Nyc Night Quotes

We've searched our database for all the quotes and captions related to Nyc Night. Here they are! All 17 of them:

She likes the mystery of that changeover, those fifteen minutes of sundown when the streets and trees and people and parked cars are delicate and immediate, every sound and smell and movement amplified by the lowest light or the lightest darkness. Even a city that’s broken and dirty can, in that time, be divine and intimate.
Jardine Libaire (White Fur)
Women of Manhattan, magnificent as they were, they forgot sometimes they weren’t immortal. They could throw themselves like confetti into a fun-filled Friday night, with no thought as to what crack they fell into by Saturday.
Marisha Pessl (Night Film)
And New York is the most beautiful city in the world? It is not far from it. No urban nights are like the night there. I have looked down across the city from high windows. It is then that the great buildings lose reality and take on their magical powers. They are immaterial; that is to say, one sees but the lighted windows. Squares after squares of flame, set and cut into the Aether. Here is our poetry, for we have pulled down the stars to our will.
Ezra Pound
when we're done, I'll be where the night never stops cradling a bruise that's shaped like you wondering why sleep never came to me wondering how I still dreamed
Alicen Grey (Wolves and Other Nightmares)
Really, in a lot of ways being a cyclist is like being a vampire. First of all, both cyclists and vampires are cultural outcasts with cult followings who clumsily walk the line between cool and dorky. Secondly, both cyclists and vampires resemble normal humans, but they also lead secret double lives, have supernatural powers, and aren’t governed by the same rules as the rest of humanity—though cycling doesn’t come with the drawbacks of vampirism. Cyclists can ride day or night, we can consume all the garlic we want, and very few of us are afflicted with bloodlust or driven by a relentless urge to kill.
BikeSnobNYC (Bike Snob: Systematically & Mercilessly Realigning the World of Cycling)
As filthy as any night was, a New York City morning is always clean. The eyes get washed. Flowers in white deli buckets are replenished. The population bathes, in marble mausoleums of Upper East Side showers, or in Greenwich Village tubs, or in the sink of a Chinatown one-bedroom crammed with fifteen people. Some bar opens and the first song on the jukebox is Johnny Thunders, while bums pick up cigarette butts to see what’s left to smoke. The smell of espresso and hot croissants. The weather vane squeaks in the sun. Pigeons are reborn out of the mouths of blue windows.
Jardine Libaire (White Fur)
Night is the permanent revolution, that of the globe. Every sundown the streets change, becoming sinister or libidinous, or, for that matter, longer or narrower or unexpectedly twisted. The familiar rebels against those who presume to know it. The map is altered and time is telescoped. Daylight restores things to their normal condition, or is that really their normal condition? The map of the city wrinkles and unfolds, wrinkles and unfolds.
Lucy Sante (Low Life: Lures and Snares of Old New York)
NO, WE DO NOT HAVE PENS! Bring your own. You'll need them. You see, like every other department in the city, Records runs on Almighty Forms. There are forms that tell the Night Mayor's office what we hunters are doing - starting an investigation, ending one, or reaching various points along the way. There are forms that make things happen, from installing rat traps to getting lab work done. There are forms with which to requisition peep-hunting equipment, from tiger cages to Tasers. (The form for commandeering a genuine NYC garbage truck may be thirty-four pages long, but one day I will think of some reason to fill it out, I swear to you.) There are even forms that activate other forms or switch them off, that cause other forms to mutate, thus bringing newly formed forms into the world. Put together, all these forms are the vast spiral of information that defines us, guides our growth, and makes sure our future looks like our past - they are the DNA of the Night Watch.
Scott Westerfeld (Peeps (Peeps, #1))
Whatever my future held, I was certain it wouldn’t be borne on the bitter wind that blew along Broadway. It was waiting in a place where lime-green leaves burst forth from soil the color of night, where flowers bloomed under skies on fire, where pariah dogs fucked in the streets and wild monkeys called in the twilight—a place where women smiled and the moon smiled with them.
Tod A (Banging the Monkey)
Former and future nerdistocracy slowly, and to look at them you’d think reluctantly, filtering back out into the street, into the long September which has been with them in a virtual way since spring before last, continuing only to deepen. Putting their street faces back on for it. Faces already under silent assault, as if by something ahead, some Y2K of the workweek that no one is quite imagining, the crowds drifting slowly out into the little legendary streets, the highs beginning to dissipate, out into the casting-off of veils before the luminosities of dawn, a sea of T-shirts nobody’s reading, a clamor of messages nobody’s getting, as if it’s the true text history of nights in the Alley, outcries to be attended to and not be lost, the 3:00 am kozmo deliveries to code sessions and all-night shredding parties, the bedfellows who came and went, the bands in the clubs, the songs whose hooks still wait to ambush an idle hour, the day jobs with meetings about meetings and bosses without clue, the unreal strings of zeros, the business models changing one minute to the next, the start-up parties every night of the week and more on Thursdays than you could keep track of, which of these faces so claimed by the time, the epoch whose end they’ve been celebrating all night—which of them can see ahead, among the microclimates of binary, tracking earthwide everywhere through dark fiber and twisted pairs and nowadays wirelessly through spaces public and private, anywhere among cybersweatshop needles flashing and never still, in that unquiet vastly stitched and unstitched tapestry they have all at some time sat growing crippled in the service of—to the shape of the day imminent, a procedure waiting execution, about to be revealed, a search result with no instructions on how to look for it?
Thomas Pynchon (Bleeding Edge)
I swear on my life, you’re safe. Mia, I love you. I risked everything last night to get you back.” She blinks. “My father.
Juliette N. Banks (The Darkest King (Dark Kings of NYC, #1))
The Empire State is always switching up its look; it doesn’t just run with the same thing night in, night out. Like the same business suit or business casual duds a dude would wear. The big beauty gets bored with classic white, goes all out with different colors for different occasions.
A.D. Aliwat (In Limbo)
Reading a SoHo restaurant review in the New York Times for me is like reading Fifty Shades of Gravy. By the end of it, you're drooling and fully turned on for more. - (done) It wasn’t always pretty in SoHo. When the moon clocked in for its night shift, the homeless community got cozy with their couture cardboard beds sprawled across the cobblestone catwalk.
Kim Lee (The Big Apple Took a Bite Off Me: A funny memoir of a SoHo-living foreigner who survived NYC)
It wasn’t always pretty in SoHo. When the moon clocked in for its night shift, the homeless community got cozy with their couture cardboard beds sprawled across the cobblestone catwalk.
Kim Lee (The Big Apple Took a Bite Off Me: A funny memoir of a SoHo-living foreigner who survived NYC)
The war years ended the depression, but brought on many other stressful problems, such as living in a country that was at war with my parents’ homeland. Life changed, and with so many men being drafted into the military, jobs at last became available. By this time, my father was beyond the age of compulsory military service and fortunately found employment as a cook in midtown Manhattan. My parents sold the burdensome delicatessen and bought a house at nearby 25 Nelson Avenue. For years thereafter, my father worked at the then-famous Lindy’s Restaurant on Broadway in New York City. Starting as a cook, he was soon elevated to Night Chef. Eventually he became the Sous Chef and later the Head Chef at the well-known restaurant. It was a long commute into the city by both bus and train, but his steady employment, gratefully, brought in a sustaining income. Fuel and food were rationed during the war years, so there were times when he brought home meaty bones, supposedly for our dog “Putzy,” which instead wound up in our soup pot, which of course we shared with our dog. Most people we knew were poor and struggling to make ends meet, but since everyone was in the same boat, we took our lifestyle in stride. Things were still difficult, but we had shelter and food. I guess you might say we were luckier than most.
Hank Bracker
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