Nose Mask Quotes

Uh-oh,' said Gazzy, but Angel was so nauseated she didn't have time to leap to a safe distance, or grab a gas mask Bbbbbrrrrrrrttthhhhhhttttttt. 'Mother of God, no!' Total cried, doing a fast belly-crawl to the pool and throwing himself in. 'You said it wasn't your digestive system!' 'What was that?' Dylan asked. He winced and threw an arm oer his nose and mouth. ... 'Sorry,' Gazzy said miserably, but he couldn't help a tiny grin. Nudge was clawing at a stack of towels to cover her face. 'Nice one, Gaz,' said Iggy. ... 'Wait-that was Gazzy? Is that why you call him...Oh, crap,' Dylan said weakly.

when you’re sitting on a plane 40, 000 feet up in the air, looking out the window, dreaming of your future and how bright it appears to be, or maybe just watching the drops of rain being pushed into different designs from the force of air at 400 mph, well, life feels good. it feels safe, your seat belt is on and your feet are up. then the oxygen masks fall, the plane jumps, snaps and jolts. people start to scream, babies burst out crying, people start praying all in time to the overhead announcement that we’re gonna crash. right then, as your life flashes before your eyes, you hear yourself say, “god, if you get me outta this one, i’ll stop [insert lie here] forever.” right then the nose of the plane pulls up and the captain says, “wow, that was a close one, folks. we’re ok, we’ll be landing in thirty minutes and we’re all safe and sound, sorry for the scare…” that’s how getting hooked on junk is, and when the kick is over you can’t believe you ever got on that plane in the first place. the question is, will you ever fly again?

I used to think Romeo and Juliet was the greatest love story ever written. But now that I’m middle-aged, I know better. Oh, Romeo certainly thinks he loves his Juliet. Driven by hormones, he unquestionably lusts for her. But if he loves her, it’s a shallow love. You want proof?” Cagney didn’t wait for Dr. Victor to say yay or nay. “Soon after meeting her for the first time, he realizes he forgot to ask her for her name. Can true love be founded upon such shallow acquaintance? I don’t think so. And at the end, when he thinks she’s dead, he finds no comfort in living out the remainder of his life within the paradigm of his love, at least keeping alive the memory of what they had briefly shared, even if it was no more than illusion, or more accurately, hormonal. “Those of us watching events unfold from the darkness know she merely lies in slumber. But does he seek the reason for her life-like appearance? No. Instead he accuses Death of amorousness, convinced that the ‘lean abhorred monster’ endeavors to keep Juliet in her present state, her cheeks flushed, so that she might cater to his own dissolute desires. But does Romeo hold her in his arms one last time and feel the warmth of her blood still coursing through her veins? Does he pinch her to see if she might awaken? Hold a mirror to her nose to see if her breath fogs it? Once, twice, three times a ‘no.’” Cagney sighed, listened to the leather creak as he shifted his weight in his chair. “No,” he repeated. “His alleged love is so superficial and selfish that he seeks to escape the pain of loss by taking his own life. That’s not love, but obsessive infatuation. Had they wed—Juliet bearing many children, bonding, growing together, the masks of the star-struck teens they once were long ago cast away, basking in the comforting campfire of a love born of a lifetime together, not devoured by the raging forest fire of youth that consumes everything and leaves behind nothing—and she died of natural causes, would Romeo have been so moved to take his own life, or would he have grieved properly, for her loss and not just his own?

Please don´t drown into his fears, his concrete fists don´t let him again, break the bridge of your nose with his cruel born hits. Then disappear into that mask of misery.

No mask no entry, but when you get inside you can remove your mask, you are a #COVIDIOT. There is no doubt about it.

But his tone is familiar, feeling like dancing in a dark room and thumb wars under willow trees. The way the words rolled off of his tongue felt like a light flick to the tip of my nose, like calloused fingers braiding silver hair. It felt like Kai. Like the man behind the masks who looked at me like I was extraordinary. I blink at the crumbling rocks crowding the path, willing my mind to wander toward anything but the words that have me wishing things were different. But I am Ordinary. I am the embodiment of the weakness he has been taught to hate. Ordinary.

Many years later when I began training as a plastic surgeon, I understood something that I had not that day in the kitchen arguing for Thalia to leave Tinos for the boarding school. I learned that the world didn't see the inside of you, that it didn't care a whit about the hopes and dreams, and sorrows, that lay masked by skin and bone. It was as simple, as absurd, and as cruel as that. My patients knew this. They saw that much of what they were, would be, or could be hinged on the symmetry of their bone structure, the space between their eyes, their chin length, the tip projection of their nose, whether they had an ideal nasofrontal angle or not. Beauty is an enormous unmerited gift given randomly, stupidly.

I can’t seem to wipe away the blood. I rub my hands against my nightgown, but traces of the red remain, staining the lines of my palms and the crescents beneath my fingernails. I wipe harder, gathering and bunching the soft cotton inside my fists. The fabric has been slit up the center and for a moment I worry that I’ve been cut, that maybe the blood is my own. I try to ask what’s happening, but there’s a mask over my mouth and nose. Suddenly it hits me—I’m in an ambulance. I don’t remember how I got here.

As she stood there, in her long sealskin coat, her hands thrust in a small round muff, her veil drawn down like a transparent mask to the tip of her nose, and the bunch of violets he had brought her stirring with her quickly-taken breath, it seemed incredible that this pure harmony of line and colour should ever suffer the stupid law of change.

I nearly laughed at the sight of his nostrils flaring up. I used to think that "flaring nostrils" was something that writers worked into their stories for melodramatic effect until that moment. Man, it was fabulous watching that guy's nose open up as though he were about to vacuum a giant anthill. ~ Eric

The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects … Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. That man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was a part of the monster, a robot in the seat … The driver could not control it – straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the ‘cat, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent the tractor out, had somehow gotten into the driver’s hands, into his brain and muscle, had goggled him and muzzled him – goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the land as it smelled; his feet did not stamp the clods or feel the warmth and power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did not know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor – its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with blades – not plowing but surgery … The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.

I turned on the light, illuminating the master bedroom, and then gasped, throwing my hand over my nose to mask the indescribable odor. The scene before me was horrific. On the bed, Bradley and Regina Kent lay next to one another. Their eyes were closed. But they weren’t sleeping: they were dead.

The habits of Franciscan nuns still shrouded all but their faces, and so each of the new nun's features were emphasized, read forty times over in astonishment. Outlined in a stiff white frame of starched linen, Sister's eyes, nose, and mouth leapt out, a mask from a dream, a great raw-boned jackal's muzzle.

I talk to people, but a sort of emptiness seems to come over them, as though the face really is a mask, with the real person somewhere behind it, normally pressed up against the inside like a child with their nose against a sweet-shop window, but - when I am talking to them, trying to make some difficult or unacceptable point - lifting that internal self away from the mask and turning somewhere inside themselves, performing the mental equivalent of taking their shoes off and putting their feet up, having a cup of coffee and resting for a while, returning later only when they're good and ready, to nod inappropriately and make some wholly irrelevant remark redolent of stale thoughts. Perhaps it's me, I think. Perhaps only I have this effect on people; maybe nobody else does.

Marry me, Thena, please. I tried to sigh and would have managed it, had he left me enough air space. If he intended on kissing me like this a lot, I was going to need a nose-mask and oxygen tanks in the future. Yes, I said reluctantly, I think I must. It was perfectly clear to me that the poor man had become disturbed in his reason, and in those conditions it would be cruel and unfair to send him to space alone, much less when space had become so dangerous. I must marry him, just to make sure he stayed safe. It was the least I could do, since I was fairly sure I'd started him on this road by trying to garrotte him and reducing his supply of oxygen to the brain. Yes, yes, you must, he said. It gets very boring in the Cathouse, without anyone to kick me. Poor man. Madder than a broomer hopped up on oblivium.

They say that February is the shortest month, but you know they could be wrong. Compared, calendar page against calendar page, it looks to be the shortest, all right. Spread between January and March like lard on bread, it fails to reach the crust on either slice. In its galoshes it's a full head shorter than December, although in leap years, when it has growth spurts, it comes up to April's nose. However more abbreviated than it's cousins it may look, February feels longer than any of them. It is the meanest moon of winter, all the more cruel because it will masquerade as spring, occasionally for hours at a time, only to rip off its mask with a sadistic laugh and spit icicles into every gullible face, behavior that grows quickly old. February is pitiless, and it's boring. That parade of red numerals on its page adds up to zero: birthdays of politicians, a holiday reserved for rodents, what kind of celebrations are those? The only bubble in the flat champagne of February is Valentine's Day. It was no accident that our ancestors pinned Valentine's day on February's shirt: he or she lucky enough to have a lover in frigid, antsy February has cause for celebration, indeed. Except to the extent that it "tints the buds and swells the leaves within" February is as useless as the extra r in its name. It behaves like an obstacle, a wedge of slush and mud and ennui holding both progress and contentment at bay. If February is the color of lard on rye, its aroma is that of wet wool trousers. As for sound, it is an abstract melody played on a squeaky violin, the petty whine of a shrew with cabin fever. O February, you may be little but you're small! Where you twice your tiresome length, few of us would survive to greet the merry month of May.

I learned that the world didn’t see the inside of you, that it didn’t care a whit about the hopes and dreams, and sorrows, that lay masked by skin and bone. It was as simple, as absurd, and as cruel as that. My patients knew this. They saw that much of what they were, would be, or could be hinged on the symmetry of their bone structure, the space between their eyes, their chin length, the tip projection of their nose, whether they had an ideal nasofrontal angle or not. Beauty is an enormous, unmerited gift given randomly, stupidly.

A red nose is the clown's mask and my moustache is mine.

It breached over my nose and became the shape of The Phantom of the Opera mask underneath my skin

The first time Marla filled a crematory urn, she didn’t wear a face mask, and later she blew her nose and there in the tissue was a black mess of Mr. Whoever.

As part of the animal sentinel program, going back to 1999, scientists had been making great progress training honeybees to locate bombs. Bees have sensing capabilities that outperform the dog’s nose by a trillion parts per second. Using Pavlovian techniques, scientists cooled down groups of bees in a refrigerator, then strapped them into tiny boxes using masking tape, leaving their heads, and most of their antennae, poking out the top. Using a sugar water reward system, the scientists trained the bees to use their tongues to “sniff out” explosives, resulting in a reaction the scientists call a “purr.” After training, when the scientists exposed the bees to a six-second burst of explosives, some had learned to “purr.

When Ravyn cast his eyes back into the courtyard, Otho was hurrying toward her sister. Hesis lay in the dirt, unmoving. Her mask was broken, shards of bone scattered around her. Blood trickled down her face. "Nightmare," he said through his teeth. The monster laughed as he slipped out of the fort. "She'll live. All I did was pay her back for breaking your nose." "I didn't ask you to do that." "No. But Elspeth did.

Lupe was upset that the Japanese honeymooners were wearing surgical masks over their mouths and noses; she imagined the young Japanese couples were dying of some dread disease—she thought they’d come to Of the Roses to beg Our Lady of Guadalupe to save them. “But aren’t they contagious?” Lupe asked. “How many people have they infected between here and Japan?” How much of Juan Diego’s translation and Edward Bonshaw’s explanation to Lupe was lost in the crowd noise? The proclivity of the Japanese to be “precautionary,” to wear surgical masks to protect themselves from bad air or disease—well, it was unclear if Lupe ever understood what that was about.

Their wet cold faces, her shapeless nose and his grotesque hooked nose like the caricature-mask of a Roman soldier, their large, contorted, abnormal mouths, made, it might seem, more for anguished curses against God than for the sweet usage of lovers, were now pressed savagely against each other and, as they kissed, queer sounds came from both their throats, that were answered by the groanings of the tree and by the raindrops as the wind shook it.

It’s also probably fair to say she was probably too young at thirteen to innocently open the drawer under his bed and come across a leather gas mask type thing with a leather dick attached where she presumed a nose should be, along with associated whips, gels, handcuffs and other unexplainable objects Unfortunately, once seen, never unseen and it was a lesson for her at a young age that you never know people until you’ve been through their drawers and computer history

long, pointed nose jutted forth from its cheeks, its face more leather than stone. Like a mask. Rye did not come from a home with many rules, but the ones she lived by were absolute and unbreakable. The first House Rule flashed through her mind. HOUSE

Almost everyone he saw looked uneasy. They all seemed to be avoiding each other—and not just to be polite. They seemed to take obvious measures to stay clear of anyone else. Just like back at the mall, many of them wore masks or held rags that covered their mouth and nose as they walked.

The announcement went out all over the Empire: to prevent the spread of disease, citizens were required to implement quarantine procedures. They should stay home as much as possible. Keep at least six feet away from other people. And cover their mouths and noses with masks whenever they went out in public. For the Consultant’s Guild, nothing changed.

He doesn’t want a Hail Mary,” I said. “If he doesn’t have a chance of meaningful time, he wants to take the mask off and hold Cady.” I returned to Paul’s bedside. He looked at me, his dark eyes alert above the nose bridge of the BiPAP mask, and said clearly, his voice soft but unwavering, “I’m ready.” Ready, he meant, to remove the breathing support, to start morphine, to die.

I've acted all my life. All the world's a stage.' 'It's not.' Bressac tapped his nose thoughtfully. 'There's no rehearsal, no proper audience, no intermission, one performance only. Behind the scenes there are only more scenes. You can't tell if it's a tragedy or a comedy, but you know that, sooner or later, it'll be an historical. Daggers have solid blades and the blood is real.

The beast plopped into the chair, the wood groaning, and, in a flash of white light, turned into a golden-haired man. I stifled a cry and pushed myself against the paneled wall beside the door, feeling for the molding of the threshold, trying to gauge the distance between me and escape. This beast was not a man, not a lesser faerie. He was one of the High Fae, one of their ruling nobility: beautiful, lethal, and merciless. He was young—or at least what I could see of his face seemed young. His nose, cheeks, and brows were covered by an exquisite golden mask embedded with emeralds shaped like whorls of leaves. Some absurd High Fae fashion, no doubt. It left only his eyes—looking the same as they had in his beast form, strong jaw, and mouth for me to see, and the latter tightened into a thin line.

Short, square, cleanshaven, his head seemed carved out of an elephant's tusk, the whole massive cone of ivory left more or less complete in its original shape, eyes hollowed out deep in the roots, the rest of the protuberance accommodating his other features, terminating in a perfectly colossal nose that stretched directly forward from the totally bald cranium. The nose was preposterous, grotesque, slapstick, a mask from a Goldoni comedy.

So, you play Batman at night, and fix-it man during the day?" His nose wrinkled in a way that was entirely too adorable for his tough guy demeanor. She didn't say a word about it though, knowing he'd never do it again if she pointed it out. "Batman? Batman's a pathetic jelly donut. He's a little Richie Rich that prances 'round in fancy tights and dress up panties, too much of a wuss to do anythin' without a mask and a prepubescent scarecrow as a sidekick.

Love is Heaven on a Hinge Memory enfolds upon her's sovereignty of sleep; her beauty manifests not as pleasing proportion but as an arcane assemblage of Ming porcelain, clues pieced together to reveal the numinous Yin within. Tangrams of facile shapes recollect into priceless chinoiserie excavated with a toothbrush beneath the clay noses of a thousand entombed sentinels. She reposes within my niche, an ingenuous vase, her dreams fulcromed by my lever. My right arm, her nocturnal tiara, diademed in jewels of sweat, perfumed in muskiness and ferment, heralded in the dulcet wail of snores. Beneath the bay window of her oneiric realm frogs belch Chopin's Impromptus, chanticleers trumpet Hayden cicadas chirp Mozart's Elvira Madigan. Under the mask of night my niche becomes her royal box at the Viennese Opera: concertinas of Chinese silk, the empyreal music of limns, the fateful reprise of heaven on a hinge.

There were charming ones as well as terrible ones, that I must admit. The painter was particularly entranced by Japanese masks: warriors', actors' and courtesans' masks. Some of them were frightfully contorted, the bronze cheeks creased by a thousand wrinkles, with vermilion weeping from the corners of the eyes and long trails of green at the corners of the mouths like splenetic beards. 'These are the masks of demons,' said the Englishman, caressing the long black swept-back tresses of one of them. 'The Samurai wore them in battle, to terrify the enemy. The one which is covered in green scales, with two opal pendants between the nostrils, is the mask of a sea-demon. This one, with the tufts of white fur for eyebrows and the two horsehair brushes beside the lips, is the mask of an old man. These others, of white porcelain - a material as smooth and fine as the cheeks of a Japanese maiden, and so gentle to the touch - are the masks of courtesans. See how alike they all are, with their delicate nostrils, their round faces and their heavy slanted eyelids; they are all effigies of the same goddess. The black of their wigs is rather beautiful, isn't it? Those which bubble over with laughter even in their immobility are the masks of comic actors.' That devil of a man pronounced the names of demons, gods and goddesses; his erudition cast a spell. Then: 'Bah! I have been down there too long!' Now he took up the light edifices of gauze and painted silk which were Venetian masks. 'Here is a Cockadrill, a Captain Fracasse, a Pantaloon and a Braggadocio. Only the noses are different - and the cut of their moustaches, if you look at them closely. Doesn't the white silk mask with enormous spectacles evoke a rather comical dread? It is Doctor Curucucu, an actual marionette featured in the Tales of Hoffmann. And what about that one, with all the black horsehair and the long spatulate nose like a stork's beak tipped with a spoon? Can you imagine anything more appalling? It's a duenna's mask; amorous young women were well-guarded when they had to go about flanked by old dragons dressed up in something like that. The whole carnival of Venice is put on parade before us beneath the cape and the domino, lying in ambush behind these masks... Would you like a gondola? Where shall we go, San Marco or the Lido?

Without direction, the respiratory technician goes to the head of the bed. She takes the tubing, attaches it to the oxygen, and turns it on as high as it will go. She provides a seal with her hand cupped over the plastic mask, over the nose and mouth of the toddler, and methodically provides oxygenated air. Doyle’s tiny chest rises and falls while I listen with my stethoscope. I am reaching for another breathing tube. “Fib!” Dr. Pedras feels for a pulse while another places gelled pads on her chest.

Bishop?" My voice is slightly broken, soft, gentle, it doesn't even sound like me. "Vallie?" "It's always been us, right?" The pained expression that spans across his face almost brings tears to my eyes. The mask of the confident man I know is gone, and in its place is just B. He looks so broken, and all I want to do is open up my arms and let him find refuge inside my skin. I want to protect him from the pain. He drops his head to my forehead and kisses the tip of my nose. "It'll always be us, Val.

It took Feyra some time to realise that she was not delirious: the citizens were wearing painted masks.From childhood she had heard the legend that the Venetians were half human, half beast.She knew that this could not be true, but in the swirling fog of this hellish city she almost believed it. The creatures seemed to stare at her down their warped noses from their blank and hollow eyes. And overlord of all was the winged lion - he was everywhere, watching from every plaque or pennant, ubiquitous and threatening.

There are people, gentlemen, who dislike roundabout ways and only mask themselves at masquerades. There are people who do not see man’s highest avocation in polishing the floor with their boots. There are people, gentlemen, who refuse to say that they are happy and enjoying a full life when, for instance, their trousers set properly. There are people, finally, who dislike dashing and whirling about for no object, fawning, and licking the dust, and above all, gentlemen, poking their noses where they are not wanted. . . I’ve told you almost everything, gentlemen; now allow me to withdraw.

In a phrase, what I did derive from him was a precise definition of the perfection of life and manhood, personified in his eyebrows, his forehead, his eyes, his nose, his ears, his cheeks, his throat, his complexion, the color of his skin, his strength, his chest, his hands, and countless other of his attributes. … Because of him I cannot love an intellectual person. Because of him I am not attracted to a person who wears glasses. Because of him I began to love strength, an impression of overflowing blood, ignorance, rough gestures, careless speech, and the savage melancholy inherent in flesh not tainted in any way with intellect. …

My hand lingers in spite of itself; a hovering dragonfly above a cluster of dainties. A Plexiglas tray with a lid protects them; the name of each piece is lettered on the lid in fine, cursive script. The names are entrancing: Bitter orange cracknell. Apricot marzipan roll. Cerisette russe. White rum truffle. Manon blanc. Nipples of Venus. I feel myself flushing beneath the mask. How could anyone order something with a name like that? And yet they look wonderful, plumply white in the light of my torch, tipped with darker chocolate. I take one from the top of the tray. I hold it beneath my nose; it smells of cream and vanilla. No one will know. I realize that I have not eaten chocolate since I was a boy, more years ago than I can remember, and even then it was a cheap grade of chocolat à croquer, fifteen percent cocoa solids- twenty for the dark- with a sticky aftertaste of fat and sugar. Once or twice I bought Süchard from the supermarket, but at five times the price of the other, it was a luxury I could seldom afford. This is different altogether; the brief resistance of the chocolate shell as it meets the lips, the soft truffle inside.... There are layers of flavor like the bouquet of a fine wine, a slight bitterness, a richness like ground coffee; warmth brings the flavor to life, and it fills my nostrils, a taste succubus that has me moaning.

I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.

A President J.G., F.C. who said he wasn’t going to stand here and ask us to make some tough choices because he was standing here promising he was going to make them for us. Who asked us simply to sit back and enjoy the show. Who handled wild applause from camouflage-fatigue- and sandal-and-poncho-clad C.U.S.P.s with the unabashed grace of a real pro. Who had black hair and silver sideburns, just like his big-headed puppet, and the dusty brick-colored tan seen only among those without homes and those whose homes had a Dermalatix Hypospectral personal sterilization booth. Who declared that neither Tax & Spend nor Cut & Borrow comprised the ticket into a whole new millennial era (here more puzzlement among the Inaugural audience, which Mario represents by having the tiny finger-puppets turn rigidly toward each other and then away and then toward). Who alluded to ripe and available Novel Sources of Revenue just waiting out there, unexploited, not seen by his predecessors because of the trees (?). Who foresaw budgetary adipose trimmed with a really big knife. The Johnny Gentle who stressed above all—simultaneously pleaded for and promised—an end to atomized Americans’ fractious blaming of one another for our terrible 151 internal troubles. Here bobs and smiles from both wealthily green-masked puppets and homeless puppets in rags and mismatched shoes and with used surgical masks, all made by E.T.A.’s fourth- and fifth-grade crafts class, under the supervision of Ms. Heath, of match-sticks and Popsicle-stick shards and pool-table felt with sequins for eyes and painted fingernail-parings for smiles/frowns, under their masks. The Johnny Gentle, Chief Executive who pounds a rubber-gloved fist on the podium so hard it knocks the Seal askew and declares that Dammit there just must be some people besides each other of us to blame. To unite in opposition to. And he promises to eat light and sleep very little until he finds them—in the Ukraine, or the Teutons, or the wacko Latins. Or—pausing with that one arm up and head down in the climactic Vegas way—closer to right below our nose. He swears he’ll find us some cohesion-renewing Other. And then make some tough choices. Alludes to a whole new North America for a crazy post-millennial world.

had taught him to sharpen his senses—to trust the instincts that had been guiding him south. His homing radar was tingling like crazy now. The end of his journey was close—almost right under his feet. But how could that be? There was nothing on the hilltop. The wind changed. Percy caught the sour scent of reptile. A hundred yards down the slope, something rustled through the woods—snapping branches, crunching leaves, hissing. Gorgons. For the millionth time, Percy wished their noses weren’t so good. They had always said they could smell him because he was a demigod—the half-blood son of some old Roman god. Percy had tried rolling in mud, splashing through creeks, even keeping air-freshener sticks in his pockets so he’d have that new car smell; but apparently demigod stink was hard to mask. He scrambled to the west

He heard the swishing of her skirts as she approached. God above! Could she not leave well enough alone? 'There is another thing I wished to ask you,' she said as she sat across from him - sat down in his presence without so much as a by-your-leave. Now, *this* deserved a sharp word. He opened his mouth, but she beat him to it, leaning across the chiffonier to whisper, 'By any chance, did you consume five pounds of truffles last week?' What in God's name? 'No.' 'I thought not.' She plucked off her eyeglasses, revealing eyes a startling shade of light blue. He abruptly forgot what he'd been about to say. She was polishing the lenses with her sleeve as she continued to speak. The words might as well have been gibberish. Her eyes were the precise shade of the sky over his garden this past summer ... She replaced the spectacles on her nose, the glare of her lenses masking the miracles behind them.

You know why I always looked like a slob around you? Because I liked you.” He pulled his face back a little and his eyes went wide. “Yeah. I felt guilty that I liked you so much when I had a boyfriend. So I always tried to look bad in front of you so you wouldn’t know.” He beamed down on me. “So the mud mask and the curlers and that nose strip thing—” “All proof of my enormous lady boner for you.” My buzz made me careless. And I couldn’t care less. “Wow,” he said, looking reflective. “You must have really liked me. You didn’t brush your hair for two days in a row once.” I launched into giggles and he laughed with me, putting his forehead to mine. “And I still thought you were the most beautiful woman I’d ever met.” I squeezed my eyes shut, breathing him in, feeling his breath on my face. I wanted to hold this moment in suspended animation. These tender stolen seconds. My forehead pressed to his, his warm hand over mine, his heart beating against my palm. Him slowly turning me on a dance floor, telling me I’m beautiful.

He was walking down a narrow street in Beirut, Lebanon, the air thick with the smell of Arabic coffee and grilled chicken. It was midday, and he was sweating badly beneath his flannel shirt. The so-called South Lebanon conflict, the Israeli occupation, which had begun in 1982 and would last until 2000, was in its fifth year. The small white Fiat came screeching around the corner with four masked men inside. His cover was that of an aid worker from Chicago and he wasn’t strapped. But now he wished he had a weapon, if only to have the option of ending it before they took him. He knew what that would mean. The torture first, followed by the years of solitary. Then his corpse would be lifted from the trunk of a car and thrown into a drainage ditch. By the time it was found, the insects would’ve had a feast and his mother would have nightmares, because the authorities would not allow her to see his face when they flew his body home. He didn’t run, because the only place to run was back the way he’d come, and a second vehicle had already stopped halfway through a three-point turn, all but blocking off the street. They exited the Fiat fast. He was fit and trained, but he knew they’d only make it worse for him in the close confines of the car if he fought them. There was a time for that and a time for raising your hands, he’d learned. He took an instep hard in the groin, and a cosh over the back of his head as he doubled over. He blacked out then. The makeshift cell Hezbollah had kept him in in Lebanon was a bare concrete room, three metres square, without windows or artificial light. The door was wooden, reinforced with iron strips. When they first dragged him there, he lay in the filth that other men had made. They left him naked, his wrists and ankles chained. He was gagged with rag and tape. They had broken his nose and split his lips. Each day they fed him on half-rancid scraps like he’d seen people toss to skinny dogs. He drank only tepid water. Occasionally, he heard the muted sound of children laughing, and smelt a faint waft of jasmine. And then he could not say for certain how long he had been there; a month, maybe two. But his muscles had wasted and he ached in every joint. After they had said their morning prayers, they liked to hang him upside down and beat the soles of his feet with sand-filled lengths of rubber hose. His chest was burned with foul-smelling cigarettes. When he was stubborn, they lay him bound in a narrow structure shaped like a grow tunnel in a dusty courtyard. The fierce sun blazed upon the corrugated iron for hours, and he would pass out with the heat. When he woke up, he had blisters on his skin, and was riddled with sand fly and red ant bites. The duo were good at what they did. He guessed the one with the grey beard had honed his skills on Jewish conscripts over many years, the younger one on his own hapless people, perhaps. They looked to him like father and son. They took him to the edge of consciousness before easing off and bringing him back with buckets of fetid water. Then they rubbed jagged salt into the fresh wounds to make him moan with pain. They asked the same question over and over until it sounded like a perverse mantra. “Who is The Mandarin? His name? Who is The Mandarin?” He took to trying to remember what he looked like, the architecture of his own face beneath the scruffy beard that now covered it, and found himself flinching at the slightest sound. They had peeled back his defences with a shrewdness and deliberation that had both surprised and terrified him. By the time they freed him, he was a different man.  

The man in front of me was different. His frame was that of a Caucasian Nordic, topping mine by nearly thirty centimeters, but the face was at odds. It began African, broad and deep ebony, but the color ended like a mask under the eyes, and the lower half was divided along the line of the nose, pale copper on the left, corpse white on the right. The nose was both fleshy and aquiline and mediated well between the top and bottom halves of the face, but the mouth was a mismatch of left and right sides that left the lips peculiarly twisted. Long straight black hair was combed manelike back from the forehead, shot through on one side with pure white. The hands, immobile on the metal table, were equipped with claws similar to the ones I’d seen on the giant Freak Fighter in Licktown, but the fingers were long and sensitive. He had breasts, impossibly full on a torso so overmuscled. The eyes, set in jet skin, were a startling pale green. Kadmin had freed himself from conventional perceptions of the physical. In an earlier age, he would have been a shaman; here, the centuries of technology had made him more. An electronic demon, a malignant spirit that dwelled in altered carbon and emerged only to possess flesh and wreak havoc.

She went alone to the vast room where the second-hand clothes were kept. Later, she thought it the happiest hour of her life. There were silks and brocades by the yard, and pile upon pile of hats, wigs, cloaks, and masks. After two years in wretched rags, even the linen shifts felt as soft as thistledown. She whirled from one delight to another- clutching lace, burying her nose in furs, holding flashy paste jewels next to her new-bleached skin. Catching her reflected eye in the mirror she laughed out loud, her red mouth wide and knowing. She put aside a few carefully-chosen costumes and elbow-length mittens. Then, finally, she chose a few costumes of a particular nature: shiny satin, ebony black. Lastly, she gathered the garments she would wear for her journey: a grass-green woolen gown and a lace cap and apron. The effect was somewhat grand for a domestic servant. Her auburn locks were pinned tightly, her figure flattered by a frilled muslin kerchief, crisscrossed in an 'X' over her breast. Pulling out a few auburn tendrils from her cap, she adjusted her bodice to show a little more flesh. Then she grew very still, and smiled slowly into the empty space before her. "How do you do, sir," she said with a graceful curtsy. "Now, what pretty dish might you care for tonight?

The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.

Back to Copper Cliff: on the eastern limit of the town, really not a defined edge, the town ended, and a few feet later the smelter—the the heart of Inco’s operations in the Sudbury area—rose up. Huge buildings humming and whining, acre after acre of industrial devastation, hot metal and slag cars to-ing and fro-ing. Row upon row of blast furnaces, molten metal being carried in giant ladles the size of small submarines by overhead moving cranes, with bits of white-hot crap falling out of them, and the mind-numbing hiss of mighty industrial production, punctuated by warning horns, and all viewed through a smog of sulphur dioxide so potent that it would sting your eyes, nose and throat to the point of tears. Workers wore “gas masks” that were little more than cloth nose and mouth covers, dipped in some solution intended to neutralize the paralyzing acidity of sulphur dioxide. They did not work. My dad worked here, and when he later became a shift boss in the Orford building and I was a summer student at Inco, he showed me through this inferno (not Dante’s; that’s only in fiction). This was the real deal and the guys who worked there pretty much all succumbed to some form of lung disease—emphysema, cancer, COPD, you name it—anything you can get from inhaling eight hours a day, five days a week, concentrated S02 and S03, not to mention the particulate crap that filled the air.

That girl is me. Me and Peter, in the hot tub on the ski trip. Oh my God. I scream. Margot comes racing in, wearing one of those Korean beauty masks on her face with slits for eyes, nose, and mouth. “What? What?” I try to cover the computer screen with my hand, but she pushes it out of the way, and then she lets out a scream too. Her mask falls off. “Oh my God! Is that you?” Oh my God oh my God oh my God. “Don’t let Kitty see!” I shout. Kitty’s wide-eyed. “Lara Jean, I thought you were a goody-goody.” “I am!” I scream. Margot gulps. “That…that looks like…” “I know. Don’t say it.” “Don’t worry, Lara Jean,” Kitty soothes. “I’ve seen worse on regular TV, not even HBO.” “Kitty, go to your room!” Margot yells. Kitty whimpers and clings closer to me. I can’t believe what I am seeing. The caption reads Goody two shoes Lara Jean having full-on sex with Kavinsky in the hot tub. Do condoms work underwater? Guess we’ll find out soon enough. ;) The comments are a lot of wide-eyed emojis and lols. Someone named Veronica Chen wrote, What a slut! Is she Asian?? I don’t even know who Veronica Chen is! “Who could have done this to me?” I wail, pressing my hands to my cheeks. “I can’t feel my face. Is my face still my face?” “Who the hell is Anonybitch?” Margot demands. “No one knows,” I say, and the roaring in my ears is so loud I can hardly hear my own voice. “People just re-gram her. Or him. Am I talking really loud right now?” I’m in shock. Now I can’t feel my hands or feet. I’m gonna faint. Is this happening? Is this my life?

NOVA SLUNG THE BAG over her shoulder and reached for one of the weighted ropes she’d set up in the alley the night before. She wrapped her arm around the rope and untied the sailor’s knot from the weights holding it to the ground. The weights attached to the opposite end dropped, dragging it through the pulley on the rooftop above. Nova jerked upward, holding tight as the rope whistled past the building’s concrete wall. The second set of weights crashed into the ground below. She stopped with a shudder, her hand only a few inches shy of the pulley, her body swinging six stories in the air. Nova threw her bag onto the rooftop, then grabbed the ledge and hauled herself over. She dropped down into a crouch and riffled through the bag, pulling out the uniform she had designed with Queen Bee’s help. She slung the weaponry belt across her hips, where it hung comfortably, outfitted with specially crafted pockets and hooks for all of her favorite inventions. Next, the snug black hooded jacket: waterproof and flame-retardant, yet lightweight enough to keep from inhibiting her movements. She zipped it up to her neck and tugged the sleeves past her knuckles before pulling up the hood, where a couple of small weights stitched into the hem held it in place over her brow. The mask came last. A hard metallic shell perfectly molded to the bridge of her nose that disappeared into the high collar of the jacket, disguising the lower half of her face. Transformation complete, she stooped and pulled the rifle and a single poisoned dart from the bag.

We shall smell it. Just as a sharp axe can split a log into tiny splinters, our nose will fragment every detail of this perfume, Amor and Psyche. And then it will be only too apparent that this ostensibly magical sent was created by the most ordinary, familiar methods. We, Baldini, perfumer, shall catch Pélissier, the vinegar man, at his tricks. We shall rip the mask from his ugly face and show the innovator just what the old craft is capable of. We'll scrupulously imitate his mixture, his fashionable perfume. It will be born anew in our hands, so perfectly copied that the humbug himself won't be able to tell it from his own. No! That's not enough! We shall improve it! We'll show up his mistakes and rinse them away and then rub his nose in it. You're a bungler, Pélissier! An old stinker is what you are! An upstart in the craft of perfumery, and nothing more. And now to work, Baldini! Sharpen your nose and smell without sentimentality! Dissect the scent by the rules of the art! You must have the formula by this evening! And he made a dive for his desk, grabbing paper, ink and a fresh handkerchief, laid it all out properly, and began his analysis. The procedure was this: to dip the handkerchief in perfume, pass it rapidly under his nose, and extract from the fleeting cloud of scent one or another of its ingredients without being significantly distracted by the complex blending of its other parts; then, holding the handkerchief at the end of his outstretched arm, to jot down the name of the ingredient he had discovered, and repeat the process at once, letting the handkerchief flit by his nose, snatching at the next fragment of sent, and so on...

At the top of Anonybitch’s feed, there is a video of a boy and a girl making out in a hot tub. Anonybitch is particularly famous for her hot tub videos. She tags them #rubadub. This one’s a little grainy, like it was zoomed in from far away. I click play. The girl is sitting in the boy’s lap, her body draped over his, legs hooked around his waist, arms around his neck. She’s wearing a red nightgown, and it billows in the water like a full sail. The back of her head obscures the boy. Her hair is long, and the ends dip into the hot tub like calligraphy brushes in ink. The boy runs his hands down her spine like she is a cello and he is playing her. I’m so entranced I don’t notice at first that Kitty is watching with me. Both of our heads are tilted, trying to suss out what it is we’re looking at. “You shouldn’t be looking at this,” I say. “Are they doing it?” she asks. “It’s hard to say because of her nightgown.” But maybe? Then the girl touches the boy’s cheek, and there is something about the movement, the way she touches him like she is reading braille. Something familiar. The back of my neck goes icy cold, and I am hit with a gust of awareness, of humiliating recognition. That girl is me. Me and Peter, in the hot tub on the ski trip. Oh my God. I scream. Margot comes racing in, wearing one of those Korean beauty masks on her face with slits for eyes, nose, and mouth. “What? What?” I try to cover the computer screen with my hand, but she pushes it out of the way, and then she lets out a scream too. Her mask falls off. “Oh my God! Is that you?” Oh my God oh my God oh my God. “Don’t let Kitty see!” I shout. Kitty’s wide-eyed. “Lara Jean, I thought you were a goody-goody.” “I am!” I scream.

The blonde was staring at herself in the mirror, taking on a thoughtful, reflective tone. “Well, it isn’t easy. And his mood changes in an instant. But he collects different girls for different flavors – so one girl doesn’t have to be everybody and everything.” “Oh.” I splashed water on my face and stared for a moment at the mask in the mirror. “You’re just his type, totally. With all the tattoos, you are utterly monstrous, if you don’t mind my saying so. Punk-Goth gone mad.” She swung around to take a close, direct look. “I never saw the point of tattoos, mind you, just fad and fashion. But,” she focused on me, stared, grinned, and rolled her eyes. “My God, darling, you really are perfect! How could you do that to yourself?” She licked her lips. “I think you will be a success. As I said, Sergei loves tattoos. He’s totally into the weird and the monstrous. He adores freaks – and kid, you are about as freakish as they come.” “You think so.” I turned my mask towards her and gave her an extra big smile – I was even more grotesque, Martine told me, when I smiled. “Oh, Gwen, how totally utterly horrible!” she declared and then kissed me to console me for having become a monster. As I grinned at Sergei’s girl, the metal rings in my ears clanked against each other. I could feel the large ring nose, warm, smooth steel, against my curled upper lip. “Yes, you look like a masterpiece of self-loathing.” “It’s called body art,” I said, “It’s a statement.” “A statement?” “Absolutely,” I hiccupped. Everything was fuzzy; I forced myself to focus. “Whatever it is, you’ll be a big success. Sergei collects waifs who suffer from extreme self-hatred. Self-destructive and self-hating girls are one of his hobbies. You can do so much with them.

The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.

The first buddy pair enters the deep end of the pool and begins buddy breathing. The games begin when, like a hungry shark, an instructor menacingly stalks the two trainees. Suddenly, the instructor darts forward, grabs the snorkel, and tosses it about ten feet away where it slowly sinks to the bottom. It is the duty of the last person to have taken a breath, to retrieve the snorkel. As the swimmer dives ten feet deep to recover the snorkel, his buddy floats motionless, his face underwater, holding his breath, patiently conserving oxygen. The swimmer returns with the snorkel and hands it to his buddy, but before his teammate can grab it and breathe, the instructor sadistically snatches the snorkel and again tosses it away. The swimmer, still holding his breath, dives to get the snorkel, but the instructor grabs his facemask and floods it with pool water. The swimmer has a choice. He can clear his mask of water, by blowing valuable air into it through his nose, or he can continue to swim with his mask full of water blurring his vision. The swimmer makes the right decision and retrieves the snorkel. All this time both trainees are holding their breath, battling the urge to surface and suck in a lung full of sweet fresh air. With lungs burning and vision dimming, the swimmer hands the snorkel to his buddy. After taking only two breaths, his buddy returns the snorkel and, finally the instructor allows the swimmer to breathe his two breaths. While the trainees try to breathe, instructors splash water into foam around them while screaming insults. Despite the distractions, the snorkel travels back and forth between the trainees until once again, an instructor snatches it, tosses it across the pool, and floods both students’ masks. This harassment continues until the instructor is satisfied with the trainees’ performance.

Roll call. What’s this week’s all scatter word?” “Lowdown,” said Camilla. “And the all clear?” “Deadweight,” said Nona. “Perfect. What are your stations if that thing in the sky even looks like it’s about to start periscoping?” “The underground tunnels by the fish market,” said Camilla. “The big underpass bridge dugout,” said Nona. “Ten points to you both. And what do you do once you’re there?” “Hide until you come,” said Nona, and then added, truthfully: “And rescue any nearby animals so long as they don’t exceed the size of a box, and are wooly rather than hairy.” “Half points. No animals, hairy or wooly, I don’t care. Cam?” Camilla had finished with her hat, and now she was easing the big dark glasses onto her face— the ones she kept specially, despite the fact that they were a little unbalanced on her nose and her ears. They made both Palamedes and Camilla look chilly and clinical, but as Palamedes said, they solved the problem of the ghost limb. Without them he was everlastingly pushing something up his nose that wasn’t there. And Nona thought Camilla privately rather liked them. She settled them on, considered the question, and said: “Fight.” “No points. Camilla if you engage with a Herald, you’re not coming home.” “That’s your theory,” said Camilla. “There’s data behind it. Hect—” “If Camilla gets to fight, I should get to keep adjacent dogs,” said Nona decidedly. “Even if they’re hairy.” Pyrrha turned her eyes up to the ceiling in mute appeal. Her exhalation rasped loudly against the vent in her mask. “I used to run the whole Bureau,” she said, and now she didn’t sound like she was addressing either of them. “Now I’m up against wannabe heroes and hairy dogs. This is the punishment she would’ve wanted for me. God, she must be pissing herself laughing… let’s go kids. Like hell am I walking in this heat.

A splash of light snuck beneath the a dressing room door. He heard a groan. A shuffle. A bump. A heavy sigh. "Uh, too tight." He walked toward the back, stopping outside the dressing room. The door was cracked a fraction. He rested a shoulder against the wall, and glanced inside. Grace as Catwoman blew his mind. A feline fantasy. The three-way mirror tripled his pleasure. He viewed her from every angle. Hot, sleek, fierce. The lady could fight Batman in her skintight black leather catsuit and come out the winner. After a moment she scrunched her nose, slapped her palms against her thighs. Stuck out her tongue at her reflection in the mirrors. He saw what had her so frustrated. Sympathized with her disappointment. Her costume didn't fit. The front zipper hadn't fully cleared her cleavage, which was deep and visible. She wore no bra. She gave a little hop, and her breasts bounced. Full and plump. He felt a tug at his groin. Superhero lust. He cleared his throat and made his presence known. She caught his image in the corner of the glass, and reached for the fitting room chair, positioning it between them. Like that would keep him from her. He should've looked away, but couldn't. He sensed her embarrassment. Her panic. Flight? She had nowhere to go. He blocked the door. He wasn't leaving until they'd talked. "Archibald's going to love your costume," he initiated. She didn't find him funny. Her gaze narrowed behind the molded cat-eye mask with attached ears. Her fingers clenched in her elbow-length gloves. Inspired by the movie The Dark Knight, she'd added a whip and a gun holster. Her thigh-high stiletto boots were killer, adding five inches to her height. Her image would stick with him forever. She backed against the center mirror, and nervously fingered the open flaps over her breasts. A yank on the zipper broke the tab. The metal teeth parted, and the gap widened, revealing the round inner curves of her breasts. A hint of her nipples. Dusky pink. All the way down to the dent of her navel.

Knightmare. Breezeo’s archenemy. Where Breezeo is light, a breath of fresh air, the nice breeze on a warm summer day, Knightmare is the storm that rolls in and takes it all away. Darkness, thick and suffocating, the shadows you can’t escape in the night in back alleyways. Black leather framed with dark armor, head to toe, from the combat boots the whole way up to the oversized black hood with a metal mask covering part of the face, rendering him unrecognizable. I’ve always been envious of the costume. Beats the damn pseudo-spandex, that’s for sure. “I, uh, wow.” Kennedy stands in the doorway of her apartment with a look of awe as her eyes scan the costume. “That’s just… wow.” “Wow, huh?” I glance down. “Good or bad?” “It’s just, uh, you know…” “Wow?” I guess. She nods, fighting off a smile. “Wow.” I smirk. “It’s the original.” “Seriously?” “Straight from the second movie,” I say, touching an armored chest plate with a fingerless glove-clad hand. “Well, except for these gloves. The real ones wouldn’t fit because of the cast, so I had to improvise.” “It’s, uh…” “Wow?” “Nice,” she says, touching the costume, fingertips grazing the armor. “Kind of weird seeing you like this, but still, it’s nice.” “Thanks,” I say as she steps aside for me to come in the apartment. “I talked them into letting me borrow it. Might not give it back, though. I’m kind of enjoying it.” “You should keep it,” she says, her eyes still scanning me as she closes the door. “It’s, uh…” “Nice?” “Wow.” She smiles playfully as she walks away. “I need to finish getting ready for work. Maddie, you've got a visitor!” A moment after Kennedy disappears, Madison runs in. She skids to a stop when she spots me, eyes wide, mouth popping open. “Whoa.” I push the hood off, shoving the mask up, her expression changing when she sees it’s me, face lighting up. She runs right at me, slamming into me so hard I stumble. I laugh as she hugs me. “Hey, pretty girl.” She looks up at me. “You think I’m pretty?” “What? Of course.” I kneel next to her, grinning as I press a finger to the tip of her nose. “You look like your mom.” “You think Mommy’s pretty, too?” “I think she's the most beautiful woman in the world.” Her expression shifts rapidly when I say that before her eyes widen. “Even more beautifuler than Maryanne?” I lean closer, whispering, repeating her words. “Even more beautifuler than Maryanne.” “Whoa

The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. ... The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.

He was stocky and tall, with a clean-shaven jaw and blondish-red hair. He removed his mask to reveal an attractive but battered face, with a crooked nose and a lopsided smile. There was a healthy dose of cockney in his accent. He pronounced the "v" in "very" as if it were a "w"- just as Derek Craven did in his occasional lapses. Although there was something secretive and guileful in his light blue eyes, his grin was so winning that Sara decided she had nothing to fear from him. Another cockney in well-tailored clothes, she mused.

The stench of decomposed body, which was too strong to ignore, confirmed her worst suspicions. Even before she reached the scene of crime, she knew Dan Rutherford was a cadaver...Shania, The Aeon of Improbable Scams l 41 accustomed to blood and gore as an investigative journalist, covered her nose and mouth with a handkerchief tied at the back of her head. While the policemen busied themselves with their masks, Shania gave her camera a quick check and together they entered the ghastly crime scene.

The stench of decomposed body, which was too strong to ignore, confirmed her worst suspicions. Even before she reached the scene of crime, she knew Dan Rutherford was a cadaver.... Shania, accustomed to blood and gore as an investigative journalist, covered her nose and mouth with a handkerchief tied at the back of her head. While the policemen busied themselves with their masks, Shania gave her camera a quick check and together they entered the ghastly crime scene.

The two men spoke again, but their words blurred in my head and became little more than a buzzing sound. I watched as the first man went into the hall. He was leaving us, pulling off his mask as he reached the front door. He didn’t know I’d seen him, reflected in the hall mirror. I realised that seeing his face, knowing I would recognise him again anywhere, could be the end for me. I looked down quickly, hoping neither man had caught my eyes, watching, recording the chiselled features and the slightly hooked nose, knowing my fear had imprinted every detail into

Try as he did at such times, his thoughts would inevitably turn to the pretty girl named Annie. Tony was always able to sense when the cowboy's deep longing for the girl was at its worst, and nudged him with his nose. He reached up and stroked the horse's mane absently, his thoughts further away than those stars above him. A pretty girl like that was probably at some dance, courted by a long list of admirers. A mere cowboy stood nary a chance, and one with a reputation like Wyn's even less. Even being seen with a man like Wyn should give Annie pause. With this sad realization he dozed, his gun always within reach. Even the quickest and most accurate of men could take nothing for granted in a land whose beauty often  masked its danger. Wyn knew the biggest danger, however, was the men who rode these untamed lands, which were often a haven for outlaws and bad men, as well as men like himself who simply loved the land. A wanted man could disappear completely in the wild country.

The death mask.” My mother dips her fingers in a bowl of white clay. She covers my face with it, blows on it to help it dry quickly. Her breath is sweet like rose punch. Then comes the coal. She traces the black of bone around my eyes, down my nose, my lips, my cheeks. We wear the face of the dead so the waking spirits feel at home. Lady

Thank you for coming to see me, but you shouldn’t come too close to me or you’ll catch... What’s that?” Mia couldn’t help but ask when she noticed the white fabric covering the bottom half of Chloe’s face, obscuring both her nose and mouth. “It’s a sort of mask, and it stops colds from spreading.” Mia was impressed. The daughters of wealthy merchants were not to be underestimated. They clearly knew their stuff.

No, she’s talking about Sunflower,” Aloe said. “She’s been in charge of their security for decades.” “Oh, she’s an Elder?” Both Aloe and Miss Bilphena made the same face, their noses scrunching up. “Sunflower doesn’t work within time like the rest of us,” Miss Bilphena said delicately. “Think of her as…ageless.” “Eddie once told me to think of her as a cyborg,” Aloe said, a small smile on his face. “Like she’s a person, a spirit, and tech all fused together. No one knows how she works, but she works. Keeps the safe house masked at all times, on all fronts.

Faeries are twilight creatures, and I have become one, too. We rise when the shadows grow long and head to our beds before the sun rises. It is well after midnight when we arrive at the great hill at the palace of Elfhame. To go inside, we must ride between two trees, an oak and a thorn, and then straight in to what appears to be the stone wall of an abandoned folly. I've done it hundreds of times, but I flinch anyway. My whole body braces, I grip the reins hard, and my eyes mash shut. When I open them, I am inside the hill. We ride on through a cavern, between pillars of roots, over packed earth. Then are dozens of the Folk here, crowding around the entrance to the vast throne room, where Court is being held- long-nosed pixies with tattered wings; elegant, green-skinned ladies in long gowns with goblins holding up their trains; tricksy boggans; laughing foxkin; a boy in an owl mask and a golden headdress; an elderly woman with crowns crowding her shoulders; a gaggle of girls with wild roses in their hair; a bark-skinned boy with feathers around his neck; a group of knights all in scarab-green armour. Many I've seen before; a few I have spoken with. Too many for my eyes to drink them all in, yet I cannot look away. I never get tired of this- of the spectacle, of the pageantry. Maybe Oriana isn't entirely wrong to worry that we might one day get caught up in it, be carried away by it, and forget to take care. I can see why humans succumb to the beautiful nightmare of the Court, why they willingly drown in it. I know I shouldn't love it as I do, stolen as I am from the mortal world, my parents murdered. But I love it all the same.

Are you-' My voice sounded too loud in my ears as I pushed back against the wall of black that threatened to swallow me. Amarantha was dead. 'See for yourself,' he said. I kept my eyes on the ground as I turned. There, on the red marble, lay a golden mask, staring at me with its hollow eyeholes. 'Feyre,' Tamlin said, and he cupped my chin between his fingers, gently lifting my face. I saw that familiar chin first, then the mouth, and then- He was exactly how I dreamed he would be. He smiled at me, his entire face alight with that quiet joy I had come to love so dearly, and he brushed my hair aside. I savoured the feel of his fingers on my skin and raised my own to touch his face, to trace the contours of those high cheekbones and that lovely straight nose- the clear, broad brow, the slightly arching eyebrows that framed his green eyes. What I had done to get to this moment, to be standing here... I shoved against the thought again. In a minute, in an hour, in a day, I would think about that, force myself to face it. I put a hand on Tamlin's heart, and a steady beat echoed into my bones.

She hugged the ground next to him. “Where is my nephew?” “Watch,” she told him, and pulled her mask on. A long minute passed, then another. They lay in silence atop the hill. Kaldar leaned closer to her until their faces almost touched. “Take your mask off.” “Why?” she whispered. “I miss your face.” Her eyes widened. Aha! He had finally scored one. “We’ve got a few minutes,” she whispered. “Do you want to make out?” It was a trap. A one hundred percent, genuine Audrey trap. If he fell for it, he’d be sorry. But then there was that slight, one in a thousand chance that she was serious. He’d be an idiot not to take it. Kaldar reached over and gently tugged her mask from the lower half of her face. She flicked her fingers, hitting him lightly on the nose. “You’re so easy.” “No, just smitten.” He leaned closer. His lips almost brushed hers.

Under the nose of enlightened humanism, Napoleon had declared himself emperor. Slavery had persisted in America. Belgian colonial rule had ravaged the Congo. Germany had committed genocide against the Herero and Nama in present-day Namibia. Beautiful art, in such a world, was like its own kind of opium for the masses, its charms serving to mask uglier

Time’s up, Luna,” I whispered in her ear. She fought me all the way back to the room. I put her down, and she spun to face me as I locked the door. I turned to face her. Her cheeks were darkened, and when our gazes met, I saw the glimmer of something surprising. She was turned on by our little game. “You’re insane,” she spat, her voice sharp. “Why do you say that?” I quirked a brow, a smirk tugging at my lips. I found a twisted amusement in her defiance. Her eyes narrowed, turning into slits that could slice through steel. She looked adorable when she was angry, fire dancing behind her eyes. “Because you’re playing some kind of sick game,” she shot back, her breath quickening as I herded her toward the wall. “You stabbed me with a fork,” I reminded her, leaning in until our noses nearly touched. “You kidnapped me,” she countered, trying to sound fierce but failing to mask the slight tremor in her voice. “Kidnapped?” I chuckled, the sound echoing off the cold walls. “I didn’t kidnap you. I just took back what belongs to me.

chloasma, or the mask of pregnancy, affects up to 70 percent of all pregnant women. It usually appears on the forehead, temples, cheeks, chin and nose.

Should the cabin experience sudden pressure loss, oxygen masks will drop down from above your seat. Place the mask over your mouth and nose and pull the strap to tighten. If you are traveling with children or someone who requires assistance, make sure that your own mask is on first before helping others.” Why

Yarrow ran his fingers along the raised mark upon his neck, as if hoping it would rub away. A ridiculous notion—it was as much a part of him as the nose on his face. His ma, walking at his side, slipped her hand into his own and squeezed.  He could not bring himself to look at her, nor at his siblings, for fear his mask of bravery might crack. Fourteen-year-olds did not cry. 

The mask resembles a plague doctor’s mask with emerald polypropylene eye lenses. It has a long beak-like nose to allow excess pollution to linger. The nose is connected to a series of distributor cables tucked under the bar. The designer ones are made from real leather and on some occasions, endangered animal skulls and other fine materials.

Many years later, when I began training as a plastic surgeon, I understood something that I had not that day in the kitchen arguing for Thalia to leave Tinos for the boarding school. I learned that the world didn’t see the inside of you, that it didn’t care a whit about the hopes and dreams, and sorrows, that lay masked by skin and bone. It was as simple, as absurd, and as cruel as that. My patients knew this. They saw that much of what they were, would be, or could be hinged on the symmetry of their bone structure, the space between their eyes, their chin length, the tip projection of their nose, whether they had an ideal nasofrontal angle or not. Beauty is an enormous, unmerited gift given randomly, stupidly. And so I chose my specialty to even out the odds for people like Thalia, to rectify, with each slice of my scalpel, an arbitrary injustice, to make a small stand against a world order I found disgraceful, one in which a dog bite could rob a little girl of her future, make her an outcast, an object of scorn.

tape already marked the area around the body. A first responding officer jumped to his feet, holding the scene log on a clipboard. “Good morning, sir.” The young man spoke in the nasal voice of someone whose nose is blocked. Lei spotted white cotton sprouting from his nostrils. “Hey. Nice up here if it weren’t for the smell.” She took the clipboard, and each of them signed in. Passing the tape, Lei spotted the hand first, extended toward them from beneath the ferns, palm up. The tissue was swollen and discolored, masked in a filmy gray gauze of mold that seemed to be drawing the body down into the forest floor. Lei could imagine that in just a few weeks, the body would have been all but gone in the biology of the cloud forest. The victim lay on his stomach, his head turned away and facing into a fern clump, black hair already looking like just another lichen growing on the forest floor. The body was at the expansion phase, distending camouflage-patterned clothing as if inflated. A black fiberglass arrow fletched in plastic protruded from the man’s back. Lei and Pono stayed well back from the body. Lei unpacked the police department’s camera from her backpack, and Pono took out his crime kit. The modest quarter-karat engagement

Benedict advanced immediately, lunging and attacking, but Colin had always been particularly fleet of foot, and he retreated carefully, meeting Benedict’s attack with an expert parry. “You’re in a bloody bad mood today,” Colin said, lunging forward and just nearly catching Benedict on the shoulder. Benedict stepped out of his way, lifting his blade to block the attack. “Yes, well, I had a bad”— he advanced again, his foil stretched straight forward—“ day.” Colin sidestepped his attack neatly. “Nice riposte,” he said, touching his forehead with the handle of his foil in a mock salute. “Shut up and fence,” Benedict snapped. Colin chuckled and advanced, swishing his blade this way and that, keeping Benedict on the retreat. “It must be a woman,” he said. Benedict blocked Colin’s attack and quickly began his own advance. “None of your damned business.” “It’s a woman,” Colin said, smirking. Benedict lunged forward, the tip of his foil catching Colin on the collarbone. “Point,” he grunted. Colin gave a curt nod. “Touch for you.” They walked back to the center of the room. “Are you ready?” he asked. Benedict nodded. “En garde. Fence!” This time Colin was the first to take the attack. “If you need some advice about women . . .” he said, driving Benedict back to the corner. Benedict raised his foil, blocking Colin’s attack with enough force to send his younger brother stumbling backward. “If I need advice about women,” he returned, “the last person I’d go to would be you.” “You wound me,” Colin said, regaining his balance. “No,” Benedict drawled. “That’s what the safety tip is for.” “I certainly have a better record with women than you.” “Oh really?” Benedict said sarcastically. He stuck his nose in the air, and in a fair imitation of Colin said, “‘ I am certainly not going to marry Penelope Featherington!’” Colin winced. “You,” Benedict said, “shouldn’t be giving advice to anyone.” “I didn’t know she was there.” Benedict lunged forward, just barely missing Colin’s shoulder. “That’s no excuse. You were in public, in broad daylight. Even if she hadn’t been there, someone would have heard and the bloody thing would have ended up in Whistledown.” Colin met his lunge with a parry, then riposted with blinding speed, catching Benedict neatly in the belly. “My touch,” he grunted. Benedict gave him a nod, acknowledging the point. “I was foolish,” Colin said as they walked back to the center of the room. “You, on the other hand, are stupid.” “What the hell does that mean?” Colin sighed as he pushed up his mask. “Why don’t you just do us all a favor and marry the girl?

On one occasion, Asher told me that there were visitors who came and were on the verge of collapse, immediately upon seeing her. One of them was my brother Haim. When he went in to see her in one of his first visits at Hadassah Hospital, he was just horrified. He turned as white as a sheet, breathing heavily, and there was a serious concern for his health. Maggie's helpless appearance shocked him. Even before entering the room, when he had to wash his hands with the alcoholic device, he showed the first signs of a tremor. Because he wore the mask on his nose, it was necessary to direct him towards the room. He just lost control of himself. Maggie's appearance without her natural hair, which had fallen out due to chemotherapy, was beyond his ability to take. He could not recognize her, he snuck glances at her, having trouble seeing her as his sister. He did not dare to look at her, and only blurted out unclear words in Asher's direction. He must have tried to calm himself in his own way.

He turned back to me, his eyes taking on a sad, woebegone look. "Warprize, are these cloths up my nose really necessary? They will not stay in!" "Yes, they are." "What if I did this?" He took a strip of bandage from my supplies and tied it over his nose and mouth. "If we dip this in the oil? Please?" I had to smile at his pleading tone. "That would work." "Epor, you are my hero." Isdra sighed with relief as they quickly rigged the masks and made ready to leave.

The intruders spoke no words as they rushed in. Five boys carrying baseball bats and tire irons. They wore an assortment of Halloween masks and stocking masks. But Derek knew who they were. “No! No!” he cried. All five boys wore bulky shooter’s earmuffs. They couldn’t hear him. But more importantly, they couldn’t hear Jill. One of the boys stayed in the doorway. He was in charge. A runty kid named Hank. The stocking pulled down over his face smashed his features into Play-Doh, but it could only be Hank. One of the boys, fat but fast-moving and wearing an Easter Bunny mask, stepped to Derek and hit him in the stomach with his aluminum baseball bat. Derek dropped to his knees. Another boy grabbed Jill. He put his hand over her mouth. Someone produced a roll of duct tape. Jill screamed. Derek tried to stand, but the blow to his stomach had winded him. He tried to stand up, but the fat boy pushed him back down. “Don’t be stupid, Derek. We’re not after you.” The duct tape went around and around Jill’s mouth. They worked by flashlight. Derek could see Jill’s eyes, wild with terror. Pleading silently with her big brother to save her. When her mouth was sealed, the thugs pulled off their shooter’s earmuffs. Hank stepped forward. “Derek, Derek, Derek,” Hank said, shaking his head slowly, regretfully. “You know better than this.” “Leave her alone,” Derek managed to gasp, clutching his stomach, fighting the urge to vomit. “She’s a freak,” Hank said. “She’s my little sister. This is our home.” “She’s a freak,” Hank said. “And this house is east of First Avenue. This is a no-freak zone.” “Man, come on,” Derek pleaded. “She’s not hurting anyone.” “It’s not about that,” a boy named Turk said. He had a weak leg, a limp that made it impossible not to recognize him. “Freaks with freaks, normals with normals. That’s the way it has to be.” “All she does is—” Hank’s slap stung. “Shut up. Traitor. A normal who stands up for a freak gets treated like a freak. Is that what you want?” “Besides,” the fat boy said with a giggle, “we’re taking it easy on her. We were going to fix her so she could never sing again. Or talk. If you know what I mean.” He pulled a knife from a sheath in the small of his back. “Do you, Derek? Do you understand?” Derek’s resistance died. “The Leader showed mercy,” Turk said. “But the Leader isn’t weak. So this freak either goes west, over the border right now. Or…” He let the threat hang there. Jill’s tears flowed freely. She could barely breathe because her nose was running. Derek could see that by the way she sucked tape into her mouth, trying for air. She would suffocate if they didn’t let her go soon. “Let me at least get her doll.

Well, well, if it isn’t the little spitfire herself.” Lily glanced up with a start and found Jimmy Neil standing two steps above her. A slow grin spread across his face, and the black gaps where he was missing parts of his top teeth seemed to stare at her. He’d leered at her several times that past week during the meals he’d taken in the dining room. But she’d made a point of ignoring him. And that’s exactly what she planned to do this time too. He moved one step closer, and the stench of the alcohol on his breath filled the space between them. He’d likely already been out at the taverns long enough to drink too much but would continue with the drinking as long as he was conscious. So why was he back at the hotel? “Ran out of money,” he said too softly, as if he’d seen the direction of her thoughts. “The night’s still young, and I aim to get my fill of women.” His eyes glistened with brittle lust. A man like Jimmy Neil didn’t deserve a response, not even the briefest acknowledgment that she’d heard his lurid words. She turned her head and pushed past him in the narrow stairwell. But before she could get by, his arm shot out and blocked her path. “Where you goin’ so fast?” “Get out of my way.” She shoved his arm, but it didn’t budge. She tried to duck under it, but he stuck out his knee. He leaned into her. The sickly heat and sourness of his breath fanned her neck. “Maybe I don’t need to go back out, not when I can have a little spitfire right here, right now.” She stifled a shudder and the shiver of fear that accompanied it. She might have broken free of him last time, but he was drunk now, and there was no telling what he was capable of doing. Better for her to play it safe. She spun and tried to retreat the way she’d come, but his other hand slapped against the wall, trapping her into an awkward prison within the confines of his arms. “You ain’t goin’ nowhere except up to my room with me.” He pushed himself against her in such a carnal way that she couldn’t keep from crying out in alarm. His hand cut off her cry, covering her mouth and smothering any chance she had at calling for help. A rush of fear turned her blood to ice. For an instant Daisy’s sweet face flitted into her mind. Was this the way men treated her sister? How could she possibly withstand such abuse day after day? As if seeing the fright in Lily’s eyes, his gap-toothed smile widened. “It’s always more fun when there’s some scratchin’ and clawin’.” His hand against her mouth and nose was beginning to suffocate her. She swung her head, struggling to break free and jerked up her knee, trying to connect it with his tender spot. But he was pressed too close, and he only strengthened his grip. She tried to scream and then bite him. But she was quickly losing strength in the dizzying wave that rushed over her. Suddenly his smile froze and fear flitted across his face. “Let go of her. Now. Or I’ll shove this knife in all the way.” Connell’s voice was low and menacing. Slowly Jimmy’s grip loosened. She caught a glimpse of Connell, one step down, his face a mask of calm fury.

Many years later, when I began training as a plastic surgeon, I understood something that I had not that day in the kitchen arguing for Thalia to leave Tinos for the boarding school. I learned that the world didn't see inside of you, that it didn't care a whit about the hopes and dreams, and sorrows, that lay masked by skin and bone. It was as simple, as absurd, and as cruel as that. My patients knew this. They saw that much of what they were, would be, or could be hinged on the symmetry of their bone structure, the space between their eyes, their chin length, the tip projection of their nose, whether they had an ideal nasofrontal angle or not.

He had a high-cheekboned face with steady gray eyes, a broad-bridged aquiline nose and a wide, thin mouth. It was the countenance of a man who was clever, as ruthless with himself as with others, possessed of courage and humor, who hid his weaknesses behind a mask of wit—and sometimes of affected coldness.

Raccoon Coon, why did you come to this dance with a mask on? Why not the tin man and his rainbow girl? Why not Racine, his hair marcelled down to his chest? Why not come as a stomach digesting its worms? Why you little fellow with your ears at attention and your nose poking up like a microphone? You whig emblem, you woman chaser, who do you dance over the wide lawn tonight clanging the garbage pail like great silver bells?

But his tone is familiar, feeling like dancing in a dark room and thumb wars under willow trees. The way the words rolled off of his tongue felt like a light flick to the tip of my nose, like calloused fingers braiding silver hair. It felt like Kai. Like the man behind the masks who looked at me like I was extraordinary. I blink at the crumbling rocks crowding the path, willing my mind to wander toward anything but the words that have me wishing things were different. But I am Ordinary. I am the embodiment of the weakness he has been taught to hate. Ordinary.

Staring down at me with his gun now pointed at my clit and a fistful of hair holding me hostage against the wall, he leans closer until our noses are touching, our breaths meeting between us. His dark, shaggy hair hangs over the top of the mask, leaving his fiery stare blazing through me. Gazing dangerously into my eyes, his tongue darts out of his mouth and I feel the warm wetness of it slowly licking from the bottom of my chin up over my lips to the bottom of my nose. I whimper at the sensation, his direct stare terrifying me as he does it. “Clean,” he whispers against my lips. Then it hits me. He’d yet to lick me clean of Jacob’s touch over my mouth. This man is sadistic and twisted, and my body can’t seem to deny what that does to me. A sickness deep within me enjoys his demented version of affection. It has to be snuffed out. I need to get away from this psychotic man before I fall victim to these devilish charms. My eyes dart to the door, then back at him. He studies me for a second before that terror-producing smile makes it return, showing me the white of his teeth and the oddly sharp cuts of his canines.

Should the cabin experience sudden pressure loss, oxygen masks will drop down from above your seat. Place the mask over your mouth and nose and pull the strap to tighten. If you are traveling with children or someone who requires assistance, make sure that your own mask is on first before helping others. Why fit your own mask before helping others? Because if you’re slumped over your seat suffering from a lack of oxygen: 1. you can’t help anyone else; and even worse, 2. we now have to deploy scarce resources to come and help you, otherwise you’ll soon be dead.

goes to sit up, but her wrists pull against the cuffs on the bed. She moves her leg, feeling the rope I’ve tied there. Immediately, her chest heaves, and she pulls on all the restraints at the same time, thrashing her naked little body for my viewing pleasure. “Help!” she cries out. “Someone—” I slap my palm over her mouth. “No one is going to help you, Briony. No one but me,” I say, pushing down on her mouth. I pinch her nose closed, watching as those gorgeous panicked eyes focus in on mine beneath my ski mask. She tries to move her face away from my grasp, but I hold tight, taking her air. “Why don’t you understand that?

So, you don’t think I’m crazy?” “Oh, you are, baby.” He leans in, brushing his nose along my neck. “But so am I.

The Nightmare perked a brow. “Very well.” He drew air into his nose. “Listen closely. The journey to the twelfth Card will three barters take. The first comes at water—a dark, mirrored lake. The second begins at the neck of a wood, where you cannot turn back, though truly, you should.” The Nightmare’s gaze shifted to Ravyn. His words came out sharp, as if to draw blood. “The last barter waits in a place with no time. A place of great sorrow and bloodshed and crime. No sword there can save you, no mask hide your face. You’ll return with the Twin Alders… “But you’ll never leave that place.

I snapped forward, grabbing the edge of a mask. I yanked hard. Rope snapped. The mask slipped free-- "Oh, my gods!" I shrieked as I staggered back. The thing didn't have a face. Not really. There was no nose. No mouth. Just thin, black slits where eyes should've been. Everything else was smooth, thin, pale flesh. I would never unsee this. "Take it back! Here." I flung the bronze mask back at the thing. The metal bounced off its chest and hit the ground. It cocked its head to the side.

Imagine if trees wore concealer cause they don’t like their reflection in the lake If the sun didn’t show up at dawn insecure to rise after scrolling her night awake Imagine if the sky used the Juno filter to make itself look paler and smooth out imperfections If earth went online shopping for clay masks to cleanse its pores and other obstructions Imagine birds attaching engines to their wings to fly higher and faster, leaving trails in our springs And now think about the child at the bottom of your eyes about all the other children that you expect to grow wise Do you really want to tell them this is all about their looks? Maybe after some scrolling put their nose into books

if you’re broke? How many people can you help? When you board an airplane and they’re going through all the safety procedures, the airline attendant will inevitably get to a point that goes something like this: Should the cabin experience sudden pressure loss, oxygen masks will drop down from above your seat. Place the mask over your mouth and nose and pull the strap to tighten. If you are traveling with children or someone who requires assistance, make sure that your own mask is on first before helping others. Why fit your own mask before helping others? Because if you’re slumped over your seat suffering from a lack of oxygen: you can’t help anyone else, and even worse; we now have to deploy scarce resources to come and help you, otherwise you’ll soon be dead.

My blood froze. He had no nose, lips, or eyelids. His face was nothing but a mask of black scarred skin, consumed by fire. It was the same dead skin that Clara had touched.

People used to sacrifice to kelpies?” Feyre asked, nose crinkling with disgust and dread. “Yes,” Amren said, scowling. “The most ancient Fae and humans believed kelpies to be river and lake gods, though I always wondered if the sacrifices started as a way to prevent the kelpies from hunting them. Keep them fed and happy, control the deaths, and they wouldn’t crawl out of the water to snatch the children.” Her teeth flashed. “For this one to still be speaking that ancient dialect … He must have retreated to Oorid a long time ago.” “Or been raised by parents who spoke that dialect,” Azriel countered. “No,” Amren said. “The kelpies do not breed. They rape and torment, but they do not reproduce. They were made, legend says, by the hand of a cruel god—and deposited throughout the waters of this land. The kelpie you slew, girl, was perhaps one of the last.” Nesta gazed at the Mask again. Rhys said, “It flew to you. The Mask.” He must have seen it in her head. “I was trying to reach for my power,” Nesta murmured, and they all stilled—she’d never spoken of her power so explicitly. “This answered instead.” “Like calls to like,” Feyre repeated. “Your power and the Mask’s are similar enough that to reach for one was to reach for the other.” “So you admit your powers remain, then,” Amren said drily. Nesta met her stare. “You already knew that.” Cassian stepped in before things went south. “All right. Let Lady Death get some rest.” “That’s not funny,” Nesta hissed. Cassian winked, even as the others tensed. “I think it’s catchy.