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If you only read the books that everyone else is reading, you can only think what everyone else is thinking.
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Haruki Murakami (Norwegian Wood)
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I didn't have much to say to anybody but kept to myself and my books. With my eyes closed, I would touch a familiar book and draw it's fragrance deep inside me. This was enough to make me happy.
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Haruki Murakami (Norwegian Wood)
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Which is why I am writing this book. To think. To understand. It just happens to be the way I'm made. I have to write things down to feel I fully comprehend them.
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Haruki Murakami (Norwegian Wood)
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With my eyes closed, I would touch a familiar book and draw its fragrance deep inside me. This was enough to make me happy.
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Haruki Murakami (Norwegian Wood)
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The others in the dorm thought I wanted to be a writer, because I was always alone with a book, but I had no such ambition. There was nothing I wanted to be.
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Haruki Murakami (Norwegian Wood)
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βIf you only read the books that everyone else is reading, you can only think what everyone else is thinking.
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Haruki Murakami (Norwegian Wood)
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The years nineteen and twenty are a crucial stage in the maturation of character, and if you allow yourself to become warped when you're that age, it will cause you pain when you're older.
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Haruki Murakami (Norwegian Wood)
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Everybody thinks I'm this delicate little girl. But you can't tell a book by it's cover.' To which she added a momentary smile.
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Haruki Murakami (Norwegian Wood)
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If you only read the books that everyone else is reading, you can only think what everyone else is thinking. Thatβs the world of hicks and slobs. Real people would be ashamed of themselves doing that.
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Haruki Murakami (Norwegian Wood)
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April ended and May came along, but May was even worse than April. In the deepening spring of May, I had no choice but to recognize the trembling of my heart. It usually happened as the sun was going down. In the pale evening gloom, when the soft fragrance of magnolias hung in the air, my heart would swell without warning, and tremble, and lurch with a stab of pain. I would try clamping my eyes shut and gritting my teeth, and wait for it to pass. And it would pass....but slowly, taking its own time, and leaving a dull ache behind.
At those times I would write to Naoko. In my letters to her, I would describe only things that were touching or pleasant or beautiful: the fragrance of grasses, the caress of a spring breeze, the light of the moon, a movie I'd seen, a song I liked, a book that had moved me. I myself would be comforted by letters like this when I would reread what I had written. And I would feel that the world I lived in was a wonderful one. I wrote any number of letters like this, but from Naoko or Reiko I heart nothing.
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Haruki Murakami (Norwegian Wood)
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Somewhere between 'not enough' and 'not at all.' I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it - to be fed so much love I couldn't take any more. Just once. But they never gave that to me. Never, not once.
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Haruki Murakami (Norwegian Wood)
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What do we talk about? Just ordinary things. What happened today, or books we've read, or tomorrow's weather, you know. Don't tell me you're wondering if people jump to their feet and shout stuff like 'It'll rain tomorrow if a polar bear eats the stars tonight!
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Haruki Murakami (Norwegian Wood)
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[...] he made it a rule never to touch a book by any author who had not been dead at least 30 years.
"That's the only kind of book I can trust", he said.
"It's not that I don't believe in contemporary literature," he added, "but I don't want to waste valuable time reading any book that has not had the baptism of time. Life is too short.
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Haruki Murakami (Norwegian Wood)
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Nights without work I spent with whisky and books.
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Haruki Murakami (Norwegian Wood)
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I do need that time, though, for Naoko's face to appear. And as the years have passed, the time has grown longer. The sad truth is that what I could recall in five seconds all too needed ten, then thirty, then a full minute-like shadows lengthening at dusk. Someday, I suppose, the shadows will be swallowed up in darkness. There is no way around it: my memory is growing ever more distant from the spot where Naoko used to stand-ever more distant from the spot where my old self used to stand. And nothing but scenery, that view of the meadow in October, returns again and again to me like a symbolic scene in a movie. Each time is appears, it delivers a kick to some part of my mind. "Wake up," it says. "I'm still here. Wake up and think about it. Think about why I'm still here." The kicking never hurts me. There's no pain at all. Just a hollow sound that echoes with each kick. And even that is bound to fade one day. At the Hamburg airport, though, the kicks were longer and harder than usual. Which is why I am writing this book. To think. To understand. It just happens to be the way I'm made. I have to write things down to feel I fully comprehend them.
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Haruki Murakami (Norwegian Wood)
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I have a million things to talk to you about. A million things we have to talk about. All I want in this world is you. I want to see you and talk. I want the two of us to begin everything from the beginning.
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Haruki Murakami (Norwegian Wood)
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Too many memories of her were crammed inside of me, and as soon as one of them found the slightest opening, the rest would force their way out in an endless stream, an unstoppable flood.
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Haruki Murakami (Norwegian Wood)
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It's not that I don't believe in contemporary literature," he added, "but I don't want to waste valuable time reading any book that has not had the baptism of time. Life is too short.
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Haruki Murakami (Norwegian Wood)
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You don't get it, do you? Person A understands Person B because the
time is right for that to happen, not because Person B wants to be
understood by Person A. (...) it's not a mistake, most people would call
that love, if you think you want to understand me.
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Haruki Murakami (Norwegian Wood)
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It's not that I don't believe in contemporary literature... but I don't want to waste valuable time reading any book that has not had the baptism of time. Life is too short.
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Haruki Murakami (Norwegian Wood)
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Waiting for your answer is one of the most painful things I have ever been through. At least let me know whether or not I hurt you
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Haruki Murakami (Norwegian Wood)
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Everything seems pointless since you left
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Haruki Murakami (Norwegian Wood)
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No truth can cure the sorrow we feel from losing a loved one. No truth, no sincerity, no strength, no kindness can cure that sorrow.
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Haruki Murakami (Norwegian Wood)
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Yeah. The more languages you know the better. And I've got a knack for them. I taught myself French and it's practically perfect. Languages are like games. You learn the rules for one, and they all work the same way. Like women.
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Haruki Murakami (Norwegian Wood)
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It's not that I don't believe in contemporary literature, but I don't want to waste valuable time reading any book that has not had the baptism of time. Life is too short. (...) If you only read the books that everyone else is reading, you can only think what everyone else is thinking. That's the world of hicks and slobs. Real people would be ashamed of themselves doing that.
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Haruki Murakami (Norwegian Wood)
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I straightened up and looked out the plane window at the dark clouds hanging over the North Sea, thinking of what I had lost in the course of my life: times gone forever, friends who had died or disappeared, feelings I would never know again.
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Haruki Murakami (Norwegian Wood)
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I read a lot, but not a lot of different books: I like to read my favorites again and again.
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Haruki Murakami (Norwegian Wood)
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Lo que nos hace personas normales es saber que no somos normales.
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Haruki Murakami (Norwegian Wood)
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I had thought about it so often - too often, to the point where it had distorted my sense of time.
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Haruki Murakami (Norwegian Wood)
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I think of you now mare than ever. It's raining today.
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Haruki Murakami (Norwegian Wood)
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Once upon a time, you dragged a part of me into the world of the dead, and now Naoko has dragged another pat of me into that world.
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Haruki Murakami (Norwegian Wood)
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I still loved Naoko. Bent and twisted as that love might be, I did love her. Somewhere inside me, there was still preserved a broad, open space, untouched, for Naoko and no one else.
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Haruki Murakami (Norwegian Wood)
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Most of these university types are total phonies. Theyβre scared to death somebodyβs gonna find they donβt know something. They all read the same books and they all throw around the same words, and they get off listening to John Coltrane and seeing Pasolini movies. You call that βrevolutionβ? That does it for me, then. Iβm not going to believe in any damned revolution. Love is all Iβm going to believe in.
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Haruki Murakami (Norwegian Wood)
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No creas que estoy enfadada contigo. Sólo estoy triste. Por que tú has sido muy amable conmigo, y, a cambio, no he sabido ayudarte. Tú siempre estÑs encerrado en tu propio mundo y, cuando llamo a la puerta, ¨toc, toc¨, te limitas a levantar la cabeza antes de volver a encerrarte.
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Haruki Murakami (Norwegian Wood)
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I know, too, why she asked me not to forget her. Naoko herself knew, of course. She knew that my memories of her would fade. Which is precisely why she begged me never to forget her, to remember that she had existed.
The thought fills me with an almost unbearable sorrow. Because Naoko never loved me.
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Haruki Murakami (Norwegian Wood)
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Most of these student types are total frauds. Theyβre scared to death somebodyβs gonna find out they donβt know something. They all read the same books and they all spout the same slogans, and they love listening to John Coltrane and seeing Pasolini movies. You call that a revolution? β¦Well if thatβs a revolution, you can stick it.
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Haruki Murakami (Norwegian Wood)
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Most of these university types are total phonies. Theyβre scared to death somebodyβs gonna find out they donβt know something. They all read the same books and they all throw around the same words, and they get off listening to John Coltrane and seeing Pasolini movies.
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Haruki Murakami (Norwegian Wood)
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At 18 my favourite book was John Updikeβs The Centaur, but after I had read it a number of times, it began to lose some of its initial lustre and yielded first place to The Great
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Haruki Murakami (Norwegian Wood)
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Todos nosotros somos seres imperfectos que vivimos en un mundo imperfecto.
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Haruki Murakami (Norwegian Wood)
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Nos dimos la mano y nos separamos. Γl se dirigiΓ³ hacia su nuevo mundo y yo volvΓ a mi lodazal.
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Haruki Murakami (Norwegian Wood)
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It's not that I don't believe in contemporary literature, but I don't want to waste valuable time reading any book that has not had the baptism of time. Life is too short.
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Haruki Murakami (Norwegian Wood)
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It just happens to be the way I'm made. I have to write things down to feel I fully comprehend them.
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Haruki Murakami (Norwegian Wood)
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Everybody thinks I'm this delicate little girl.
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Haruki Murakami (Norwegian Wood)
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It was that kind of kiss. But as with all kisses, it was not without a certain element of danger
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Haruki Murakami (Norwegian Wood)
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They're old enough to know how the world really works, so why are they so stupid? It's easy to talk big, but the important thing is whether or not you can clean up the shit.
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Haruki Murakami (Norwegian Wood)
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Not everybody is looking for a boyfriend with a sports car.
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Haruki Murakami (Norwegian Wood)
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Liest man, was alle anderen auch lesen, kann man auch nur das denken, was alle anderen denken.
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Haruki Murakami (Norwegian Wood)
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If you only read the books that everyone else is reading, you can only think what everyone else is thinking
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Haruki Murakami (Norwegian Wood)
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If you only read the books that everyone else is reading, you can only think what everyone else is thinking. That's the world of hicks and slobs. Real people would be ashamed of themselves doing that.
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Haruki Murakami (Norwegian Wood)
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If you only read the books that everyone else is reading, you can only think what everyone else is thinking. That's the world of hicks and slobs. Real people would be ashamed of themselves doing that. Haven't you noticed, Watanabe? You and I are the only real ones in the dorm. The other guys are crap.
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Haruki Murakami (Norwegian Wood)
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But who can say what's best? That's why you need to grab whatever chance you have for happiness where you find it, and not worry too much about other people. My experience tells me that we get no more than two or three such chances in a lifetime, and if we let them go, we regret it for the rest of our lives.
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Haruki Murakami (Norwegian Wood)
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Pero te advierto que Watanabe es igual que yo. Amable y cariΓ±oso, pero incapaz de amar a nadie con el corazΓ³n en la mano. Hay una parte de Γ©l que siempre estΓ‘ alerta, siente un ansia que lo devora. Lo sΓ© de sobra.
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Haruki Murakami (Norwegian Wood)
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...he made it a rule never to touch a book by any author who had not been dead at least 30 years. "That's the only kind of book I can trust," he said.
"It's not that I don't believe in contemporary literature," he added, "but I don't want to waste valuable time reading any book that has not had the baptism of time. Life is too short.
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Haruki Murakami (Norwegian Wood)
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I'd swallow some whiskey and listen to the waves while I thought about Naoko. It was too strange to think that she was dead and no longer part of this world. I couldn't absorb the truth of it. I couldn't believe it. I had heard the nails being driven into the lid of her coffin, but I still couldn't adjust to the fact that she had returned to nothingness.
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Haruki Murakami (Norwegian Wood)
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No, we weren't lovers, but in a way we had opened ourselves to each other even more deeply than lovers do. The thought caused me a good deal of grief. What a terrible thing it is to wound someone you really care for - and to do it so unconsciously.
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Haruki Murakami (Norwegian Wood)
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Look, the world is an inherently unfair place. I didn't write the rules. It's always been that way. I have never once deceived Hatsumi. She knows I'm a shit and that she can leave me anytime she decides she can't take it. I told her that straight out.
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Haruki Murakami (Norwegian Wood)
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I thought about Kizuki. "So you finally made Naoko yours," I heard myself telling him. Oh, well, she was yours to begin with. Now maybe, she's where she belongs. But in this world, in this imperfect world of the living, I did the best I could for Naoko.
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Haruki Murakami (Norwegian Wood)
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Which is why I am writing this book. To think. To understand. It just happens to be the way Iβm made. I have to write things down to feel I fully comprehend them.
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Haruki Murakami (Norwegian Wood)
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It was the age, that time of life when every sight, every feeling, every thought came back, like a boomerang, to me. And worse, I was in love. Love with complications.
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Haruki Murakami (Norwegian Wood)
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But your problems are not going to continue for the rest of your life
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Haruki Murakami (Norwegian Wood)
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If you need me, use me. Don't you see?
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Haruki Murakami (Norwegian Wood)
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I could never tell what was going on inside the pretty heads of the girls that Naoko brought along, and they probably couldn't understand me, either.
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Haruki Murakami (Norwegian Wood)
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I guess, I've been waiting for so long I'm looking for perfection. That makes it tough
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Haruki Murakami (Norwegian Wood)
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In any case, though, I believe that I have not been fair to you and that, as a result, I must have led you around in circles and hurt you deeply.
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Haruki Murakami (Norwegian Wood)
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You want to know why you felt that way about me even though you didn't love me.
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Haruki Murakami (Norwegian Wood)
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So after he died, I didn't know how to relate to other people. I didn't know what it means to love another person.
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Haruki Murakami (Norwegian Wood)
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What more could you want if you were that smart and that beautiful?
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Haruki Murakami (Norwegian Wood)
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There was much about him that was fine and beautiful, but he could never find the confidence he needed.
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Haruki Murakami (Norwegian Wood)
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Such perfect little circles are impossible to maintain.
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Haruki Murakami (Norwegian Wood)
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I went on loving him just the same, and I could never be interested in anyone else.
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Haruki Murakami (Norwegian Wood)
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What had happened to the body I held in my arms that night last spring?
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Haruki Murakami (Norwegian Wood)
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No, it's not sick. I wish I could be the one to hold you, though, I said.
So hold me. Now. Right here.
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Haruki Murakami (Norwegian Wood)
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I miss you something awful sometimes
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Haruki Murakami (Norwegian Wood)
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It's hard not being able to see you, but my life in Tokyo would be a lot worse if it weren't for you.
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Haruki Murakami (Norwegian Wood)
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If you think about it, an unfair society that makes it possible for you to exploit your abilities to the limit.
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Haruki Murakami (Norwegian Wood)
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Maybe so, but I'm not just looking up at the sky and waiting for the fruit to drop. In my own way, I'm working hard. I'm working ten times harder than you are.
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Haruki Murakami (Norwegian Wood)
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I look around me sometimes and I get sick to my stomach. Why the hell don't these bastards do something? I wonder. They don't do a damn thing, and then they bitch.
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Haruki Murakami (Norwegian Wood)
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Because sometimes I have a need for human warmth, I answered honestly.
Sometimes, if I can't feel something like the warmth of a woman's skin, I get so lonely I can't stand it.
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Haruki Murakami (Norwegian Wood)
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I love you," I said to her. "From the bottom of my heart. I don't ever want to let you go again. But there's nothing I can do. I can't make a move."
"Because of her?"
I nodded.
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Haruki Murakami (Norwegian Wood)
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I loved Midori. And I had probably known as much for a while. I had just been avoiding the conclusion for a very long time.
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Haruki Murakami (Norwegian Wood)
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I have always loved Naoko, and I still loved her. But there is a decisive finality to what exists between Midori and me.
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Haruki Murakami (Norwegian Wood)
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It's not that I don't believe in contemporary literature," he added, "but I don't want to waste valuable time reading any book that has not had the baptism of time. Life is too short
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Haruki Murakami (Norwegian Wood)
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My sickness is a lot worse than you think: it has far deeper roots. And that's why I want you to go on ahead of me if you can. Don't wait for me. Sleep with other girls if you want to. Don't let thoughts of me hold you back. Just do what you want to do. Otherwise, I might end up taking you with me, and that is the one thing I don't want to do. I don't want to interfere with your life. I don't want to interfere with anybody's life. Like I said before, I want you to come to see me every once in a while, and always remember me. That's all I want.
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Haruki Murakami (Norwegian Wood)
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Here I was, seeing you almost every week, and talking with you, and knowing that the only one in your heart was Kizuki. It hurt. It really hurt. And I think that's why I slept with girls I didn't know.
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Haruki Murakami (Norwegian Wood)
β
BERLIN, October 29 Iβve been looking into what Germans are reading these dark days. Among novels the three best-sellers are: (1) Gone with the Wind, translated as Vom Winde Verwehtβliterally βFrom the Wind Blown Aboutβ; (2) Croninβs Citadel; (3) Beyond Sing the Woods, by Trygve Gulbranssen, a young Norwegian author. Note that all three novels are by foreign authors, one by an Englishman. Most sought-after non-fiction books are: (1) The Coloured Front, an anonymous study of the white-versus-Negro problem; (2) Look Up the Subject of England, a propaganda book about England; (3) Der totale Krieg, Ludendorffβs famous book about the Total Warβvery timely now; (4) Fifty Years of Germany, by Sven Hedin, the Swedish explorer and friend of Hitler; (5) So This is Poland, by von Oertzen, data on Poland, first published in 1928. Three
β
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William L. Shirer (Berlin Diary: The Journal of a Foreign Correspondent 1934-41)
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Balzac, Dante, Joseph Conrad, Dickens," he answered without hesitation.
"Not Exactly fashionable."
"That's why I read them. If you only read the books that everyone else is reading, you can only think what everyone else is thinking. That's the world of hicks and slobs. Real people would be ashamed of themselves doing that. Haven't you noticed, Watanabe? You and I are the only real ones in this dorm. The other guys are crap.
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Haruki Murakami (Norwegian Wood)
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I know these things. I'm always right. It's got nothing to do with logic: I just feel it. For example, when I'm really close to you like this, I'm not the least bit scared. Nothing dark or evil could ever tempt me.
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Haruki Murakami (Norwegian Wood)
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One thing became crystal clear to me when I couldn't see you anymore. I realized that the only way I had been able to survive until then was having you in my life. When I lost you, the pain and loneliness really got to me.
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Haruki Murakami (Norwegian Wood)
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How could such a thing have happened? Everything that seemed so important back then - Naoko, and the self I was then, and the world I had then: where could they have all gone? It's true, I can't even bring back Naoko's face - not right away, at least.
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Haruki Murakami (Norwegian Wood)
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One guy yelled at me, 'You stupid bitch, how do you live like that with nothing in your brain?' Well, that did it. I wasn't going to put up with that. OK, so I'm not so smart. I'm working class. But it's the working class that keeps the world running, and it's the working classes that get exploited. What kind of revolution is it that just throws out big words that working-class people can't understand? What kind of crap social revolution is that? I mean, I'd like to make the world a better place, too. If somebody's really being exploited, we've got to put a stop to it. That's what I believe, and that's why I ask questions. (...) So that's when it hit me. These guys are fakes. All they've got on their minds is impressing the new girls with the big words they're so proud of, while sticking their hands up their skirts.(...) They marry pretty wives who've never read Marx and have kids they give fancy new names to that are enough to make you puke. Smash what educational-industrial complex? Don't make me laugh! (...) They're scared to death somebody's gonna find out they don't know something. They all read the same books and they all spout the same slogans, and they love listening to John Coltrane and seeing Pasolini movies. You call that 'revolution'? (...) Revolution or not, the working class will just keep on scraping a living in the same old shitholes. And what is a revolution? It sure as hell isn't just changing the name on city hall. But those guys don't know that - those guys with their big words.
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Haruki Murakami (Norwegian Wood)
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What kind of authors do you like?" I asked, speaking in respectful tones to this man two years my senior. "Balzac, Dante, Joseph Conrad, Dickens," he answered without hesitation. "Not exactly fashionable."
"That's why I read them. If you only read the books that everyone else is reading, you can only think what everyone else is thinking. That's the world of hicks and slobs. Real people would be ashamed of themselves doing that. Haven't you noticed, Watanabe? You and I are the only real ones in this dorm. The other guys are crap.
β
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Haruki Murakami (Norwegian Wood)
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Most of these university types are total phonies. Theyβre scared to death somebodyβs gonna find out they donβt know something. They all read the same books and they all throw around the same words, and they get off listening to John Coltrane and seeing Pasolini movies. You call that βrevolutionβ?
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Haruki Murakami (Norwegian Wood)
β
I know, too, why she asked me not to forget her. Naoko herself knew of course. She knew that my memories of her would fade. Which is precisely why she begged me never to forget her, to remember that she had existed.
The thought fills me with an almost unbearable sorrow. Because Naoko never loved me.
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Haruki Murakami (Norwegian Wood)
β
He was a far more voracious reader than me, but he made it a rule to never touch a book by any author who had not been dead at least 30 years. "That's the only kind of book I can trust," he said.
"It's not that I don't believe in contemporary literature," he added, "but I don't want to waste valuable time reading a book that has not had the baptism of time. Life is too short.
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Haruki Murakami (Norwegian Wood)
β
He was a far more voracious reader than me, but he made it a rule never to touch a book by any author who had not been dead at least 30 years. "That's the only kind of book I can trust," he said.
"It's not that I don't believe in contemporary literature," he added, "but I don't want to waste valuable time reading any book that has not had the baptism of time. Life is too short.
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Haruki Murakami (Norwegian Wood)
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He was a far more voracious reader than I, but he made it a rule never to touch a book by any author who had not been dead at least thirty years. "That's the only kind of book I can trust," he said. "It's not that I don't believe in contemporary literature," he added," but I don't want to waste valuable time reading any book that has not had the baptism of time. Life is too short.
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Haruki Murakami (Norwegian Wood)
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In my letters to her, I would describe only things that were touching or pleasant or beautiful: the fragrance of grasses, the caress of a spring breeze, the light of the moon, a film I'd seen, a song I liked, a book that had moved me. I myself would be comforted by letters like this when I would reread what I had written. And I would feel that the world I lived in was a wonderful one.
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Haruki Murakami (Norwegian Wood)
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I suddenly thought about my old girlfriend, the one I had first slept with in my third year of high school. Chills ran through me as I realized how badly I had treated her. I had hardly ever thought about her thoughts or feelings or the pain I had caused her. She was such a sweet and gentle thing, but at the time I had taken her sweetness for granted and later hardly gave her a second thought. What was she doing now? I wondered. And had she forgiven me?
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Haruki Murakami (Norwegian Wood)
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But your problems are not going to continue for the rest of your life,"
I said, touching her back. "They'll end eventually. And when they do,
we'll stop and think about how to go on from there. Maybe you will
have to help me. We're not running our lives according to some
account book. If you need me, use me. Don't you see? Why do you
have to be so rigid? Relax, letdown your guard. You're all tensed up
so you always expect the worst. Relax your body, and the rest of you
will lighten up.
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Haruki Murakami (Norwegian Wood)
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I said this one day to the doctor in charge of my case, and he told me that, in a sense, what I was feeling was right, that we are in here not to correct the deformation but to accustom ourselves to it: that one of our problems was our inability to recognize and accept our own deformities. Just as each person has certain idiosyncrasies in the way he or she walks, people have idiosyncrasies in the way they think and feel and see things, and though you might want to correct βthem, it doesn't happen overnight, and if you try to force the issue in one case, something else might go funny. He gave me a very simplified explanation, of course, and it's just one small part of the problems we have, but I think I understand what he was trying to say. It may well be that we can never fully adapt to our own deformities. Unable to find a place inside ourselves for the very real pain and suffering that these deformities cause, we come here to get away from such things. As long as we are here, we can get by without hurting others or being hurt by them because we know that we are "deformed". That's what distinguishes us from the outside world: most people go about their lives unconscious of their deformities, while in this little world of ours the deformities themselves are a precondition. Just as Indians wear feathers on their heads to show what tribe they belong to, we wear our deformities in the open. And we live quietly so as not to hurt one another.β
Excerpt From: βHaruki Murakami Norwegian Wood.β Apple Books.
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Haruki Murakami (Norwegian Wood)