Notions Quotes

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There is nothing I would not do for those who are really my friends. I have no notion of loving people by halves, it is not my nature.
Jane Austen (Northanger Abbey)
Science is not only compatible with spirituality; it is a profound source of spirituality. When we recognize our place in an immensity of light‐years and in the passage of ages, when we grasp the intricacy, beauty, and subtlety of life, then that soaring feeling, that sense of elation and humility combined, is surely spiritual. So are our emotions in the presence of great art or music or literature, or acts of exemplary selfless courage such as those of Mohandas Gandhi or Martin Luther King, Jr. The notion that science and spirituality are somehow mutually exclusive does a disservice to both.
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
The notion of my future suddenly snapped into focus: it didn't exist yet.
Ottessa Moshfegh (My Year of Rest and Relaxation)
The notion that a radical is one who hates his country is naïve and usually idiotic. He is, more likely, one who likes his country more than the rest of us, and is thus more disturbed than the rest of us when he sees it debauched. He is not a bad citizen turning to crime; he is a good citizen driven to despair.
H.L. Mencken
What disturbs and depresses young people is the hunt for happiness on the firm assumption that it must be met with in life. From this arises constantly deluded hope and so also dissatisfaction. Deceptive images of a vague happiness hover before us in our dreams, and we search in vain for their original. Much would have been gained if, through timely advice and instruction, young people could have had eradicated from their minds the erroneous notion that the world has a great deal to offer them.
Arthur Schopenhauer
She had never entirely let go of the notion that if she reached far enough with her thoughts she might find someone waiting, that if two people were to cast their thoughts outward at the same moment they might somehow meet in the middle.
Emily St. John Mandel (Station Eleven)
But race is the child of racism, not the father. And the process of naming “the people” has never been a matter of genealogy and physiognomy so much as one of hierarchy. Difference in hue and hair is old. But the belief in the preeminence of hue and hair, the notion that these factors can correctly organize a society and that they signify deeper attributes, which are indelible—this is the new idea at the heart of these new people who have been brought up hopelessly, tragically, deceitfully, to believe that they are white.
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
I think it's helpful to know how sunsets work. I don't buy the romantic notion that scientific understanding somehow robs the universe of its beauty, but I still can't find language to describe how breathtakingly beautiful sunsets are--not breathtakingly, actually, but breath-givingly beautiful. All I can say is that sometimes when the world is between day and night, I'm stopped cold by its splendor, and I feel my absurd smallness. You'd think that would be sad, but it isn't. It only makes me grateful.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
You need to stop clinging to the notion that there is only one right path. You’ll waste half your time panicking you’re not on it, and the rest backtracking to find it.
Joe Abercrombie (The Devils (The Devils, #1))
So much American science fiction is parochial -- not as true now as it was years ago, but the assumption is one culture in the future, more or less like ours, and with the same ideals, the same notions of how to do things, just bigger and flashier technology. Well, you know darn well it doesn't work that way...
Poul Anderson
Anna and Tom had grown up with the notion that individuality manifested itself as a set of visual differences, immediately decodable and in constant need of updating
Vincenzo Latronico (Perfection)
How much did you make last year?” he asked me. “Why?” I responded. He quickly told me that he would pay my yearly salary to settle our personal case. Without even considering the idea, I said, "That's not fair." Rather than disagree, he retorted, “Well, what does fairness mean to you?” I thought about it for a few seconds and said, “You know it when you see it. I can't give you a universal definition, but at the very least, it means that you take into consideration all factors and not just one.” He surprised me again by inquiring, “tell me all of the factors I should be considering.” From that moment forward, he would incorporate the concept of fairness into every substantive discussion that we would ever have. Not because he believed in it, but because he knew I did. Once he grasped the notion that my entire way of dealing with an adversary was in terms of fairness, he began to speak my language. Whether he was conveying an offer, a counteroffer, or just a general principle of life, he would couch his position in terms of what was fair or unfair.
Bradley J. Edwards (Relentless Pursuit My Fight for the Victims of Jeffrey Epstein)
Even the separation of art from craft is largely a post-Renaissance concept, and more recent still is the notion that art transcends what you do, and represents what you are. In the past few centuries Western art has moved from unsigned tableaus of orthodox religious scenes to one-person displays of personal cosmologies. “Artist” has gradually become a form of identity which (as every artist knows) often carries with it as many drawbacks as benefits. Consider that if artist equals self, then when (inevitably) you make flawed art, you are a flawed person, and when (worse yet) you make no art, you are no person at all! It seems far healthier to sidestep that vicious spiral by accepting many paths to successful artmaking — from reclusive to flamboyant, intuitive to intellectual, folk art to fine art. One of those paths is yours. David Bayles. Art & Fear- Observations on the Perils (and Rewards) of Artmaking (pp. 12-13). (Function). Kindle Edition.
David Bayles (Art and Fear)
Even the separation of art from craft is largely a post-Renaissance concept, and more recent still is the notion that art transcends what you do, and represents what you are. In the past few centuries Western art has moved from unsigned tableaus of orthodox religious scenes to one-person displays of personal cosmologies. “Artist” has gradually become a form of identity which (as every artist knows) often carries with it as many drawbacks as benefits. Consider that if artist equals self, then when (inevitably) you make flawed art, you are a flawed person, and when (worse yet) you make no art, you are no person at all! It seems far healthier to sidestep that vicious spiral by accepting many paths to successful artmaking — from reclusive to flamboyant, intuitive to intellectual, folk art to fine art. One of those paths is yours.
David Bayles (Art and Fear)
While there was no possibility of making The History of Middle-earth a history of the languages as well, I have not wished to eschew them altogether even when not essential to the narrative (as Adunaic is in The Notion Club Papers); I have wished to give at least some indication at different stages of the presence of this vital and evolving element, especially in regard to the meaning of names
J.R.R. Tolkien (The War of the Jewels (The History of Middle-Earth, #11))
Postmodern thought is often misunderstood, and the concept of pluralism—the recognition of many contexts and the understanding that no one context is privileged in and of itself—is often con- fused with the absurd notion that every approach, culture and tradition is commensurate and of equal merit.
Alan Chapman (Advanced Magick for Beginners)