Nutcracker Ballet Quotes

I can see why they named that ballet the Nutcracker. It’s gotta hurt having ‘em crushed in something that tight.

Grace has way weirder people than me coming in and out all the time," Dan said. "You, on the other hand, are as boring as it gets. If Grace is worried about anyone cramping her style, I'd point to the gloomy nerd reading about Chucklesky." "Tchaikovsky. He composed the score for the ballet The Nutcracker." Dan thre his hands up. "How am I supposed to get any better at making you sound like a loser if you just do all the work for me?

Dark, cold, and snowbound, Russia has the sort of climate in which the spirit of Christmas burns brightest. And that is why Tchaikovsky seems to have captured the sound of it better than anyone else. I tell you that not only will every European child of the twentieth century know the melodies of The Nutcracker, they will imagine their Christmas just as it is depicted in the ballet; and on the Christmas Eves of their dotage, Tchaikovsky’s tree will grow from the floor of their memories until they are gazing up in wonder once again.

On days her spirits are low, like now, or between ballet seasons, when she has time to think about herself outside of the roles she plays, when she is not Odette in Swan Lake or Clara in The Nutcracker, she finds her feet reason enough to doubt the grace for which she is applauded when she spins on the tips of her toes.

An hour later we were pulling into the hospital parking lot. Sparkly and shiny from my hair and makeup job, I had to stop and bend over six times between the car and the front door of the hospital. I literally couldn’t take a step until each contraction ended. Within an hour after checking in, I was writhing on a hospital bed in all-encompassing pain and wishing once again that I’d gone ahead and moved to Chicago. It had become my default response when things got rough in my life: morning sickness? I should have moved to Chicago. Cow manure in my yard? Chicago would have been a better choice. Contractions less than a minute apart? Windy City, come and get me. Finally, I reached my breaking point. It’s an indescribable feeling, the throes of hard labor--that mind-numbing total body cramp whose origin you can’t even begin to wrap your head around. After trying to be strong and tough in front of Marlboro Man, I finally gave up and gripped the bedsheet and clenched my teeth. I groaned and moaned and pushed the nurse button and whimpered to Marlboro Man, “I can’t do this anymore.” When the nurse came into the room moments later, I begged her to put me out of my misery. My salvation arrived five minutes later in the form of an eight-inch needle, and when the medicine hit I nearly began to cry. The relief was indescribably sweet. I was so blissfully pain-free, I fell asleep. And when I woke up confused and disoriented an hour later, a nurse named Heidi was telling me it was time to push. Almost immediately, Dr. Oliver entered the room, fully scrubbed and wearing a mask. “Are you ready, Mama?” Marlboro Man asked, standing near my shoulders as the nurse draped my legs and adjusted the fetal monitor, which was strapped around my middle. I felt like I’d woken up in the middle of a party. But the weirdest party ever--one where the hostess was putting my feet in stirrups. I ordered Marlboro Man to remain north of my belly button as nurses scurried into place. I’d made it clear beforehand: I didn’t want him down there. I wanted him to continue to get to know me the old-fashioned way--and besides, that’s what we were paying the doctor for. “Go ahead and push once for me,” Dr. Oliver said. I did, but only hard enough to ensure that nothing accidental or embarrassing would slip out. I could think of no greater humiliation. “Okay, that’s not going to work at all,” Dr. Oliver scolded. I pushed again. “Ree,” Dr. Oliver said, looking up at me through the space between my legs. “You can do way better than that.” He’d watched me grow up in the ballet company in our town. He’d watched me contort and leap and spin in everything from The Nutcracker to Swan Lake to A Midsummer Night’s Dream. He knew I had the fortitude to will a baby from my loins. That’s when Marlboro Man grabbed my hand, as if to impart to me, his sweaty and slightly weary wife, a measure of his strength and endurance. “Come on, honey,” he said. “You can do it.” A few tense moments later, our baby was born. Except it wasn’t a baby boy. It was a seven-pound, twenty-one-inch baby girl. It was the most important moment of my life. And more ways than one, it was a pivotal moment for Marlboro Man.

Harley Diekerhoff looked up from peeling potatoes to glance out the kitchen window. It was still snowing... even harder than it had been this morning. So much white, it dazzled. Hands still, breath catching, she watched the thick, white flakes blow past the ranch house at a dizzying pace, enthralled by the flurry of the lacy snowflakes. So beautiful. Magical A mysterious silent ballet in all white, the snow swirling, twirling just like it did in her favorite scene from the Nutcracker—the one with the Snow Queen and her breathtaking corps in their white tutus with their precision and speed—and then that dazzling snow at the end, the delicate flakes powdering the stage. Harley’s chest ached. She gripped the peeler more tightly, and focused on her breathing. She didn’t want to remember. She wasn’t going to remember. Wasn’t going to go there, not now, not today. Not when she had six hungry men to feed in a little over two hours. She picked up a potato, started peeling. She’d come to Montana to work. She’d taken the temporary job at Copper Mountain Ranch to get some distance from her family this Christmas, and working on the Paradise Valley cattle ranch would give her new memories. Like the snow piling up outside the window. She’d never lived in a place that snowed like this. Where she came from in Central California, they didn’t have snow, they had fog. Thick soupy Tule fog that blanketed the entire valley, socking in airports, making driving nearly impossible. And on the nights when the fog lifted and temperatures dropped beneath the cold clear sky, the citrus growers rushed to light smudge pots to protect their valuable, vulnerable orange crops. Her family didn’t grow oranges. Her family were Dutch dairy people. Harley had been raised on a big dairy farm in Visalia, and she’d marry a dairyman in college, and they’d had their own dairy, too. But that’s the part she needed to forget. That’s why she’d come to Montana, with its jagged mountains and rugged river valleys and long cold winters. She’d arrived here the Sunday following Thanksgiving and would work through mid-January, when Brock Sheenan’s housekeeper returned from a personal leave of absence. In January, Harley would either return to California or look for another job in Crawford County. Harley was tempted to stay, as the Bozeman employment agency assured her they’d have no problem finding her a permanent position if she wanted one.

The entire time Tchaikovsky was composing 'The Nutcracker,' Madame Sylvie told Dara once, he was mourning his beloved sister Sasha. He reanimated her through Clara. It explained the strange heaviness of the ballet, its grand melancholy, its piercing nostalgia. And the deathlessness of its vision of childhood, of innocence and escape. Our almost unbearable awareness that everything we're seeing is disappearing even as we watch, fluttering past us as the dancers do, slipping away like smoke. Every year, when the grand -pas de deux- -- the Sugar Plum Fairy and her Prince--begins, the audience's eyes fill with tears. Those shimmering sound of the celesta, like bells clear and pure, and we are flung backward. Time is conquered for a brief, luminous moment. Dara remembered one parent telling her that prayers from the Russian funeral mass were hidden in its opening bars. -We don't hear it-, he told her. -But we feel it nonetheless.-

HDC, so she had danced some of the most important roles. Then, after retiring from dancing, she’d become the ballet mistress at HDC. Ms. Ferri was so nice that I couldn’t help wishing she taught ballet at my school, Anna Hart School of the Arts, so that I could have her all week instead of just on the weekends. But Ms. Ferri was too busy conducting the daily class for the HDC’s professional dancers. And this year, she was busy rehearsing her own role in The Nutcracker, too—the role of Mother Ginger. Ms. Ferri’s stilts were made out of metal rods about a yard high. In New York City Ballet’s version of The Nutcracker, men played Mother Ginger because the costume was so big and heavy. But Ms. Ferri was tall and strong enough to handle it. After years of playing Mother Ginger, she was a pro at managing the costume’s weight while she walked on stilts. No one would see the stilts, because she’d wear a skirt big enough to hide them—plus eight kids. Ms. Ferri glanced my way when she heard the door to the studio close behind me. “Where have you been, Isabelle?