“
Never argue with stupid people, they will drag you down to their level and then beat you with experience.
”
”
Mark Twain
“
Never argue with an idiot. They will drag you down to their level and beat you with experience.
”
”
Mark Twain
“
If you surround yourself with the good and righteous, they can only raise you up. If you surround yourself with the others, they will drag you down into the doldrums of mediocrity, and they will keep you there, but only as long as you permit it.
”
”
Mark Glamack
“
Mates are a waste of fucking time. They are always ready to drag you down tae their level of social, sexual and intellectual mediocrity.
”
”
Irvine Welsh (Trainspotting)
“
Don't let them drag you down by rumors just go with what you believe in.
”
”
Michael Jordan (I Can't Accept Not Trying: Michael Jordan on the Pursuit of Excellence)
“
You choose to let things bother you. You can just as easily choose not to notice the irritating offender, to consider the matter trivial and unworthy of your interest. That is the powerful move. What you do not react to cannot drag you down in a futile engagement. Your pride is not involved. The best lesson you can teach an irritating gnat is to consign it to oblivion by ignoring it.
”
”
Robert Greene (The 48 Laws of Power)
“
Tell me that you don’t take that blade and drag it across your skin and pray for the courage to press down.
”
”
Susanna Kaysen (Girl, Interrupted)
“
Wait. This was the first lesson I had learned about love. The day drags along, you make thousands of plans, you imagine every possible conversation, you promise to change your behavior in certain ways -- and you feel more and more anxious until your loved one arrives. But by then, you don't know what to say. The hours of waiting have been transformed into tension, the tension has become fear, and the fear makes you embarrassed about showing affection.
”
”
Paulo Coelho (By the River Piedra I Sat Down and Wept)
“
It was ironic, really - you want to die because you can't be bothered to go on living - but then you're expected to get all energetic and move furniture and stand on chairs and hoist ropes and do complicated knots and attach things to other things and kick stools from under you and mess around with hot baths and razor blades and extension cords and electrical appliances and weedkiller. Suicide was a complicated, demanding business, often involving visits to hardware shops.
And if you've managed to drag yourself from the bed and go down the road to the garden center or the drug store, by then the worst is over. At that point you might as well just go to work.
”
”
Marian Keyes (Lucy Sullivan Is Getting Married)
“
Since the moment I saw you. Since the moment you smiled at me, I felt like I was falling backward off a cliff. The feeling has never stopped. I’ve been trying to drag you down with me. In the worst, most ill-conceived and socially stunted way possible.
”
”
Sally Thorne (The Hating Game)
“
If you want to fly on the sky, you need to leave the earth. If you want to move forward, you need to let go the past that drags you down.
”
”
Amit Ray (World Peace: The Voice of a Mountain Bird)
“
In a storm, you don't tie two boats together. They'll drag each other down.
”
”
Pierce Brown (Golden Son (Red Rising Saga, #2))
“
It's tough out there, boy, and as long as there are people, there’s gonna be somebody trying to take what you got and trying to drag you down. It's up to you whether you let them or not.
”
”
Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
“
You’re easily distracted, aren’t you?” Ty deadpanned.
“Not really,” Zane said smoothly, dragging one hand down Ty’s
chest. “I’m still focused on you.
”
”
Madeleine Urban (Cut & Run (Cut & Run, #1))
“
I can't--I can't think about anything or anyone else," he whispered. A hand drifted up, dragging back through his hair. "I can't think straight when you're around. I can't sleep. It feels like I can't breathe--I just--"
"Liam, please," I begged. "You're tired. You're barely over being sick. Let's just... Can we just go back to the others?"
"I love you." He turned toward me, that agonized expression still on his face. "I love you every second of everyday, and I don't understand why, or how to make it stop--"
He looked wild with pain; it pinned me in place, even before what he had said registered in my mind.
"I know it's wrong; I know it down to my damn bones. And I feel like I'm sick. I'm trying to be a good person, but I can't. I can't do this anymore.
”
”
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
“
What are the five products you want to focus on? Get rid of the rest, because they’re dragging you down. They’re turning you into Microsoft. They’re causing you to turn out products that are adequate but not great.
”
”
Walter Isaacson (Steve Jobs)
“
Some problems we share as women, some we do not. You fear your children will grow up to join the patriarchy and testify against you; we fear our children will be dragged from a car and shot down in the street, and you will turn your backs on the reasons they are dying.
”
”
Audre Lorde
“
I'd heard of Evergreen Care Center before. Cass and I had always made fun of the stupid ads they ran on TV, featuring some dragged-out woman with a limp perm and big, painted-on circles under her eyes, downing vodka and sobbing uncontrollably. "We can't heal you at Evergreen", the very somber voiceover said. "But we can help you to heal yourself." It had become our own running joke, applicable to almost anything.
"Hey Cass, "I'd say, "hand me that toothpaste."
"Caitlin," she'd say, her voice dark and serious. "I can't hand you the toothpaste. But I CAN help you hand the toothpaste to yourself.
”
”
Sarah Dessen (Dreamland)
“
Everyone isn’t logical. Everything doesn’t make sense in the end. Sometimes you have to forget about explanations or excuses and leave people and places behind, because otherwise they will drag you straight down.
”
”
Tammara Webber (Breakable (Contours of the Heart, #2))
“
I’ll tell you another secret, this one for your own good. You may think the past has something to tell you. You may think that you should listen, should strain to make out its whispers, should bend over backward, stoop down low to hear its voice breathed up from the ground, from the dead places. You may think there’s something in it for you, something to understand or make sense of.
But I know the truth: I know from the nights of Coldness. I know the past will drag you backward and down, have you snatching at whispers of wind and the gibberish of trees rubbing together, trying to decipher some code, trying to piece together what was broken. It’s hopeless. The past is nothing but a weight. It will build inside of you like a stone.
Take it from me: If you hear the past speaking to you, feel it tugging at your back and running its fingers up your spine, the best thing to do—the only thing—is run.
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
Love, he found, was a jail. It trapped, and it clipped wings. It dragged you down, forced you to places you didn’t want to go
”
”
Helen Hoang (The Kiss Quotient (The Kiss Quotient, #1))
“
Memories are dangerous things. You turn them over and over, until you know every touch and corner, but still you’ll find an edge to cut you.” I looked into my own darkness. I knew what it was to be trapped, and to watch ruination. “Each day the memories weigh a little heavier. Each day they drag you down that bit further. You wind them around you, a single thread at a time, and you weave your own shroud, you build a cocoon, and in it madness grows.” The lights pulsed beneath my fingers, ebbing and flowing to the beat of my voice. “You sit here with your yesterdays queuing at your shoulder. You listen to their reproach and curse those that gave you life.
”
”
Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
“
Your efforts today will affect people you will never know. It is your choice whether that effect is positive or negative. You can choose every day, every minute, to act in a way that may uplift a stranger, or else drag them down. The choice is easy. And it is yours to make.
”
”
Eddie Jaku (The Happiest Man on Earth)
“
Never live your life according to the idiots' rules. Because they'll drag you down to their level, they'll win, and you'll have a damned awful time in the process.
”
”
Katarina Bivald (The Readers of Broken Wheel Recommend)
“
I think this’ll definitely tide me over while we’re apart,”Bones laughed, dragging me into his arms with far more strength and quickness than was fair, considering I still had trouble making my limbs operate.
“Oh, Kitten,” he murmured as his lips dragged down my throat. “You didn’t really think we were done, did you?
”
”
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
“
Runaways are romantic. The girls are waiflike with dyed ratty hair and baggy pants. They usually own a stray dog of the mutt variety and drag it along by a rope, plopping down in front of storefronts to beg for money from passersby. They're a mess. It is likely they'll charm you, make you think you're their best friend and savior only to end up using you and then they'll disappear. That's why they're romantic. They're there and then they're gone. Romance is always about people appearing in a flash out of nothing or people who are there and then suddenly are not. A magic trick.
”
”
Bett Williams (Girl Walking Backwards)
“
Andrew flicked his pack of cigarettes at Neil. "Give me one good reason to not push you off the side." Neil shook a stick out and lit it. "I'd drag you with me. It's a long way down.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
Feeling a little foolish over her confidences, Elizabeth glanced up at him with an embarrassed smile. “What is the most beautiful place you’ve ever seen?”
Dragging his gaze from the beauty of the gardens, Ian looked down at the beauty beside him. “Any place,” he said huskily, “where you are.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
He gave us three irrefutible pieces of advice about the male species:
1. Boys will lie, cheat, and steal to get into your pants. A man will stand the test of time. Make him wait, and you'll see which one he is.
2. They will try to tell you that it feels better without a condom. You just tell me where they live.
3. And relationships are supposed to make your life better. You don't drag each other down. You hold each other up.
”
”
Penelope Douglas (Falling Away (Fall Away, #4))
“
Hello? This is Clary Fairchild.”
“Clary? It’s me, Emma.”
“Oh, Emma, hi! I haven’t heard from you in ages. My mom says thanks for the wedding flowers, by the way. She wanted to send a note but Luke whisked her away on a honeymoon to Tahiti.”
“Tahiti sounds nice.”
“It probably is — Jace, what are you doing with that thing? There is no way it’ll fit.”
“Is this a bad time?”
“What? No! Jace is trying to drag a trebuchet into the training room. Alec, stop helping him.”
“What’s a trebuchet?”
“It’s a huge catapult.”
“What are they going to use it for?”
“I have no idea. Alec, you’re enabling! You’re an enabler!”
“Maybe it is a bad time.”
“I doubt there’ll be a better one. Is something wrong? Is there anything I can do?”
“I think we have your cat.”
“What?”
“Your cat. Big fuzzy Blue Persian? Always looks angry? Julian says it’s your cat. He says he saw it at the New York Institute. Well, saw him. It’s a boy cat.”
“Church? You have Church? But I thought — well, we knew he was gone. We thought Brother Zachariah took him. Isabelle was annoyed, but they seemed to know each other. I’ve never seen Church actually likeanyone like that.”
“I don’t know if he likes anyone here. He bit Julian twice. Oh, wait. Julian says he likes Ty. He’s asleep on Ty’s bed.”
“How did you wind up with him?”
“Someone rang our front doorbell. Diana, she’s our tutor, went down to see what it was. Church was in a cage on the front step with a note tied to it. It said For Emma. This is Church, a longtime friend of the Carstairs. Take care of this cat and he will take care of you. —J.”
“Brother Zachariah left you a cat.”
“But I don’t even really know him. And he’s not a Silent Brother any more.”
“You may not know him, but he clearly knows you.”
“What do you think the J stands for?”
“His real name. Look, Emma, if he wants you to have Church, and you want Church, you should keep him.”
“Are you sure? The Lightwoods —“
‘They’re both standing here nodding. Well, Alec is partially trapped under a trebuchet, but he seems to be nodding.”
“Jules says we’d like to keep him. We used to have a cat named Oscar, but he died, and, well, Church seems to be good for Ty’s nightmares.”
“Oh, honey. I think, really, he’s Brother Zachariah’s cat. And if he wants you to have him, then you should.”
“Why does Brother Zachariah want to protect me? It’s like he knows me, but I don’t know why he knows me.”
“I don’t exactly know … But I know Tessa. She’s his — well, girlfriend seems not the right word for it. They’ve known each other a long, long time. I have a feeling they’re both watching over you.”
“That’s good. I have a feeling we’re going to need it.”
“Emma — oh my God. The trebuchet just crashed through the floor. I have to go. Call me later.”
“But we can keep the cat?”
“You can keep the cat.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
And then," Ress was saying, his boyish face set with fiendish delight, "just as he got her into bed, stark naked as the day he was born, her father walked in"- winces and groans came from the guards, even Chaol himself-"and he dragged him out of bed by his feet, took him down the hall, and dumped him down the stairs. He was shrieking like a pig the whole time."
Chaol leaned back in his seat, crossing his arms. "You would be, too, if someone were dragging your naked carcass across the ice-cold floor." He smirked as Ress tried to deny it. Chaol seemed so comfortable with the men, his body relaxed, eyes alight. And they respected him, too-always glancing at him for approval, for confirmation, for support. As Celaena's chuckle faded, Chaol looked at her, his brows high.
"You're one to laugh. You moan about the cold floor more than anyone else than I know."
She straightened as the guards gave hesitant smiles. "If I recall correctly, you complain about every time I wipe the floor with you when we spar."
"Oho!" Ress cried, and Chaol's brows rose higher. Celaena gave him a grin.
"Dangerous words," Chaol said. "Do we need to go to the training hall to see if you can back them up?"
"Well, as long as your men don't object to seeing you knocked on your ass."
"We certainly do not object to that," Ress crowed. Chaol shot him a look, more amused than warning.
Ress quickly added, "Captain.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
The day drags along, you make thousands of plans, you imagine every possible conversation, you promise to change your behavior in certain ways–and you feel more and more anxious until your loved one arrives. But by then, you don't know what to say. The hours of waiting have been transformed into tension, the tension has become fear, and the fear makes you embarrassed about showing affection.
”
”
Paulo Coelho (By the River Piedra I Sat Down and Wept)
“
Bjarne Møller, my former boss, says people like me always choose the line of most resistance. It's in what he calls our 'accursed nature'. That's why we always end up on our own. I don't know. I like being alone. Perhaps I have grown to like my self-image of being a loner, too....I think you have to find something about yourself that you like in order to survive. Some people say being alone is unsociable and selfish. But you're independent and you don't drag others down with you, if that's the way you're heading. Many people are afraid of being alone. But it made me feel strong, free and invulnerable.
”
”
Jo Nesbø (Frelseren (Harry Hole, #6))
“
You are always dragging me down,' said I to my Body. 'Dragging _you_ down!' replied my Body. 'Well I like that! Who taught me to like tobacco and alcohol? You, of course, with your idiotic adolescent idea of being "grown up". My palate loathed both at first: but you would have your way. Who put an end to all those angry and revengeful thoughts last night? Me, of course, by insisting on going to sleep. Who does his best to keep you from talking too much and eating too much by giving you dry throats and headaches and indigestion? Eh?' 'And what about sex?' said I. 'Yes, what about it?' retorted the Body. 'If you and your wretched imagination would leave me alone I'd give you no trouble. That's Soul all over; you give me orders and then blame me for carrying them out.
”
”
C.S. Lewis
“
Ah, damn it, lass,'he called after her. 'I've busted my stitches wide open.'
'What?'she cried, hurrying back to him. 'Let me see!'
'Ah-ha!' He snared her around the waist, dragging her down with him to his lap.'You still care for me!
”
”
Kresley Cole (If You Deceive (MacCarrick Brothers, #3))
“
I've come to take you with me
even if I must drag you along
But first I must steal your heart
then settle you in my soul.
I've come as a spring
to lay beside your blossoms
To feel the glory of happiness
and spread your flowers around
I've come to show you off
as the adornment in my house
and elevate you to the heavens
as the prayers of those in love.
I've come to take back
the kiss you once stole
Either return it with grace
or i must take it by force
You're my life
You're my soul
Please be my last prayer
My heart must hold you forever
From the lowly earth
to the high human soul
There are a lot more
than a thousand stages
Since I've taken you along
from town to town
no way will I abandon
you halfway down this road
Though you're in my hands
Though i can throw you around
like a child and a ball
I'll always need to chase after you
”
”
Jalal ad-Din Muhammad ar-Rumi
“
I know the past will drag you backward and down, have you snatching at whispers of wind and the gibberish of trees rubbing together, trying to decipher some code, trying to piece together what was broken. It's hopeless. The past is nothing but a weight. It will build inside you like a stone.
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
You could only save someone that wanted to be saved; otherwise, you'd be dragged down for the count, too.
”
”
Jodi Picoult (Change of Heart)
“
Ryodan doesn’t like Mac. He never has. She got between him and his best boy-bud. I give him a look. “I’ll tell you a secret, Ryodan. You mess with her, Barrons’ll kill you.” I drag a finger across my neck. “Just like that. You aren’t all that. Barrons’ll stomp your ass, hand’s down.”
He smiles faintly. “I’ll be damned. You have a crush on Barrons.”
“I do not have a crush—“
“You do, too. It’s all over your face. Anybody could see it.”
“Sometimes, boss, you’re just wrong.”
“I’m never wrong. You might as well take out a billboard. ‘Dani O’Malley thinks Jericho Barrons is hot.’ My offer to teach you is still open. Save you from future embarrassment. If I can see it on your face, he can, too. ”
“He never figured it out before,” I grumble then realize I just admitted it. Ryodan has a tricky way of wording things that makes you say things you didn’t mean to say. “Maybe I’ll ask Barrons to teach me,” I mutter and turn away from the stairs, heading for his office. I run smack into his chest. “Dude, move. Trying to get somewhere here.”
“No one but me is ever going to teach you, Dani.”
He touches me before I see it coming, has his hand under my chin, turning my face up. My shiver is instant and uncontrollable.
“That’s non-negotiable. You signed a contract with me that grants exclusivity. You won’t like it if you try to break it.
”
”
Karen Marie Moning (Iced (Fever, #6))
“
(...)The ride is not over but if I can keep my Club together and find a sweet, feisty woman who's got my back and enough to her that she'll stay there, holding me up not dragging me down, I figure I'd find my way to beauty eventually. And I'd find absolution because I'd know, I earned the love of that woman, a woman who's got so much to her it'll take years to dig down and find the heart of her, that would be my reward."
Ohmigod.
Ohmigod!
Ohmigod!
Did he just say that?
Did. He. Just. Say that?
"And you told me," Tack continued, his face coming closer, "I had that when I first met you.
”
”
Kristen Ashley (Motorcycle Man (Dream Man, #4))
“
She grabs my hand and squeezes. Then she looks me up and down, frowning. "You're disgusting."
"I dressed to commemorate the time you dragged me through the desert.
”
”
Rae Carson (The Bitter Kingdom (Fire and Thorns, #3))
“
Hey, you wanna drop back a few paces? Did you forget how spying works? You're supposed to at least aim for unobtrusive. The others pretty much have it down, but you're about as inconspicuous as a drag queen at a Girl Scout meeting.
”
”
Rachel Vincent (Stray (Shifters, #1))
“
So much held in a heart in a lifetime. So much held in a heart in a day, an hour, a moment. We are utterly open with no one, in the end -- not mother and father, not wife or husband, not lover, not child, not friend. We open windows to each but we live alone in the house of the heart. Perhaps we must. Perhaps we could not bear to be so naked, for fear of a constantly harrowed heart. When young we think there will come one person who will savor and sustain us always; when we are older we know this is the dream of a child, that all hearts finally are bruised and scarred, scored and torn, repaired by time and will, patched by force of character, yet fragile and rickety forevermore, no matter how ferocious the defense and how many bricks you bring to the wall. You can brick up your heart as stout and tight and hard and cold and impregnable as you possibly can and down it comes in an instant, felled by a woman's second glance, a child's apple breath, the shatter of glass in the road, the words 'I have something to tell you,' a cat with a broken spine dragging itself into the forest to die, the brush of your mother's papery ancient hand in a thicket of your hair, the memory of your father's voice early in the morning echoing from the kitchen where he is making pancakes for his children.
”
”
Brian Doyle (One Long River of Song: Notes on Wonder)
“
Life has moments that feel as if the sun has blackened to tar and the entire world turned to ice. It feels as if Hades and his vile demons have risen from the depths of Tartarus solely for the purpose of banding to personally torture you, and that their genuine intent of mental, emotional, and spiritual anguish is tearing you to shreds. Your heart weighs as heavily as leaden legs which you would drag yourself forward with if not for the quicksand that pulls you down inch by inch, paralyzing your will and threatening oblivion. And all the while fire and brimstone pour from the sky, pelting only you.
Truly, that is what it feels like. But that feeling is a trial that won't last forever. Never give up.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
“
I was going to have to leave you anyway. Because I loved you too much to drag you
down with me."
My hand crept up to caress the rigid line of his jaw. "Why'd you change your mind?" I whispered.
"After I calmed down a little and had a chance to think, I figured . . . I love you enough to try and deserve you. I would do anything, be anything, for you.
”
”
Lisa Kleypas (Blue-Eyed Devil (Travises, #2))
“
She reached up and lay her hand on my cheek. "You have the sweetest face," she said, looking at me dreamily. "It's like the perfect kitchen."
I fought not to smile. This was the delirium. She'd fade in and out of it before the profound exhaustion dragged her down into unconsciousness. If you see someone spouting nonsense to themselves in an alleyway in Tarbean, odds are they're not actually crazy, just a sweet-eater deranged by too much denner. "A kitchen?"
"Yes," she said. "Everything matches and the sugar bowl is right where it should be.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
Merda! Her lace panties had snagged on his ring, the signet ring he'd inherited from his father, Giacomo Casanova. His father had seduced hundred of women without any problems whatsoever, and he was having trouble with just one. This was the real reason he never used the Casanova name. He could never live up to his father's reputation. The old man was probably laughing in his grave.
Nine circles of hell," Jack muttered.
Hell?" Lara asked. "I thought I was the Holy Land."
You're paradise. Unfortunately, I am stuck there."
Her eyes widened. "Stuck?"
Normally, I would love being stuck to your lovely bum, but it would look odd if we go sightseeing with my hand under your skirt. Especially in the basilica."
She glanced down. "How can you be stuck?"
My ring. It's caught in the lace. See?" He moved his hand down her hip, dragging her undies down a few inches.
Okay, stop." She bit her lip, frowning, then suddenly giggled. "I can't believe this has happened."
I assure you, as much as I had hoped to get your clothes off, this was not part of my original plan."
She snorted. "No problem. Just rip yourself loose."
Are you sure?" It will destroy you undies."
She narrowed her eyes with a seductuve look. "Rip it."
Very well." He jerked his hand away, but the panties came with him. He yanked his hand back and forth, but the lacy, latex material simply stretched with him. "Santo cielo, they are indestructible."
Lara laughed.
He continued to wage battle, but to no avail. "They could use this material to build spaceships.
”
”
Kerrelyn Sparks (Secret Life of a Vampire (Love at Stake, #6))
“
I nodded, disappointed, but then I got an idea. "Hey, Grover. You want a magic item?"
His eyes lit up. "Me?"
Pretty soon we'd laced the sneakers over his fake feet, and the world's first flying goat boy was ready for launch.
"Maia!" he shouted.
He got off the ground okay, but then fell over sideways so his backpack dragged through the grass. The winged shoes kept bucking up and down like tiny broncos.
"Practice," Chiron called after him. "You just need practice!"
"Aaaaa!" Grover went flying sideways down the hill like a possessed lawn mower, heading toward the van.
”
”
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
“
I’m in love with your ex-wife,” … “I’ve loved her since high school, man. She means everything to me. You gotta drag her down, that’ll suck, but I’ll pick her back up. You gotta rip her apart, I’ll fuckin’ hate watchin’ it, but I’ll put her back together.
”
”
Kristen Ashley (Ride Steady (Chaos, #3))
“
Lay your life down. Your heartbeats cannot be hoarded. Your reservoir of breaths is draining away. You have hands, blister them while you can. You have bones, make them strain-they can carry nothing in the grave. You have lungs, let them spill with laughter. With an average life expectancy of 78.2 years in the US (subtracting eight hours a day for sleep), I have around 250,00 conscious hours remaining to me in which I could be smiling or scowling, rejoicing in my life, in this race, in this story, or moaning and complaining about my troubles. I can be giving my fingers, my back, my mind, my words, my breaths, to my wife and my children and my neighbors, or I can grasp after the vapor and the vanity for myself, dragging my feet, afraid to die and therefore afraid to live. And, like Adam, I will still die in the end.
”
”
N.D. Wilson (Death by Living: Life Is Meant to Be Spent)
“
No, this, she felt, was real life and if she wasn’t as curious or passionate as she had once been, that was only to be expected. It would be inappropriate, undignified, at thirty-eight, to conduct friendships or love affairs with the ardour and intensity of a twenty-two-year-old. Falling in love like that? Writing poetry, crying at pop songs? Dragging people into photo-booths, taking a whole day to make a compilation tape, asking people if they wanted to share your bed, just for company? If you quoted Bob Dylan or T.S. Eliot or, God forbid, Brecht at someone these days they would smile politely and step quietly backwards, and who would blame them? Ridiculous, at thirty-eight, to expect a song or book or film to change your life. No, everything had evened out and settled down and life was lived against a general background hum of comfort, satisfaction and familiarity. There would be no more of these nerve-jangling highs and lows. The friends they had now would be the friends they had in five, ten, twenty years’ time. They expected to get neither dramatically richer or poorer; they expected to stay healthy for a little while yet. Caught in the middle; middle class, middle-aged; happy in that they were not overly happy.
Finally, she loved someone and felt fairly confident that she was loved in return. If someone asked Emma, as they sometimes did at parties, how she and her husband had met, she told them:
‘We grew up together.
”
”
David Nicholls (One Day)
“
You believed you could transcend the body as you aged, she tells herself. You believed you could rise above it, to a serene, nonphysical realm. But it’s only through ecstasy you can do that, and ecstasy is achieved through the body itself. Without the bone and sinew of wings, no flight. Without that ecstasy you can only be dragged further down by the body, into its machinery. Its rusting, creaking, vengeful, brute machinery.
”
”
Margaret Atwood (Stone Mattress: Nine Tales)
“
Anxiety felt like a grapnel anchor had been pickaxed into your back, one prong in each lung, one through the heart, one through the spine, the weight curving your posture forward, dragging you down to the murky depths of the sea floor. The good news was that you kind of got used to it after a while. Got used to the gasping, brink-of-heart-attack feeling that followed you everywhere. All you had to do was grab one of the prongs that stuck out from the bottom of your sternum, give it a little shake, and say, “Listen, asshole. We’re not dying. We have shit to do.
”
”
Krystal Sutherland (A Semi-Definitive List of Worst Nightmares)
“
You were right, you know,” Ty whispered.
“About what?”
Ty swallowed hard. “I sold my soul a long time ago.”
Ty gripped Zane’s shoulder and pressed him down,
laying him out again, then stretched out over Zane, his hand
dragging down Zane’s body to push at his boxers.
“Ty,” Zane gasped.
Ty kissed him. Zane trailed the tips of his fingers down
Ty’s arm, sliding over the tattoo and the scars and the muscles.
“Do you really believe that?” Zane asked.
“I know it. I will never be the man you think I am.”
Zane’s breaths came harder. “We’ve both been trying so
hard to be worthy of each other.
”
”
Abigail Roux (Touch & Geaux (Cut & Run, #7))
“
Th-there," she sobbed. "it dragged him to the Italian gardens. He managed to elude its maw at first, but it harried him through the paths. No matter how much I screamed, it would not put him d-down!" She burst into a fresh wave of tears.
"You screamed," will said. "Is that all you did?"
"I screamed a great deal,." Tatiana sounded injured. She drew fully away from Will and fixed him with a green gaze. "I see you are as ungenerous as you ever were.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?”
Clary sat up straight. She had held the Mortal Sword: she had felt the weight of it. The cold, like hooks in your skin, dragging the truth out of you. You couldn’t lie holding the Mortal Sword, but the truth, even a truth you wanted to tell, was agony. “They can’t,” she whispered. “He’s just a kid —”
“He’s the oldest of the kids who escaped the Institute,” Jace said under his breath. “They don’t have a choice.”
Julian nodded, his thin shoulders straight. “I’ll take it.”
Robert Lightwood passed behind the podium then and went to the table. He took up the sword and returned to stand in front of Julian. The contrast between them was almost funny: the big, barrel-chested man and the lanky, wild-haired boy.
Julian reached a hand up and took the sword. As his hand closed around the hilt, he shuddered, a ripple of pain that was quickly forced down. Emma, behind him, started forward, and Clary caught a glimpse of the look on her face — pure fury — before Helen caught at her and pulled her back.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Was there anything else? asked the centaur. Did Artemis say or do anything else?
Holly shook her head miserably. No. He got a little sentimental, which is unusual for him, but understandable. He told me to kiss you.
She stood on tiptoes and kissed Foaly’s forehead.
“Just in case, I suppose.”
Foaly was suddenly upset, and almost overwhelmed, but he coughed and swallowed it down for another time.
He said, Kiss Foaly. Those exact words?
No, said Holly, thinking back. He kissed me, and said, Give him that from me.
The centaur grinned, then cackled, then dragged her across the lab.
We need to get your forehead under an electron microscope, he said.
”
”
Eoin Colfer (The Last Guardian (Artemis Fowl, #8))
“
When it came to Cage West, my mistakes were plenty and my regrets were numerous. If my past were a person, I would grab the throat of that motherfucker, drag her ass down Re-do Street, and once I’d beaten the ever loving shit out of her, I’d stand over her beaten-down, broken body and say:
“You stupid bitch. You ignorant, stupid bitch. Love isn’t a fucking answer. It hurts more than it doesn’t, it’s harder than it is easy, it takes work, guts and perseverance.
”
”
Madeline Sheehan (Unattainable (Undeniable, #3))
“
Do you know how old the earth is, Quinn?”
“No, but I bet I'm about to find out.”
“Four and a half billion years old,” he says. His voice is full of wonder, like this is his absolute favorite thing to talk about. “Do you know how long ago our specific species appeared?”
“No idea.”
“Only two hundred thousand years ago,” he says. “Only two hundred thousand years out of four and a half billion years. It's unbelievable.” He grabs my hand and lays it palm down on his thigh. He begins tracing over the back of my hand with a lazy finger. “If the back of your hand represented the age of this earth and every species that has ever lived, the entire human race wouldn't even be visible to the naked eye. We are that insignificant.” He drags his finger to the center of the back of my hand and points to a small freckle. “From the beginning of time until now, we could combine every single human that has ever walked this earth, and all their problems and concerns as a whole wouldn't even amount to the size of this freckle right here.” He taps my hand. “Every single one of your life experiences could fit right here in this tiny freckle. So would mine. So would Beyonce's.
”
”
Colleen Hoover (All Your Perfects)
“
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible.
When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth.
"Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger."
Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud?
"Grilled cheese?" I said hesitantly.
"Okay, good. What else?"
I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
”
”
Stephanie Klein (Straight Up and Dirty)
“
I’ll tell you another secret, this one for your own good. You may think the past has something to tell you. You may think that you should listen, should strain to make out its whispers, should bend over backward, stoop down low to hear its voice breathed up from the ground, from the dead places. You may think there’s something in it for you, something to understand or make sense of.
But I know the truth: I know from the nights of Coldness. I know the past will drag you backward and down, have you snatching at whispers of wind and the gibberish of trees rubbing together, trying to decipher some code, trying to piece together what was broken. It’s hopeless. The past is nothing but a weight. It will build inside of you like a stone.
Take it from me: If you hear the past speaking to you, feel it tugging at your back and running its fingers up your spine, the best thing to do—the only thing— is run.
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
Enough already of Lacan, Derrida, and Foucault poured like ketchup over everything. Lacan: the French fog machine; a grey-flannel worry-bone for toothless academic pups; a twerpy, cape-twirling Dracula dragging his flocking stooges to the crypt. Lacan is a Freud T-shirt shrunk down to the teeny-weeny Saussure torso. The entire school of Saussure, inluding Levi-Strauss, write their muffled prose of people with cotton wool wrapped around their heads; they're like walking Q-tips. Derrida: a Gloomy Gus one-trick pony, stuck on a rhetorical trope already available in the varied armory of New Criticism. Derrida's method: masturbating without pleasure. It's a birdbrain game for birdseed stakes. Neo-Foucaldian New Historicism: a high-wax bowling alley where you score points just by knockng down the pins.
”
”
Camille Paglia (Sex, Art, and American Culture: Essays)
“
Are you twins?"
"Yes. Very good." Jayden nodded. "But not identical. Fraternal. We developed from two distinct eggs. Identical twins develop from the splitting of one egg and-"
"I know," I said. "I've got a pair."
"Of eggs?" Jayden said.
Ayden closed his eyes. I would've needed the Heimlich maneuver if I'd been eating.
"No." I shook my head. "No, I-"
"Because you've got far more than two," Jayden said in a lecturing tone. "In fact, girls are born with approximately two million eggs patiently awaiting puberty to-"
"Ooookay." Ayden slung an arm around Jayden and gave him a rough squeeze. "Why don't you leave something for Sex Ed class, huh?" He raised one finger and plastered on a smile. "Excuse us a minute." He dragged Jayden down the hallway where they spoke in harsh whispers.
”
”
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
“
When I reached him, I anchored my hands on my hips and glared. "Do not get into anymore fights on my behalf." I didn't want him suspended-or worse. "Now give me your keys."
He gently flicked the end of my nose. "Haven't you heard? I do what I want, when I want, and there's nothing anyone can do to stop me."
I could knee him between the legs and simply steal his keys, proving otherwise, but all I said was, "Believe me, I've witnessed that firsthand," and held out my hands. "Now be a good boy and do what I want you to do."
He lifted the sunglasses and I saw a bright gleam in those violet eyes. "And what is it, exactly, that Little Ali wants?"
Little Ali. Ugh. "I said give me your keys." No reason to play nice. He certainly wasn't. "And if you call me Little Ali again, I'll smash your trachea the way I hear you like to to others."
Suddenly suspicious, he snapped out a quick "Why?"
"Because I hate it."
"Not the name. The keys."
"Hello. Because I want to stab you with them, why else?"
"Why?"He insisted.
Fine. "Because I need to practice my driving, and I promised my grandparents I would."
"You're telling me..." The glasses slid back into place as he cupped the back of my neck and dragged me closer to him, peering down at me sternly. "That you Don't know how to drive?"
"Of course I know how to drive. Now, if you ask me if I know how to drive well, the answer will be different."
He choked out a laugh, but backed away and tossed me the keys. "Just wait until the parking lot is empty before putting my precious life in danger.
”
”
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
“
Look,” I began, “I get it. You don’t like me, but—”
“I don’t like you?”
He let out a low, flat laugh. One fell into the next, and it was awful—not at all him. He was half
choking on them as he turned around, shaking his head. It almost sounded like a sob, the way his
breath burst out of him.
“I don’t like you,” he repeated, his face bleak. “I don’t like you?”
“Liam—” I started, alarmed.
“I can’t—I can’t think about anything or anyone else,” he whispered. A hand drifted up, dragging
back through his hair. “I can’t think straight when you’re around. I can’t sleep. It feels like I can’t
breathe—I just—”
“Liam, please,” I begged. “You’re tired. You’re barely over being sick. Let’s just… Can we just
go back to the others?”
“I love you.” He turned toward me, that agonized expression still on his face. “I love you every
second of every day, and I don’t understand why, or how to make it stop—”
He looked wild with pain; it pinned me in place, even before what he had said registered in my
mind.
“I know it’s wrong; I know it down to my damn bones. And I feel like I’m sick. I’m trying to be a
good person, but I can’t. I can’t do it anymore.
”
”
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
“
Your scorn for mediocrity blinds you to its vast primitive power. You stand in the glare of your own brilliance, unable to see into the dim corners of the room, to dilate your eyes and see the potential dangers of the mass, the wad of humanity. Even as I tell you this, dear student, you cannot quite believe that lesser men, in whatever numbers, can really defeat you. But we are in the age of the mediocre man. He is dull, colorless, boring — but inevitably victorious. The amoeba outlives the tiger because it divides and continues in its immortal monotony. The masses are the final tyrants. See how, in the arts, Kabuki wanes and withers while popular novels of violence and mindless action swamp the mind of the mass reader. And even in that timid genre, no author dares to produce a genuinely superior man as his hero, for in his rage of shame the mass man will send his yojimbo, the critic, to defend him. The roar of the plodders is inarticulate, but deafening. They have no brain, but they have a thousand arms to grasp and clutch at you, drag you down.
”
”
Trevanian (Shibumi)
“
I am Cinna's bird, ignited, flying frantically to escape something inescapable. The feathers of flame that grow from my body. Beating my wings only fans the blaze. I consume myself, but to no end.
Finally, my wings begin to falter, I lose height, and gravity pulls me into a foamy sea the color of Finnick's eyes. I float on my back, which continues to burn beneath the water, but the agony quiets to pain. When I am adrift and unable to navigate, that's when they come. The dead.
The ones I loved fly as birds in the open sky above me. Soaring, weaving, calling to me to join them. I want so badly to follow them, but the seawater saturates my wings, making it impossible to lift them. The ones I hated have taken to the water, horrible scaled things that tear my salty flesh with needle teeth. Biting again and again. Dragging me beneath the surface.
The small white bird tinged in pink dives down, buries her claws in my chest, and tries to keep me afloat.
"No, Katniss! No! You can't go!"
But the ones I hated are winning, and if she clings to me, she'll be lost as well. "Prim, let go!" And finally she does.
”
”
Suzanne Collins
“
[Kevin and Molly's adorable banter]
"I'm not carrying anything until I see what's on your panties."
"It's Daphne, okay?"
"I'm supposed to believe you're wearing the same underpants you had on yesterday?"
"I have more than one pair"
"I think you're lying. I want to see for myself." He dragged her deeper into the pines. While Roo circled them barking, he reached for the snap on her shorts. "Quiet, Godzilla! There's some serious business going on here."
Roo obediently quieted.
She grabbed his wrists and pushed. "Get away."
"That's not what you were saying last night."
"Somebody'll see."
"I'll tell them a bee got you, and I'm taking out the stinger."
"Don't touch my stinger!" She grabbed for her shorts, but they were already heading for her knees. "Stop that!"
He peered down at her panties. "It's the badger. You lied to me."
"I wasn't paying attention when I got dressed."
"Hold still. I've just about found that stinger."
She heard herself sigh.
"Oh, yeah..." His body moved against hers. "There it is.
”
”
Susan Elizabeth Phillips (This Heart of Mine (Chicago Stars, #5))
“
She didn’t know how long they stood on that roof, tangled up in each other, mouths and hands roving until she moaned and dragged him through the greenhouse, down the stairs, and into the carriage waiting outside. And then there was the ride home, where he did things to her neck and ear that made her forget her own name. They managed to straighten themselves out as they reached the castle gates, and kept a respectable distance as they walked back to her room, though every inch of her felt so alive and burning that it was a miracle she made it back to her door without pulling him into a closet.But then they were inside her rooms, and then at her bedroom door, and he paused as she took his hand to lead him in. “Are you sure?”
She lifted a hand to his face, exploring every curve and freckle that had become so impossibly precious to her. She had waited once before—waited with Sam, and then it had been too late. But now, there was no doubt, no shred of fear or uncertainty, as if every moment between her and Chaol had been a step in a dance that had led to this threshold.
“I’ve never been so sure of anything in my life,” she told him. His eyes blazed with hunger that matched her own, and she kissed him again, tugging him into her bedroom. He let her pull him, not breaking the kiss as he kicked the door shut behind them.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
The Balrog reached the bridge. Gandalf stood in the middle of the span, leaning on the staff in his left hand, but in his other hand Glamdring gleamed, cold and white. His enemy halted again, facing him, and the shadow about it reached out like two vast wings. It raised the whip, and the thongs whined and cracked. Fire came from its nostrils. But Gandalf stood firm.
'You cannot pass,' he said. The orcs stood still, and a dead silence fell. 'I am a servant of the Secret Fire, wielder of the flame of Anor. You cannot pass. The dark fire will not avail you, flame of Udûn. Go back to the Shadow! You cannot pass.'
The Balrog made no answer. The fire in it seemed to die, but the darkness grew. It stepped forward slowly onto the bridge, and suddenly it drew itself up to a great height, and its wings were spread from wall to wall; but still Gandalf could be seen, glimmering in the gloom; he seemed small, and altogether alone: grey and bent, like a wizened tree before the onset of a storm.
From out of the shadow a red sword leaped flaming.
Glamdring glittered white in answer.
There was a ringing clash and a stab of white fire. The Balrog fell back and its sword flew up in molten fragments. The wizard swayed on the bridge, stepped back a pace, and then again stood still.
'You cannot pass!' he said.
With a bound the Balrog leaped full upon the bridge. Its whip whirled and hissed.
'He cannot stand alone!' cried Aragorn suddenly and ran back along the bridge. 'Elendil!' he shouted. 'I am with you, Gandalf!'
'Gondor!' cried Boromir and leaped after him.
At that moment Gandalf lifted his staff, and crying aloud he smote the bridge before him. The staff broke asunder and fell from his hand. A blinding sheet of white flame sprang up. The bridge cracked. Right at the Balrog's feet it broke, and the stone upon which it stood crashed into the gulf, while the rest remained, poised, quivering like a tongue of rock thrust out into emptiness.
With a terrible cry the Balrog fell forward, and its shadow plunged down and vanished. But even as it fell it swung its whip, and the thongs lashed and curled about the wizard's knees, dragging him to the brink. He staggered and fell, grasped vainly at the stone, and slid into the abyss. 'Fly, you fools!' he cried, and was gone.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
Ignore the real world
“That would never work in the real world.” You hear it all the time when you tell people about a fresh idea.
This real world sounds like an awfully depressing place to live. It’s a place where new ideas, unfamiliar approaches, and foreign concepts always
lose. The only things that win are what people already know and do, even if those things are flawed and inefficient.
Scratch the surface and you’ll find these “real world” inhabitants are filled with pessimism and despair. They expect fresh concepts to fail. They
assume society isn’t ready for or capable of change.
Even worse, they want to drag others down into their tomb. If you’re hopeful and ambitious, they’ll try to convince you your ideas are impossible.
They’ll say you’re wasting your time.
”
”
David Heinemeier Hansson (Rework)
“
The tavern keeper, a wiry man with a sharp-nosed face, round, prominent ears and a receding hairline that combined to give him a rodentlike look, glanced at him, absentmindedly wiping a tankard with a grubby cloth. Will raised an eyebrow as he looked at it. He'd be willing to bet the cloth was transferring more dirt to the tankard then it was removing.
"Drink?" the tavern keeper asked. He set the tankard down on the bar, as if in preparation for filling it with whatever the stranger might order.
"Not out of that," Will said evenly, jerking a thumb at the tankard. Ratface shrugged, shoved it aside and produced another from a rack above the bar.
"Suit yourself. Ale or ouisgeah?"
Ousigeah, Will knew, was the strong malt spirit they distilled and drank in Hibernia. In a tavern like this, it might be more suitable for stripping runt than drinking.
"I'd like coffee," he said, noticing the battered pot by the fire at one end of the bar.
"I've got ale or ouisgeah. Take your pick." Ratface was becoming more peremptory. Will gestured toward the coffeepot. The tavern keeper shook his head.
"None made," he said. "I'm not making a new pot just for you."
"But he's drinking coffee," Will said, nodding to one side.
Inevitably the tavern keeper glanced that way, to see who he was talking about. The moment his eyes left Will, an iron grip seized the front of his shirt collar, twisting it into a knot that choked him and at the same time dragged him forward, off balance, over the bar,. The stranger's eyes were suddenly very close. He no longer looked boyish. The eyes were dark brown, almost black in this dim light, and the tavern keeper read danger there. A lot of danger. He heard a soft whisper of steel, and glancing down past the fist that held him so tightly, he glimpsed the heavy, gleaming blade of the saxe knife as the stranger laid it on the bar between them.
He looked around for possible help. But there was nobody else at the bar, and none of the customers at the tables had noticed what was going on.
"Aach...mach co'hee," he choked.
The tension on his collar eased and the stranger said softly, "What was that?"
"I'll...make...coffee," he repeated, gasping for breath.
The stranger smiled. It was a pleasant smile, but the tavern keep noticed that it never reached those dark eyes.
"That's wonderful. I'll wait here.
”
”
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
“
Search for the answers I knew all along;
I lost myself,
We all fall down;
Never the wiser of what I've become
Alone I stand,
A broken man...
All I have is one last chance.
I won't turn my back on you.
Take my hand,
Drag me down.
If you fall,
Then I will too.
And I can't save what's left of you...
(Chorus)
Sing something new,
I have nothing left.
I can't face the dark without you.
There's nothing left to lose,
The fight never ends.
I can't face the dark without you.
Swallow me under and pull me apart.
I understand;
There's nothing left.
Pain so familiar and close to the heart;
No more no less,
I won't forget.
Come back down,
Save yourself.
I can't find my way to you.
And I can't bear to face the truth...
(chorus)
I wanted to forgive;
I'm trying to forget;
Don't leave me here again.
I am with you, forever, the end.
(chorus)
Holding the hand that holds me down.
I forgive you, forget you, the end.
Holding the hand that holds me down.
I forgive you, forget you, the end.
(classical finish)
”
”
Breaking Benjamin
“
Good God!" she cried. She rolled off him, tugging down her clothing. "Are you mad?"
He blinked and dragged in air. "Well, yes," He said thickly. "Lust does that to a man."
"You thought we would--you would-- do...that in public?"
"I wasn't thinking about where we were." He said.
Her eyes widened.
"I'm a man," he said with what he was sure must be, in the circumstances, saintly patience. "I can do one or the other. Lovemaking or thinking. But not both at the same time."
She stared at him for a moment. Then she drew up her knees and folded her arms upon them and buried her face in her folded arms.
She did not pick up the rifle and knock him on the head with it.
Perhaps all was not lost.
"Somewhere else then?" He said hopefully.
”
”
Loretta Chase (Mr. Impossible (Carsington Brothers, #2))
“
If you surround yourself with people who support your upward aim, they will not tolerate your cynicism and destructiveness. They will instead encourage you when you do good for yourself and others and punish you carefully when you do not. This will help you bolster your resolve to do what you should do, in the most appropriate and careful manner. People who are not aiming up will do the opposite. They will become jealous when you succeed, or do something pristine. They will withdraw their presence or support, or actively punish you for it. They will override your accomplishment with a past action, real or imaginary, of their own. Maybe they are trying to test you, to see if your resolve is real, to see if you are genuine. But mostly they are dragging you down because your new improvements cast their faults in an even dimmer light.
”
”
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
“
This time we weren’t disturbed either by traveling through time or a cheeky gargoyle demon. While “Hallelujah” was running, the kiss was gentle and careful, but then Gideon buried both hands in my hair and held me very close. It wasn’t a gentle kiss anymore, and my reaction surprised me. I suddenly felt very soft and lightweight, and my arms went around Gideon’s neck of their own accord. I had no idea how, but at some point in the next few minutes, still kissing without a break, we landed on the green sofa, and we went on kissing there until Gideon abruptly sat up and looked at his watch.
“Like I said, it really is a shame I’m not allowed to kiss you anymore,” he remarked rather breathlessly. The pupils of his eyes looked huge, and his cheeks were definitely flushed.
I wondered what I looked like myself. As I’d temporarily mutated into some kind of human blancmange, there was no way I could get out of my half-lying position. And I realized, with horror, that I had no idea how much time had passed since Bon Jovi stopped singing “Hallelujah.” Ten minutes? Half an hour? Anything was possible.
Gideon looked at me, and I thought I saw something like bewilderment in his eyes.
“We’d better collect our things,” he said at last. “And you need to do something about your hair—it looks as if some idiot has been digging both hands into it and dragging you down on a sofa. Whoever’s back there waiting for us will put two and two together—oh, my God, don’t look at me like that.”
“Like what?”
“As if you couldn’t move.”
“But I can’t,” I said, perfectly seriously. “I’m a blancmange. You’ve turned me into blancmange.”
A brief smile brightened Gideon’s face, and then he jumped up and began stowing my school things in my bag. “Come along, little blancmange. Stand up.
”
”
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
“
Have I not already told you', replied Don Quixote, 'that I intend to imitate Amadis, and to act the desperate, foolish, furious lover so as also to imitate the valiant Orlando, when he found signs by a spring that the fair Angelica had disgraced herself with Medoro, and the grief turned him mad, and he uprooted trees, sullied the waters of clear springs, slew shepherds, destroyed flocks, burned cottages, tore down houses, dragged away mares and performed a hundred other excesses, worthy to be recorded on the tablets of eternal fame?' [...]
'But to my mind', said Sancho, 'the knights who did all that were pushed into it and had their reasons for their antics and their penances, but what reason have you got for going mad?'
'That is the whole point', replied Don Quixote, 'and therein lies the beauty of my enterprise. A Knight Errant going mad for a good reason - there is neither pleasure nor merit in that. The thing is to become insane without a cause and have my lady think: If I do all this when dry, what would I not do when wet?
”
”
Miguel de Cervantes Saavedra (Don Quixote)
“
There was nothing left for me to do, but go.
Though the things of the world were strong with me still.
Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain.
Pearls, rags, buttons, rug-tuft, beer-froth.
Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease.
A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse.
Geese above, clover below, the sound of one’s own breath when winded.
The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger.
Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead.
Goodbye, I must now say goodbye to all of it.
Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day.
Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left.
Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac.
None of it was real; nothing was real.
Everything was real; inconceivably real, infinitely dear.
These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth.
And now we must lose them.
I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant.
Goodbye goodbye good-
”
”
George Saunders (Lincoln in the Bardo)
“
What, am I supposed to feel guilty?" I say.
He looks confused. "Guilty?"
"That I feel fine for once? That I'm not limping and moaning around? Dragging my leg like Briana? Lying on the floor, crying into my ears when everyone else around me rolls their eyes? I'm supposed to feel bad that I'm better now? I'm supposed to cry over a little cut. To what? To make you feel like I'm not a monster. I need to perform my little bit of pain for you so you'll know I'm human?"
"Miranda, I didn't mean—"
"But not too much pain, am I right? Not too much, never too much. If it was too much, you wouldn't know what to do with me, would you? Too much would make you uncomfortable. Bored. My crying would leave a bad taste. That would just be bad theater, wouldn't it? A bad show. You want a good show. They all do. A few pretty tears on my cheeks that you can brush away. Just a delicate little bit of ouch so you know there's someone in there. So you don't get too scared of me, am I right? So you know I'm still a vulnerable thing. That I can be brought down if need be.
”
”
Mona Awad (All's Well)
“
Give me the strongest cheese, the one that stinks best;
and I want the good wine, the swirl in crystal
surrendering the bruised scent of blackberries,
or cherries, the rich spurt in the back
of the throat, the holding it there before swallowing.
Give me the lover who yanks open the door
of his house and presses me to the wall
in the dim hallway, and keeps me there until I’m drenched
and shaking, whose kisses arrive by the boatload
and begin their delicious diaspora
through the cities and small towns of my body.
To hell with the saints, with martyrs
of my childhood meant to instruct me
in the power of endurance and faith,
to hell with the next world and its pallid angels
swooning and sighing like Victorian girls.
I want this world. I want to walk into
the ocean and feel it trying to drag me along
like I’m nothing but a broken bit of scratched glass,
and I want to resist it. I want to go
staggering and flailing my way
through the bars and back rooms,
through the gleaming hotels and weedy
lots of abandoned sunflowers and the parks
where dogs are let off their leashes
in spite of the signs, where they sniff each
other and roll together in the grass, I want to
lie down somewhere and suffer for love until
it nearly kills me, and then I want to get up again
and put on that little black dress and wait
for you, yes you, to come over here
and get down on your knees and tell me
just how fucking good I look.
- “For Desire
”
”
Kim Addonizio
“
One of the dangers of having a lot of money is that you may be quite satisfied with the kinds of happiness money can give, and so fail to realize your need for God. If everything seems to come simply by signing checks, you may forget that you are at every moment totally dependent on God. Now, quite plainly natural gifts carry with them a similar danger. If you have sound nerves and intelligence and health and popularity and a good upbringing, you are likely to be quite satisfied with your character as it is. “Why drag God into it?” you may ask. A certain level of good conduct comes fairly easily to you. You are not one of those wretched creatures who are always being tripped up by sex or dipsomania or nervousness or bad temper. Everyone says you are a nice chap, and between ourselves, you agree with them. You are quite likely to believe that all this niceness is your own doing, and you may easily not feel the need for any better kind of goodness. Often people who have all these natural kinds of goodness cannot be brought to recognize their need for Christ at all until one day, the natural goodness lets them down, and their self-satisfaction is shattered. In other words, it is hard for those who are rich in this sense to enter the kingdom.
”
”
C.S. Lewis (Mere Christianity)
“
I am not a toy, September! Fairyland cannot just cast me aside when it’s finished playing with me! If this place could steal my life from me, well, I, too, can steal. I know how the world works—the real world. I brought it all back with me—taxes and customs and laws and the Greenlist. If they wanted to just drop me back in the human world, I can drop the human world into theirs, every bit of it. I punished them all! I bound down their wings and I set the lions on them if they squeaked about it. I made Fairyland nice for the children who come over the gears, I made it safe. I did it for every child before me who had a life here, who was happy here! Don’t you see, September? No one should have to go back. Not ever. We can fix this world, you and I. Uncouple the gears and save us both! Let this be a place where no one has to be dragged home, screaming, to a field full of tomatoes and a father’s fists!
”
”
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
“
You will leave now," she said softly, " or I will drag you out of here by your hair."
The man had breath like a day-old tuna sandwich. "I hate dykes. You always think you're tougher than you really----"
Xhex grabbed the man's wrist, turned him in a little circle, and cranked him arm up to the middle of his back. Then she clipped her leg around his ankles and shoved him off balance. He landed like a side of beef, the wind getting knocked out of him on a curse, his body plowing into the short-napped carpet. In a quick move, she bent down, buried one hand in his gelled-up hair, and locked the other on the collar of his suit jacket. As she draggep him face-first to the side exit, she was multitasking : creating a scene, commiting both an assault and a battery, and running the risk of a brawl if his buddies in the Hall of Fucktards got involved. But you had to put on a show every once in a while. To keep the peace, you had to get your hands dirty every once in a while.
”
”
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
“
MOTHER – By Ted Kooser
Mid April already, and the wild plums
bloom at the roadside, a lacy white
against the exuberant, jubilant green
of new grass and the dusty, fading black
of burned-out ditches. No leaves, not yet,
only the delicate, star-petaled
blossoms, sweet with their timeless perfume.
You have been gone a month today
and have missed three rains and one nightlong
watch for tornadoes. I sat in the cellar
from six to eight while fat spring clouds
went somersaulting, rumbling east. Then it poured,
a storm that walked on legs of lightning,
dragging its shaggy belly over the fields.
The meadowlarks are back, and the finches
are turning from green to gold. Those same
two geese have come to the pond again this year,
honking in over the trees and splashing down.
They never nest, but stay a week or two
then leave. The peonies are up, the red sprouts,
burning in circles like birthday candles,
for this is the month of my birth, as you know,
the best month to be born in, thanks to you,
everything ready to burst with living.
There will be no more new flannel nightshirts
sewn on your old black Singer, no birthday card
addressed in a shaky but businesslike hand.
You asked me if I would be sad when it happened
and I am sad. But the iris I moved from your house
now hold in the dusty dry fists of their roots
green knives and forks as if waiting for dinner,
as if spring were a feast. I thank you for that.
Were it not for the way you taught me to look
at the world, to see the life at play in everything,
I would have to be lonely forever.
”
”
Ted Kooser (Delights and Shadows)
“
Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes.
A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot.
God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman.
A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard.
She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale.
She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!
”
”
Alan Beck
“
...a kid, maybe eight years old, ran up and poked her in the ribs with a plastic laser weapon, making electric zinging noises as he repeatedly pulled the trigger. “You’re dead,” he said victoriously. His mother came hurrying up, looking harassed and helpless. “Damian, stop that!” She gave him a smile that was little more than a grimace. “Don’t bother the nice people.” “Shut up,” he said rudely. “Can’t you see they’re Terrons from Vaniot.”
The kid poked her in the ribs again. “Ouch!” He made those zinging noises again, taking great pleasure in her discomfort. She plastered a big smile on her face and leaned down closer to precious Damian, then cooed in her most alienlike voice, “Oh, look, a little earthling.” She straightened and gave Sam a commanding look. “Kill it.” Damian’s mouth fell open. His eyes went as round as quarters as he took in the big pistol on Sam’s belt. From his open mouth began to issue a series of shrill noises that sounded like a fire alarm. Sam cursed under his breath, grabbed Jaine by the arm, and began tugging her at a half-trot toward the front of the store. She managed to snag her purse from the buggy as she went past.
“Hey, my groceries!” she protested. “You can spend another three minutes in here tomorrow and get them,” he said with pent-up violence. “Right now I’m trying to keep you from getting arrested.”
“For what?” she asked indignantly as he dragged her out of the automatic doors. People were turning to look at them, but most were following the sounds of Damian’s shrieks to aisle seven. “How about threatening to kill that brat and causing a riot?”
“I didn’t threaten to loll him! I just ordered you to.
”
”
Linda Howard (Mr. Perfect)
“
Think of a globe, a revolving globe on a stand. Think of a contour globe, whose mountain ranges cast shadows, whose continents rise in bas-relief above the oceans. But then: think of how it really is. These heights are just suggested; they’re there….when I think of walking across a continent I think of all the neighborhood hills, the tiny grades up which children drag their sleds. It is all so sculptured, three-dimensional, casting a shadow. What if you had an enormous globe that was so huge it showed roads and houses- a geological survey globe, a quarter of a mile to an inch- of the whole world, and the ocean floor! Looking at it, you would know what had to be left out: the free-standing sculptural arrangement of furniture in rooms, the jumble of broken rocks in the creek bed, tools in a box, labyrinthine ocean liners, the shape of snapdragons, walrus. Where is the one thing you care about in earth, the molding of one face? The relief globe couldn’t begin to show trees, between whose overlapping boughs birds raise broods, or the furrows in bark, where whole creatures, creatures easily visible, live our their lives and call it world enough. What do I make of all this texture? What does it mean about the kind of world in which I have been set down? The texture of the world, its filigree and scrollwork, means that there is a possibility for beauty here, a beauty inexhaustible in its complexity, which opens to my knock, which answers in me a call I do not remember calling, and which trains me to the wild and extravagant nature of the spirit I seek.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
With a deliberate shrug, he stepped free of the hold on his shoulder. “Tell me something, boys,” he drawled. “Do you wear that leather to turn each other on? I mean, is it a dick thing with you all?” Butch got slammed so hard against the door that his back teeth rattled.
The model shoved his perfect face into Butch’s. “I’d watch your mouth, if I were you.”
“Why bother, when you’re keeping an eye on it for me? You gonna kiss me now?”
A growl like none Butch had ever heard came out of the guy.
“Okay, okay.” The one who seemed the most normal came forward. “Back off, Rhage. Hey, come on. Let’s relax.”
It took a minute before the model let go.
“That’s right. We’re cool,” Mr. Normal muttered, clapping his buddy on the back before looking at Butch. “Do yourself a favor and shut the hell up.”
Butch shrugged. “Blondie’s dying to get his hands on me. I can’t help it.”
The guy launched back at Butch, and Mr. Normal rolled his eyes, letting his friend go this time. The fist that came sailing at jaw level snapped Butch’s head to one side. As the pain hit, Butch let his own rage fly. The fear for Beth, the pent-up hatred of these lowlifes, the frustration about his job, all of it came out of him. He tackled the bigger man, taking him down onto the floor. The guy was momentarily surprised, as if he hadn’t expected Butch’s speed or strength, and Butch took advantage of the hesitation. He clocked Blondie in the mouth as payback and then grabbed the guy’s throat. One second later, Butch was flat on his back with the man sitting on his chest like a parked car. The guy took Butch’s face into his hand and squeezed, crunching the features together. It was nearly impossible to breathe, and Butch panted shallowly.
“Maybe I’ll find your wife,” the guy said, “and do her a couple of times. How’s that sound?"
“Don’t have one.”
“Then I’m coming after your girlfriend.”
Butch dragged in some air. “Got no woman.”
“So if the chicks won’t do you, what makes you think I’d want to?”
“Was hoping to piss you off.”
“Now why’d you want to do that?” Blondie asked.
“If I attacked first”—Butch hauled more breath into his lungs—“your boys wouldn’t have let us fight.
Would’ve killed me first. Before I had a chance at you.”
Blondie loosened his grip a little and laughed as he stripped Butch of his wallet, keys, and cell phone.
“You know, I kind of like this big dummy,” the guy drawled.
Someone cleared a throat. Rather officiously.
Blondie leaped to his feet, and Butch rolled over, gasping. When he looked up, he was convinced he was hallucinating. Standing in the hall was a little old man dressed in livery. Holding a silver tray.
“Pardon me, gentlemen. Dinner will be served in about fifteen minutes.”
“Hey, are those the spinach crepes I like so much?” Blondie said, going for the tray.
“Yes, Sire.”
“Hot damn.”
The other men clustered around the butler, taking what he offered. Along with cocktail napkins. Like they didn’t want to drop anything on the floor. What the hell was this?
“Might I ask a favor?” the butler said.
Mr. Normal nodded with vigor. “Bring out another tray of these and we’ll kill anything you want for you.”
Yeah, guess the guy wasn’t really normal. Just relatively so.
The butler smiled as if touched. “If you’re going to bloody the human, would you be good enough to do it in the backyard?”
“No problem.” Mr. Normal popped another crepe in his mouth. “Damn, Rhage, you’re right. These are awesome.
”
”
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
“
Tell me “The Subtle Briar” again,’ she asked. She knew I would still know it by heart. I whispered to her in the dark.
‘When you cut down the hybrid rose,
its blackened stump below the graft
spreads furtive fingers in the dirt.
It claws at life, weaving a raft
of suckering roots to pierce the earth.
The first thin shoot is fierce and green,
a pliant whip of furious briar
splitting the soil, gulping the light.
You hack it down. It skulks between
the flagstones of the garden path
to nurse a hungry spur in shade
against the porch. With iron spade
you dig and drag it from the gravel
and toss it living on the fire.
‘It claws up towards the light again
hidden from view, avoiding battle
beyond the fence. Unnoticed, then,
unloved, unfed, it clings and grows
in the wild hedge. The subtle briar
armors itself with desperate thorns
and stubborn leaves – and struggling higher,
unquenchable, it now adorns
itself with blossom, till the stalk
is crowned with beauty, papery white
fine petals thin as chips of chalk
or shaven bone, drinking the light.
‘Izabela, Aniela, Alicia, Eugenia,
Stefania, Rozalia, Pelagia, Irena,
Alfreda, Apolonia, Janina, Leonarda,
Czeslava, Stanislava, Vladyslava, Barbara,
Veronika, Vaclava, Bogumila, Anna,
Genovefa, Helena, Jadviga, Joanna,
Kazimiera, Ursula, Vojcziecha, Maria,
Wanda, Leokadia, Krystyna, Zofia.
‘When you cut down the hybrid rose
to cull and plough its tender bed,
trust there is life beneath your blade:
the suckering briar below the graft,
the wildflower stock of strength and thorn
whose subtle roots are never dead.
”
”
Elizabeth Wein (Rose Under Fire)
“
Count, or we’ll begin again with each stroke you miss. You decide how long this goes on for. Unless you’d rather Elide Lochan receive these strokes.” No. Never. Never anyone else but her. Never. But as Cairn walked slowly, savoring each step, as he let that whip drag along the ground, her body betrayed her. Began shaking. She knew the pain. Knew what it’d feel like, what it’d sound like. Her dreams were still full of it. No doubt why Maeve had picked a whipping, why she’d done it to Rowan in Doranelle. Cairn halted. She felt him studying the tattoo on her back. Rowan’s loving words, written there in the Old Language. Cairn snorted. Then she felt him revel in how he’d destroy that tattoo. “Begin,” Maeve said. Cairn’s breath sucked in. And even bracing herself, even clamping down hard, there was nothing to prepare for the crack, the sting, the pain. She did not let herself cry out, only hissed through her teeth. A whip wielded by an overseer at Endovier was one thing. One wielded by a full-blooded Fae male … Blood slid down the back of her pants, her split skin screaming. But she knew how to pace herself. How to yield to the pain. How to take it. “What number was that, Aelin?” She would not. She would never count for that rutting bitch— “Start over, Cairn,” Maeve said. A breathy laugh. Then the crack and the pain and Aelin arched, the tendons in her neck near snapping as she panted through clenched teeth. The males holding her gripped her firm enough to bruise. Maeve and Cairn waited. Aelin refused to say the word. To start the count. She’d die before she did it. “Oh gods, oh gods,” Elide sobbed. “Start over,” Maeve merely ordered over the girl. So Cairn did. Again. Again. Again. They started over nine times before Aelin finally screamed. The blow had been right atop another one, tearing skin down to the bone. Again. Again. Again. Again. Cairn was panting. Aelin refused to speak. “Start over,” Maeve repeated. “Majesty,
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
Four times during the first six days they were assembled and briefed and then sent back. Once, they took off and were flying in formation when the control tower summoned them down. The more it rained, the worse they suffered. The worse they suffered, the more they prayed that it would continue raining. All through the night, men looked at the sky and were saddened by the stars. All through the day, they looked at the bomb line on the big, wobbling easel map of Italy that blew over in the wind and was dragged in under the awning of the intelligence tent every time the rain began. The bomb line was a scarlet band of narrow satin ribbon that delineated the forward most position of the Allied ground forces in every sector of the Italian mainland.
For hours they stared relentlessly at the scarlet ribbon on the map and hated it because it would not move up high enough to encompass the city.
When night fell, they congregated in the darkness with flashlights, continuing their macabre vigil at the bomb line in brooding entreaty as though hoping to move the ribbon up by the collective weight of their sullen prayers. "I really can't believe it," Clevinger exclaimed to Yossarian in a voice rising and falling in protest and wonder. "It's a complete reversion to primitive superstition. They're confusing cause and effect. It makes as much sense as knocking on wood or crossing your fingers. They really believe that we wouldn't have to fly that mission tomorrow if someone would only tiptoe up to the map in the middle of the night and move the bomb line over Bologna. Can you imagine? You and I must be the only rational ones left."
In the middle of the night Yossarian knocked on wood, crossed his fingers, and tiptoed out of his tent to move the bomb line up over Bologna.
”
”
Joseph Heller (Catch-22)
“
The thing about being barren is that you’re not allowed to get away from it. Not when you’re in your thirties. My friends were having children, friends of friends were having children, pregnancy and birth and first birthday parties were everywhere. I was asked about it all the time. My mother, our friends, colleagues at work. When was it going to be my turn? At some point our childlessness became an acceptable topic of Sunday-lunch conversation, not just between Tom and me, but more generally. What we were trying, what we should be doing, do you really think you should be having a second glass of wine? I was still young, there was still plenty of time, but failure cloaked me like a mantle, it overwhelmed me, dragged me under, and I gave up hope. At the time, I resented the fact that it was always seen as my fault, that I was the one letting the side down. But as the speed with which he managed to impregnate Anna demonstrates, there was never any problem with Tom’s virility. I was wrong to suggest that we should share the blame; it was all down to me. Lara, my best friend since university, had two children in two years: a boy first and then a girl. I didn’t like them. I didn’t want to hear anything about them. I didn’t want to be near them. Lara stopped speaking to me after a while. There was a girl at work who told me—casually, as though she were talking about an appendectomy or a wisdom-tooth extraction—that she’d recently had an abortion, a medical one, and it was so much less traumatic than the surgical one she’d had when she was at university. I couldn’t speak to her after that, I could barely look at her. Things became awkward in the office; people noticed. Tom didn’t feel the way I did. It wasn’t his failure, for starters, and in any case, he didn’t need a child like I did. He wanted to be a dad, he really did—I’m sure he daydreamed about kicking a football around in the garden with his son, or carrying his daughter on his shoulders in the park. But he thought our lives could be great without children, too. “We’re happy,” he used to say to me. “Why can’t we just go on being happy?” He became frustrated with me. He never understood that it’s possible to miss what you’ve never had, to mourn for it.
”
”
Paula Hawkins (The Girl on the Train)
“
New Rule: Just because a country elects a smart president doesn't make it a smart country. A couple of weeks ago, I was asked on CNN if I thought Sarah Palin could get elected president, and I said I hope not, but I wouldn't put anything past this stupid country. Well, the station was flooded with emails, and the twits hit the fan. And you could tell that these people were really mad, because they wrote entirely in CAPITAL LETTERS!!! Worst of all, Bill O'Reilly refuted my contention that this is a stupid country by calling me a pinhead, which (a) proves my point, and (b) is really funny coming from a doody-face like him.
Now, before I go about demonstration how, sadly, easy it is to prove the dumbness that's dragging us down, let me just say that ignorance has life-and-death consequences. On the eve of the Iraq War, seventy percent of Americans thought Saddam Hussein was personally involved in 9/11. Six years later, thirty-four percent still do. Or look at the health-care debate: At a recent town hall meeting in South Carolina, a man stood up and told his congressman to "keep your government hands off my Medicare," which is kind of like driving cross-country to protest highways.
This country is like a college chick after two Long Island iced teas: We can be talked into anything, like wars, and we can be talked out of anything, like health care. We should forget the town halls, and replace them with study halls.
Listen to some of these stats: A majority of Americans cannot name a single branch of government, or explain what the Bill of Rights is. Twenty-four percent could not name the country America fought in the Revolutionary War. More than two-thirds of Americans don't know what's in Roe v. Wade. Two-thirds don't know what the Food and Drug Administration does. Some of this stuff you should be able to pick up simply by being alive. You know, like the way the Slumdog kid knew about cricket.
Not here. Nearly half of Americans don't know that states have two senators, and more than half can't name their congressman. And among Republican governors, only three got their wife's name right on the first try. People bitch and moan about taxes and spending, but they have no idea what their government spends money on. The average voter thinks foreign aid consumes more twenty-four percent of our budget. It's actually less than one percent.
A third of Republicans believe Obama is not a citizen ad a third of Democrats believe that George Bush had prior knowledge of the 9/11 attacks, which is an absurd sentence, because it contains the words "Bush" and "knowledge." Sarah Palin says she would never apologize for America. Even though a Gallup poll say eighteen percent of us think the sun revolves around the earth. No, they're not stupid. They're interplanetary mavericks.
And I haven't even brought up religion. But here's one fun fact I'll leave you with: Did you know only about half of Americans are aware that Judaism is an older religion than Christianity? That's right, half of America looks at books called the Old Testament and the New Testament and cannot figure out which came first.
I rest my case.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
How do people get to this clandestine Archipelago? Hour by hour planes fly there, ships steer their course there, and trains thunder off to it--but all with nary a mark on them to tell of their destination. And at ticket windows or at travel bureaus for Soviet or foreign tourists the employees would be astounded if you were to ask for a ticket to go there. They know nothing and they've never heard of the Archipelago as a whole or any one of its innumerable islands.
Those who go to the Archipelago to administer it get there via the training schools of the Ministry of Internal Affairs.
Those who go there to be guards are conscripted via the military conscription centers.
And those who, like you and me, dear reader, go there to die, must get there solely and compulsorily via arrest.
Arrest! Need it be said that it is a breaking point in your life, a bolt of lightning which has scored a direct hit on you? That it is an unassimilable spiritual earthquake not every person can cope with, as a result of which people often slip into insanity?
The Universe has as many different centers as there are living beings in it. Each of us is a center of the Universe, and that Universe is shattered when they hiss at you: "You are under arrest."
If you are arrested, can anything else remain unshattered by this cataclysm?
But the darkened mind is incapable of embracing these displacements in our universe, and both the most sophisticated and the veriest simpleton among us, drawing on all life's experience,
can gasp out only: "Me? What for?"
And this is a question which, though repeated millions and
millions of times before, has yet to receive an answer.
Arrest is an instantaneous, shattering thrust, expulsion, somersault from one state into another.
We have been happily borne—or perhaps have unhappily
dragged our weary way—down the long and crooked streets of
our lives, past all kinds of walls and fences made of rotting wood,
rammed earth, brick, concrete, iron railings. We have never given
a thought to what lies behind them. We have never tried to penetrate them with our vision or our understanding. But there is
where the Gulag country begins, right next to us, two yards away
from us. In addition, we have failed to notice an enormous number of closely fitted, well-disguised doors and gates in these
fences. All those gates were prepared for us, every last one! And
all of a sudden the fateful gate swings quickly open, and four
white male hands, unaccustomed to physical labor but nonetheless strong and tenacious, grab us by the leg, arm, collar, cap,
ear, and drag us in like a sack, and the gate behind us, the gate to
our past life, is slammed shut once and for all.
That's all there is to it! You are arrested!
And you'll find nothing better to respond with than a lamblike
bleat: "Me? What for?"
That's what arrest is: it's a blinding flash and a blow which
shifts the present instantly into the past and the impossible into
omnipotent actuality.
That's all. And neither for the first hour nor for the first day
will you be able to grasp anything else.
”
”
Aleksandr Solzhenitsyn (The Gulag Archipelago, 1918-1956: An Experiment in Literary Investigation V-VII)
“
You are protected, in short, by your ability to love!" said Dum-bledore loudly. "The only protection that can possibly work against the lure of power like Voldemort's! In spite of all the temptation you have endured, all the suffering, you remain pure of heart, just as pure as you were at the age of eleven, when you stared into a mir-ror that reflected your heart's desire, and it showed you only the way to thwart Lord Voldemort, and not immortality or riches. Harry, have you any idea how few wizards could have seen what you saw in that mirror? Voldemort should have known then what he was dealing with, but he did not! But he knows it now. You have flitted into Lord Voldemort's mind without damage to yourself, but he cannot possess you with-out enduring mortal agony, as he discovered in the Ministry. I do not think he understands why, Harry, but then, he was in such a hurry to mutilate his own soul, he never paused to understand the incomparable power of a soul that is untarnished and whole."
"But, sir," said Harry, making valiant efforts not to sound argu-mentative, "it all comes to the same thing, doesn't it? I've got to try and kill him, or —"
"Got to?" said Dumbledore. "Of course you've got to! But not because of the prophecy! Because you, yourself, will never rest until you've tried! We both know it! Imagine, please, just for a moment,
that you had never heard that prophecy! How would you feel about Voldemort now? Think!"
Harry watched Dumbledore striding up and down in front ol him, and thought. He thought of his mother, his father, and Sinus. He thought of Cedric Diggory. He thought of all the terrible deeds he knew Lord Voldemort had done. A flame seemed to leap inside his chest, searing his throat.
"I'd want him finished," said Harry quietly. "And I'd want to do it."
"Of course you would!" cried Dumbledore. "You see, the prophecy does not mean you have to do anything! But the prophecy caused Lord Voldemort to mark you as his equal. ... In other words, you are free to choose your way, quite free to turn your back on the prophecy! But Voldemort continues to set store by the prophecy. He will continue to hunt you . . . which makes it certain, really, that —"
"That one of us is going to end up killing the other," said Harry. "Yes."
But he understood at last what Dumbledore had been trying to tell him. It was, he thought, the difference between being dragged into the arena to face a battle to the death and walking into the arena with your head held high. Some people, perhaps, would say that there was little to choose between the two ways, but Dumble-dore knew — and so do I, thought Harry, with a rush of fierce pride, and so did my parents — that there was all the difference in the world.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
The berth belongs to you too. It will always be there when—if you want to come back.”
Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. “I don’t know what to say.”
His bare hand flexed on the crow’s head of his cane. The sight was so strange Inej had trouble tearing her eyes from it. “Say you’ll return.”
“I’m not done with Ketterdam.” She hadn’t known she meant it until she said the words.
Kaz cast her a swift glance. “I thought you wanted to hunt slavers.”
“I do. And I want your help.” Inej licked her lips, tasted the ocean on them. Her life had been a series of impossible moments, so why not ask for something impossible now? “It’s not just the slavers. It’s the procurers, the customers, the Barrel bosses, the politicians. It’s everyone who turns a blind eye to suffering when there’s money to be made.”
“I’m a Barrel boss.”
“You would never sell someone, Kaz. You know better than anyone that you’re not just one more boss scraping for the best margin.”
“The bosses, the customers, the politicians,” he mused. “That could be half the people in Ketterdam—and you want to fight them all.”
“Why not?” Inej asked. “One the seas and in the city. One by one.”
“Brick by brick,” he said. Then he gave a single shake of his head, as if shrugging off the notion. “I wasn’t made to be a hero, Wraith. You should have learned that by now. You want me to be a better man, a good man. I—“
“This city doesn’t need a good man. It needs you.”
“Inej—“
“How many times have you told me you’re a monster? So be a monster. Be the thing they all fear when they close their eyes at night. We don’t go after all the gangs. We don’t shut down the houses that treat fairly with their employees. We go after women like Tante Heleen, men like Pekka Rollins.” She paused. “And think about it this way…you’ll be thinning the competition.”
He made a sound that might almost have been a laugh.
One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they’d be touching. He was that close. He was that far from reach.
Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away.
“I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving.
Once they’d stood on the deck of a ship and she’d waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and knew it was a place she could not follow, not unless she wanted to drown too.
Back on Black Veil, he’d told her they would fight their way out. Knives drawn, pistols blazing. Because that’s what we do. She would fight for him, but she could not heal him. She would not waste her life trying.
She felt his knuckles slide again hers. Then his hand was in her hand, his palm pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Knock it off,Finn!" I tried to pull my arm from him, but physically he was still stronger than me. "Loki is right. You are my tracker. You need to stop dragging me around and telling me what to do."
"Loki?" Finn stopped so he could glare suspiciously at me. "You're on a first-name basis with the Vittra prisoner who kidnapped you? And you're lecturing me on propriety?"
"I'm not lecturing you on anything!" I shouted, and I finally got my arm free from him. "But if I were to lecture you, it would be about how you're being such a jerk."
"Hey,maybe you should just calm-" Duncan tried to interject. He'd been standing a few feet away from us, looking sheepish and worried.
"Duncan,don't you dare tell me how to do my job!" Finn stabbed a finger at him. "You are the most useless, incompetent tracker I have ever met, and first chance I get,I'm going to recommend that the Queen dismiss you. And trust me, I'm doing you a favor. She should have you banished!"
Duncan's entire face crumpled, and for a horrible moment I was certain he would cry. Instead,he just gaped at us, then lowered his eyes and nodded.
"Finn!" I yelled, wanting to slap him. "Duncan did nothing wrong!" Duncan turned to walk away, and I tried to stop him. "Duncan,no. You don't need to go anywhere."
He kept walking, and I didn't go after him. Maybe I should have,but I wanted to yell at Finn some more.
"He repeatedly left you alone with the Vittra!" Finn shouted. "I know you have a death wish, but it's Duncan's job to prevent you from acting on it."
"I am finding out more about the Vittra so I can stop this ridiculous fighting!" I shot back. "So I've been interviewing a prisoner. It's not that unusual,and I've been perfectly safe."
"Oh,yeah, 'interviewing,'" Finn scoffed. "You were flirting with him."
"Flirting?" I repeated and rolled my eyes. "You're being a dick because you think I was flirting? I wasn't, but even if I was,that doesn't give you the right to treat me or Duncan or anybody this way."
"I'm not being a dick," Finn insisted. "I am doing my job, and fraternizing with the enemy is looked down on, Princess. If he doesn't hurt you, the Vittra or Trylle will."
"We were only talking,Finn!"
"I saw you,Wendy," Finn snapped. "You were flirting. You even wore your hair down when you snuck off to see him."
"My hair?" I touched it. "I wore it down because I had a headache from training, and I wasn't sneaking. I was...No,you know what? I don't have to explain anything to you. I didn't do anything wrong, and I don't have to answer to you."
"Princess-"
"No,I don't want to hear it!" I shook my head. "I really don't want to do this right now.Just go away,Finn!
”
”
Amanda Hocking (Torn (Trylle, #2))
“
One day about a month ago, I really hit bottom. You know, I just felt that in a Godless universe, I didn't want to go on living. Now I happen to own this rifle, which I loaded, believe it or not, and pressed it to my forehead. And I remember thinking, at the time, I'm gonna kill myself. Then I thought, what if I'm wrong? What if there is a God? I mean, after all, nobody really knows that. But then I thought, no, you know, maybe is not good enough. I want certainty or nothing. And I remember very clearly, the clock was ticking, and I was sitting there frozen with the gun to my head, debating whether to shoot.
[The gun fires accidentally, shattering a mirror] All of a sudden, the gun went off. I had been so tense my finger had squeezed the trigger inadvertently. But I was perspiring so much the gun had slid off my forehead and missed me. And suddenly neighbors were, were pounding on the door, and, and I don't know, the whole scene was just pandemonium. And, uh, you know, I-I-I ran to the door, I-I didn't know what to say. You know, I was-I was embarrassed and confused and my-my-my mind was r-r-racing a mile a minute. And I-I just knew one thing.
I-I-I had to get out of that house, I had to just get out in the fresh air and-and clear my head. And I remember very clearly, I walked the streets. I walked and I walked. I-I didn't know what was going through my mind. It all seemed so violent and un-unreal to me. And I wandered for a long time on the Upper West Side, you know, and-and it must have been hours. You know, my-my feet hurt, my head was-was pounding, and-and I had to sit down. I went into a movie house. I-I didn't know what was playing or anything.
I just, I just needed a moment to gather my thoughts and, and be logical and put the world back into rational perspective. And I went upstairs to the balcony, and I sat down, and, you know, the movie was a-a-a film that I'd seen many times in my life since I was a kid, and-and I always, uh, loved it. And, you know, I'm-I'm watching these people up on the screen and I started getting hooked on the film, you know. And I started to feel, how can you even think of killing yourself. I mean isn't it so stupid? I mean, l-look at all the people up there on the screen. You know, they're real funny, and-and what if the worst is true.
What if there's no God, and you only go around once and that's it. Well, you know, don't you want to be part of the experience? You know, what the hell, it's-it's not all a drag. And I'm thinkin' to myself, geez, I should stop ruining my life - searching for answers I'm never gonna get, and just enjoy it while it lasts. And, you know, after, who knows? I mean, you know, maybe there is something. Nobody really knows. I know, I know maybe is a very slim reed to hang your whole life on, but that's the best we have. And then, I started to sit back, and I actually began to enjoy myself.
”
”
Woody Allen
“
once there was a beautiful young panther who had a co-wife and a husband. Her name was Lara and she was unhappy because her husband and her co-wife were really in love; being nice to her was merely a duty panther society imposed on them. They had not even wanted to take her into their marriage as co-wife, since there were already perfectly happy. But she was an "extra" female in the group and that would not do. Her husband sometimes sniffed her breath and other emanations. He even, sometimes, made love to her. but whenever this happened, the co-wife, whose name was Lala, became upset. She and the husband, Baba, would argue, then fight, snarling and biting and whipping at each other's eyes with their tails. Pretty soon they'd become sick of this and would lie clutched in each other's paws, weeping.
I am supposed to make love to her, Baba would say to Lala, his heartchosen mate. She is my wife just as you are. I did not plan things this way. This is the arrangement that came down to me.
I know it, dearest, said Lala, through her tears. And this pain that I feel is what has come down to me. Surely it can't be right?
These two sat on a rock in the forest and were miserable enough. But Lara, the unwanted, pregnant by now and ill, was devastated. Everyone knew she was unloved, and no other female panther wanted to share her own husband with her. Days went by when the only voice she heard was her inner one.
Soon, she began to listen to it.
Lara, it said, sit here, where the sun may kiss you. And she did.
Lara, it said, lie here, where the moon can make love to you all night long. and she did.
Lara, it said, one bright morning when she knew herself to have been well kissed and well loved: sit here on this stone and look at your beautiful self in the still waters of this stream.
Calmed by the guidance offered by her inner voice, Lara sat down on the stone and leaned over the water. She took in her smooth, aubergine little snout, her delicate, pointed ears, her sleek, gleeming black fur. She was beautiful! And she was well kissed by the sun and well made love to by the moon.
For one whole day, Lara was content. When her co-wife asked her fearfully why she was smiling, Lara only opened her mouth wider, in a grin. The poor co-wife ran trembling off and found their husband, Baba, and dragged him back to look at Lara.
When Baba saw the smiling, well kissed, well made love to Lara, of course he could hardly wait to get his paws on her! He could tell she was in love with someone else, and this aroused all his passion.
While Lala wept, Baba possessed Lara, who was looking over his shoulder at the moon.
Each day it seemed to Lara that the Lara in the stream was the only Lara worth having - so beautiful, so well kissed, and so well made love to. And her inner voice assured her this was true.
So, one hot day when she could not tolerate the shrieks and groans of Baba and Lala as they tried to tear each other's ears off because of her, Lara, who by now was quite indifferent to them both, leaned over and kissed her own serene reflection in the water, and held the kiss all the way to the bottom of the stream.
”
”
Alice Walker
“
I was acutely aware of him, and the thought that he was walking me back to my room and would most likely try to kiss me again sent shivers down my spine. For self-preservation purposes, I had to get away. Every minute I spent with him just made me want him more. Since merely annoying him wasn’t working, I’d have to up the ante.
Apparently, I needed him not only to fall out-of-like with me, but to hate me as well. I’d frequently been told that I was an all-or-nothing kind of girl. If I were going to push him away, it was going to be so far away that there would be absolutely no change of him ever coming back.
I tried to wrench my elbow out of his grasp, but he just held on more tightly. I grumbled at him, “Stop using your tiger strength on me, Superman.”
“Am I hurting you?”
“No, but I’m not a puppet to be dragged around.”
He trailed his fingers down my arm and took my hand instead. “Then you play nice, and I will too.”
“Fine.”
He grinned. “Fine.”
I hissed back. “Fine!”
We walked to the elevator, and he pushed the button to my floor.
“My room is on the same floor,” Ren edxplained.
I scowled and then grinned lopsidedly and just a little bit evilly, “And umm, how exactly is that going to work for you in the morning, Tiger? You really shouldn’t get Mr. Kadam in trouble for having a rather large…pet.”
Ren returned my sarcasm as he walked me to my door. “Are you worried about me, Kells? Well, don’t. I’ll be fine.”
“I guess there’s no point in asking how you knew which door belong to me, huh, Tiger Nose?”
He looked at me in a way that turned my insides to jelly. I spun around but awareness of him shot through my limbs, and I could feel him standing close behind me watching, waiting.
I put my key in the lock, and he moved closer. My hand started shaking, and I couldn’t twist the key the right way. He took my hand and gently turned me around. He then put both hands on the door on either side of my head and leaned in close, pinning me against it. I trembled like a downy rabbit caught in the clutches of a wolf. The wolf came closer. He bent his head and began nuzzling my cheek. The problem was…I wanted the wolf to devour me.
I began to get lost in the thick sultry fog that overtook me every time Ren put his hands on me.
So much for asking for permission…and so much for sticking to my guns, I thought as I felt all my defenses slip away.
He whispered warmly, “I can always tell where you are, Kelsey. You smell like peaches and cream.”
I shivered and put my hands on his chest to push him away, but I ended up grabbing fistfuls of shirt and held on for dear life. He trailed kisses from my ear down my cheek and then pressed soft kisses along the arch of my neck. I pulled him closer and turned my head so he could really kiss me. He smiled and ignored my invitation, moving instead to the other ear. He bit my earlobe lightly, moved from there to my collarbone, and trailed kisses out to my shoulder. Then he lifted his head and brought his lips about one inch from mine and the only thought in my head was…more.
With a devastating smile, he reluctantly pulled away and lightly ran his fingers through the strands of my hair. “By the way, I forgot to mention that you look beautiful tonight.” He smiled again then turned and strolled off down the hall.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))