“
My professor, Linda Heywood, was slight and bespectacled, spoke with a high Trinidadian lilt that she employed like a hammer against young students like me who confused agitprop with hard study. There was nothing romantic about her Africa, or rather, there was nothing romantic in the sense that I conceived of it. And she took it back to the legacy of Queen Nzinga—my Tolstoy—the very same Nzinga whose life I wished to put in my trophy case. But when she told the story of Nzinga conducting negotiations upon the woman’s back, she told it without any fantastic gloss, and it hit me hard as a sucker punch: Among the people in that room, all those centuries ago, my body, breakable at will, endangered in the streets, fearful in the schools, was not closest to the queen’s but to her adviser’s, who’d been broken down into a chair so that a queen, heir to everything she’d ever seen, could sit.
”
”