Nur Masalha Quotes

Moreover, until the advent of anachronistic European political Zionism at the turn of the 20th century the people of Palestine (Arabic: sha’b Filastin) included Arab Muslims, Arab Christians and Arab Jews. Being a rendering of the Israeli Zionist/Palestinian conflict, historically speaking the binary of Arab versus Jew in Palestine is deeply misleading.

This critical distinction between Palestine as a country and Palestinian nationality should also be kept in mind when reflecting on the fact that some historians of modern Palestinian nationalism have overlooked the links between land and country (and Palestine-based territorial consciousness) which was evident in the works of Palestinian Muslim scholars and writers such al-Maqdisi (Shams al-Din Abi ‘Abd Allah Muhammad ibn Ahmad al-Muqaddasi, ) (1866, 1994, 2002), Mujir al-Din al-‘Ulaymi (c. 1495), Khair al-Din al-Ramli (1585–1671) and Salih ibn Ahmad al-Tumurtashi in the 10th‒17th centuries and the reimagining of Palestine in modern Palestinian territorial nationalism.

the music of Israel’s national anthem, ha-Tikva, came from the Czech national musician, Smetana; much of the music used in nationalist Israeli songs originated in Russian folk-songs; even the term for an Israeli-born Jew free of all the ‘maladies and abnormalities of exile’ is in fact the Arabic word sabar, Hebraicised as (masculine and tough) tzabar or sabra (Bresheeth 1989: 131), the prickly pear grown in and around the hundreds of Palestinian villages destroyed by Israel in 1948. Even the ‘national anthem of the Six Day War’, No’ami Shemer’s song ‘Jerusalem of Gold’, was a plagiarised copy of a Basque lullaby (Masalha 2007: 20, 39). Seeking to create an ‘authentic, nativised’ identity, the East European Jewish colonists claimed to represent an indigenous people returning to its homeland after 2000 years of absence; in fact Russian or Ukrainian nationals formed the hard core of Zionist activism.

early settlers and leaders of Hashomer included dressing up like local Palestinian Arabs and cultivating an image of the Sabra, the ‘new Jew’ or the New Hebrew Man, rebranded as a ‘native’, self-reliant and armed Jew ‘rooted’ in the land of Palestine.