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A gentleman is someone who does not what he wants to do, but what he should do.
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Haruki Murakami (Norwegian Wood)
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What I feel for her is a wholly different emotion. It stands and walks on its own, living and breathing and throbbing and shaking me to the roots of my being.
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Haruki Murakami (Norwegian Wood)
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Si he dejado una herida en tu interior, esta herida no es solo tuya, tambien es mia. Ai que no me odies por ello. Soy un ser imperfecto. Mucho mas imperfecto de lo que tu crees
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Haruki Murakami (Norwegian Wood)
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Si leyera lo mismo que los demás, acabaría pensando como ellos.
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Haruki Murakami
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You're very clear about what you like and what you don't like," she said.
"Maybe so," I said. "Maybe that's why people don't like me. Never have."
"It's because you show it," she said. "You make it obvious you don't care whether people like you or not. That makes some people angry.
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Haruki Murakami (Norwegian Wood)
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Where Watanabe and I are alike is we don’t give a damn if nobody understands us… That’s what makes us different from everybody else. They’re all worried about whether the people around them understand them. But not me, and not Watanabe. We just don’t give a damn. Self and others are separate.
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Haruki Murakami (Norwegian Wood)
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I'm the scratchy stuff on the side of the matchbox. But that's fine with me. I don't mind at all. Better to be a first-class matchbox than a second-class match.
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Haruki Murakami (Norwegian Wood)
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That’s the kind of death that frightens me. The shadow of death slowly, slowly eats away at the region of life, and before you know it everything’s dark and you can’t see, and the people around you think of you as more dead than alive. I hate that. I couldn’t stand it.
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Haruki Murakami (Norwegian Wood)
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La muerte no se opone a la vida, la muerte está incluida en nuestra vida
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Haruki Murakami (Norwegian Wood)
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Nemoj da se sažaljevaš. To rade samo kreteni.
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Haruki Murakami (Norwegian Wood)
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Liest man, was alle anderen auch lesen, kann man auch nur das denken, was alle anderen denken.
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Haruki Murakami (Norwegian Wood)
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You’re all grown up now, so you have to take responsibility for your choices. Otherwise, you ruin everything.
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Haruki Murakami (Norwegian Wood)
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So don’t brood over everything in that super serious way of yours. All of us (by which I mean all of us, both normal and not-so-normal) are imperfect human beings living in an imperfect world. We don’t live with the mechanical precision of a bank account or by measuring all our lines and angles with rulers and protractors. Am I right?
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Haruki Murakami (Norwegian Wood)
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As I told you before, patience is the most important thing. We have to go on unraveling the jumbled threads one at a time, without losing hope. No matter how hopeless her condition may appear to be, we are bound to find that one loose thread sooner or later. If you're in pitch blackness, all you can do is sit tight until your eyes get used to the dark.
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Haruki Murakami (Norwegian Wood)
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Zašto ne predaješ likovno?
Ko, pobogu, želi da postane nastavnik likovnog? Neću da provedem čitav jeben život učeći tinejdžerske majmune kako se crta.
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Haruki Murakami (Norwegian Wood)
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Death exists, not as the opposite of it but as a part of life.
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Haruki Murakami (Norwegian Wood)
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Min far fortalte meg en gang at en fri mann skal møte hver dag uten frykt.
På samme måte skal han møte døden. For livstråden ble kuttet den dagen du ble født, og ingen mann og ingen kvinne får et eneste åndedrag til når tiden er ute.
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Bjørn Andreas Bull-Hansen (Jomsviking (Jomsviking, #1))
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What kind of authors do you like?" I asked, speaking in respectful tones to this man two years my senior. "Balzac, Dante, Joseph Conrad, Dickens," he answered without hesitation. "Not exactly fashionable."
"That's why I read them. If you only read the books that everyone else is reading, you can only think what everyone else is thinking. That's the world of hicks and slobs. Real people would be ashamed of themselves doing that. Haven't you noticed, Watanabe? You and I are the only real ones in this dorm. The other guys are crap.
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Haruki Murakami (Norwegian Wood)
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En este mundo hay gente que a pesar de estar dotados de un talento excepcional son incapaces de realizar el esfuerzo necesario para sistematizarlo, y su talento se acaba malogrando. He visto a varias personas a quienes les sucedío esto. Al principio, uno piensa son genios. Uno se siente abrumado, piensa que no les llegas a la suela del zapato. Pero eso es todo. No son capaces de ir un paso más allá. ¿Por qué? Porque no se esfuerzan. Porque jamás les han inculcado el sentido de la disciplina. Porque los han estropeado. Desde niños, han tenido tanto talento que han conseguido hacer las cosas sin esforzarse, y la gente los ha ido alabando por ello, diciendoles lo extraordinarios que son. Y acaban concibiendo el tesón como una estupidez. Ningún profesor los ha enseñado a disciplinarse y en consecuencia pierden un elemento necesario en la formación del ser humano... Están acostumbrados a recibir elogios desde pequeños y no los aprecian. Basta con una alabanza justa en el momento preciso y en no presionarlos.
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Haruki Murakami (Norwegian Wood)
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You do realize your initials spell ELF, right?” Keefe asked. “Of course. I couldn’t resist, once I knew my surname would start with an F.” “How did you choose ‘Forkle’?” Della asked. “Somewhat randomly. I was looking for a word that was memorable, but not too complicated, and I wanted the meaning to bear some sort of logic. Forkle is close to the word for ‘disguise’ in Norwegian, a part of the human world I’ve always been partial to, so it seemed the best fit—though strangely, I believe it also means ‘apron.’ Ah, the quirks of human languages.” “What does the L stand for?” Dex asked. Mr. Forkle looked slightly flushed as he mumbled, “Loki.” “Loki,” Sophie repeated, tempted to roll her eyes. “You named yourself after the Nordic trickster god?” “Actually, he was inspired by me. Do not credit me for the insane stories humans made up—especially that one about the stallion. But as I said, I’ve always been partial to that part of the world, and in my younger days I may have had a bit too much fun there. It was so easy to take on disguises and cause a little chaos. And over time my escapades morphed into the stories of a shape-shifting trickster god. So I thought it only fitting, as I assumed yet another disguise, that I accept the title officially as part of my new identity.” “Guys, I think the Forkster just became my hero,” Keefe said. “And is anyone else wondering about the stallion?” “Trust me, you don’t want to know,
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Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
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When it came out in court that this Norwegian madman was inspired to violence by al-Qaeda and Hamas, that was not widely reported.
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Pamela Geller (FATWA: Hunted in America)
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Although Greenland's Natural defenses discouraged settlement, some hardy souls insisted, Europeans returned to Greenland, led by a Danish-Norwegian missionary named Hans Egede. Hoping to discover Viking descendants, Egede instead found Inuit people, so he stayed to spread the gospel. Colonization followed though few Danes saw the point of the place. Unlike the native North Americans, the native Inuit people of Greenland never surrendered their majority status to outsiders, though they did embrace Christianity.
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Mitchell Zuckoff (Frozen in Time: An Epic Story of Survival and a Modern Quest for Lost Heroes of World War II)
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Universities and schools were also dominated by the Jewish spirit. Jewish pornographers and quasi-scientists were widely received as bearers of new and fruitful ideas. The most notorious of them were two sexual specialists Max Hodann and Wilhelm Reich, who was employed as a permanent lecturer at the University of Oslo and had a large congregation in the capital and across the country. These two Jewish pornographers were among Norwegian youth for years, under the protection of the ruling party, carried out destructive activities under Hirschfeld's sexual program - primarily among working-class youth, and were adored by "liberated" decadent intellectuals. Reich, had his own "research institute" in Oslo, where he conducted his sexual experiments. He even went so far as to ask the director of an insane asylum to use the insane for this criminal experiments in the sexual field. The psychoanalysis of the Jew Freud also had a great and harmful influence. "Modern child rearing" was also inspired by the same circles.
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Vidkun Quisling
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Of course, it was always hard to tell the sleepers apart from the Norwegian Lutherans, not to mention the dead people. They all tended to express the same amount of emotion. I consider myself an elite preacher, because I regularly inspire a few Lutherans to nod in agreement when I’m speaking.
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Tom Hilpert (Superior Secrets (Lake Superior Mysteries, #3))
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It took a Polish author to inspire this American Jew, who named his daughter for a Greek Titan before being killed by a Vietnamese mine in an effort to please his Marine father, who was once a sniper in Korea—and was undoubtedly still being pursued by the North Koreans across the wilderness of Scandinavia.
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Derek B. Miller (Norwegian by Night (Sigrid Ødegård #1))
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All of these inspirations, along with a love for the place, the people and their history, have found their way into the books she’s written, which have been translated into German, Norwegian, Czech, Turkish and Slovenian. Fiona now lives in Scotland, but
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Fiona Valpy (The Beekeeper's Promise)
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No one can say exactly when the process of combining the different historical, legendary, and mythic elements into a Volsung cycle began, but it was probably at an early date. By the ninth century the legends of the Gothic Jormunrek and those of the destruction of the Burgundians had already been linked in Scandinavia, where the ninth-century “Lay of Ragnar” by the poet Bragi the Old treats both subjects. Bragi’s poem describes a shield on which a picture of the maiming of Jormunrek was either painted or carved and refers to the brothers Hamdir and Sorli from the Gothic section of the saga as “kinsmen of Gjuki,” the Burgundian father of King Gunnar.
The “Lay of Ragnar” has other connections with the Volsung legend. The thirteenth-century Icelandic writer Snorri Sturluson identifies the central figure of the lay, whose gift inspired the poem in his honor, with Ragnar Hairy Breeches, a supposed ancestor of the Ynglings, Norway’s royal family. Ragnar’s son-in-law relationship to Sigurd through his marriage to Sigurd’s daughter Aslaug (mentioned earlier in connection with stave church carvings) is reflected in the sequence of texts in the vellum manuscript: The Saga of the Volsungs immediately precedes The Saga of Ragnar Lodbrok. Ragnar’s saga, in turn, is followed by Krákumál (Lay of the Raven), Ragnar’s death poem, in which Ragnar, thrown into the snakepit by the Anglo-Saxon King Ella, boasts that he will die laughing. The Volsung and Ragnar stories are further linked by internal textual references.
It is likely that the The Saga of the Volsungs was purposely set first in the manuscript to serve as a prelude to the Ragnar material. The opening section of Ragnar’s saga may originally have been the ending of The Saga of the Volsungs. Just where the division between these two sagas occurs in the manuscript is unclear. Together these narratives chronicle the ancestry of the Ynglings—the legendary line (through Sigurd and Ragnar) and the divine one (through Odin). Such links to Odin, or Wotan, were common among northern dynasties; by tracing their ancestry through Sigurd, later Norwegian kings availed themselves of one of the greatest heroes in northern lore. In so doing, they probably helped to preserve the story for us.”
(Jesse Byock)
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Anonymous (The Saga of the Volsungs)
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It was a late Friday afternoon when old Mr. Bartha came to my office. I offered him a drink and gave him a quick rundown of what we needed. I had prepared a Memorandum of Understanding and handed it over to him. When he saw the daily fee, which was market rate, but lowish, he suddenly became very emotional and cried. He said he couldn’t accept. His company was almost bankrupt, hundreds of families with children were very poor now. Couldn’t I raise the fee a little bit, he asked, shyly. I looked at him and saw him struggling, my heart broke, this old man was trying to help so many people. I thought about my budget and about what I would have to explain to the new CEO, Christian, a nice and competent Norwegian, and decided instantly to raise the fee. And as for my budget and explaining it to Christian, I’d cross that bridge when I get to it, I thought silently.
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Ineke Botter (Your phone, my life: Or, how did that phone land in your hand?)
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in Oslo during one of his journeys that he met the poet Nordahl Grieg, a peculiar Norwegian Stalinist who became the inspiration for his first novel, Ultramarine. There are those who maintain that this book was plagiarized from the writings of Grieg, as Lowry himself partially admitted in a letter to the Scandinavian author: Much in Ultramarine is a paraphrase, a plagiarism, or a parody of what you have written.
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Giorgio van Straten (In Search of Lost Books: The forgotten stories of eight mythical volumes)