“
When she does not find love, she may find poetry. Because she does not act, she observes, she feels, she records; a color, a smile awakens profound echoes within her; her destiny is outside her, scattered in cities already built, on the faces of men already marked by life, she makes contact, she relishes with passion and yet in a manner more detached, more free, than that of a young man. Being poorly integrated in the universe of humanity and hardly able to adapt herself therein, she, like the child, is able to see it objectively; instead of being interested solely in her grasp on things, she looks for their significance; she catches their special outlines, their unexpected metamorphoses. She rarely feels a bold creativeness, and usually she lacks the technique of self-expression; but in her conversation, her letters, her literary essays, her sketches, she manifests an original sensitivity. The young girl throws herself into things with ardor, because she is not yet deprived of her transcendence; and the fact that she accomplishes nothing, that she is nothing, will make her impulses only the more passionate. Empty and unlimited, she seeks from within her nothingness to attain All.
”
”
Simone de Beauvoir (The Second Sex)
“
GATHERING LEAVES
Spades take up leaves
No better than spoons,
And bags full of leaves
Are light as balloons.
I make a great noise
Of rustling all day
Like rabbit and deer
Running away.
But the mountains I raise
Elude my embrace,
Flowing over my arms
And into my face.
I may load and unload
Again and again
Till I fill the whole shed,
And what have I then?
Next to nothing for weight,
And since they grew duller
From contact with earth,
Next to nothing for color.
Next to nothing for use.
But a crop is a crop,
And who's to say where
The harvest shall stop?
”
”
Robert Frost
“
Look, without our stories, without the true nature and reality of who we are as People of Color, nothing about fanboy or fangirl culture would make sense. What I mean by that is: if it wasn't for race, X-Men doesn't sense. If it wasn't for the history of breeding human beings in the New World through chattel slavery, Dune doesn't make sense. If it wasn't for the history of colonialism and imperialism, Star Wars doesn't make sense. If it wasn't for the extermination of so many Indigenous First Nations, most of what we call science fiction’s contact stories doesn't make sense. Without us as the secret sauce, none of this works, and it is about time that we understood that we are the Force that holds the Star Wars universe together. We’re the Prime Directive that makes Star Trek possible, yeah. In the Green Lantern Corps, we are the oath. We are all of these things—erased, and yet without us—we are essential.
”
”
Junot Díaz
“
Your outlook upon life, your estimate of yourself, your estimate of your value are largely colored by your environment. Your whole career will be modified, shaped, molded by your surroundings, by the character of the people whom you come in contact everyday.
”
”
Orison Swett Marden
“
The tears coursed down her cheeks- not freely, however, for when they came into contact with her heavily beaded eyelashes they assumed an inky color, and pursued the rest of their way in slow black rivulets.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
The tears coursed down her cheeks - not freely, however, for when they came into contact with her heavily beaded eyelashes they assumed an inky color, and pursued the rest of their way in slow black rivulets. A humorous suggestion was made that she sing the notes on her face whereupon she threw up her hands, sank into a chair and went off into a deep vinous sleep.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
Always enter a room with your head up. Right away that tells people you're your own person. If your head is down, that lets people feel they can do anything they want with you. When you talk to somebody, white or colored, always look him straight in the eye. First of all, it's honesty. Second, he knows he can beat up on you if you don't make eye contact.
”
”
Yvonne S. Thornton (The Ditchdigger's Daughters: A Black Family's Astonishing Success Story)
“
Death is the process by which all our filters for perception are removed, when instead of losing contact with creation we are finally able to perceive it as it truly is, on all levels. From electric hazes of energy to swirling microorganisms to the magnetic pull of atomic structures. We will experience a cosmic give and take, exchanges of oxygen and consumption, of rotting and growth and feeding, of colors undreamt of by our limited cones and rods. We will see smells and lie down on a moving bed of cilia.
”
”
Suzanne DeWitt Hall (Where True Love Is: An Affirming Devotional for LGBTQI+ Individuals and Their Allies)
“
No,” I hear myself say. “You’re not supposed to be here.”
She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me.
“Hi,” she whispers.
It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear.
She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast.
Her lips are at my ear. Her words are so soft. “Kiss me,” she says.
“Juliette—”
“I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it.
I don’t want to.
Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed.
There aren’t enough words in this world to describe what I’m feeling.
I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed.
Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back.
Because I want her.
Now.
Here.
Everywhere.
I want nothing between us.
I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me.
I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me.
I wonder if I’ve actually died.
But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.”
Her words seem so strange, so familiar. “What do you mean?”
“Just a little longer and I’ll leave.”
“No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—”
“You’ll be all right,” she says. “I promise.”
“No—”
But now she’s holding a gun.
And pointing it at my heart.
”
”
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
“
One of my favorite anecdotes about her is that in the eighties a colored-contact company actually created a shade called Daisy Blue.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
I know Levi is supposed to be my point of contact, but he’s currently sitting on three unanswered emails. I’m not sure how to get him to reply. Use Comic Sans? Write in primary colors?
”
”
Ali Hazelwood (Love on the Brain)
“
Later as an adult when I heard folks talk of the love/hate relationship between blacks and Jews I understood it to the bone not because of any outside sociological study, but because of my own experience with Jewish teachers and classmates—some who were truly kind, genuine, and sensitive, others who could not hide their distaste for my black face—people I’d met during my own contacts with the Jewish world, which Mommy tacitly arranged by forcing every one of us to go to predominantly Jewish public schools.
”
”
James McBride (The Color of Water)
“
All our experiences are rich colors that make a full life.
”
”
Melody Beattie (52 Weeks of Conscious Contact: Meditations for Connecting with God, Self, and Others (Hazelden Meditation))
“
Classifieds"
WHOEVER’S found out what location
compassion (heart’s imagination)
can be contacted at these days,
is herewith urged to name the place;
and sing about it in full voice,
and dance like crazy and rejoice
beneath the frail birch that appears
to be upon the verge of tears.
I TEACH silence
in all languages
through intensive examination of:
the starry sky,
the Sinanthropus’ jaws,
a grasshopper’s hop,
an infant’s fingernails,
plankton,
a snowflake.
I RESTORE lost love.
Act now! Special offer!
You lie on last year’s grass
bathed in sunlight to the chin
while winds of summers past
caress your hair and seem
to lead you in a dance.
For further details, write: “Dream.”
WANTED: someone to mourn
the elderly who die
alone in old folks’ homes.
Applicants, don’t send forms
or birth certificates.
All papers will be torn,
no receipts will be issued
at this or later dates.
FOR PROMISES made by my spouse,
who’s tricked so many with his sweet
colors and fragrances and sounds–
dogs barking, guitars in the street–
into believing that they still
might conquer loneliness and fright,
I cannot be responsible.
Mr. Day’s widow, Mrs. Night.
”
”
Wisława Szymborska (Poems New And Collected)
“
What did she expect? It was like trying to visualize a new primary color or a world in which you could recognize several hundred acquaintances individually only by their smells... She could talk about this, but she couldn't experience it.
”
”
Carl Sagan (Contact)
“
You lie awake, staring through a small open window at a full blue moon complete with a silly face. This is the dream. Sustainable employment. Some semblance of work-life balance. Talk white. Not a lot. Get contact lenses. Smile. They will assume you’re smart. The less you say the better. Try to project: responsible, harmless. An unthreatening amount of color sprinkled in. That’s the dream. A dream of blending in. A dream of going from “generic Asian man” to just plain “generic man”.
”
”
Charles Yu (Interior Chinatown)
“
The clung to me as I dug through my bag of the keys to the house, it was a warm rain, and it looked gray as it came down from the sky. I imagined it to be liquid armor, shaping itself to my body where it made contact. Shielding me from everything
”
”
Emily X.R. Pan (The Astonishing Color of After)
“
The rain clung to me as I dug through my bag of the keys to the house, it was a warm rain, and it looked gray as it came down from the sky. I imagined it to be liquid armor, shaping itself to my body where it made contact. Shielding me from everything
”
”
Emily X.R. Pan (The Astonishing Color of After)
“
The elf to her right was also a woman but wore the markings of a druid, a spell caster with the ability to control the power of nature itself. She had flaming red hair, almost the color of the lava and a bright smile that greeted Cyrus as he made eye contact with her.
”
”
Robert J. Crane (Defender, Avenger, Champion (Sanctuary #1-3))
“
Clowns.”
Clowns? “Really?” I tried to imagine a tiny Aiden crying over men and women with overly painted faces and red noses, but I couldn’t.
The big guy was still facing me. His expression clear and even, as he dipped his chin. “Eh.”
God help me, he’d gone Canadian on me. I had to will my face not to react at the fact he’d gone with the one word he usually used only when he was super relaxed around other people. “I thought they were going to eat me.”
Now imagining that had me cracking a little smile. I slid my palm under my cheek. “How old were you? Nineteen?”
Those big chocolate-colored eyes blinked, slow, slow, slow. His dark pink lips parted just slightly. “Are you making fun of me?” he drawled.
“Yes.” The fractures of my grin cracked into bigger pieces.
“Because I was scared of clowns?” It was like he couldn’t understand why that was amusing.
But it was. “I just can’t imagine you scared of anything, much less clowns. Come on. Even I’ve never been scared of clowns.”
“I was four.”
I couldn’t help but snicker. “Four… fourteen, same difference.”
Based on the mule-ish expression on his face, he wasn’t amused. “This is the last time that I come over to save you from the boogeyman.”
Shocked out of my mind for a split second, I tried to pretend like I wasn’t, but… I was. He was joking with me. Aiden was in bed joking around. With me. “I’m sorry. I’m sorry, I was just messing with you.” I scooted one more millimeter closer to him, drawing my knees up so that they hit his thighs. “Please don’t leave yet.”
“I won’t,” he said, settling on his pillow with his hands under his cheek, his eyes already drifting to a close.
I didn’t need to ask him to promise not to leave me; I knew he wouldn’t if he said so. That was just the kind of man he was.
“Aiden?” I whispered.
“Hmm?” he murmured.
“Thank you for coming in here with me.”
“Uh-huh.” That big body adjusted itself just slightly before he let out a long, deep exhale.
Without turning around, I laid the flashlight down behind me and aimed the beam toward the wall. He didn’t ask if I was really going to leave the flashlight on all night—or at least however long the battery lasted—instead, I just smiled at him as I took my glasses off and set them on the unused nightstand behind me. Then I tucked my hands under my cheek and watched him.
“Good night. Thank you again for staying with me.”
Peeking one eye open, just a narrow slit, he hummed. “Shh.”
That ‘shh’ was about as close to a ‘you’re welcome’ as I was going to get.
I closed my eyes with a little grin on my face.
Maybe five seconds later, Aiden’s spoke up. “Vanessa?”
“Hmm?”
“Why was I saved on your work phone as Miranda P.?”
That had my eyes snapping open. I hadn’t deleted that entry off the contacts when I quit, had I? “It’s a long, boring story, and you should go to sleep. Okay?”
The “uh-huh” out of him sounded as disbelieving as it should have. He knew I was full of shit, but somehow, knowing he knew, wasn’t enough to keep me from falling asleep soon after
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
The whole glittering nebula of shapes was framed by midnight colors—black, bruised blue, indigo, all textured into intricacy by clouds and the reachless vaults between them. Here, darkness was not simple; it hinted at structures and meanings, hidden activity and watchful eyes. Beacons flickered, miles away, then disappeared behind fog banks. Half-glimpsed ropes twisted and contorted their way up, down, and to every side, synapses reaching to contact the outlier towns and factories of Sere’s hinterland. One or two of those ropes, if you followed them far enough, would emerge into sunlight at other nations’ borders.
”
”
Karl Schroeder (The Sunless Countries (Virga, #4))
“
However, questions arise. Are there people who aren't naive realists, or special situations in which naive realism disappears? My theory—the self-model theory of subjectivity—predicts that as soon as a conscious representation becomes opaque (that is, as soon as we experience it as a representation), we lose naive realism. Consciousness without naive realism does exist. This happens whenever, with the help of other, second-order representations, we become aware of the construction process—of all the ambiguities and dynamical stages preceding the stable state that emerges at the end. When the window is dirty or cracked, we immediately realize that conscious perception is only an interface, and we become aware of the medium itself. We doubt that our sensory organs are working properly. We doubt the existence of whatever it is we are seeing or feeling, and we realize that the medium itself is fallible. In short, if the book in your hands lost its transparency, you would experience it as a state of your mind rather than as an element of the outside world. You would immediately doubt its independent existence. It would be more like a book-thought than a book-perception. Precisely this happens in various situations—for example, In visual hallucinations during which the patient is aware of hallucinating, or in ordinary optical illusions when we suddenly become aware that we are not in immediate contact with reality. Normally, such experiences make us think something is wrong with our eyes. If you could consciously experience earlier processing stages of the representation of the book In your hands, the image would probably become unstable and ambiguous; it would start to breathe and move slightly. Its surface would become iridescent, shining in different colors at the same time. Immediately you would ask yourself whether this could be a dream, whether there was something wrong with your eyes, whether someone had mixed a potent hallucinogen into your drink. A segment of the wall of the Ego Tunnel would have lost its transparency, and the self-constructed nature of the overall flow of experience would dawn on you. In a nonconceptual and entirely nontheoretical way, you would suddenly gain a deeper understanding of the fact that this world, at this very moment, only appears to you.
”
”
Thomas Metzinger (The Ego Tunnel: The Science of the Mind and the Myth of the Self)
“
Speaking to a foreigner was the dream of every student, and my opportunity came at last. When I got back from my trip down the Yangtze, I learned that my year was being sent in October to a port in the south called Zhanjiang to practice our English with foreign sailors. I was thrilled.
Zhanjiang was about 75 miles from Chengdu, a journey of two days and two nights by rail. It was the southernmost large port in China, and quite near the Vietnamese border.
It felt like a foreign country, with turn-of-the-century colonial-style buildings, pastiche Romanesque arches, rose windows, and large verandas with colorful parasols. The local people spoke Cantonese, which was almost a foreign language. The air smelled of the unfamiliar sea, exotic tropical vegetation, and an altogether bigger world.
But my excitement at being there was constantly doused by frustration. We were accompanied by a political supervisor and three lecturers, who decided that, although we were staying only a mile from the sea, we were not to be allowed anywhere near it. The harbor itself was closed to outsiders, for fear of 'sabotage' or defection. We were told that a student from Guangzhou had managed to stow away once in a cargo steamer, not realizing that the hold would be sealed for weeks, by which time he had perished. We had to restrict our movements to a clearly defined area of a few blocks around our residence.
Regulations like these were part of our daily life, but they never failed to infuriate me. One day I was seized by an absolute compulsion to get out. I faked illness and got permission to go to a hospital in the middle of the city. I wandered the streets desperately trying to spot the sea, without success. The local people were unhelpful: they did not like non-Cantonese speakers, and refused to understand me. We stayed in the port for three weeks, and only once were we allowed, as a special treat, to go to an island to see the ocean.
As the point of being there was to talk to the sailors, we were organized into small groups to take turns working in the two places they were allowed to frequent: the Friendship Store, which sold goods for hard currency, and the Sailors' Club, which had a bar, a restaurant, a billiards room, and a ping-pong room.
There were strict rules about how we could talk to the sailors. We were not allowed to speak to them alone, except for brief exchanges over the counter of the Friendship Store. If we were asked our names and addresses, under no circumstances were we to give our real ones. We all prepared a false name and a nonexistent address. After every conversation, we had to write a detailed report of what had been said which was standard practice for anyone who had contact with foreigners. We were warned over and over again about the importance of observing 'discipline in foreign contacts' (she waifi-lu). Otherwise, we were told, not only would we get into serious trouble, other students would be banned from coming.
”
”
Jung Chang (Wild Swans: Three Daughters of China)
“
On a spring day in 1988…a Massachusetts man who collected books about local history was rummaging through a bin in a New Hampshire antiques barn when something caught his eye. Beneath texts on fertilizers and farm machines lay a slim, worn pamphlet with tea-colored paper covers, titled Tamerlane and Other Poems, by an unnamed author identified simply as “a Bostonian.” He was fairly certain he had found something exceptional, paid the $15 price, and headed home, where Tamerlane would spend only one night. The next day, he contacted Sotheby’s, and they confirmed his suspicion that he had just made one of the most exciting book discoveries in years. The pamphlet was a copy of Edgar Allan Poe’s first text, written when he was only fourteen years old, a find that fortune-seeking collectors have imagined happening upon probably more than they’d like to admit. The humble-looking, forty-page pamphlet was published in 1827 by Calvin F.S. Thomas, a relatively unknown Boston printer who specialized in apothecary labels, and its original price was about twelve cents. But this copy, looking good for its 161 years, most of which were probably spent languishing in one dusty attic box after another, would soon be auctioned for a staggering $198,000.
”
”
Allison Hoover Bartlett (The Man Who Loved Books Too Much: The True Story of a Thief, a Detective, and a World of Literary Obsession)
“
October 3, 2017
The clown, Hagarty said, looked like a cross between Ronald McDonald and that old TV clown, Bozo—or so he thought at first. It was the wild tufts of orange hair that brought such comparisons to mind. But later consideration had caused him to think the clown really looked like neither. The smile painted over the white pancake was red, not orange, and the eyes were a weird shiny silver. Contact lenses, perhaps . . . but a part of him thought then and continued to think that maybe that silver had been the real color of those eyes. He wore a baggy suit with big orange-pompom buttons; on his hands were cartoon gloves.
“If you need help, Don,” the clown said, “help yourself to a balloon.”
And it offered the bunch it held in one hand.
“They float,” the clown said. “Down here we all float; pretty soon your friend will float, too.
”
”
Stephen King (It)
“
The detailed gorgeousness of Orthodoxy was the reversed image of the sparse purity of Islam. One offered the abstract simplicity of the desert horizon, a portable worship that could be performed anywhere as long as you could see the sun, a direct contact with God, the other images, colors, and music, ravishing metaphors of the divine mystery designed to lead the soul to heaven. Both were equally intent on converting the world to their vision of God.
”
”
Roger Crowley (1453: The Holy War for Constantinople and the Clash of Islam and the West)
“
After Evie had finished her plate, Sebastian tugged her to the billiards table and handed her a cue stick with a leather tip. Ignoring her attempts to refuse him, he proceeded to instruct her in the basics of the game. “Don’t try to claim this is too scandalous for you,” he told her with mock severity. “After running off with me to Gretna Green, nothing is beyond you. Certainly not one little billiards game. Bend over the table.”
She complied awkwardly, flushing as she felt him lean over her, his body forming an exciting masculine cage as his hands arranged hers on the cue stick. “Now,” she heard him say, “curl your index finger around the tip of the shaft. That’s right. Don’t grip so tightly, sweet…let your hand relax. Perfect.” His head was close to hers, the light scent of sandalwood cologne rising from his warm skin. “Try to imagine a path between the cue ball—that’s the white one—and the colored ball. You’ll want to strike right about there”—he pointed to a place just above center on the cue ball—“to send the object ball into the side pocket. It’s a straight-on shot, you see? Lower your head a bit. Draw the cue stick back and try to strike in a smooth motion.”
Attempting the shot, Evie felt the tip of the cue stick fail to make proper contact with the white ball, sending it spinning clumsily off to the side of the table.
“A miscue,” Sebastian remarked, deftly catching the cue ball in his hand and repositioning it. “Whenever that happens, reach for more chalk, and apply it to the tip of the cue stick while looking thoughtful. Always imply that your equipment is to blame, rather than your skills.”
Evie felt a smile rising to her lips, and she leaned over the table once more. Perhaps it was wrong, with her father having passed away so recently, but for the first time in a long while, she was having fun.
Sebastian covered her from behind again, sliding his hands over hers. “Let me show you the proper motion of the cue stick—keep it level—like this.” Together they concentrated on the steady, even slide of the cue stick through the little circle Evie had made of her fingers. The sexual entendre of the motion could hardly escape her, and she felt a flush rise up from the neck of her gown. “Shame on you,” she heard him murmur. “No proper young woman would have such thoughts.”
A helpless giggle escaped Evie’s lips, and Sebastian moved to the side, watching her with a lazy smile. “Try again.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
She could imagine problems enormously beyond us that would be old hat to them. But she couldn't get into their minds; she couldn't imagine what thinking would be like if you were much more capable than a human being. Of course. No surprise. What did she expect? It was like trying to visualize a new primary color or a world in which you could recognize several hundred acquaintances individually only be their smells... She could talk about this, but she couldn't experience it. By definition, it has to be mighty hard to understand the behavior of a being much smarter than you are. But even so, even so: Why only prime numbers?
”
”
Carl Sagan (Contact)
“
Unclean. They were to disguise themselves as outcasts, untouchables, and so get away. She knew all about these wretched outcasts. They handled the dead and were unclean. They were supposed to be possessed by devils, and anyone coming in contact with them was also bedeviled. They were not allowed to touch food and had to eat what was thrown to them from the ground like dogs. They must enter no house and speak to neither man nor woman of the clean. They were dressed in rags and daubed from head to foot with a red paint made from stinking shark oil and red ochre mixed, red being the funereal color. If they were not insane to start with, they soon became so.
”
”
Elizabeth Goudge (Green Dolphin Street)
“
A kiss instead of a salutation, disrobing, the neon signs nullifying the effect of the extinguished lamp, the double bed with its superannauted spring squealing piteously, impatient hugs and kisses, the first cold contact of the skin of their bodies after the sweat had dried, the smell of flesh and pomade, endless groping for satisfaction filled with impatience for the same bodies, little screams belying masculine vanity, hands wet with hair oil.. Then the pitiable perspiration, the groping under pillows for cigarettes and matches, the faintly shining whites of eyes. Then the endless conversation surging as over a broken dam, and the descent to the childish play of satisfied, tests of strength in the dark night, stabs at wrestling, various other inanities....
”
”
Yukio Mishima
“
I am Ra. Let us give the example of the man who sees all the poker hands. He then knows the game. It is but child’s play to gamble, for it is no risk. The other hands are known. The possibilities are known and the hand will be played correctly but with no interest. In time/space and in the true-color green density, the hands of all are open to the eye. The thoughts, the feelings, the troubles: all these may be seen. There is no deception and no desire for deception. Thus much may be accomplished in harmony, but the mind/body/spirit gains little polarity from this interaction. Let us re-examine this metaphor and multiply it into the longest poker game you can imagine: a lifetime. The cards are love, dislike, limitation, unhappiness, pleasure, etc. They are dealt, and re-dealt, and re-dealt continuously. You may, during this incarnation begin—and we stress begin—to know your own cards. You may begin to find the love within you. You may begin to balance your pleasure, your limitations, etc. However, your only indication of other-selves’ cards is to look into the eyes. You cannot remember your hand, their hands, perhaps even the rules of this game. This game can only be won by those who lose their cards in the melting influence of love; can only be won by those who lay their pleasures, their limitations, their all upon the table face up and say inwardly: “All, all of you players, each other-self, whatever your hand, I love you.” This is the game: to know, to accept, to forgive, to balance, and to open the self in love. This cannot be done without the forgetting, for it would carry no weight in the life of the mind/body/spirit beingness totality.
”
”
Donald Tully Elkins (The Ra Contact: Teaching the Law of One: Volume 1)
“
The large room was full of people. One of the girls in yellow was playing the piano and beside her stood a tall red haired young lady from a famous chorus, engaged in a song. She had drunk a quantity of champagne and during the course of her song she had decided ineptly that everything was very very sad--she was not only singing, she was weeping too. Whenever there was a pause in the song she filled it with gasping broken sobs and then took up the lyric again in a quavering soprano. The tears coursed down her cheeks--not freely, however, for when they came into contact with her heavily beaded eyelashes they assumed an inky color, and pursued the rest of their way in slow black rivulets. A humorous suggestion was made that she sing the notes on her face whereupon she threw up her hands, sank into a chair, and went off into a deep vinous sleep.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
Jack took two steps towards the couch and then heard his daughter’s distressed wails, wincing. “Oh, right. The munchkin.”
He instead turned and headed for the stairs, yawning and scratching his messy brown hair, calling out, “Hang on, chubby monkey, Daddy’s coming.”
Jack reached the top of the stairs.
And stopped dead.
There was a dragon standing in the darkened hallway.
At first, Jack swore he was still asleep. He had to be. He couldn’t possibly be seeing correctly.
And yet the icy fear slipping down his spine said differently.
The dragon stood at roughly five feet tall once its head rose upon sighting Jack at the other end of the hallway. It was lean and had dirty brown scales with an off-white belly. Its black, hooked claws kneaded the carpet as its yellow eyes stared out at Jack, its pupils dilating to drink him in from head to toe. Its wings rustled along its back on either side of the sharp spines protruding down its body to the thin, whip-like tail. A single horn glinted sharp and deadly under the small, motion-activated hallway light.
The only thing more noticeable than that were the many long, jagged scars scored across the creature’s stomach, limbs, and neck. It had been hunted recently. Judging from the depth and extent of the scars, it had certainly killed a hunter or two to have survived with so many marks.
“Okay,” Jack whispered hoarsely. “Five bucks says you’re not the Easter Bunny.”
The dragon’s nostrils flared. It adjusted its body, feet apart, lips sliding away from sharp, gleaming white teeth in a warning hiss. Mercifully, Naila had quieted and no longer drew the creature’s attention. Jack swallowed hard and held out one hand, bending slightly so his six-foot-two-inch frame was less threatening. “Look at me, buddy. Just keep looking at me. It’s alright. I’m not going to hurt you. Why don’t you just come this way, huh?”
He took a single step down and the creature crept forward towards him, hissing louder. “That’s right. This way. Come on.”
Jack eased backwards one stair at a time. The dragon let out a warning bark and followed him, its saliva leaving damp patches on the cream-colored carpet. Along the way, Jack had slipped his phone out of his pocket and dialed 9-1-1, hoping he had just enough seconds left in the reptile’s waning patience.
“9-1-1, what’s your emergency?”
“Listen to me carefully,” Jack said, not letting his eyes stray from the dragon as he fumbled behind him for the handle to the sliding glass door. He then quickly gave her his address before continuing. “There is an Appalachian forest dragon in my house. Get someone over here as fast as you can.”
“We’re contacting a retrieval team now, sir. Please stay calm and try not to make any loud noises or sudden movements–“
Jack had one barefoot on the cool stone of his patio when his daughter Naila cried for him again.
The dragon’s head turned towards the direction of upstairs.
Jack dropped his cell phone, grabbed a patio chair, and slammed it down on top of the dragon’s head as hard as he could.
”
”
Kyoko M. (Of Fury & Fangs (Of Cinder & Bone, #4))
“
Aggie taught Jane to make Moroccan lamb meatballs and said bad things about people who used died ginger and that sangria was really a lower class sort of drink, and it was just like old times. Well, almost like old times, except that now Jane was the one that Aggie contacted, not Duncan. Jane was the one she texted when she had surplus tomatoes or homemade jam. Jane was the one Aggie asked for help when her washing machine went berserk and shimmied its way half out of her laundry room, although in that case all Jane did was dispatch Duncan. Jane was the one Aggie asked for advice on her bathroom tiles and then rejected the color Jane chose. "She does that", Duncan said. "She asks you your opinion when she already has her mind made up. Drives me crazy. Jane was the one Aggie called when Gary began having dizzy spells and blurred vision, and Aggie thought he might be having a stroke. Although it turned out that he was just wearing the wrong eyeglasses having accidentally picked up someone else's at the office.
”
”
Katherine Heiny (Early Morning Riser)
“
From Tomorrow to Yesterday
The tree trunks move in time with the rhythm of her rubber soles on the wet path, where the air is still cool after the night rain. The woodland floor is white with anemones; in one place, growing close to the roots of an ancient tree, they make her think of an old, wrinkled hand. She could go on and on without getting tired, without meeting anyone or thinking of anything in particular, and without coming to the edge of the woods. As if the town did not begin just behind the trees, the leafy suburb with its peaceful roads and its houses hidden behind close-trimmed hedges. She doesn't want to think about anything, and almost succeeds; her body is no more than a porous, pulsating machine. The sun breaks through the clouds as she runs back, its light diffused on the gravel drive and the magnolia in front of the kitchen window. His car is no longer parked beside hers, he must have left while she was in the woods.
He hadn't stirred when she rose, and she'd already been in bed when he came home late last night. She lay with her back turned, eyes closed, as he undressed, taking care not to wake her. She leans against one of the pillars of the garage and stretches, before emptying the mailbox and letting herself into the house. She puts the mail on the kitchen table. The little light on the coffeemaker is on; she switches it off. Not so long ago, she would have felt a stab of irritation or a touch of tenderness, depending on her mood. He always forgets to turn off that machine. She puts the kettle on, sprinkles tea leaves into the pot, and goes over to the kitchen window. She observes the magnolia blossoms, already starting to open. They'll have to talk about it, of course, but neither of them seems able to find the right words, the right moment.
She pauses on her way through the sitting room. She stands amid her furniture looking out over the lawn and the pond at the end of the garden. The canopies of the trees are dimly reflected in the shining water. She goes into the bathroom. The shower door is still spotted with little drops. As time went on they have come to make contact during the day only briefly, like passing strangers. But that's the way it has been since the children left home, nothing unusual in that. She takes off her clothes and stands in front of the mirror where a little while ago he stood shaving. She greets her reflection with a wry smile. She has never been able to view herself in a mirror without this moue, as if demonstrating a certain guardedness about what she sees. The dark green eyes and wavy black hair, the angularity of her features. She dyes her hair exactly the color it would have been if she hadn't begun to go gray in her thirties, but that's her only protest against age.
”
”
Jens Christian Grøndahl (An Altered Light)
“
Layla skimmed the legal opinion. The one-page document stated in no uncertain terms that Sam had the full legal right of occupancy to the office and that her claims had no merit. John had signed and dated it at the bottom. Instantly, she understood why Royce had let her read it.
"This is dated the day after Sam and I met."
"Fancy that."
Her heart skipped a beat. "He always knew I had no right to be here. He could have kicked me out at any time."
"If it had been me, you and your purple couch would have been out on the street on day one, but then I'm coldhearted that way."
Layla sat heavily on the nearest chair. "Then why did he play the game?"
Royce shrugged. "Maybe he didn't want you to marry a douche."
"Or someone like Ranjeet," she said, considering. "He was trying to protect me. But if I didn't find someone, would he have honored the rules and walked away?"
"He does have that character flaw." Royce leaned back in his chair, folding his arms behind his head. "That's why we made a good team. I have no scruples and he has too many."
"Would you give him a message from me?" An idea started to form in her mind. "I deleted his contact details from my phone."
"Do I look like a receptionist?"
"You look like a guy who pretends not to care, but whose colorful clothes hide a warm heart."
His lips curved. "What does that make me in this tragedy? The comic relief?"
"It's not a tragedy." Layla wrote a quick note on the back of the legal opinion. "It's a romance. Except in this version, Buttercup saves herself.
”
”
Sara Desai (The Marriage Game (Marriage Game, #1))
“
Okay, Dr. Milligan," he says. "Go ahead."
"Well, my boy, I just wanted to let you know that I received the results back for the DNA tests. Emma is definitely half human."
Galen winks at me. "You don't say?"
I cover my mouth to stifle a giggle. Rudeness should never be contagious.
"Yes, I'm afraid so. That said, I'm not sure if she even has the capability of forming a fin."
Galen laughs. "We sort of already went along with that assumption, Dr. Milligan. Then the Archives confirmed it. There's a painting of people who look just like Emma in Tartessos."
Dr. Milligan sighs. "You could have called me."
"I'm sorry, Dr. Milligan. I've been...busy."
"Did Emma figure out her lineage, then?"
Galen shakes his head, though the reaction is lost on Dr. Milligan in Florida. "As far as we can tell, Emma's father was a Half-Breed. He's got the coloring, he wore contacts, he loved seafood and the ocean. He obviously knew about Emma's physical issues." He tells Dr. Milligan about his theory that some of the half-breeds survived the destruction of Tartessos.
Dr. Milligan is quiet for a few seconds. "What else?"
Galen gives me a quizzical look. I return a shrug. "What do you mean?" he says.
"I mean, my boy, what other evidence do you have to go on? The man you just described could be me. I used to have blond hair before the gray took over. I wear contacts. I happen to love seafood and the beach, if where I live is any indication. I also know about Emma's physical issues. Emma could be my daughter then. Is that what you're saying? If that's all you're basing it on, Emma could be almost any man's daughter in the Panhandle here. Not very scientific."
Galen frowns.
"You there, Galen?
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Gadgetry will continue to relieve mankind of tedious jobs. Kitchen units will be devised that will prepare ‘automeals,’ heating water and converting it to coffee; toasting bread; frying, poaching or scrambling eggs, grilling bacon, and so on. Breakfasts will be ‘ordered’ the night before to be ready by a specified hour the next morning.
Communications will become sight-sound and you will see as well as hear the person you telephone. The screen can be used not only to see the people you call but also for studying documents and photographs and reading passages from books. Synchronous satellites, hovering in space will make it possible for you to direct-dial any spot on earth, including the weather stations in Antarctica.
[M]en will continue to withdraw from nature in order to create an environment that will suit them better. By 2014, electroluminescent panels will be in common use. Ceilings and walls will glow softly, and in a variety of colors that will change at the touch of a push button.
Robots will neither be common nor very good in 2014, but they will be in existence.
The appliances of 2014 will have no electric cords, of course, for they will be powered by long- lived batteries running on radioisotopes.
“[H]ighways … in the more advanced sections of the world will have passed their peak in 2014; there will be increasing emphasis on transportation that makes the least possible contact with the surface. There will be aircraft, of course, but even ground travel will increasingly take to the air a foot or two off the ground.
[V]ehicles with ‘Robot-brains’ … can be set for particular destinations … that will then proceed there without interference by the slow reflexes of a human driver.
[W]all screens will have replaced the ordinary set; but transparent cubes will be making their appearance in which three-dimensional viewing will be possible.
[T]he world population will be 6,500,000,000 and the population of the United States will be 350,000,000. All earth will be a single choked Manhattan by A.D. 2450 and society will collapse long before that!
There will, therefore, be a worldwide propaganda drive in favor of birth control by rational and humane methods and, by 2014, it will undoubtedly have taken serious effect.
Ordinary agriculture will keep up with great difficulty and there will be ‘farms’ turning to the more efficient micro-organisms. Processed yeast and algae products will be available in a variety of flavors.
The world of A.D. 2014 will have few routine jobs that cannot be done better by some machine than by any human being. Mankind will therefore have become largely a race of machine tenders. Schools will have to be oriented in this direction…. All the high-school students will be taught the fundamentals of computer technology will become proficient in binary arithmetic and will be trained to perfection in the use of the computer languages that will have developed out of those like the contemporary “Fortran".
[M]ankind will suffer badly from the disease of boredom, a disease spreading more widely each year and growing in intensity. This will have serious mental, emotional and sociological consequences, and I dare say that psychiatry will be far and away the most important medical specialty in 2014.
[T]he most glorious single word in the vocabulary will have become work! in our a society of enforced leisure.
”
”
Isaac Asimov
“
My greatest desire is to be human.
In Islam, it is taught we are born man but we must evolve to be Human. To be human is to know compassion for others. to understand Ethics and morality, all of which we are born with but still must learn in practice.Our intellect does not make us human. Intelligence as shown that we separate ourselves more from humanity through our evolution of inventiveness than we have ever before. We depend on our gadgets to tell us to think and what to think. We have become servants of I-Phones and pads and computers and slaves to clocks that have now become our task master. We answer to alarms and "Tweets" and " FB Notifications like pavlovian dogs wagging our tails at each blip of a cybernetic announcement. We are further losing ourselves to technology that we thought would make our lives easier but has simply made it more complicated and filled it with less time for interaction with our fellow man because we have lost sight of verbal communication. Of being in eye contact with each other because our heads are leaning down into video screens and our ears are covered with sound buds.. We have become an extension of our devises when we should be an extension of each other in a real physical world and not the matrix of AI and computer stimuli we have become sadly slaves to. I want to be human and see the true smile of my friends and hear the real voice of their ideas and not typed words of color on a screen. I want to experience the knowledge of seeing my fellow men and woman talking verbally to each other and espousing real IDEAS and not merely replaying sound bytes hey have heard from the latest PROGRAMMING. I want to be HUMAN and know the Humanity of my brotherhood of HUMANS!
”
”
Levon Peter Poe
“
If I can keep fighting,” she said, “then so can you.”
“Back to the stone,” he said in a harsh voice.
“I know you’re not a coward, Murtagh. Better to die than to live as a slave to one such as Galbatorix. At least then you might accomplish some good, and your name might be remembered with a measure of kindness after you’re gone.”
“Back to the stone,” he growled, grabbing her by the arm and dragging her over to the slab.
She allowed him to push her onto the ash-colored block, fasten the restraints around her wrists and ankles, and then tighten the strap around her head. When he finished, he stood looking at her, his eyes dark and wild, the lines of his body like cords stretched taut.
“You have to decide whether you are willing to risk your life in order to save yourself,” she said. “You and Thorn both. And you have to decide now, while there is still time. Ask yourself: what would Tornac have wanted you to do?”
Without answering, Murtagh extended his right arm and placed his hand upon the upper part of her chest, his palm hot against her skin. Her breath hitched at the shock of the contact.
Then, hardly louder than a whisper, he began to speak in the ancient language. As the strange words tumbled from his lips, her fear grew ever stronger.
He spoke for what seemed like minutes. She felt no different when he stopped, but that was neither a favorable nor an unfavorable sign where magic was concerned.
Cool air washed over the patch on her chest, chilling it as Murtagh lifted his hand away. He stepped back then and started to walk past her, toward the entrance of the chamber. She was about to call out to him--to ask what he had done to her--when he paused and said, “That should shield you from the pain of most any wound, but you’ll have to pretend otherwise, or Galbatorix will discover what I’ve done.”
And then he left.
“Thank you,” she whispered to the empty room.
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
“
Hey, can I help you—whoa!”
As he wheeled around and settled into his attack stance, the black human salesperson jumped back and put his palms up.
“Forgive me,” Xcor muttered. At least he hadn’t outed one of his weapons.
“No problem.” The handsome, well-dressed man smiled. “You looking for something specific?”
Xcor glanced around, and nearly walked back to that fancy stairwell. “I require a new shirt.”
“Oh, cool, you got a hot date?”
“And pants. And socks.” Come to think of it, he never wore underwear. “And undergarments. And a jacket.”
The salesman smiled and raised a hand as if he were going to clap his customer on the shoulder—but then caught himself as he clearly rethought the contact. “What kind of look are you going for?” he asked instead.
“Clothed.”
The guy paused like he wasn’t sure whether that was a joke. “Ah . . . okay, I can work with non-naked. Plus it’s legal. Come on with me.”
Xcor followed, because he didn’t know what else to do—he’d gotten this ball rolling; there was no reason not to follow through.
The man stopped in front of a display of shirts. “So I’m going to go with the it’s-a-date thing, unless you tell me otherwise. Casual? You didn’t mention a suit.”
“Casual. Yes. But I want to look. . . .” Well, not like himself, at any rate. “Presentable.”
“Then I think what you’re going to want is a button-down.”
“A button-down.”
The guy regarded him steadily. “You’re not from here, are you.”
“No, I’m not.”
“I can tell by the accent.” The salesman passed a hand over the dizzying array of folded-up squares with collars. “These are our traditional cuts. I can tell without measuring you that the European stuff isn’t going to do you right—you’re too muscled in the shoulders. Even if we could get the neck and arm size right, you’d bust out of them. Do you like any of these colors?”
“I don’t know what to like.”
“Here.” The man picked up a blue one that reminded Xcor of the backdrop on his phone. “This is good with your eyes. Not that I go that way—but you gotta work with what you got. Do you have any idea of your size?”
“XXXL.”
“We need to be a little more exact.
”
”
J.R. Ward (The King (Black Dagger Brotherhood, #12))
“
(50.7) Questioner Thank you. Can you expand on the concept which is this: that it is necessary for an entity to, during incarnation in the physical, as we call it, become polarized or interact properly with other entities, and why this isn’t possible in between incarnations when he is aware of what he wants to do, but why must he come into an incarnation and lose memory, conscious memory, of what he wants to do and then act in a way that he hopes to act? Could you expand on that please? Ra I am Ra. Let us give the example of the man who sees all the poker hands. He then knows the game. It is but child’s play to gamble, for it is no risk. The other hands are known. The possibilities are known and the hand will be played correctly but with no interest. In time/ space and in the true-color green density, the hands of all are open to the eye. The thoughts, the feelings, the troubles: all these may be seen. There is no deception and no desire for deception. Thus much may be accomplished in harmony, but the mind/ body/ spirit gains little polarity from this interaction. Let us re-examine this metaphor and multiply it into the longest poker game you can imagine: a lifetime. The cards are love, dislike, limitation, unhappiness, pleasure, etc. They are dealt, and re-dealt, and re-dealt continuously. You may, during this incarnation begin—and we stress begin—to know your own cards. You may begin to find the love within you. You may begin to balance your pleasure, your limitations, etc. However, your only indication of other-selves’ cards is to look into the eyes. You cannot remember your hand, their hands, perhaps even the rules of this game. This game can only be won by those who lose their cards in the melting influence of love; can only be won by those who lay their pleasures, their limitations, their all upon the table face up and say inwardly: “All, all of you players, each other-self, whatever your hand, I love you.” This is the game: to know, to accept, to forgive, to balance, and to open the self in love. This cannot be done without the forgetting, for it would carry no weight in the life of the mind/ body/ spirit beingness totality.
”
”
Donald Tully Elkins (The Ra Contact: Teaching the Law of One: Volume 1)
“
The thick ropes of his control began to unravel. When she curled both arms around his neck, it seemed natural to place his around her waist and pick her up. She wrapped her legs around his hips, bringing herself in direct contact with his hard-on.
It was paradise. It was pure torture.
He swore. She broke the kiss and smiled at him.
“So you find me annoying, but you still want me,” she whispered.
“I don’t find you annoying.” He pushed against her crotch.
“I don’t find you annoying, either.”
He read the passion in her eyes and knew she was more than willing to take things to the next level.
He glanced around, searching for a soft, private spot, only to realize they were out in the open and likely to be discovered any second. It wasn’t romantic, it wasn’t smart, and he didn’t have a condom with him. Phoebe deserved a whole lot better.
“I want you,” he told her.
She tightened her legs around him. “Me, too.” Color stained her cheeks. “I’ve never said that to a man before.”
Zane realized he hadn’t told a woman, either. He’d shown her, but he’d never actually spoken the words. Phoebe was changing him in all kinds of ways.
He wanted her with a desperation he’d never felt before. And yet…
“We can’t,” he said gently, ignoring the hardness and the pain in his groin. “You deserve better than something hot and fast up against a tree.”
She swallowed. “I’m not so sure about that.”
“I am.”
“Oh.”
She sounded disappointed. Had she been anyone else, he would have said the hell with it and taken what she offered. But she was Phoebe.
From behind them came the sound of a car horn honking, and then another. They couldn’t see anything through the trees, but they heard laughter drifting toward them as at least a couple of off-road vehicles drove slowly past.
“Sounds like we have company,” he said. “We’re close to Stryker land. Guess they decided to say hi. You go on ahead. I need a few minutes.”
When he pointed at the front of his jeans, she blushed. “Oh. I see your problem. Well, you could walk right behind me and no one would notice.”
He chuckled. “I’ll wait it out. Go on.”
“Okay.”
She headed toward camp. Zane watched her go, taking in the sway of her hips and the wave she gave him right before she disappeared.
”
”
Susan Mallery (Kiss Me (Fool's Gold, #17))
“
(Notably, temporary loss of blood or oxygen or excess carbon dioxide in the blood can also cause a disruption in the temporoparietal region and induce out-of-body experiences, which may explain the prevalence of these sensations during accidents, emergencies, heart attacks, etc.) NEAR-DEATH EXPERIENCES But perhaps the most dramatic category of out-of-body experiences are the near-death stories of individuals who have been declared dead but then mysteriously regained consciousness. In fact, 6 to 12 percent of survivors of cardiac arrest report having near-death experiences. It’s as though they have cheated death itself. When interviewed, they have dramatic tales of the same experience: they left their body and drifted toward a bright light at the end of a long tunnel. The media have seized upon this, with numerous best sellers and TV documentaries devoted to these theatrical stories. Many bizarre theories have been proposed to explain near-death experiences. In a poll of two thousand people, fully 42 percent believed that near-death experiences were proof of contact with the spiritual world that lies beyond death. (Some believe that the body releases endorphins—natural narcotics—before death. This may explain the euphoria that people feel, but not the tunnel and the bright lights.) Carl Sagan even speculated that near-death experiences were a reliving of the trauma of birth. The fact that these individuals recount very similar experiences doesn’t necessarily corroborate their glimpses into the afterlife; in fact, it seems to indicate that there is some deep neurological event happening. Neurologists have looked into this phenomenon seriously and suspect that the key may be the decrease of blood flow to the brain that often accompanies near-death cases, and which also occurs in fainting. Dr. Thomas Lempert, a neurologist at the Castle Park Clinic in Berlin, conducted a series of experiments on forty-two healthy individuals, causing them to faint under controlled laboratory conditions. Sixty percent of them had visual hallucinations (e.g., bright lights and colored patches). Forty-seven percent of them felt that they were entering another world. Twenty percent claimed to have encountered a supernatural being. Seventeen percent saw a bright light. Eight percent saw a tunnel. So fainting can mimic all the sensations people have in near-death experiences
”
”
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
“
I have come to think of the UFO problem in terms of three distinct levels.
The first level is physical. We now know that the UFO behaves like a region of space, of small dimensions (about ten meters), within which a very large amount of energy is stored. This energy is manifested by pulsed light phenomena of intense colors and by other forms of electromagnetic radiation.
The second level is biological. Reports of UFOs show all kinds of psychophysiological effects on the witnesses. Exposure to the phenomenon causes visions, hallucinations, space and time disorientation, physiological reactions (including temporary blindness, paralysis, sleep cycle changes), and long-term personality changes.
The third level is social. Belief in the reality of UFOs is spreading rapidly at all levels of society throughout the world. Books on the subject continue to accumulate. Documentaries and major films are being made by men and women who grew up with flying-saucer stories. Expectations about life in the universe have been revolutionized. Many modern themes in our culture can be traced back to the "messages from space" coming from UFO contactees of the forties and fifties.
The experience of a close encounter with a UFO is a shattering physical and mental ordeal. The trauma has effects that go far beyond what the witnesses recall consciously. New types of behavior are conditioned, and new types of beliefs are promoted. Aside from any scientific consideration, the social, political, and religious consequences of the experience are enormous if they are considered over the timespan of a generation.
Faced with the new wave of experiences of UFO contact that are described in books like Communion and Intruders and in movies like Close Encounters of the Third Kind, our religions seem obsolete. Our idea of the church as a social entity working within rational structures is obviously challenged by the claim of a direct communication in modern times with visible beings who seem endowed with supernatural powers.
This idea can shake our society to the very roots of its culture. Witnesses are no longer afraid to come forward with personal stories of abductions, of spiritual exchanges with aliens, even of sexual interaction with them. Such reports are folklore in the making. I have discovered that they form a striking parallel to the tales of meetings with elves and jinn of medieval times, with the denizens of "Magonia," the land beyond the clouds of ancient chronicles. But they are something else, too: a portent of important things to come.
”
”
Jacques F. Vallée (Dimensions: A Casebook of Alien Contact)
“
Gage handed the braid back to Etienne. "Well, whoever’s hair this was must have been a redhead.”
“Ellena Rose,” Miranda said. “She was a redhead.”
There was a brief pause as everyone traded glances. Then Ashley scooted to the edge of the swing.
“Miranda, how do you know that?”
“I just…the playbill.”
Parker gave a derisive snort.
“Wow. It wasn’t even a photo of Ellena Rose.” Roo set down her lemonade and lit up a cigarette. “So you got her hair color from just a black-and-white sketch?”
“Yes. She had red hair and different colored eyes--one green and one blue.”
“Maybe she was wearing contacts,” Ashley suggested. Five stares aimed in her direction. Her smile began to fade. “She was a celebrity. Celebrities wear contacts to match their clothes.”
“You know, Ash,” Roo stated, “even after all these years, your keen powers of perception continue to amaze me.
”
”
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
“
So you got her hair color from just a black-and-white sketch?”
“Yes. She had red hair and different colored eyes--one green and one blue.”
“Maybe she was wearing contacts,” Ashley suggested. Five stares aimed in her direction. Her smile began to fade. “She was a celebrity. Celebrities wear contacts to match their clothes.”
“You know, Ash,” Roo stated, “even after all these years, your keen powers of perception continue to amaze me.”
Etienne gamely switched the subject. “That picture of the soldiers? Miranda’s right. I’m sure that’s Hayes House in the background.”
Without a word, everyone looked warily toward the front door, as if half expecting the house to come alive.
“Why didn’t you say something before?” Miranda glared at him.
“‘Cause I needed to think about it. And”--he hesitated, almost sheepish--“I didn’t want you freaking out any more than you were already.”
“I’m more freaked out that you didn’t say anything.”
“Sorry. But it is the same house--the way it was originally.”
Now it was Parker who groaned. “Oh, don’t tell me. The house contacted you. You talk to dead houses.
”
”
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
“
He moved into a large sitting area, past a sunken bath that could fit ten and through a set of double doors, where he tossed her on the bed. She bounced as she hit and looked up. He didn’t break eye contact as he shed his jacket, tossing it over on a chair. “Strip.”
“You first.”
Frank toed off his shoes and loosened his tie, pulling it over his head then dropping it to the floor. “Tell you what. Whoever’s naked first, gets to be on top.” He gave her a lecherous grin and was rewarded with a rosy blush, coloring her cheeks.
“Okay.” She climbed off the bed. “On the count of three.”
“One,” Frank said and lifted his hands to the top of his dress shirt. She did the same, bracing for the count like a racer on the blocks, her hands behind her neck. “Three.” Frank unbuttoned the collar, and tugged the shirt over his head, including the T-shirt underneath.
“That’s cheating,” she said, as she fumbled with the hooks down the back of her blouse.
“You had a head start. I’m evening the field.” He ripped his belt off and undid his fly and dropped his boxers and pants all at once.
She froze and gasped, staring, hunger in her eyes, snapped out of the spell and tossed her blouse and bra to the side, moving fast, but not fast enough. Her skirt puddled around her ankles as Frank stood, as bare as the day he was born.
“I win.” She kicked her garment to the side and placed her hands on her hips. Her chest rose and fell, pebbled nipples displayed against gloriously soft skin and full breasts. Her eyes were wild and her soft blonde hair tousled, like she’d already taken a roll in the sack. Man, did he want to make a bigger mess of it.
”
”
D.L. Jackson (My Boogie Woogie Bugle Guy)
“
Then Eaten Alive came into the tipi with a five-or six-year-old child. The boy’s brown skin was broken with sores and lacerations, he was thin and shivering and dressed in a piece of bed-ticking that nearly enveloped him. You see here, said Toshana. We just got him from the Apache, see how they treat them. If you want to take him with you, you can. I will not ask you to pay. “Where did he come from?” Samuel held his hand out to the boy and felt an anguish in his heart at the sight of the child. The boy ducked his head and shrank away. We don’t know. The Apaches didn’t say where he came from. “I will contact the military in Santa Fe. Maybe they have a report of a missing child.” Toshana was silent for a while, and then he said, But there are thousands. Samuel nodded. Thousands.
Jiles, Paulette. The Color of Lightning: A Novel (pp. 294-295). HarperCollins e-books. Kindle Edition.
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Paulette Jiles (The Colour Of Lightning)
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Once Kellan emerged as completely human, Vic gasped at the sight of the perfect, cream-colored egg Kellan had wrapped his body around. Kellan locked gazes with him and smiled.
“I’m okay now, Vic, and so is the egg.”
“Oh sweetheart, I’m so happy.” He wiggled his fingers, desperate for contact with his mate. “Can I touch you?”
Kellan grinned, his eyes bright and complexion rosy. “And you should kiss me too.”
Vic climbed back on the bed and scooted as close to the nest as he dared. He had no idea how fragile the egg might be.
“You can get closer.” Kellan kept one arm wrapped protectively around the egg, but lifted the other up in invitation. “You should get used to the egg. I might need you to help once in a while during the incubation period.”
Vic moved into Kellan’s embrace, careful not to put any pressure against the shell or Kellan. “I’ll do whatever I can, but I don’t think it’s safe for me to sit on that.”
Kellan snort-giggled. “No, you would do what I’m doing right now. Cuddle with it, keep it warm. Plus, if we also keep the cabin warm, I can cover it with the blankets for short periods of time and it’ll be fine
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M.M. Wilde (A Swan for Christmas (Vale Valley Season One, #4))
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By the time Columbus discovered America, the Indians were already using beads for decoration. Beads were made from shells, bones, claws, stones, and minerals.
The Algonquin and Iroquois tribes of the eastern coast made beads from clam, conch, periwinkle, and other seashells. These beads were used as a medium of exchange by the early Dutch and English colonists. They were called “wampum,” a contraction of the Algonquin “wampumpeak” or “wamponeage,” meaning string of shell beads. The purple beads had twice the value of the white ones.
The explorer, followed by the trader, missionary and settler, soon discovered that he had a very good trade item in glass beads brought from Europe.
The early beads that were used were about 1/8 inch in diameter, nearly twice as large as beads in the mid-1800’s. They were called pony beads and were quite irregular in shape and size. The colors most commonly used were sky-blue, white, and black. Other less widely used colors were deep bluff, light red, dark red, and dark blue.
The small, round seed beads, as they are called, are the most generally used for sewed beadwork. They come in a variety of colors. Those most commonly used by the Indians are red, orange, yellow, light blue, dark blue, green, lavender, and black.
The missionaries’ floral embroidered vestments influenced the Woodland tribes of the Great Lakes to apply beads in flower designs. Many other tribes, however, are now using flower designs. There are four main design styles used in the modern period. Three of the styles are largely restricted to particular tribes. The fourth style is common to all groups. It is very simple in pattern. The motifs generally used are solid triangles, hourglasses, crosses, and oblongs. This style is usually used in narrow strips on leggings, robes, or blankets.
Sioux beadwork usually is quite open with a solid background in a light color. White is used almost exclusively, although medium or light blue is sometimes seen. The design colors are dominated by red and blue with yellow and green used sparingly. The lazy stitch is used as an application.
The Crow and Shoshoni usually beaded on red trade or blanket cloth, using the cloth itself for a background. White was rarely used, except as a thin line outlining other design elements. The most common colors used for designs are pale lavender, pale blue, green, and yellow. On rare occasions, dark blue was used. Red beads were not used very often because they blended with the background color of the cloth and could not be seen. The applique stitch was used.
Blackfoot beadwork can be identified by the myriad of little squares or oblongs massed together to make up a larger unit of design such as triangles, squares, diamonds, terraces, and crosses. The large figure is usually of one color and the little units edging it of many colors. The background color is usually white, although other light colors such as light blue and green have been used.
The smallness of the pattern in Blackfoot designs would indicate this style is quite modern, as pony trading beads would be too large to work into these designs.
Beadwork made in this style seems to imitate the designs of the woven quill work of some of the northwestern tribes with whom the Blackfoot came in contact.
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W. Ben Hunt (Indian Crafts & Lore)
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The STAR WARS Novels Timeline OLD REPUBLIC 5000–33 YEARS BEFORE STAR WARS: A New Hope Lost Tribe of the Sith* Precipice Skyborn Paragon Savior Purgatory Sentinel 3650 YEARS BEFORE STAR WARS: A New Hope The Old Republic: Deceived Lost Tribe of the Sith* Pantheon Secrets Red Harvest The Old Republic: Fatal Alliance 1032 YEARS BEFORE STAR WARS: A New Hope Knight Errant Darth Bane: Path of Destruction Darth Bane: Rule of Two Darth Bane: Dynasty of Evil RISE OF THE EMPIRE 33–0 YEARS BEFORE STAR WARS: A New Hope Darth Maul: Saboteur* Cloak of Deception Darth Maul: Shadow Hunter 32 YEARS BEFORE STAR WARS: A New Hope STAR WARS: EPISODE I: The Phantom Menace Rogue Planet Outbound Flight The Approaching Storm 22 YEARS BEFORE STAR WARS: A New Hope STAR WARS: EPISODE II: Attack of the Clones 22–19 YEARS BEFORE STAR WARS: A New Hope The Clone Wars The Clone Wars: Wild Space The Clone Wars: No Prisoners Clone Wars Gambit Stealth Siege Republic Commando Hard Contact Triple Zero True Colors Order 66 Shatterpoint The Cestus Deception The Hive* MedStar I: Battle Surgeons MedStar II: Jedi Healer Jedi Trial Yoda: Dark Rendezvous Labyrinth of Evil 19 YEARS BEFORE STAR WARS: A New Hope STAR WARS: EPISODE III: Revenge of the Sith Dark Lord: The Rise of Darth Vader Imperial Commando 501st Coruscant Nights Jedi Twilight Street of Shadows Patterns of Force The
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George Lucas (Star Wars: Trilogy - Episodes IV, V & VI)
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Nick implied the job pays crap, so they can’t expect me to be some sort of art professor, right?” She paused when the bartender appeared with a bottle of beer and a slender fluted glass of champagne. The bubbles streaming upward through the pale liquid reminded him of Emma’s personality: round and fizzy, rising as high as they could go. He felt like shit. “Of course, I still need to find a place to live,” Emma said after taking a sip of her drink. “But as long as I have a place to work, I’m good. I can always buy a tent.” “You don’t have to buy a tent,” he said curtly. “Just joking.” She reached across the table and gave his hand a gentle squeeze. “But at least now I don’t have to worry about finding a place to live where I can also work.” He drank some beer straight from the bottle, relishing its sour flavor. Closing his eyes, he pictured that small, windowless room in the community center, its linoleum floor, its cinderblock walls, its sheer ugliness. She was thrilled because she thought it was her only option. But it wasn’t. “Look, Emma—if you want, I’ll take my house off the market. I don’t have to get rid of it. If you want to continue to live there…” She’d raised her champagne flute to her lips, but his words clearly startled her enough to make her lower the glass and gape at him. “But you came to Brogan’s Point to sell the house.” “It can wait.” “And I can’t keep teaching there. You said so yourself. There are those nasty zoning laws. And insurance issues, and liability. All that legal stuff.” She pressed her lips together, effectively smothering her radiant smile. “Taking the room at the community center means I’ll be able to teach there this summer in Nick’s program. So I’ll earn a little more money and maybe make contact with more people who might want to commission Dream Portraits.” She shook her head. “I can make it work.” “You could make it work in my house, too. Stay. Stay as long as you want. We’re not a landlord and tenant anymore. We’ve gone beyond that, haven’t we?” She stared at him, suddenly wary. “What do you mean?” He wasn’t sure what was troubling her. “Emma. We’ve made love. Several times.” Several spectacular times, he wanted to add. “You can stay on in the house. Forget about the rent. That’s the least I owe you.” Her expression went from wary to deflated, from deflated to suspicious. Her voice was cool, barely an inch from icy. “You don’t owe me anything, Max—unless you want to pay me for your portrait. I can’t calculate the cost until I figure out what the painting will…entail.” She seemed to trip over that last word, for some reason. “But as far as the house… I don’t need you to do that.” “Do what? Take it off sale? It isn’t even on sale yet.” “You don’t have to let me stay on in the house because we had sex. I didn’t make love with you because I wanted something in return. You don’t owe me anything.” She sighed again. The fireworks vanished from her eyes, extinguished
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Judith Arnold (True Colors (The Magic Jukebox, #2))
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He could talk at length about the known invasive species, and why there were so many different ones: the weblike filaments choking the trees in New Orleans, the flame-colored poppies erupting on Mexico City rooftops, the green fins popping up in Florida beach sand like sharks coming ashore. Every shell that struck Earth, and some that hit the surface of the water, cracked and sent millions of seeds into the air or into the oceans.
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Daryl Gregory (Nine Last Days on Planet Earth)
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Page 11:
Yet the very fact of contact over a period of time has inevitably produced changes among the overseas Chinese. Like Chinese everywhere they have a well-ingrained cultural pattern of adaptability and flexibility. Culturally and socially this minority in Thailand has learned to accept Thai ways without, however, losing its attachment to Things Chinese. The question is whether these changes represent simply protective coloration or true identification with Thai society. It is the seemingly opportunistic and vacillating quality of their cultural and social dualism which has made the Chinese, in the opinion of many responsible Thai, only summer patriots and fair-weather citizens.
In the other countries of [Southeast Asia], the colonial powers protected and encouraged minority interests, and under colonialism these groups flourished.
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Richard J. Coughlin (Double Identity: The Chinese in Modern Thailand)
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Mella Salon
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The wonder is that it becomes possible to see several of these layers at the same time when the ‘seeingness’ has matured. You can even accept the physical world in your dream at a certain point in the opening process. The magnificence of the world is such in this eruption of colors that it causes the heart to open. Often beauty is at the edge of what can bearable. Life is a constant mystery, and it's great fun. On the other side of the astral realms, there is another dimension named by Western occultists devachan and by Hindu tradition svarga-loka or realm of gods. A completely different set of lights is again perceived in this universe. These are to the astral colors what day is to night. Instead of your friend's face, another face appears. When performing eye contact exercises, this is one of the most common experiences: the face of the friend sitting in front of you disappears, and another face can be seen instead. When you practice on your own, facing a mirror, it is your own face that will vanish and be replaced by another. These faces correspond mainly to four possibilities: A spirit guide A past life A sub-personality An entity. Spirit guides: it is not uncommon for your spirit guides to manifest in this way to the person you are practicing with. When you progress, you will gain the ability to manifest your guides actively on your own power in a manner that will be visible to others, even if their vision is limited. In reality, eye contact is one of the easiest and most straightforward ways of seeing spirit guides. A variant of this phenomenon also happens when a spiritual teacher listens to a conversation. If you become very still, stop blinking, and practice our sight approach when you look at them, you will sometimes see their face vanish and be replaced by their teachers or some higher being behind them. Another likelihood when the face changes, is that in a past life, you see an image of yourself or the person with whom you work. The mask may also be yours or your friend's sub-personality. All in all, this is not so different from what was mentioned in the above bullet point, if one considers that the circumstances of past lives have built up sub-personalities. An entity's face indicates a being connected to you. An object can be regarded as a parasite that is not physical. Just as some physical parasites can bind to various parts of your body, so can your power be bound to some non-physical forces or energy. WHAT TO DO WITH YOUR EXPERIENCES Here's a suggestion, if you fully understand it, which can save you a lot of trouble: I strongly recommend you don't try to analyze too much of what you see.
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Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
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In an extreme example, the Russian scientist Dmitri Belyaev succeeded in developing a domesticated fox in only forty years.5 In each generation he selected for tameness (and only tame- ness); this eventually resulted in foxes that were friendly and enjoyed human contact, in strong contrast to wild foxes. This strain of tame foxes also changed in other ways: Their coat color lightened, their skulls became rounder, and some of them were born with floppy ears. It seems that some of the genes influenc- ing behavior (tameness in this case) also affect other traits—so when Belyaev selected for tameness, he automatically got changes in those other traits as well. Many of these changes have occurred as side effects of domestication in a number of species—possibly including humans, as we shall see.
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Gregory Cochran; Henry Harpending; Nanako Furukawa (The 10000 Year Explosion: How Civilization Accelerated Human Evolution)
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Yes, and I think every other woman you’ve fucked has known that too.” He laughs. “Remember that one time you asked Tiffany to dye her hair and wear contacts when you were fucking her?” He shakes his head. “She was pissed and came out of your room ready to murder someone.”
“I have a thing for women with caramel-colored hair,” I say, smiling.
“Yeah, I think we all know that.
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Kia Carrington-Russell (Lethal Vows (Lethal Vows, #1))
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• Acting overly nice • Avoiding contact (e.g., crossing a street or not going to a particular bar or club) • Mimicking “black mannerisms and speech” • Being careful not to use racial terms or labels • Using code words to talk negatively about people of color • Occasional violence directed at people of color
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Robin DiAngelo (White Fragility: Why It's So Hard for White People to Talk About Racism)
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As Jack spoke, Carrington caught sight of me in the doorway, and she threw me a grin. “Are you gonna take Miss Ella fishing?” she asked Jack, who had picked up a Japanese saw and was cutting off the protruding end of the gunnel at an angle.
“If she wants to,” he said.
“Is she gonna catch you, Uncle Jack?” Carrington asked slyly.
“She already did, darlin’.”
At the sound of her titter, Jack paused in his sawing, followed her gaze and saw me standing there.
A slow smile spread across his face, and his gaze turned dark and hot as he glanced over my pink swimsuit and bare legs.
Dropping the saw, he muttered to the other two, “’ Scuse me, I’ve got to talk to Miss Ella about something.”
“No, you don’t,” I protested. “I just wanted a peek at the skiff. It’s beautiful, Carrington. What color are you going to paint it?”
“Pink like your bathing suit,” she said cheerfully.
Jack was coming toward me. I retreated a few steps.
“Don’t take him away for good, Ella,” Gage said. “We still need to fasten the gunnel on the other side.”
“I’m not taking him away at all, I . . . Jack, get back to work.”
But he headed for me without pausing, and I giggled and retreated into the kitchen. “Leave me alone, you’re all sweaty!”
In a few seconds, I found myself pinned against a countertop, his hands gripping the beveled granite edge on either side of me. “You like me sweaty,” he murmured, his denim-clad legs corralling mine.
I leaned backward to avoid contact with his damp chest.
“If I have caught you,” I told him, still giggling, “I’m going to throw you back.”
“You only throw the little ones back, darlin’. The big ones you keep. Now give me a kiss.”
I tried to stop smiling long enough to comply. His lips were warm as they moved over mine, the kiss erotic in its careful lightness.
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Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
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Researching Dad’s life, I’ve made contact with his old colleagues and friends and others we knew—people like Joyce Jenkins of Poetry Flash; and Jimmy Siegel, who owns Distractions; and Sean, the smiling Southerner who worked at Coffee Tea & Spice. Speaking with them, I got to hear three powerful words, three words I didn’t know I so badly needed to hear: “I remember you.” With these words, the lights switch on. The music plays. The carousel starts up again and those glittery and colorful horses move up and down and around, delighting my every sense. For a moment, I get to be a child again. I feel wholly me.
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Alysia Abbott (Fairyland: A Memoir of My Father)
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people of color is a necessary condition to dispel stereotypes and fears (Allport, 1954; APA Presidential Task Force, 2012; J. M. Jones, 1997). Ironically, White Americans are most likely to have contact with people of color who represent only a narrow spectrum of the group—those who have gotten into trouble with society or who need special help.
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Derald Wing Sue (Race Talk and the Conspiracy of Silence: Understanding and Facilitating Difficult Dialogues on Race)
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These glowing entities were utterly alien to anything humankind had ever encountered. Known in official circles as species X25910, they were nicknamed Phants by the rest of us. Gaseous in the heatless and pressureless void of space, liquid in Earthlike environments, they were seemingly invulnerable. Phants had a peculiar ability to possess human-developed Artificial Intelligences, from those found in combat robots such as Centurions all the way up to the main AIs found aboard supercarriers such as the Gerald R. Ford. Phants could also incinerate human beings on contact, jumpsuits and all, though most of them, colored blue, moved too slowly to be of much threat in that regard. Purple Phants, however, moved very fast. It was a purple Phant that had killed my best friend and platoon brother Alejandro. There were red Phants, too, which were capable of possessing a human in a process known as “integration,” whereby cybernetic components were grafted into the skulls and spines of a host.
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Isaac Hooke (ATLAS 3 (Atlas, #3))
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In the Vedas also it is said that the Lord, although one without a second, manifests Himself in innumerable forms. He is like the vaidurya stone, which changes color yet still remains one. All those multiforms are understood by the pure, unalloyed devotees, but not by a simple study of the Vedas (vedeṣu durlabham adurlabham ātma-bhaktau). Devotees like Arjuna are constant companions of the Lord, and whenever the Lord incarnates, the associate devotees also incarnate in order to serve the Lord in different capacities. Arjuna is one of these devotees, and in this verse it is understood that some millions of years ago when Lord Kṛṣṇa spoke the Bhagavad-gītā to the sun-god Vivasvān, Arjuna, in a different capacity, was also present. But the difference between the Lord and Arjuna is that the Lord remembered the incident whereas Arjuna could not remember. That is the difference between the part-and-parcel living entity and the Supreme Lord. Although Arjuna is addressed herein as the mighty hero who could subdue the enemies, he is unable to recall what had happened in his various past births. Therefore, a living entity, however great he may be in the material estimation, can never equal the Supreme Lord. Anyone who is a constant companion of the Lord is certainly a liberated person, but he cannot be equal to the Lord. The Lord is described in the Brahma-saḿhitā as infallible (acyuta), which means that He never forgets Himself, even though He is in material contact. Therefore, the Lord and the living entity can never be equal in all respects, even if the living entity is as liberated as Arjuna. Although Arjuna is a devotee of the Lord, he sometimes forgets the nature of the Lord, but by the divine grace a devotee can at once understand the infallible condition of the Lord, whereas a nondevotee or a demon cannot understand this transcendental nature. Consequently these descriptions in the Gītā cannot be understood by demonic brains. Kṛṣṇa remembered acts which were performed by Him millions of years before, but Arjuna could not, despite the fact that both Kṛṣṇa and Arjuna are eternal in nature. We may also note herein that a living entity forgets everything due to his change of body, but the Lord remembers because He does not change His sac-cid-ānanda body. He is advaita, which means there is no distinction between His body and Himself. Everything in relation to Him is spirit — whereas the conditioned soul is different from his material body. And because the Lord's body and self are identical, His position is always different from that of the ordinary living entity, even when He descends to the material platform. The demons cannot adjust themselves to this transcendental nature of the Lord, which the Lord Himself explains in the following verse.
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Vedas
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What the Party did not say was that it considered Liu a special kind of threat. His contacts overseas and his embrace of the Internet merged two of the Party’s most neuralgic issues: the threat of a foreign-backed “color revolution” and the organizing potential of the Web. The previous year, President Hu Jintao told the Politburo, “Whether we can cope with the Internet” will determine “the stability of the state.” At Liu’s trial that December, the prosecution needed just fourteen minutes to present its case. When it was Liu’s turn to speak, he denied none of the charges. Instead, he read a statement in which he predicted that the ruling against him would not “pass the test of history”: I look forward to the day when our country will be a land of free expression: a country where the words of each citizen will get equal respect; a country where different values, ideas, beliefs, and political views can compete with one another even as they peacefully coexist; a country where expression of both majority and minority views will be secure, and, in particular, where political views that differ from those of the people in power will be fully respected and protected; a country where all political views will be spread out beneath the sun for citizens to choose among, and every citizen will be able to express views without the slightest of fears; a country where it will be impossible to suffer persecution for expressing a political view. I hope that I will be the last victim in China’s long record of treating words as crimes. Midway through Liu’s statement, the judge abruptly cut him off, saying the prosecution used only fourteen minutes and so the defense must do the same. (Chinese lawyers had never encountered this principle before.) Two days later, on Christmas Day 2009, the court sentenced Liu to eleven years in prison. This was lengthy by Chinese standards; local activists interpreted it as a deterrent to others, in the spirit of the old saying “Kill a chicken to scare the monkeys.
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Evan Osnos (Age of Ambition: Chasing Fortune, Truth, and Faith in the New China)
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1. Give your toddler some large tubular pasta and a shoelace. Show her how to thread the shoelace through the pasta. 2. Take an empty long wrapping paper tube and place one end on the edge of the sofa and the other end on the floor. Give him a small ball such as a Ping Pong ball to roll down the tube. 3. Give her some individually wrapped toilet tissues, some boxes of facial tissue or some small tins of food such as tomato paste. Then let her have fun stacking them. 4. Wrap a small toy and discuss what might be inside it. Give it to him to unwrap. Then rewrap as he watches. Have him unwrap it again. 5. Cut such fruits as strawberries and bananas into chunks. Show her how to slide the chunks onto a long plastic straw. Then show her how you can take off one chunk at a time, dip it into some yogurt and eat it. 6. Place a paper towel over a water-filled glass. Wrap a rubber band around the top of the glass to hold the towel in place. Then place a penny on top of the paper towel in the centre of the glass. Give your child a pencil to poke holes in the towel until the penny sinks to the bottom of the glass. 7. You will need a small sheet of coarse sandpaper and various lengths of chunky wool. Show him how to place these lengths of wool on the sandpaper and how the strands stick to it. 8. Use a large photo or picture and laminate it or put it between the sheets of clear contact paper. Cut it into several pieces to create a puzzle. 9. Give her two glasses, one empty and one filled with water. Then show her how to use a large eyedropper in order to transfer some of the water into the empty glass. 10. Tie the ends/corners of several scarves together. Stuff the scarf inside an empty baby wipes container and pull a small portion up through the lid and then close the lid. Let your toddler enjoy pulling the scarf out of the container. 11. Give your child some magnets to put on a cookie sheet. As your child puts the magnets on the cookie sheet and takes them off, talk about the magnets’ colours, sizes, etc. 12. Use two matching sets of stickers. Put a few in a line on a page and see if he can match the pattern. Initially, you may need to lift an edge of the sticker off the page since that can be difficult to do. 13. You will need a piece of thin Styrofoam or craft foam and a few cookie cutters. Cut out shapes in the Styrofoam with the cookie cutters and yet still keep the frame of the styrofoam intact. See if your child can place the cookie cutters back into their appropriate holes. 14. Give her a collection of pompoms that vary in colour and size and see if she can sort them by colour or size into several small dishes. For younger toddlers, put a sample pompom colour in each dish. 15. Gather a selection of primary colour paint chips or cut squares of card stock or construction paper. Make sure you have several of the same colour. Choose primary colours. See if he can match the colours. Initially, he may be just content to play with the colored chips stacking them or making patterns with them.
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Kristen Jervis Cacka (Busy Toddler, Happy Mom: Over 280 Activities to Engage your Toddler in Small Motor and Gross Motor Activities, Crafts, Language Development and Sensory Play)
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Malcolm Nelder
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The girls’ door opened, and like every other time I’d seen her, it felt like I’d gotten punched in the gut, all the air in my body leaving in one heavy rush. Rachel really was the most beautiful girl I’d ever seen. There was no doubting that. With long, dark hair; eyes so blue I’d found myself trying to see if she was wearing colored contacts—she wasn’t, by the way; and a soft smile that made me want to fall to my knees, it wasn’t hard to see why I couldn’t stop looking at her. And those legs. My eyes traveled down to her bare legs as she let Mason into their apartment and I subconsciously started sucking on my lip ring again. Dear God, those legs were freakin’ long and perfect . . . and headed right toward me. My
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Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
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Star Struck
Our group visited the laser light show, an attraction mixing music and beams of bright colors as they formed constellations and abstract shapes. An awe-inspiring performance, but as it ended, I noticed the stranger, eyes still focused on me. I turned away quickly.
“Look--over by the door. There he is again.” I gestured for my friend to sneak a peek in the direction of the man.
“Where?” She squinted, her head pointed straight at him. “I don’t see him--maybe he left.”
Frustration tinged my voice. “He’s right there--hasn’t moved an inch. He’s almost smiling at me now. Please don’t try to say I’m imagining him.” Fear mounted in me. Was I being stalked? I tucked the thought away, determined to enjoy this time with my companions, to relax in the gentle warmth of the sun.
As our excursion neared its end, I glanced to the left, at the wall of a building, devoid of gates or doors of any sort. The man leaned against it, looking at me. This time I stared back, determined to show a bravery I didn’t feel. Hidden in pockets, my hands trembled.
A calm smile and deep compassion shone on his face as we locked eyes for what felt like minutes, but probably lasted only seconds. Then--I don’t know how to explain it--it was as though a burst of conversation swept from his mind to mine.
“Everything’s going to be all right.”
I felt an intense warmth head to toe, as though embraced in a spiritual hug from the inside out.
“There’s work ahead.”
I took a deep breath, maintaining the eye contact, listening.
He continued to smile with his eyes. “I’ll be watching.”
I nodded slowly, softly. I understood. And felt safe.
A friend tugged on my arm, pulling me toward another monument. I turned my head back for a glimpse of the man, but he was gone. I scanned the building once more, searching for openings he could have exited through. There were none.
I shook my head. I knew I’d seen him. And he’d seen me. I was certain he was real. I still felt his warmth.
We headed for home, my mind filled with questions about the man, and the message I’d somehow received. Reason fought against intuition. He was just an ordinary guy. Or was he?
In the months to come, I overcame my fears and visited the doctor. I underwent three cardiac catheterization operations, and a successful triple-bypass surgery. Through them all, I knew I’d be al right.
Years have passed since that day. But the peace he projected has remained with me. God sent me comfort in a way I needed, in a form I could understand and trust--an ordinary-looking man. He gave me the courage and the confidence to take care of my health problems.
My angel.
And even though I can’t see him, I know he’s still watching. I know things are going to be all right.
How can I be so sure?
Because there’s still work for me to do. He told me so.
-Nancy Zeider
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Jack Canfield (Chicken Soup for the Soul: Angels Among Us: 101 Inspirational Stories of Miracles, Faith, and Answered Prayers)
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Use Google Sheets as a Multilingual Chat Translator Communicating with someone who speaks and writes in another language isn't the easiest task, but this Google Sheet incorporates Google Translate so you can have a real-time chat conversation with anybody in the world. Over at the tech blog Digital Inspiration, Amit Agarwal created a Google Sheet that's powered by Google Scripts, and translates all language pairs that are supported by Google Translate in real-time. This means that once you save a copy of the Google Sheet to your own Google Drive, you can share it with anyone who writes in another language and have a real-time chat within the document. Just enter your contact's name along with yours in the cells provided, select each participants native language from a drop-down menu, and start typing in the colored fields. It may not be a 100% perfect translation, but it's a great way to communicate quickly with someone in another part of the world. For instructions on downloading the Google Sheet and how to operate it, check out the link below. Use Google Sheets for Multilingual Chat with Spears of Different Languages | Digital Inspiration
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Anonymous
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Gulping, he lifted it until the box was fully open. The room became as bright as a sunlit day. The Grail was shining like a beacon. It had changed color from jet black to snow white. He felt Claire beside him and heard her say, “My God.” He was scared to touch it out of fear it was hot but when he realized that there was no intense heat he put his hand closer until his finger made contact. It was the same temperature as before. Behind him he heard Neti say, “It’s happening,” and he assumed she was talking to them, but he was mistaken.
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Glenn Cooper (The Resurrection Maker)
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allowing our fingertips to touch again.” “Then, what?” I feel the heat of his fingers on mine. A slight blush begins coloring my cheeks while I gaze in his eyes. Trey’s expression is serious. “Then we drop our hands and look straight ahead, taking a step.” We do as he says. “Then, we turn our heads toward each other again, make eye contact and our hands touch again.” “So, this
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Amy A. Bartol (Under Different Stars (Kricket, #1))
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Each time we peer into the mirror, our minds are set to wondering: Am I looking older these days? Am I as attractive as I used to be? Should I get surgery? Maybe I should get contacts, buy wrinkle cream, or color my hair. Mirrors, by their very nature, focus us on our physical appearance in the most superficial of ways. And by constantly rerouting our thoughts back to how we look, they make us sitting ducks for advertising ploys that promise to make us more attractive.
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Paula Huston (Simplifying the Soul: Lenten Practices to Renew Your Spirit)
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Contrast the upbeat contemporary perspective with that of theologian Karl Barth, who was a prominent figure in the church’s resistance to Nazism (one of the offspring of Nietzsche’s philosophy). Each Sunday, notes Barth, the church bell is rung to announce to the village that God’s word is to be proclaimed: “And if none of these things help, will not the crosses in the churchyard which quietly look in through the windows tell you unambiguously what is relevant here and what is not?”5 The sanctuary did not see the world through rose-colored windows but through clear glass that brought reality home. But that was when we had graveyards on church grounds. Today, we have conveniently removed death, and with it the communion of the saints, and relegated it to nondescript secular cemeteries with euphemistic names like “Forest Lawn.” The average person today is about as likely to come in contact with the dead and dying as with the sources of daily bread. We now have supermarkets for everything, with cheerful music soothing any inconvenient questions, doubts, or fears about how we are dealing with life and death. Even our churches can exhibit this tendency.
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Michael Scott Horton (A Place for Weakness: Preparing Yourself for Suffering)
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The lens can act in many different ways and lenses can be stacked on top of each other in order to produce varying types of views. Take the fish-eye lens as an example. The glass on the lens is shaped in a certain way in order for the light to enter and produce a certain kind of distorted view.
We all are born with a lens, but usually we get to kind of start at ground zero in the process of beginning to understand, use, and interpret what this physical reality is. As our eyes open and we start to interface with this new reality, we form connections and synapses within our brain for interpretation and use of this new tool that we have. And much of this develops through the guidance or non-guidance of those caring for us. So much starts to become ingrained, and even in some cases we can borrow other people’s lenses in order to feel safe in the world. Sometimes the layers and layers can become quite complex. How many of you feel that anything you come in contact with gets to be translated through a menagerie of different thoughts, ideas, and histories before it fully gets seen?
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Gwen Juvenal (Our New Story: Guides in the Garden Volume 1)
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The Soviet Union he returned to, in January 1970, was even more repressive, paranoid, and dingy than the one he had left three years earlier. The Communist orthodoxy of the Brezhnev era seemed to leech away all color and imagination. Gordievsky was repelled by his own homeland: “How shabby everything seemed.” The queues, the grime, the suffocating bureaucracy, fear, and corruption stood in grim contrast to the bright and bountiful world he had left in Denmark. The propaganda was ubiquitous, officials alternately servile and rude, and everyone spied on everyone else; the city stank of boiled cabbage and blocked drains. Nothing worked properly. Nobody smiled. The most casual contact with foreigners provoked immediate suspicion. But it was the music that gnawed at his soul, the patriotic mush blaring out of loudspeakers on every street corner, written to Communist formulas, bland, booming, and inescapable, the sound of Stalin. Gordievsky felt under daily assault from what he called this “totalitarian cacophony.
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Ben Macintyre (The Spy and the Traitor: The Greatest Espionage Story of the Cold War)
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Do you know an executive leader in your industry who you can call on to help you navigae a problem? Someone at the midlevel who can tell you about job openings? Someone at the junior level who can help you take the temperature of employees just starting out, or teach you what the newer members of the workforce are prioritizing in the office? Someone at the junior just starting out, or teach you what the newer members of the workforce are prioritizing in the office? I always say it's important for me to know someone in every decade of life. Eventually the 60 somethings will retire and the 20 something contacts will move up, before you know it, that junior level employee you knew back in the day is running her own company and thanks to years of building a relationship, you have in.
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Lauren Wesley Wilson (What Do You Need?: How Women of Color Can Take Ownership of Their Careers to Accelerate Their Path to Success)
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The tapestry looks valuable, so the driver turns it in to the district police, who assume it’s a cheap rug junked by a litterbug. It is colorful, though, and the officers place it on the floor of their break room, tucked beneath the billiards table, and walk on it for weeks, until they learn of the canal find and contact French authorities and Von der Mühll. The seventeenth-century tapestry is shipped to the same museum where the canal pieces are stored.
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Michael Finkel (The Art Thief: A True Story of Love, Crime, and a Dangerous Obsession)
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The researchers [Picca and Feagin] document that in front-stage settings (those in which people of color were present), the white students displayed a range of racially conscious behaviors, including the following:
- Acting overly nice
- Avoiding contact (e.g., crossing a street or not going to a particular bar or club)
- Mimicking "black mannerisms and speech"
- Being careful not to use racial terms or labels
- Using code words to talk negatively about people of color
- Occasional violence directed at people of color
In backstage settings, where people of color were not present, white students often used humor to reinforce racial stereotypes about people of color, particularly blacks. Picca and Feagin argue that the purpose of these backstage performances is to create white solidarity and to reinforce the ideology of white and male supremacy. This behavior keeps racism circulating, albeit in less formal but perhaps more powerful ways than in the past. Today we have a cultural norm that insists we hide our racism from people of color and deny it among ourselves, but not that we actually challenge it. In fact, we are socially penalized for challenging racism. (p. 49-50)
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Robin DiAngelo (White Fragility: Why It's So Hard for White People to Talk About Racism)
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staged at Fort Bliss. Several helicopters were flown in from some unknown source and assembled in a secured area. These helicopters were painted a neutral sand color and bore no markings. Eyewitness indicates that there were three smaller craft, very possibly UH1 Hueys from the description. There was also a larger helicopter, possibly a Sea Stallion. Personnel from this team remained with their craft and had no contact with other Fort Bliss personnel.
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Robert M. Wood (Alien Viruses: Crashed UFOs, MJ-12, & Biowarfare)
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has never been either tainted or pure, clamorous or quiet, young or old. It has neither direction nor locus, neither inside nor outside, neither size nor form, neither color nor sound. It cannot be sought or pursued, comprehended through wisdom, expressed in language, contacted through sense objects, or reached through meritorious practices.
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Seon Master Subul (A Bird in Flight Leaves No Trace: The Zen Teaching of Huangbo with a Modern Commentary)
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letting the A/C run, and using PanScan—one of several competing apps in the anonymized contact tracing space—to check his immunological status versus that of everyone currently in the house. Since Willem was the interloper, he was the most likely to be bringing new viral strains in to this household. Eventually the app produced a little map of the property, showing icons for everyone there, color-coded based on epidemiological risk. The upshot was that Willem could get by without a mask provided he kept his distance from Hendrik. Oh, and if he ventured upstairs he should put a mask on because there was a Kuok in the second bedroom on the left whose recent exposure history was almost as colorful as Willem’s. Accordingly he and his father sat two meters apart in a gazebo in the snatch of mowed lawn between the house and the bank where the property plunged into the bayou.
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Neal Stephenson (Termination Shock)
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And that’s when it happened. I felt myself relax, my skin craved contact with the sand. I closed my eyes for a moment or eternity, and when they opened, I was staring into the sky, as if it had, just then, come into existence. Below it, the headlands rose from the earth, cradling the condemned trailer homes like sleeping sentinels. Their once colorful uniforms had faded, washed out in the patina of neglect. Every inch of everything was beauty, comedy, and profoundly more interesting than the short life I had lived prior to that moment.
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Andrew McMahon (Three Pianos: A Memoir)
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diecutflipflops
“
natives who were laughing with that light, eternal laughter which is their way of enduring all things
I don’t know where the English dug up all that damned self-assurance, but T imagine it’s just part of their sense of humor.
the odd thing is that, whether it s true or not, the consequences are the same: one large group of human beings or another turned out to be triple-distilled sons-of-bitches, which proves that we all have it in us
There's one merit nobody will ever be able to take away from the Communists: that of having looked man in the face. They didn't send him to Eton to learn protective coloration. Maybe the West is a civilization, but the Communists are an ugly truth about man. Don't accuse them of inhuman methods: everything about them is human. We're all one great, lovely zoological family, and we shouldn't forget it. That's how you came to be in the gutter Colonel and it's no use your taking refuge
on an island and behaving like an ostrich— being English, I mean; the gutter is there, it's you, or rather in you; it flows in your veins.
Have you ever seen a baby elephant lying on its side, with its tnink inert, gazing at you with eyes in which there seem to have taken refuge all those so highly praised human qualities of which humanity is so largely devoid?
that spark of misanthropy which most people carry in them, a presentiment of some different and better company than their own kind,
He had spent five years in the Sahara himself, at the head of a Camel Corps unit, and those years had been the happiest of his life.It was true that in the desert a man felt less lonely than elsewhere, perhaps because he lived there in constant, almost physical contact with the sky, and so had all the company he needed. For what remained, a pipe was enough.
He wanted to say all this to Haas, but his years in the desert hadn’t made him very talkative, and he also noticed that certain things which he felt deeply changed their meaning at the touch of words, so that he could no longer recognize them himself as he spoke. So that indeed he often wondered whether thinking were enough, whether thoughts were not a mere groping for something that was forever out of reach, whether days of real vision were not still ahead, and whether the mysterious cells which lay still unused in man’s brain would not, one day, lead toward light.
he felt less and less need to exchange ideas with other men, because essentially they no longer came to him as questions, but as certainties.
the man who changed species’ and of the last ‘fighter for dignity.’
Men are dying to preserve a certain splendor of life. Call it freedom, or dignity . . . They are dying to preserve a certain natural splendor.”
people who mistake their private neurosis for a philosophical outlook.”
Men are dying to preserve a certain splendor of life. Call it free- dom, or dignity . . . They are dying to preserve a certain natural .splendor.
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Romain Gary
“
Dave?" I exclaimed in disbelief. But... that didn't make sense. The eyes didn't match. I would have noticed something like that, as many times as I'd spoken to the man in the past months. He had brown eyes, I was sure of it. Unless, of course, he wore color contacts. Fuck.
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Tate James (Kate (Madison Kate, #4))
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We can work at keeping our own time urgency from coloring everything we do. We can do this by remembering to tune into our breathing and to see that our fears about the future are just thoughts, while the present, what is happening now, is a precious occasion, not to be trampled. We can remember to make eye contact when saying goodbye, to take a moment now and then to hug mindfully.
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Jon Kabat-Zinn (Everyday Blessings: The Inner Work of Mindful Parenting)
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Does my brother, Connor Holstrom, remain in the Bone Quarter, or has his soul passed through the Dead Gate?” The Astronomer whispered, “Luna above.” He fiddled with one of the faintly glowing rings atop his hand. “This question requires a … riskier method of contact than usual. One that borders on the illegal. It will cost you.” Bryce said, “How much?” Scam-artist bullshit. “Another hundred gold marks.” Bryce started, but Ithan said, “Done.” She turned to warn him not to spend one more coin of the considerable inheritance his parents had left him, but the Astronomer hobbled toward a metal cabinet beneath the dials and opened its small doors. He pulled out a bundle wrapped in canvas. Bryce stiffened at the moldy, rotten earth scent that crept from the bundle as he unfolded the fabric to reveal a handful of rust-colored salt. “What the fuck is that?” Ithan asked. “Bloodsalt,” Bryce breathed. Tharion looked to her in question, but she didn’t bother to explain more. Blood for life, blood for death—it was summoning salt infused with the blood from a laboring mother’s sex and blood from a dying male’s throat. The two great transitions of a soul in and out of this world. But to use it here … “You can’t mean to add that to their water,” Bryce said to the Astronomer. The old male hobbled back down the ramp. “Their tanks already contain white salts. The bloodsalt will merely pinpoint their search.
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Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
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(Female) Within seconds of inhaling, the room filled with an amber-gold veil which seemed to coat everything. My entire body and mind were filled with visual, vibrational sound, which appeared like millions of tiny, flashing points of light. An intense swirling feeling came over my body and mind, and I felt a rapid and complete loss of control as I swirled downward into a very deep, bottomless whirlpool. I experienced a very sensual, unitive state with my partner (also voyaging). I experienced our essences blending like the mixing of water colors while still feeling each of us as individuals – he later confirmed something similar at the same point. As I swirled and lost control, a deep pain within me expressed itself as a high-pitched moaning that came screeching out of the very depths of me. I witnessed and felt this happening without capacity, or desire, to stop it from happening. With this sound I twisted and twirled downward, not knowing if my body was actually doing this or if it was a very strong inward sensation.
The next thing I knew, I was in a vast, dark space like a night sky, yet there was a slight whirling around me. I was no longer whirling, but the space around me was. My mind was fragmented into a million pieces which seemed to be floating around me in this space. I didn’t know where I was or who I was. When I noticed this I felt lost and afraid. While there were no sign posts indicating a direction, I spontaneously made a kind of mental intention to go towards something and as a result began to move in a direction in this inner space. I then heard a deep, loving, feminine voice slowly say “That’s right. You can do it.” It was a voice from within this space, the voice of the guide. Upon hearing it, I was deeply, utterly relieved – her voice so soothing and warm, reassuring and firm. She felt ancient and familiar to me. I felt I knew what to do now, yet was overwhelmed with the task – I felt I was in an insane state of mind. While it felt like the most difficult thing I’ve ever had to do, I knew I had to move within this space in a certain direction. There were no visual clues, only an internal sense that once I had moved that I was going in the right direction. I was going Home.
I heard a noise in the room and recalled where I was, that I was travelling with the Jaguar. I brought conscious attention to my breathing and gradually re-collected myself. I sat up and as I looked around the room at everyone I felt like Dorothy in the Wizard of Oz when she awoke from her long dream – I recognized everyone as ancient friends. I asked the women to form a cocoon around me and when they did I burst into tears and sobbed very deeply, accompanied by a very deep feeling of relief and return. I felt ancient connection and experienced a grounding and inner contact with my spiritual nature.
During the days following my journey, I alternated between anxiety and elation and experienced an amazingly broad range of levels of consciousness throughout my daily activities. I could easily perceive multiple levels of existence and experienced an increase in empathic and psychic ability. I also experienced a tremendous amount of sexual energy and greatly heightened orgasmic responses in my entire body. At quiet moments I felt very deeply relaxed and centered.
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Ralph Metzner (The Toad and the Jaguar)
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He was standing very close to her, and she felt something like an electric current running through her body as he held onto her hand. She looked up into his face; long and narrow, except for those cheekbones jutting out of it. Wide, almond-shaped eyes, as pretty as a girl's. They were a shifting, indefinable hue, the color of smoke and shadows.
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Helen Maryles Shankman (The Color of Light)
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Why do we care what it is we have that we are loved for, as long as we are loved? Isn’t it because we do not want to be loved for something our partner might well find in a better form or greater abundance in someone else or in many other people? We do not want to be loved for our hair color if plenty of other people can be found with the same hair color, or for our height and figure, since so many other people probably fill the same bill. Being situated in the position of someone’s beloved automatically makes us subject to comparison with everyone our lover might come into contact with. What do we have that those others do not have?
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Bruce Fink (Lacan on Love: An Exploration of Lacan's Seminar VIII, Transference)
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For a scientist, the only valid question is to decide whether the phenomenon can be studied by itself, or whether it is an instance of a deeper problem. This book attempts to illustrate, and only to illustrate, the latter approach. And my conclusion is that, through the UFO phenomenon, we have the unique opportunities to observe folklore in the making and to gather scientific material at the deepest source of human imagination. We will be the object of much contempt by future students of our civilization if we allow this material to be lost, for "tradition is a meteor which, once it falls, cannot be rekindled."
If we decide to avoid extreme speculation, but make certain basic observations from the existing data, five principal facts stand out rather clearly from our analysis so far:
Fact 1. There has been among the public, in all countries, since the middle of 1946, an extremely active generation of colorful rumors. They center on a considerable number of observations of unknown machines close to the ground in rural areas, the physical traces left by these machines, and their various effects on humans and animals.
Fact 2. When the underlying archetypes are extracted from these rumors, the extraterrestrial myth is seen to coincide to a remarkable degree with the fairy-faith of Celtic countries, the observations of the scholars of past ages, and the widespread belief among all peoples concerning entities whose physical and psychological description place them in the same category as the present-day ufonauts.
Fact 3. The entities human witnesses report to have seen, heard, and touched fall into various biological types. Among them are beings of giant stature, men indistinguishable from us, winged creatures, and various types of monsters. Most of the so-called pilots, however, are dwarfs and form two main groups: (1) dark, hairy beings – identical to the gnomes of medieval theory – with small, bright eyes and deep, rugged, "old" voices; and (2) beings – who answer the description of the sylphs of the Middle Ages or the elves of the fairy-faith – with human complexions, oversized heads, and silvery voices. All the beings have been described with and without breathing apparatus.
Beings of various categories have been reported together. The overwhelming majority are humanoid.
Fact 4. The entities' reported behavior is as consistently absurd as the appearance of their craft is ludicrous. In numerous instances of verbal communications with them, their assertions have been systematically misleading. This is true for all cases on record, from encounters with the Gentry in the British Isles to conversations with airship engineers during the 1897 Midwest flap and discussions with the alleged Martians in Europe, North and South America, and elsewhere. This absurd behavior has had the effect of keeping professional scientists away from the area where that activity was taking place. It has also served to give the saucer myth its religious and mystical overtones.
Fact 5. The mechanism of the apparitions, in legendary, historical, and modern times, is standard and follows the model of religious miracles. Several cases, which bear the official stamp of the Catholic Church (such as those in Fatima and Guadalupe), are in fact – if one applies the deffinitions strictly – nothing more than UFO phenomena where the entity has delivered a message having to do with religious beliefs rather than with space or engineering.
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Jacques F. Vallée (Dimensions: A Casebook of Alien Contact)
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TREATMENTS FOR REMOVING A BIRTHMARK
Birthmark removal is one of our most challenging, but also satisfying, treatments. Not all birthmarks are the same, regardless of how they appear, which means that technology and expertise are critical to the success of a birthmark removal procedure. A port-wine stain is one sort of red birthmark, while there are several brown birthmarks and other types of birthmarks. Many of these conditions can be successfully treated using laser technology and by using other treatments for removing birthmarks.
Birthmarks are skin signs that a baby may develop before or shortly after birth. Birthmarks can be flat or raised, have regular or irregular borders, and vary in color from brown, tan, black, or pale blue to pink, red, or purple.
Though most birthmarks are nontoxic and do not require medical treatment, it is important to keep note of any changes in their appearance. Some birthmarks are large and significant enough to interfere with other biological functions.
Birthmarks are often produced by the unusual development of cellular components in the skin. The two most common causes of birthmarks are as follows:
(i) Irregular development of blood vessels beneath the skin.
(ii) An increase in the number of pigments (i.e. melanin) generating cells that gather together under the skin.
There are several old wives’ stories and superstitions concerning birthmark causes in various cultures across the world.
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Skin Goals clinic
“
SKIN PIGMENTATION.
Pigmentation refers to skin coloring, which depends on specialized cells that produce melanin. Melanin is the pigment that imparts different shades and colors to the hair, skin, mucous membranes, and retina of the eye. Individuals with too little melanin production have fair skin, whereas those with high deposition have a darker complexion.
Skin pigmentation problems arise when there is an excess of melanin production, resulting in dark spots, patches, or discoloration of the skin. It can change the color of the skin over time, resulting in an uneven skin tone. Whilst hyperpigmentation is not a dangerous illness, it may be a sign of another medical condition. As a result, a dermatologist should be consulted to determine the exact cause of the pigmentation.
CAUSES OF SKIN PIGMENTATION.
• Skin inflammation (post-inflammatory hyperpigmentation)
• Drugs (such as minocycline, certain cancer chemotherapies, and birth control pills)
• The disease of hormones.
• Hemochromatosis (iron overload)
• Sun exposure.
• Pregnancy (melasma, or mask of pregnancy)
• Certain birthmarks.
or contact 0331 1117546
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Skin Goals clinic
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A cop on a motorcycle roared alongside, waved them to the curb. 'Goin' to a fire?' he demanded.
He peered into the car and Lutie saw a slight stiffening of his face. That meant he had seen they were colored. She waited for his next words with a wincing feeling, thinking it was like having an old wound that had never healed and you could see someone about to knock against it and it was too late to get out of the way, and there was that horrible tiny split second of time when you waited for the contact, anticipating the pain and quivering away from it before it actually started.
The cop's mouth twisted into an ugly line.
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Ann Petry (The Street)
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I’d bet every last dime I have on my name she hasn’t even been kissed. Mesmerized by the woman, I murmur, “Have you ever been kissed?” Her brows furrow together while the pink on her cheeks deepens in color. Christ, she’s so fucking innocent that a simple question about a kiss has her blushing. Vittoria shakes her head, and I can see how difficult it is for her to keep eye contact with me.
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Michelle Heard (Tempted by the Devil (Kings of Mafia #1))
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She turned her gaze on him, eyes the color of amber, and Fili felt the breath leave him as though he'd been physically kicked.
Her eyes were completely empty, blank. The look she leveled on him might be the same she leveled on an insect.
She hates me, he thought dumbly, forgetting he still had his shields wide open from his attempts to contact Glamdring.
It's not personal. A voice suddenly spoke in his head and Fili jerked, his eyes snapping to Glamdring. She hates everyone.
Fili looked at Orcrist again, almost convinced the ice in her eyes might be capable of actually opening lacerations.
On the one hand his dragon had finally spoken to him.
On the other his dragon partner, who might possibly be the most beautiful and amazing woman he'd ever seen, hated him…and everyone else.
Well, Kili's voice spoke in his mind, where he'd apparently been eavesdropping. You did say once you hoped your dragon partner and dragon would be interesting.
Interesting, Fili clarified. I said interesting, not insane.
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ISeeFire (Of Dwobbits, Dragons and Dwarves)
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PACKING CHECKLIST Light, khaki, or neutral-color clothes are universally worn on safari and were first used in Africa as camouflage by the South African Boers, and then by the British Army that fought them during the South African War. Light colors also help to deflect the harsh sun and are less likely than dark colors to attract mosquitoes. Don’t wear camouflage gear. Do wear layers of clothing that you can strip off as the sun gets hotter and put back on as the sun goes down. Smartphone or tablet to check emails, send texts, and store photos (also handy as an alarm clock and flashlight), plus an adapter. If electricity will be limited, you may wish to bring a portable charger. Three cotton T-shirts Two long-sleeve cotton shirts preferably with collars Two pairs of shorts or two skirts in summer Two pairs of long pants (three pairs in winter)—trousers that zip off at the knees are worth considering Optional: sweatshirt and sweatpants, which can double as sleepwear One smart-casual dinner outfit Underwear and socks Walking shoes or sneakers Sandals/flip-flops Bathing suit and sarong to use as a cover-up Warm padded jacket and sweater/fleece in winter Windbreaker or rain poncho Camera equipment, extra batteries or charger, and memory cards; a photographer’s vest and cargo pants are great for storage Eyeglasses and/or contact lenses, plus extras Binoculars Small flashlight Personal toiletries Malaria tablets and prescription medication Sunscreen and lip balm with SPF 30 or higher Basic medication like antihistamine cream, eye drops, headache tablets, indigestion remedies, etc. Insect repellent that is at least 20% DEET and is sweat-resistant Tissues and/or premoistened wipes/hand sanitizer Warm hat, scarf, and gloves in winter Sun hat and sunglasses (Polaroid and UV-protected ones) Documents and money (cash, credit cards, etc.). A notebook/journal and pens Travel and field guide books A couple of large white plastic garbage bags Ziplock bags to keep documents dry and protect electronics from dust
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Fodor's Travel Guides (Fodor's The Complete Guide to African Safaris: with South Africa, Kenya, Tanzania, Botswana, Namibia, Rwanda, Uganda, and Victoria Falls (Full-color Travel Guide))
“
15 minutes after I got inside, at approximately 12:15 am, I got an intuition to “Go Outside”. I thought to myself, “hell no, it is too freaking cold to go outside”. I then got another thought “Go Outside!”. I then put on my coat, pulled a heavy Mexican poncho that Mike had on his living room sofa, and pulled it on top of my coat. I went outside and I began to look northeast and I looked at a very specific location in the sky. Every time I called down a CAP-UFO, I always focus on one specific location. Mike and his friends were looking in a Southernly direction. Within 15 minutes, a low-flying large light appeared. I thought it was a helicopter because it was a very bright light, it was close to the ground, and it was moving very slowly. I then told the other 3 who were facing south to look north-- this was where the action was. All this time I still thought it was a helicopter. We all witnessed this large light slowly coming at us. I still thought it was a helicopter. Then when the large light was almost on top of us, it turned West almost on top of us and we all clearly saw it. It was twice the size of a school bus, elongated, silver in color, and was approximately 100 feet (30 meters) on top of us. One of Mike’s friends yelled out, “Look it’s got no wings”. It also did not make any sound at all, except for a very low humming noise.
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Reinerio Hernandez (Vol 1. A Greater Reality: The New Paradigm of Nonlocal Consciousness, the Paranormal & the Contact Modalities (A GREATER REALITY: The New Paradigm of Non-local ... and the Contact Modalities Book 2))