Nowhere Feels Like Home Quotes

It’s the chemicals in our brains, they say. I got the wrong chemicals, Ma. Or rather, I don’t get enough of one or the other. They have a pill for it. They have an industry. They make millions. Did you know people get rich off of sadness? I want to meet the millionaire of American sadness. I want to look him in the eye, shake his hand, and say, “it’s been an honor to serve my country.” The thing is, I don’t want my sadness to be othered from me just as I don’t want my happiness to be othered. They’re both mine. I made them, dammit. What if the elation I feel is not another “bipolar episode” but something I fought hard for? Maybe I jump up and down and kiss you too hard on the neck when I learn, upon coming home, that it’s pizza night because sometimes pizza night is more than enough, is my most faithful and feeble beacon. What if I’m running outside because the moon tonight is children’s-book huge and ridiculous over the pines, the sight of it a strange sphere of medicine? It’s like when all you’ve been seeing before you is a cliff and then this bright bridge appears out of nowhere, and you run fast across it knowing, sooner or later, there’ll be another cliff on the other side. What if my sadness is actually my most brutal teacher? And the lesson is always this: you don’t have to be like the buffaloes. You can stop.

When I drive 'home' and leave you, it makes me feel like I'm driving to nowhere - to nothing - to a place that doesn't make me feel.

EDMUND *Then with alcoholic talkativeness You've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one. When I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and signing rhythm of it, and for a moment I lost myself -- actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way. Then another time, on the American Line, when I was lookout on the crow's nest in the dawn watch. A calm sea, that time. Only a lazy ground swell and a slow drowsy roll of the ship. The passengers asleep and none of the crew in sight. No sound of man. Black smoke pouring from the funnels behind and beneath me. Dreaming, not keeping looking, feeling alone, and above, and apart, watching the dawn creep like a painted dream over the sky and sea which slept together. Then the moment of ecstatic freedom came. the peace, the end of the quest, the last harbor, the joy of belonging to a fulfillment beyond men's lousy, pitiful, greedy fears and hopes and dreams! And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience. Became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like a veil of things as they seem drawn back by an unseen hand. For a second you see -- and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason! *He grins wryly. It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a a little in love with death! TYRONE *Stares at him -- impressed. Yes, there's the makings of a poet in you all right. *Then protesting uneasily. But that's morbid craziness about not being wanted and loving death. EDMUND *Sardonically The *makings of a poet. No, I'm afraid I'm like the guy who is always panhandling for a smoke. He hasn't even got the makings. He's got only the habit. I couldn't touch what I tried to tell you just now. I just stammered. That's the best I'll ever do, I mean, if I live. Well, it will be faithful realism, at least. Stammering is the native eloquence of us fog people.

I hope every day you take each other’s breath away. I hope every kiss feels like the first but ends like the last. I hope you always see the best versions of yourselves reflected in each other’s eyes. But mostly, I hope you wake up every morning next to each other because there’s no place in this world you’d rather be, instead of having nowhere else to go. May you always be each other’s home.

I feel a pang of longing. Nostalgia, I guess, for every library I’ve ever loved, and the little girl who dreamed of this: being the first person in and the last out of a building brimming with books. And feeling like it belonged to me in a way, and I to it. A home, when nowhere else felt right. Harvey takes a deep breath. “Don’t you love the way it smells?” “So, so much,” I say. “That right there,” he says, “is why I can’t retire. If I could live in this feeling, I would.

I'm a writer and I'm feeling like death, as you would too if you'd just flown into Grand Rapids, Michigan at some ungodly hour of the morning only to discover that you can't get into your hotel room for another three hours. In fact it's enough just to have flown into Grand Rapids, Michigan. If you are a native of Grand Rapids, Michigan, then please assume that I am just kidding. Anyone else will surely realise that I am not. Having nowhere else to go, I am standing up, leaning against a mantelpiece. Well, a kind of mantelpiece. I don't know what it is, in fact. It's made of brass and some kind of plastic and was probably drawn in by the architect after a nasty night on the town. That reminds me of another favourite piece of information: there is a large kink in the trans-Siberian railway because when the Czar (I don't know which Czar it was because I am not in my study at home I'm leaning against something shamefully ugly in Michigan and there are no books) decreed that the trans-Siberian railway should be built, he drew a line on a map with a ruler. The ruler had a nick in it.

Joey loved it here,” he said. “Loved it. This place gave him something sacred. Gave his mind some quiet. This was his Thanksgiving table. His couch-cushion fort. He could get lost in here like nowhere else on earth. I’m telling you this, Lydia, because in all his life, he’d never really had that feeling before, not consistently anyway. Not to overstate it, but this store was the closest thing to a home that Joey ever had.

You see colors no one else can see In every breath you hear a symphony You understand me like nobody can I feel like my soul unfolding like a flower blooming When this whole world gets too crazy And there's nowhere left to go I know you give me sanctuary You're the only truth I know You're the road back home.

Rage that has nowhere to go is redirected against the self, in the form of depression, self-hatred, and self-destructive actions. One of my patients told me, ‘It is like hating your home, your kitchen and pots and pans, your bed, your chairs, your table, your rugs.’ Nothing feels safe – least of all your own body.

And feeling like it belonged to me in a way, and I to it. A home, when nowhere else felt right.

Life without strife is a rose without thorns. Alive as one is thriving today towards tomorrow, Nowhere is the past but simply a school of memory. Dreams, wishes, goals then becomes a wheel of “wills,” Spirit of a unique being on each soul breathing. Care to ponder some matter or another? Awareness sliding towards discovery gliding… Peace, contentment, fulfillment, Enwrapped like a mirage enchantment. Soaring freely, excitingly, happily home-love-bound! Over precious moments in a breathing of a soul, Flowing high emotions, feelings, hearts in bliss. All around any season of one's existence, one asks: “Anyone out there? A heart of a soul that didn’t harden? A touch of a soul that didn’t hurt? A life of a soul that didn't love?” Sands of time, rough, warm, indefinite, simply spreading, transforming, mounting. Oasis of a soul from a desert journey, flourishing with endless beauty and security. Utmost bliss, fulfillment and contentment, under covers a struggling, hopeful soul, Laboring service, living justice, loving peace and tranquillity passed on to humanity!�

Anger is an energy. It really bloody is. It’s possibly the most powerful one-liner I’ve ever come up with. When I was writing the Public Image Ltd song ‘Rise’, I didn’t quite realize the emotional impact that it would have on me, or anyone who’s ever heard it since. I wrote it in an almost throwaway fashion, off the top of my head, pretty much when I was about to sing the whole song for the first time, at my then new home in Los Angeles. It’s a tough, spontaneous idea. ‘Rise’ was looking at the context of South Africa under apartheid. I’d be watching these horrendous news reports on CNN, and so lines like ‘They put a hotwire to my head, because of the things I did and said’, are a reference to the torture techniques that the apartheid government was using out there. Insufferable. You’d see these reports on TV and in the papers, and feel that this was a reality that simply couldn’t be changed. So, in the context of ‘Rise’, ‘Anger is an energy’ was an open statement, saying, ‘Don’t view anger negatively, don’t deny it – use it to be creative.’ I combined that with another refrain, ‘May the road rise with you’. When I was growing up, that was a phrase my mum and dad – and half the surrounding neighbourhood, who happened to be Irish also – used to say. ‘May the road rise, and your enemies always be behind you!’ So it’s saying, ‘There’s always hope’, and that you don’t always have to resort to violence to resolve an issue. Anger doesn’t necessarily equate directly to violence. Violence very rarely resolves anything. In South Africa, they eventually found a relatively peaceful way out. Using that supposedly negative energy called anger, it can take just one positive move to change things for the better. When I came to record the song properly, the producer and I were arguing all the time, as we always tend to do, but sometimes the arguing actually helps; it feeds in. When it was released in early 1986, ‘Rise’ then became a total anthem, in a period when the press were saying that I was finished, and there was nowhere left for me to go. Well, there was, and I went there. Anger is an energy. Unstoppable.

When we call it ‘our’ landscape, we mean it as a physical and intellectual reality. There is nothing chosen about it. This landscape is our home and we rarely stray far from it, or endure anywhere else for long before returning. This may seem like a lack of imagination or adventure, but I don’t care. I love this place; for me it is the beginning and the end of everything, and everywhere else feels like nowhere.

— If love wants you; if you’ve been melted down to stars, you will love with lungs and gills, with warm blood and cold. With feathers and scales. Under the hot gloom of the forest canopy you’ll want to breathe with the spiral calls of birds, while your lashing tail still gropes for the waes. You’ll try to haul your weight from simple sea to gravity of land. Caught by the tide, in the snail-slip of your own path, for moments suffocating in both water and air. If love wants you, suddently your past is obsolete science. Old maps, disproved theories, a diorama. The moment our bodies are set to spring open. The immanence that reassembles matter passes through us then disperses into time and place: the spasm of fur stroked upright; shocked electrons. The mother who hears her child crying upstairs and suddenly feels her dress wet with milk. Among black branches, oyster-coloured fog tongues every corner of loneliness we never knew before we were loved there, the places left fallow when we’re born, waiting for experience to find its way into us. The night crossing, on deck in the dark car. On the beach wehre night reshaped your face. In the lava fields, carbon turned to carpet, moss like velvet spread over splintered forms. The instant spray freezes in air above the falls, a gasp of ice. We rise, hearing our names called home through salmon-blue dusk, the royal moon an escutcheon on the shield of sky. The current that passes through us, radio waves, electric lick. The billions of photons that pass through film emulsion every second, the single submicroscopic crystal struck that becomes the phograph. We look and suddenly the world looks back. A jagged tube of ions pins us to the sky. — But if, like starlings, we continue to navigate by the rear-view mirror of the moon; if we continue to reach both for salt and for the sweet white nibs of grass growing closest to earth; if, in the autumn bog red with sedge we’re also driving through the canyon at night, all around us the hidden glow of limestone erased by darkness; if still we sish we’d waited for morning, we will know ourselves nowhere. Not in the mirrors of waves or in the corrading stream, not in the wavering glass of an apartment building, not in the looming light of night lobbies or on the rainy deck. Not in the autumn kitchen or in the motel where we watched meteors from our bed while your slow film, the shutter open, turned stars to rain. We will become indigestible. Afraid of choking on fur and armour, animals will refuse the divided longings in our foreing blue flesh. — In your hands, all you’ve lost, all you’ve touched. In the angle of your head, every vow and broken vow. In your skin, every time you were disregarded, every time you were received. Sundered, drowsed. A seeded field, mossy cleft, tidal pool, milky stem. The branch that’s released when the bird lifts or lands. In a summer kitchen. On a white winter morning, sunlight across the bed.

They say addiction might be linked to bipolar disorder. It’s the chemicals in our brains, they say. I got the wrong chemicals, Ma. Or rather, I don’t get enough of one or the other. They have a pill for it. They have an industry. They make millions. Did you know people get rich off of sadness? I want to meet the millionaire of American sadness. I want to look him in the eye, shake his hand, and say, “It’s been an honor to serve my country.” The thing is, I don’t want my sadness to be othered from me just as I don’t want my happiness to be othered. They’re both mine. I made them, dammit. What if the elation I feel is not another “bipolar episode” but something I fought hard for? Maybe I jump up and down and kiss you too hard on the neck when I learn, upon coming home, that it’s pizza night because sometimes pizza night is more than enough, is my most faithful and feeble beacon. What if I’m running outside because the moon tonight is children’s-book huge and ridiculous over the line of pines, the sight of it a strange sphere of medicine? It’s like when all you’ve been seeing before you is a cliff and then this bright bridge appears out of nowhere, and you run fast across it knowing, sooner or later, there’ll be yet another cliff on the other side. What if my sadness is actually my most brutal teacher? And the lesson is always this: You don’t have to be like the buffaloes. You can stop. There was a war, the man on TV said, but it’s “lowered” now. Yay, I think, swallowing my pills.

Hazel sometimes had a fantasy daydream at school where the teacher walked into the classroom and yelled, ISN’T EVERYTHING HORRIBLE? DOESN’T THE PAIN OF THE WORLD OUTWEIGH THE JOY BY TRILLIONS? WOULD YOU LIKE TO PUSH ALL OF THE DESKS INTO THE CENTER OF THE ROOM AND BURN THEM IN A GIANT BONFIRE? THEN WE CAN RUN AROUND SCREAMING AND WEEPING AMIDST THE SMOKE IN A TRUTHFUL PARADE OF OUR HUMAN CONDITION. SINCE YOU ARE SMALL STATURED, CHILDREN, IT MIGHT HELP OTHERS TO FEEL THE FULL BRUNT OF YOUR AGITATION IF YOU WAVE STICKS AND SHRUBBERY OVER YOUR HEADS ALL THE WHILE. WE DON’T WANT TO KILL ANYTHING WE DON’T HAVE TO KILL; EVERYTHING LIVING THAT WE’VE EVER SEEN OR KNOWN WILL DIE WITHOUT OUR INTERVENTION, OURSELVES INCLUDED; THIS IS A PSYCHOLOGICAL LEAD BLANKET THAT EVEN OUR MOST PERVASIVE MOMENTS OF COMFORT CANNOT CRAWL OUT FROM UNDER AND ONE UNEXTINGUISHABLE SOURCE OF DESPAIR, SO WE WON’T BE PERFORMING ANY RITUALISTIC SACRIFICES; THAT’S NOT THE DIRECTION WE WILL GO IN JUST YET; HOWEVER, ASSISTANT PRINCIPAL LAWRENCE IS ON THE PROWL FOR A ROAD CARCASS WE MIGHT BE ABLE TO USE AS A REPRESENTATIVE PROP BECAUSE NOWHERE IN OUR AUTUMN-THEMED POSTER BOARD DéCOR IS MORBIDITY OR DECAY SYMBOLIZED. OUR SCHOOL BOARD MEMBERS CANNOT AGREE ON HOW BEST TO ACKNOWLEDGE THE BOUNDLESSNESS OF HUMAN CRUELTY. IN OUR SOCIETY SOME OF YOU ARE FAR SAFER AND MORE ADVANTAGED THAN OTHERS; AT HOME SOME OF YOU ARE FAR MORE LOVED; SOME OF YOU WILL FIND THAT CONCEPTS LIKE FAIRNESS AND JUSTICE WILL BE THIN, FLICKERING HOLOGRAMS ON THE PERIPHERY OF YOUR LIVES. OH, LOOK, CHILDREN—I SEE MR. LAWRENCE IN THE DISTANCE DRAGGING A PORTION OF A HIGHWAY-SLAUGHTERED DEER. LET’S GO HELP HIM LUG IT INSIDE AND BE REMINDED THAT WE TOO INHABIT BODIES MADE OF MEAT-WRAPPED BONES; LET’S MEDITATE ON THIS CORPOREAL TERROR. Whenever her mother had asked, Hazel always told her, School is great.

Gamache loved to see inside the homes of people involved in a case. To look at the choices they made for their most intimate space. The colors, the decorations. The aromas. Were there books? What sort? How did it feel? He'd been in shacks in the middle of nowhere, carpets worn, upholstery torn, wallpaper peeling off. But stepping in he'd also noticed the smell of fresh coffee and bread. Walls were taken up with immense smiling graduation photos and on rusty pocked TV trays stood modest chipped vases with cheery daffodils or pussy willows or some tiny wild flower picked by worn hands for eyes that would adore it. And he'd been in mansions that felt like mausoleums.

My Darling, Where are you? And why, I wonder, have we been forced apart? I don’t know the answer to these questions, no matter how hard I try to understand. The reason is plain, but my mind forces me to dismiss it and I am torn by anxiety in all my waking hours. I am lost without you. I am soulless, a drifter without a home, a solitary bird in a flight to nowhere. I am all these things, and I am nothing at all. This, my darling, is my life without you. I long for you to show me how to live again. I try to remember the way we once were, It was times like those that I understood the meaning of true happiness. I would know in my heart that we’d be together forever. Is it always that way, I wonder, when two people are in love? I don’t know, but if my life since you were taken from me is any indication, then I think I know the answers. From now on, I know I will be alone. I think of you, I dream of you, I conjure you up when I need you most. This is all I can do, but to me it isn’t enough. It will never be enough, this I know, yet what else is there for me to do? If you were here, you would tell me, but I have been cheated of even that. You always knew the proper words to ease the pain I felt. You always knew how to make me feel good inside. Is it possible that you know how I feel without you? When I dream, I like to think you do. Before we came together, I moved through life without meaning, without reason. I know that somehow, every step I took since the moment I could walk was a step toward finding you. We were destined to be together. But now, alone, I have come to realize that destiny can hurt a person as much as it can bless them, and I find myself wondering why—out of all the people in all the world I could ever have loved—I had to fall in love with someone who was taken away from me.

Love is intimacy, Eli. Love is feeling protected, trusted, secure with yourself. Love is feeling like you’re home. Like there is nowhere else you want to be than in your person’s arms. Love is feeling this unbridled connection with another human, a connection so strong that when they’re not around, you feel . . . empty, incomplete. And love grows with intensity as your relationship grows. It starts small, like this tiny kernel needling at your back, bringing awareness to your brain that something is taking over and that an emotion is growing inside you. And as time passes, that kernel blooms into something bigger, something that eclipses your heart and takes up room in your chest, so when you see your person, all you can do is let out a deep breath of relief because they’re there. With you. For you. And if that person is the right person, if they’re truly the match to your soul, then they will make sure that nothing bad ever happens to you. That no matter what life throws at you—death, joy, heartache—they will be there, by your side, holding your hand, and reminding you that despite what you might be going through, there is always a home in their arms.

I know that it was around this time that I started having a recurring dream. In it, I find myself on the streets of some unnamed city, a neighborhood with trees, storefronts, light traffic. The day is pleasant and warm, with a soft breeze, and people are out shopping or walking their dogs or coming home from work. In one version I'm riding a bike, but most often I'm on foot, and I'm strolling along, without any thoughts in particular, when suddenly I realize that no one recognizes me. My security detail is gone. there's nowhere I have to be. My choices have no consequence. I wander into a corner store and buy a bottle of water or iced tea, making small talk with the person behind the counter. I settle down on a nearby bench, pop open the cap on my drink, take a sip, and just watch the world passing by. I feel like I've won the lottery.

One part of my life was given over to the service of destruction; it belonged to hate, to enmity, to killing. But life remained in me. And that in itself is enough, of itself almost a purpose and a way. I will work in myself and be ready; I will bestir my hands and my thoughts. I will not take myself very seriously, nor push on when sometimes I should like to be still. There are many things to be built and almost everything to repair; it is enough that I work to dig out again what was buried during the years of shells and machine guns. Not every one need be a pioneer; there is employment for feebler hands, lesser powers. It is there I mean to look for my place. Then the dead will be silenced and the past not pursue me any more; it will assist me instead. How simple it is—but how long it has taken to arrive there! And I might still be wandering in the wilderness, have fallen victim to the wire snares and the detonators, had Ludwig’s death not gone up before us like a rocket, lighting to us the way. We despaired when we saw how that great stream of feeling common to us all—that will to a new life shorn of follies, a life recaptured on the confines of death—did not sweep away before it all survived half-truth and self-interest, so to make a new course for itself, but instead of that merely trickled away in the marshes of forgetfulness, was lost among the bogs of fine phrases, and dribbled away along the ditches of social activities, of cares and occupations. But to-day I know that all life is perhaps only a getting ready, a ferment in the individual, in many cells, in many channels, each for himself; and if the cells and channels of a tree but take up and carry farther the onward urging sap, there will emerge at the last rustling and sunlit branches—crowns of leaves and freedom. I will begin. It will not be that consummation of which we dreamed in our youth and that we expected after the years out there. It will be a road like other roads, with stones and good stretches, with places torn up, with villages and fields—a road of toil. And I shall be alone. Perhaps sometimes I shall find some one to go with me a stage of the journey—but for all of it, probably no one. And I may often have to hump my pack still, when my shoulders are already weary; often hesitate at the crossways and boundaries; often have to leave something behind me, often stumble and fall. But I will get up again and not just lie there; I will go on and not look back. —Perhaps I shall never be really happy again; perhaps the war has destroyed that, and no doubt I shall always be a little inattentive and nowhere quite at home—but I shall probably never be wholly unhappy either—for something will always be there to sustain me, be it merely my own hands, or a tree, or the breathing earth. The

ultimately, most of us would choose a rich and meaningful life over an empty, happy one, if such a thing is even possible. “Misery serves a purpose,” says psychologist David Myers. He’s right. Misery alerts us to dangers. It’s what spurs our imagination. As Iceland proves, misery has its own tasty appeal. A headline on the BBC’s website caught my eye the other day. It read: “Dirt Exposure Boosts Happiness.” Researchers at Bristol University in Britain treated lung-cancer patients with “friendly” bacteria found in soil, otherwise known as dirt. The patients reported feeling happier and had an improved quality of life. The research, while far from conclusive, points to an essential truth: We thrive on messiness. “The good life . . . cannot be mere indulgence. It must contain a measure of grit and truth,” observed geographer Yi-Fu Tuan. Tuan is the great unheralded geographer of our time and a man whose writing has accompanied me throughout my journeys. He called one chapter of his autobiography “Salvation by Geography.” The title is tongue-in-cheek, but only slightly, for geography can be our salvation. We are shaped by our environment and, if you take this Taoist belief one step further, you might say we are our environment. Out there. In here. No difference. Viewed that way, life seems a lot less lonely. The word “utopia” has two meanings. It means both “good place” and “nowhere.” That’s the way it should be. The happiest places, I think, are the ones that reside just this side of paradise. The perfect person would be insufferable to live with; likewise, we wouldn’t want to live in the perfect place, either. “A lifetime of happiness! No man could bear it: It would be hell on Earth,” wrote George Bernard Shaw, in his play Man and Superman. Ruut Veenhoven, keeper of the database, got it right when he said: “Happiness requires livable conditions, but not paradise.” We humans are imminently adaptable. We survived an Ice Age. We can survive anything. We find happiness in a variety of places and, as the residents of frumpy Slough demonstrated, places can change. Any atlas of bliss must be etched in pencil. My passport is tucked into my desk drawer again. I am relearning the pleasures of home. The simple joys of waking up in the same bed each morning. The pleasant realization that familiarity breeds contentment and not only contempt. Every now and then, though, my travels resurface and in unexpected ways. My iPod crashed the other day. I lost my entire music collection, nearly two thousand songs. In the past, I would have gone through the roof with rage. This time, though, my anger dissipated like a summer thunderstorm and, to my surprise, I found the Thai words mai pen lai on my lips. Never mind. Let it go. I am more aware of the corrosive nature of envy and try my best to squelch it before it grows. I don’t take my failures quite so hard anymore. I see beauty in a dark winter sky. I can recognize a genuine smile from twenty yards. I have a newfound appreciation for fresh fruits and vegetables. Of all the places I visited, of all the people I met, one keeps coming back to me again and again: Karma Ura,

They say addiction might be linked to bipolar disorder. It’s the chemicals in our brains, they say. I got the wrong chemicals, Ma. Or rather, I don’t get enough of one or the other. They have a pill for it. They have an industry. They make millions. Did you know people get rich off of sadness? I want to meet the millionaire of American sadness. I want to look him in the eye, shake his hand, and say, “It’s been an honor to serve my country.” The thing is, I don’t want my sadness to be othered from me just as I don’t want my happiness to be othered. They’re both mine. I made them, dammit. What if the elation I feel is not another “bipolar episode” but something I fought hard for? Maybe I jump up and down and kiss you too hard on the neck when I learn, upon coming home, that it’s pizza night because sometimes pizza night is more than enough, is my most faithful and feeble beacon. What if I’m running outside because the moon tonight is children’sbook huge and ridiculous over the line of pines, the sight of it a strange sphere of medicine? It’s like when all you’ve been seeing before you is a cliff and then this bright bridge appears out of nowhere, and you run fast across it knowing, sooner or later, there’ll be yet another cliff on the other side. What if my sadness is actually my most brutal teacher? And the lesson is always this: You don’t have to be like the buffaloes.

It was a busy time of day in Aleppo. Parents stopping by for a coffee on the way to picking up the kids from school; the self-employed sneaking out for a break from their own four walls; a quartet of pensioners who met every day to while away an hour playing dominos; and the Syrian refugees who had nowhere else to go that had the feel of home. There wasn’t a free table, and Karen ended up on a stool at the counter. She wasn’t in the mood for more coffee, so she ordered a sparkling water and a couple of ma’amoul. Amena served her, gesturing to the star-shaped pastries studded with almonds and sesame seeds. ‘Fresh baked this afternoon,’ she said. ‘Dates or figs?’ Amena smiled. ‘Dates, how you like them.’ Karen bit into the pastry and savoured the burst of flavour that filled her mouth. ‘Oh, that’s the business,

Poet's Note: Kindly do not use my poem without giving me due credit. Do not use bits and pieces to suit your agenda of Kashmir whatever it may be. I, Srividya Srinivasan as the creator of this poem own the right to what I have chosen to feel about the issue and have represented all sides to a complex problem that involves people. I do not believe in war or violence of any kind and this is my compassionate side speaking from all angles to human beings thinking they own only their side to the story. THIS POEM IS THE ORIGINAL WORK OF SRIVIDYA SRINIVASAN and any misuse by you shall be considered as a violation of my copyrights and legally actionable. This poem is dedicated to all those who have suffered in Kashmir and through Kashmir and to not be sliced and interpreted to each one's convenience. ---------------------------- Weep softly O mother, the walls have ears you know... The streets are awash o mother! I cannot go searching for him anymore. The streets are awash o mother with blood and tears, pellets and screams. that silently remain locked in the air, while they seal our soulless dreams. The guns are out, O mother, while our boys go armed with stones, I cannot go looking for him O mother, I have no courage to face what I will find. For, I need to tend to this little one beside, with bound eyes that see no more. ----- Weep for the home we lost O mother, Weep for the valley we left behind, the hills that once bore our names, where shoulder to shoulder, we walked the vales, proud of our heritage. Hunted out of our very homes, flying like thieves in the night, abandoning it all, fearful for the lives of our men, fearful of our being raped, our children killed, Kafirs they called us O mother, they marked our homes to kill. We now haunt the streets of other cities, refugees in a country we call our own, belonging nowhere, feeling homeless without the land we once called home. ------------- Weep loudly O mother, for the nation hears our pain. As the fresh flag moulds his cold body, I know his sacrifice was not in vain. We need to put our chins up, O mother and face this moment with pride. For blood is blood, and pain is pain, and death is final, The false story we must tell ourselves is that we are always the right side, and forget the pain we inflict on the other side. Until it all stops, it must go on, the dry tears on either side, Every war and battle is within and without, and must claim its wounds and leave its scars, And, if we need to go on O mother, it matters we feel we are on the right side. We need to tell ourselves we are always the right sight... We need to repeat it a million times, We are always the right side... For god forbid, what if we were not? --- Request you to read the full poem on my website.

And growth has no end. One part of my life was given over to the service of destruction; it belonged to hate, to enmity, to killing. But life remained in me. And that in itself is enough, of itself almost a purpose and a way. I will work in myself and be ready; I will bestir my hands and my thoughts. I will not take myself very seriously, nor push on when sometimes I should like to be still. There are many things to be built and almost everything to repair; it is enough that I work to dig out again what was buried during the years of shells and machine guns. Not every one need be a pioneer; there is employment for feebler hands, lesser powers. It is there I mean to look for my place. Then the dead will be silenced and the past not pursue me any more; it will assist me instead. How simple it is—but how long it has taken to arrive there! And I might still be wandering in the wilderness, have fallen victim to the wire snares and the detonators, had Ludwig’s death not gone up before us like a rocket, lighting to us the way. We despaired when we saw how that great stream of feeling common to us all—that will to a new life shorn of follies, a life recaptured on the confines of death—did not sweep away before it all survived half-truth and self-interest, so to make a new course for itself, but instead of that merely trickled away in the marshes of forgetfulness, was lost among the bogs of fine phrases, and dribbled away along the ditches of social activities, of cares and occupations. But to-day I know that all life is perhaps only a getting ready, a ferment in the individual, in many cells, in many channels, each for himself; and if the cells and channels of a tree but take up and carry farther the onward urging sap, there will emerge at the last rustling and sunlit branches—crowns of leaves and freedom. I will begin. It will not be that consummation of which we dreamed in our youth and that we expected after the years out there. It will be a road like other roads, with stones and good stretches, with places torn up, with villages and fields—a road of toil. And I shall be alone. Perhaps sometimes I shall find some one to go with me a stage of the journey—but for all of it, probably no one. And I may often have to hump my pack still, when my shoulders are already weary; often hesitate at the crossways and boundaries; often have to leave something behind me, often stumble and fall. But I will get up again and not just lie there; I will go on and not look back. —Perhaps I shall never be really happy again; perhaps the war has destroyed that, and no doubt I shall always be a little inattentive and nowhere quite at home—but I shall probably never be wholly unhappy either—for something will always be there to sustain me, be it merely my own hands, or a tree, or the breathing earth. The

I’d like you to come to Kauai with me,” I say. “And Scottie. I think it would be good to get her away from the hospital for a day. We can leave in the morning, find him, and be home tomorrow night. If it takes us a day longer, that’s fine, but we won’t stay more than two nights. That’s our deadline. If we don’t find him, then at least we know we tried.” “And this will make you feel better somehow?” “It’s for her,” I say. “Not for him or me.” “What if he’s a wreck? What if he loses his shit?” “Then I’ll take care of him.” I imagine Brian Speer wailing on my shoulder. I imagine him and my daughters by Joanie’s bed, her lover and his loud sobs shaming us. “Just so you know, I am angry. I’m not this pure and noble guy. I want to do this for her, but I also want to see who he is. I want to ask him a few things.” “Just call him. Tell his office it’s an emergency. They’ll have him call you.” “I want to tell him in person. I haven’t told anyone over the phone, and I don’t want to start now.” “You told Troy.” “Troy doesn’t count. I just need to do this. On the phone he can escape. If I see him in person, he’ll have nowhere to go.” We both look away when our eyes meet. She hasn’t crossed the border into my room. She never does during her nighttime doorway chats. “Were you guys having trouble?” Alex asks. “Is that why she cheated?” “I didn’t think we were having trouble,” I say. “I mean, it was the same as always.” This was the problem, that our marriage was the same as always. Joanie needed bumps. She needed rough terrain. It’s funny that I can get lost in thoughts about her, but when she was right in front of me, I didn’t think much about her at all. “I wasn’t the best husband,” I say. Alex looks out the window to avoid my confession. “If we go on this trip, what will we tell Scottie?” “She’ll think we’re going on a trip of some sort. I want to get her away from here.

I shoot up out of my chair. “It’s Bree. Hide the board!” Everyone hops out of their chairs and starts scrambling around and bumping into each other like a classic cartoon. We hear the door shut behind her, and the whiteboard is still standing in the middle of the kitchen like a lit-up marquee. I hiss at Jamal, “Get rid of it!” His eyes are wide orbs, head whipping around in all directions. “Where? In the utensil drawer? Up my shirt?! There’s nowhere! That thing is huge!” “LADY IN THE HOUSE!” Bree shouts from the entryway. The sound of her tennis shoes getting kicked off echoes around the room, and my heart races up my throat. Her name is pasted all over that whiteboard along with phrases like “first kiss—keep it light” and “entwined hand-holding” and “dirty talk about her hair”. Yeah…I’m not sure about that last one, but we’ll see. Basically, it’s all laid out there—the most incriminating board in the world. If Bree sees this thing, it’s all over for me. “Erase it!” Price whispers frantically. “No, we didn’t write it down anywhere else! We’ll lose all the ideas.” I can hear Bree’s footsteps getting closer. “Nathan? Are you home?” “Uh—yeah! In the kitchen.” Jamal tosses me a look like I’m an idiot for announcing our location, but what am I supposed to do? Stand very still and pretend we’re not all huddled in here having a Baby-Sitter’s Club re-enactment? She would find us, and that would look even worse after keeping quiet. “Just flip it over!” I tell anyone who’s not running in a circle chasing his tail. As Lawrence flips the whiteboard, Price tells us all to act natural. So of course, the second Bree rounds the corner, I hop up on the table, Jamal rests his elbow on the wall and leans his head on his hand, and Lawrence just plops down on the floor and pretends to stretch. Derek can’t decide what to do so he’s caught mid-circle. We all have fake smiles plastered on. Our acting is shit. Bree freezes, blinking at the sight of each of us not acting at all natural. “Whatcha guys doing?” Her hair is a cute messy bun of curls on the top of her head and she’s wearing her favorite joggers with one of my old LA Sharks hoodies, which she stole from my closet a long time ago. It swallows her whole, but since she just came from the studio, I know there is a tight leotard under it. I can barely find her in all that material, and yet she’s still the sexiest woman I’ve ever seen. Just her presence in this room feels like finally getting hooked up to oxygen after days of not being able to breathe deeply. We all respond to Bree’s question at the same time but with different answers. It’s highly suspicious and likely what makes her eyes dart to the whiteboard. Sweat gathers on my spine. “What’s with the whiteboard?” she asks, taking a step toward it. I hop off the table and get in her path. “Huh? Oh, it’s…nothing.” She laughs and tries to look around me. I pretend to stretch so she can’t see. “It doesn’t look like nothing. What? Are you guys drawing boobies on that board or something? You look so guilty.” “Ah—you caught us! Lots of illustrated boobs drawn on that board. You don’t want to see it.” She pauses, a fading smile hovering on her lips, and her eyes look up to meet mine. “For real—what’s going on? Why can’t I see it?” She doesn’t believe my boob explanation. I guess we should take that as a compliment? My eyes catch over Bree’s shoulder as Price puts himself out of her line of sight and begins miming the action of getting his phone out and taking a picture of the whiteboard. This little show is directed at Derek, who is standing somewhere behind me. Bree sees me watching Price and whips her head around to catch him. He freezes—hands extended looking like he’s holding an imaginary camera. He then transforms that into a forearm stretch. “So tight after our workout today.” Her eyes narrow.

Do you ever feel like you are giving far fewer fucks and yet still caring so much it sometimes feels like there is only the most tissue-thin layer separating your soul from this world? Like your heart may be broken but your spirit is still rising? Are you refusing to conform and somehow still fitting just right? Able to look people right in the eye without apology and also like you’re a teenager again, bashful and blushing and off-kilter, like that moment when lips unexpectedly pressed against your head and face buried in your hair fingers trailed down y our arm, the way your stomach can flip-flop like that, even now. Do you ever walk on purpose even when you have nowhere to go? Do you notice things deeply, like dark red lipstick prints on pristine white coffee mugs? Like the way whiskey burns and cool white sheets feel against your skin at the end of the day? Are you claiming your identity, clear and strong and true, and also sinking into the vast unknowable mystery of your all? Do your days feel like longing and acquiescence and learning to stop grasping at things that are ready to leave or that choose not to come closer? Are you making a home of your own skin and inviting the world inside? Are you learning that cultivating solid boundaries and driving into a wide open horizon both feel like freedom, like the harsh desert mountains and the soft ocean wisdom and the road to healing that joins the two? Does it all feels like solidity, like truth, like forgiveness and recklessness and heat and sexy and holy, all rolled up together? Do you crave the burn of heat from another and the for nothing to be louder than sound of your own heartbeat, all at once? Do you finally know that you can choose a love and a life that does not break you? That you can claim a softer beauty and a kinder want. That even your animal hunger can soften its rough edges and say a full-throated yes to what is good and kind and holy. Do you remember that insanity is not a prerequisite for passion and that there is another pathway to your art, one that does not demand your pain as payment for its own becoming? Are you learning to show up? To take up space? To feel the power? Is it full of contradiction, does it feel like fire underwater, are you rising to sing?

He clipped the male again, this time in the shoulder, sending Einar flying backward. He was vaguely aware of Cyn racing to Leilani. He could hear her calling out his own name, but he tuned everything out, including her. Con couldn’t go to her yet. The threat needed to be eliminated. A red haze had descended across his vision as he body-slammed Einar, who was attempting to stand. That male wasn’t walking out of here. He knew he wasn’t acting rational, that the threat could be put down easier than this, but he couldn’t stop the rage that had overtaken him. Einar pumped a fist against Con’s ribcage as they tumbled to the ground. He barely felt it as he slammed a left hook across the male’s jaw. Didn’t feel anything as he jabbed him in the gut, the ribs, the face. Over and over. He felt a bloodlust overtake him as he pounded at Einar’s face. This male had wanted to hurt Leilani, to take her from Con. Strong arms wrapped around Con, tackling him to the ground and rolling him off his target. “Con!” Cyn held him tight, his eyes wild as he kept him pinned down. “It’s done. You’re scaring her.” Those words snapped him out of the dark fog of savagery that had overtaken him. Leilani stood a few feet away, her eyes wide as she stared at him. Fuck, he had scared her. “I’m fine,” he rasped to his brother. Cyn paused before loosening his grip. When he did, Con stood, terrified he’d screwed things up for good. He didn’t glance at Einar, who he was certain was dead. He’d never lost control like that, had never even come close. It pierced him that Leilani had seen him kill someone, that he literally had blood on his hands in front of her now. “Leilani—” She jumped at him, throwing her arms around his neck on a sob. “You came for me.” Unable to do anything about the blood, he wrapped his arms around her and held tight. Of course he’d come for her. There was nowhere she could go that he wouldn’t follow. That realization slammed into him as if someone had actually struck him. They’d known each other less than two weeks but she’d changed his world without even trying. He would give up his role of leader for her. The thought should have terrified him, but it didn’t. He buried his face against her neck, inhaled her sweet, arilod scent. “I’m not letting you go after the moon cycle.” She sniffled, her fingers gripping his shoulders tight. “Good because I’m not going anywhere,” she said as she pulled back. Her eyes were bright with tears as she looked at him. “I would move to the mainland for you.” She blinked once in surprise before her lips pulled up into a smile. “No. This is your home— my home now.” No, he realized, she was his home, but he simply nodded and crushed his mouth to hers.

Lord Gareth?" He froze. It was she, staring out at him with an expression of astounded disbelief on her lovely face. Gareth was caught totally unprepared. He knew he must look like an arse because he certainly felt like one. But the comic ridiculousness of the situation suddenly hit him, and his lips began twitching uncontrollably. He gazed up at her with perfect innocence. "Hello, Juliet." A chorus of out-of-tune voices came up from below. "Romeo, O Romeo, wherefore art thou, Romeo?" Gareth flung his crop down at their heads. Cokeham let out a yelp, then fell to laughing. The girl's smooth, high brow pleated in a frown as she took in the scene. Perry down there with the horses. The other Den of Debauchery members all gathered below, beaming stupidly up at her. And Gareth, grinning, sprawled full-length along a tree branch just outside her window. "Just what on earth are you doing, Lord Gareth?" The way she said it made his cheeks warm with embarrassment. So he was a pillock. Who cared? Instead, he gave her his most devastating grin and said with cheerful earnestness, "Why, I have come to rescue you, of course." "Rescue me?" "Surely you didn't think I'd allow Lucien to banish you into obscurity, now, did you?" "Well, I —  The duke didn't ban—"  She gave a disbelieving little laugh and leaned out the window, grasping the blanket tightly at her breasts. Her hair, caught in a long, dark braid, swung tantalizingly out over her bosom. "Really, Lord Gareth. This is ... highly irregular!" "Yes, but the hour is late, and as it took me all day to find you, I was feeling rather impatient. I do hope you'll forgive me for resorting to such desperate measures. May I come in and talk?" "Of course not! I — I cannot have a man in my bedroom!" "Why not, my sweet?" He pushed aside a small, leafy twig in order to see her better and grinned cajolingly up at her. "I had you in mine." She shook her head, torn between what she wanted to do — and what she ought to do. "Really, Lord Gareth ... your brother will never approve of this. You should go home. After all, you're the son of a duke and I'm just a — " " — beautiful young woman with nowhere else to go. A beautiful young woman who should be a part of my family. Now, do collect Charlotte and your things, Miss Paige — I fear we must make haste, if we are to marry before Lucien catches up to us." "Marry?!" she cried, forgetting to whisper. He gazed at her in blank, perfect innocence. "Well, yes, of course," he said, clinging to the branch as it dropped another few inches. "Surely you don't think I'd be hanging out of a tree for anything less, do you?" "But —" "Come now."  He smiled disarmingly. "Surely, you must see there is really no other option for you. And I won't have my niece growing up without a father. What kind of a man do you think I am? Now, gather up Charlotte and get your things, my dear Miss Paige, and come outside. I am growing most uncomfortable." Juliet

So let’s say you get home, and maybe you do your evening ritual, but out of nowhere the desire to drink smacks you across your face, possibly due to stress, or emptiness, or boredom, or even happiness. Maybe you think, I can start quitting again tomorrow, or some other allowing thought, even though you don’t want to drink. Here’s how it works: First, you recognize what is happening—you are experiencing a craving to drink alcohol. Say it to yourself: I am experiencing a craving for alcohol. The next step might seem counterintuitive, but it’s not: Allow the sensations to build, allow yourself to crave a drink. This allows you to conserve energy by giving space to the craving; instead of expending energy trying to resist the feeling by telling yourself it’s wrong or terrifying or shouldn’t be happening, you let nature take its course. In the third step, you set aside the story, which means you don’t tell yourself that you are miserable, that the craving is a sign of some eternal and endless struggle, or something more powerful than you. Instead, you spend that energy doing the fourth step, which is investigating the sensations in your body. What does it feel like? Is your throat closing up? Are your fists clenching? Are your legs full of energy? Is your heart tight? The fifth step is to name those sensations out loud, or better yet, write them down. And the final step is to ride or surf the physical sensations as they intensify, peak, and then dissipate.

We did the dishes and talked--about the cattle business, about my job back in L.A., about his local small town, about family. Then we adjourned to the sofa to watch an action movie, pausing occasionally to remind each other once again of the reason God invented lips. Curiously, though, while sexy and smoldering, Marlboro Man kept his heavy breathing to a minimum. This surprised me. He was not only masculine and manly, he lived in the middle of nowhere--one might expect that because of the dearth of women within a twenty-mile range, he’d be more susceptible than most to getting lost in a heated moment. But he wasn’t. He was a gentleman through and through--a sizzling specimen of a gentleman who was singlehandedly introducing me to a whole new universe of animal attraction, but a gentleman, nonetheless. And though my mercury was rising rapidly, his didn’t seem to be in any hurry. He walked me to my car as the final credits rolled, offering to follow me all the way home if I wanted. “Oh, no,” I said. “I can get home, no problem.” I’d lived in L.A. for years; it’s not like driving alone at night bothered me. I started my car and watched him walk back toward his front door, admiring every last thing about him. He turned around and waved, and as he walked inside I felt, more than ever, that I was in big trouble. What was I doing? Why was I here? I was getting ready to move to Chicago--home of the Cubs and Michigan Avenue and the Elevated Train. Why had I allowed myself to stick my toe in this water? And why did the water have to feel so, so good?

To continue to multiply? Is the continuation of your species that important a task to you? What's happening now, could be called the miserable sight of lifeforms controlled by fear. A kind of fear brought about by completely pointless vital activities that..." "My friends, they're fighting right now! Because we can still save so many people from terror! What we're doing is fighting fear!" "What would be wrong with losing that fight? You know that to live means to one day die, does it not? Who knows. Perhaps one's final moments bring relief. Maybe the end of your days being manipulated, all in the name of multiplication, without ever knowing if it means anything at all... feels like freedom." "The sun was starting to set. We were running to a tree on the hill. The three of us were racing. Eren brought up the idea and took off out of nowhere. Mikasa ran too, but stayed behind him on purpose. And of course, I was dead last. But the breeze was nice and warm that day. Just running felt good. Leaves fluttered everywhere. And for some reason, I thought then: maybe the reason i was born was so that the three of us could be racing there. I thought the same thing when I read books at home on a rainy day. When a squirrel ate some nuts I gave it. When we all walked around the market too. I felt it. That these trivial moments might actually be precious." "That's..." "This? It was buried in the sand." "Why is that...?" "Who knows. But, to my eyes, even if there's no need for something like this in order to multiply, it's still something incredibly precious.

When I woke up a man in a green beret with a big feather poking out of it was leaning over me. I must be hallucinating, I thought. I blinked again but he didn’t go away. Then this immaculate, clipped British accent addressed me. “How are you feeling, soldier?” It was the colonel in charge of British Military Advisory Team (BMAT) in southern Africa. He was here to check on my progress. “We’ll be flying you back to the UK soon,” he said, smiling. “Hang on in there, trooper.” The colonel was exceptionally kind, and I have never forgotten that. He went beyond the call of duty to look out for me and get me repatriated as soon as possible--after all, we were in a country not known for its hospital niceties. The flight to the UK was a bit of a blur, spent sprawled across three seats in the back of a plane. I had been stretchered across the tarmac in the heat of the African sun, feeling desperate and alone. I couldn’t stop crying whenever no one was looking. Look at yourself, Bear. Look at yourself. Yep, you are screwed. And then I zonked out. An ambulance met me at Heathrow, and eventually, at my parents’ insistence, I was driven home. I had nowhere else to go. Both my mum and dad looked exhausted from worry; and on top of my physical pain I also felt gut-wrenchingly guilty for causing such grief to them. None of this was in the game plan for my life. I had been hit hard, broadside and from left field, in a way I could never have imagined. Things like this just didn’t happen to me. I was always the lucky kid. But rogue balls from left field can often be the making of us.

[Harry] started talking about the many moves he'd made over the years and all the traveling, which his marriage had not survived. He said the irony was that, as his work had become focused on trying to settle people, migrants and refugees and the displaced, his own life had become more peripatetic, so that by the time he finally came back to Dublin nowhere felt like home, or maybe everywhere did, just a little. He wanted to believe that he'd gained more than he'd lost in that transaction, that in becoming less exclusive in his attachments, he'd come to feel a deeper kind of affection for the world. He said there was always a rupture when you left a place, until you realized it had to do with the person you had somehow decided to be. Until you saw that you carried all these rifts and partings with you, like you carried scars, and that instead of feeling like things torn from you, they were part of you. I like this idea. I like Harry. He calms me. He has a way of expanding the view. Panning out, and out, into a panorama. It's not that the view is all good -- Harry is essentially a pessimist. It's just that there's a sense of perspective. I think he has lost a lot and survived, though I don't know exactly what I am referring to. Apart from the limitations on his mobility, Harry's losses seem not greater than most. He has, in many ways, a rather nice life. But I get the sense he's made peace with himself, and that it took some doing, and that he's emerged from that battle wistful, bemused, a little elsewhere. He watches the world as though it were a faraway thing and he a minor god made melancholy by us humans, by the fact that we never, ever seem to learn. Over dinner, he said that if we don't know where we belong, we can feel homesick for almost anywhere we've been.

Well, I saved you today, didn’t I? Just like I saved you before. You walked out of the Bastion free, without a scratch, and if any Cokyrian but me had caught you with that dagger, you might be drawn and quartered by now.” “You didn’t save me from that butcher,” I said irritably. “But you’re right. About today, I mean.” I could sense his satisfaction, which irritated me all the more. “So accept my thanks, but stay away from me. We’re not friends, you know.” I was nearing my neighborhood and didn’t want anyone to see me with him. He stepped in front of me, forcing me to stop. “We’re not friends yet. But you’ve thought about it. And you just thanked me.” “Are you delusional?” “No. You just said thank you to the faceless Cokyrian soldier who arrested you.” “Don’t you ever stop?” I demanded, trying in vain to move around him. “I haven’t even started.” “What does that mean?” There was silence as Saadi glanced up and down the street. “I want to know where you got that dagger. Or at least what story you told.” “Why don’t you ask Commander Narian? The two of you seemed fairly close.” “Quit making jokes.” “I haven’t made a single one.” “Well?” “It was my father’s,” I said, clinging to the lie Queen Alera had provided, whether by mistake or not. “Oh.” This seemed to take Saadi aback. “And now, because of you, I don’t have it anymore.” I knew I was pressing my luck, but I wanted to make him feel bad. “I’m sorry,” he muttered, seeming sincere enough. Thinking I had maybe, finally, succeeded in getting him to leave me alone, I stepped around him. “Shaselle?” I stopped again, without the slightest idea why. “Your father--what was he like?” The question shocked me; I also wasn’t sure I could answer it without crying. But Saadi appeared so genuinely interested that I couldn’t disregard him. “You have no right to ask me that,” I answered out of principle. “But for your information, he was the strongest, bravest, kindest and best-humored man I ever knew. And none of it was because he took what was handed to him.” For the second time, I attempted a dramatic departure. “Shaselle?” “What now?” I incredulously exclaimed. “Do you have plans tomorrow?” “What?” “I have a day off duty. We could--” “No!” I shouted. “What is this? You expect me to spend a day with you, a Cokyrian--a Cokyrian I can’t stand?” “Yes,” he affirmed, despite my outburst. I laughed in disbelief. “I won’t. This is ridiculous. You’re ridiculous. Enjoy your time off duty with your own kind.” Turning, I sprinted down the street, and though he called after me yet again, I ignored him. As I neared my house, I glanced behind once or twice to assure myself he wasn’t following. He was nowhere in sight. I reached the security of my home just in time for dinner, and just in time to cut off Mother’s growing displeasure--the first step in her progression to anger. I smiled at her, hurried to wash, and was a perfect lady throughout the meal. Afterward I retired to my room, picking a book from my shelf to occupy me until my eyes drooped. Instead of words on pages, however, I kept seeing Saadi’s face--his clear blue eyes, that irritating hair, those freckles across his nose that made me lose willpower. What if I had offended him earlier? He had only asked to spend time with me, and I had mocked him. But he was Cokyrian. It was ludicrous for him to be pursuing my company. It was dangerous for me to be in his. And that, I suddenly realized, was part of the reason I very much wanted to be with him. Saadi aggravated me, confused me, scared me, and yet I could no longer deny that he intrigued me in a way no one else ever had.

But the psychological change accompanying these technologies is more subtle, and perhaps more important. Consciously and unconsciously, we have gradually grown accustomed to experiencing the world through disembodied machines and instruments. As I stood in line to board an airplane recently, the young woman in front of me was primping in her mirror—straightening her hair, putting on lipstick, patting her checks with blush—a female ritual that has been repeated for several thousand years. In this case, however, her “mirror” was an iPhone in video mode, pointed at herself, and she was reacting to a digitized image of herself. I take walks in a federally protected wildlife preserve near my home in Massachusetts. A dirt trail winds for a mile around a lake teeming with beavers and fish, wild ducks and geese, aquatic frogs. Bulrushes and cattails wrap the perimeter of the pond, water lilies float here and there, rippling when a fish goes by. In the winter, the air is crisp and sharp, in the summer soft and aromatic. And a thick silence lies across the park, broken only by the honking of geese and the croaking of frogs. It is a place to smell, to see, to feel, to quietly let one’s mind wander where it wants. More and more commonly, I see people here talking on their cell phones as they walk around the trail. Their attention is focused not on the scene in front of them, but on a disembodied voice coming from a small box. And they are disembodied themselves. Where are their minds and bodies? Certainly not present in the park. Nor can they be located in the electromagnetic waves and digital signals flowing through cyberspace. Only their voices can be found at the other end of their conversations, in the offices and boardrooms and homes of the people they are talking to. They are attempting to be several places at once, like quantum waves. But I would argue that they are nowhere.

When she turned back to me, her eyes were full of tears. Then she unbuckled herself, slid across the seat, and climbed into my lap. My heart jumped at the unexpected affection. I pulled her in and tucked her head under my chin, breathing in the smell of her hair. The feel of her small, warm body in my arms was like home. There was no other word for it. She was home. It was hard to see how much he affected her. This was the second time I’d seen her crying and both times had been over him. The jealousy was almost more than I could handle. This woman was mine. She was mine, not his. Why couldn’t he have stayed away from her? Let her just get over him? But then I realized the truth. She wasn’t mine—she never was. I’m hers. And it’s not the same thing. I’d been fine being patient, because I was just waiting for her to come out of it. I hadn’t been braced for him to come back into her life. And now, faced with the reality that I might lose her altogether, I realized what I’d known for weeks. I’m in love with her. And now this guy that I couldn’t even begin to compete with might take her from me. I felt helpless. Panicked. A fight response triggered inside and it had nowhere to go, because I couldn’t do shit about this. All I could do was be me, and that wasn’t good enough. A sex thing. It will only ever be a sex thing. She raised her head and planted a soft kiss under my chin, and it almost broke my fucking heart. She was never like this with me. And as much as I loved it, it was all fueled by her feelings for someone else. He hurt her and I was here, so I got to be the one to comfort her. But it was something. At least I could do something for her beyond just scratching an itch. She was with me, holding me. Letting me hold her. I needed to enjoy the moment because I didn’t know how many more of them I’d get. I squeezed my eyes shut and forced down the lump in my throat, tried to focus on her breath on my neck, her cheek pressed to my collarbone—the vulnerability she was giving me that I only ever saw when she was sleeping curled up next to me on those nights when she let me in. I vowed to make tonight fun so she’d forget. And so I’d have something to remember when she left.

In the uncertain hour before the morning Near the ending of interminable night At the recurrent end of the unending After the dark dove with the flickering tongue Had passed below the horizon of his homing While the dead leaves still rattled on like tin Over the asphalt where no other sound was Between three districts whence the smoke arose I met one walking, loitering and hurried As if blown towards me like the metal leaves Before the urban dawn wind unresisting. And as I fixed upon the down-turned face That pointed scrutiny with which we challenge The first-met stranger in the waning dusk I caught the sudden look of some dead master Whom I had known, forgotten, half recalled Both one and many; in the brown baked features The eyes of a familiar compound ghost Both intimate and unidentifiable. So I assumed a double part, and cried And heard another's voice cry: 'What! are you here?' Although we were not. I was still the same, Knowing myself yet being someone other— And he a face still forming; yet the words sufficed To compel the recognition they preceded. And so, compliant to the common wind, Too strange to each other for misunderstanding, In concord at this intersection time Of meeting nowhere, no before and after, We trod the pavement in a dead patrol. I said: 'The wonder that I feel is easy, Yet ease is cause of wonder. Therefore speak: I may not comprehend, may not remember.' And he: 'I am not eager to rehearse My thoughts and theory which you have forgotten. These things have served their purpose: let them be. So with your own, and pray they be forgiven By others, as I pray you to forgive Both bad and good. Last season's fruit is eaten And the fullfed beast shall kick the empty pail. For last year's words belong to last year's language And next year's words await another voice. But, as the passage now presents no hindrance To the spirit unappeased and peregrine Between two worlds become much like each other, So I find words I never thought to speak In streets I never thought I should revisit When I left my body on a distant shore. Since our concern was speech, and speech impelled us To purify the dialect of the tribe And urge the mind to aftersight and foresight, Let me disclose the gifts reserved for age To set a crown upon your lifetime's effort. First, the cold friction of expiring sense Without enchantment, offering no promise But bitter tastelessness of shadow fruit As body and soul begin to fall asunder. Second, the conscious impotence of rage At human folly, and the laceration Of laughter at what ceases to amuse. And last, the rending pain of re-enactment Of all that you have done, and been; the shame Of motives late revealed, and the awareness Of things ill done and done to others' harm Which once you took for exercise of virtue. Then fools' approval stings, and honour stains. From wrong to wrong the exasperated spirit Proceeds, unless restored by that refining fire Where you must move in measure, like a dancer.' The day was breaking. In the disfigured street He left me, with a kind of valediction, And faded on the blowing of the horn. -T.S. Eliot, "Little Gidding

Where do you make your homes?” he asked. “Rumson,” Matt called back. “Rumson, Nebraska.” “Nebraska? Where is this place, Nebraska?” The general and his men looked perplexed, but the state of their confusion was nowhere near that of Matt and his friends. “I never met anyone who didn’t know where Nebraska was,” Hooter mumbled through chattering teeth. “Where…where do you think they’re from?” Tony stammered. “I don’t know,” matt whispered, staring at the soldiers and their muskets. “But I have this strange feeling, like…like…” “Like we’ve seen them someplace before,” Q concluded. “Where?” Hooter wanted to know. “Where have we seen them?” “In our history book,” Q whispered. “We’ve gone back in time!” “You mean before TV and stuff?” Hooter asked, looking at the old-fashioned muskets that were pointed at them. “Before TV?” Q squeaked. His voice always turned into a series of squeaks when he was excited. “Try before electricity and flashlights. Try 1776--the Revolutionary War!

Rich, what are you doing here?" I asked, my gaze going over toward Brant, finding him watching and feeling almost guilty. Which was ridiculous because I hadn't invited Rich. "Didn't have much of a choice after you blocked my calls and texts, Mads," he said, shaking his head. "Didn't you maybe consider that was because I didn't want to talk to you?" I asked, lifting my chin slightly. "The only possible explanation for that," he said, his charming boyish smile in place, "is because you have somehow forgotten how awesome I am. You can give me five minutes, can't you?" "Because five years wasn't enough of my time to waste?" I asked, not caring how snippy that came off. "I know I hurt you," he said, looking apologetic. "Let's not romanticize it," I cut him off. "You proposed to me and then dumped me because your parents were going to stop paying your bills." His head jerked back, likely not having expected that. "I fucked up," he admitted, shrugging. "I made the wrong choice." "Yes, you did," I agreed, having no plans on sparing his feelings. He hadn't spared mine. "Maddy, come on," he said, shaking his head. "Give me a chance here." "A chance to what? Somehow try to make me think that dumping me and telling me to get my things out before you came home from work was not possibly the worst possible thing you could have done after I gave you five years of my life?" "I was..." "Insensitive and cold-hearted and money-hungry and a complete and utter asshole," I filled in for him. "Maddy, I didn't even think..." "That sentence was complete right there," I cut him off. "You didn't even think. Period. You didn't think about how much it would hurt me that you valued your money more than the life we had built together. You didn't think of the fact that I had nowhere to go but back to live with my mother. You didn't think that loving me and me loving you would be enough. You didn't think. And now what? You've finally given it some thought." "I talked to my..." He talked to his parents. Ugh. I had thought maybe he had grown a set and told them to take their money and shove it. Not that it would change anything, but it would have restored my faith in him being the decent person I had always thought he was. "And what, Rich? Tried to convince them that I was good enough for them? I don't need their approval. And I don't want to be with a man who values their approval of the person you've chosen to be with so much that it changes your feelings for them." "It never changed my feelings about you," Rich said, voice sad. And I did believe him. He had loved me. There was no way he had been faking that. Again, the bitter truth was- he never loved me enough. Now that I knew that, there was no forgetting it. And the fact of the matter was, I deserved to be loved enough. "I don't want to be a decision, Rich. I want to be someone you love and are with because you can't not love and and you can't not be with me. Who you love isn't something you can flip-flop on. And I am thankful I found this out before I married you. Before we started a family. Before it could have begun to mean more than it already did.'' "What? You moved on already?" he asked, tone heavy with skepticism. "Yes." And I had. Not just to another man who had the potential to really mean something to me. But to a version of myself that I had forgotten existed. To live somewhere that everyone cared for me. To be near my mother who I missed dearly. To do a job because I loved it, not because I was looking for adulation. He couldn't factor into any of that. And it was right about then that the door to the bakery opened and out walked Brant, holding his jacket and moving to slip it over my shoulders. "Figured you were cold," he offered, but his eyes also said: and maybe needed an escape. He was right on both.

...I had the feeling that Gregorio was everywhere and nowhere, that he was a vaporous presence, as if he hadn't died altogether and was perhaps not outside of me, but inside of me, not in any tangible sense but not in a merely spiritual one either. We like to think that ghosts inhabit old houses and dark corners, but we too in our body and soul become these very things: an old house, a dark corner, a storehouse for the memories of the people who preceded us and whose rest we eventually decided to disturb.

Each time we approached an intersection, we would stop, look at one another, shrug our shoulders, and go whichever way our fancies took us. What struck me as interesting within mere minutes of embarking on this walk was how much different it felt in comparison to others from the past. Instead of power-walking with an end destination in mind, we meandered. Instead of rushing my kids to keep up, I found myself letting go of control as I let them take the lead. We stopped frequently, allowing our attention to be captivated by things like bugs, cracks in the sidewalk, furry squirrels roving the power lines above us, and even the strangeness of some of the street names. That’s when I realized we lived near the corner of 16th and Lincoln, which is weird because Lincoln was the 16th president. Jesus, I’m a nerd. As my children led me, I noticed how liberating it felt to relinquish control. Without a firm destination in mind, I found myself nonjudgmentally accepting the results of letting go. Since I had nowhere to be, it made me feel like I was arriving at home with every single step. Soon, I noticed I was no longer ruminating; I was laughing, enjoying the time we spent together, and my anger had softened up to the point where I was able to see the fight situation much more clearly. In addition to being more cognizant of my role in the argument that precipitated our walk, I started noticing much more physical detail all around my neighborhood.

Do you sense a depression in the body of Christ in America, as if something is badly wrong? We’re losing influence within our culture as the anti-Christian sentiment grows, yet you’d never know it in most churches—the smoke, lights, loud music and preaching rolls on as if all is well…Too often people come to the church, are deeply disappointed and as a result are turned off from the gospel. The church promises solutions but only offers lip service. We’ve become excellent at giving people a show on Sunday but lousy at showing them how to actually live…I recently spoke with two businessmen friends about why it’s hard to find a good church. Both are successful financially and are passionate believers. On the surface, they’re what every pastor needs. Yet after being active in a local church, they both became disillusioned with what they saw and how they were treated. As they recounted stories of how pastors felt threatened by their powerful personalities and positions, I felt sorry for my friends (for never experiencing the community they sought) and for the insecure leaders they served. Countless other mature Christians have been so wounded by leadership that they stay home on Sunday and “go to church” by watching Charles Stanley or Jack Hayford. They get a good message, some good music and an opportunity to “tithe” to that ministry. Sometimes this is a transitional period. Too often it’s not. But this isn’t Christian community. Aren’t we supposed to assemble with other believers? Aren’t we supposed to bring a hymn or a Scripture or a prophetic word when we meet? In larger churches this need is met in small groups or in various ministries of the church. There are many examples of healthy churches where this happens. But too often it isn’t…Until this happens, people—like my businessmen friends—will feel as if they’re drifting. They’ll never really find their place in the body of Christ. And sooner or later, they will ‘vote with their feet’ by going somewhere else—or worse still, nowhere.

March 12 Faith Building Do not conform any longer to the pattern of this world, but be transformed by the renewing of your mind. Then you will be able to test and approve what God’s will is—his good, pleasing, and perfect will.—Romans 12:2 As an adult, I have enjoyed simple gardening tasks. I’ve taken an interest in plants and flowers, and watched in awe, as my mother makes a masterpiece out of her yard. I remember when she and my stepfather first moved to the home where they now live. The yard was intact, but was free of any color or real interest. Now, seven years have passed, and with each passing year, they seem to cultivate more and more exquisite sights. As I gazed upon the beauty of their landscaping recently, I thought, isn’t that what consistent faith-building is all about? Believers, we can’t expect to be experts in every spiritual discipline from the time of our salvation. It takes years, and lifetimes even, to build true, working faiths. Sure, there are moments we seem to have it all together, and it feels like there is nothing more to learn. But, it’s in those times that God is preparing us for the next big lesson in faith. The same is true for those who feel like they’re getting nowhere in learning more about Christ, and in renewing their hearts and minds according to God’s precepts. For those, just remember—it takes time. It takes work. It takes consistency. One day, you’ll look up to God and think, “i get it! So, that’s what you have been trying to teach me!” God, I pray that You will help me to remain steadfast as I work to build my faith. Lord, constantly renew my mind and my heart according Your truths.

Her home. She thought of her body inside and outside this house, like an uncanny phantom moving in a dreamy space. Was it because her soul was somewhere else? No, she didn't have a soul. Then why this feeling of strangeness, as if all things were receding behind a veil of smoke, and this painful certainty that if she tried to touch them, they would disappear in a universe beyond her reach? She thought of the ridiculous game with words she practiced now and then, in a language that wasn't hers to save a body that wasn't hers. She tried to imagine she was real. And she sank even deeper into the spiral of nowhere.

Here is why the wellbeing economy comes at the right time. At the international level there have been some openings, which can be exploited to turn the wellbeing economy into a political roadmap. The first was the ratification of the Sustainable Development Goals (SDGs) in 2015. The SDGs are a loose list of 17 goals, ranging from good health and personal wellbeing to sustainable cities and communities as well as responsible production and consumption. They are a bit scattered and inconsistent, like most outcomes of international negotiations, but they at least open up space for policy reforms. For the first time in more than a century, the international community has accepted that the simple pursuit of growth presents serious problems. Even when it comes at high speed, its quality is often debatable, producing social inequalities, lack of decent work, environmental destruction, climate change and conflict. Through the SDGs, the UN is calling for a different approach to progress and prosperity. This was made clear in a 2012 speech by Secretary General Ban Ki-moon, who explicitly connected the three pillars of sustainable development: ‘Social, economic and environmental wellbeing are indivisible.’82 Unlike in the previous century, we now have a host of instruments and indicators that can help politicians devise different policies and monitor results and impacts throughout society. Even in South Africa, a country still plagued by centuries of oppression, colonialism, extractive economic systems and rampant inequality, the debate is shifting. The country’s new National Development Plan has been widely criticised because of the neoliberal character of the main chapters on economic development. Like the SDGs, it was the outcome of negotiations and bargaining, which resulted in inconsistencies and vagueness. Yet, its opening ‘vision statement’ is inspired by a radical approach to transformation. What should South Africa look like in 2030? The language is uplifting: We feel loved, respected and cared for at home, in community and the public institutions we have created. We feel understood. We feel needed. We feel trustful … We learn together. We talk to each other. We share our work … I have a space that I can call my own. This space I share. This space I cherish with others. I maintain it with others. I am not self-sufficient alone. We are self-sufficient in community … We are studious. We are gardeners. We feel a call to serve. We make things. Out of our homes we create objects of value … We are connected by the sounds we hear, the sights we see, the scents we smell, the objects we touch, the food we eat, the liquids we drink, the thoughts we think, the emotions we feel, the dreams we imagine. We are a web of relationships, fashioned in a web of histories, the stories of our lives inescapably shaped by stories of others … The welfare of each of us is the welfare of all … Our land is our home. We sweep and keep clean our yard. We travel through it. We enjoy its varied climate, landscape, and vegetation … We live and work in it, on it with care, preserving it for future generations. We discover it all the time. As it gives life to us, we honour the life in it.83 I could have not found better words to describe the wellbeing economy: caring, sharing, compassion, love for place, human relationships and a profound appreciation of what nature does for us every day. This statement gives us an idea of sufficiency that is not about individualism, but integration; an approach to prosperity that is founded on collaboration rather than competition. Nowhere does the text mention growth. There’s no reference to scale; no pompous images of imposing infrastructure, bridges, stadiums, skyscrapers and multi-lane highways. We make the things we need. We, as people, become producers of our own destiny. The future is not about wealth accumulation, massive

I feel a pang of longing. Nostalgia, I guess, for every library I’ve ever loved, and the little girl who dreamed of this: being the first person in and the last out of a building brimming with books. And feeling like it belonged to me in a way, and I to it. A home, when nowhere else felt right.

This time, among the letters waiting for Gandhi on his return from his travels was one from a Muslim friend. This man, a liberal and sceptic, wondered why, when referring to the Prophet Muhammad or the Koran, Gandhi never analysed them critically. ‘I am at a loss to understand how a person like you,’ this correspondent told Gandhi, ‘with all your passion for truth and justice, who has never failed to gloss over a single fault in Hinduism or to repudiate as unauthentic the numerous corruptions that masquerade under it, can.... accept all that is in the Koran. I am not aware of your ever having called into question or denounced any iniquitous injunction of Islam. Against some of these I learned to revolt when I was scarcely 18 or 20 years old and time has since only strengthened that first feeling.’ Reproducing and then answering this letter in Harijan, Gandhi remarked that ‘I have nowhere said that I believe literally in every word of the Koran, or for that matter of any scripture in the world. But it is no business of mine to criticize the scriptures of other faiths or to point out their defects. It should be, however, my privilege to proclaim and practise the truths that there may be in them.’ Gandhi held the view that only adherents of a particular faith had the right to criticize its precepts or sanctions. By that token, it was both his ‘right and duty to point out the defects in Hinduism in order to purify it and to keep it pure. But when non-Hindu critics set about criticizing Hinduism and cataloguing its faults they can only blazon their own ignorance of Hinduism and their incapacity to regard it from the Hindu viewpoint... Thus my own experience of the non-Hindu critics of Hinduism brings home to me my limitations and teaches me to be wary of launching on a criticism of Islam or Christianity and their founders'.

There’s only so much partying you can do, and when there are fewer and fewer people to party with, it starts to feel like there’s nowhere else to go. You’re stuck in this hole with the same three or four faces for the rest of your life, drinking, taking gear, hanging around the local until there’s no one left to talk to.

Love is feeling protected, trusted, secure with yourself. Love is feeling like you’re home. Like there is nowhere else you want to be than in your person’s arms. Love is feeling this unbridled connection with another human, a connection so strong that when they’re not around, you feel . . . empty, incomplete. And love grows with intensity as your relationship grows. It starts small, like this tiny kernel needling at your back, bringing awareness to your brain that something is taking over and that an emotion is growing inside you. And as time passes, that kernel blooms into something bigger, something that eclipses your heart and takes up room in your chest, so when you see your person, all you can do is let out a deep breath of relief because they’re there. With you. For you. And if that person is the right person, if they’re truly the match to your soul, then they will make sure that nothing bad ever happens to you. That no matter what life throws at you—death, joy, heartache—they will be there, by your side, holding your hand, and reminding you that despite what you might be going through, there is always a home in their arms.

I came up with a method specific to the practice of disarming cravings. It's similar to what Judson Brewer outlines in his book, The Craving Mind. But I modified it based on my own experience. I call it RASINS. Recognize, allow, set aside the story, investigate what is happening in your body, name the sensations, and surf. The goal is to learn to relax into the craving rather than distract ourselves from it. Using the practice, we learned to stay in discomfort and witness our suffering instead of creating more suffering. So let's say you get home and maybe you do your evening rituals but out of nowhere the desire to drink smacks you across your face - possibly due to stress, or emptiness, or boredom, or even happiness. Maybe you think, I can start quitting again tomorrow or some other allowing thought even though you don't want to drink. Here's how it works first you recognize what is happening. You are experiencing A craving to drink alcohol. Say it to yourself. I am experiencing a craving for alcohol. The next step might seem counterintuitive but it's not. Allow the sensations to build allow. Allow yourself to crave a drink. This allows you to conserve energy by giving space to the craving instead of expending energy trying to resist the feeling by telling yourself it's wrong, or terrifying, or shouldn't be happening to you. Let nature take its course. In the third step you set aside the story, which means you don't tell yourself that you are miserable, that the craving is a sign of some eternal and endless struggle, or something more powerful than you. Instead, you spin that energy doing the 4th step, which is investigating the sensations in your body - what does it feel like, is your throat closing up, are your fists clenching, are your legs full of energy, is your heart tight? The fifth step is to name those sensations out loud or better yet write them down. And the final step is to ride or surf the physical sensations as they intensify peak and then dissipate.

No matter what anyone in North Star thought of my mom, everyone agreed on one thing: she was the best cook in the Texas Hill Country. She was known for her barbecue and fried pies. But she was most famous for one particular dish. The dish people people would drive hundreds of miles for was simply called the Number One. I imagine Momma was going to make a list of specials. The trouble was, she never got past the Number One. So there it sat at the top of the menu, alone, all by itself. The Number One: Chicken fried steak with cream gravy, mashed potatoes, green beans cooked in bacon fat, one buttermilk biscuit, and a slice of pecan pie With Brad's words ringing in my head about my vague culinary vision, I decide to make the Number One for tonight's supper. After leaving the salon, I drive to various farm stands, grocery stores, and butchers. I handpick the top-round steak with care, choose fresh eggs one by one, and feel an immense sense of home as I pull Mom's cast-iron skillet from the depths of Merry Carole's cabinets. My happiest memories involve me walking into whatever house we were staying in at the time to the sounds and smells of chicken fried steak sizzling away in that skillet. This dish is at the very epicenter of who I am. If my culinary roots start anywhere, it's with the Number One. As I tenderize the beef, my mind is clear and I'm happy. I haven't cooked like this- my recipes for me and the people I love- in far too long. If ever. Time flies as I roll out the crust for the pecan pie. I'm happy and contented as I cut out the biscuit rounds one by one. I haven't a care in the world. Being in Merry Carole's kitchen has washed away everything I left in the whirlwind of being back in North Star.

I don't want to work in a kitchen, I want to work in my kitchen. I want chairs that don't match and a porch with a swing. I want mason jars filled with wildflowers in the center of rustic wooden tables. I want flickering candles and a fire in a fireplace. I want mismatched dishes and old-timey silver. I want people to be able to smell what's cooking a mile away so that even though they don't know the address, they'll still find us. I want a honky-tonk band and couples dancing under colorful lanterns. I want a place that feels like home. A place where I belong. I stare at Momma's skillet, on the stovetop waiting for me to fry up those chicken fried steaks. She may not have loved me. She may not have even liked me. But goddamn if that woman didn't teach me how to cook.

... and he was off to his forest trails, his side roads, because when he was on his bicycle he could breathe like nowhere else, and the rhythmic breathing and the solitude brought him back to himself, allowed him to get a grip, no more obsessively weighing himself, no more feeling for his pulse, and one evening he came home scented with anise, he'd had a few shots of Prostějov rye in some pub, and that evening he slept like a baby..

Up till now some of it will endure in my reminiscence unflinching and vibrant. (I may have passed on reading a bewitched story with I was never- ever meant to read about my family, and the hex of losing everything that I loved, I wonder if the girls set me up for this one?) I can hear whispers, whispers I can feel, whispers that used to give me a thrill, whispers from the ones that kill, whispers that give me a chill, I recall whispers while trying to find love, I hear them whispering, just like the girl in the story that I should have known, that I may need to find. Even so, I have to comprehend it is all that I want to think of, and not what they choose for me to arouse, I was forbidden to see her… nevertheless, I did, the day before my end. I hear a soft voice! After that moment with her- You know I think that life is all optimal; one can either select to live comfortably or choose to live in fear, and that is what I did the fear of not fitting in and they kill me for it. They're still killing me, every day not to find out what I love the most, and that is not my girlfriends, it comes down to two. I ask him to do more for me, yet is he? Or has he, or has she done it all for me, that is the question. I know that someday he will answer me, and if he doesn’t, she will! I feel I want her to; she is the one the most like me, and I feel she needs me more. And I love that about her she needs me, and that is love. Yet I feel like this- There is nothing to do in this here for me, or then her or should it be him? I know that my dad would disown me for dating a girl, so- I don’t get what I should do. I use things like with a boy anyway, so I should just go with the real thing inside me, I am not a lez-bo! But that girl could sway me- I don’t know. There is just a glow in my mouth- like all the white teeth teens want me to be, it’s all spitting out, yet I have swallowed it, yet they don’t. Look at my eyes with bloodshot eyes, with tears running down her cheeks, and everything in-between feeling the same, you could even see all the welt markings of all their words, yet you can’t see them. She did not even know her name… so she was named after his favorite flower, which he had everywhere in his home as I remember. There is nowhere to go, no one to see… and no one or two, which cares about me. How can I live a life of ecstasy? If infrequently one cannot have a choice, yet I want to pick this if I have anticipation, if I have the preference to. Well, I have to live with the consequences of an entity life with me next to me and even inside me and some, I call my friends. Everyone has to bow down to them, I have been blown to yet not always the way you think I have, my live a life abortion, ripping out my heart blood dripping down my arm, and the demons I just hoping fly out of my piss so, I can strangle them with my come! Yeah, I am the only girl that will say that out loud!

I hope every day you take each other’s breath away. I hope every kiss feels like the first but ends like the last. I hope you always see the best versions of yourselves reflected in each other’s eyes.” I look at Alex while my own emotions derail my thoughts. “But mostly, I hope you wake up every morning next to each other because there’s no place in this world you’d rather be, instead of having nowhere else to go. May you always be each other’s home.

Off to the immediate left of the garage was a dead-end road down where the parents of one of her exes lived. She wondered if Aidan had returned at any point, perhaps, like her, even to boomerang home for a bit. She also wondered if she was projecting. “Probably nowhere near Hatzquiam.” If she had been curious enough about passing by Aidan's parents' place, then it must have been brief enough that she decided, like waiting for Vince to show up, that it wasn't worth the time. Being curious was fine, but she didn't feel like venturing down a dead-end road.

A key step that can help us begin to settle ourselves when we are profoundly unsettled is to come home, to ourselves, in this moment, whatever is happening. This is one way of speaking about mindfulness, or being present: coming home to ourselves. When we bring our mind back to our body we come home. We could consider this state as our true home. This home inside of us is a home no one can take away from us, and it cannot be damaged or destroyed. No matter what happens around us, if we can find this home inside of us, we are always safe. When we touch this experience of coming home, it is like we have finally arrived home after a long journey. We experience a sense of peace and even freedom, no matter how confining the outer circumstances. Coming home to ourselves feels like belonging; it is a state that holds us and enables us to hold others. This is so important because we can live our whole lives estranged from this home within ourselves. My teacher Thay sums up his whole lifetime of teachings with one sentence: “I have arrived, I am home.” For him, the principal aim of mindfulness practice is to experience that we have already arrived, here and now. There is nowhere we need to run to or be, other than right here in the present moment. And we experience ourselves at home, no longer looking for some refuge outside of us, in some other place or time, when we touch the truth that all that we long for and search after is here inside of us. We can experience encountering this spacious and free place of our true home in unexpected moments as we spend more time tuning in to what is happening inside us and around us.

If I were more honest, I would have told them that in the nine months at our clinic, they would almost certainly hear stories of loved ones lost to gun violence. They would work with people who witnessed murders, some who had survived being shot and still carried the scars. They would hear of intimate partner violence, of patients who desperately wanted to escape but felt like they had nowhere to go. They would work with others whose roommates were active drug users and invited other drugs users into the home, but their patients would not be able to afford to move. Many of their patients would not feel comfortable leaving their homes, making many of the coping skills the applicants learned in school for depression and anxiety obsolete. They would be more than the sum total of their trauma, of course, but hearing the magnitude of pain they had experienced could easily become overwhelming.