush of dawn. The moon has seen its visage in the lake, and told it to the water 'neath the willows. The water told it to the rower's oar. "And the oar has told it to the boat, and the boat has passed the secret to the fisher. Alas! alas! if that were only all! But the fisher told the secret to a woman. "The fisher told the secret to a woman: my father and my mother and my sisters, and all of Hellas now shall know the tale.

Remember Rio de Janeiro, the size of God’s hand, sardines fleshed-open at the market, the way I entered you and moved inside? Looking down, is this the kind of density you can live with? What is the slightness of our bodies to stay, to be good at loving a second time? My mouth pretends it is an oar when it lives inside your mouth, but you are far away.

A ne petrece viața regretând un sentiment pierdut nu ne dezvoltă capacitatea de a iubi, ci ne închide în fața unor noi emoții, cultivându-ne amărăciunea. Înmugurește, oare, prietenia?

In the city of flesh I travel without maps, a worried tourist: and Ottilie was a very Venice. I stumbled lost in the blue shade of her pavements. Here was a dreamy stillness, a swaying, the splash of an oar. Then, when I least expected it, suddenly I stepped out into the great square, the sunlight, and she was a flock of birds scattering with soft cries in my arms.

It didn't make much sense to me then, what Gnut was going through, but after Pila and me had our little twins, and we put a family together, I got an understanding of how terrible love can be. You wish you hated those people, your wife and children, because you know the things the world will do to them, because you have done some of those things yourself. It's crazy-making, yet you cling to them with everything and close your eyes against the rest of it. But still you wake up late at night and lie there listening for the creak and splash of oars, the clank of steel, the sounds of men rowing toward your home.

I think music is what language once aspired to be. Music allows us to face God on our own terms because it reaches beyond life. I feel moments from the end. The muscles in my bowing arm tighten. The final notes are sonorous I steady my bow like an oar held in a river steering us all toward the bank of now and tomorrow and the day after that. Days ahead like open fields. And night pools outside the concert hall. The city is still wet. The concert hall is glassed in and overlooks a garden. Eyes of rain dot the windows and shiver with each breath of wind. Stars fill the sky then drop to flood the streets and the squares. When it rains even the most insignificant puddle is a map of the universe.

But a good many Christian people make this mistake: they think the battle is already fought and won. They have an idea that all they have to do is to put the oars down in the bottom of the boat, and the current will drift them into the ocean of God’s eternal love. But we have to cross the current. We have to learn how to watch and fight, and how to overcome. The battle is only just commenced. The Christian life is a conflict and a warfare, and the quicker we find it out the better. There

Dacă lumina e prima dragoste a vieții, dragostea nu este oare lumina inimii?

Did they stop to think, in the midst of their gaiety and laughter, that they were passing burial places and battlegrounds of vanished peoples? Did they think that the winding river was the highway of extinct races, whose skimming light canoes did cleave the same waters in centuries long ago? Did these maidens in wide bonnets, these lads in straw skimmers and bowties, dream of aught but innocent love and beauty and desire as they drifted on languid oars down waters of youth and summertime! Ah! let us behold them this brief while, floating on the classic river of Raintree County, with all their gushing joys in their bloom...

Only later I felt that poetry is like feeling another person lying next to you in the dark. Do you believe in poetry, in the spirit of poetry? I could see poetry in ballads, in the picture of the cathedral on the back of the postcard that my father sent my mother from London, in glaciers, peaks of mountains, river dust, Ian McEwan's covers of his books, cheap thrillers. Running gave me a gravitational pull. Running was my mother love. I was barefoot. There I was dressed in white. Matchstick legs. Hair standing up. I did not feel like a zero. I did not feel like a lost oar, unloved and unwanted, like a plant that needed water. A fleet of paper ships that needed to be mourned. I often felt homesick for the country of my mother.

If you are bewildered and clinging tenaciously to some course you love, be patient. Work hard. Hold your dream tightly to you, and do everything you can to realize it within reason. Take a step that will lead you toward the realization of your dream, and then take another, and another, and another. Hold fast to your oars, hoist the sails to the wind, read the pictures in the stars, look beyond the horizon to that which you can't see but dimly sense in your future: the curving inlet, the sandy beach.

Tonight my heart is crying, With every beat, it feels like dying. My body yearns for your warmth, Without you, it's adrift like a boat without an oar. My hands long to be in yours, Together we'd never feel lost or unsure. My eyes frantically search for you, Hoping to catch a glimpse of the one who's true.

The four sprang forward affrighted. No hand had ever been laid upon them except in love; they had been nurtured ever so tenderly; and as they grew, their confidence in man became a lesson to men beautiful to see. What should such dainty natures do under such indignity but leap as from death? Forward they sprang as with one impulse, and forward leaped the car. Past question, every experience is serviceable to us. Where got Ben-Hur the large hand and mighty grip which helped him now so well? Where but from the oar with which so long he fought the sea? And what was this spring of the floor under his feet to the dizzy eccentric lurch with which in the old time the trembling ship yielded to the beat of staggering billows, drunk with their power? So he kept his place, and gave the four free rein, and called to them in soothing voice, trying merely to guide them round the dangerous turn; and before the fever of the people began to abate, he had back the mastery.

When We That Wore the Myrtle Wear the Dust When we that wore the myrtle wear the dust, And years of darkness cover up our eyes, And all our arrogant laughter and sweet lust Keep counsel with the scruples of the wise; When boys and girls that now are in the loins Of croaking lads, dip oar into the sea,— And who are these that dive for copper coins? No longer we, my love, no longer we— Then let the fortunate breathers of the air, When we lie speechless in the muffling mould, Tease not our ghosts with slander, pause not there To say that love is false and soon grows cold, But pass in silence the mute grave of two Who lived and died believing love was true.

Cascada părea ruptă dintr-o poveste, uşor ascunsă de desişul pădurii. În spatele ei se ascundea o mică grotă. Numai un „obişnuit al locului“ ar fi putut să ştie de existenţa ei. Iar Brian ştia. Au intrat acolo. Arăta ca un cuibuşor de nebunii. Ea ar fi vrut să spună ceva, dar a tăcut. Oare câte femei a mai adus aici? Oare câte s-au lăsat impresionate de farmecul lui?

from “The Unquarried Blue of Those Depths Is All But Blinding,” There are some things we just don’t talk about— Not even in the morning, when we’re waking, When your calloused fingers tentatively walk The slope of my waist: How love’s a rust-worn boat, Abandoned at the dock—and who could doubt Waves lick their teeth, eyeing its hull? We’re taking Our wreckage as a promise, so we don’t talk. We wet the tired oars, tide drawing us out.

One lovely twilight, with the near garden in riotous bloom, Genji stepped onto a gallery that gave him a view of the sea, and such was the supernal grace of his motionless figure that he seemed in that setting not to be of this world at all. Over soft white silk twill and aster 49 he wore a dress cloak of deep blue, its sash only very casually tied; and his voice slowly chanting “I, a disciple of the Buddha Shakyamuni…” 50 was more beautiful than any they had ever heard before. From boats rowing by at sea came a chorus of singing voices. With a pang he watched them, dim in the offing, like little birds borne on the waters, and sank into a reverie as cries from lines of geese on high mingled with the creaking of oars, until tears welled forth, and he brushed them away with a hand so gracefully pale against the black of his rosary that the young gentlemen pining for their sweethearts at home were all consoled.

As he rowed the launch toward Wensan’s ship, which was Herrani-made and studded with Valorian cannon, Arin remembered the exhaustion of that work, but also how it had corded his muscles until the ache in his arms became stone. He was grateful to the Valorians for having made him strong. If he was strong enough, he might live through this night. If he lived, he could reclaim the shreds of who he had been, and explain himself to Kestrel in a way she would understand. She sat silent next to him in the launch. The other Herrani at the oars watched as she lifted her bound hands to tug at the black cloth covering her hair. It was an awkard business. It was also necessary, since a new twist in the plan called for Kestrel to be seen and recognized. The Herrani watched her struggle. They watched Arin drop an oar in its lock to offer a hand. She flinched hard enough that her shifted weight shook the boat It was only a slight tremor along wood, but they all felt it. Shame ate into his gut. Kestrel pulled the cloth from her head. Even though clouds swelled in the sky, swallowing the moon and deepening the dark around them, Kestrel’s hair and pale skin seemed to glow. It looked like she was lit from within. It wasn’t something Arin could bear to see. He returned to the oars and rowed. Arin knew, far better than any of the ten Herrani in the launch, that Kestrel could be devious. That he shouldn’t trust her plan any more than he should have fallen for her ploys at Bite and Sting, or followed her blindly into the trap she had set and sprung for him the morning of the duel. Her plan to seize the ship was sound. Their best option. Still, he kept examining it like he might a horse’s hoof, tapping the surface for a flaw, a dangerous split. He couldn’t see it. He thought that there must be one, then realized that the flaw he sensed lay inside him. Tonight had cracked Arin open. It had brought the battle inside him to a boiling war. Of course he was certain that something was wrong. Impossible. It was impossible to love a Valorian and also love his people. Arin was the flaw.

Look,” she said. They both looked, but almost at once Drinian said in a low voice: “Turn round at once, your Majesties--that’s right, with our backs to the sea. And don’t look as if we were talking about anything important.” “Why, what’s the matter?” said Lucy as she obeyed. “It’ll never do for the sailors to see all that,” said Drinian. “We’ll have men falling in love with a sea-woman, or falling in love with the under-sea country itself, and jumping overboard. I’ve heard of that kind of thing happening before in strange seas. It’s always unlucky to see these people.” “But we used to know them,” said Lucy. “In the old days at Cair Paravel when my brother Peter was High King. They came to the surface and sang at our coronation.” “I think that must have been a different kind, Lu,” said Edmund. “They could live in the air as well as under water. I rather think these can’t. By the look of them they’d have surfaced and started attacking us long ago if they could. They seem very fierce.” “At any rate,” began Drinian, but at that moment two sounds were heard. One was a plop. The other was a voice from the fighting-top shouting, “Man overboard!” Then everyone was busy. Some of the sailors hurried aloft to take in the sail; others hurried below to get to the oars; and Rhince, who was on duty on the poop, began to put the helm hard over so as to come round and back to the man who had gone overboard. But by now everyone knew that it wasn’t strictly a man. It was Reepicheep. “Drat that mouse!” said Drinian. “It’s more trouble than all the rest of the ship’s company put together.

Daniel's wings were concealed, but he must have sensed her eyeing the place where they unfurled from his shoulders. "When everything is in order, we'll fly wherever we have to go to stop Lucifer. Until then it's better to stay low to the ground." "Okay," Luce said. "Race you to the other side?" Her breath frosted the air. "You know I'd beat you." "True." He slipped an arm around her waist, warming her. "Maybe we'd better take the boat, then. Protect my famous pride." She watched him unmoor a small metal rowboat from a boat slip. The soft light on the water made her think back to the day they'd raced across the secret lake at Sword & Cross. His skin had glistened as they had pulled themselves up to the flat rock in the center to catch their breath, then had lain on the sun-warmed stone, letting the day's heat dry their bodies. She'd barely known Daniel then-she hadn't known he was an angel-and already she'd been dangerously in love with him. "We used to swim together in my lifetime in Tahiti, didn't we?" she asked, surprised to remember another time she'd seen Daniel's hair glisten with water. Daniel stared at her and she knew how much it meant to him finally to be able to share some of his memories of their past. He looked so moved that Luce thought he might cry. Instead he kissed her forehead tenderly and said, "You beat me all those times, too, Lulu." They didn't talk much as Daniel rowed. It was enough for Luce to watch the way his muscles strained and flexed each time he dragged back, hearing the oars dip into and out of the cold water, breathing in the brine of the ocean.

I was Olivia, and I sat in a rowboat oared by Sage along the Tiber River. “If you think the Society is so ridiculous, tell your father you refuse to go!” I said. “Really? And lose my share of the family fortune? I’d be destitute. You’d have to leave me for a Medici-a fiancé who could keep you in the style to which you’re accustomed.” “Paints, canvas, and you. That’s all I need. Maybe a little extra artistic talent.” Sage gave me a pointed look. He loved my artwork and always gave me a hard time for doubting my own ability. I liked to remind him he was biased. “How about food?” he asked. “You’d need food.” “Wild fruits and vegetables.” “Roof over your head?” “We’ll build a hut.” “Clothing?” I gave Sage a knowing smile, and he almost tipped the boat. “Sage!” I cried, holding the sides for dear life. “I can’t swim!” “I’m sorry, but that was an absolutely valid response. Any man would tell you the same.” I laughed. “So what do you do in the Society meetings?” “I can’t tell you. I’m sworn to absolute secrecy.” He said it with a haughty affectation that I mimicked as I pretended to zip closed my lips and throw away the key. “My lips are sealed,” I intoned. “Really? Because mine are not.

Some say cavalry and others claim infantry or a fleet of long oars is the supreme sight on the black earth. I say it is the one you love. And easily proved. Did not Helen, who far surpassed all in beauty, desert the best of men her husband and king and sail off to Troy and forget her daughter and dear parents? Merely love's gaze made her bend and led her from her path. These tales remind me now of Anaktoria who is gone. And I would rather see her supple step and motion of light on her face than chariots of the Lydians or ranks of foot soldiers in bronze. Now this is impossible yet among the living I pray for a share unexpectedly.

Some say cavalry and others claim infantry or a fleet of long oars is the supreme sight on the black earth. I say it is the one you love. And easily proved. Did not Helen, who far surpassed all in beauty, desert the best of men her husband and king and sail off to Troy and forget her daughter and dear parents? Merely love's gaze made her bend and led her from her path. These tales remind me now of Anaktoria who is gone. And I would rather see her supple step and motion of light on her face than chariots of the Lydians or ranks of foot soldiers in bronze. Now this is impossible yet among the living I pray for a share and unexpectedly

Feeling that she had not mended matters much, Amy took the offered third of a seat, shook her hair over her face, and accepted an oar. She rowed as well as she did many other things; and, though she used both hands, and Laurie but one, the oars kept time, and the boat went smoothly through the water. “How well we pull together, don’t we?” said Amy, who objected to silence just then. “So well that I wish we might always pull in the same boat. Will you, Amy?” very tenderly. “Yes, Laurie,” very low. Then they both stopped rowing, and unconsciously added a pretty little tableau of human love and happiness to the dissolving views reflected in the lake.

Central Park It’s hard to describe how that day in the park was altered when I stopped to read an official sign I came across near the great carousel, my lips moving silently like the lips of Saint Ambrose. As the carousel turned in the background, all pinions and mirrors and the heads of horses rising to the steam-blown notes of a calliope, I was learning how the huge thing was first designed to be powered by a blind mule, as it turned out, strapped to the oar of a wheel in an earthen room directly below the merry turning of the carousel. The sky did not darken with this news nor did a general silence fall on the strollers or the ball players on the green fields. No one even paused to look my way, though I must have looked terrible as I stood there filling with sympathy not so much for the harnessed beast tediously making its rounds, but instead for the blind mule within me always circling in the dark— the mule who makes me turn when my name is called or causes me to nod with a wooden gaze or sit doing nothing on a bench in the shape of a swan. Somewhere, there must still be a door to that underground room, the lock rusted shut, the iron key misplaced, last year’s leaves piled up against the sill, and inside, a trace of straw on the floor, a whiff of manure, and maybe a forgotten bit or a bridle hanging from a hook in the dark. Poor blind beast, I sang softly as I left the park, poor blind me, poor blind earth turning blindly on its side.

The U.S. Olympic eight-oared crew was as cool as could be, though. Every afternoon they boarded a boat and made their way out to the New York Athletic Club’s private retreat, Huckleberry Island, a mile off Travers Island, out in the cool waters of Long Island Sound. The island was twelve acres of paradise, and the boys fell in love with it the moment they stepped out of their launch and onto a beach in one of its many small granite coves, wearing the Indian headbands with turkey feathers that club members donned whenever they visited the island. They leapt off stone ledges, plunged into the cool green water of the sound, swam, horsed around, then stretched out on warm flat slabs of granite, toasting themselves brown before plunging back into the water again.

She gazed at the man across from her. Her lover. His powerful shoulders worked beneath his shirt as he pulled on the oars. The display of strength and agility, set to a steady rhythm…memories of their lovemaking assailed her with quiet force. In some other place, under some other circumstance, they might have been a courting couple. Rowing across a placid lake, caressed by a glowing sunset. From a distance, this could have been the picture of romance. But the reality was confusion, and resentment, and pain. Did she feel sorry for misleading him? Sophia considered. She was not sure she could. By his own admission, he would not have made love to her had she not. And she could not regret that exquisite pleasure; nor could she regret sharing it with him. She looked at the handsome, strong, charismatic, passionate, exhausted man across from her. Selfish and wicked though she might be, she could not feel sorry that he was now bound to her-that for good or ill, he had not left her behind. Sophia was, however, unequivocally sorry for one thing. “Gray,” she said, “I’m so sorry I’ve hurt you.” His eyes flashed, and there was a slight hitch in his stroke.

When I look at this age with the eye of a distant future, I find nothing so remarkable in the man of the present day as his peculiar virtue and sickness called "the historical sense." It is a tendency to something quite new and foreign in history: if this embryo were given several centuries and more, there might finally evolve out of it a marvellous plant, with a smell equally marvellous, on account of which our old earth might be more pleasant to live in than it has been hitherto. We moderns are just beginning to form the chain of a very powerful, future sentiment, link by link, we hardly know what we are doing. It almost seems to us as if it were not the question of a new sentiment, but of the decline of all old sentiments: the historical sense is still something so poor and cold, and many are attacked by it as by a frost, and are made poorer and colder by it. To others it appears as the indication of stealthily approaching age, and our planet is regarded by them as a melancholy invalid, who, in order to forget his present condition, writes the history of his youth. In fact, this is one aspect of the new sentiment He who knows how to regard the history of man in its entirety as his own history, feels in the immense generalisation all the grief of the invalid who thinks of health, of the old man who thinks of the dream of his youth, of the lover who is robbed of his beloved, of the martyr whose ideal is destroyed, of the hero on the evening of the indecisive battle which has brought him wounds and the loss of a friend. But to bear this immense sum of grief of all kinds, to be able to bear it, and yet still be the hero who at the commencement of a second day of battle greets the dawn and his happiness, as one who has an horizon of centuries before and behind him, as the heir of all nobility, of all past intellect, and the obligatory heir (as the noblest) of all the old nobles; while at the same time the first of a new nobility, the equal of which has never been seen nor even dreamt of: to take all this upon his soul, the oldest, the newest, the losses, hopes, conquests, and victories of mankind: to have all this at last in one soul, and to comprise it in one feeling: this would necessarily furnish a happiness which man has not hitherto known, a God's happiness, full of power and love, full of tears and laughter, a happiness which, like the sun in the evening, continually gives of its inexhaustible riches and empties into the sea, and like the sun, too, feels itself richest when even the poorest fisherman rows with golden oars! This divine feeling might then be called humanity!

When Dad came home a couple of days later, Mom told him about the fish I’d caught and how much money we’d made. I could see the smile on his face. But then he went outside to check his boat and noticed that a paddle was missing. Instead of saying, “Good job, son,” he yelled at me for losing a paddle! I couldn’t believe he was scolding me over a stupid oar! I’d worked from daylight to dusk and earned enough money for my family to buy a dozen paddles! Where was the gratitude? I was so mad that I jumped in the boat and headed to the nets to see if I could find the missing paddle. After checking about seventy nets, I was resigned to the fact that it was probably gone. But when I finally reached the seventy-ninth net, I saw the paddle lying in a few bushes where I’d tied up a headliner, which is a rope leading to the net. It was almost like a religious experience for me. What were the odds of my finding a lost paddle floating in a current on a washed-out river? It was like looking for a needle in a haystack. I took the paddle back to my dad, but he was still mad at me for losing it in the first place. I have never liked the line “up a creek without a paddle” because of the trouble boat paddles caused me. I swore I would never lose another one, but lo and behold, the next year, I broke the same paddle I’d lost while trying to kill a cottonmouth water moccasin that almost bit me. My dad wasn’t very compassionate even after I told him his prized paddle perhaps saved my life. I finally concluded that everyone has quirks, and apparently my dad has some sort of weird love affair with boat paddles.

Sometimes we woke in the night, huddled against the cold. Then, in the darkness, the world and everything in it became as skinless as water, no boundaries to show where one wave ended and the next began, our bodies like paired oars, each movement driving us further into the unknown. Time and sensation blurred. Tiny moments of golden brilliance, gossamer-thin and stretched to breaking, in a life otherwise steeped in grim shadow. I did not simply hold Pétur in my arms; I embraced him with blood and bone, clasped him with muscle and spirit, everything that I was and hoped to be. God might strike me down, but I felt saved and whole. Afterwards, we fell asleep intertwined. In those last moments of wakefulness, blinking up at the stars, as I sensed Pétur’s sweat cooling on my skin, I felt utterly human and fallen, and utterly content. And in those heat-soaked rags of time, I wished for every mountain in Iceland to shudder down rocks upon us, concealing us for ever from the gaze of the world. If we were ever found, our bodies would be dragged from the rubble together: tangled, knotted – inseparable. But such moments of savage contentment are as fleeting as the reflection of the swelling moon blinking upon the surface of the sea. Only ever minutes old, they dissolve with a passing cloud, or a gust of wind. In every human heart glows a tiny flame of hope that tomorrow will bring a love that might satisfy the smouldering yearning to be known. In some hearts, that fire is greedy and becomes a devouring inferno. It leaves only dead ash and dry dust behind. The wind whirls it into emptiness. But there is such heat while it burns … And the light is infinite.

What used the darling ones to do? ‘How used they keep themselves contented Before this monster was invented?’ Have you forgotten? Don’t you know? We’ll say it very loud and slow: They . . . used . . . to . . . read! They’d read and read, And read and read, and then proceed To read some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching ’round the pot, Stirring away at something hot. (It smells so good, what can it be! Good gracious, it’s Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and— Just How The Camel Got His Hump, And How The Monkey Lost His Rump, And Mr. Toad, and bless my soul, There’s Mr. Rat and Mr. Mole— Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks— Fear not, because we promise you That, in about a week or two Of having nothing else to do, They’ll now begin to feel the need Of having something good to read. And once they start—oh boy, oh boy! You watch the slowly growing joy

How they pile the poor little craft mast-high with fine clothes and big houses; with useless servants, and a host of swell friends that do not care twopence for them, and that they do not care three ha’pence for; with expensive entertainments that nobody enjoys, with formalities and fashions, with pretence and ostentation, and with—oh, heaviest, maddest lumber of all!—the dread of what will my neighbour think, with luxuries that only cloy, with pleasures that bore, with empty show that, like the criminal’s iron crown of yore, makes to bleed and swoon the aching head that wears it! It is lumber, man—all lumber! Throw it overboard. It makes the boat so heavy to pull, you nearly faint at the oars. It makes it so cumbersome and dangerous to manage, you never know a moment’s freedom from anxiety and care, never gain a moment’s rest for dreamy laziness—no time to watch the windy shadows skimming lightly o’er the shallows, or the glittering sunbeams flitting in and out among the ripples, or the great trees by the margin looking down at their own image, or the woods all green and golden, or the lilies white and yellow, or the sombre-waving rushes, or the sedges, or the orchis, or the blue forget-me-nots. Throw the lumber over, man! Let your boat of life be light, packed with only what you need—a homely home and simple pleasures, one or two friends, worth the name, someone to love and someone to love you, a cat, a dog, and a pipe or two, enough to eat and enough to wear, and a little more than enough to drink; for thirst is a dangerous thing. You will find the boat easier to pull then, and it will not be so liable to upset, and it will not matter so much if it does upset; good, plain merchandise will stand water. You will have time to think as well as to work. Time to drink in life’s sunshine—time to listen to the Æolian music that the wind of God draws from the human heart-strings around us—time to—

LXXII In sooth, it was no vulgar sight to see Their barbarous, yet their not indecent, glee, And as the flames along their faces gleam’d, Their gestures nimble, dark eyes flashing free, The long wild locks that to their girdles stream’d, While thus in concert they this lay half sang, half scream’d: Tambourgi! Tambourgi! thy ’larum afar Gives hope to the valiant, and promise of war; All the sons of the mountains arise at the note, Chimariot, Illyrian, and dark Suliote! Oh! who is more brave than a dark Suliote, To his snowy camese and his shaggy capote? To the wolf and the vulture he leaves his wild flock, And descends to the plain like the stream from the rock. Shall the sons of Chimari, who never forgive The fault of a friend, bid an enemy live? Let those guns so unerring such vengeance forego? What mark is so fair as the breast of a foe? Macedonia sends forth her invincible race; For a time they abandon the cave and the chase: But those scarves of blood-red shall be redder, before The sabre is sheathed and the battle is o’er. Then the pirates of Parga that dwell by the waves, And teach the pale Franks what it is to be slaves, Shall leave on the beach the long galley and oar, And track to his covert the captive on shore. I ask not the pleasure that riches supply, My sabre shall win what the feeble must buy; Shall win the young bride with her long flowing hair, And many a maid from her mother shall tear. I love the fair face of the maid in her youth, Her caresses shall lull me, her music shall soothe; Let her bring from her chamber the many-toned lyre, And sing us a song on the fall of her sire. Remember the moment when Previsa fell, The shrieks of the conquer’d, the conquerors’ yell; The roofs that we fired, and the plunder we shared, The wealthy we slaughter’d, the lovely we spared. I talk not of mercy, I talk not of fear; He neither must know who would serve the Vizier: Since the days of our prophet, the Crescent ne’er saw A chief ever glorious like Ali Pasha. Dark Muchtar his son to the Danube is sped, Let the yellow-haired Giaours view his horsetail with dread; When his Delhis come dashing in blood o’er the banks, How few shall escape from the Muscovite ranks! Selictar, unsheath then our chief’s scimitar: Tambourgi! thy ’larum gives promise of war; Ye mountains, that see us descend to the shore, Shall view us as victors, or view us no more!

After my dad started making duck calls, he’d leave town for a few days, driving all over Louisiana, Arkansas, Mississippi, and Texas trying to sell them. He left me in charge of the fishing operation. I was only a teenager, but it was my responsibility to check almost eighty hoop nets three times a week. Looking back now, it was pretty dangerous work for a teenager on the river, especially since I’d never done it alone. If you fell out of the boat and into the river, chances were you might drown if something went wrong and you were alone. But I was determined to prove to my father that I could do it, so I left the house one morning and spent all day on the river. I checked every one of our hoop nets and brought a mound of fish back to Kay to take to market. I was so proud of myself for pulling it off without anyone’s help! When Dad came home a couple of days later, Mom told him about the fish I’d caught and how much money we’d made. I could see the smile on his face. But then he went outside to check his boat and noticed that a paddle was missing. Instead of saying, “Good job, son,” he yelled at me for losing a paddle! I couldn’t believe he was scolding me over a stupid oar! I’d worked from daylight to dusk and earned enough money for my family to buy a dozen paddles! Where was the gratitude? I was so mad that I jumped in the boat and headed to the nets to see if I could find the missing paddle. After checking about seventy nets, I was resigned to the fact that it was probably gone. But when I finally reached the seventy-ninth net, I saw the paddle lying in a few bushes where I’d tied up a headliner, which is a rope leading to the net. It was almost like a religious experience for me. What were the odds of my finding a lost paddle floating in a current on a washed-out river? It was like looking for a needle in a haystack. I took the paddle back to my dad, but he was still mad at me for losing it in the first place. I have never liked the line “up a creek without a paddle” because of the trouble boat paddles caused me. I swore I would never lose another one, but lo and behold, the next year, I broke the same paddle I’d lost while trying to kill a cottonmouth water moccasin that almost bit me. My dad wasn’t very compassionate even after I told him his prized paddle perhaps saved my life. I finally concluded that everyone has quirks, and apparently my dad has some sort of weird love affair with boat paddles.

Slowly crossing the deck from the scuttle, Ahab leaned over the side, and watched how his shadow in the water sank and sank to his gaze, the more and the more that he strove to pierce the profundity. But the lovely aromas in that enchanted air did at last seem to dispel, for a moment, the cankerous thing in his soul. That glad, happy air, that winsome sky, did at last stroke and caress him; the step-mother world, so long cruel - forbidding - now threw affectionate arms round his stubborn neck, and did seem to joyously sob over him, as if over one, that however wilful and erring, she could yet find it in her heart to save and to bless. From beneath his slouched hat Ahab dropped a tear into the sea; nor did all the pacific contain such wealth as that one wee drop. Starbuck saw the old man; saw him, how he heavily leaned over the side; and he seemed to hear in his own true heart the measureless sobbing that stole out of the centre of the serenity around. Careful not to touch him, or be noticed by him, he yet drew near to him, and stood there. Ahab turned. "Starbuck!" "Sir." "Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!

Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day- very much such a sweetness as this- I struck my first whale- a boy-harpooneer of eighteen! Forty- forty- forty years ago!- ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain’s exclusiveness, which admits but small entrance to any sympathy from the green country without- oh, weariness! heaviness! Guinea-coast slavery of solitary command!- when I think of all this; only half-suspected, not so keenly known to me before- and how for forty years I have fed upon dry salted fare- fit emblem of the dry nourishment of my soul!- when the poorest landsman has had fresh fruit to his daily hand, and broken the world’s fresh bread to my mouldy crusts- away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow- wife? wife?- rather a widow with her husband alive? Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey- more a demon than a man!- aye, aye! what a forty years’ fool- fool- old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God!- crack my heart!- stave my brain!- mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearthstone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board!- lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!” “Oh, my Captain! my Captain! noble soul! grand old heart, after all! why should any one give chase to that hated fish! Away with me! let us fly these deadly waters! let us home! But Ahab’s glance was averted; like a blighted fruit tree he shook, and cast his last, cindered apple to the soil. “What is it, what nameless, inscrutable, unearthly thing is it; what cozening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare? Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I. By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike.

The man who won’t marry you because you chose this adventure doesn’t deserve you,” Milo said. “A man who truly loves you will understand why you ran away. He’ll know who you really are.” His smile was gone. “And if you can’t love him as much as he loves you, he’ll understand that, too.” “Milo…” I reached out to touch his arm, but just then Tiphys came running up to take back the steering oar. Argus was hot on his tail, calling him and all his ancestors so many foul names that I didn’t know whether to duck out of sight or start memorizing the most impressive ones. “Is this how you treat my beautiful ship?” Argus yelled, bright red in the face. “Trusting her to an inexperienced boy is bad enough, but at this time?” He gestured to the west, where the sun was already beginning to dip below the sea.” Count yourself lucky that I don’t give you a fine view of Aea from the bottom of her harbor!” “Gods above, calm yourself,” Tiphys muttered. “It was only for a moment. No harm was done.” “Why don’t I take you to the roof of the Sun Temple, once we’re ashore, and push you off? You can keep repeating, ‘No harm done, no harm done,’ up to the instant you hit the ground! Of all the miserable, ignorant--!” Argus choked on his own fury. I don’t know how long he would have gone on if a call from the prow hadn’t distracted him.

And now I am thinking of the poet Wordsworth, and the strange adventure that one night overtook him. When he was still a young boy, in love with summer and night, he went down to a lake, “borrowed” a rowboat, and rowed out upon the water. At first he felt himself embraced by pleasures: the moonlight, the sound of the oars in the calm water.

Mombasa, too, furnished with such Palaces and sumptuous houses, Will be laid waste with iron and fire In payment for its former treachery. Along the Indian coast, swarming With enemy ships plotting Portugal's Downfall, Lourenço with sail and with oar Will give his uttermost, and then give more. Though the powerful Samorin's giant ships Choke the entire sea, his cannon-shot Thundering from hot brass Will pulverize rudder, mast, and sail; Then, daring to grapple the enemy Flagship, watch him leap On deck, armed only with lance and sword, To drive four hundred Muslims overboard. But God's inscrutable wisdom (He knows Best what is best for his servants) Will place him where neither strength nor wisdom Can avail in preserving his life. In Chaul, the very seas will churn With blood, fire, and iron resistance, As the combined fleets of Egypt and Cambay Confront him with his destiny that day. The united power of many enemies (Might was defeated only by might), Faltering winds and a swelling sea Will all be ranged against him. Here, let ancient heroes rise To learn from this scion of courage This second Scaeva who, however maimed, Knows no surrender and will not be tamed. With one thighbone completely shattered By a wayward cannon-ball, still He battles on with his forearms alone And a heart not to be daunted, Until another ball snaps the ties Binding flesh and spirit together: The leaping soul slips its body's prison To claim the greater prize of the arisen. Go in peace, O soul! After war's Turbulence, you have earned supreme peace! As for that scattered, broken body, He who fathered it plans vengeance. Already, I hear their hot perdition Looming in a thunderous barrage On Mameluke and cruel Cambayan From catapult, from ordnance and cannon. Here comes the father, magnified By his anger and grief, his heart On fire, his eyes swimming, his soul Transfixed by paternal love. He has taken an oath his noble rage Will make blood run knee-high In the enemy ships; the Nile will mourn, The Indus witness, the Ganges be forlorn.

You see, when we find ourselves adrift on the vast sea of love, we are tempted to grasp tighter at the rudder and oars of reason and pragmatism, thinking they will offer the same control they do on calmer tides. But affection churns the waters more than mortal grit and canniness can conquer; what sailor dares to match the moon's pull strength for strength? What cause have you to pit yourself against your heart's own sea? Why not instead believe the current's course is fair, and set aside your oars? Enjoy your moments with Lloyd. Cherish them for what they are.In my humble opinion, your current turmoil stems from fighting the current, from not fully accepting that your behaviors and feelings are those of a woman deeply in love.

The Vineyard is famously lovely, compared often to sections of Scotland and Ireland. Plots of land are casually separated by stone walls, like a sentence that doesn’t take the turn you think it will take, but takes another way around. Sagging barns on ponds look over fields and marshland. The island gets a bit flatter on its south side, as the interior ponds and streams advance to the ocean. Turn around and then a path or an inlet leads you to a dock and a pint-size rowboat with a single oar. Scruffy fishing vessels nearly disappear under the large coils of rope used for hauling pails and other traps that bring lobsters in from the deep.

Neruda Love Sonnet Parody You are my oar, my aboriginal guide, through this opaque river that swells with jagged rocks, and foams like angered bulls and sends its darers to their death. You are my oar, pure extension of my will, through this translucent river, whose slender neck molds to my fingers, whose broad hip navigates the whiteness, through sinuous turns and free falls of fear. You are my oar, my one true love, through this transparent river, whose courage and whose strength, embolden my strength and my courage and bring me whole to the placid lake below.

Ruth Bracket’s arms moved backward and forward in rhythmic motion. She was rowing, yet no sound came from her oarlocks. Oars and oarlocks were padded. She liked it best that way. Why? Mystery—that magic word “mystery.” How she loved it!

There are no galley slaves in the royal vessel of divine love-every man works his oar voluntarily.

The Peacock & The Eagle: Cleopatra's Entry Into Tarsus by Stewart Stafford Cleopatra arrives, regal and mighty, From ocean spray as Aphrodite, Wealthy and waif, yearning for her, Dared all to defy her possessive aura. Mark Antony, struck by her sultry gaze, Lepidus, prisoner in a bureaucrat's maze, Sees power slipping from a friend’s hand, Ensnared by a siren from a scorched land. Lepidus was Caesar's trusted right hand; A granule falling through hourglass sand, Antony, headstrong military provocateur; Funeral orator from bloody crown auteur. Bargain's scorpion pincers; no longer twain: Cleopatra was Ceres, promising Rome grain, Antony was Mars' armed emissary, Business and pleasure's flood tributary. Antony: "Barge of emerald, Elysium's onyx! Beyond counsel words of sage sardonic, Gliding the Cydnus's silken seam, This Nile Helen shall be my queen." Lepidus: "Pleasure vessel of a floating whore, Yours for a sesterce on the Tiber's shore, Honour your oath, noble Roman creed, Lest passion’s shipwreck sets out to sea.” "This Venus virago on her mirage barge; Serpent prow, silver oars, rhythmic charge! What hubris to think she can equal, The bloody talons of our Roman eagle!" Antony: "Feast your eyes past peacock's bower, She speaks Rome's tongue of naked power. Mark it, that obsidian Sphinx stings - Human head, lion's body, eagle wings! "That is the form she takes to the public: I smell a perfumed alliance for the Republic! With Plebeians as her tickled cats, they hum, I crave her beauty and company. Come!" © 2024, Stewart Stafford. All rights reserved.

„Nu vreau să plâng, ea nu ar fi vrut să mă vadă astfel. Îngenuncheat, distrus, departe de femeia care mai ieri îmi spunea că mă iubește. Sunt în aceeași încăpere cu ea, și totuși am impresia că suntem în două lumi diferite. Oare în lumea ei mai sunt prezent? Aș vrea să urlu tare și să îi spun că în oricare dintre lumile din acest Univers, dacă ele există, ea este prezentă în fiecare celulă a ființei mele. Unde ești, Angeline?

„ Nu vreau să plâng, ea nu ar fi vrut să mă vadă astfel. Îngenuncheat, distrus, departe de femeia care mai ieri îmi spunea că mă iubește. Sunt în aceeași încăpere cu ea, și totuși am impresia că suntem în două lumi diferite. Oare în lumea ei mai sunt prezent? Aș vrea să urlu tare și să îi spun că în oricare dintre lumile din acest Univers, dacă ele există, ea este prezentă în fiecare celulă a ființei mele. Unde ești, Angeline?

The autumn moon is dancing in the green waters of Lake Nan-Hou. Now the sound of my oars has troubled the love-song of white water-lilies singing to the moon.

- Stabilirea unei legături între oameni și ținuturi, culturi îndepărtate nu e oare una dintre virtuțile literaturii de calitate?

- Nu spune oare Allah: Sunt mai aproape de tine decât vena gâtului? am întrebat. Dumnezeu nu se află într-un loc de sus din cer. Se află înlăuntrul fiecăruia dintre noi. Cum poate să se părăsească pe El Însuși?

Atât de mare este grija lor pentru orori și răsplăți, mistuiri și roade, îngeri și diavoli, încât în dorința lor de-a ajunge la un viitor care să îndreptățească ceea ce sunt astăzi uită de Dumnezeu! Nu știu oare ce spune una dintre cele patruzeci de legi? Iadul e în acum și aici. La fel și raiul. Încetează să-ți mai faci griji din pricina iadului și să mai visezi la rai, căci sunt amândouă cuprinse chiar înlăuntrul clipei de-acum. De fiecare dacă când ne îndrăgostim, ne înălțăm în rai. De fiecare dată când urâm, pizmuim sau ne înfruntăm cu cineva, ne rostogolim drept în flăcările iadului.

E oare vreun iad mai rău decât chinul pe care îl îndură un om când știe înșăuntrul său că a făcut ceva mârșav, ceva îngrozitor de mârșav? Întrebați-l pe omul acela. O să vă spună ce este iadul. E oare vreun rai mai bun decât fericirea care coboară asupra unui om în acele clipe rare ale vieții când zăvoarele lumii se deschid și simte că stăpânește toate tainele veșniciei și că e pe deplin unit cu Dumnezeu? Întrebați-l pe omul acela. O să vă spună ce este raiul. De ce să ne facem atâtea griji pentru ce va să vină, pentru un viitor închipuit, când clipa de-acum e singura dată când putem simți pe deplin prezența și absența lui Allah în viețile noastre? Fără să fie îmboldiți nici de frica de-a fi pedepsiți în iad, nici de dorința de-a fi răsplătiți în rai, sufiții îl iubesc pe Dumnezeu doar pentru că-l iubesc pe El, curat și firesc, cu nevinovăție și fără tocmeală.

Dintr-odată mi-am dat seama că-mi trăiam propria frică și, spre mirarea mea, nu era înfricoșătoare. Nu din pricina fricii de-a fi vătămată în vreun fel îmi fusese oare teamă atâta vreme să părăsesc bordelul? Dacă eram în stare să nu simt teama aceasta de moarte, am înțeles cu inima mărită de bucurie, puteam să plec din gaura asta de șobolan.

Dragging the Lake" They are skimming the lake with wooden hooks. Where the oak throws its handful of shadows Children are gathering fireflies. I wait in the deep olive flux As their cries ricochet out of the dark. Lights spear the water. I hear the oak speak. It foists its mouthful of sibilants On a sky involved with a stillborn moon, On the stock-still cottages. I lean Into the dark. On tiny splints, One trellised rose is folding back Its shawls. The beacon strikes the lake. Rowboats bob on the thick dark Over my head. My fingers wave Goodbye, remember me. I love This cold, these captive stars. I shake My blanket of shadows. I breathe in: Dark replenishes my two wineskins. My eyes are huge, two washed-out mollusks. Oars fall, a shower of violet spray. When will my hosts deliver me, Tearing me with their wooden hooks? Lights flicker where my live heart kicked. I taste pine gum, they have me hooked. They reel me in, a displaced anchor. The cygnets scatter. I rise, I nod, Wrapped in a jacket of dark weed. I dangle, I am growing pure, I fester on this wooden prong. An angry nail is in my tongue.

Sometimes when terribly hard things happen to you, you can arrive at a turning-point in life, although you may not see it as such. And people whom you may not have counted on in the past can be the ones to step forward and give new love and help. It can mean unexpected intimacy. That can sometimes be a turning-point, a new opportunity, in the midst of all the difficulties. All these people who have understood, and who want to be close, perhaps they are the most important people. The ones who dare to come close, and share both pain and pleasure.

To watch powerlessly while a loved one slowly gets weaker is awful. To grieve and at the same time to make the most of each day. Of the time one still has. One prepares oneself consciously and unconsciously for the loss one knows will come. In despair one can be anything but sympathetic and tolerant.

How spacious are these squares, How resonant bridges and stark! Heavy, peaceful, and starless Is the covering of the dark. And we walk on the fresh snow As if we were mortal people. That we are together this hour Unseparable -- is it not a miracle? The knees go unwittingly weaker It seems there's no air -- so long! You are my life's only blessing, You are the sun of my song. Now the dark buildings are stirring And I'll fall on earth as they shake -- Inside of my village garden I do not fear to awake. Escape "My dear, if we could only Reach all the way to the seas" "Be quiet" and descended the stairs Losing breath and looking for keys. Past the buildings, where sometime We danced and had fun and drank wine Past the white columns of Senate Where it's dark, dark again. "What are you doing, you madman!" "No, I am only in love with thee! This evening is wide and noisy, Ship will have lots of fun at the sea!" Horror tightly clutches the throat, Shuttle took us at dusk on our turn. The tough smell of ocean tightrope Inside trembling nostrils did burn. "Say, you most probably know: I don't sleep? Thus in sleep it can be" Only oars splashed in measured manner Over Nieva's waves heavy. And the black sky began to get lighter, Someone called from the bridge to us, As with both hands I was clutching On my chest the rim of the cross. On your arms, as I lost all my power, Like a little girl you carried me, That on deck of a yacht alabaster Incorruptible day's light we'd meet.

Oare de ce noi, femeile, ne intrebam mereu barbatii ce-au mancat? Ce cacat vrem sa aflam intreband ce-au mancat? Daca-au futut ceva? Daca sunt nefericiti cu noi? Daca au de gand sa ne paraseasca spunand ca se duc dupa inghetata?