Chase Jarvis Quotes

Put bluntly, too many of us spend years, even decades, in pursuit of someone else’s plan for our one precious life.

It’s never very clear what you’re supposed to do instead—only that pursuing creativity is lofty, selfish, or even naive.

We’ve been trained to avoid creative obstacles rather than risk trying to surmount them.

This is one of the biggest secrets of the most creative, happy, successful people: Just start.

Creators create. Action is identity. You become what you do. You don’t need permission from anybody to call yourself a writer, entrepreneur, or musician. You just need to write, build a business, or make music. You’ve got to do the verb to be the noun.

You’ve heard poets talk about, poems flowing out of their bodies; painters, they get on a roll. You all have seen the musician, when they are in that state, the guitar, the piano, whatever instrument just becomes part of their body, their ego is completely gone and it is just their connection to the art, their connection to the emotions they are trying to share with the audience- that is pure flow.

The new obstacle is figuring out which dream to pursue and then cultivating and applying the necessary energy to engage in that pursuit. The internet provides access to all the world’s libraries, but it also provides access to World of Warcraft—limitless knowledge but also limitless distraction.

working on what you love is like salt, it makes everything taste a little better.

Every aspect of you is fuel for your creative fire.

The problem is that the human brain evolved to keep us safe, not happy—it will resist your efforts to walk your own path because creativity challenges certainty.

That’s why we call it work,” he said. “We’re not here to make sure things already rolling downhill keep rolling.

Little did I know at the time that I was developing a rare but powerful tool: quitting stuff I wasn’t meant to do. This is a tool you must wield to create the life you want.

let’s face it, the quality of your life is determined by what you think and feel.

People respect a wrong move made with confidence far more than a correct one made without conviction.

Time is precious. Never risk it blindly. Do a risk assessment there as well.

Hedging your bets frees you up to play.

The only way to “fail” at creativity is to stop walking the path altogether.

My answer to her was simple: Begin. Rekindle your creative craft for a few moments every day. Don’t worry about the rest right now; simply sit down and make something.

The author and motivational speaker Jim Rohn once said that you are the average of the five people you spend the most time with. Choose wisely.

As Richard Branson once told me, “Opportunities are like buses. There’s always another one coming.

Always aim to reduce the friction involved in starting.

ambient sounds, or even white noise while you’re working. I wrote 90 percent of this book listening to the Productive Morning playlist on Spotify.

with no lyrics. Don’t neglect your other senses, either. Visual clutter in your space can be creatively fertile or a huge distraction

it all starts with the volume of your work. Repetition is the mother of skill.

So at the beginning, go gently. If you’re just getting started with your creative practice, start small.

Mastery is never an end in itself; it is always a by-product.

This is the danger of any collaboration. Sometimes the collaborators don’t share the same incentives or the same vision. Their vision was based on their experience.

Ultimately I realized that there was nothing noble or romantic about being busy all the time. It just meant I didn’t have my shit together.

President Dwight D. Eisenhower often said that what is important is rarely urgent and what is urgent is rarely important.

identifying the psychological clutter that has you weighed down—and clearing it out—can free you to be more productive than ever.

Do you have a spot in your home that can be dedicated to your craft? If possible,

The things that made you weird as a kid make you great today. —JAMES VICTORE

Though it was nonlinear and nonsensical, my path made perfect sense once I truly started walking it. I’d finally discovered an outlet for everything that had been trapped inside me.

Our goals can only be reached through a vehicle of a plan, in which we must fervently believe, and upon which we must vigorously act. There’s no other route to success. —PABLO PICASSO

Two things happen when you stop holding back and start pursuing goals you actually want to achieve: PEOPLE WANT TO HELP YOU. When other people start to see how much you care, they want to join in.

Pros go to work whether they’re inspired or not. They allow for imperfection in their work. They finish what they start. They share their work when it’s finished. The exceptions only prove the rule.

You can love your family. You can trust your friends. You can listen to their encouragement. You can hear their concerns. But in the end, you must decide what works for you. Your life is not a democracy.

Imagine what you want to create—without limitation. Design a strategy to make your dream a new reality. Execute your strategy and smash through obstacles. Amplify your vision to create the impact you seek.

You don’t have to be good at anything yet. You can learn. In fact, you’ll begin to see the process of learning as a joy, not an obstacle. The only question that matters here is, what would you be excited to try?

THE PATH WILL PULL YOU. When you’re on your chosen path, you’ll find that you rarely need to push yourself to work. Instead, you begin to experience the joy and excitement of being pulled toward your objectives.

I’m also a collaborative learner. Once I’ve absorbed new concepts in quiet reading, I need someone to bounce ideas off to help them sink in. I absorb much better that way than by simply engaging in quiet reflection.

Making space for your work is important, but it isn’t the same as doing the work. Get yourself set up, give yourself the time, tools, and whatever space you can, and then, for the love of everything holy, start. Just start.

As you look to your own inspirations, try this: Deconstruct other people’s methods. Emulate the different elements. Analyze those parts to see which ones work for you. Then put the winners together and Repeat with the new formula.

Ever seen Warren Buffett’s calendar? It’s mostly blank. “Yeah, well, he’s a billionaire,” you might say. If you ask him, though, he’ll tell you that his time isn’t free because he’s rich; he’s rich because he made time for what mattered to him.

Life is messy, and without creativity, it’s incomplete. Creativity is not a nice-to-have, it’s a must-have. Think of it as putting your own oxygen mask on before helping others in your row. If creativity keeps getting bumped, it’s flawed prioritization.

The “soft” intuition we’ve been taught to ignore is actually the most vital gift we are given, not only as creators but as human beings. After a lifetime of being conditioned to ignore your gut, however, it may be difficult to tap into and trust your intuition.

Listening for the call is easy, but only if you know what you’re trying to hear. Is it the murmur of the crowd—your parents, your peers, the tired cultural narrative as a whole? No. It’s that quiet voice inside. Your intuition, your heart. You know the difference.

Achieving mastery, as I use the term here, doesn’t mean you know it all, only that you know how to navigate the material. You know what you know and what you don’t. At the beginning, it’s hard to enter a subject because you have to draw a mental map as you explore the territory. Once you’ve mastered the rudiments, you’ve drawn the mental map; you don’t know everything, but you know where everything goes, how it fits together, and why. Your learning accelerates. And the flywheel begins to spin. Masters know this. Now you do, too.

It requires discipline to maintain boundaries and not let other kinds of work spill in, but batching is a masterful way to protect creative work from the day-to-day interruptions that feel urgent but actually aren’t and can easily wait until you’re ready to deal with them.

Your point of view is the highest value you can bring. Once you can create work with a distinctive and recognizable personal style over and over again, the world will unlock itself for you. Even if your work is not recognized, you will have unlocked something precious in yourself.

My own preference is to set aside at least ninety minutes to tackle a small creative task. If I’m doing any heavy lifting, I prefer a three-hour block, at minimum. I aim for one three-hour creative push per day, more under duress—but then I have to double down on rest and self-care.

recently suspected that I was traveling too much for work. This can sound like a first-world problem, but the reality is that many of us have to travel for work in one way or another, that it often isn’t 100 percent necessary, and that it can suck up an extraordinary amount of our time.

remember this: A-gamers work with A-gamers, B-gamers work with C-gamers. If you want to be great, surround yourself with awesome people doing their best work, even if it keeps you on your toes more than you’d like. The best way to level up your own game is to level up the team around you.

It’s in the lulls between flow states when we start noticing all the shiny distractions. If we don’t develop the discipline of writing those unrelated ideas down and then ignoring them as we continue our work, we will never find our way back into the flow state. We won’t finish anything, either.

gardening is the embodiment of creative expression. You’re given constraints: a plot of land, a specific climate, certain conditions of light and soil. It’s up to you what to do with them. There is no “right” garden, only the one you choose to design, plant, and tend. If that isn’t an art form, what is?

You are not your art. The greater the separation between your ego and the products of your creative efforts, the happier and more productive you’ll be. So let go of all your assumptions and think. Ask yourself what creative activities you might enjoy. Don’t worry about the product yet or where it will go.

Stop glamorizing being busy. A hamster on a wheel is busy—where does it get him? I had grander ambitions. I resolved to stop doing whatever came up, whatever highly visible activity created a false aura of productivity and glamour, and instead to focus on being effective. That shift made all the difference.

To become a creator, you have to be willing to forge healthy, supportive relationships with amazing new people and reexamine any toxic relationships you’re already in. The author and motivational speaker Jim Rohn once said that you are the average of the five people you spend the most time with. Choose wisely.

Do not check your email at the start of your day if you can help it. This is one of the biggest killers of critical morning energy and momentum. Email is a petition for your time; it’s not a demand that you must respond to immediately. Rarely are there mission-critical obligations to address between 6 and 8 a.m.,

We always want to find ourselves pulled into our work. Continuous pushing leads to burnout. The absence of any pull toward your work is a sign that you’re pursuing the wrong thing. In fact, it’s possible that the lack of a pull toward your creative project is one reason you picked up this book in the first place.

Batching similar tasks makes everything more manageable and less daunting. You might set aside a specific time each day for processing emails and one for making phone calls rather than allow these activities to proliferate throughout your day, stealing precious time from work that requires sustained concentration.

Another critical element is to keep your plan 100 percent creative. Stay out of the back office. Creative work always requires noncreative work to support it: setting up software, testing tools, learning new skills, and so on. Don’t get sucked in. Never let the admin get ahead of the real work, the making and the doing.

What is truly possible for you? Whatever your answer is, whatever success, accomplishment, or fulfillment you’ve only imagined might be within your reach, let’s pause to acknowledge that you’re likely thinking too small. We all do that at first. Small is comfortable and familiar. It feels safe—even though it’s anything but.

There used to be a prescribed path for entering any particular career. This is no longer the case. Beyond a handful of professions, many of the most rewarding jobs today are intrinsically creative. They involve doing things that didn’t even exist when the people doing them were still in school. The prescribed paths are crumbling away.

Then I transition into visualizing myself in a world where I have just achieved my three most important goals. I live through the feelings that come along with each achievement, imagining all of it in as much detail as possible: sounds, smells, emotions. What would it look, feel, taste, smell, and sound like to accomplish those goals?

In creative expression, unlike any other arena of human behavior, there is no objective measure of success, no One Right Way to do something. This means we’re always vulnerable to the lure of the easier, safer road. It’s counterintuitive, but if you value money, comfort, or convenience over your own creativity, you jeopardize all four.

Whatever else you take away from this chapter, remember that you’ll get better only once you stop fiddling and start making. Quality will come over time, but only if you make a lot of stuff while minimizing self-criticism and not letting yourself fritter away valuable minutes optimizing a workflow with no actual work flowing through it.

Have some empathy. Acknowledge that it’s scary to watch someone you care about change in significant ways. It’s even worse to watch the person you love go where you’ve always been afraid to go yourself. It’s understandable that other people want you to be safe, but that doesn’t mean you should let them deter you from pursuing your dream.

No one is coming to save you. Experts are valuable when you’re learning new skills, but neither experts nor institutions are going to nurture you, guide you, or make your creative dream a reality. You’re on your own path. It’s all up to you. This isn’t a bad thing, either. Your creativity gives you the capacity to design the life you want.

In the words of the choreographer Twyla Tharp, “Skill gets imprinted through action.” Assign yourself daily drills to practice the mechanical basics of the skill, whether reviewing flash cards or working with a kitchen knife. Learning all the recipes in the world won’t make you a great chef if you can’t chop, dice, and julienne those veggies.

At this stage in my life, it’s become impossible to ignore the fact that the good days—when I’m feeling great and doing my best work—have common elements. For one thing, they’re intentional. On those days, I’m in the driver’s seat, with clear objectives in mind and a plan for achieving them, even if the objective is simply taking time to think through a problem.

What matters is that you start. All you’re deciding to do is to try. Do whatever you can with what you have. It will never feel like the right time. You will never be “ready.” Avoid preparing too much. Start before you are ready. Start with fear. Start with uncertainty. This is one of the biggest secrets of the most creative, happy, successful people: Just start.

There’s a reason it’s so hard to follow our calling. The whisper of intuition telling us what we’re meant to do and how we’re meant to live comes from within, but it leads away into the unknown. Once I finally started listening to the call, I found myself on a new path. Not the path designed by my career counselor, encouraged by my parents, or suggested by society. My own.

Except on a rare day with extenuating circumstances, I’ll follow my meditation with a three-minute gratitude and visualization practice. I begin with my eyes closed and make a short list of three genuine and heartfelt moments I’m grateful to have had in my life—and I relive them as if watching the experience through my own eyes and feeling those moments as fully as possible.

What most of us are really doing when we try to anticipate every possible failure is masticating our once playful, powerful, smart idea into a lifeless paste. As the life of an idea is leached away by “preparation,” we become overwhelmed. Trying to avoid every possible pitfall before your idea has any substance either neuters it or leads to its abandonment before anything even gets made.

What does a session plan look like? It can be a note scribbled on a whiteboard to stoke a brainstorm with a creative collaborator. A to-do in an app. A sketch. A snapshot. The amount of detail depends on the stakes and the players involved. Ideally, a session plan sets out a piece of work you can manageably tackle in the time you have available. Again, estimating this properly takes experience.

common destructive element in the life of any creative person is doing the wrong work—in other words, spending too much of your time on things that don’t matter or don’t come naturally. We flourish by leaning into our strengths more than by “fixing” our weaknesses. Delegate, outsource, or avoid the tasks that call on your weakest areas. There is no benefit in being so stubborn that you do it all.

A fresh idea will always be more appealing than the grind of a project that’s already under way. The insidious thing about a new idea is that it feels productive to stop what we’re doing and tackle that instead. After all, we’re creative—we have to act when inspiration strikes, don’t we? The discipline lies in getting the new idea down onto paper and then going back to finish what you originally started.

When it comes to creativity, no effort is ever wasted. Ever. Every unfinished manuscript, sunk business, crumpled charcoal drawing, or abandoned musical instrument represents another step forward. Once you understand that your entire creative journey—every clueless mistake, every stinging failure—is an essential part of your path, you will see that there is nothing to lose by taking the next step, no matter where it leads.

In Bird by Bird, Anne Lamott offers advice for writers that applies to every creative person: “For me and most of the other writers I know, writing is not rapturous. In fact, the only way I can get anything written at all is to write really, really shitty first drafts.” Shitty first drafts. It’s as simple as that: you have to give yourself permission to make anything, without judgment, no matter what the critical voice in your head has to say about

About a decade ago, Jeff Bezos declared that Amazon was “willing to be misunderstood for long periods of time.” It was expanding from selling everyday goods such as books and brushes to selling “cloud services.” Talk about castles in the sky. What the hell did Amazon know about “Big Data”? The collective reaction was: “Stay in your lane, Bezos. Leave this brainy digital stuff to companies like Google and Microsoft and go back to selling lawn mowers.

In Bird by Bird, Anne Lamott offers advice for writers that applies to every creative person: “For me and most of the other writers I know, writing is not rapturous. In fact, the only way I can get anything written at all is to write really, really shitty first drafts.” Shitty first drafts. It’s as simple as that: you have to give yourself permission to make anything, without judgment, no matter what the critical voice in your head has to say about it.

When I grew up, and even as an adult learning photography, pursuing learning was seen as a sign of weakness and vulnerability. Needing to learn something meant admitting you didn’t already know it. There was shame there. You tried to keep it quiet. “Hey, if you’re a photographer, why do you need to take that Photoshop class? Don’t you know your job?” Since then, willingness to learn has gone from a weakness to a strength. But the number of options can be overwhelming.

As you develop a new skill at your own pace, you’ll start to identify your learning preferences. Do you prefer to start with details and work your way up to larger concepts? Or do you need to make a mental map before you can absorb specific facts and figures? You’ll have to discover that for yourself. When the information doesn’t gel right away, it doesn’t mean you’re bad or you don’t have the necessary talent. It just means you need to try another approach to the material.

Next time you aren’t able to do something as well as you’d like, simply enroll yourself in Me University, plan out your semester, master the information, and award yourself a PhD in The Problem You Just Crushed. You’ll rarely be intimidated by another learning challenge once you’ve done this a few times. It’s empowering. In fact, it’s addictive. It’s the secret weapon of the highest performers. There is nothing you can’t learn, no matter where you’re starting from right now.

today’s learners face new challenges. Their primary hang-up is understanding what they want to do. Our career options have expanded so far beyond traditional options that they didn’t even exist when you or I were in school. Now a learner can choose to be a firefighter or a coder, an accountant or a YouTuber, a veterinarian or an Etsy seller. With so many possible directions to choose from, so many new skills and new careers and new creative pursuits available, deciding what to explore must come first.

like to think of mindset as the ground floor, the bedrock. The wrong foundation crumbles quickly when loaded with challenges, and we become trapped in the rubble. The right foundation can support a rocket launch. The core principles of a stable creative mindset are: You are a creative person. The world is abundant and full of possibilities. Your situation can always be changed. You can use your creativity to create the change you seek. Creativity is natural and healthy but requires practice. Creativity is ultimate personal power.

Adversity is intrinsic to creative work. You will never be able to avoid it completely. The more you try to avoid problems and optimize your process before you do the work, the more distant your goal will become, until it seems almost unbelievable that you’d ever actually start. When facing creative adversity, you could, of course, walk away, but most people walk away too soon. Instead, try leaning in. How? By taking action. Failure may or may not be in your future, but all the growth, opportunity, and reward will be found on the path, not around it.

this one habit is nonnegotiable. Whether you’re a hobbyist or a pro, learning the technical skills of your craft is essential. And if you aspire to move into a creative profession, core skills are the price of entry. Practicing these skills once you’ve acquired them matters deeply and will unquestionably contribute toward creating the outcomes you seek. Become so good at the fundamentals of your craft that they become automatic and effortless, like breathing, walking, or chewing gum. That’s when you’ll experience the real fun and prizes of a creative calling.

In Bird by Bird, Anne Lamott offers advice for writers that applies to every creative person: “For me and most of the other writers I know, writing is not rapturous. In fact, the only way I can get anything written at all is to write really, really shitty first drafts.” Shitty first drafts. It’s as simple as that: you have to give yourself permission to make anything, without judgment, no matter what the critical voice in your head has to say about it. The first photo, the first wireframe of the website, the first stab at that venture pitch—just starting is the hardest part.

A book can’t give you the experience of how to direct a photo shoot. “Now tell the model to lift the left hand three inches.” But you can learn this in one minute by watching a professional photographer do it. There is no substitute for watching mastery in action. This is the new college. The difference is, you don’t just drink from the fire hose; you come to the resource with specific questions in mind based on your experiments. This is a much more effective way to approach new material than “beginner-intermediate-advanced.” Let curiosity and inspiration guide your exploration.

I’ve found that the most badass people I know, the ones who are the best in the world at their craft, are rarely busy in the way we’ve been taught to think of it. Being busy is a disease, a terminal one. It destroys your precious time. Being effective is about using every minute thoughtfully and mindfully as you make steady progress toward your dream. The biggest surprise to me has been that those people, those creators who are so deliberate and planned in the way they work, are also incredibly joyful and playful while they work. Planning and play aren’t opposites; they complement each other beautifully.

If you’re familiar with meditation, this process might sound familiar. Nearly every meditation tradition involves directing your attention—to your breath or a mantra, for example. When your attention wanders—to your grocery list or a song you heard on the radio—your only “task” is to realize what is happening and redirect your attention to your focus. Pursuing your creative calling is the same. By regularly practicing, you will realize when you go off track so you can bring your attention back to realizing your dream. The creative call is always present no matter how faint or how far off the path you wander.

A creative rut is a bit like a finger trap, that little wicker tube that holds your fingers tightly until you stop pulling and bring your fingertips together. Then it slips right off. We get stuck in a rut by trying to think our way out of it: “This project is stalled. Maybe I don’t have the talent. I should probably take another class, sharpen my skills. Or just hit ‘pause’ on this for a few weeks until inspiration returns.” You’re probably very familiar with that voice. We all hear it whenever the flow comes to a stop. The way to get out of the trap is to relax. The path changes as you walk it. You can pivot only as you move.

Without even realizing it, this woman had bought into a huge lie that so many of us accept. We internalize the idea that our calling is too risky, too impractical to even consider pursuing. That doing so would be selfish, deeply unwise. Deep down, we know we’re selling ourselves out, so we carry this regret with us into each new phase of life. These faulty beliefs work their way into our bones as dogma, making it harder and harder to undo the damage as each year goes by. The only antidote, for this woman and for you, is to stop the madness right now. With love and empathy for yourself, gently summon the courage to make a change.

When you consider a new project, take out your notebook and answer the following questions: What is the goal of this project? Why am I doing it? What do I hope to get out of it? What is the worst thing that might happen if I fail? What steps can I take to reduce risk and mitigate failure? Is it worth it? Every big creative project calls for a risk assessment because most of us risk too little to truly stand out. It’s only once you sit down and write out all the worst-case scenarios that you realize that the shadowy fears circling around your head aren’t really all that concrete or overwhelming. They’re just manageable obstacles.

Listen closely to that inner voice. The answer is almost always right there in your gut, and science backs that up. Western culture has a long history of discounting the importance of intuition in favor of so-called rational thought. Only over the last few decades have researchers begun to discover that reason is far from perfect: everyday human cognition is limited, slow, and distorted by unhelpful biases. Meanwhile, intuition has increasingly revealed itself to be a mind-bogglingly quick, sensitive, and perceptive tool, rapidly picking up on subtleties and patterns in the world that the conscious mind isn’t powerful enough to spot.

Too many of us start our days consuming instead of creating: browsing the web, watching TV, whatever. We become audience members and critics. Our thoughts get sucked into what other people are doing, how well they’re doing it, and the response they’re getting from the world. This is supertoxic, especially if you haven’t made any of your own stuff lately, and a surefire way to undermine all the creative mindset stuff I wrote about earlier in this chapter. Creating before consuming is a seemingly minor shift that will have a profound effect on your daily outlook and creative capacity. So please, create first. Make something (and ideally share it), no matter how small.

Looking back at that undeveloped view of creativity, it’s obvious to me that my beliefs were informed by the dominant cultural narrative around artists as wild mystics, people who go off into the woods or a loft in Soho or some other sacred place and return with a finished masterpiece—somehow. In reality, this romantic myth has next to nothing in common with the true working methods of professionals in any field, especially the creative ones. Today I know what gets results: establishing a consistent creative practice and sticking to it. Building even a basic framework for creative work will save you a lot of disappointment and put you on the fast track to the success you seek.

As the philosopher and Roman emperor Marcus Aurelius said, “The happiness of your life depends on the quality of your thoughts.” As true today as in Roman times. The state of your mind, body, and spirit is the direct result of all the decisions you’ve made in your life up until this moment. Physical health, cognitive performance, happiness, and well-being—these are driven almost entirely by our beliefs and behaviors. Day after day, choosing to exercise or watch Netflix, pull an all-nighter or get some sleep, eat clean or binge on mint chocolate-chip ice cream—all these decisions create our days, and our days create our lives as a whole. Each of us faces unique physical and mental challenges, but no matter what hand you’ve been dealt, your mindset makes a massive difference.