Notebook Romantic Quotes

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When you fish for love, bait with your heart, not your brain.
Mark Twain (Notebook)
Maybe we've lived a thousand lives before this one and in each of them we've found each other... I know I've spent each life before this one searching for you. Not someone like you but you, for your soul and mine must always come together.
Nicholas Sparks (The Notebook (The Notebook, #1))
Find meaning. Distinguish melancholy from sadness. Go out for a walk. It doesn’t have to be a romantic walk in the park, spring at its most spectacular moment, flowers and smells and outstanding poetical imagery smoothly transferring you into another world. It doesn’t have to be a walk during which you’ll have multiple life epiphanies and discover meanings no other brain ever managed to encounter. Do not be afraid of spending quality time by yourself. Find meaning or don’t find meaning but 'steal' some time and give it freely and exclusively to your own self. Opt for privacy and solitude. That doesn’t make you antisocial or cause you to reject the rest of the world. But you need to breathe. And you need to be.
Albert Camus (Notebooks 1951-1959)
The romantics would call this a love story, the cynics would call it a tragedy. In my mind it’s a little bit of both, and no matter how you choose to view it in the end, it does not change the fact that it involves a great deal of my life and the path I’ve chosen to follow.
Nicholas Sparks (The Notebook (The Notebook, #1))
in all the years we spend together, I never once regretted the fact that I had chosen her and that she had chosen me as well.
Nicholas Sparks (The Wedding (The Notebook, #2))
The romantics would call this a love story, the cynics would call it a tragedy.
Nicholas Sparks (The Notebook (The Notebook, #1))
Who am I? And how I wonder, will this story end? . . . My life? It is'nt easy to explain. It has not been the rip-roaring spectacular I fancied it woulf be, but neither have I burrowed around with the gophers. i suppose it has most resembled a bluechip stock: fairly stable, more ups and downs, and gradually tending over time. A good buy, a lucky buy, and I've learned that not everyone can say this about his life. But do not be misled. I am nothing special; of this I am sure. I am common man with common thought and I've led a common life. There are no monuments dedicated to me, and my name will soon be forgotten, but I've loved another with all my heart and soul, and to me, this has always been enough. The romantics would call this a love story, the cynics would call it a tragedy. In my mind, it's a little bit of both, and no matter how you choose to view it in the end, it does not change the fact that involves a great deal of my life and the path I've chosen to follow. I have no complaints about the places it has taken me, enough complaints to fill a circus tent about other thins, maybe, but the path I've chosen has always been the right one, and I would'nt have had it any other way. Time, unfortunatley, does'nt make it easy to stay on course. The path is straight as ever, but now it is strewn with the rocks and gravel that accumulated over a lifetime . . . There is always a moment right before I begin to read the story when my mind churns, and I wonder, will it happen today? I don't know, for I never know beforehand, and deep down it really doesn't matter. It's the possibility that keeps me going, not the guarantee, a sort of wager on my part. And though you may call me a dreamer or a fool or any other thing, I believe that anything is possible. I realize that odds, and science, are againts me. But science is not the answer; this I know, this I have learned in my lifetime. And that leaves me with the belief that miracles, no matter how inexplicable or unbelievable, are real and can occur without regard to the natural order of things. So once again, just as I do ecery day, I begin to read the notebook aloud, so that she can hear it, in the hope that the miracle, that has come to dominate my life will once again prevail. And maybe, just maybe, it will.
Nicholas Sparks (The Notebook (The Notebook, #1))
The romantics would call this a love story:the cynics would call it a tragedy. In my mind it's a little bit of both, and no matter how you choose to view it in the end, it does not change the fact that it involves a great deal of my life.
Nicholas Sparks (The Notebook (The Notebook, #1))
Aku ingin sekali mengatakan padamu bahwa segalanya akan berakhir dengan baik untuk kita, dan bahwa aku berjanji akan berusaha mewujudkan itu. Tapi andaikan kita tak pernah bertemu lagi, dan perpisahan ini mesti terjadi, aku yakin kita akan bertemu lagi di kehidupan lain....
Nicholas Sparks (The Notebook (The Notebook, #1))
That life is simply a collection of little lives, each lived one day at a time. That each day should be spent finding beauty in flowers and poetry and talking to animals. That a day spent with dreaming and sunsets and refreshing breezes cannot be bettered. But most of all, I learned that life is about sitting on benches next to ancient creeks with my hand on her knee and sometimes, on good days, for falling in love.
Nicholas Sparks (The Notebook (The Notebook, #1))
I felt my thoughts drift to that scene in The Notebook -- the one where Noah and Allie lie in the middle of the empty road. You could not be that romantic in England. I'd get frostbite of the bumhole if Harry and I lay on the ice tonight.
Holly Bourne (It Only Happens in the Movies)
Engkau boleh saja membual tentang kaki telanjangmu Yang telah menempuh jutaan mil. Gaya kupu-kupu mu yang mengarungi laut penuh hiu, Atau kebolehanmu memanjat tebing-tebing terjal Dengan sepotong tali terikat di pinggangmu. Namun jika kau tak pernah menjelajah ke dalam batinmu sendiri, Engkau bagaikan tak pernah pergi ke mana pun.
Desi Anwar (Romantic Journey: Notebook of a Traveller)
Credit and property and the 8-hour day are great friends of the Establishment. If you must buy things, pay cash, and only buy things of value--no trinkets, no gimmicks. Everything you own must be able to fit inside one suitcase; then your mind might be free. And before you face the troops in the street, DECIDE and KNOW what you are going to replace them with and why. Romantic slogans won't do. Have a definite program, clearly worded, so if DO win you will have a suitable and decent form of government.
Charles Bukowski (Portions from a Wine-Stained Notebook: Uncollected Stories and Essays, 1944-1990)
(I’ve never kissed anyone for real, in a romantic way, before. I hadn’t lied to the drag-on lady. I don’t think my pillow counts. (Should I confess this to Snarl in the notebook? Full disclosure, so he had a fair chance to run? (Nah.)
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
People wonder at the romantic lives of poets and artists, but they should rather wonder at their gift of expression. The occurrences which pass unnoticed in the life of the average man in the existence of a writer of talent are profoundly interesting. It is the man they happen to that makes their significance.
W. Somerset Maugham (A Writer's Notebook)
...it seems to me suicide is its own kind of 'death in battle,' and it may stand in for all our sufferings... People commit suicide when they are at war with sadness, or fear, or loneliness, or pain. When a single blow seems preferable to daily assault. Suicide is not heroic, nor romantic, nor idealistic, but neither is it cowardly or sinful. Made in a fit of passion or very deliberately, it is a choice. [Édouard Manet]
Maureen Gibbon (The Lost Notebook of Édouard Manet)
should perhaps make allowances. England isn’t all he remembers it to be. I think he has a rather romantic notion of what “Blighty” should be like, and all this has quite shattered his illusions.’ ‘I dare say,’ said the inspector distractedly, as he made some notes in his notebook. There was a knock on the door and Jenkins entered with a tray of coffee, sandwiches, and some shortbread biscuits. ‘Your luncheon, my lady,’ he said, pointedly ignoring the inspector. ‘Mrs Brown thought you might appreciate some biscuits, too.’ ‘She’s very thoughtful, Jenkins,’ said Lady Hardcastle. ‘Please thank her for us.’ ‘Yes, my lady. Will there be anything else?’ ‘No, Jenkins, thank you.’ ‘Very good, my lady,’ he said with a slight bow. He left as quietly as he had entered. Inspector Sunderland seemed to be on the verge of another tirade, but thought better of it and went to pour the coffee instead. ‘Please,’ I said, stepping forward. ‘Allow me.’ ‘Certainly, miss. If you insist.’ ‘Thank you, Inspector,’ I said, as I poured coffee for the two of them. ‘Just doing my duty.’ ‘Don’t show off, Armstrong,’ said Lady Hardcastle. ‘Pour yourself one, too.’ I curtseyed. ‘Thank you, m’lady. You’re very generous to a poor servant
T.E. Kinsey (A Quiet Life in the Country (Lady Hardcastle Mysteries, #1))
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One of the things I’ve heard over and over again from couples describing what was different when they met “the One” was that for the first time, they didn’t feel like they were in the middle of a romantic chess match. There was no guessing whether the other person was interested. They didn’t worry about “the rules” on how long to wait before calling or setting up the next date. The whole thing felt relaxed and transparent, not fraught with the typical “Does he or she like me?” anxiety.
Ellen McCarthy (The Real Thing: Lessons on Love and Life from a Wedding Reporter's Notebook)
Chocolate is a girl's best friend.' 'Consequently, I am going to polish off this entire chocolate pie, as well as sit here and cry, yes just sitting in my white tank top, and light pink comfy old short shorts, with the black drawstring in the fronts, tied, into a big floppy bow.' 'I sit looking at the TV, hugging my teddy bear. Tonight's movie lineup is 'Shawshank,' 'Misery,' 'The Notebook,' and 'A Walk to Remember.' While my black mascara from the day runs down my cheeks.' 'Life is not a fairytale, so maybe I can go next year. I know the prom is not going to happen either, yet I want to go at least once in my life. Yet, some get to go to prom, and dance for five years running. They go all four high school years.' 'Plus, they get asked for their date, which is still in school after they're out, even though they have gone many times before.' 'Then someone like me never gets the chance; that is not fair! I am not jealous; I just want to have the same opportunities, the photos, and the involvements.' 'I could envision in my mind the couples swaying to the music.' 'I could picture the bodies pressed against one another. With their hands laced with desire, all the girls having their poofy dresses pushed down by their partner's closeness, as they look so in love.' 'I know is just dumb dances, but I want to go. Why am I such a hopeless romantic? I could visualize the passionate kissing.' 'I can see the room and how it would be decorated, but all I have is the vision of it. That is all I have! Yeah, I think I know how Carrie White feels too, well maybe not like that, but close. I might get through that one tonight too because I am not going to sleep anywise.' 'So why not be scared shitless! Ha, that reminds me of another one, he- he.' 'I am sure that this night, which they had, would never be forgotten about! I will not forget it either. It must have- been an amazing night which is shared, with that one special person.' 'That singular someone, who only wants to be with you! I think about all the photographs I will never have. All the memories that can never be completed and all the time lost that can never be regained.' 'The next morning, I have to go through the same repetition over again. Something's changed slightly but not much; I must ride on the yellow wagon of pain and misery. Yet do I want to today?' 'I do not want to go after the night that I put in. I was feeling vulnerable, moody, and a little twitchy.' 'I do not feel like listening to the ramblings of my educators. Yet knowing if I do not show up at the hellhole doors, I would be asked a million questions, like why I did not show up, the next day I arrived there.
Marcel Ray Duriez
So,” she asks, “did we decide on a movie?” She settles up against me, and my arm goes naturally around her. “I was thinking Braveheart.” “Ugh. What is it with that movie? Why are all men addicted to it?” “Ah, the same reason women are obsessed with the freaking Notebook. That is what you were going to suggest, right?” She smiles slyly, and I know I guessed right. “The Notebook is romantic.” “It’s fucking gay.” She hits me in the face with the “perfect” pillow. “It’s sweet.” “It’s nauseating. I have friends who are flaming homosexuals—and that movie is too gay for them.
Emma Chase (Tangled (Tangled, #1))
I have always lusted after a sepia-toned library with floor-to-ceiling bookshelves and a sliding ladder. I fantasie about Tennessee Williams' types of evenings involving rum on the porch. I long for balmy slightly sleepless nights with nothing but the whoosh of a wooden ceiling fan to keep me company, and the joy of finding the cool spot on the bed. I would while away my days jotting down my thoughts in a battered leather-bound notebook, which would have been given to me by some former lover. My scribbling would form the basis of a best-selling novel, which they wold discuss in tiny independent bookshops on quaint little streets in forgotten corners of terribly romantic European cities. In other words, I fantasize about being credible, in that artistic, slightly bohemian way that only girls with very long legs can get away with.
Amy Mowafi (Fe-mail 2)
And Mrs. Orton had the seizure right after you applied the lipstick?" Reggie's voice was dead serious. Drea nodded. That little tidbit set off Cam's warning sirens. Not good. Reggie closed his notebook and deposited it in his inner jacket pocket. "Can you think of anything else?" Drea opened her mouth, then closed it and shook her head. Christ. So she had a possible motive, opportunity, means to kill Natasha Orton, and she was obviously holding something back. She may not be the only suspect, but even Cam had to admit she was a mighty good one.
Avery Flynn (Make Me Up (Killer Style #3))
Since Paul wasn’t a big conversationalist—he was the anti-Mac, in other words, and today had been the longest she’d ever heard him speak in consecutive sentences—Jena watched the scenery for a while. Then she decided to study the inside of Paul’s truck to see what she could learn about him. Technically, it was exactly like hers and Gentry’s. It had a black exterior with a blue light bar across the top and the Louisiana Department of Wildlife and Fisheries Enforcement Division logo on the doors. It was tech heavy on the front dash, just like theirs, with LDWF, Terrebonne Parish Sheriff’s Office, and Louisiana State Police Troop C radios, a laptop, a GPS unit, and a weather unit. In her truck and in Gentry’s, the cords and wires were a colorful tangle of plastic and metal, usually with extra plugs dangling around like vines. Paul’s cords were all black, and he had them woven in pairs and tucked underneath the dash, where they neatly disappeared. She leaned over to see how he’d achieved such a thing, and noticed identical zip ties holding them in place. “Sinclair, I hate to ask, but what are you doing?” He sounded more bemused than annoyed, so she said, “I’m psychoanalyzing you based on the interior of your truck.” He almost ran off the road. “Why?” “Your scintillating conversation was putting me to sleep.” His dark brows knit together but he seemed to have no answer to that. She turned around in her seat, as much as the seat belt allowed, and continued her study. Paul had a 12-gauge shotgun and a .223 carbine mounted right behind the driver’s seat, same as in her own truck. The mounts had hidden release buttons so the agents could get the guns out one-handed and quickly. But where her truck had a catch-all supply of stuff, from paper towels to zip ties to evidence bags to fast-food wrappers thrown in the back, Paul’s backseat was empty but for a zippered storage container normal people used for shoes. Each space held different things, all neatly arranged. Jena spotted evidence bags in one. Zip ties in another. Notebooks. Citation books. Paperwork. A spare uniform hung over one window, with a dry-cleaner’s tag dangling from the shirt’s top button. Good Lord. She turned back around. “What did you learn?” Paul finally asked. “You’re an obsessive-compulsive neat freak,” she said. “Accent on freak.
Susannah Sandlin (Black Diamond (Wilds of the Bayou, #2))
The aspiring writer comes home after a hard day’s work in the plastic shop. Maybe he has a few beers, or a cocktail, but soon he retires to his writing. There he discovers the aroma of burning lavender incense, and a soft red glow streaming from his reading lamp. The strings of a violin sing out softly, romantically. He notices his favorite notebook lying on his desk, submissively, with her blank naked pages spread open for him. He fondles his ballpoint pen and gawks at her 9.75 by 7.5-inch-wide ruled lines. He simply sits and stares at her awhile, lustfully, admiring the soft red lines that run down her legs to form margins. He smiles, feeling shy and perhaps a little apprehensive about this, what is for him, inevitable endeavor. He glances at his eager pen for a moment. It is a small pen. She reassures him that it is not the size of the pen that counts, but rather his prowess with it.        Not having any sort of plan in mind, all the more excited by the spontaneity of it, he sets to writing. He starts out softly, gently, and careful at first, forming each letter of each word with intimate precision. The inhibitions drop with each gentle stroke of his pen. Soon he is inside and one with the inviting quarter blank page. His pen is feverishly scratching against the warm paper. Madly he is marking the page. The blood in his head pounds, as he lets all his energy, all the everything inside him spill out onto the page. Faster and faster he writes with wild abandon, pushing it out onto her! “More” she moans. He grunts a primal grunt that rises up thick and full, from somewhere in the depths of his very soul, and he writes on! From under his pen she screams out in shades of purple passion ecstasy! “YES! OH GOOD GOD, YES! GIVE IT TO ME! YOU MAD MAD POET!” So he writes on, harder and faster, striving for climax. Until it seems at any moment, his pen might explode and spray thick creamy bubbling blue ink everywhere! He comes! To the end of the page. With the ink still wet and strangely sticky between her pages, he closes the notebook. Feeling drained, he lies his head against her soft cardboard cover and dozes off to dream the dreams that writers dream…           Rainbow
Bearl Brooks (Literary Conception: A Collection of Short Stories and Poems)
but I was disappointed nonetheless, because he’d made me a mixtape—an actual burned CD with the artists and song titles printed neatly on a sheet of accompanying notebook paper. That is the kind of thing that signifies the possibility of true love. I’ve been accused often over the years of not being romantic, but here is where it all oozes out: a list of songs felt by you and presented to me, rendering me flushed and swooning and poring over song lyrics to determine their hidden meaning.
Samantha Irby (We Are Never Meeting in Real Life.)
I wish we could put Nathan and Ellena and Travis on our walk.” Ashley sighed. “It just doesn’t seem complete without them.” “They’re on our walk.” Taking Ashley’s notebook, Roo calmly pointed to the neatly lettered, neatly organized tour script. “See? Right here. Magnolia Gallery. Opera house fire.” “That’s not what I mean. Each of them really, really loved somebody very much. That’s what I want people to remember.” Ashley put a hand over her heart. “The loves that never die.” “The loves that made people die.” Parker downed another swig of cough medicine, capped the bottle, then slid it into the back pocket of his jeans. “Sorry, Ash, but that’s not the way of the world. If you tell their real stories, people will only remember all the dumb mistakes they made. Like…oh, you know…torture and murder and arson and treason and--” “Ah, yes,” Roo acknowledged coolly. “Parker Wilmington, the last of the true romantics.” Retrieving her notebook, Ashley hugged it to her chest. Her sigh was more wistful this time. “I know you’re right. I mean, we can’t ever give away their real secrets. Not on the Walk of the Spirits…not to anybody…not ever. I mean, Nathan and Ellena and Travis lived and sacrificed and died, protecting those secrets about themselves. If we told their secrets, it would be like betraying them all over again.” “Or we could call the tabloids and paparazzi,” Parker deadpanned. “They pay big money for secrets and betrayals.” “Parker Wilmington, if I told even half your secrets and betrayals, I’d be a very rich woman!” Even Parker looked amused as the group broke into raucous applause. Looking entirely pleased with herself, Ashley curtsied, then motioned them all toward the Brickway.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
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