Notes Of A Native Son Quotes

We've searched our database for all the quotes and captions related to Notes Of A Native Son. Here they are! All 100 of them:

It took many years of vomiting up all the filth I’d been taught about myself, and half-believed, before I was able to walk on the earth as though I had a right to be here.
James Baldwin (Collected Essays: Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays)
I am what time, circumstance, history, have made of me, certainly, but I am, also, much more than that. So are we all.
James Baldwin (Notes of a Native Son)
The American ideal, after all, is that everyone should be as much alike as possible.
James Baldwin (Notes of a Native Son)
I imagine that one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, that they will be forced to deal with pain.
James Baldwin (Notes of a Native Son)
One writes out of one thing only--one's own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give. This is the only real concern of the artist, to recreate out of the disorder of life that order which is art.
James Baldwin (Notes of a Native Son)
You can not describe anything without betraying your point of view, your aspirations, your fears, your hopes. Everything.
James Baldwin (Notes of a Native Son)
People who shut their eyes to reality simply invite their own destruction, and anyone who insists on remaining in a state of innocence long after that innocence is dead turns himself into a monster.
James Baldwin (Notes of a Native Son)
It was better not to judge the man who had gone down under an impossible burden. It was better to remember: Thou knowest this man's fall, but thou knowest not his wrassling.
James Baldwin (Notes of a Native Son)
America sometimes resembles, at least from the point of view of a black man, an exceedingly monotonous minstrel show; the same dances, same music, same jokes. One has done (or been) the show so long that one can do it in one’s own sleep.
James Baldwin (Notes of a Native Son)
I don't like people who like me because I'm a Negro; neither do I like people who find in the same accident grounds for contempt. I love America more than any other country in the world, and, exactly for this reason, I insist on the right to criticize her perpetually. I think all theories are suspect, that the finest principles may have to be modified, or may even be pulverized by the demands of life, and that one must find, therefore, one's own moral center and move through the world hoping that this center will guide one aright. I consider that I have many responsibilities, but none greater than this: to last, as Hemingway says, and get my work done. I want to be an honest man and a good writer.
James Baldwin (Notes of a Native Son)
In Harlem, Negro policemen are feared more than whites, for they have more to prove and fewer ways to prove it
James Baldwin (Notes of a Native Son)
In overlooking, denying, evading this complexity--which is nothing more than the disquieting complexity of ourselves--we are diminished and we perish; only within this web of ambiguity, paradox, this hunger, danger, darkness, can we find at once ourselves and the power that will free us from ourselves. It is this power of revelation that is the business of the novelist, this journey toward a more vast reality which must take precedence over other claims.
James Baldwin (Notes of a native son)
Any writer, I suppose, feels that the world into which he was born is nothing less than a conspiracy against the cultivation of his talent--which attitude certainly has a great deal to support it. On the other hand, it is only because the world looks on his talent with such frightening indifference that the artist is compelled to make his talent important.
James Baldwin (Notes of a Native Son)
Joyce is right about history being a nightmare—but it may be the nightmare from which no one can awaken. People are trapped in history and history is trapped in them.
James Baldwin (Notes of a Native Son)
I love America more than any other country in the world, and, exactly for this reason, I insist on the right to criticize her perpetually.
James Baldwin (Notes of a Native Son)
We cannot escape our origins, however hard we try, those origins which contain the key -could we but find it- to all we later become
James Baldwin (Notes of a Native Son)
Yet one must also recognize that morality is based on ideas and that all ideas are dangerous—dangerous because ideas can only lead to action and where the action leads no man can say.
James Baldwin (Notes of a Native Son)
...but no one was interested in the facts. They preferred the invention because this invention expressed and corroborated their hates and fears so perfectly.
James Baldwin (Notes of a Native Son)
It began to seem that one would have to hold in the mind forever two ideas which seemed to be in opposition. The first idea was acceptance, the acceptance, totally without rancor, of life as it is, and men as they are: in the light of this idea, it goes without saying that injustice is a commonplace. But this did not mean that one could be complacent, for the second idea was of equal power: that one must never, in one's own life, accept these injustices as commonplace but must fight them with all one's strength. This fight begins, however, in the heart and it now had been laid to my charge to keep my own heart free of hatred and despair. This intimation made my heart heavy and, now that my father was irrecoverable, I wished that he had been beside me so that I could have searched his face for the answers which only the future would give me now.
James Baldwin (Notes of a Native Son)
It had been only through books-at best, no more than vicarious cultural transfusions-that I had managaed to keep myself alive in a negatively vital way. Whenever my environment had failed to support or nourish me, I had clutched at books...
Richard Wright (Cliffs Notes on Wright's Black Boy)
For nothing is fixed, forever and forever and forever, it is not fixed; the earth is always shifting, the light is always changing, the sea does not cease to grind down rock. Generations do not cease to be born, and we are responsible to them because we are the only witnesses they have.
James Baldwin (Collected Essays: Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays)
In the context of the Negro problem neither whites nor blacks, for excellent reasons of their own, have the faintest desire to look back; but I think that the past is all that makes the present coherent, and further, that the past will remain horrible for exactly as long as we refuse to assess it honestly.
James Baldwin (Notes of a Native Son)
One writes out of one thing only—one’s own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give.
James Baldwin (Notes of a Native Son)
The wonderful thing about writers like [James] Baldwin is the way we read them and come across passages that are so arresting we become breathless and have to raise our eyes from the page to keep from being spirited away.
Edward P. Jones (Notes of a Native Son)
Oedipus did not remember the thongs that bound his feet; nevertheless the marks they left testified to that doom toward which his feet were leading him. The man does not remember the hand that struck him, the darkness that frightened him, as a child; nevertheless, the hand and the darkness remain with him, indivisible from himself forever, part of the passion that drives him wherever he thinks to take flight.
James Baldwin (Notes of a Native Son)
Every man in the chapel hoped that when his hour came he, too, would be eulogized, which is to say forgiven, and that all of his lapses, greeds, errors, and strayings from the truth would be invested with coherence and looked upon with charity. This was perhaps the last thing humans could give each other and it was what they demanded, after all, of the Lord.
James Baldwin (Notes of a Native Son)
In those days my mother was given to the exasperating and mysterious habit of having babies.
James Baldwin (Notes of a Native Son)
The black man in our midst carried murder in his heart, he wanted vengeance. We carried murder too, we wanted peace.
James Baldwin (Notes of a Native Son)
When he was dead I realized that I had hardly ever spoken to him. When he had been dead a long time I began to wish I had. It seems to be typical of life in America, where opportunities, real and fancied, are thicker than anywhere else on the globe, that the second generation has no time to talk to the first.
James Baldwin (Notes of a Native Son)
This was not the man they had known, but they had scarcely expected to be confronted with him; this was, in a sense deeper than questions of fact, the man they had not known, and the man they had not known may have been the real one. The real man, whoever he had been, had suffered and now he was dead: this was all that was sure and all that mattered now.
James Baldwin (Notes of a Native Son)
Wash me, cried the slave to his Maker, and I shall be whiter, whiter than snow!
James Baldwin (Notes of a Native Son)
It is said that [Shakespeare's] time was easier than ours, but I doubt it—no time can be easy if one is living through it.
James Baldwin (Collected Essays: Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays)
But our humanity is our burden, our life; we need not battle for it; we need only to do what is infinitely more difficult—that is, accept it.
James Baldwin (Notes of a Native Son)
At the root of the American Negro problem is the necessity of the American white man to find a way of living with the Negro in order to be able to live with himself.
James Baldwin (Notes of a Native Son)
The people who think of themselves as White have the choice of becoming human or irrelevant. Or--as they are, indeed, already, in all but actual fact: obsolete. For, if trouble don't last always, as the Preacher tells us, neither does Power, and it is on the fact or the hope or the myth of Power that that identity which calls itself White has always seemed to depend.
James Baldwin (Notes of a Native Son)
For the history of the American Negro is unique also in this: that the question of his humanity, and of his rights therefore as a human being, became a burning one for several generations of Americans, so burning a question that it ultimately became one of those used to divide the nation.
James Baldwin (Notes of a Native Son)
We spend vast amounts of our time an emotional energy in learning how not to be natural and in eluding the trap of our own nature and it therefore becomes very difficult to know exactly what is meant when we speak of the unnatural. It is not possible to have it both ways, to use nature at one time as the final arbiter of human conduct and at another to oppose her as angrily as we do.
James Baldwin (Collected Essays: Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays)
A mob cannot afford to doubt: that the Jews killed Christ or that niggers want to rape their sisters or that anyone who fails to make it in the land of the free and the home of the brave deserves to be wretched. But these ideas do not come from the mob. They come from the state, which creates and manipulates the mob. The idea of a black persons as property, for example, does not come from the mob. It is not a spontaneous idea. It does not come from the people, who knew better, who thought nothing of intermarriage until they were penalized for it: this idea comes from the architects of the American State. These architects decided that the concept of Property was more important—more real—than the possibilities of the human being.
James Baldwin (Collected Essays: Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays)
It is quite possible to say that the price a Negro pays for becoming articulate is to find himself, at length, with nothing to be articulate about. ("You taught me language," says Caliban to Prospero, "and my profit on't is I know how to curse.")
James Baldwin (Notes of a Native Son)
The time has come to realize that the interracial drama acted out on the American continent has not only created a new black man, it has created a new white man, too. No road whatever will lead Americans back to the simplicity of this European village where white men still have the luxury of looking on me as a stranger. I am not, really, a stranger any longer for any American alive. One of the things that distinguishes Americans from other people is that no other people has ever been so deeply involved in the lives of black men, and vice versa. This fact faced, with all its implications, it can be seen that the history of the American Negro problem is not merely shameful, it is also something of an achievement. For even when the worst has been said, it must also be added that the perpetual challenge posed by this problem was always, somehow, perpetually met. It is precisely this black-white experience which may prove of indispensable value to us in the world we face today. This world is white no longer, and it will never be white again.
James Baldwin (Notes of a Native Son)
It must be remembered that the oppressed and the oppressor are bound together within the same society; they accept the same criteria, they share the same beliefs, they both alike depend on the same reality.
James Baldwin (Notes of a Native Son)
Life, it is true, is a process of decisions and alternatives, the conscious awareness and acceptance of limitations. Experience, nevertheless, to say nothing of history, seems clearly to indicate that it is not possible to banish or to falsify any human need without ourselves undergoing falsification and loss.
James Baldwin (Collected Essays: Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays)
The dead man mattered, the new life mattered; blackness and whiteness did not matter; to believe that they did was to acquiesce in one's own destruction. Hatred, which could destroy so much, never failed to destroy the man who hated and this was an immutable law.
James Baldwin (Notes of a Native Son)
In America, though, life seems to move faster than anywhere else on the globe and each generation is promised more than it will get: which creates, in each generation, a furious, bewildered rage, the rage of people who cannot find solid ground beneath their feet. Just
James Baldwin (Notes of a Native Son)
It is really quite impossible to be affirmative about anything which one refuses to question; one is doomed to remain inarticulate about about anything which one hasn’t, by an act of the imagination, made one’s own.
James Baldwin (Notes of a Native Son)
The people who think of themselves as White have the choice of becoming human or irrelevant.
James Baldwin (Notes of a Native Son)
There is nothing more boring, anyway, than sexual activity as an end in itself, and a great many people who came out of the closet should reconsider.
James Baldwin (Collected Essays: Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays)
consider that I have many responsibilities, but none greater than this: to last, as Hemingway says, and get my work done. I want to be an honest man and a good writer.
James Baldwin (Notes of a Native Son)
...I think that the past is all that makes the present coherent, and further, that the past will remain horrible for exactly as long as we refuse to assess it honestly.
James Baldwin (Notes of a Native Son)
Since Negroes have been in this country their one major, devastating gain was their Emancipation, an emancipation no one regards any more as having been dictated by humanitarian impulses.
James Baldwin (Notes of a Native Son)
Not only was I not born to be a slave: I was not born to hope to become the equal of the slave-master. They had, the masters, incontestably, the rope—in time, with enough, they would hang themselves with it. They were not to hang me: I was to see to that.
James Baldwin (Collected Essays: Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays)
Our people" have functioned in this country for nearly a century as political weapons, the trump card up the enemies' sleeve; anything promised Negroes at election time is also a threat leveled at the opposition; in the struggle for mastery the Negro is the pawn.
James Baldwin (Notes of a Native Son)
There seems to be a vast amount of confusion in the Western world concerning these matters, but love and sexual activity are not synonymous: Only by becoming inhuman can the human being pretend that they are. The mare is not obliged to love the stallion, nor is the bull required to love the cow. They are doing what comes naturally.
James Baldwin (Collected Essays: Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays)
Out of this incredible brutality, we get the myth of the happy darky and Gone With the Wind. And the North Americans appear to believe these legends, which they have created and which absolutely nothing in reality corroborates, until today. And when these legends are attacked, as is happening now—all over a globe which has never been and never will be White—my countrymen become childishly vindictive and unutterably dangerous. The
James Baldwin (Notes of a Native Son)
Wright puts this idea can only proceed from the assumption—not entirely unsound—that Americans, who evade, so far as possible, all genuine experience, have therefore no way of assessing the experience of others and no way of establishing themselves in relation to any way of life which is not their own.
James Baldwin (Notes of a Native Son)
When he died I had been away from home for a little over a year. In that year I had had time to become aware of the meaning of all my father’s bitter warnings, had discovered the secret of his proudly pursed lips and rigid carriage: I had discovered the weight of white people in the world. I saw that this had been for my ancestors and now would be for me an awful thing to live with and that the bitterness which had helped to kill my father could also kill me.
James Baldwin (Notes of a Native Son)
I don’t think that the Negro problem in America can be even discussed coherently without bearing in mind its context; its context being the history, traditions, customs, the moral assumptions and preoccupations of the country; in short, the general social fabric. Appearances to the contrary, no one in America escapes its effects and everyone in America bears some responsibility for it.
James Baldwin (Notes of a Native Son)
Most people are not naturally reflective any more than they are naturally malicious, and the white man prefers to keep the black man at a certain human remove because it is easier for him thus to preserve his simplicity and avoid being called to account for crimes committed by his forefathers, or his neighbors.
James Baldwin (Notes of a Native Son)
Perhaps it now occurs to him that in this need to establish himself in his relation to his past [the African American] is most American, that this depthless alienation from oneself and one's people is, in sum, the American experience.
James Baldwin (Notes of a Native Son)
To smash something is the ghetto's chronic need. Most of the time it is the members of the ghetto who smash each other, and themselves. But as long as the ghetto walls are standing there will always come a moment when these outlets do not work.
James Baldwin (Notes of a Native Son)
I can conceive of no Negro native to this country who has not, by the age of puberty, been irreparably scarred by the conditions of his life. All over Harlem, Negro boys and girls are growing into stunted maturity, trying desperately to find a place to stand; and the wonder is not that so many are ruined but that so many survive.
James Baldwin (Notes of a Native Son)
So that any writer, looking back over even so short a span of time as I am here forced to assess, finds that the things which hurt him and the things which helped him cannot be divorced from each other; he could be helped in a certain way only because he was hurt in a certain way; and his help is simply to be enabled to move from one conundrum to the next—one is tempted to say that he moves from one disaster to the next.
James Baldwin (Notes of a Native Son)
The South is very beautiful but its beauty makes one sad because the lives that people live, and have lived here, are so ugly that now they cannot even speak to one another. It does not demand much reflection to be appalled at the inevitable state of mind achieved by people who dare not speak freely about those things which most disturb them.
James Baldwin (Collected Essays: Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays)
I think all theories are suspect, that the finest principles may have to be modified, or may even be pulverized by the demands of life, and that one must find, therefore, one's own moral center and move through the world hoping that this center will guide one aright.
James Baldwin (Notes of a Native Son)
anyone who insists on remaining in a state of innocence long after that innocence is dead turns himself into a monster.
James Baldwin (Notes of a Native Son (Penguin Modern Classics))
Hatred, which could destroy so much, never failed to destroy the man who hated and this was an immutable law.
James Baldwin (Notes of a Native Son)
I love America more than any other country in the world, and, exactly for this reason, I insist on the right to criticize her perpetually. I
James Baldwin (Notes of a Native Son)
It seems to be typical of life in America, where opportunities, real and fancied, are thicker than anywhere else on the globe, that the second generation has no time to talk to the first.
James Baldwin (Notes of a Native Son)
It is considered a rather cheerful axiom that all Americans distrust politicians. (No one takes the further and less cheerful step of considering just what effect this mutual contempt has on either the public or the politicians, who have, indeed, very little to do with one another.)
James Baldwin (Notes of a Native Son)
Americans, unhappily, have the most remarkable ability to alchemize all bitter truths into an innocuous but piquant confection and to transform their moral contradictions, or public discussion of such contradictions, into a proud decoration, such as are given for heroism on the field of battle.
James Baldwin (Notes of a Native Son)
In the Negro world, as in the white world, Negroes who have money band together and try to ignore the existence of their unluckier brothers. That is the way the love of money works. But neither money, nor the love of it, is the root of all evil. The importance of money is simply that power in the world does not exist without it and power in the world is what almost everyone would like to have.
James Baldwin (Collected Essays: Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays)
The rage of the disesteemed is personally fruitless, but it is also so absolutely inevitable; this rage, so generally discounted, so little understood even among the people whose daily bread it is, is one of the things that makes history. Rage can only with difficulty, and never entirely, be brought under the domination of the intelligence and is therefore not susceptible to any arguments whatever.
James Baldwin (Notes of a Native Son)
People who shut their eyes to reality simply invite their own destruction, and anyone who insists on remaining in a state of innocence long after that innocence is dead turns himself into a monster. The
James Baldwin (Notes of a Native Son)
This laughter is the laughter of those who consider themselves to be at a safe remove from all the wretched, for whom the pain of living is not real. ... this laughter is universal and never can be stilled.
James Baldwin (Notes of a Native Son)
But that battered word, truth, having made its appearance here, confronts one immediately with a series of riddles and has, moreover, since so many gospels are preached, the unfortunate tendency to make one belligerent.
James Baldwin (Notes of a Native Son)
They preferred the invention because this invention expressed and corroborated their hates and fears so perfectly. It is just as well to remember that people are always doing this. Perhaps many of those legends, including Christianity, to which the world clings began their conquest of the world with just some such concerted surrender to distortion.
James Baldwin (Notes of a Native Son)
Society is held together by our need; we bind it together with legend, myth, coercion, fearing that without it we will be hurled into that void, within which, like the earth before the Word was spoken, the foundations of society are hidden.
James Baldwin (Notes of a Native Son)
In America, though, life seems to move faster than anywhere else on the globe and each generation is promised more than it will get: which creates, in each generation, a furious, bewildered rage, the rage of people who cannot find solid ground beneath their feet.
James Baldwin (Notes of a Native Son)
It was the Lord who knew of the impossibility every parent in that room faced: how to prepare the child for the day when the child would be despised and how to create in the child - by what means? - a stronger antidote to this poison than one had found for oneself.
James Baldwin (Notes of a Native Son)
One writes out of one thing only—one’s own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give. This is the only real concern of the artist, to recreate out of the disorder of life that order which is art. The
James Baldwin (Notes of a Native Son)
It is part of the price the Negro pays for his position in this society that, as Richard Wright points out, he is almost always acting. A Negro learns to gauge precisely what reaction the alien person facing him desires, and he produces it with disarming artlessness. The friends I had, growing up and going to work, grew more bitter every day; and, conversely, they learned to hide this bitterness and to fit into the pattern Gentile and Jew alike had fixed for them.
James Baldwin (Notes of a Native Son)
Each generation has shouted behind him, Nigger! as he walked our streets; it is he whom we would rather our sisters did not marry; he is banished into the vast and wailing outer darkness whenever we speak of the “purity” of our women, of the “sanctity” of our homes, of “American” ideals. What is more, he knows it. He is indeed the “native son”: he is the “nigger.” Let us refrain from inquiring at the moment whether or not he actually exists; for we believe that he exists. Whenever we encounter him amongst us in the flesh, our faith is made perfect and his necessary and bloody end is executed with a mystical ferocity of joy.
James Baldwin (Notes of a Native Son)
For Bigger’s tragedy is not that he is cold or black or hungry, not even that he is American, black; but that he has accepted a theology that denies him life, that he admits the possibility of his being sub-human and feels constrained, therefore, to battle for his humanity according to those brutal criteria bequeathed him at his birth. But our humanity is our burden, our life; we need not battle for it; we need only to do what is infinitely more difficult—that is, accept it.
James Baldwin (Notes of a Native Son)
The time has come to realize that the interracial drama acted out on the American continent has not only created a new black man, it has created a new white man, too. . .the history of the American Negro problem is not merely shameful, it is also something of an achievement. For even when the worst has been said, it must also be added that the perpetual challenge posed by this problem was always, somehow, perpetually met. . . This world is white no longer, and it will never be white again.
James Baldwin (Notes of a Native Son)
One would have to hold in the mind forever two ideas which seemed to be in opposition. The first idea was acceptance… totally without rancor, of life as it is, and men as they are: in the light of this idea, it goes without saying that injustice is a commonplace. But this did not mean that one could be complacent, for the second idea was of equal power: that one must never, in one’s own life, accept these injustices as commonplace but must fight them with all one’s strength.” (Baldwin, 84)
James Baldwin (Collected Essays: Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays)
I learned in New Jersey that to be a Negro meant, precisely, that one was never looked at but was simply at the mercy of the reflexes the color of one’s skin caused in other people…That year in New Jersey lives in my mind as though it were the year during which, having an unsuspected predilection for it, I first contracted some dread, chronic disease, the unfailing symptom of which is a kind of blind fever, a pounding in the skull and fire in the bowels…There is not a Negro alive who does not have this rage in his blood–one has the choice, merely, of living with it consciously or surrendering to it. As for me, this fever has recurred in me, and does, and will until the day I die.
James Baldwin (Notes of a Native Son)
It is not simply the relationship of oppressed to oppressor, of master to slave, nor is it motivated merely by hatred; it is also, literally and morally, a blood relationship, perhaps the most profound reality of the American experience, and we cannot begin to unlock it until we accept how very much it contains of the force and anguish and terror of love.
James Baldwin (Notes of a Native Son)
One is absolutely forced to make perpetual qualifications and one's own reactions are always canceling each other out. It is this, really, which has driven so many people mad, both white and black. One is always in the position of having to decide between amputation and gangrene. Amputation is swift but time may prove that amputation was not necessary--or one may delay the amputation too long. Gangrene is slow, but it is I,possible to be sure that one is reading one's symptoms right. The idea of going through life as a cripple is more than one can bear, and equally unbearable is the risk if swelling up slowly, in agony, with poison.
James Baldwin (Notes of a Native Son)
The story of my childhood is the usual bleak fantasy, and we can dismiss it with the restrained observation that I certainly would not consider living it again. In those days my mother was given to the exasperating and mysterious habit of having babies. As they were born, I took them over with one hand and held a book with the other. The children probably suffered, though they have since been kind enough to deny it, and in this way I read Uncle Tom’s Cabin and A Tale of Two Cities over and over and over again; in this way, in fact, I read just about everything I could get my hands on—except the Bible, probably because it was the only book I was encouraged to read.
James Baldwin (Notes of a Native Son)
but the African has not yet endured the utter alienation of himself from his people and his past. His mother did not sing "Sometimes I Feel Like a Motherless Child," and he has not, all his life long, ached for acceptance in a culture which pronounced straight hair and white skin the only acceptable beauty. They face each other, the Negro and the African, over a gulf of three hundred years - an alienation too vast to be conquered in an evening's good-will
James Baldwin (Notes of a Native Son)
How else, then, to explain my every effort to tell in a novel as best I could the stories of slave masters, black and white, and how slavery crushed their souls every morning they got up from their beds and thanked their god for their dominion over others. If I knew the importance of telling that, it was because Baldwin and his kind had planted the idea long ago. (I give him so much credit because he was in the minority of all the black writers I was reading who understood the importance of giving white people their due as full-fledged human beings. Even before I knew I would get into this writing thing, Baldwin told me this: You do not have to fully humanize your black characters by dehumanizing the white ones.)
James Baldwin (Notes of a Native Son)
I don't think the negro problem can be discussed coherently without bearing in mind its context; its context being the history, traditions, customs, the moral assumptions and preoccupations of the country; in short, the general social fabric. Appearances to the contrary, no one in America escapes its effects and everyone in America bears some responsibility for it. I believe this the more firmly because it is the overwhelming tendency to speak of this problem as if it were a thing apart
James Baldwin (Notes of a Native Son)
Americans are as unlike any other white people in the world as it is possible to be. I do not think, for example, that it is too much to suggest that the American vision of the world—which allows so little reality, generally speaking, for any of the darker forces in human life, which tends until today to paint moral issues in glaring black and white—owes a great deal to the battle waged by Americans to maintain between themselves and black men a human separation which could not be bridged.
James Baldwin (Notes of a Native Son)
It is only now beginning to be borne in on us—very faintly, it must be admitted, very slowly, and very much against our will—that this vision of the world is dangerously inaccurate, and perfectly useless. For it protects our moral high-mindedness at the terrible expense of weakening our grasp of reality. People who shut their eyes to reality simply invite their own destruction, and anyone who insists on remaining in a state of innocence long after that innocence is dead turns himself into a monster.
James Baldwin (Notes of a Native Son)
This fatalistic indifference is something that drives the optimistic American liberal quite mad; he is prone, in his more exasperated moments, to refer to Negroes as political children, an appellation not entirely just. Negro liberals, being consulted, assure us that this is something that will disappear with “education,” a vast, all-purpose term, conjuring up visions of sunlit housing projects, stacks of copybooks and a race of well-soaped, dark-skinned people who never slur their R’s. Actually, this is not so much political irresponsibility as the product of experience, experience which no amount of education can quite efface. It is, as much as anything else, the reason the Negro vote is so easily bought and sold, the reason for that exclamation heard so frequently on Sugar Hill: “Our people never get anywhere.
James Baldwin (Notes of a Native Son)
Yet, if the American Negro has arrived at his identity by virtue of the absoluteness of his estrangement from his past, American white men still nourish the illusion that there is some means of recovering the European innocence, of returning to a state in which black men do not exist. This is one of the greatest errors Americans can make. The identity they fought so hard to protect has, by virtue of that battle, undergone a change: Americans are as unlike any other white people in the world as it is possible to be. I do not think, for example, that it is too much to suggest that the American vision of the world-which allows so little reality, generally speaking, for any of the darker forces in human life, which tends until today to paint moral issues in glaring black and white owes a great deal to the battle waged by Americans to maintain between themselves and black men a human separation which could not be bridged. It is only now beginning to be borne in on us, very faintly, it must be admitted, very slowly, and very much against our will--that this vision of the world is dangerously inaccurate, and perfectly useless. For it protects our moral high-mindedness at the terrible expense of weakening our grasp of reality. People who shut their eyes to reality simply invite their own destruction, and anyone who insists on remaining in a state of innocence long after that innocence is dead turns himself into a monster.
James Baldwin (Notes of a Native Son)
It is savagely, if one may say so, ironical that the only proof the world—mankind—has ever had of White supremacy is in the Black face and voice: that face never scrutinized, that voice never heard. The eyes in that face prove the unforgivable and unimaginable horror of being a captive in the promised land, but also prove that trouble don’t last always: and the voice, once filled with a rage and pain that corroborated the reality of the jailer, is addressing another reality, in other tongues. The people who think of themselves as White have the choice of becoming human or irrelevant. Or—as they are, indeed, already, in all but actual fact: obsolete. For, if trouble don’t last always, as the Preacher tells us, neither does Power, and it is on the fact or the hope or the myth of Power that that identity which calls itself White has always seemed to depend.
James Baldwin (Notes of a Native Son)
Their faith may be described as childlike, but the end it serves is often sinister. It may, indeed, “keep them happy”—a phrase carrying the inescapable inference that the way of life imposed on Negroes makes them quite actively unhappy—but also, and much more significantly, religion operates here as a complete and exquisite fantasy revenge: white people own the earth and commit all manner of abomination and injustice on it; the bad will be punished and the good rewarded, for God is not sleeping, the judgment is not far off. It does not require a spectacular degree of perception to realize that bitterness is here neither dead nor sleeping, and that the white man, believing what he wishes to believe, has misread the symbols. Quite often the Negro preacher descends to levels less abstract and leaves no doubt as to what is on his mind: the pressure of life in Harlem, the conduct of the Italian-Ethiopian war, racial injustice during the recent war, and the terrible possibility of yet another very soon. All these topics provide excellent springboards for sermons thinly coated with spirituality but designed mainly to illustrate the injustice of the white American and anticipate his certain and long overdue punishment.
James Baldwin (Notes of a Native Son)
For this village, even were it incomparably more remote and incredibly more primitive, is the West, the West onto which I have been so strangely grafted. These people cannot be, from the point of view of power, strangers anywhere in the world; they have made the modern world, in effect, even if they do not know it. The most illiterate among them is related, in a way that I am not, to Dante, Shakespeare, Michelangelo, Aeschylus, Da Vinci, Rembrandt, and Racine; the cathedral at Chartres says something to them which it cannot say to me, as indeed would New York’s Empire State Building, should anyone here ever see it. Out of their hymns and dances come Beethoven and Bach. Go back a few centuries and they are in their full glory—but I am in Africa, watching the conquerors arrive.
James Baldwin (Notes of a Native Son)
It began to seem that one would have to hold in the mind forever two ides which seemed to be in opposition. The first idea was acceptance, totally without rancor, of life as it is, and men as they are; in the light of this idea it goes without saying that injustice is a commonplace. But this did not mean that one could be complacent, for the second idea was of equal power: that one must never, in one's own life, accept these injustices as commonplace but must fight them with all one's strength. This fight begins, however, in the heart and it had now been laid to my charge to keep my heart free of hatred and despair. This intimation made my heart heavy, and now that my father was irrecoverable I wished that he had been beside me so that I could have searched his face for the answers which only the future would give me now.
James Baldwin (Notes of a Native Son)