Notice Everything But Be Quiet Quotes

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But why do I notice everything? She thought. Why must I think? She did not want to think. She wanted to force her mind to become a blank and lie back, and accept quietly, tolerantly, whatever came.
Virginia Woolf (The Years)
People talk about the happy quiet that can exist between two loves, but this, too, was great; sitting between his sister and his brother, saying nothing, eating. Before the world existed, before it was populated, and before there were wars and jobs and colleges and movies and clothes and opinions and foreign travel -- before all of these things there had been only one person, Zora, and only one place: a tent in the living room made from chairs and bed-sheets. After a few years, Levi arrived; space was made for him; it was as if he had always been. Looking at them both now, Jerome found himself in their finger joints and neat conch ears, in their long legs and wild curls. He heard himself in their partial lisps caused by puffy tongues vibrating against slightly noticeable buckteeth. He did not consider if or how or why he loved them. They were just love: they were the first evidence he ever had of love, and they would be the last confirmation of love when everything else fell away.
Zadie Smith (On Beauty)
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
Bob Dylan (Chronicles, Volume One)
Poor Christopher-John had fallen into the hands of Miss. Daisy Crocker. I greatly sympathized him, but as in everything else, Christopher John tried to see the bright side in having to face such a shrew every morning. "Maybe she done changed," he said hopefully on the first day of school. However, when classes were over he was noticeably quiet. Well?" I asked him. He shrugged dejectedly and admitted, "She still the same.
Mildred D. Taylor (Let the Circle Be Unbroken (Logans, #5))
Sad Songs Once there was a boy who couldn't speak but owned a music box that held every song in all the world. One day he met a girl who had never heard a single melody in her entire life and so he played her his favorite song. He watched while her face lit up with wonder as the music filled the sky and the poetry of lyrics moved her in a way she had never felt before. He would play his songs for her day after day and she would sit by him quietly—never seeming to mind that he could only speak to her through song. She loved everything he played for her, but of them all—she loved the sad songs best. So he began to play them more and more until eventually, sad songs were all she would hear. One day, he noticed it had been a very long time since her last smile. When he asked her why, she took both his hands in hers and kissed them warmly. She thanked him for his gift of music and poetry but above all else—for showing her sadness because she had known neither of these things before him. But it was now time for her to go away—to find someone who could show her what happiness was. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Do you remember the song that was playing the night we met? No, but I remember every song I have heard since you left.
Lang Leav (Love & Misadventure)
She was so quiet, but she noticed everything. Her eyes tracked the world like it was a book written in a language she could not understand
Karin Slaughter (Pretty Girls)
Here's the thing, say Shug. The thing I believe. God is inside you and inside everybody else. You come into the world with God. But only them that search for it inside find it. And sometimes it just manifest itself even if you not looking, or don't know what you looking for. Trouble do it for most folks, I think. Sorrow, lord. Feeling like shit. It? I ast. Yeah, It. God ain't a he or a she, but a It. But what do it look like? I ast. Don't look like nothing, she say. It ain't a picture show. It ain't something you can look at apart from anything else, including yourself. I believe God is everything, say Shug. Everything that is or ever was or ever will be. And when you can feel that, and be happy to feel that, you've found It. Shug a beautiful something, let me tell you. She frown a little, look out cross the yard, lean back in her chair, look like a big rose. She say, My first step from the old white man was trees. Then air. Then birds. Then other people. But one day when I was sitting quiet and feeling like a motherless child, which I was, it come to me: that feeling of being part of everything, not separate at all. I knew that if I cut a tree, my arm would bleed. And I laughed and I cried and I run all around the house. I knew just what it was. In fact, when it happen, you can't miss it. It sort of like you know what, she say, grinning and rubbing high up on my thigh. Shug! I say. Oh, she say. God love all them feelings. That's some of the best stuff God did. And when you know God loves 'em you enjoys 'em a lot more. You can just relax, go with everything that's going, and praise God by liking what you like. God don't think it dirty? I ast. Naw, she say. God made it. Listen, God love everything you love? and a mess of stuff you don't. But more than anything else, God love admiration. You saying God vain? I ast. Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it. What it do when it pissed off? I ast. Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back. Yeah? I say. Yeah, she say. It always making little surprises and springing them on us when us least expect. You mean it want to be loved, just like the bible say. Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk? Well, us talk and talk bout God, but I'm still adrift. Trying to chase that old white man out of my head. I been so busy thinking bout him I never truly notice nothing God make. Not a blade of corn (how it do that?) not the color purple (where it come from?). Not the little wildflowers. Nothing. Now that my eyes opening, I feels like a fool. Next to any little scrub of a bush in my yard, Mr. ____s evil sort of shrink. But not altogether. Still, it is like Shug say, You have to git man off your eyeball, before you can see anything a'tall. Man corrupt everything, say Shug. He on your box of grits, in your head, and all over the radio. He try to make you think he everywhere. Soon as you think he everywhere, you think he God. But he ain't. Whenever you trying to pray, and man plop himself on the other end of it, tell him to git lost, say Shug. Conjure up flowers, wind,water, a big rock. But this hard work, let me tell you. He been there so long, he don't want to budge. He threaten lightening, floods and earthquakes. Us fight. I hardly pray at all. Every time I conjure up a rock, I throw it. Amen
Alice Walker (The Color Purple)
When K. looked at the castle, often it seemed to him as if he were observing someone who sat quietly there in front of him gazing, not lost in thought and so oblivious of everything, but free and untroubled, as if he were alone with nobody to observe him, and yet must notice that he was observed, and all the same remained with his calm not even slightly disturbed; and really - one did not know whether it was cause or effect - the gaze of the observer could not remain concentrated there, but slid away.
Franz Kafka
Quiet people notice everything
Surendra Sidar
Maybe that's why Claire had perfected the art of invisibility. It was a form of self-preservation. You couldn't resent what you could not see. She was so quiet, but she noticed everything. Her eyes tracked the world like it was a book written in a language that she could not understand. There was nothing timorous about her, but you got the feeling that she always had one foot out the door. If the situation got too hard, or too intense, she would simply disappear.
Karin Slaughter (Pretty Girls)
Every single thing I must do – any hint of a demand – grinds against me. I resent it all. I want to be left, quietly, alone. I don’t know what I do in that time should I ever achieve that perfect aloneness. I like to think I would read, but in truth I would probably sleep. I don’t have the attention for reading. I don’t have the attention for anything, really. My brain feels entirely separate from me. It is empty, but it also cannot take any more in. It seems that it’s a useless organ, endlessly refusing to notice what I want it to notice. It will not engage. It just glances off everything, like a pale beam.
Katherine May (Enchantment: Awakening Wonder in an Anxious Age)
As if I feared that the scope of what I could feel and imagine was being quietly limited by the world within a world, the internet. The things outside of the web were becoming further from me, and everything inside it seemed piercingly relevant. The blogs of strangers had to be read daily, and people nearby who had no web presence were becoming almost cartoonlike, as if they were missing a dimension. It was just happening, like time, like geography. The web seemed so inherently endless that it didn't occur to me what wasn't there. My appetite for pictures and videos and news and music was so gigantic now that if something was shrinking, something immesurable, how would I notice? ...Most of life is offline, and I think it always will be; eating and aching and sleeping and loving happen in the body. But it's not impossible to imagine loosing my appetite for those things; they aren't always easy, and they take so much time.
Miranda July (It Chooses You)
Since I met you, I feel like I can see the operating system of the world- and it is unrequited love. That is why everyone’s doing everything. Every book, opera house, moon shot and manifesto is here because someone, somewhere, lit up silent when someone else came into the room, and then quietly burned when they didn’t notice them.
Caitlin Moran
I think when you’re the kind of person who feels she’s been forgotten, you don’t see everything— you forget yourself, too, and you certainly don’t notice the ones who remember you so quietly.
Marie Jaskulka (The Lost Marble Notebook of Forgotten Girl and Random Boy)
And it’s not just when you try to be quiet. It has something to say about everything you look at: “I like it. I don’t like it. This is good. That’s bad.” It just talks and talks. You don’t generally notice because you don’t step back from it. You’re so close that you don’t realize that you’re actually hypnotized into listening to it.
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
Someone shouted her name, making her startle and pull her horse to a quick stop. She turned to find Nicolae riding toward her, his familiar grin quick and easy despite the large gash that ran from the center of his forehead to the bridge of his nose and onto his left cheek. "Lada! Did you miss me?" She frowned, tapping her chin. "Have you been gone? I had not noticed." "You cried yourself to sleep every day." " I luxuriated in the blessed quiet that you left in your wake." He clapped a hand on her shoulder, still beaming, and she finally allowed herself a smile in return. In truth, she was overjoyed. "Tell me everything. Including how that happened." She nodded toward his scar. "This? Alas, my beautiful face. Is it not tragic?" "You should be grateful. For the first time in your life you have to eyebrows instead of one." Nicolae threw his head back, laughter roaring through the square. "My little dragon, always finding the bright side of life. Come. We drink.
Kiersten White (And I Darken (The Conqueror's Saga, #1))
...each day I sit down in purposeful concentration to write in a notebook, some sentences on a buried truth, an unnamed reality, things that happened but are denied. It is hard to describe the stillness it takes, the difficulty of this act. It requires an almost perfect concentration which I am trying to learn and there is no way to learn it that is spelled out anywhere or so I can understand it but I have a sense that it's completely simply, on the order of being able to sit still and keep your mind dead center in you without apology or fear. I squirm after some time but it ain't boredom, it's fear of what's possible, how much you can know if you can be quiet enough and simple enough. I move around, my mind wanders, I lose the ability to take words and roll them through my brain, move with them into their interiors, feel their colors, touch what's under them, where they come from long ago and way back. I get frightened seeing what's in my own mind if words get put to it. There's a light there, it's bright, it's wide, it could make you blind if you look direct into it and so I turn away, afraid; I get frightened and I run and the only way to run is to abandon the process altogether or compromise it beyond recognition. I think about Celine sitting with his shit, for instance; I don't know why he didn't run, he should've. It's a quality you have to have of being near mad and at the same time so quiet in your heart that you could pass for a spiritual warrior; you could probably break things with the power in your mind. You got to be able to stand it, because it's a powerful and disturbing light, not something easy and kind, it comes through your head to make its way onto the page and you get fucking scared so your mind runs away, it wanders, it gets distracted, it buckles, it deserts, it takes a Goddamn freight train if it can find one, it wants calming agents and sporifics, and you mask that you are betraying the brightest and the best light you will ever see, you are betraying the mind that can be host to it... ...Your mind does stupid tricks to mask that you are betraying something of grave importance. It wanders so you won't notice that you are deserting your own life, abandoning it to triviality and garbage, how you are too fucking afraid to use your own brain for what it's for, which is to be a host to the light, to use it, to focus it; let it shine and carry the burden of what is illuminated, everything buried there; the light's scarier than anything it shows, the pure, direct experience of it in you as if your mind ain't the vegetable thing it's generally conceived to be or the nightmare thing you know it to be but a capacity you barely imagined, real; overwhelming and real, pushing you out to the edge of ecstasy and knowing and then do you fall or do you jump or do you fly?
Andrea Dworkin (Mercy)
Be observant. Quiet is fine, but make sure you notice everything and everyone around you to your advantage.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
In the country, there are unseen eyes and ears everywhere. They may not be many in number, but they are highly perceptive. That’s what happens when you live in a quiet environment. You notice everything.
Donna Goddard (Nanima: Spiritual Fiction (Dadirri Series, #1))
Malcolm was watching everything, looking around unobtrusively, and as the speaker began again, he noticed something: the armed police had quietly vanished. There’d been a man at each of the six exits. Now there were none.
Philip Pullman (The Secret Commonwealth (The Book of Dust #2))
He cannot do anything deliberate now. The strain of his whole weight on his outstretched arms hurts too much. The pain fills him up, displaces thought, as much for him as it has for everyone else who has ever been stuck to one of these horrible contrivances, or for anyone else who dies in pain from any of the world’s grim arsenal of possibilities. And yet he goes on taking in. It is not what he does, it is what he is. He is all open door: to sorrow, suffering, guilt, despair, horror, everything that cannot be escaped, and he does not even try to escape it, he turns to meet it, and claims it all as his own. This is mine now, he is saying; and he embraces it with all that is left in him, each dark act, each dripping memory, as if it were something precious, as if it were itself the loved child tottering homeward on the road. But there is so much of it. So many injured children; so many locked rooms; so much lonely anger; so many bombs in public places; so much vicious zeal; so many bored teenagers at roadblocks; so many drunk girls at parties someone thought they could have a little fun with; so many jokes that go too far; so much ruining greed; so much sick ingenuity; so much burned skin. The world he claims, claims him. It burns and stings, it splinters and gouges, it locks him round and drags him down… All day long, the next day, the city is quiet. The air above the city lacks the usual thousand little trails of smoke from cookfires. Hymns rise from the temple. Families are indoors. The soldiers are back in barracks. The Chief Priest grows hoarse with singing. The governor plays chess with his secretary and dictates letters. The free bread the temple distributed to the poor has gone stale by midday, but tastes all right dipped in water or broth. Death has interrupted life only as much as it ever does. We die one at a time and disappear, but the life of the living continues. The earth turns. The sun makes its way towards the western horizon no slower or faster than it usually does. Early Sunday morning, one of the friends comes back with rags and a jug of water and a box of the grave spices that are supposed to cut down on the smell. She’s braced for the task. But when she comes to the grave she finds that the linen’s been thrown into the corner and the body is gone. Evidently anonymous burial isn’t quite anonymous enough, after all. She sits outside in the sun. The insects have woken up, here at the edge of the desert, and a bee is nosing about in a lily like silk thinly tucked over itself, but much more perishable. It won’t last long. She takes no notice of the feet that appear at the edge of her vision. That’s enough now, she thinks. That’s more than enough. Don’t be afraid, says Yeshua. Far more can be mended than you know. She is weeping. The executee helps her to stand up.
Francis Spufford (Unapologetic: Why, Despite Everything, Christianity Can Still Make Surprising Emotional Sense)
Until… Chase stood. The restaurant, which had been a loud rumble, suddenly quieted. Everything after that happened in slow motion. All of our family and friends faded away as the man I love got down on one knee. I heard and saw nothing but him. “I had this whole thing to say planned out in my head, but the minute I saw your face, I completely forgot every word. So I’m just going to wing it here. Reese Elizabeth Annesley, since the first time I laid eyes on you on that bus in middle school, I’ve been crazy about you.” I smiled and shook my head. “You got the crazy part right.” Chase took my hand, and it was then I noticed his was shaking. My cocky, always-confident bossman was nervous. If it was possible, I fell a little more in love with him in that moment. I squeezed his hand, offering reassurance, and he steadied. That’s what we did for each other. I was the balance to his unsteadiness. He was the courage to my fear. He continued. “Maybe it wasn’t a school bus or middle school, but I fell hard for you in the hall, that much I’m sure of. From the moment I saw your beautiful face light up that dark hallway a year ago, I was done. I didn’t even care that we were both on dates with other people, I just needed to be closer to you any way I could. Since then, you’ve distracted me every day whether you’re near me or not. You brought me back to life, and there’s nothing I want to do more than build that life with you. I want to be the man to look under your bed every night and wake up next to you in it every morning. You’ve changed me. When I’m with you, I’m myself, only a better version, because you make me want to be a better man. I want to spend the rest of my life with you, and I want it to start yesterday. So, please tell me you’ll be my wife because I’ve already been waiting for you my entire life, and I don’t want to wait any more.” I pressed my forehead to his as tears streamed down my face. “You know I’m going to be even crazier once we live together, and probably even worse when we have our own family. Three locks might turn to seven, and doing my check in that big house of yours is going to take a long time. It might get old and tiring. I don’t know if I’ll ever be able to change any of that.” Chase reached behind me and bunched my hair into his hand, cupping it along with the nape of my neck. “I don’t want you to change. Not any of it. I love everything about you. There’s not a single thing I’d change if I could. Well, except your last name.
Vi Keeland (Bossman)
Now, the last one was that the demon king can’t stand either in heaven or on the earth. Urga set the demon on his lap, which means I guess I’ll have to…sit on your back.” Awkward. Even though Ren was a big tiger and it would be like riding a small pony, I was still conscious that he was a man, and I didn’t feel right about turning him into a pack animal. I took off my backpack and set it down wondering what I could do to make this a bit less embarrassing. Mustering the courage to sit on his back, I’d just decided that it wouldn’t be too bad if I sat sidesaddle, when my feet flew out from under me. Ren had changed into a man and swept me up into his arms. I wiggled for a minute, protesting, but he just gave me a look-the don’t-even-bother-coming-up-with-an-argument look. I shut my mouth. He leaned over to pick up the backpack, let it dangle from his fingers, and then said, “What’s next?” “I don’t know. That’s all that Mr. Kadam told me.” He shifted me in his arms, walked over to stand in the doorway again, then peered up at the statue. He murmured, “I don’t see any changes.” He held me securely while looking at the statue and, I have to admit, I totally stopped caring about what we were doing. The scratches on my arm that had been throbbing a moment ago didn’t bother me at all. I let myself enjoy the feeling of being cuddled up close to his muscular chest. What girl didn’t want to be swept up in the arms of a drop-dead gorgeous man? I allowed my gaze to drift up to his beautiful face. The thought occurred to me that if I were to carve a stone god, I’d pick Ren as my subject. This Urga half-lion and half-man guy had nothing on Ren. Eventually, he realized I was watching him, and said, “Hello? Kells? Breaking a curse here, remember?” I just smiled back stupidly. He quirked an eyebrow at me. “What were you thinking about just now?” “Nothing important.” He grinned. “May I remind you that you are in prime tickling position, and there’s no escape. Tell me.” Gads. His smile was brilliant, even in the fog. I laughed nervously. “If you tickle me, I’ll protest and struggle violently, which will cause you to drop me and ruin everything that we are trying to accomplish.” He grunted, leaned close to my ear, and then whispered, “That sounds like an interesting challenge, rajkumari. Perhaps we shall experiment with it later. And just for the record, Kelsey, I wouldn’t drop you.” The way he said my name made goose bumps rise all over my arms. When I looked down to quickly rub them, I noticed the flashlight had been turned off. I switched it on, but the statue remained the same. Giving up, I suggested, “Nothing’s happening. Maybe we need to wait till dawn.” He laughed throatily while nuzzling my ear and declared softly, “I’d say that something is happening, but not the something that will open the doorway.” He trailed soft, slow kisses from my ear down my neck. I sighed faintly and arched my neck to give him better access. With a last kiss, he groaned and reluctantly raised his head. Disappointed that he’d stopped, I asked, “What does rajkumari mean?” He laughed quietly, carefully set me down, and said, “It means princess.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
In the name of all responsible gods, saints and mascots I pledge to obey the following ten points and hope that all responsible gods, saints and mascots will be merciful and help me to keep my word:            1.    I will always love you.            2.    I will never leave you.            3.    I will do everything to make you happy.            4.    I will take care of you and the children, as far as circumstances allow.            5.    I will not object to you taking care of me.            6.    I will no longer look at pretty girls, or at least only to ascertain that you are prettier.            7.    I will not come home late very often.            8.    I will try to grind my teeth quietly at night.            9.    I will always love you.            10.  I will always love you. Until further notice, Felice
Erica Fischer (Aimée & Jaguar: A Love Story, Berlin 1943)
I’ve noticed that you always want to drop one thing to hurry on to the next. Yet each task takes you far too much time to finish because you dissect everything far too much. You are not slow—just long-winded. You want to say everything that has the slightest connection to the subject at hand. This always takes too long and causes you to rush from one thing to another. Try to be brief. Learn to get to the heart of the matter and disregard the nonessential. Don’t spend all your time musing! What you really need to do is sit quietly before God and your active argumentative mind would soon be calmed. God can teach you to look at each matter with a simple, clear view. You could say what you mean in two words! And as you think and speak less, you will be less excitable and distracted. Otherwise, you will wear yourself out, and external thing will overpower your inward life as well as your health. Cut all this activity short! Silence yourself inwardly. Come back to your Lord often. You will get more accomplished this way. It is more important to listen to God than to your own thoughts.
François Fénelon (The Seeking Heart (Library of Spiritual Classics))
I don’t know what’s wrong with me, really. It’s nothing, but it’s also all-encompassing. I feel strangely empty, devoid of thought and energy. I am not sure where my days go, but they go. Every single thing I must do—any hint of a demand—grinds against me. I resent it all. I want to be left, quietly, alone. I don’t know what I’d do in that time should I ever achieve that perfect aloneness. I like to think I would read, but in truth I would probably sleep. I don’t have the attention for reading. I don’t have the attention for anything, really. My brain feels entirely separate from me. It is empty, but it also cannot take any more in. It seems that it’s a useless organ, endlessly refusing to notice what I want it to notice. It will not engage. It just glances off everything, a pale beam.
Katherine May (Enchantment: Awakening Wonder in an Anxious Age)
A lot of extroverts become quiet when they are feeling sad, angry, or trying to send someone else a message. They think that if they stop talking, the other person will automatically realize that something is wrong, and we will ask them about it (i.e. passive-aggressive behavior). This is why when an extrovert runs into a quiet, introverted person, they assume that person is quiet because they are sad/angry/depressed, and they are waiting for someone to ask them about it. This may also be the reason why extroverts always seem to be telling introverts to "cheer up,” or asking them if everything is okay?
Drew Kimble (Quiet Impact: A Creative Introvert's Guide to the Art of Getting Noticed)
But even a vessel pulsates, beats and pumps in ecstasy and in rage! I wonder are the way we are because we are trying to protect ourselves from the “monsters” not realizing this fear that we are harboring inside us is turning us into goblins and ghouls ourselves? Not even a heart caged inside of ribs can be protected. Who can really be to blame for your broken heart? In-turn we find our own vices , our own ways to cope, ways that we petrify our bodies our lives in such a fashion so we can stop and notice the stars sparkling in the sky everything and everyone that embodies love YOUR LOVE… and every spec dancing in our own light, specs we failed to see because of our own faults.
QuietStormPoet
Behind her, the door to the stairwell opens, and Tobias steps out with Marcus and Caleb behind him, because I have trained myself to notice him. I watch his shoes as he comes closer. They are black sneakers with chrome eyelets for the laces. They stop right next to me, and he crouches by my shoulder. I look at him, expecting to find his eyes cold and unyielding. But I don’t. Evelyn is still talking, but her voice fades for me. “You were right,” Tobias says quietly, balancing on the balls of his feet. He smiles a little. “I do know who you are. I just needed to be reminded.” I open my mouth, but I don’t have anything to say. Then all the screens in the Erudite lobby--at least those that weren’t destroyed in the attack--flicker on, including a projector positioned over the wall where Jeanine’s portrait used to be. Evelyn stops in the middle of whatever sentence she was speaking. Tobias takes my hand and helps me to my feet. “What is this?” Evelyn demands. “This,” he says, only to me, “is the information that will change everything.” My legs shake with relief and apprehension. “You did it?” I say. “You did it,” he says. “All I did was force Caleb to cooperate.” I throw my arm around his neck, and press my lips to his. He holds my face in both hands and kisses me back. I press into the distance between us until it is gone, crushing the secrets we have kept and the suspicions we have harbored--for good, I hope.
Veronica Roth (Insurgent (Divergent, #2))
Okay.First things first. Three things you don't want me to know about you." "What?" I gaped at him. "You're the one who says we don't know each other.So let's cut to the chase." Oh,but this was too easy: 1. I am wearing my oldest, ugliest underwear. 2.I think your girlfriend is evil and should be destroyed. 3.I am a lying, larcenous creature who talks to dead people and thinks she should be your girlfriend once the aforementioned one is out of the picture. I figured that was just about everything. "I don't think so-" "Doesn't have to be embarrassing or major," Alex interrupted me, "but it has to be something that costs a little to share." When I opened my mouth to object again, he pointed a long finger at the center of my chest. "You opened the box,Pandora.So sit." There was a funny-shaped velour chair near my knees. I sat. The chair promptly molded itself to my butt. I assumed that meant it was expensive, and not dangerous. Alex flopped onto the bed,settling on his side with his elbow bent and his head propped on his hand. "Can't you go first?" I asked. "You opened the box..." "Okay,okay. I'm thinking." He gave me about thirty seconds. Then, "Time." I took a breath. "I'm on full scholarship to Willing." One thing Truth or Dare has taught me is that you can't be too proud and still expect to get anything valuable out of the process. "Next." "I'm terrified of a lot things, including lightning, driving a stick shift, and swimming in the ocean." His expression didn't change at all. He just took in my answers. "Last one." "I am not telling you about my underwear," I muttered. He laughed. "I am sorry to hear that. Not even the color?" I wanted to scowl. I couldn't. "No.But I will tell you that I like anchovies on my pizza." "That's supposed to be consolation for withholding lingeries info?" "Not my concern.But you tell me-is it something you would broadcast around the lunchroom?" "Probably not," he agreed. "Didn't think so." I settled back more deeply into my chair. It didn't escape my notice that, yet again, I was feeling very relaxed around this boy. Yet again, it didn't make me especially happy. "Your turn." I thought about my promise to Frankie. I quietly hoped Alex would tell me something to make me like him even a little less. He was ready. "I cried so much during my first time at camp that my parents had to come get me four days early." I never went to camp. It always seemed a little bit idyllic to me. "How old were you?" "Six.Why?" "Why?" I imagined a very small Alex in a Spider-Man shirt, cuddling the threadbare bunny now sitting on the shelf over his computer. I sighed. "Oh,no reason. Next." "I hated Titanic, The Notebook, and Twilight." "What did you think of Ten Things I Hate About You?" "Hey," he snapped. "I didn't ask questions during your turn." "No,you didn't," I agreed pleasantly. "Anser,please." "Fine.I liked Ten Things. Satisfied?" No,actually. "Alex," I said sadly, "either you are mind-bogglingly clueless about what I wouldn't want to know, or your next revelation is going to be that you have an unpleasant reaction to kryptonite." He was looking at me like I'd spoken Swahili. "What are you talking about?" Just call me Lois. I shook my head. "Never mind. Carry on." "I have been known to dance in front of the mirror-" he cringed a little- "to 'Thriller.'" And there it was. Alex now knew that I was a penniless coward with a penchant for stinky fish.I knew he was officially adorable. He pushed himself up off his elbow and swung his legs around until he was sitting on the edge of the bed. "And on that humiliating note, I will now make you translate bathroom words into French." He picked up a sheaf of papers from the floor. "I have these worksheets. They're great for the irregular verbs...
Melissa Jensen (The Fine Art of Truth or Dare)
Matt’s housekeeper let him in with a grimace. “I’m harmless today,” Tate assured the woman as she led the way to where Matt Holden was standing just outside the study door. “Right. You and two odd species of cobra,” Matt murmured sarcastically, glaring at his son from a tanned face. “What do you want, a bruise to match the other one?” Tate held up both hands. “Don’t start,” he said. Matt moved out of the way with reluctance and closed the study door behind them. “Your mother’s gone shopping,” he said. “Good. I don’t want to talk to her just yet.” Matt’s eyebrows levered up. “Oh?” Tate dropped into the wing chair across from the senator’s bulky armchair. “I need some advice.” Matt felt his forehead. “I didn’t think a single malt whiskey was enough to make me hallucinate,” he said to himself. Tate glowered at him. “You’re not one of my favorite people, but you know Cecily a little better than I seem to lately.” “Cecily loves you,” Matt said shortly, dropping into his chair. “That’s not the problem,” Tate said. He leaned forward, his hands clasped loosely between his splayed knees. “Although I seem to have done everything in my power to make her stop.” The older man didn’t speak for a minute or two. “Love doesn’t die that easily,” he said. “Your mother and I are a case in point. We hadn’t seen each other for thirty-six years, but the instant we met again, the years fell away. We were young again, in love again.” “I can’t wait thirty-six years,” Tate stated. He stared at his hands, then he drew in a long breath. “Cecily’s pregnant.” The other man was quiet for so long that Tate lifted his eyes, only to be met with barely contained rage in the older man’s face. “Is it yours?” Matt asked curtly. Tate glowered at him. “What kind of woman do you think Cecily is? Of course it’s mine!” Matt chuckled. He leaned back in the easy chair and indulged the need to look at his son, to find all the differences and all the similarities in that younger version of his face. It pleased him to find so many familiar things. “We look alike,” Tate said, reading the intent scrutiny he was getting. “Funny that I never noticed that before.” Matt smiled. “We didn’t get along very well.” “Both too stubborn and inflexible,” Tate pointed out. “And arrogant.” Tate chuckled dryly. “Maybe.
Diana Palmer (Paper Rose (Hutton & Co. #2))
I’m surprised you even remember that day. You were so into Kavinsky, I don’t think you even noticed who else was there.” I push him in the shoulder. “I was not ‘so into Kavinsky’!” “Yes you were. You kept your eyes on that bottle the whole game, like this.” John picks up the bottle and lasers his eyes at it. “Waiting for your moment.” I’m bright red, I know I am. “Oh, be quiet.” Laughing, he says, “Like a hawk on its prey.” “Shut up!” Now I’m laughing too. “How do you even remember that?” “Because I was doing the same thing,” he says. “You were staring at Peter too?” I say it like a joke, to tease, because this is fun. For the first time in days I’m having fun. He looks right at me, navy-blue eyes sure and steady, and my breath catches in my chest. “No. I was looking at you.” There’s a humming in my ears, and it’s the sound of my heart beating in triple measure. In memory, everything seems to happen to music. One of my favorite lines from The Glass Menagerie. If I close my eyes I can almost hear it, that day in John Ambrose McClaren’s basement. Years from now, when I look back on this moment, what music will I hear then? His eyes hold mine, and I feel a flutter that starts in my throat and moves across my collarbone and chest. “I like you, Lara Jean. I liked you then and I like you even more now. I know you and Kavinsky just broke up, and you’re still sad, but I just want to make it unequivocally clear.” “Um…okay,” I whisper. His words--they come clearly; they don’t miss in either direction. Not even a trace of a stutter. Just--unequivocally clear.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
In Cootamundra the station was quiet. Tina looked around but before she could see anyone she saw the poster on the wall. Lockie saw it too. It stopped him mid-stride. It was surrounded by For Sale notices and babysitting flyers.Over the months it could have become covered over as hope was lost but it hadn’t been. Right in the middle, with some clear space around it, was the colour poster of a blue-eyed boy. His head was covered in golden curls and he had a deep dimple on his right cheek. His face had been enlarged so that every freckle could be counted. He was Lachlan Williams and in this town they were still looking for him. He looked nothing like the pale, skinny boy Tina was with. Underneath the picture were the words - Missing:Lachlan Williams Aged 8 Disappeared from the Easter Show April 2010. If you have any information please contact...There were a whole lot of numbers and a website address. Lockie stared at the poster for a minute. He pushed his hood back down and ran his hand over his brush-cut blond hair. ‘What—’ Tina began. ‘He shaved it,’ said Lockie before she could complete the question. ‘Every few weeks, when it got longer, he would shave it again.’ His voice was two hundred years old.Tina saw her hand on the poker and felt a surge of triumph at what she had done. Some people just deserved to die. It wasn’t a nice thought but it was true. You couldn’t change someone who was fundamentally evil. Of everything Lockie must have suffered, and Tina could not even wrap her mind around what he must have gone through, the shaving of his head seemed somehow the worst. The uniform had changed who Lockie was. He was a golden boy with golden curls and the uniform had taken the gold from him. Lockie looked nothing like the poster. His face was all angles and his smile was lost. He hadn’t needed to conceal himself beneath a hood. No one would have recognised him anyway.
Nicole Trope (The Boy Under the Table)
When she finally reached it, she bent forward and looked through the peephole. Jay was grinning back at her from outside. Her heart leaped for a completely different reason. She set aside her crutches and quickly unbolted the door to open it. "What took you so long?" Her knee was bent and her ankle pulled up off the ground. She balanced against the doorjamb. "What d'you think, dumbass?" she retorted smartly, keeping her voice down so she wouldn't alert her parents. "You scared the crap out of me, by the way. My parents are already in bed, and I was all alone down here." "Good!" he exclaimed as he reached in and grabbed her around the waist, dragging her up against him and wrapping his arms around her. She giggled while he held her there, enjoying everything about the feel of him against her. "What are you doing here? I thought I wouldn't see you till tomorrow." "I wanted to show you something!" He beamed at her, and his enthusiasm reached out to capture her in its grip. She couldn't help smiling back excitedly. "What is it?" she asked breathlessly. He didn't release her; he just turned, still holding her gently in his arms, so that she could see out into the driveway. The first thing she noticed was the officer in his car, alert now as he kept a watchful eye on the two of them. Violet realized that it was late, already past eleven, and from the look on his face, she thought he must have been hoping for a quiet, uneventful evening out there. And then she saw the car. It was beautiful and sleek, painted a glossy black that, even in the dark, reflected the light like a polished mirror. Violet recognized the Acura insignia on the front of the hood, and even though she could tell it wasn't brand-new, it looked like it had been well taken care of. "Whose is it?" she asked admiringly. It was way better than her crappy little Honda. Jay grinned again, his face glowing with enthusiasm. "It's mine. I got it tonight. That's why I had to go. My mom had the night off, and I wanted to get it before..." He smiled down at her. "I didn't want to borrow your car to take you to the dance." "Really?" she breathed. "How...? I didn't even know you were..." She couldn't seem to find the right words; she was envious and excited for him all at the same time. "I know right?" he answered, as if she'd actually asked coherent questions. "I've been saving for...for forever, really. What do you think?" Violet smiled at him, thinking that he was entirely too perfect for her. "I think it's beautiful," she said with more meaning than he understood. And then she glanced back at the car. "I had no idea that you were getting a car. I love it, Jay," she insisted, wrapping her arms around his neck as he hoisted her up, cradling her like a small child." "I'd offer to take you for a test-drive, but I'm afraid that Supercop over there would probably Taser me with his stun gun. So you'll have to wait until tomorrow," he said, and without waiting for an invitation he carried her inside, dead bolting the door behind him. He settled down on the couch, where she'd been sitting by herself just moments before, without letting her go. There was a movie on the television, but neither of them paid any attention to it as Jay reclined, stretching out and drawing her down into the circle of his arms. They spent the rest of the night like that, cradled together, their bodies fitting each other perfectly, as they kissed and whispered and laughed quietly in the darkness. At some point Violet was aware that she was drifting into sleep, as her thoughts turned dreamlike, becoming disjointed and fuzzy and hard to hold on to. She didn't fight it; she enjoyed the lazy, drifting feeling, along with the warmth created by the cocoon of Jay's body wrapped protectively around her. It was the safest she'd felt in days...maybe weeks... And for the first time since she'd been chased by the man in the woods, her dreams were free from monsters.
Kimberly Derting (The Body Finder (The Body Finder, #1))
I feel so far away from them, on the top of this hill. It seems as though I belong to another species. They come out of their offices after their day of work, they look at the houses and the squares with satisfaction, they think it is their city, a good, solid, bourgeois city. They aren’t afraid, they feel at home. All they have ever seen is trained water running from taps, light which fills bulbs when you turn on the switch, half-breed, bastard trees held up with crutches. They have proof, a hundred times a day, that everything happens mechanically, that the world obeys fixed, unchangeable laws. In a vacuum all bodies fall at the same rate of speed, the public park is closed at 4 p.m. in winter, at 6 p.m. in summer, lead melts at 335 degrees centigrade, the last streetcar leaves the Hotel de Ville at 11.05 p.m. They are peaceful, a little morose, they think about Tomorrow, that is to say, simply, a new today; cities have only one day at their disposal and every morning it comes back exactly the same. They scarcely doll it up a bit on Sundays. Idiots. It is repugnant to me to think that I am going to see their thick, self-satisfied faces. They make laws, they write popular novels, they get married, they are fools enough to have children. And all this time, great, vague nature has slipped into their city, it has infiltrated everywhere, in their house, in their office, in themselves. It doesn’t move, it stays quietly and they are full of it inside, they breathe it, and they don’t see it, they imagine it to be outside, twenty miles from the city. I see it, I see this nature . . . I know that its obedience is idleness, I know it has no laws: what they take for constancy is only habit and it can change tomorrow. What if something were to happen? What if something suddenly started throbbing? Then they would notice it was there and they’d think their hearts were going to burst. Then what good would their dykes, bulwarks, power houses, furnaces and pile drivers be to them? It can happen any time, perhaps right now: the omens are present.
Jean-Paul Sartre (Nausea)
Know this,I won't let you leave." "Oh,my lord," Bronwyn hissed back as she continued to fake a smile to those around her, "if I want to leave...I will." "And then I will follow you and be most unhappy at the effort." Bronwyn dropped her sham expression of bliss to glare at him directly. "I wonder if you would truly care or even notice." "You are mine, Bronwyn.Now and forever. And I would notice." "Why should I care?" "Because you would be destroying everyone's Christmas.For if you try to depart from Hunswick without my approval, I will find you and use every able mad to do so." Bronwyn openly gaped at him,realizing he was completely serious. Father Morrell, in hearing distance of the conversation, made another one of his blaring coughs. He then gave them both a slicing look she hadn't thought possible out of the cherublike face and held up a bowl of spiced and scented water. "It is a time for quiet. A day for being with loved ones, and sharing love together..." The man had started his sermon, making further conversation just like everything else around her...impossible.
Michele Sinclair (The Christmas Knight)
The same song was playing the second I met my ex–best friend and the moment I realized I’d lost her. I met my best friend at a neighborhood cookout the year we would both turn twelve. It was one of those hot Brooklyn afternoons that always made me feel like I'd stepped out of my life and onto a movie set because the hydrants were open, splashing water all over the hot asphalt. There wasn't a cloud in the flawless blue sky. And pretty black and brown people were everywhere. I was crying. ‘What a Wonderful World’ was playing through a speaker someone had brought with them to the park, and it reminded me too much of my Granny Georgina. I was cupping the last snow globe she’d ever given me in my small, sweaty hands and despite the heat, I couldn’t help imagining myself inside the tiny, perfect, snow-filled world. I was telling myself a story about what it might be like to live in London, a place that was unimaginably far and sitting in the palm of my hands all at once. But it wasn't working. When Gigi had told me stories, they'd felt like miracles. But she was gone and I didn't know if I'd ever be okay again. I heard a small voice behind me, asking if I was okay. I had noticed a girl watching me, but it took her a long time to come over, and even longer to say anything. She asked the question quietly. I had never met anyone who…spoke the way that she did, and I thought that her speech might have been why she waited so long to speak to me. While I expected her to say ‘What’s wrong?’—a question I didn’t want to have to answer—she asked ‘What are you doing?’ instead, and I was glad. “I was kind of a weird kid, so when I answered, I said ‘Spinning stories,’ calling it what Gigi had always called it when I got lost in my own head, but my voice cracked on the phrase and another tear slipped down my cheek. To this day I don’t know why I picked that moment to be so honest. Usually when kids I didn't know came up to me, I clamped my mouth shut like the heavy cover of an old book falling closed. Because time and taught me that kids weren't kind to girls like me: Girls who were dreamy and moony-eyed and a little too nice. Girls who wore rose-tonted glasses. And actual, really thick glasses. Girls who thought the world was beautiful, and who read too many books, and who never saw cruelty coming. But something about this girl felt safe. Something about the way she was smiling as she stuttered out the question helped me know I needn't bother with being shy, because she was being so brave. I thought that maybe kids weren't nice to girls like her either. The cookout was crowded, and none of the other kids were talking to me because, like I said, I was the neighborhood weirdo. I carried around snow globesbecause I was in love with every place I’d never been. I often recited Shakespeare from memory because of my dad, who is a librarian. I lost myself in books because they were friends who never letme down, and I didn’t hide enough of myself the way everyone else did, so people didn’t ‘get’ me. I was lonely a lot. Unless I was with my Gigi. The girl, she asked me if it was making me feel better, spinning the stories. And I shook my head. Before I could say what I was thinking—a line from Hamlet about sorrow coming in battalions that would have surely killed any potential I had of making friends with her. The girl tossed her wavy black hair over her shoulder and grinned. She closed her eyes and said 'Music helps me. And I love this song.' When she started singing, her voice was so unexpected—so bright and clear—that I stopped crying and stared at her. She told me her name and hooked her arm through mine like we’d known each other forever, and when the next song started, she pulled me up and we spun in a slow circle together until we were both dizzy and giggling.
Ashley Woodfolk (When You Were Everything)
We walk around inside that house like everything is okay, but it’s not, Quinn. We’ve been broken for years and I have no idea how to fix us. I find solutions. It’s what I do. It’s what I’m good at. But I have no idea how to solve me and you. Every day I come home, hoping things will be better. But you can’t even stand to be in the same room with me. You hate it when I touch you. You hate it when I talk to you. I pretend not to notice the things you don’t want me to notice because I don’t want you to hurt more than you already do.” He releases a rush of air. “I am not blaming you for what I did. It’s my fault. I did that. I fucked up. But I didn’t fuck up because I was attracted to her. I fucked up because I miss you. Every day, I miss you. When I’m at work, I miss you. When I’m home, I miss you. When you’re next to me in bed, I miss you. When I’m inside you, I miss you.” Graham presses his mouth to mine. I can taste his tears. Or maybe they’re my tears. He pulls back and presses his forehead to mine. “I miss you, Quinn. So much. You’re right here, but you aren’t. I don’t know where you went or when you left, but I have no idea how to bring you back. I am so alone. We live together. We eat together. We sleep together. But I have never felt more alone in my entire life.” Graham releases me and falls back against his seat. He rests his elbow against the window, covering his face as he tries to compose himself. He’s more broken than I’ve ever seen him in all the years I’ve known him. And I’m the one slowly tearing him down. I’m making him unrecognizable. I’ve strung him along by allowing him to believe there’s hope that I’ll eventually change. That I’ll miraculously turn back into the woman he fell in love with. But I can’t change. We are who our circumstances turn us into. “Graham.” I wipe at my face with my shirt. He’s quiet, but he eventually looks at me with his sad, heartbroken eyes. “I haven’t gone anywhere. I’ve been here this whole time. But you can’t see me because you’re still searching for someone I used to be. I’m sorry I’m no longer who I was back then. Maybe I’ll get better. Maybe I won’t. But a good husband loves his wife through the good and the bad times. A good husband stands at his wife’s side through sickness and health, Graham. A good husband- a husband who truly loves his wife - wouldn’t cheat on her and then blame his infidelity on the fact that he’s lonely.” Graham’s expression doesn’t change. He’s as still as a statue. The only thing that moves is his jaw as he works it back and forth. And then his eyes narrow and he tilts his head. “You don’t think I love you, Quinn?” “I know you used to. But I don’t think you love the person I’ve become.” Graham sits up straight. He leans forward, looking me hard in the eye. His words are clipped as he speaks. “I have loved you every single second of every day since the moment I laid eyes on you. I love you more now than I did the day I married you. I love you, Quinn. I fucking love you!” He opens his car door, gets out and then slams it shut with all his strength. The whole car shakes. He walks toward the house, but before he makes it to the front door, he spins around and points at me angrily. “I love you, Quinn!” He’s shouting the words. He’s angry. So angry. He walks toward his car and kicks at the front bumper with his bare foot. He kicks and he kicks and he kicks and then pauses to scream it at me again. “I love you!” He slams his fist against the top of his car, over and over, until he finally collapses against the hood, his head buried in his arms. He remains in this position for an entire minute, the only thing moving is the subtle shaking of his shoulders. I don’t move. I don’t even think I breathe. Graham finally pushes off the hood and uses his shirt to wipe at his eyes. He looks at me, completely defeated. “I love you,” he says quietly, shaking his head. “I always have. No matter how much you wish I didn’t.
Colleen Hoover (All Your Perfects)
By the way," he said, so casually that Lauren was instantly on guard, "a magazine reporter called me this morning. They know who you are and they know we're getting married. When the story breaks, I'm afraid the press will start hounding you." "How did they find out?" Lauren gasped. He shot her a glinting smile. "I told them." Everything was happening so quickly that Lauren felt dazed. "Did you happen to tell them when and where we're getting married?" she chided. "I told them soon." He closed his briefcase and drew her out of the chair in which she had just sat down. "Do you want a big church wedding with a cast of hundreds-or could you settle for me in a little chapel somewhere, with just your family and a few friends? When we come back from our honeymoon we could throw a huge party,and that would satisfy our social obligations to everyone else we know." Lauren quickly considered the burden a big church wedding would place on her father's health and nonexistent finances, and the highly desirable alternative of becoming Nick's wife right away. "You and a chapel," she said. "Good." He grinned. "Because I would go quietly insane waiting to make you mine. I'm not a patient man." "Really?" She straightened the knot in his tie so that she'd have an excuse to touch him. "I never noticed that." "Brat," he said affectionately.
Judith McNaught (Double Standards)
INTENSITY A Summary Intensity is the driving force behind the strong reactions of the spirited child. It is the invisible punch that makes every response of the spirited child immediate and strong. Managed well, intensity allows spirited children a depth and delight of emotion rarely experienced by others. Its potential to create as well as wreak havoc, however, makes it one of the most challenging temperamental traits to learn to manage. Intense spirited kids need to hear: You do everything with zest, vim, vigor, and gusto. You are enthusiastic, expressive, and full of energy. Your intensity can make you a great athlete, leader, performer, etc. Things can frustrate you easily. Being intense does not mean being aggressive. Teaching tips: Help your child learn to notice her growing intensity before it overwhelms her. Provide activities that soothe and calm, such as warm baths, stories, and quiet imaginative play. Use humor to diffuse intense reactions. Protect her sleep. Make time for exercise. Teach your child that time-out is a way to calm herself. If you are intense too: Do not fear your child’s intensity. Diffuse your own intensity before you step in to help your child. Take deep breaths, step away from the situation, get the sleep you need, or ask for help to cope with your own intensity. Review in your own mind the messages you were given about intensity. Dump those that negate the value of intensity or leave you feeling powerless.
Mary Sheedy Kurcinka (Raising Your Spirited Child: A Guide for Parents Whose Child is More Intense, Sensitive, Perceptive, Persistent, and Energetic)
This is how you lose her. You lose her when you forget to remember the little things that mean the world to her: the sincerity in a stranger’s voice during a trip to the grocery store, the delight of finding something lost or forgotten like a sticker from when she was five, the selflessness of a child giving a part of his meal to another, the scent of new books in the store, the surprise short but honest notes she tucks in her journal and others you could only see if you look closely. You must remember when she forgets. You lose her when you don’t notice that she notices everything about you: your use of the proper punctuation that tells her continuation rather than finality, your silence when you’re about to ask a question but you think anything you’re about to say to her would be silly, your mindless humming when it is too quiet, your handwriting when you sign your name on blank sheets of paper, your muted laughter when you are trying to be polite, and more and more of what you are, which you don’t even know about yourself, because she pays attention. She remembers when you forget. You lose her for every second you make her feel less and less of the beauty that she is. When you make her feel that she is replaceable. She wants to feel cherished. When you make her feel that you are fleeting. She wants you to stay. When you make her feel inadequate. She wants to know that she is enough and she does not need to change for you, nor for anyone else because she is she and she is beautiful, kind and good. You must learn her. You must know the reason why she is silent. You must trace her weakest spots. You must write to her. You must remind her that you are there. You must know how long it takes for her to give up. You must be there to hold her when she is about to. You must love her because many have tried and failed. And she wants to know that she is worthy to be loved, that she is worthy to be kept. And, this is how you keep her.
Junot Díaz
The phone rang. It was a familiar voice. It was Alan Greenspan. Paul O'Neill had tried to stay in touch with people who had served under Gerald Ford, and he'd been reasonably conscientious about it. Alan Greenspan was the exception. In his case, the effort was constant and purposeful. When Greenspan was the chairman of Ford's Council of Economic Advisers, and O'Neill was number two at OMB, they had become a kind of team. Never social so much. They never talked about families or outside interests. It was all about ideas: Medicare financing or block grants - a concept that O'Neill basically invented to balance federal power and local autonomy - or what was really happening in the economy. It became clear that they thought well together. President Ford used to have them talk about various issues while he listened. After a while, each knew how the other's mind worked, the way married couples do. In the past fifteen years, they'd made a point of meeting every few months. It could be in New York, or Washington, or Pittsburgh. They talked about everything, just as always. Greenspan, O'Neill told a friend, "doesn't have many people who don't want something from him, who will talk straight to him. So that's what we do together - straight talk." O'Neill felt some straight talk coming in. "Paul, I'll be blunt. We really need you down here," Greenspan said. "There is a real chance to make lasting changes. We could be a team at the key moment, to do the things we've always talked about." The jocular tone was gone. This was a serious discussion. They digressed into some things they'd "always talked about," especially reforming Medicare and Social Security. For Paul and Alan, the possibility of such bold reinventions bordered on fantasy, but fantasy made real. "We have an extraordinary opportunity," Alan said. Paul noticed that he seemed oddly anxious. "Paul, your presence will be an enormous asset in the creation of sensible policy." Sensible policy. This was akin to prayer from Greenspan. O'Neill, not expecting such conviction from his old friend, said little. After a while, he just thanked Alan. He said he always respected his counsel. He said he was thinking hard about it, and he'd call as soon as he decided what to do. The receiver returned to its cradle. He thought about Greenspan. They were young men together in the capital. Alan stayed, became the most noteworthy Federal Reserve Bank chairman in modern history and, arguably the most powerful public official of the past two decades. O'Neill left, led a corporate army, made a fortune, and learned lessons - about how to think and act, about the importance of outcomes - that you can't ever learn in a government. But, he supposed, he'd missed some things. There were always trade-offs. Talking to Alan reminded him of that. Alan and his wife, Andrea Mitchell, White House correspondent for NBC news, lived a fine life. They weren't wealthy like Paul and Nancy. But Alan led a life of highest purpose, a life guided by inquiry. Paul O'Neill picked up the telephone receiver, punched the keypad. "It's me," he said, always his opening. He started going into the details of his trip to New York from Washington, but he's not much of a phone talker - Nancy knew that - and the small talk trailed off. "I think I'm going to have to do this." She was quiet. "You know what I think," she said. She knew him too well, maybe. How bullheaded he can be, once he decides what's right. How he had loved these last few years as a sovereign, his own man. How badly he was suited to politics, as it was being played. And then there was that other problem: she'd almost always been right about what was best for him. "Whatever, Paul. I'm behind you. If you don't do this, I guess you'll always regret it." But it was clearly about what he wanted, what he needed. Paul thanked her. Though somehow a thank-you didn't seem appropriate. And then he realized she was crying.
Suskind (The Price of Loyalty: George W. Bush, the White House, and the Education of Paul O'Neill)
And when I wrote my play, how wrong I went. Was I such an emulator and fool that I needed a third party to tell us about the fate of two people who were making life difficult for each other? How easily I fell into that trap. And I surely ought to have known that this third party, who appears in all lives and literatures, this ghost of a third person, has no meaning at all, that he ought to be disavowed. He is one of Nature’s pretexts, for she is always at pains to distract humanity from her deepest secrets. He is the screen behind which a drama unfolds. He is the noise at the entrance to the voiceless quiet of a genuine conflict. I’m tempted to think that everyone has hitherto found it too difficult to speak about the two people at the heart of it; the third one, precisely because he is so unreal, is the easiest part of the task, anyone could write him. Right from the beginning of these dramas you notice their impatience to get to the third party, they can hardly wait for him to appear. Once he’s there, everything is fine. But how boring it is if he’s late, absolutely nothing can happen without him, everything comes to a standstill, pauses, waits. Yes, and what if they didn’t get past this pile-up, this logjam? What if, Mr Playwright, and you, the Public, who know about life, what if he were lost without trace, this well-liked man-about-town or this bumptious young person who fits into every marriage like a master-key? What if, for instance, he has been whisked off by the Devil? Let’s assume he has. You suddenly notice the artificial emptiness of theatres, they’re walled up like dangerous holes, and only the moths from the cushioned edges of the boxes tumble down through the hollow space with nothing to hold on to. Playwrights no longer enjoy the exclusive areas of town. All the prying public is looking on their behalf in the far corners of the world for the irreplaceable person who was the very embodiment of the action. And at the same time they’re living amongst the people, not these ‘third parties’, but the two people about whom an incredible amount could be said, but about whom nothing has ever yet been said, although they suffer and get on with things and don’t know how to manage.
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
It? I ast. Yeah, It. God ain't a he or a she, but a It. But what do it look like? I ast. Don't look like nothing, she say. It ain't a picture show. It ain't something you can look at apart from anything else, including yourself. I believe God is everything, say Shug. Everything that is or ever was or ever will be. And when you can feel that, and be happy to feel that, you've found It. Shug a beautiful something, let me tell you. She frown a little, look out cross the yard, lean back in her chair, look like a big rose. She say, My first step from the old white man was trees. Then air. Then birds. Then other people. But one day when I was sitting quiet and feeling like a motherless child, which I was, it come to me: that feeling of being part of everything, not separate at all. I knew that if I cut a tree, my arm would bleed. And I laughed and I cried and I run all around the house. I knew just what it was. In fact, when it happen, you can't miss it. It sort of like you know what, she say, grinning and rubbing high up on my thigh. Shug! I say. Oh, she say. God love all them feelings. That's some of the best stuff God did. And when you know God love 'em you enjoys 'em a lot more. You can just relax, go with everything that's going and praise God by liking what you like. God don't think it dirty? I ast. Naw, she say. God made it. Listen, God love everything you love - and a mess of stuff you don't. But more than anything else. God love admiration. You saying God vain? I ast. Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it. What it do when it pissed off? I ast. Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back. Yeah? I say. Yeah, she say. It always making little surprises and springing them on us when us least expect. You mean it want to be loved, just like the bible say. Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk?
Alice Walker (The Color Purple)
Then he went up to the window. His heart began pounding excitedly when he turned back the yellow linen of the curtain. An enchantingly beautiful spectacle was revealed before him — although today he immediately noticed that there was something strange in the entire aspect of this extensive and excellently arranged Garden. Precisely what amazed him he was still unable to say right away, and he began to examine the Garden attentively. What was there so unpleasant in its beauty? Why was the Youth's heart trembling so painfully? Was it that everything in the enchanted Garden was too exact. All the paths were laid out geometrically, and all were of the same width, and all were covered with precisely the same amount of yellow sand; the plants were all arranged with exaggerated orderliness; the trees were trimmed in the form of spheres, cones and cylinders; the flowers were arranged according to the various shades so that their composition was pleasing to the eye, but for some reason or other this wounded the soul. But giving it careful thought, what was there unpleasant in that orderliness which merely bore witness to the careful attention which someone paid to the Garden? Of course there was no reason for this to cause the strange apprehension which oppressed the Youth. But it was in something else as yet incomprehensible to the Youth. One thing was for certain, though, that this Garden did not resemble any other garden which the Youth had happened to see in his time. Here he saw giant flowers of an almost too brilliant color — at times it seemed that many-colored fires were burning in the midst of the luxuriant greenery — brown and black stalks of creeping growths, thick like tropical serpents; leaves of a strange shape and immeasurable size, whose greeness seemed to be unnaturally brilliant. Heady and languid fragrances wafted through the window in gentle waves, breaths of vanilla, frankincense and bitter almond, sweet and bitter, ecstatic and sad, like some joyous funereal mysterium. The Youth felt the tender yet lively touches of the gentle wind. But in the Garden it seemed as if the wind had no strength and lay exhausted on the tranquil green grass and in the shadows beneath the bushes of the strange growths. And because the trees and grass of the strange Garden were breathlessly quiet and could not hear the softly blowing wind above them and did not reply to it, they seemed to be inanimate. And thus they were deceitful, evil and hostile to man. ("The Poison Garden")
Valery Bryusov (Silver Age of Russian Culture (An Anthology))
But nothing is ever enough, have you noticed?” he said. “I can’t touch you enough. I can’t make you happy. I can’t say anything right to you. And you can’t take away from me a single thing I’ve fucked up along the way.” She became deflated. “You’re here, and you’re forgiven for everything,” she said quietly, sitting up and closing her eyes so she wouldn’t have to look at his tattooed arms and his scar-ribbon chest. “Tell me the truth,” Alexander said. “Don’t you sometimes think it’s harder—this—and other stuff like the magazines quizzes—harder for the two of us? That magazine quiz just points up the absurdity of us pretending we’re like normal people. Don’t you sometimes think it would be easier with your Edward Ludlow in New York? Or a Thelma? No history. No memories. Nothing to get over, nothing to claw back from.” “Would it be easier for you?” “Well, I wouldn’t hear you cry every night,” Alexander said. “I wouldn’t feel like such a failure every minute of my life.” “Oh my God! What are you talking about?” Tatiana yanked to get off him, but now it was Alexander who held her in place. “You know what I’m talking about,” he said, his eyes blazing. “I want amnesia! I want a fucking lobotomy. Could I please never think again? Look what’s happened to us, us, Tania. Don’t you remember how we used to be? Just look what’s happened.” His long winter’s night bled into Coconut Grove through all the fields and villages in three countries Alexander plundered through to get to the Bridge to Holy Cross, over the River Vistula, to get into the mountains, to escape to Germany, to save Pasha, to make his way to Tatiana. And he failed. Twenty escape attempts—two in Catowice, one ill-fated one in Colditz Castle, and seventeen desperate ones in Sachsenhausen, and he never got to her. He had somehow made all the wrong choices. Alexander knew it. Anthony knew it. With the son asleep, the parents had hours to mindlessly meander through the fields and rivers of Europe, through the streets of Leningrad. That was not to be wished upon. “Stop it,” Tatiana whispered. “Just stop it! You didn’t fail. You’re looking at it all twisted. You stayed alive, that was all, that was everything, and you know that. Why are you doing this?” “Why?” he said. “You want it out while sitting naked on top of my stomach with your hair down? Well, here it is. You don’t want it out? Then don’t ask me. Turn the light off, keep the braid in, get your”— Alexander stopped himself—“get off me, and say nothing.” Tatiana did none of those things. She didn’t want it out, what she wanted, desperately, was him to touch her. Though the aching in her heart from his words was unabated, the aching in her loins from her desire for him was also unabated.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Another episode startled Trump’s advisers on the Asia trip. As the president and his entourage embarked on the journey, they stopped in Hawaii on November 3 to break up the long flight and allow Air Force One to refuel. White House aides arranged for the president and first lady to make a somber pilgrimage so many of their predecessors had made: to visit Pearl Harbor and honor the twenty-three hundred American sailors, soldiers, and marines who lost their lives there. The first couple was set to take a private tour of the USS Arizona Memorial, which sits just off the coast of Honolulu and straddles the hull of the battleship that sank into the Pacific during the Japanese surprise bombing attack in 1941. As a passenger boat ferried the Trumps to the stark white memorial, the president pulled Kelly aside for a quiet consult. “Hey, John, what’s this all about? What’s this a tour of?” Trump asked his chief of staff. Kelly was momentarily stunned. Trump had heard the phrase “Pearl Harbor” and appeared to understand that he was visiting the scene of a historic battle, but he did not seem to know much else. Kelly explained to him that the stealth Japanese attack here had devastated the U.S. Pacific Fleet and prompted the country’s entrance into World War II, eventually leading the United States to drop atom bombs on Japan. If Trump had learned about “a date which will live in infamy” in school, it hadn’t really pierced his consciousness or stuck with him. “He was at times dangerously uninformed,” said one senior former adviser. Trump’s lack of basic historical knowledge surprised some foreign leaders as well. When he met with President Emmanuel Macron of France at the United Nations back in September 2017, Trump complimented him on the spectacular Bastille Day military parade they had attended together that summer in Paris. Trump said he did not realize until seeing the parade that France had had such a rich history of military conquest. He told Macron something along the lines of “You know, I really didn’t know, but the French have won a lot of battles. I didn’t know.” A senior European official observed, “He’s totally ignorant of everything. But he doesn’t care. He’s not interested.” Tillerson developed a polite and self-effacing way to manage the gaps in Trump’s knowledge. If he saw the president was completely lost in the conversation with a foreign leader, other advisers noticed, the secretary of state would step in to ask a question. As Tillerson lodged his question, he would reframe the topic by explaining some of the basics at issue, giving Trump a little time to think. Over time, the president developed a tell that he would use to get out of a sticky conversation in which a world leader mentioned a topic that was totally foreign or unrecognizable to him. He would turn to McMaster, Tillerson
Philip Rucker (A Very Stable Genius: Donald J. Trump's Testing of America)
Please give me another chance!” Breathing hard, I waited for a light to come on, a door to open, a sign that she still loved me . . . but the house remained dark and silent. Crickets chirped. I glanced over at the girls, who seemed just as distraught as I was. They looked at each other, and then back at me. That’s when I heard a feminine voice come out of the darkness behind me. “Hey Winnie? Yeah, it’s Audrey. There’s some guy across the street yelling at the Wilsons’ house, but I think he’s talking to you.” Oh, fuck. Horrified, I spun around on my knees. A teenage couple stood under a front porch light at a home across the street. The girl was talking into her phone. “Dude,” the guy called out. “I think you’re at the wrong house.” Fuck. Me. Behind the couple, the front door opened and a barrel-chested man came storming out the front door wearing jeans, a USMC sweatshirt, and a scowl. “What’s going on out here? Who’s shouting?” “That guy over there is telling Winnie that he’s sorry and he loves her, but he’s at the wrong house,” said the girl. “I feel really bad for him.” “What?” The man’s chest puffed out further and he squinted in my direction. Then Winnie’s mom appeared on the porch, pulling a cardigan around her. “Is everything okay?” No. Everything was not okay. “Who is that guy?” her dad asked, and by his tone I could tell what he meant was, Who is that fucking idiot? “Is it Dex?” Frannie leaned forward and squinted. “Is that you, Dex?” “Yeah. It’s me.” I’d never wanted a sinkhole to open up and swallow me as badly as I did at that moment. If my kids hadn’t been there, I might have taken off on foot. Just then, a car pulled into their driveway, and my stomach lurched when Winnie jumped out of the passenger side. Her friend Ellie got out of the driver’s side and looked back and forth between Winnie and me. “Holy shit,” she said. “Dex?” Winnie started walking down the drive and stopped at the sidewalk, gaping at me kneeling in the spotlight from the streetlamp above. “What on earth are you doing?” “Hi, Winnie!” Hallie and Luna started jumping up and down and waving like mad. “Hi!” And then, because apparently there wasn’t a big enough audience, another car pulled up in front of the MacAllisters’ house, and a second teenage girl jumped out. “Bye!” she yelled, waving as the car drove off. Then she noticed everyone outside. “Oh, crap. Did I miss curfew or something?” “No,” the first teenage girl said, hopping down from the porch. “Omigod, Emmeline, this is amazing. Kyle was just leaving when this man pulled up, jumped out of his car, and starts shouting to Winnie that he loves her and he wants another chance—but he was yelling at the Wilsons’ house, not ours. Not that it mattered, because she wasn’t even here.” “Audrey, be quiet!” Winnie put her hands on her head. “Dex. What is this? Why are you on your knees?” “We told him to do that!” Hallie shouted proudly. “Because that’s what the ogre would do!
Melanie Harlow (Ignite (Cloverleigh Farms, #6))
She started to head out, but she passed her room. It was the same as she'd left it: a pile of cushions by her bed for Little Brother to sleep on, a stack of poetry and famous literature on her desk that she was supposed to study to become a "model bride," and the lavender shawl and silk robes she'd worn the day before she left home. The jade comb Mulan had left in exchange for the conscription notice caught her eye; it now rested in front of her mirror. Mulan's gaze lingered on the comb, on its green teeth and the pearl-colored flower nestled on its shoulder. She wanted to hold it, to put it in her hair and show her family- to show everyone- she was worthy. After all, her surname, Fa, meant flower. She needed to show them that she had bloomed to be worthy of her family name. But no one was here, and she didn't want to face her reflection. Who knew what it would show, especially in Diyu? She isn't a boy, her mother had told her father once. She shouldn't be riding horses and letting her hair loose. The neighbors will talk. She won't find a good husband- Let her, Fa Zhou had consoled his wife. When she leaves this household as a bride, she'll no longer be able to do these things. Mulan hadn't understood what he meant then. She hadn't understood the significance of what it meant for her to be the only girl in the village who skipped learning ribbon dances to ride Khan through the village rice fields, who chased after chickens and helped herd the cows instead of learning the zither or practicing her painting, who was allowed to have opinions- at all. She'd taken the freedom of her childhood for granted. When she turned fourteen, everything changed. I know this will be a hard change to make, Fa Li had told her, but it's for your own good. Men want a girl who is quiet and demure, polite and poised- not someone who speaks out of turn and runs wild about the garden. A girl who can't make a good match won't bring honor to the family. And worse yet, she'll have nothing: not respect, or money of her own, or a home. She'd touched Mulan's cheek with a resigned sigh. I don't want that fate for you, Mulan. Every morning for a year, her mother tied a rod of bamboo to Mulan's spine to remind her to stand straight, stuffed her mouth with persimmon seeds to remind her to speak softly, and helped Mulan practice wearing heeled shoes by tying ribbons to her feet and guiding her along the garden. Oh, how she'd wanted to please her mother, and especially her father. She hadn't wanted to let them down. But maybe she hadn't tried enough. For despite Fa Li's careful preparation, she had failed the Matchmaker's exam. The look of hopefulness on her father's face that day- the thought that she'd disappointed him still haunted her. Then fate had taken its turn, and Mulan had thrown everything away to become a soldier. To learn how to punch and kick and hold a sword and shield, to shoot arrows and run and yell. To save her country, and bring honor home to her family. How much she had wanted them to be proud of her.
Elizabeth Lim (Reflection)
Being constantly active made time fly, and so it didn’t take long before the day of departure came. With the last of everything aboard, we set sail just as many did before us. We were among those that continued the tradition of... “they that go down to the sea in ships” and we were very aware that this tradition rested on our shoulders. On January 4, 1953, with the sound of three short blasts on the ship’s whistle, we backed away from the pier. This ship was unlike most ships and we all noticed a definite difference in her sounds and vibrations. At that time, most American vessels were driven by steam propulsion that relied on superheating the water. The reciprocating steam engines, with their large pistons, were the loudest as they hissed and wheezed, turning a huge crankshaft. Steam turbines were relatively vibration free, but live steam was always visible as it powered the many pumps, winches, etc. Steam is powerful and efficient, but can be dangerous and even deadly. Diesel engines were seldom used on the larger American ships of that era, and were not considered cost or energy efficient. The TS Empire State was a relatively quiet ship since she only used steam power to drive the turbines, which then spun the generators that made the electricity needed to energize the powerful electric motors, which were directly geared to turn the propeller shafts. All in all, the ship was nearly vibration free, making for a smooth ride.
Hank Bracker
Being constantly active made time fly, and so it didn’t take long before the day of departure came. It was January 4, 1953, and with the last of everything we needed aboard, we set sail just as many did before us. We were among those that continued the tradition of... “they that go down to the sea in ships” and we were very aware that this tradition rested on our shoulders. With the sound of three short blasts on the ship’s whistle, we backed away from the pier. This ship was unlike most ships of that era and we all noticed a definite difference in her sounds and vibrations. At that time, most American vessels were driven by steam propulsion that relied on superheating the water. The reciprocating steam engines, with their large pistons were the loudest as they hissed and wheezed, turning a huge crankshaft. Steam turbines were relatively vibration free, but live steam was always visible as it powered the many pumps, winches, etc. Steam is powerful and efficient, but can be dangerous and even deadly. Diesel engines were seldom used on the larger American ships of that era, and were not considered cost or energy efficient. The Empire State was a relatively quiet ship since she only used steam power to drive the turbines, which then spun the generators that made the electricity needed to energize the powerful electric motors, which were directly geared to turn the propeller shafts. All in all, the ship was nearly vibration free, making for a smooth ride.
Hank Bracker
I lay there, depleted and relieved that whatever used to be in my body was now out. Marlboro Man, on the other hand, was stunned. Patting me affectionately, he stared at our newborn baby girl with a shocked expression he couldn’t have hidden if he’d tried. “Congratulations,” Dr. Oliver had said moments before. “You have a daughter.” You have a daughter. In the previous several months of gestation, I’d been so indoctrinated with the notion that we were having a boy, it hadn’t even occurred to me that things might go the other way. I couldn’t even imagine Marlboro man’s surprise. “Good job, Mama,” he said, leaning down and kissing my forehead. The nurses immediately wrapped our little one in a white blanket and set her on my chest. Plop. There she was. Lying on top of me. Writhing and looking pink and pitiful and about as precious as anything I'd ever seen. Marlboro Man grasped my hand, squeezing it softly. “Wow,” he said, almost in a whisper. He stared and stared. We were totally quiet. We could hardly move. My throat began to tighten as I realized what had just happened. The being that had been growing inside of my abdomen, that had tapped and kicked and pummeled me in the ribs and bladder during those final weeks, that had brought me heartburn and exhaustion and weeks of debilitating nausea, was now lying on my chest, looking around this strange new world in which she found herself. It was the most surreal moment of my life--more surreal than any moment of surprise during my courtship with Marlboro Man, the father of this new human that had just arrived on the scene and changed absolutely everything. She had arms and legs and a nose and a tongue, which she slowly thrust in and out of her tiny mouth in an effort to familiarize herself with the sensation of air. She was a person--alive and moving around in a real world. I realized that tears were rolling down my face. I hadn’t even noticed I was crying.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
And tell me, when have you ever really noticed me, or where I am, or where I sit? You never look at me. You avoid me like I’m the pox!” Her volume reached new levels and she had to force herself not to yell up into his face. She spoke through her teeth to keep her voice low. “You’ve done your best to keep us safe and help me learn what I’ve needed to know about Father—and for that I will be forever grateful, but you can’t honestly pretend that you care!” Thomas captured her shoulders again and pulled her in front of him with a jerk, making her hat fall to the ground. The glowering look in his eyes simmered and Eliza turned her head away. Taking a hand from her shoulder he wrapped his strong, gentle fingers around her chin, compelling her to look at him. The low resonance in his rich voice was both imposing and tender. “I notice everything about you.” Eliza tried to pull away, her heart beating against her lungs. “I don’t believe you. You’re actions say otherwise.” Thomas huffed and glanced away before locking eyes with her again. “I’ve tried to keep away from you, to keep from developing feelings for you, Eliza. I know you have a life in Boston and I’ve only ever brought you trouble . . . but I can’t dictate my heart.” He brushed his calloused fingers against her cheek. Eliza closed her eyes, relishing the feel of his tenderness. It was too wonderful to be real. “I couldn’t bear to see you hurt again, Eliza. That’s what caused my anger. Not the fact that you went to the rally.” His honey voice softened. “If anything had happened to you, I would never have forgiven myself, and not because it’s my duty to care for you, as you think. Because I love you.” Eliza’s breath hitched, and her heart thumped at the sparkle of surprise in his eyes, as if he hadn’t meant to speak the tender words. But from the way his gaze roamed her face, it seemed he didn’t regret saying them. She looked up with parted lips, soaking in the sweet dew of his affections as he stepped closer. As if unwrapping precious china, he unwound the scarf that still circled her hair and let it drop to the ground near the hat. He smoothed his fingers around her ears, cupping her head, and directed her face toward his. All the world disappeared, the surrounding trees and shadows melting together and closing around them like a celestial dream. He stepped closer and her knees turned as weak as the wilted blades of snow-covered grass at her feet. “What are you doing?” she whispered, trembling under his touch. An unmistakable hunger swirled in his gaze, reaching out and expanding the longing of her own. The heat in his low voice stole her breath. “I’m doing what I’ve wanted to do for a very long time.” He leaned toward her, but she put a hand on his chest to stop him, her heart slamming against her ribs. His dark eyebrows crunched down. “What is it?” Eliza swallowed, trying to keep her voice even. “Last time you kissed me, you avoided me as if I were a poison. I don’t want that to happen again.” A quiet, rumbling laugh escaped him. “You are anything but a poison, Eliza.” He cradled her face in his hands, tilting it upward and nuzzled her cold nose with his. She closed her eyes and inhaled in a ragged breath as his warm lips moved across the corners of her eyes, her cheekbones, her ear. Delicious shivers sprayed down her skin and she clung to his chest to keep from falling. His hands brushed down her neck and shoulders—one resting behind her head, the other at her back, as if he wanted to keep her safely next to him forever. Dear
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
The sugar content in this cereal’s too high for Willie. You know the doctor said sugar’s bad for him. No wonder he ends up under the teacher’s desk. Can’t you cook him a proper breakfast, Judy? Oatmeal and toast and scrambled eggs, that’s what he needs.” “He’s not going to lift bricks, Harold.” “Mental exercise uses up calories, too--which is why I eat an egg and an English muffin before going to work.” As mom was agreeing that Dad always did eat sensibly, Willie looked up from pouring his juice and saw through the kitchen window that his bus was rounding the corner. Looking down, he saw he’d poured a puddle that was dripping onto the floor. Dad noticed, of course. Dad noticed everything. “Willie, you klutz! Now look what you’ve done.” “I’ve gotta go,” Willie said. “Not before you eat your breakfast.” “Then I’ll miss the bus.” Booboo ambled into the kitchen, wagged a greeting to everyone, and barked to be let out. Willie moved to open the door for him. “Hold it right there!” Dad said. He probably thought Willie meant to leave, too. “You sit down and eat your cereal. After you mop up the juice. QUIET, BOOBOO!” Booboo yipped pathetically as if asking what he’d done wrong. Mom slipped over to the door. “The dog has to go out, Harold,” she said. “Unless you want him to do his business on the floor?” As if on command, Booboo squatted and made a second puddle. “I thought he got up pretty early for him,” Willie said. “I guess he had to go.” Willie’s bus driver waited for him a few seconds and then took off. “I missed my bus,” Willie said. He got the squeegee mop out to clean up both accidents. Dad was holding his head. “Do you have a headache, Dad?” Willie asked.
C.S. Adler (Willie, the Frog Prince)
Even as the leaves are falling, the buds of next year’s crop are already in place, waiting to erupt again in spring. Most trees produce their buds in high summer, and the autumn leaf fall reveals them, neat and expectant, protected from the cold by thick scales. We rarely notice them because we think we’re seeing the skeleton of the tree, a dead thing until the sun returns./ The tree is waiting. It has everything ready. It’s fallen leaves are mulching the forest floor, and its roots are drawing up the extra winter moisture, providing a firm anchor against seasonal storms. Its ripe cones and nuts are providing essential food in this scarce time for mice and squirrels, and its bark is hosting hibernating insects and providing a source of nourishment for hungry deer. It is far from dead. It is in fact the life and soul of the wood. It’s just getting on with it quietly. It will not burst into life in the spring. It will just put on a new coat and face the world again.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
With her, he noticed, even the quiet moments were surprising in their fullness. In the silences, there was beauty, and mellowness; there was no rush to get anywhere. Things that were said were absorbed by the skin, not lost to the air. Something about her allowed him to be calm. Normally, he was restless, impatient with stragglers, quick to think and quick to act. But with her, everything was natural, as if they had been together forever and their presence created a peace that sufficed them both, passing from one to the other, back and forth.
Anat Talshir (About the Night)
He thought film functioned the way fascism does, inserting itself into a culture so quietly that one barely has time to notice that everything has changed.
Sallie Tisdale (Survivor and the Endless Gaze: Survivor, Reality TV, and the Endless Gaze)
Absence Blindness is a cognitive bias that prevents us from identifying what we can’t observe. Our perceptual faculties evolved to detect objects that are present in the Environment. It’s far more difficult for people to notice or identify what’s missing. Examples of Absence Blindness are everywhere. Here’s a common example: great Management is boring—and often unrewarding. The hallmark of an effective manager is anticipating likely issues and resolving them in advance, before they become a problem. Some of the best managers in the world exhibit a quiet sort of competence: there’s little drama, and everything gets done on time and under budget. The problem is, no one sees all of the bad things that the great manager prevents. Less skilled managers are more likely to be rewarded, since everyone can see them “making things happen” and “moving heaven and earth” to resolve issues—issues they may have created themselves via poor Management.
Josh Kaufman (The Personal MBA: A World-Class Business Education in a Single Volume)
She is so good, your wife.” “Yes,” said Alexander. “So fresh and young. So lovely to look at.” “Yes,” said Alexander, closing his eyes. “And she doesn’t yell at you.” “No. Though I reckon she sometimes wants to.” “Oh, to have such restraint in my Bessie. She used to be a fine woman. And the girl was such a loving girl.” More drink, more smoke. “But have you noticed since coming back,” said Nick, “that there are things that women just don’t know? Won’t know. They don’t understand what it was like. They see me like this, they think this is the worst. They don’t know. That’s the chasm. You go through something that changes you. You see things you can’t unsee. Then you are sleepwalking through your actual life, shell-shocked. Do you know, when I think of myself, I have legs? In my dreams I’m always marching. And when I wake up, I’m on the floor, I’ve fallen out of bed. I now sleep on the floor because I kept rolling over and falling while dreaming. When I dream of myself, I’m carrying my weapons, and I’m in the back of a battalion. I’m in a tank, I’m yelling, I’m always screaming in my dreams. This way! That way! Fire! Cease! Forward! March! Fire, fire, fire!” Alexander lowered his head, his arms drooping on the table. “I wake up and I don’t know where I am. And Bessie is saying, what’s the matter? You’re not paying attention to me. You haven’t said anything about my new dress. You end up living with someone who cooks your food for you and who used to open her legs for you, but you don’t know them at all. You don’t understand them, nor they you. You’re two strangers thrown together. In my dreams, with legs, after marching, I’m always leaving, wandering off, long gone. I don’t know where I am but I’m never here, never with them. Is it like that with you, too?” Alexander quietly smoked, downing another glass of whiskey, and another. “No,” he finally said. “My wife and I have the opposite problem. She carried weapons and shot at men who came to kill her. She was in hospitals, on battlefields, on frontlines. She was in DP camps and concentration camps. She starved through a frozen, blockaded city. She lost everyone she ever loved.” Alexander took half a glass of sour mash into his throat and still couldn’t keep himself from groaning. “She knows, sees, and understands everything. Perhaps less now, but that’s my fault. I haven’t been much of a—” he broke off. “Much of anything. Our problem isn’t that we don’t understand each other. Our problem is that we do. We can’t look at each other, can’t speak one innocent word, can’t touch each other without touching the cross on our backs. There is simply never any peace.” Another stiff drink went into Alexander’s throat.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Look for instance at the notorious Dan Savage, the gay advice columnist whose work is featured in arts newspapers across the country. His language is habitually violent and obscene. He seems to be filled with hatred against anybody who believes in anything less than what the furthest advanced of the sexual revolutionaries demand. It’s a mark of our madness and irresponsibility that this fellow, who is deeply unbalanced, is invited to public schools to advise the students that being homosexual “gets better,” thus encouraging them in the kinds of sexual experimentation that would land some of them at the same horrible place where he himself is standing. When, at one school, he began to rail against Jesus, some of the Christian students quietly got up and left the hall, whereupon he subjected them to a volley of ridicule, to the applause of some of their fellows in the audience. I cannot imagine for any reason subjecting young people to ridicule. But the self-contradiction seems to have escaped the notice of the promoters of Savage, who is pretending to go about fighting the bullies, when he himself is a bully, spoiled, hurt, angry, and vindictive, as even a passing acquaintance with his advice would show. Porn’s all right for him, mutually agreed-upon cruelty, multiple partners, prostitution, whatever; everything is all right except what really is all right. Yet for all his wealth and fame, he hasn’t gotten better at all.
Anthony Esolen (Defending Marriage: Twelve Arguments for Sanity)
One reason Bonhoeffer wished to spend a year as a pastor in Barcelona was that he believed communicating what he knew theologically—whether to indifferent businessmen, teenagers, or younger children—was as important as the theology itself. His success in children’s ministry shows this, and this letter to his future brother-in-law Walter Dress gives us a glimpse into this aspect of his year in Barcelona: 86 Today I encountered a completely unique case in my pastoral counseling, which I’d like to recount to you briefly and which despite its simplicity really made me think. At 11:00 a.m. there was a knock at my door and a ten-year-old boy came into my room with something I had requested from his parents. I noticed that something was amiss with the boy, who is usually cheerfulness personified. And soon it came out: he broke down in tears, completely beside himself, and I could hear only the words: “Herr Wolf ist tot” [Mr. Wolf is dead.], and then he cried and cried. “But who is Herr Wolf?” As it turns out, it is a young German shepherd dog that was sick for eight days and had just died a half-hour ago. So the boy, inconsolable, sat down on my knee and could hardly regain his composure; he told me how the dog died and how everything is lost now. He played only with the dog, each morning the dog came to the boy’s bed and awakened him—and now the dog was dead. What could I say? So he talked to me about it for quite a while. Then suddenly his wrenching crying became very quiet and he said: “But I know he’s not dead at all.” “What do you mean?” “His spirit is now in heaven, where it is happy. Once in class a boy asked the religion teacher what heaven was like, and she said she had not been there yet; but tell me now, will I see Herr Wolf again? He’s certainly in heaven.” So there I stood and was supposed to answer him yes or no. If I said “no, we don’t know” that would have meant “no.” . . . So I quickly made up my mind and said to him: “Look, God created human beings and also animals, and I’m sure he also loves animals. And I believe that with God it is such that all who loved each other on earth—genuinely loved each other—will remain together with God, for to love is part of God. Just how that happens, though, we admittedly don’t know.” You should have seen the happy face on this boy; he had completely stopped crying. “So then I’ll see Herr Wolf again when I am dead; then we can play together again”—in a word, he was ecstatic. I repeated to him a couple of times that we don’t really know how this happens. He, however, knew, and knew it quite definitely in thought. After a few minutes, he said: “Today I really scolded Adam and Eve; if they had not eaten the apple, Herr Wolf would not have died.” This whole affair was as important to the young boy as things are for one of us when something really bad happens. But I am almost surprised—moved, by the naïveté of the piety that awakens at such a moment in an otherwise completely wild young boy who is thinking of nothing. And there I stood—I who was supposed to “know the answer”—feeling quite small next to him; and I cannot forget the confident expression he had on his face when he left.
Eric Metaxas (Bonhoeffer: Pastor, Martyr, Prophet, Spy)
During the Japanese invasion, she lost everything when the Japanese soldiers burned her area of Nantao City. She borrowed money to open a fruit stall after the war. [. . .] Now they say she as a capitalist because she had a private business of her own. Our home is being looted because she is now living with us since her children are not in Shanghai.' The young man was full of indignation and almost in tears. The incident was a terrible blow to a self-righteous and proud Red Guard who was the third generation of a working-class family. It was also an eye-opener for me. Apparently, I decided, there were capitalists and capitalists, and none were more equal than others. If owners of fruits stalls were included in the category [of capitalists], the Red Guards in Shanghai had a big job to do. More Red Guards joined us to hear the young man's story. I noticed that a couple of them slipped away quietly afterwards, no doubt going home to investigate.
Nien Cheng (Life and Death in Shanghai)
I was so happy. I had changed lots of diapers in my twenty-two years and cared for lots of babies, but our Lily was ours, and to us, she was perfect and healthy. She was easy and quiet, and she slept really good. I always knew I was going to love being a mom, and I was right. I loved it. I could even take her to the movies, and she wouldn’t make a peep. Phil always says Lily was the first granddaughter who wasn’t afraid of him. And it was true. From the very first time they laid eyes on each other, baby Lily was a match for Phil. She just took to him. I guess it was the beard, and it was a good thing Jep had a hunting-season beard when she was born because she was used to it. She loved her Papaw Phil, and as soon as she was a few months old and could sit up, she’d sit in his lap and watch Fox News. Jep had always said he wanted his children to be around his family, especially his parents, so I made an effort to bring Lily down to Phil and Kay’s as often as possible. While Lily sat with Phil, I’d help Miss Kay with work or in the kitchen or just sit and visit. In the back of my mind, I still carried some of the fear and worry from my pregnancy. As she got closer to a year old, Jep and I noticed Lily hadn’t started talking yet, although she seemed to be normal and healthy in every other way. She was alert and sweet and smart, but she was quiet. Her eyes were big, and she watched everything going on around her. But she didn’t talk. In her second year, we got a little more worried because Lily still wasn’t talking. Developmentally, everything else was on track. She grew and ate solid good and crawled and walked, but still no words. We were concerned and afraid something might be wrong. Lily finally started talking when she was three, and she has turned out to be as smart as can be and does very well in school. There is nothing wrong with her. Lily is on her own timetable, and we had to wait patiently for her personality to emerge. I’m guessing her quiet personality came from her dad. I don’t know, but maybe I did all her talking for her, and she didn’t feel the need those first few years! Lily is twelve years old now. She’s still sweet and smart and quiet, and she still loves her family.
Jessica Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
That was the moment I started crying all the time. Al the fucking time. I am a cry in-a-box-feel-o-matic whose arms wind up every time it gets quiet. Why does everyone know your goddamn name? Why is the moon in all of your fucking poems? I can't go outside. I order eggs like I am picking satin for my casket. The thing about being cracked open is suddenly you can feel everything even when you don't want to. I used to be a card catalogue. Alphabetical drawers. Convenient decimals. Now the sad sleeps in every crevice, every Whole Foods, every doctor's office, in the park, in the car, erupting from any Bon Iver song or Ingrid fucking Michaelson. I go to Bikram yoga so I can sob and no one notices.
Lauren Zúñiga (Now That We Are So Modern)
Anna held herself quiet, with effort. What Molly had said was pure spite: she was saying, I’m glad that you are going to be subjected to the pressures the rest of us have to face. Anna thought, I wish I hadn’t become so conscious of everything, every little nuance. Once I wouldn’t have noticed: now every conversation, every encounter with a person seems like crossing a mined field; and why can’t I accept that one’s closest friends at moments stick a knife in, deep, between the ribs?
Doris Lessing (The Golden Notebook)
knew that Jordan would be sure to notice and ask about her tears. Nothing gets past that one! Peony thought. That strange, quiet little girl with the darting eyes that see everything, maybe even what folks are thinking! Something
Augusta Trobaugh (River Jordan)
Across the Reich, the Gestapo recorded increased the activity of anti-state elements. It’s kind of a helpless protest by those wretches against our celebration of victory. They organize bomb attacks against representatives of the Reich or against the civilian German population. We’ve also noticed murder-suicides. Eighty-seven civilians killed have been reported during the last week. From the Protectorate of Bohmen und Mahren, the destruction of Peter Brezovsky’s long-sought military cell was announced. From Ostmark…” “Enough,” Beck interrupted him, “I’m interested only in Brezovsky.” That name caused him discomfort. In his mind, he returned to the Bohemian Forest in 1996. It was in a different dimension, before he had used time travel. At the time, Peter Brezovsky was the only man who had passed through the Time Gate. He’d offered him a position by his side during the building of the Great German Reich. He’d refused. Too bad, he could have used a man like him. These dummies weren’t eager enough to fulfill his instructions. He also remembered Werner Dietrich, who had died in the slaughter during an inspection in the Protectorate. “… in the sector 144-5. It was a temporary base of the group. There were apparently targeted explosions of the surrounding buildings,” the man continued. “This area interests me. I want to know everything that’s happening there. Go on,” he ordered the man. He was flattered at the leader’s sudden interest. Raising his head proudly, he stretched his neck even more and continued, “For your entertainment, Herr Führer, our two settlers, living in this area from 1960, on June the twenty first, met two suspect men dressed in leather like savages. The event, of course, was reported to the local department of the Gestapo. It’s funny because during the questioning of one of Brezovsky’s men we learnt an interesting story related to these men.” He relaxed a little. The atmosphere in the room was less strained, too. He smiled slightly, feeling self-importance. “In 1942, a certain woman from the Bohemian Forest made a whacky prophecy. Wait a minute.” He reached into the jacket and pulled out a little notebook. “I wrote it down, it’ll certainly amuse you. Those Slavic dogs don’t know what to do, and so they take refuge in similar nonsense.” He opened the notebook and began to read, “Government of darkness will come. After half a century of the Devil’s reign, on midsummer’s day, on the spot where he came from, two men will appear in flashes. These two warriors will end the dominance of the despot and will return natural order to the world.” During the reading, men began to smile and now some of them were even laughing aloud. “Stop it, idiots!” screamed Beck furiously. In anger, he sprang from behind his desk and severely hit the closest man’s laughing face. A deathly hush filled the room. Nobody understood what had happened. What could make the Führer so angry? This was the first time he had hit somebody in public. Beck wasn’t as angry as it might look. He was scared to death. This he had been afraid of since he had passed through the Time Gate. Since that moment, he knew this time would come one day. That someone would use the Time Gate and destroy everything he’d built. That couldn’t happen! Never! “Do you have these men?” he asked threateningly. Reich Gestapo Commander regretted he’d spoken about it. He wished he’d bitten his tongue. This innocent episode had caused the Führer’s unexpected reaction. His mouth went dry. Beck looked terrifying. “Herr Führer,” he spoke quietly, “unfortunately…” “Aloud!” yelled Beck. “Unfortunately we don’t, Herr Führer. But they probably died during the action of the Gestapo against Brezovsky. His body, as well as the newcomers, wasn’t found. The explosion probably blew them up,” he said quickly. “The explosion probably blew them up,” Beck parodied him viciously, “and that was enough for you, right?
Anton Schulz
The word is pure magic — the most powerful gift we have as humans — and we use it against ourselves. We plan revenge. We create chaos with the word. We use the word to create hate between different races, between different people, between families, between nations. We misuse the word so often, and this misuse is how we create and perpetuate the dream of hell. Misuse of the word is how we pull each other down and keep each other in a state of fear and doubt. Because the word is the magic that humans possess and misuse of the word is black magic, we are using black magic all the time without knowing that our word is magic at all. There was a woman, for example, who was intelligent and had a very good heart. She had a daughter whom she adored and loved very much. One night she came home from a very bad day at work, tired, full of emotional tension, and with a terrible headache. She wanted peace and quiet, but her daughter was singing and jumping happily. The daughter was unaware of how her mother was feeling; she was in her own world, in her own dream. She felt so wonderful, and she was jumping and singing louder and louder, expressing her joy and her love. She was singing so loud that it made her mother’s headache even worse, and at a certain moment, the mother lost control. Angrily she looked at her beautiful little girl and said, “Shut up! You have an ugly voice. Can you just shut up!” The truth is that the mother’s tolerance for any noise was nonexistent; it was not that the little girl’s voice was ugly. But the daughter believed what her mother said, and in that moment she made an agreement with herself. After that she no longer sang, because she believed her voice was ugly and would bother anyone who heard it. She became shy at school, and if she was asked to sing, she refused. Even speaking to others became difficult for her. Everything changed in the little girl because of this new agreement: She believed she must repress her emotions in order to be accepted and loved. Whenever we hear an opinion and believe it, we make an agreement, and it becomes part of our belief system. This little girl grew up, and even though she had a beautiful voice, she never sang again. She developed a whole complex from one spell. This spell was cast upon her by the one who loved her the most: her own mother. Her mother didn’t notice what she did with her word. She didn’t notice that she used black magic and put a spell on her daughter. She didn’t know the power of her word, and therefore she isn’t to blame. She did what her own mother, father, and others had done to her in many ways. They misused the word. How
Miguel Ruiz (The Four Agreements: A Practical Guide to Personal Freedom)
If I may be so bold, sir,” the butler spoke up, causing Sebastian to start. Good lord, he hadn’t even realized he was still there. “I could not help but notice that you seemed to have quarreled with Miss Westforth.” Sebastian grunted in response. “She is your old friend from home.” The butler shrugged. “She will forgive you. Of course, may I suggest that you beg forgiveness as soon as possible? That seems the smoothest way to go about these things. Especially when you know someone as well as you know Miss Westforth.” “That’s just it!” Sebastian cried, with more vehemence than he realized he’d felt. “I do know Susie – Miss Westforth. And that fashionable creature is not her!” The Susie Sebastian knew would have laughed at a crowd of men vying for her attention. She would have rather been reading or working on puzzles or… “She is acting foolish, and I simply point this out, and I am told off for it. She’s dancing with Parkhurst and… and laughing with him, for God’s sake!” “Mr. Parkhurst is perhaps not the most humor-inducing young man here,” the butler agreed solemnly. “But how is Miss Westforth’s dancing and laughing different from any other young lady’s actions tonight?” “It’s…. it just is.” Sebastian said stubbornly. “And her dress… it’s unseemly!” “Actually, I have it on good authority that Miss Westforth’s gown is of the highest fashion and appropriate modesty for a young lady of nineteen.” Nineteen . God, hadn’t she just been sixteen and all bony angles? “How do you know all this?” Sebastian grumbled after a time. “About Miss Westforth’s gown… and how we are old friends, come to think of it.” The butler simply shrugged. “I am Philbert, sir. I know everything.” “Did you know that she tried to kiss me, then?” Sebastian mumbled, kicking his boot against the grey stone balustrade. Philbert’s mouth crooked up. “In the ballroom? How very forward.” “No, not now. She told me she tried to kiss me before.” “Before…?” “Before I went away. But apparently I wasn’t paying attention, and she ended up kissing a log.” “And were you?” Philbert asked. Sebastian’s eyebrow went up, not understanding. “Were you not paying attention,” he clarified. “Or did you know she tried to kiss you?” Sebastian felt another shift in the world beneath his feet. Smaller this time, but so, so important. Something clicking into place. “No. I suppose I did know. I just pretended it hadn’t happened.” He’d seen it. Just out of the corner of his eye, but he’d seen it. Three years ago, after a long run on their horses, breathless, her cheeks flushed and lovely. Sitting nearly leg to leg with him on that felled tree. And his heart had skipped a beat. A rush of… something had him standing before her lips could touch his cheek. “Why did you pretend it hadn’t happened?” Philbert asked quietly. “Because it would have changed things,” Sebastian answered in kind. A
Anna Campbell (A Grosvenor Square Christmas)
Mellie and Joey are getting a little restless, and Joey makes her way down the bleachers without Sky noticing. She’s not used to this mom stuff yet. She sees it just as Joey gets to the bottom step and gets up to go retrieve her. “I’ll get her,” I say. I stand up and tromp down the steps. Joey looks sheepishly up at me. She knows she wasn’t supposed to sneak off. I scoop her up in my arms and carry her back up to Sky. She stretches out, and I blow a raspberry into her shirt-covered belly. She giggles and sticks her belly out like she wants me to do it again, so I do. She laughs, and the sound is so damn happy it takes my breath away. I sit down and tuck her onto my lap, then pull out my phone and turn on some Angry Birds. I show her how to play it really quickly, and she starts launching birds. She moves off my lap to sit beside me, and Mellie comes to lean against her and watch. That should last them for a while. “Why does this seem so natural to you?” Sky asks quietly. “What?” I ask. I flinch as one of the boys on the mat makes a terrible move. “Not like that,” I say to him, even though I know he can’t hear me. “All of it,” she says. “You do it all so well.” I look at her. “Do what?” “You entertained Mellie and Joey, and you’re watching the match, and I’d wager you’re going to educate Seth and tell him everything he does wrong when we get home.” Home? I grin. “Am I going home with you tonight?” I ask right beside her ear. “You better,” she says. My heart stutters. “Okay,” I breathe.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
Take a few minutes to simply observe everything that is happening inside your head and in the room where you are reading this book. Take the role of an observer, noticing the tiniest details that enter your awareness. As thoughts about the past and future come into your mind, gently acknowledge and then let go of them. See if you can maintain this habit of quiet observation while going about your everyday activities.
Devi B. Dillard-Wright (Self-Love: 100+ Quotes, Reflections, and Activities to Help You Uncover and Strengthen Your Self-Love)
You write about the people you owe your discomfort to, and no one reads you, you denounce the conditions you work in and no one notices, you scream and no one hears, everything remains as it is, unresolved, in your lecture hall and in the world, so that exhaustion sets in and you say who gives a fuck, bring on the catastrophe, let everything go to hell, when we hit rock bottom we'll feel the impact, and then the sparks will finally fly, iron to iron, and everything will go up in flames, and then we'll rebuild the right way. But, meanwhile, as we wait for that to happen, life goes by, and goes by ever more debased, ours and those of the children who parade past us year after year, and we never really hit rock bottom, debasement yes, old age yes, death yes, but never the bottom, no, it can always get worse. Therefore, I concluded, I'll tell you how I see it. I don't want to feel like I have to declare that the best would still be the best even if I weren't their teacher, and the worst are still the worst even though I'm their teacher. Shitty pay or not, forthcoming apocalypse or not, I want to say, here, quietly, that I feel less sad - yes, less sad - if I work like a slave because the ones who would do well anyway do better thanks to my work, and because those who would, in any case, do poorly learn to do better thanks to me.
Domenico Starnone (Confidenza)
But the moment flashed lightning-bright to Hannah. Years of yearning had made her sensitive, the way a starving dog twitches its nostrils at the faintest scent of food. She could not mistake it. She recognized it at once: love, one-way deep adoration that bounced off and did not bounce back; careful, quiet love that didn’t care and went on anyway. It was too familiar to be surprising. Something deep inside her stretched out and curled around Jack like a shawl, but he didn’t notice.
Celeste Ng (Everything I Never Told You)
(Female) Within seconds of inhaling, the room filled with an amber-gold veil which seemed to coat everything. My entire body and mind were filled with visual, vibrational sound, which appeared like millions of tiny, flashing points of light. An intense swirling feeling came over my body and mind, and I felt a rapid and complete loss of control as I swirled downward into a very deep, bottomless whirlpool. I experienced a very sensual, unitive state with my partner (also voyaging). I experienced our essences blending like the mixing of water colors while still feeling each of us as individuals – he later confirmed something similar at the same point. As I swirled and lost control, a deep pain within me expressed itself as a high-pitched moaning that came screeching out of the very depths of me. I witnessed and felt this happening without capacity, or desire, to stop it from happening. With this sound I twisted and twirled downward, not knowing if my body was actually doing this or if it was a very strong inward sensation. The next thing I knew, I was in a vast, dark space like a night sky, yet there was a slight whirling around me. I was no longer whirling, but the space around me was. My mind was fragmented into a million pieces which seemed to be floating around me in this space. I didn’t know where I was or who I was. When I noticed this I felt lost and afraid. While there were no sign posts indicating a direction, I spontaneously made a kind of mental intention to go towards something and as a result began to move in a direction in this inner space. I then heard a deep, loving, feminine voice slowly say “That’s right. You can do it.” It was a voice from within this space, the voice of the guide. Upon hearing it, I was deeply, utterly relieved – her voice so soothing and warm, reassuring and firm. She felt ancient and familiar to me. I felt I knew what to do now, yet was overwhelmed with the task – I felt I was in an insane state of mind. While it felt like the most difficult thing I’ve ever had to do, I knew I had to move within this space in a certain direction. There were no visual clues, only an internal sense that once I had moved that I was going in the right direction. I was going Home. I heard a noise in the room and recalled where I was, that I was travelling with the Jaguar. I brought conscious attention to my breathing and gradually re-collected myself. I sat up and as I looked around the room at everyone I felt like Dorothy in the Wizard of Oz when she awoke from her long dream – I recognized everyone as ancient friends. I asked the women to form a cocoon around me and when they did I burst into tears and sobbed very deeply, accompanied by a very deep feeling of relief and return. I felt ancient connection and experienced a grounding and inner contact with my spiritual nature. During the days following my journey, I alternated between anxiety and elation and experienced an amazingly broad range of levels of consciousness throughout my daily activities. I could easily perceive multiple levels of existence and experienced an increase in empathic and psychic ability. I also experienced a tremendous amount of sexual energy and greatly heightened orgasmic responses in my entire body. At quiet moments I felt very deeply relaxed and centered.
Ralph Metzner (The Toad and the Jaguar)
GUIDED SHADOW WORK MEDITATION Find a quiet place where you can relax and either sit or lie down in a comfortable position. When you are ready, begin to breathe in and out, slowly and deeply. Continue to do this until you feel totally and completely relaxed. Now, imagine you’re in a peaceful field. Maybe you are surrounded by tall grasses or by thousands of lilies. Whatever your field looks like, it brings you a sense of great peace and relaxation. As you relax in your field, a figure approaches you. Take note of the figure's appearance. Is it a shadowy figure? Is it an animal? Does it look fearsome and angry? Or sad and emotional? This is your Shadow, and it wishes to talk to you. It slowly approaches and sits down next to you. Now, imagine that your Shadow begins conversing with you. What is it saying? Does it feel abandoned? Is it angry? Is it jealous and critical? Listen carefully to everything it says. Take note of any memories or pain you feel as it speaks. Is there a certain person or memory that you are thinking about? Do you feel tension in a certain part of your body as your Shadow speaks? Note everything you are feeling and experiencing. If you feel any tension, continue to breathe deeply and slowly to return to the state of relaxation. When calm again, show compassion and warmth to your Shadow as it speaks to you. Your Shadow wants to be heard and has been through many challenges and trials. It needs your love and acceptance. Give it that by responding compassionately. Once your conversation is over, hug your Shadow and tell it how much you love and appreciate it. You can also invite it to another session if you like, and repeat this meditation. Make sure it feels welcome to converse with you again. Notice the lightness you feel by doing this. When you’re finished and ready, slowly open your eyes.
Delphina Woods (Chakra Healing with Shadow Work: Self-care To Integrate Your Shadow, Unblock your Chakras, and Become Whole)
To see to the depth of a river, wade into still water. In the silent space under the slick of the world, the river clears. If you stand still too, so as not to wrinkle the water, you will see the shadows of minnows. You will smell sage and melting snow and you will notice, incised into the topography of the silt, little river channels pointing to the sea. And isn't this what you had hoped to find? A quiet place where everything comes clear and the Earth itself shows the way to the one thing.
Kathleen Dean Moore (Wild Comfort: The Solace of Nature)
AT FLOURISH AND BLOTTS Life at the Burrow was as different as possible from life on Privet Drive. The Dursleys liked everything neat and ordered; the Weasleys’ house burst with the strange and unexpected. Harry got a shock the first time he looked in the mirror over the kitchen mantelpiece and it shouted,“ Tuck your shirt in, scruffy!” The ghoul in the attic howled and dropped pipes whenever he felt things were getting too quiet, and small explosions from Fred and George’s bedroom were considered perfectly normal. What Harry found most unusual about life at Ron’s, however, wasn’t the talking mirror or the clanking ghoul: It was the fact that everybody there seemed to like him. Mrs. Weasley fussed over the state of his socks and tried to force him to eat fourth helpings at every meal. Mr. Weasley liked Harry to sit next to him at the dinner table so that he could bombard him with questions about life with Muggles, asking him to explain how things like plugs and the postal service worked. “Fascinating!” he would say as Harry talked him through using a telephone. “Ingenious, really, how many ways Muggles have found of getting along without magic.” Harry heard from Hogwarts one sunny morning about a week after he had arrived at the Burrow. He and Ron went down to breakfast to find Mr. and Mrs. Weasley and Ginny already sitting at the kitchen table. The moment she saw Harry, Ginny accidentally knocked her porridge bowl to the floor with a loud clatter. Ginny seemed very prone to knocking things over whenever Harry entered a room. She dived under the table to retrieve the bowl and emerged with her face glowing like the setting sun. Pretending he hadn’t noticed this, Harry sat down and took the toast Mrs. Weasley offered him. “Letters from school,” said Mr. Weasley, passing Harry and Ron identical envelopes of yellowish parchment, addressed in green ink. “Dumbledore already knows you’re here, Harry—doesn’t miss a trick, that man. You two’ve got them, too,” he added, as Fred and George ambled in, still in their pajamas. For a few minutes there was silence as they all read their letters. Harry’s
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
And while the walls in all the other rooms were filled with artwork, here there was a single painting hung with care- a path through a forest with shadows and soft morning sunlight on fallen trees, everything quiet and green. "It's by Shishkin," Wendy told me, when she noticed I was looking at it. "Ivan Shishkin.
Susanna Kearsley (Bellewether)
Take an observing walk. Find a safe and pleasant place to walk, such as a quiet street, a park, or a trail in the woods, and practice observing for about twenty minutes. As you walk, look around at everything you see in the present moment. Notice the trees, the sidewalk, cars passing by, the sounds, smells, and the breeze on your face. Notice everything but don’t comment to yourself on any of it. When you start to comment, bring your attention back to observing. Notice how you feel as you walk and observe sights, sounds, and smells. When your mind wanders, simply bring it back to the present moment, the feeling of your body moving through space, and all that you see, hear, smell, and touch.
Cedar R. Koons (The Mindfulness Solution for Intense Emotions: Take Control of Borderline Personality Disorder with DBT)
Mindfulness helps by waking us up in the middle of an emotional storm. It helps us see what is going on (bodily sensations and urges) and what choices we have (to act on urges or not) by bringing our attention into the moment. First we notice the sensations we are feeling. Even if the sensations are intensely unpleasant, we recognize they are only sensations and they will pass in a short while. When we can tolerate the sensations of emotions and not feel compelled either to act on or to avoid them, we begin to notice something important: urges are only urges, not imperatives. We can simply notice the emotion and ride it like a wave, knowing that eventually it will pass, even if only to come again. The more we can stay present and accept the moment, the less we feel the need to either act on how we feel, like Colleen, or escape from how we feel, like Christina. When the intensity and urgency pass, the way forward becomes easier to see. Over time, we begin to hear the quiet voice of our true selves gently advising us. When we stay in the present we find that the moment is, in fact, tolerable. We are not ruminating about our intractable problems or agonizing over the loneliness and shame we feel. We give up trying to fix everything and stop blaming ourselves for what we imagine to be the gigantic mess we have made of our lives. Instead, our own inner voice might say, Okay, maybe I am not happy with what is going on, but I can accept this moment.
Cedar R. Koons (The Mindfulness Solution for Intense Emotions: Take Control of Borderline Personality Disorder with DBT)
Think of mind as pure awareness, like an empty sky. Through the mind travel our thoughts, images, body awareness, memories, urges, dreams, and more—always moving and transforming, like weather in the atmosphere. This “weather” is our state of mind at any given time. When we are in reasonable mind it is just another day, and we don’t even notice the weather. The mind is hyper-rational, focused on the facts and tasks at hand. When we are in emotion mind, emotions are in control and storms blow in. Rationality flies away like leaves in an autumn gale. Under the influence of very strong emotions, thoughts jump from the past to the future and back to the present, and emotions and urges feel as unstable as tornados. The weather of wise mind is peaceful, even if a storm has recently passed by. Emotions may be present, like clouds in a blue sky, but the weather is calm. We are aware both of the facts of a situation and of our feelings about it. The mind is quiet and the attention is focused in the moment. Most of the time a part of your attention is quietly observing everything you are doing, even your own state of mind. To identify your state of mind, tune in to yourself from that observing part of you. How do you feel in your body? What are your thoughts like? Is emotion present? Can you name it? Do you feel any urges? Do you feel a loud intensity; a cool, logical focus; or a quiet inner knowing? Being able to look at your mind this way will help you identify your state of mind
Cedar R. Koons (The Mindfulness Solution for Intense Emotions: Take Control of Borderline Personality Disorder with DBT)
I never had to tell her that. She knew. Back then she knew everything. And as long as I was big spoon, creeping in quietly and wrapping my small body around hers without touching, she’d pretend not to notice. I’d have to be careful to breathe softly because if I breathed out too hard or too much, according to her she’d be poisoned in her sleep from my carbon dioxide. As far as I knew, it was the only thing June was scared of.
Mary H.K. Choi (Yolk)
With little else to do I rode my Vesper motor scooter from Harbel to Roberts Field. Perhaps there might be some excitement around the airport, but no such luck. Eric Reeves the Station Master and Air Traffic Controller was in the tower and was in communications with the incoming airliner. Everything was quiet in anticipation of a Pan American Clipper's arrival. On the ground floor all was quiet except for a solitary passenger in the terminal. Apparently he was waiting for the next flight out, which wasn't due for another two hours. As I approached him, I could see that he looked familiar…. I immediately recognized him as a world class trumpet player and gravel voiced singer from New Orleans. He must have seen the look on my face and broke the ice by introducing himself as Louie Armstrong. "Hi," I answered, "I'm Hank Bracker, Captain Hank Bracker." I noticed that he was apparently alone sitting there with a mountain of belongings which obviously included musical instruments. Here was Louis Armstrong, the famous Louie Armstrong, all alone in this dusty, hot terminal, and yes he had a big white handkerchief! He volunteered that the others in his party were at the club looking for something to eat. With no one else around, we talked about New Orleans, his music and how someone named King Oliver, a person I had never heard of, was his mentor. At the time I didn't know much about Dixie Land music or the Blues, but talking to Louie Armstrong was a thrill I'll never forget. In retrospect it’s amazing to find out that you don’t know what you didn’t know. I found out that he actually lived in Queens, NY at that time, not too far from where my aunt and uncle lived. I also found out that he was the Good Will Ambassador at Large and represented the United States on a tour that included Europe and Africa, but now he was just a friendly person I had the good fortune to meet, under these most unusual circumstances. His destination was Ghana where he, his wife and his band the All Stars group were scheduled to perform a concert in the capitol city of Accra. Little did I know that the tour he was on was scheduled by Edward R. Murrow, who would later be my neighbor in Pawling, New York. Although our time together was limited, it was obvious that he had compassion for the people of the "Third World Nations," and wanted to help them. Although after our short time together, I never saw Louie again but I just know that he did. He seemed to be the type of person that could bring sunshine with him wherever he went.…
Hank Bracker
Ruling Venezuela as the unelected military strongman from 1948 to 1950 and as President from 1952 to 1958. The President of Venezuela was Marcos Pérez Jiménez, a Venezuelan General, who also considered himself to be a civil engineer. He spent much of the country’s oil profits modernizing the infrastructure, including the construction of the new Caracas to La Guaira highway. The new road was terribly expensive requiring bridges and tunnels. Two tunnels alone cost $20,000,000 and nearly broke the State Treasury, but the road was completed in 1953, just in time for me to ride on it up the mountains to Caracas. The old taxi went uphill at very steep angles, reaching an altitude of 7,400 feet before dipping back down into the city. Looking into the deep ravines next to what had been the old road, I could see wrecks of the vehicles that were unlucky enough to have gone off the road. Finally crossing the top of the Coastal ridge, we followed the winding road down into the extinct volcanic basin that housed the capital city. As we got closer to the downtown district, I noticed that the Guardia National police were everywhere! The traffic was horrendous and there was a layer of smog in the valley, but everything was reasonably quiet except for loud banging sounds. Since there was a noise ordinance in Caracas, cars were not permitted to blow their horns. Instead, the cabdrivers banged the side of their car door with their hand.
Hank Bracker
headquarters and led us up a flight of stairs and into a room where the Ender King sat at a table talking with his daughter Tina. When we walked in, they looked up nonchalantly, expecting a soldier or a servant, but when they saw who it was, they both teleported immediately to our sides and began slapping us on the back and hugging us. “I’m so glad you made it back!” said the Ender King smiling broadly. “And thank you for stopping the blending.” I smiled, but I was not entirely happy, I thought again of Claire. Tina noticed the absences immediately, a look of consternation on her face. “But where is Claire? Where is Emma?” There was silence in our group for a moment and then everyone looked at me. I guess I had to tell the tale. And I did. When I had finished telling the King and Tina about everything that had happened in the control room, the world of the players, and upon my return, the King shook his head sadly while Tina sobbed quietly. “That’s terrible,” said the Ender King. “But I’m sure you’ll be able to rescue Emma. And find Entity 303’s piece in Baby Zeke’s dimension.” “King, what about the third piece? The piece even the Rainbow Creeper could not track?” asked Baby Zeke. The King rubbed his chin and looked at Notch and Herobrine. “What do you think? How should we go about looking for his piece?” Herobrine shrugged. “That’s assuming it is even in our dimension.” “Well, assuming it is in this dimension, I would suggest
Dr. Block (Diary of a Surfer Villager, Books 16-20 (Diary of a Surfer Villager #16-20))
While we can direct the mind to penetrate phenomena with great precision and energy, we can also sit quietly and allow reality to just show itself as it is. Both perspectives are important and valuable, and being able to draw on each along the way can be very helpful. Said another way, we can realize that reality is already showing itself, settle quietly into this moment, and be clear and precise about it. Note well: many people will totally miss these last paragraphs and get all into pushing with everything they have and will just keep plowing on that way like mad bulldozers or rabid oxen, but really this is about noticing that everything shows itself on its own naturally without any forcing on the part of anyone, so any effort finally must lead to that quiet, easy, natural understanding.
Daniel Ingram (Mastering the Core Teachings of the Buddha: An Unusually Hardcore Dharma Book)
Above all, he kept it an internal conflict, not a conflict between him and her.… And if she or anyone else comments on her quietness or hesitancy, Jim’s prompt reply is, ‘That’s just your style. Other people have different styles. But this is yours. You like to take your time and be sure.’ Jim also knows that part of her style is befriending anyone whom others tease, doing careful work, noticing everything going on in the family, and being the best soccer strategist in her league.” One of the best things you can do for an introverted child is to work with him on his reaction to novelty. Remember that introverts react not only to new people, but also to new places and events. So don’t mistake your child’s caution in new situations for an inability to relate to others. He’s recoiling from novelty or overstimulation, not from human contact. As we saw in the last chapter, introversion-extroversion levels are not correlated with either agreeableness or the enjoyment of intimacy. Introverts are just as likely as the next kid to seek others’ company, though often in smaller doses. The key is to expose your child gradually to new situations and people—taking care to respect his limits, even when they seem extreme. This produces more-confident kids than either overprotection or pushing too hard. Let him know that his feelings are normal and natural, but also that there’s nothing to be afraid of: “I know it can feel funny to play with someone you’ve never met, but I bet that boy would love to play trucks with you if you asked him.” Go at your child’s pace; don’t rush him. If he’s young, make the initial introductions with the other little boy if you have to. And stick around in the background—or, when he’s really little, with a gentle, supportive hand on his back—for as long as he seems to benefit from your presence. When he takes social risks, let him know you admire his efforts: “I saw you go up to those new kids yesterday. I know that can be difficult, and I’m proud of you.
Susan Cain
that’s how the world changes. It’s either so quick that we never know what hit us, or so gradual that we don’t notice. It’s only later, when books are written and scholars decide what mattered and what didn’t, that red lines are drawn – before this point, the world was this way, after this point, everything was different. You could be there and not have a clue. You could be asleep, or looking the other way, having a quiet shit or screwing in an alley, and an unseen pen draws a line. Here the Empire ended. Here the Dark Ages began.
K.J. Parker (Sixteen Ways to Defend a Walled City (The Siege #1))
believe that our planet is inhabited not only by animals and plants and bacteria and viruses, but also by ideas. Ideas are a disembodied, energetic life-form. They are completely separate from us, but capable of interacting with us—albeit strangely. Ideas have no material body, but they do have consciousness, and they most certainly have will. Ideas are driven by a single impulse: to be made manifest. And the only way an idea can be made manifest in our world is through collaboration with a human partner. It is only through a human’s efforts that an idea can be escorted out of the ether and into the realm of the actual. Therefore, ideas spend eternity swirling around us, searching for available and willing human partners. (I’m talking about all ideas here—artistic, scientific, industrial, commercial, ethical, religious, political.) When an idea thinks it has found somebody—say, you—who might be able to bring it into the world, the idea will pay you a visit. It will try to get your attention. Mostly, you will not notice. This is likely because you’re so consumed by your own dramas, anxieties, distractions, insecurities, and duties that you aren’t receptive to inspiration. You might miss the signal because you’re watching TV, or shopping, or brooding over how angry you are at somebody, or pondering your failures and mistakes, or just generally really busy. The idea will try to wave you down (perhaps for a few moments; perhaps for a few months; perhaps even for a few years), but when it finally realizes that you’re oblivious to its message, it will move on to someone else. But sometimes—rarely, but magnificently—there comes a day when you’re open and relaxed enough to actually receive something. Your defenses might slacken and your anxieties might ease, and then magic can slip through. The idea, sensing your openness, will start to do its work on you. It will send the universal physical and emotional signals of inspiration (the chills up the arms, the hair standing up on the back of the neck, the nervous stomach, the buzzy thoughts, that feeling of falling into love or obsession). The idea will organize coincidences and portents to tumble across your path, to keep your interest keen. You will start to notice all sorts of signs pointing you toward the idea. Everything you see and touch and do will remind you of the idea. The idea will wake you up in the middle of the night and distract you from your everyday routine. The idea will not leave you alone until it has your fullest attention. And then, in a quiet moment, it will ask, “Do you want to work with me?” At this point, you have two options for how to respond. What
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Maybe that was the trade: Stay erased and still and quiet and be invisible and safe. Take an action, claim space, be noticed-and open yourself up to attack by everyone and everything.
Elizabeth Bear (Ancestral Night (White Space, #1))