β
It's not denial. I'm just selective about the reality I accept.
β
β
Bill Watterson
β
Break my heart. Break it a thousand times if you like. It was only ever yours to break anyway.
β
β
Kiera Cass (The One (The Selection, #3))
β
Make your own Bible. Select and collect all the words and sentences that in all your readings have been to you like the blast of a trumpet.
β
β
Ralph Waldo Emerson
β
For whatever we lose (like a you or a me),
It's always our self we find in the sea.
β
β
E.E. Cummings (100 Selected Poems)
β
Man only likes to count his troubles; he doesn't calculate his happiness.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
True love is usually the most inconvenient kind.
β
β
Kiera Cass (The Selection (The Selection, #1))
β
There is a crack in everything.
That's how the light gets in.
β
β
Leonard Cohen (Selected Poems, 1956-1968)
β
You need to learn how to select your thoughts just the same way you select your clothes every day. This is a power you can cultivate. If you want to control things in your life so bad, work on the mind. That's the only thing you should be trying to control.
β
β
Elizabeth Gilbert (Eat, Pray, Love)
β
What a blessing it is to love books as I love them;- to be able to converse with the dead, and to live amidst the unreal!
β
β
Thomas Babington Macaulay (The Selected Letters of Thomas Babington Macaulay)
β
I hope you find someone you can't live without.I really do. And I hope you never have to know what it's like to have to try and live without them.
β
β
Kiera Cass (The Selection (The Selection, #1))
β
You donβt know what goes on in anyoneβs life but your own. And when you mess with one part of a personβs life, youβre not messing with just that part. Unfortunately, you canβt be that precise and selective. When you mess with one part of a personβs life, youβre messing with their entire life. Everything. . . affects everything.
β
β
Jay Asher (Thirteen Reasons Why)
β
My wish is that you may be loved to the point of madness.
β
β
AndrΓ© Breton (What Is Surrealism?: Selected Writings)
β
Talking nonsense is the sole privilege mankind possesses over the other organisms. It's by talking nonsense that one gets to the truth! I talk nonsense, therefore I'm human
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
I know enough to know that no woman should ever marry a man who hated his mother.
β
β
Martha Gellhorn (Selected Letters)
β
to live in this world
you must be able
to do three things
to love what is mortal;
to hold it
against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go
β
β
Mary Oliver (New and Selected Poems, Volume One)
β
The best people all have some kind of scar.
β
β
Kiera Cass (The One (The Selection, #3))
β
Well, now
If little by little you stop loving me
I shall stop loving you
Little by little
If suddenly you forget me
Do not look for me
For I shall already have forgotten you
If you think it long and mad the wind of banners that passes through my life
And you decide to leave me at the shore of the heart where I have roots
Remember
That on that day, at that hour, I shall lift my arms
And my roots will set off to seek another land
β
β
Pablo Neruda (Selected Poems)
β
No, Iβm not choosing him or you. Iβm choosing me.
β
β
Kiera Cass (The Selection (The Selection, #1))
β
In our deepest moments we say the most inadequate things.
β
β
Edna O'Brien (A Fanatic Heart: Selected Stories)
β
My turn shall also come:
I sense the spreading of a wing.
β
β
Osip Mandelstam (The Selected Poems)
β
Sanity is a madness put to good uses.
β
β
George Santayana (The Essential Santayana: Selected Writings)
β
Each moment is a place
you've never been.
β
β
Mark Strand (New Selected Poems)
β
It's always the fear of looking stupid that stops you from being awesome.
β
β
Kiera Cass (The Selection (The Selection, #1))
β
For he would be thinking of love
Till the stars had run away
And the shadows eaten the moon.
β
β
W.B. Yeats (Selected Poems and Four Plays)
β
The public have an insatiable curiosity to know everything, except what is worth knowing.
β
β
Oscar Wilde (The Soul of Man Under Socialism and Selected Critical Prose)
β
How do I love thee? Let me count the ways.
β
β
Elizabeth Barrett Browning (Selected Poems)
β
Perhaps it is better to wake up after all, even to suffer, rather than to remain a dupe to illusions all one's life.
β
β
Kate Chopin (The Awakening, and Selected Stories (Modern Library College Editions))
β
The windows of my soul I throw
Wide open to the sun.
β
β
John Greenleaf Whittier (John Greenleaf Whittier's Poetry: An Appraisal and a Selection)
β
A thousand half-loves must be forsaken to take one whole heart home.
β
β
Jalal ad-Din Muhammad ar-Rumi (Words of Paradise: Selected Poems of Rumi)
β
It turns out I'm absolutely terrible at staying away from you. It's a very serious problem.
β
β
Kiera Cass (The Elite (The Selection, #2))
β
My heart is warm with the friends I make,
And better friends I'll not be knowing,
Yet there isn't a train I wouldn't take,
No matter where it's going.
β
β
Edna St. Vincent Millay (The Selected Poetry)
β
I'll love you until my very last breath. Every beat of my heart is yours. I don't want to die without you knowing that.
β
β
Kiera Cass (The One (The Selection, #3))
β
We cannot selectively numb emotions, when we numb the painful emotions, we also numb the positive emotions.
β
β
BrenΓ© Brown (The Gifts of Imperfection)
β
Love is beautiful fear
β
β
Kiera Cass (The Elite (The Selection, #2))
β
Itβs a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters.
β
β
Gillian Flynn (Gone Girl)
β
If you donβt want me to be in love with you, youβre going to have to stop looking so lovely. First thing tomorrow Iβm having your maids sew some potato sacks together for you.
β
β
Kiera Cass (The Selection (The Selection, #1))
β
Youβve changed me forever. And Iβll never forget you.
β
β
Kiera Cass (The Elite (The Selection, #2))
β
If I read a book and it makes my whole body so cold no fire can warm me, I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only ways I know it. Is there any other way?
β
β
Emily Dickinson (Selected Letters)
β
America Singer, one day you will fall asleep in my arms every night. And you'll wake up to my kisses every morning.
β
β
Kiera Cass (The Selection (The Selection, #1))
β
This isnβt happily ever after.
Itβs so much more than that.
β
β
Kiera Cass (The One (The Selection, #3))
β
You get confused by crying women, I get confused by walks with princes.
β
β
Kiera Cass (The Selection (The Selection, #1))
β
I tell you this
to break your heart,
by which I mean only
that it break open and never close again
to the rest of the world.
β
β
Mary Oliver (New and Selected Poems, Vol. 2)
β
You know that youβve found something amazing, and you want to hold on to it forever; and every second after you have it, you fear the moment you might lose it.
β
β
Kiera Cass (The Elite (The Selection, #2))
β
Your Majestyβ
Tugging my ear. Whenever.
β
β
Kiera Cass (The Selection (The Selection, #1))
β
No spring nor summer beauty hath such grace as I have seen in one autumnal face."
[The Autumnal]
β
β
John Donne (The Complete Poetry and Selected Prose)
β
Though much is taken, much abides; and though
We are not now that strength which in old days
Moved earth and heaven, that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.
β
β
Alfred Tennyson (Idylls of the King and a Selection of Poems)
β
The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood.
For nothing now can ever come to any good.
β
β
W.H. Auden (Selected Poems)
β
I want so much that is not here and do not know
where to go.
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
I want everything with you, America. I want the holidays and the birthdays, the busy season and lazy weekends. I want peanut butter fingertips on my desk. I want inside jokes and fights and everything. I want a life with you.
β
β
Kiera Cass (The One (The Selection, #3))
β
For one human being to love another human being: that is perhaps the most difficult task that has been given to us, the ultimate, the final problem and proof, the work for which all other work is merely preparation.
β
β
Rainer Maria Rilke (The Selected Poetry of Rainer Maria Rilke)
β
Rejection is an opportunity for your selection.
β
β
Bernard Branson
β
He stood and went to read my pin as I approached. βAmerica, is it?β he said, a smile playing on his lips.
βYes, it is. And I know Iβve heard your name before, but could you remind me?
β
β
Kiera Cass (The Selection (The Selection, #1))
β
Maxon: βTo be clear, no one agrees with you.β
America: βTo be clear, I donβt care.
β
β
Kiera Cass (The One (The Selection, #3))
β
i carry your heart with me(i carry it in my heart)
β
β
E.E. Cummings (Selected Poems)
β
If we will be quiet and ready enough, we shall find compensation in every disappointment.
β
β
Henry David Thoreau (I to Myself: An Annotated Selection from the Journal of Henry D. Thoreau)
β
I like my body when it is with your body. It is so quite new a thing. Muscles better and nerves more.
β
β
E.E. Cummings (Selected Poems)
β
people run from rain but
sit
in bathtubs full of
water.
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
I hit your thigh!β
βOh, please. A man doesnβt need that long to recover from a knee to the thigh.
β
β
Kiera Cass (The Selection (The Selection, #1))
β
Sometimes I feel like we're a knot, too tangled to be taken apart.
β
β
Kiera Cass (The Elite (The Selection, #2))
β
I canβt help it." I sighed. "One can never help being born into perfection.
β
β
Kiera Cass (The Selection (The Selection, #1))
β
I am alone, I thought, and they are everybody.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
Time is the substance I am made of. Time is a river which sweeps me along, but I am the river; it is a tiger which destroys me, but I am the tiger; it is a fire which consumes me, but I am the fire.
β
β
Jorge Luis Borges (Labyrinths: Selected Stories & Other Writings)
β
so it's always a process of letting go, one way or another
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
I should have known that if any girl was going to disobey an order, it would be you.
β
β
Kiera Cass (The Selection (The Selection, #1))
β
Good books, like good friends, are few and chosen; the more select, the more enjoyable.
β
β
Amos Bronson Alcott (Tablets)
β
It wasnβt like I made his world better. It was like I was his world. It wasnβt some explosion; it wasnβt fireworks. It was a fire, burning slowly from the inside out.
β
β
Kiera Cass (The Elite (The Selection, #2))
β
Maxon, some of those marks are on your back so they wouldnβt be on mine, and I love you for them.β
He stopped breathing for a second. βWhat did you say?β
I smiled. βI love you.β
βOne more time, please? I justββ
I took his face in both of my hands. βMaxon Schreave, I love you. I love you.β
βAnd I love you, America Singer. With all that I am, I love you.
β
β
Kiera Cass (The One (The Selection, #3))
β
Life must be rich and full of loving--it's no good otherwise, no good at all, for anyone.
β
β
Jack Kerouac (Selected Letters, 1940-1956)
β
I'm not sure anyone knows what they're looking for until they find it.
β
β
Kiera Cass (The Heir (The Selection, #4))
β
Last night you said you wanted to know what to expect so you could better select your attire. I told you we were going to visit a vampire in a Goth-den tonight. Why, then, Ms. Lane, do you look like a perky rainbow?
β
β
Karen Marie Moning (Darkfever (Fever, #1))
β
There is so much about my fate that I cannot control, but other things do fall under the jurisdiction. I can decide how I spend my time, whom I interact with, whom I share my body and life and money and energy with. I can select what I can read and eat and study. I can choose how I'm going to regard unfortunate circumstances in my life-whether I will see them as curses or opportunities. I can choose my words and the tone of voice in which I speak to others. And most of all, I can choose my thoughts.
β
β
Elizabeth Gilbert
β
Bravery hides in amazing places.
β
β
Kiera Cass (The One (The Selection, #3))
β
. . . Itβs me?β
βOf course itβs you.
β
β
Kiera Cass (The One (The Selection, #3))
β
If the stars should appear one night in a thousand years, how would men believe and adore; and preserve for many generations the remembrance of the city of God which had been shown! But every night come out these envoys of beauty, and light the universe with their admonishing smile.
β
β
Ralph Waldo Emerson (Nature and Selected Essays (Penguin Classics))
β
America, my love, you are sunlight falling through trees. You are laughter that breaks through sadness. You are the breeze on a too-war day. You are clarity in the midst of confusion.
You are not the world, but you are everything that makes the world good. Without you, my life would still exist, but that's all it would manage to do.
You said that to get things right one of us would have to take a leap of faith. I think I've discovered the canyon that must be leaped, and I hope to find you waiting for me on the other side.
I love you, America.
Yours forever,
Maxon
β
β
Kiera Cass (The One (The Selection, #3))
β
No man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were: any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bells tolls; it tolls for thee.
β
β
John Donne (No man is an island β A selection from the prose)
β
There is no Frigate like a Book
To take us Lands away
Nor any Coursers like a Page
Of prancing Poetry β
This Traverse may the poorest take
Without oppress of Toll β
How frugal is the Chariot
That bears a Human soul.
β
β
Emily Dickinson (Selected Poems)
β
Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And donβt bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: βItβs not where you take things from - itβs where you take them to."
[MovieMaker Magazine #53 - Winter, January 22, 2004 ]
β
β
Jim Jarmusch
β
The Peace of Wild Things
When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my childrenβs lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.
β
β
Wendell Berry (The Selected Poems of Wendell Berry)
β
I loved you so much once. I did. More than anything in the whole wide world. Imagine that. What a laugh that is now. Can you believe it? We were so intimate once upon a time I can't believe it now. The memory of being that intimate with somebody. We were so intimate I could puke. I can't imagine ever being that intimate with somebody else. I haven't been.
β
β
Raymond Carver (Where I'm Calling From: New and Selected Stories)
β
A mature person is one who does not think only in absolutes, who is able to be objective even when deeply stirred emotionally, who has learned that there is both good and bad in all people and in all things, and who walks humbly and deals charitably with the circumstances of life, knowing that in this world no one is all knowing and therefore all of us need both love and charity.
β
β
Eleanor Roosevelt (It Seems to Me: Selected Letters)
β
Yet, I didn't understand that she was intentionally disguising her feelings with sarcasm; that was usually the last resort of people who are timid and chaste of heart, whose souls have been coarsely and impudently invaded; and who, until the last moment, refuse to yield out of pride and are afraid to express their own feelings to you.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
Love is not selective, just as the light of the sun is not selective. It does not make one person special. It is not exclusive. Exclusivity is not the love of God but the "love" of
ego. However, the intensity with which true love is felt can vary. There may be one person who reflects your love back to you more clearly and more intensely than others, and if that person feels the same toward you, it can be said that you are in a love relationship with him or her. The bond that connects you with that person is the same bond that connects you with the person sitting next to you on a bus, or with a bird, a tree, a flower. Only the degree of intensity with which it is felt differs.
β
β
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
β
Maxon lowered his lips to mine and gave me the faintest whisper of a kiss.
Something about the tentativeness of it made me feel beautiful. Without a word, I could understand how excited he was to have this moment, but then afraid at the same time. And deeper than any of that, I sensed that he adored me.
So this is what it felt like to be a lady.
β
β
Kiera Cass (The Selection (The Selection, #1))
β
I've crossed some kind of invisible line. I feel as if I've come to a place I never thought I'd have to come to. And I don't know how I got here. It's a strange place. It's a place where a little harmless dreaming and then some sleepy, early-morning talk has led me into considerations of death and annihilation.
β
β
Raymond Carver (Where I'm Calling From: New and Selected Stories)
β
Yet each man kills the thing he loves,
By each let this be heard,
Some do it with a bitter look,
Some with a flattering word,
The coward does it with a kiss,
The brave man with a sword!
Some kill their love when they are young,
And some when they are old;
Some strangle with the hands of Gold:
The kindest use a knife, because
The dead so soon grow cold.
Some love too little, some too long,
Some sell and others buy;
Some do the deed with many tears,
And some without a sigh:
For each man kills the thing he loves,
Yet each man does not die.
β
β
Oscar Wilde (Selected Poems of Oscar Wilde including the Ballad of Reading Gaol)
β
We tell ourselves stories in order to live...We look for the sermon in the suicide, for the social or moral lesson in the murder of five. We interpret what we see, select the most workable of the multiple choices. We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images, by the "ideas" with which we have learned to freeze the shifting phantasmagoria which is our actual experience.
β
β
Joan Didion (The White Album)
β
If there is no struggle, there is no progress. Those who profess to favor freedom, and yet depreciate agitation, are men who want crops without plowing up the ground. They want rain without thunder and lightning. They want the ocean without the awful roar of its many waters. This struggle may be a moral one; or it may be a physical one; or it may be both moral and physical; but it must be a struggle. Power concedes nothing without a demand. It never did and it never will.
β
β
Frederick Douglass (Frederick Douglass: Selected Speeches and Writings)
β
I could not become anything; neither good nor bad; neither a scoundrel nor an honest man; neither a hero nor an insect. And now I am eking out my days in my corner, taunting myself with the bitter and entirely useless consolation that an intelligent man cannot seriously become anything, that only a fool can become something.
β
β
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
β
That was a memorable day to me, for it made great changes in me. But it is the same with any life. Imagine one selected day struck out of it, and think how different its course would have been. Pause you who read this, and think for a moment of the long chain of iron or gold, of thorns or flowers, that would never have bound you, but for the formation of the first link on one memorable day.
β
β
Charles Dickens (Great Expectations)
β
It is an illusion that youth is happy, an illusion of those who have lost it; but the young know they are wretched for they are full of the truthless ideal which have been instilled into them, and each time they come in contact with the real, they are bruised and wounded. It looks as if they were victims of a conspiracy; for the books they read, ideal by the necessity of selection, and the conversation of their elders, who look back upon the past through a rosy haze of forgetfulness, prepare them for an unreal life. They must discover for themselves that all they have read and all they have been told are lies, lies, lies; and each discovery is another nail driven into the body on the cross of life.
β
β
W. Somerset Maugham (Of Human Bondage)
β
He sighed contentedly. βHow are you feeling, my dear?β
βI feel like punching you for calling me βmy dearβ mostly.β I poked his bare stomach.
Smiling, he crawled to sit over me. βFine then. My darling? My pet? My love?β
βAny of those would work, so long as youβve reserved it solely for me,β I said, my hands mindlessly wandering his chest, his arms. βWhat am I supposed to call you?β
βYour Royal Husbandness. Itβs required by law, Iβm afraid.
β
β
Kiera Cass (The One (The Selection, #3))
β
somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near
your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully, mysteriously) her first rose
or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing
(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands
β
β
E.E. Cummings (Selected Poems)
β
Men make their own history, but they do not make it as they please; they do not make it under self-selected circumstances, but under circumstances existing already, given and transmitted from the past. The tradition of all dead generations weighs like a nightmare on the brains of the living. And just as they seem to be occupied with revolutionizing themselves and things, creating something that did not exist before, precisely in such epochs of revolutionary crisis they anxiously conjure up the spirits of the past to their service, borrowing from them names, battle slogans, and costumes in order to present this new scene in world history in time-honored disguise and borrowed language.
β
β
Karl Marx (The Eighteenth Brumaire of Louis Bonaparte)
β
The Poet With His Face In His Hands
You want to cry aloud for your
mistakes. But to tell the truth the world
doesnβt need anymore of that sound.
So if youβre going to do it and canβt
stop yourself, if your pretty mouth canβt
hold it in, at least go by yourself across
the forty fields and the forty dark inclines
of rocks and water to the place where
the falls are flinging out their white sheets
like crazy, and there is a cave behind all that
jubilation and water fun and you can
stand there, under it, and roar all you
want and nothing will be disturbed; you can
drip with despair all afternoon and still,
on a green branch, its wings just lightly touched
by the passing foil of the water, the thrush,
puffing out its spotted breast, will sing
of the perfect, stone-hard beauty of everything.
β
β
Mary Oliver (New and Selected Poems, Vol. 2)
β
Unending Love
I seem to have loved you in numberless forms, numberless times...
In life after life, in age after age, forever.
My spellbound heart has made and remade the necklace of songs,
That you take as a gift, wear round your neck in your many forms,
In life after life, in age after age, forever.
Whenever I hear old chronicles of love, it's age old pain,
It's ancient tale of being apart or together.
As I stare on and on into the past, in the end you emerge,
Clad in the light of a pole-star, piercing the darkness of time.
You become an image of what is remembered forever.
You and I have floated here on the stream that brings from the fount.
At the heart of time, love of one for another.
We have played along side millions of lovers,
Shared in the same shy sweetness of meeting,
the distressful tears of farewell,
Old love but in shapes that renew and renew forever.
Today it is heaped at your feet, it has found its end in you
The love of all man's days both past and forever:
Universal joy, universal sorrow, universal life.
The memories of all loves merging with this one love of ours -
And the songs of every poet past and forever.
β
β
Rabindranath Tagore (Selected Poems)
β
The total amount of suffering per year in the natural world is beyond all decent contemplation. During the minute that it takes me to compose this sentence, thousands of animals are being eaten alive, many others are running for their lives, whimpering with fear, others are slowly being devoured from within by rasping parasites, thousands of all kinds are dying of starvation, thirst, and disease. It must be so. If there ever is a time of plenty, this very fact will automatically lead to an increase in the population until the natural state of starvation and misery is restored. In a universe of electrons and selfish genes, blind physical forces and genetic replication, some people are going to get hurt, other people are going to get lucky, and you won't find any rhyme or reason in it, nor any justice. The universe that we observe has precisely the properties we should expect if there is, at bottom, no design, no purpose, no evil, no good, nothing but pitiless indifference.
β
β
Richard Dawkins (River Out of Eden: A Darwinian View of Life)
β
anyone lived in a pretty how town
(with up so floating many bells down)
spring summer autumn winter
he sang his didn't he danced his did
Women and men(both little and small)
cared for anyone not at all
they sowed their isn't they reaped their same
sun moon stars rain
children guessed(but only a few
and down they forgot as up they grew
autumn winter spring summer)
that noone loved him more by more
when by now and tree by leaf
she laughed his joy she cried his grief
bird by snow and stir by still
anyone's any was all to her
someones married their everyones
laughed their cryings and did their dance
(sleep wake hope and then)they
said their nevers they slept their dream
stars rain sun moon
(and only the snow can begin to explain
how children are apt to forget to remember
with up so floating many bells down)
one day anyone died i guess
(and noone stooped to kiss his face)
busy folk buried them side by side
little by little and was by was
all by all and deep by deep
and more by more they dream their sleep
noone and anyone earth by april
wish by spirit and if by yes.
Women and men (both dong and ding)
summer autumn winter spring
reaped their sowing and went their came
sun moon stars rain
β
β
E.E. Cummings (Selected Poems)
β
For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasΓ©: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.
It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters.
And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls.
It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else.
I would have done anything to feel real again.
β
β
Gillian Flynn (Gone Girl)
β
O Deep Thought computer," he said, "the task we have designed you to perform is this. We want you to tell us...." he paused, "The Answer."
"The Answer?" said Deep Thought. "The Answer to what?"
"Life!" urged Fook.
"The Universe!" said Lunkwill.
"Everything!" they said in chorus.
Deep Thought paused for a moment's reflection.
"Tricky," he said finally.
"But can you do it?"
Again, a significant pause.
"Yes," said Deep Thought, "I can do it."
"There is an answer?" said Fook with breathless excitement.
"Yes," said Deep Thought. "Life, the Universe, and Everything. There is an answer. But, I'll have to think about it."
...
Fook glanced impatiently at his watch.
βHow long?β he said.
βSeven and a half million years,β said Deep Thought.
Lunkwill and Fook blinked at each other.
βSeven and a half million years...!β they cried in chorus.
βYes,β declaimed Deep Thought, βI said Iβd have to think about it, didnβt I?"
[Seven and a half million years later.... Fook and Lunkwill are long gone, but their descendents continue what they started]
"We are the ones who will hear," said Phouchg, "the answer to the great question of Life....!"
"The Universe...!" said Loonquawl.
"And Everything...!"
"Shhh," said Loonquawl with a slight gesture. "I think Deep Thought is preparing to speak!"
There was a moment's expectant pause while panels slowly came to life on the front of the console. Lights flashed on and off experimentally and settled down into a businesslike pattern. A soft low hum came from the communication channel.
"Good Morning," said Deep Thought at last.
"Er..good morning, O Deep Thought" said Loonquawl nervously, "do you have...er, that is..."
"An Answer for you?" interrupted Deep Thought majestically. "Yes, I have."
The two men shivered with expectancy. Their waiting had not been in vain.
"There really is one?" breathed Phouchg.
"There really is one," confirmed Deep Thought.
"To Everything? To the great Question of Life, the Universe and everything?"
"Yes."
Both of the men had been trained for this moment, their lives had been a preparation for it, they had been selected at birth as those who would witness the answer, but even so they found themselves gasping and squirming like excited children.
"And you're ready to give it to us?" urged Loonsuawl.
"I am."
"Now?"
"Now," said Deep Thought.
They both licked their dry lips.
"Though I don't think," added Deep Thought. "that you're going to like it."
"Doesn't matter!" said Phouchg. "We must know it! Now!"
"Now?" inquired Deep Thought.
"Yes! Now..."
"All right," said the computer, and settled into silence again. The two men fidgeted. The tension was unbearable.
"You're really not going to like it," observed Deep Thought.
"Tell us!"
"All right," said Deep Thought. "The Answer to the Great Question..."
"Yes..!"
"Of Life, the Universe and Everything..." said Deep Thought.
"Yes...!"
"Is..." said Deep Thought, and paused.
"Yes...!"
"Is..."
"Yes...!!!...?"
"Forty-two," said Deep Thought, with infinite majesty and calm.
β
β
Douglas Adams (The Hitchhikerβs Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))