β
If complete and utter chaos was lightning, then he'd be the sort to stand on a hilltop in a thunderstorm wearing wet copper armour and shouting 'All gods are bastards!
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
The best fantasy is written in the language of dreams. It is alive as dreams are alive, more real than real ... for a moment at least ... that long magic moment before we wake.
Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true?
We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La.
They can keep their heaven. When I die, I'd sooner go to middle Earth.
β
β
George R.R. Martin
β
No, what he didn't like about heroes was that they were usually suicidally gloomy when sober and homicidally insane when drunk.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
Twoflower was a tourist, the first ever seen on the discworld. Tourist, Rincewind had decided, meant 'idiot'.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
Some pirates achieved immortality by great deeds of cruelty or derring-do. Some achieved immortality by amassing great wealth. But the captain had long ago decided that he would, on the whole, prefer to achieve immortality by not dying.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
My name is immaterial,' she said.
That's a pretty name,' said Rincewind.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
On the Disc, the Gods aren't so much worshipped, as they are blamed.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
It is at this point that normal language gives up, and goes and has a drink.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
You can't map a sense of humor. Anyway, what is a fantasy map but a space beyond which There Be Dragons? On the Discworld we know that There Be Dragons Everywhere. They might not all have scales and forked tongues, but they Be Here all right, grinning and jostling and trying to sell you souvenirs.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
Rincewind tried to force the memory out of his mind, but it was rather enjoying itself there, terrorizing the other occupants and kicking over the furniture.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
If I were you, I'd sue my face for slander.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
Every intelligent being, whether it breathes or not, coughs nervously at some time in its life.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
It was all very well going on about pure logic and how the universe was ruled by logic and the harmony of numbers, but the plain fact of the matter was that the Disc was manifestly traversing space on the back of a giant turtle and the gods had a habit of going round to atheists' houses and smashing their windows.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
We've strayed into a zone with a high magical index,' he said. 'Don't ask me how. Once upon a time a really powerful magic field must have been generated here, and we're feeling the after-effects.'
Precisely,' said a passing bush.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
Iβve seen excitement, and Iβve seen boredom. And boredom was best.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
Don't you understand?" snarled Rincewind. "We are going over the Edge, godsdammit!"
"Can't we do anything about it?"
"No!"
"Then I can't see the sense in panicking," said Twoflower calmly.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
She sowed in my mind the idea that reality is not only what we see on the surface; it has a magical dimension as well and, if we so desire, it is legitimate to enhance it and color it to make our journey through life less trying.
β
β
Isabel Allende (Eva Luna)
β
Magic never dies. It merely fades away.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
In an instant he became aware that the tourist was about to try his own peculiar brand of linguistics, which meant that he would speak loudly and slowly in his own language.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
Tall, with skin the color of rich coffee, and dressed all in black, Jim looked like he was carved from a block of solid muscle. Logic said that at some point he must've been a baby and then a child, but looking at him one was almost convinced that some deity touched the ground with its scepter and proclaimed, "There shall be a badass," and Jim sprung into existence, fully formed, complete with clothes, and ready for action.
β
β
Ilona Andrews (Magic Gifts (Kate Daniels, #5.6))
β
Kate smirked.
"What?"
"Your horse looks pink."
"So?"
"If you paste some stars on her butt you'll be riding My Little Pony."
"Bugger off." I patted the mare's neck. "Don't listen to her, Sugar. You are the cutest horsey ever. The correct name for her color is strawberry roan, by the way."
"Strawberry Shortcake, more like it. Does Strawberry Shortcake know you stole her horse? She will be berry, berry angry with you."
I looked at her from under half-lowered eyelids. "I can shoot you right here, on this road, and nobody will ever find your body.
β
β
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
β
It was octarine, the colour of magic. It was alive and glowing and vibrant and it was the undisputed pigment of the imagination, because wherever it appeared it was a sign that mere matter was a servant of the powers of the magical mind. It was enchantment itself.
But Rincewind always thought it looked a sort of greenish-purple.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
We don't take orders from you, Sergeant." Quain said. "Your man tried to assassinate-"
"He isn't mine. My man has eyes that change color with the seasons.
β
β
Maria V. Snyder (Scent of Magic (Healer, #2))
β
βLipstick is really magical. It holds more than a waxy bit of color - it holds the promise of a brilliant smile, a brilliant day, both literally and figuratively.
β
β
Roberta Gately
β
He thought about how it might be to be, say, a fox confronted with an angry sheep. A sheep moreover, that could afford to employ wolves.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
Free love? As if love is anything but free! Man has bought brains, but all the millions in the world have failed to buy love. Man has subdued bodies, but all the power on earth has been unable to subdue love. Man has conquered whole nations, but all his armies could not conquer love. Man has chained and fettered the spirit, but he has been utterly helpless before love. High on a throne, with all the splendor and pomp his gold can command, man is yet poor and desolate, if love passes him by. And if it stays, the poorest hovel is radiant with warmth, with life and color. Thus love has the magic power to make of a beggar a king. Yes, love is free; it can dwell in no other atmosphere. In freedom it gives itself unreservedly, abundantly, completely. All the laws on the statutes, all the courts in the universe, cannot tear it from the soil, once love has taken root.
β
β
Emma Goldman (Marriage and Love)
β
Believing is a type of magic. It can make something true.
β
β
Emily X.R. Pan (The Astonishing Color of After)
β
The Bookshop has a thousand books,
All colors, hues, and tinges,
And every cover is a door
That turns on magic hinges.
β
β
Nancy Byrd Turner
β
Life was about making sense out of the insensible.Β A ball of fire out of a clear blue sky? Mustβve been a meteorite, maybe debris from an airplane. Random flashes of light and color at night? A transformer blew up, you mustβve been dreaming, youβre talking crazy, quiet down, take your meds.
β
β
Alan Bradley (The Sixth Borough)
β
On the Disc the gods dealt severely with atheists.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
She was at that crucial age when a women begins to regret having stayed faithful to a husband she never really loved, when the glowing sunset colors of her beauty offer her one last, urgent choice between maternal and feminine love. At such a moment a life that seemed to have chosen its course long ago is questioned once again, for the last time the magic compass needle of the will hovers between final resignation and the hope of erotic experience.
β
β
Stefan Zweig (The Burning Secret and other stories)
β
Either dragons should exist completely or fail to exist at all, he felt. A dragon only half-existing was worse than the extremes.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
But in his experience it was only a matter of time before the normal balance of the universe restored itself and started doing the usual terrible things to him.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
Everyone has gods. You just don't think they're gods.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
A child who can love the oddities of a fantasy book cannot possibly be xenophobic as an adult. What is a different color, a different culture, a different tongue for a child who has already mastered Elvish, respected Puddleglums, or fallen under the spell of dark-skinned Ged?
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β
Jane Yolen (Touch Magic: Fantasy, Faerie & Folklore in the Literature of Childhood)
β
That's what's so stupid about the whole magic thing, you know. You spend twenty years learning the spell that makes nude virgins appear in your bedroom, and then you're so poisoned by quicksilver fumes and half-blind from reading old grimoires that you can't remember what happens next.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
[Rincewind] drew his sword and, with a smooth overarm throw, completely failed to hit the troll.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
Sometimes I think a man could wander across the disc all his life and not see everything there is to see,' said Twoflower. 'And now it seems there are lots of other worlds as well. When I think I might die without seeing a hundredth of all there is to see it makes me feel,' he paused, then added, 'well, humble, I suppose. And very angry, of course.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
He wondered what kind of life it would be, having to keep swimming all the time to stay exactly in the same place. Pretty similar to his own, he decided.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
Fridays are absolutely without a doubt the best day of the week, five grueling days of the same routine seem to melt at three o'clock on Friday afternoon. There's a sense of magic there, everything smells better, tastes better, and the colors are brighter. As opposed to Sunday evenings when everything begins to get dim all over again.
β
β
Stefanie Ellis (Ashes (The Gray Area, #1))
β
My personal theory is that he has a very firm grasp upon reality, it's simply not a reality the rest of us have ever met before.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
There she weaves by night and day, A magic web with colors gay. She has heard a whisper say, A curse is on her if she stay, To look down to Camelot. She knows not what the curse may be, And so she weaveth steadily, And little other care hath she, The Lady of Shalott.
β
β
Alfred Tennyson (The Complete Poetical Works of Alfred Tennyson Poet Laureate)
β
Red was ruby, green was fluorescent, yellow was simply incandescent. Color was life. Color was everything.
Color, you see, was the universal sign of magic.
β
β
Tahereh Mafi (Furthermore (Furthermore, #1))
β
They shed a rather unpleasant glow that didn't so much illuminate, as outline the darkness.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
He talks pretty big for a gutter wizard," he muttered.
"You don't understand at all," said the wizard wearily. "I'm so scared of you my spine has turned to jelly, it's just that I'm suffering from an overdose of terror right now. I mean, when I've got over that then I'll have time to be decently frightened of you.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
HELPED are those who are content to be themselves; they will never lack mystery in their lives and the joys of self-discovery will be constant.
HELPED are those who love the entire cosmos rather than their own tiny country, city, or farm, for to them will be shown the unbroken web of life and the meaning of infinity.
HELPED are those who live in quietness, knowing neither brand name nor fad; they shall live every day as if in eternity, and each moment shall be as full as it is long.
HELPED are those who love others unsplit off from their faults; to them will be given clarity of vision.
HELPED are those who create anything at all, for they shall relive the thrill of their own conception, and realize an partnership in the creation of the Universe that keeps them responsible and cheerful.
HELPED are those who love the Earth, their mother, and who willingly suffer that she may not die; in their grief over her pain they will weep rivers of blood, and in their joy in her lively response to love, they will converse with the trees.
HELPED are those whose ever act is a prayer for harmony in the Universe, for they are the restorers of balance to our planet. To them will be given the insight that every good act done anywhere in the cosmos welcomes the life of an animal or a child.
HELPED are those who risk themselves for others' sakes; to them will be given increasing opportunities for ever greater risks. Theirs will be a vision of the word in which no one's gift is despised or lost.
HELPED are those who strive to give up their anger; their reward will be that in any confrontation their first thoughts will never be of violence or of war.
HELPED are those whose every act is a prayer for peace; on them depends the future of the world.
HELPED are those who forgive; their reward shall be forgiveness of every evil done to them. It will be in their power, therefore, to envision the new Earth.
HELPED are those who are shown the existence of the Creator's magic in the Universe; they shall experience delight and astonishment without ceasing.
HELPED are those who laugh with a pure heart; theirs will be the company of the jolly righteous.
HELPED are those who love all the colors of all the human beings, as they love all the colors of the animals and plants; none of their children, nor any of their ancestors, nor any parts of themselves, shall be hidden from them.
HELPED are those who love the lesbian, the gay, and the straight, as they love the sun, the moon, and the stars. None of their children, nor any of their ancestors, nor any parts of themselves, shall be hidden from them.
HELPED are those who love the broken and the whole; none of their children, nor any of their ancestors, nor any parts of themselves, shall be hidden from them.
HELPED are those who do not join mobs; theirs shall be the understanding that to attack in anger is to murder in confusion.
HELPED are those who find the courage to do at least one small thing each day to help the existence of another--plant, animal, river, or human being. They shall be joined by a multitude of the timid.
HELPED are those who lose their fear of death; theirs is the power to envision the future in a blade of grass.
HELPED are those who love and actively support the diversity of life; they shall be secure in their differences.
HELPED are those who KNOW.
β
β
Alice Walker
β
Sometimes you come across a rainbow storyβone that spans your heart. You might not be able to grasp it, but you can never be sorry for the color and magic it brought.
β
β
Leylah Attar (Mists of the Serengeti)
β
Fate can be one mean god at times.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
SOD YOU, THEN, Death said.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
Falling isnβt so bad, you know. Itβs only the landing that hurts.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
It was a backwards memory of an event in his future so terrifying that it had generated harmonics of fear all the way along his lifeline.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
All that darkness, and all that pain, and Magnus was somehow still a blazing riot of life and color, a source of joy for everyone around him.
β
β
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
β
Some thought magic came from the mind, others the soul, or the heart, or the will. But Kell knew it came from the blood.
Blood was magic made manifest. There it thrived. And there it poisoned. Kell had seen what happened when power warred with the body, watched it darken in the veins of corrupted men, turning their blood from crimson to black. If red was the color of magic in balanceβof harmony between power and humanityβthen black was the color of magic without balance, without order, without restraint.
As an Antari, Kell was made of both, balance and chaos; the blood in his veins, like the Isle of Red London, ran a shimmering, healthy crimson, while his right eye was the color of spilled ink, a glistening black.
β
β
Victoria E. Schwab (A Darker Shade of Magic (Shades of Magic, #1))
β
I'm sure you won't dream of trying to escape from your obligations by fleeing the city...'
'I assure you the thought never even crossed my mind, lord.'
'Indeed? Then if I were you I'd sue my face for slander.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
I am in need of music that would flow
Over my fretful, feeling finger-tips,
Over my bitter-tainted, trembling lips,
With melody, deep, clear, and liquid-slow.
Oh, for the healing swaying, old and low,
Of some song sung to rest the tired dead,
A song to fall like water on my head,
And over quivering limbs, dream flushed to glow!
There is a magic made by melody:
A spell of rest, and quiet breath, and cool
Heart, that sinks through fading colors deep
To the subaqueous stillness of the sea,
And floats forever in a moon-green pool,
Held in the arms of rhythm and of sleep.
β
β
Elizabeth Bishop
β
My turn now. The story of one of my insanities.
For a long time I boasted that I was master of all possible landscapes-- and I thought the great figures of modern painting and poetry were laughable.
What I liked were: absurd paintings, pictures over doorways, stage sets, carnival backdrops, billboards, bright-colored prints, old-fashioned literature, church Latin, erotic books full of misspellings, the kind of novels our grandmothers read, fairy tales, little children's books, old operas, silly old songs, the naive rhythms of country rimes.
I dreamed of Crusades, voyages of discovery that nobody had heard of, republics without histories, religious wars stamped out, revolutions in morals, movements of races and continents; I used to believe in every kind of magic.
I invented colors for the vowels! A black, E white, I red, O blue, U green. I made rules for the form and movement of every consonant, and I boasted of inventing, with rhythms from within me, a kind of poetry that all the senses, sooner or later, would recognize. And I alone would be its translator.
I began it as an investigation. I turned silences and nights into words. What was unutterable, I wrote down. I made the whirling world stand still.
β
β
Arthur Rimbaud
β
Rincewind tried shutting his eyes, but there were no eyelids to his imagination and it was staring widely
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
Hrun the Barbarian, who was practilly an academic by Hub standards in that he could think without moving his lips.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
Being Ymor's right-hand man was like being gently flogged to death with scented bootlaces.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
Sheβs your Herald,β Derek said. βThatβs your color. Blue for humanity.β
My what?
He made a big show of moving a few feet to the side.
I looked at him.
βIn case your head explodes,β he said helpfully.
β
β
Ilona Andrews (Magic Binds (Kate Daniels, #9))
β
That's the whole burden of this novel - the loss of those illusions that give such color to the world that you don't care whether things are true or false as long as they partake of the magical glory.
β
β
F. Scott Fitzgerald
β
I just think the world ought to be more sort of organized.'
'That's just fantasy,' said Twoflower.
'I know. That's the trouble.' Rincewind sighed again.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
SOONER OR LATER ALL MEN MUST DIE. EVERYTHING DIES IN THE END. I CAN BE ROBBED BUT NEVER DENIED, I TOLD MYSELF. WHY WORRY? βI too cannot be cheated,β snapped Fate.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
He was, he would be the first to admit, a coward, an incompetent, and not even very good at being a failure.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
inn-sewer-ants-polly-sea.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1))
β
Usually he didnβt bother the gods, and he hoped the gods wouldnβt bother him. Life was quite complicated enough.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
The sun goes down long and red. All the magic names of the valley unrolled - Manteca, Madera, all the rest. Soon it got dusk, a grapy dusk, a purple dusk over tangerine groves and long melon field; the sun the color of pressed grapes, slashed with burgundy red, the fields the color of love and Spanish mysteries. I stuck my head out the window and took deep breaths of the fragant air. It was the most beautiful of all moments.
β
β
Jack Kerouac (On the Road)
β
The demon coughed nervously. Demons do not breathe; however, every intelligent being, whether it breathes or not, coughs nervously at some time in its life. And this was one of them as far as the demon was concerned.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
Oh no, not -'
OF COURSE, WHAT'S SO BLOODY VEXING ABOUT THE WHOLE BUSINESS IS THAT I WAS EXPECTING TO MEET THEE IN PSEPHOPOLOLIS
'But that's five hundred miles away!'
YOU DON'T HAVE TO TELL ME, THE WHOLE SYSTEM'S GOT SCREWED UP AGAIN, I CAN SEE THAT. LOOK, THERE'S NO CHANCE OF YOU-?
Rincewind backed away, hands spread protectively in front of him...
'Not a chance!'
I COULD LEND YOU A VERY FAST HORSE.
'No!'
IT WON'T HURT A BIT.
'No!' Rincewind turned and ran. Death watched him go, and shrugged bitterly.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
but bein alive & bein a woman & bein colored is a metaphysical
dilemma/ i havent conquered yet/ do you see the point
my spirit is too ancient to understand the separation of soul & gender/ my love is too delicate to have thrown back on my face
my love is too delicate to have thrown back on my face
my love is too beautiful to have thrown back on my face
my love is too sanctified to have thrown back on my face
my love is too magic to have thrown back on my face
my love is too saturday nite to have thrown back on my face
my love is too complicated to have thrown back on my face
my love is too music to have thrown back on my face
β
β
Ntozake Shange (For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf)
β
Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel the mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.
β
β
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
β
If you have ever met someone who rarely reads, then you will understand the blank look Moti gave me. For nonreaders, life is simply what they touch and see, not what they feel when they open the pages of a play and are transported to the Forest of Arden or Illyria. Where the world is full of a thousand colors for those who love books, I suspect it is simply black and gray to everyone else. A tree is a tree to them; it is never a magical doorway to another world populated with beings that donβt exist here.
β
β
Michelle Moran (Rebel Queen)
β
I bought new strings of colored lights. This served as a profession of faith in the future. I take the opportunity for such professions where and when I can invent them, since I do not yet actually feel this faith in the future.
β
β
Joan Didion (The Year of Magical Thinking)
β
Can't we do anything about it?"
- "No!"
- "Then I can't see the sense in panicking", said Twoflower calmly
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
In every artistβs life, there comes a person who lifts the
curtain on creativity. It is the closest you come to seeing
me again.
The first time, when you emerge from the womb, I am a
brilliant color in the rainbow of human talents from which
you choose. Later, when a special someone lifts the curtain,
you feel that chosen talent stirring inside you, a bursting
passion to sing, paint, dance, bang on drums. And you are never the same.
β
β
Mitch Albom (The Magic Strings of Frankie Presto)
β
But I like winter. Winter is the truest of the seasons. Itβs what remains after everything else is stripped away. The leaves fall. The colors fade. The branches get brittle. And if you can love the earth, understand it when all the beauty is gone and see it for what it is, thatβs magic.
β
β
Rachel Griffin (The Nature of Witches)
β
He used to sit in front of the living room TV and color each state in with red and blue magic markers as the night went on, allowed to stay up hours past his bedtime for one blessed night at age ten to watch Obama beat McCain.
β
β
Casey McQuiston (Red, White & Royal Blue)
β
An alternative, favored by those of a religious persuasion, was that AβTuin was crawling from the Birthplace to the Time of Mating, as were all the stars in the sky which were, obviously, also carried by giant turtles. When they arrived they would briefly and passionately mate, for the first and only time, and from that fiery union new turtles would be born to carry a new pattern of worlds. This was known as the Big Bang hypothesis.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1))
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He looked around, as if he was seeing the world for the first time. Beautiful was the world, colorful was the world, strange and mysterious was the world! Here was blue, here was yellow, here was green, the sky and the river flowed, the forest and the mountains were rigid, all of it was beautiful, all of it was mysterious and magical, and in its midst was he, Siddhartha, the awakening one, on the path to himself.
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Hermann Hesse (Siddhartha)
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Youβre lying to yourself. Voron made us into serial killers. We can be okay without violence for a few weeks, but after a couple of months, the hand starts itching for the sword. You start looking for that rush. You get irritable, life turns stale, and then one day some fool crosses your path, attacks, and as you cut him down, you feel that short moment of struggle when he leverages his life against yours. If youβre lucky, heβs very good and the fight lasts a few seconds. But even if it doesnβt, that short moment of triumph is like getting an adrenaline shot. Suddenly color comes back into life, food tastes better, sleep is deeper, and sex is rapture.β
I knew exactly what he was talking about. I lived it and I felt it.
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Ilona Andrews (Magic Rises (Kate Daniels, #6))
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And so it was that in the midst of chaos and color and light, in the glorious rebirth of a magical world, there remained two small vessels dark and drained. And those vessels were the heart and the soul of a brokenhearted young mage, sobbing alone in the sand.
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Lisa McMann (Island of Fire (Unwanteds, #3))
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Dear Collector: We hate you. Sex loses all its power and magic when it becomes explicit, mechanical, overdone, when it
becomes a mechanistic obsession. It becomes a bore. You have taught us more than anyone I know how wrong it is not to mix it with emotion, hunger, desire, lust, whims, caprices, personal ties, deeper relationships that change its color, flavor, rhythms, intensities.
"You do not know what you are missing by your micro-scopic examination of sexual activity to the exclusion of aspects which are the fuel that ignites it. Intellectual, imaginative, romantic, emotional. This is what gives sex its surprising textures, its subtle transformations, its aphrodisiac elements. You are shrinking your world of sensations. You are withering it, starving it, draining its blood.
If you nourished your sexual life with all the excitements and adventures which love injects into sensuality, you would be the most potent man in the world. The source of sexual power is curiosity, passion. You are watching its little flame die of asphyxiation. Sex does not thrive on monotony. Without feeling, inventions, moods, no surprises in bed. Sex must be mixed with
tears, laughter, words, promises, scenes, jealousy, envy, all the spices of fear, foreign travel, new faces, novels, stories, dreams, fantasies, music, dancing, opium, wine. How much do you lose by this periscope at the tip of your sex, when you could enjoy a harem of distinct and never-repeated wonders? No two hairs alike, but you will not let us waste words on a description of hair; no two odors, but if we expand on this you cry Cut the poetry. No two skins with the same texture, and never the same light, temperature, shadows, never the same gesture; for a lover, when he is aroused by true love, can run the gamut of centuries of love lore. What a range,
what changes of age, what variations of maturity and innocence, perversity and art . . . We have sat around for hours and wondered how you look. If you have closed your senses upon silk, light, color, odor, character, temperament, you must be by now completely shriveled up. There are so many minor senses, all running like tributaries into the mainstream of sex, nourishing it. Only the united beat of sex and heart together can create ecstasy.
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AnaΓ―s Nin (Delta of Venus)
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At first I wasnβt all that tempted by him, but then he killed the spider. Which was a huge point in his favor.β
βAbsolutely. I love men who kill bugs.β
βAnd then when I was freaking out and couldnβt breathe, he was soβ¦gentle.β Zoe sighed and colored, remembering. βHe was holding me, and talking to me in that voiceβ¦you know, sort of low and rough around the edgesβ¦β
βAll the Nolans sound like that,β Justine said reflectively. βLike theyβve got a mild case of bronchitis. Totally hot.
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Lisa Kleypas (Dream Lake (Friday Harbor, #3))
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(Plants on the disc, while including the categories known commonly as annuals, which were sown this year to come up later this year, biennials, sown this year to grow next year, and perennials, sown this year to grow until further notice, also included a few rare re-annuals which, because of an unusual four-dimensional twist in their genes, could be planted this year to come up last year. The vul nut vine was particularly exceptional in that it could flourish as many as eight years prior to its seed actually being sown. Vul nut wine was reputed to give certain drinkers an insight into the future which was, from the nut's point of view, the past. Strange but true.)
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Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
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Lyly screamed and ran to Tyler. βI canβt let you go until I tell you.β βTell me what?β Tyler asked. βYouβre the coolest boy I ever met. I will never forget you. I dreamt of a boy with two different colored brown eyes, and that boy showed me the way home. It was written in the stars, Tyler,β Lyly said. βI will remember you forever.
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Mary K. Savarese (The Girl In The Toile Wallpaper (The Star Writers Trilogy, #1))
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Leicester stared fixedly at the image before him, the color bleached from his face by its brilliance. Seph sensed the headmaster's mind questing out, trying to discover and destroy the wizard behind the image, but finding nothing, no trail of magic, no stone, no flesh and blood to focus on.
Jason Haley, the puppeteer, was safely ensconced in the gallery above.
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Cinda Williams Chima (The Wizard Heir (The Heir Chronicles, #2))
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Good people didnβt hate without a reason, so they grasped at any pretext, no matter how small, that gave them permission to hate. A line in a holy book. The color of a personβs skin. The brand of their magic. They were not in the habit of taking a second look or giving chances. Their fear was too great and their need to defend themselves too dire. They always lost at the end. Life was change. It would come to them, as inevitable as the sunrise, despite all their flailing.
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Ilona Andrews (Iron and Magic (The Iron Covenant, #1))
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Graduation, the hush-hush magic time of frills and gifts and congratulations and diplomas, was finished for me before my name was called. The accomplishment was nothing. The meticulous maps, drawn in three colors of ink, learning and spelling decasyllabic words, memorizing the whole of The Rape of Lucrece - it was for nothing. Donleavy had exposed us.
We were maids and farmers, handymen and washerwomen, and anything higher that we aspired to was farcical and presumptuous.
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Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
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We became acquainted with starry skies the girls had gazed at while camping years before, and the boredom of summers traipsing from back yard to front to back again, and even a certain indefinable smell that arose from toilets on rainy nights, which the girls called "sewery." We knew what it felt like to see a boy with his shirt off, and why it made Lux write the name Kevin in purple Magic Marker all over her three-ring binder and even on her bras and panties, and we understood her rage coming home one day to find that Mrs. Lisbon had soaked her things in Clorox, bleaching all the "Kevins" out. We knew the pain of winter wind rushing up your skirt, and the ache of keeping your knees together in class, and how drab and infuriating it was to jump rope while the boys played baseball. We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other, but sometimes, after one of us had read a long portion of the diary out loud, we had to fight back the urge to hug one another or to tell each other how pretty we were. We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we all existed in space like animals with identical skins, and that they knew everything about us though we couldn't fathom them at all. We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
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Jeffrey Eugenides (The Virgin Suicides)
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Those who sought her never found her, yet she was known to come to the aid of those in greatest need. And, then again, sometimes she didnβt. She was like that. She didnβt like the clicking of rosaries, but was attracted to the sound of dice. No man knew what She looked like, although there were many times when a man who was gambling his life on the turn of the cards would pick up the hand he had been dealt and stare Her full in the face. Of course, sometimes he didnβt. Among all the gods she was at one and the same time the most courted and the most cursed.
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Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
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Why
Just ask the donkey in me
To speak to the donkey in you,
When I have so many other beautiful animals
And brilliant colored birds inside
That are longing to say something wonderful
And exciting to your heart?
Let's open all the locked doors upon our eyes
That keep us from knowing the Intelligence
That begets love
And a more lively and satisfying conversation
With the Friend.
Let's turn loose our golden falcons
So that they can meet in the sky
Where our spirits belong--
Necking like two
Hot kids.
Let's hold hands and get drunk near the sun
And sing sweet songs to God
Until He joins us with a few notes
From his own sublime lute and drum.
If you have a better idea
Of how to pass a lonely night
After your glands may have performed
All their little magic
Then speak up sweethearts, speak up,
For Hafiz and all the world will listen.
Why just bring your donkey to me
Asking for stale hay
And a boring conference with the idiot
In regards to this precious matter--
Such a precious matter as love,
When I have so many other divine animals
And brilliant colored birds inside
That are all longing
To so sweetly
Greet
You!
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Hafez (The Gift)
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Tessa!β Magnus said again, marveling. βArenβt you unexpected. And uninvited.β
Tessa sat and sipped her tea, looking perfectly composed. Since she was one of Magnusβs dearest and oldest friends, he felt it would be nice if she looked even slightly apologetic. She did not.
βYou told me once that you would not forgive me if I didnβt drop by whenever I found myself in the same city as you.β
βI would have forgiven you,β Magnus said with conviction. βI would have thanked you.β
Tessa glanced Alecβs way. Alec was blushing. The ends of Tessaβs lips curled up, but she was kind and hid her smile behind her teacup.
βCall it even,β said Tessa. βYou once walked in on me in an embarrassing situation with a gentleman in a mountain fortress, after all.β
Her half-concealed smile flickered. She looked again at Alec, who had inherited his coloring from Shadowhunters long gone. Shadowhunters Tessa had loved.
βYou should let that go,β Magnus advised.
Tessa was a warlock like Magnus, and like Magnus, she was used to overcoming the memory of what had been loved and lost. They were in the longtime habit of comforting each other. She took another sip of tea, her smile restored as if it had never been gone.
βI certainly have let it go,β she replied. βNow.
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Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
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See me. See me for who I am. I am magic. I am human. I am inhuman. See me. I am a boy. I am a girl. I am everything and nothing in between. See me. You do. You see me. You recoil in fear. You scream in anger. See me. I bleed. I ache. You see me, and you wish you hadnβt. You wish I was invisible. Out of sight, out of mind. Unseen, faded, muted. You want my color. You want my joy. You want a monochrome world with monochrome beliefs. You see me, and you want to take it all away. But you canβt. You want me lost, but I am found in the breaths I take, in the spaces between heartbeats. I am found because I refuse to be in black and white, or any shade of gray. I am color. I am fire. I am the sun, and I will burn away the shadows until only light remains. And then you will have no choice but to see
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T.J. Klune (Somewhere Beyond the Sea (Cerulean Chronicles, #2))
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Like 90 percent of the television they watch, it comes from the south and is shown dubbed into Yiddish. It concerns the adventures of a pair of children with Jewish names who look like they might be part Indian and have no visible parents. They do have a crystalline magical dragon scale that they wish on in order to travel to a land of pastel dragons, each distinguished by its color and its particular brand of imbecility. Little by little, the children spend more and more time with their magical dragon scale until one day they travel off to the land of rainbow idiocy and never return; their bodies are found by the night manager of their cheap flop, each with a bullet in the back of the head. Maybe, Landsman thinks, something gets lost in the translation.
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Michael Chabon (The Yiddish Policemen's Union)
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POCKET-SIZED FEMINISM
The only other girl at the party
is ranting about feminism. The audience:
a sea of rape jokes and snapbacks
and styrofoam cups and me. They gawk
at her mouth like it is a drain
clogged with too many opinions.
I shoot her an empathetic glance
and say nothing. This house is for
wallpaper women. What good
is wallpaper that speaks?
I want to stand up, but if I do,
whose coffee table silence
will these boys rest their feet on?
I want to stand up, but if I do,
what if someone takes my spot?
I want to stand up, but if I do,
what if everyone notices Iβve been
sitting this whole time? I am guilty
of keeping my feminism in my pocket
until it is convenient not to, like at poetry
slams or my womenβs studies class.
There are days I want people to like me
more than I want to change the world.
There are days I forget we had to invent
nail polish to change color in drugged
drinks and apps to virtually walk us home
at night and mace disguised as lipstick.
Once, I told a boy I was powerful
and he told me to mind my own business.
Once, a boy accused me of practicing
misandry. You think you can take
over the world? And I said No,
I just want to see it. I just need
to know it is there for someone.
Once, my dad informed me sexism
is dead and reminded me to always
carry pepper spray in the same breath.
We accept this state of constant fear
as just another part of being a girl.
We text each other when we get home
safe and it does not occur to us that our
guy friends do not have to do the same.
You could saw a woman in half
and it would be called a magic trick.
Thatβs why you invited us here,
isnβt it? Because there is no show
without a beautiful assistant?
We are surrounded by boys who hang up
our naked posters and fantasize
about choking us and watch movies
we get murdered in. We are the daughters
of men who warned us about the news
and the missing girls on the milk carton
and the sharp edge of the world.
They begged us to be careful. To be safe.
Then told our brothers to go out and play.
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Blythe Baird
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My goofiest-sounding secret is that I also believe in magic. Sometimes I call it God and sometimes I call it light, and I believe in it because every now and then I read a really good book or hear a really good song or have a really good conversation with a friend and they seem to have some kind of shine to them. The list I keep of these moments in the back of my journal is comprised less of times when I was laughing or smiling and more of times when I felt like I could feel the colors in my eyes deepening from the display before me. Times in which I felt I was witnessing an all-encompassing representation of life driven by an understanding that, coincidence or not, our existence is a peculiar thing, and perhaps the greatest way to honor it is to just be human. To be happy AND sad, and everything else. And yeah, living is a pain, and I say I hate everyone and everything, and I donβt exude much enthusiasm when sandwiched between fluorescent lighting and vinyl flooring for seven hours straight, and I will probably mumble a bunch about how much I wish I could sleep forever the next time I have to wake up at 6 AM. But make no mistake about it: I really do like living. I really, truly do.
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Tavi Gevinson
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Daemon pulled the bright, deep-red sweater over his head and adjusted the collar of the gold-and-white-checked shirt. Satisfied, he studied his reflection. His eyes were butter melted by humor and good spirits, his face subtly altered by the relaxed, boyish grin. The change in his appearance startled him, but after a moment he just shook his head and brushed his hair. The difference was Jaenelle and the incalculable ways she worried, intrigued, fascinated, incensed, and delighted him. More than that, now, when he was so long past it, she was giving himβthe bored, jaded Sadistβa childhood. She colored the days with magic and wonder, and all the things heβd ceased to pay attention to he saw again new. He grinned at his reflection. He felt like a twelve-year-old. No, not twelve. He was at least a sophisticated fourteen. Still young enough to play with a girl as a friend, yet old enough to contemplate the day he might sneak his first kiss. Daemon shrugged into his coat, went into the kitchen, pinched a couple of apples from the basket, sent Cook a broad wink, and gave himself up to a morning with Jaenelle.
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Anne Bishop (Daughter of the Blood (The Black Jewels, #1))
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How are you giving it magic?β he said, through his teeth.
βI already found the path!β I said. βIβm just staying on it. Canβt youβfeel it?β I asked abruptly, and held my hand cupping the flower out towards him; he frowned and put his hands around it, and then he said, βVadiya rusha ilikad tuhi,β and a second illusion laid itself over mine, two roses in the same spaceβhis, predictably, had three rings of perfect petals, and a delicate fragrance.
βTry and match it,β he said absently, his fingers moving slightly, and by lurching steps we brought our illusions closer together until it was nearly impossible to tell them one from another, and then he said, βAh,β suddenly, just as I began to glimpse his spell: almost exactly like that strange clockwork on the middle of his table, all shining moving parts. On an impulse I tried to align our workings: I envisioned his like the water-wheel of a mill, and mine the rushing stream driving it around. βWhat are youββ he began, and then abruptly we had only a single rose, and it began to grow.
And not only the rose: vines were climbing up the bookshelves in every direction, twining themselves around ancient tomes and reaching out the window; the tall slender columns that made the arch of the doorway were lost among rising birches, spreading out long finger-branches; moss and violets were springing up across the floor, delicate ferns unfurling. Flowers were blooming everywhere: flowers I had never seen, strange blooms dangling and others with sharp points, brilliantly colored, and the room was thick with their fragrance, with the smell of crushed leaves and pungent herbs. I looked around myself alight with wonder, my magic still flowing easily. βIs this what you meant?β I asked him: it really wasnβt any more difficult than making the single flower had been. But he was staring at the riot of flowers all around us, as astonished as I was.
He looked at me, baffled and for the first time uncertain, as though he had stumbled into something, unprepared. His long narrow hands were cradled around mine, both of us holding the rose together. Magic was singing in me, through me; I felt the murmur of his power singing back that same song. I was abruptly too hot, and strangely conscious of myself. I pulled my hands free.
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Naomi Novik (Uprooted)
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Before she knew it the afternoon was done, and the trainees were taking their new mounts to the stables for grooming. Daine, Onua, Buri, and Sarge helped then too, though Daine couldn't see how she could ever be comfortable telling a twenty-year-old man he was missing spots on the pony he was grooming. She did try it: "Excuse me, trainee what did you say your name was?"
Blue gray eyes twinkled at her over his cream-colored mare's back.
"I didn't. It's Farant. "
His blond hair curled thickly over his head, almost matching the pony's in color.
"Thank you. Trainee Farant, you're missing spots. "
"Not at all, sweetheart. I'm just combing too fast for you to see. " "Trainee Farant, you're missing spots!" Sarge boomed just behind Daine. She thought later she actually might have levitated at that moment certainly Farant had. Next time the assistant horsemistress tells you something, don't flirt correct it!" He moved on, and Daine pressed her hands against her burning cheeks. Farant leaned on his mare and sighed.
"Yes, Assistant Horsemistress. Right away. " He winked at her and went back to work. Daine went to Sarge as the trainees were finishing up.
"Sarge, I-" He shook his head. Daine thought if he leaned against the stable wall any harder, it would collapse. How did a human, without bear blood in him, get to be so large?
"Not your fault. These city boys see you, you're young, sweet-lookin'",he winked at her,"they're gonna try to take advantage. If they can't keep their minds on the job after I've had them two weeks already in my patty-paws, then I ain't been doing my job right. "
His grin was wolfish. "But that can be fixed. "
Seeing her open mouthed stare, he asked, "Something the matter, my lamb?" She closed her jaw.
"No, sir. I just never met nobody like you. "
"And if you're lucky, you won't again, " muttered Buri, passing by.
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Tamora Pierce (Wild Magic (Immortals, #1))
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Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me."
His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?"
Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year."
Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak.
The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him?
"Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth.
When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes."
She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about."
Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile."
"I wanted to kiss every one of them," she lied indignantly.
"No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you."
Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul.
He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation.
Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit."
Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
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Christine Feehan (Dark Magic (Dark, #4))