“
And that is how change happens. One gesture. One person. One moment at a time.
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
Are you kidding?” I stop in the middle of the kitchen. Spin around. My face is pulled together in disbelief. “You’ve spoken to me maybe once in the two weeks I’ve been here. I hardly even notice you anymore.”
“Okay, hold up,” he says, turning to block my path. “We both know there’s no way you haven’t noticed all of this” — he gestures to himself — “so if you’re trying to play games with me, I should let you know up front that it’s not going to work.”
“What?” I frown. “What are you talking abou—”
“You can’t play hard to get, kid.” He raises an eyebrow. “I can’t even touch you. Takes ‘hard to get’ to a whole new level, if you know what I mean.”
“Oh my God,” I mouth, eyes closed, shaking my head. “You are insane.”
He falls to his knees. “Insane for your sweet, sweet love!
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough."
His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
I think most women, especially women who work hard and have a lot on their mind, prefer a man to come home, lift her off her feet and take her against the wall rather than hand her some bullshit flowers and pussyfoot around with sweet gestures all night.
”
”
Vi Keeland (The Baller)
“
Patch leaned back against the booth and arched his eyebrows at me. The gesture said it all: Pay up.
"You got lucky," I said.
"I'm about to get lucky.
”
”
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
“
Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?"
Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?"
Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be."
Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations."
"That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story."
Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough."
His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen."
"What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now."
"I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
He reached out, capturing her hand in his. He laced his fingers casually through hers.
Violet leaned against him and the calm finally came, settling over her peacefully.
And then he kissed her. Gently. Softly. Not on the lips, as she'd imagined so many times before, but on her forehead.
The gesture was sweet and a little possessive.
Violet hoped, maybe, it was a start.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
Oh...my...god,"Drew whimpered."Who..."
Anubis ignored her (bless him for that) and held out his elbow for me - a sweet old-fashioned gesture.
" May I have this dance?"
"I suppose," I said,as non committally as I could. I looped my arm through his, and we left the Plastic Bags behind us, all of them muttering,"Oh my god! Oh my god!"
No ,actually, I wanted to say. He's my amazingly hot boy god. Find your own.
”
”
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
“
He leaned in then and kissed me again, sweet and soft and tender, silencing my arguments and stealing my breath, making me wonder how one simple gesture could be so tragically lovely.
”
”
Kimberly Derting (The Pledge (The Pledge, #1))
“
She is a mortal danger to all men. She is beautiful without knowing it, and possesses charms that she's not even aware of. She is like a trap set by nature - a sweet perfumed rose in whose petals Cupid lurks in ambush! Anyone who has seen her smile has known perfection. She instills grace in every common thing and divinity in every careless gesture. Venus in her shell was never so lovely, and Diana in the forest never so graceful as you.
”
”
Cyrano de Bergerac
“
Sensuality does not wear a watch but she always gets to the essential places on time. She is adventurous and not particularly quiet. She was reprimanded in grade school because she couldn’t sit still all day long. She needs to move. She thinks with her body. Even when she goes to the library to read Emily Dickinson or Emily Bronte, she starts reading out loud and swaying with the words, and before she can figure out what is happening, she is asked to leave. As you might expect, she is a disaster at office jobs.
Sensuality has exquisite skin and she appreciates it in others as well. There are other people whose skin is soft and clear and healthy but something about Sensuality’s skin announces that she is alive. When the sun bursts forth in May, Sensuality likes to take off her shirt and feel the sweet warmth of the sun’s rays brush across her shoulder. This is not intended as a provocative gesture but other people are, as usual, upset. Sensuality does not understand why everyone else is so disturbed by her. As a young girl, she was often scolded for going barefoot.
Sensuality likes to make love at the border where time and space change places. When she is considering a potential lover, she takes him to the ocean and watches. Does he dance with the waves? Does he tell her about the time he slept on the beach when he was seventeen and woke up in the middle of the night to look at the moon? Does he laugh and cry and notice how big the sky is?
It is spring now, and Sensuality is very much in love these days. Her new friend is very sweet. Climbing into bed the first time, he confessed he was a little intimidated about making love with her. Sensuality just laughed and said, ‘But we’ve been making love for days.
”
”
J. Ruth Gendler (The Book of Qualities)
“
It is only now, these years later, that Rahel with adult hindsight recognized the sweetness of that gesture. A grown man entertaining three raccoons, treating them like real ladies. Instinctively colluding in the conspiracy of their fiction, taking care not to decimate it with adult carelessness. Or affection.
It is after all so easy to shatter a story. To break a chain of thought. To ruin a fragment of a dream being carried around carefully like a piece of porcelain.
To let it be, to travel with it, as Velutha did, is much the harder thing to do.
”
”
Arundhati Roy (The God of Small Things)
“
As for the body, it is solid and strong and curious
and full of detail: it wants to polish itself; it
wants to love another body; it is the only vessel in
the world that can hold, in a mix of power and
sweetness: words, song, gesture, passion, ideas,
ingenuity, devotion, merriment, vanity, and virtue.
”
”
Mary Oliver (Evidence: Poems)
“
Don’t confuse love with romance, young lady. Romance is beautiful, it’s a gesture, it’s a walk in a park with a pretty girl. Love is ugly sometimes. It’s a crawl into a war zone to save a friend. Romance whispers sweet nothings. Love tells painful truths. Romance gives an engagement ring. Love takes a bullet.
”
”
Tiffany Reisz (The Queen)
“
I saw Four, Brandon’s Garde, poking his head out from behind Brandon’s back. He shyly put his hand out for Nine to take, inviting him to walk to pre-combat together. Seeing this, I hoped Nine would take Four’s hand. It was a sweet gesture.
”
”
Pittacus Lore (The Last Days of Lorien (Lorien Legacies: The Lost Files, #5))
“
She was indeed a girl of exquisite beauty. She was one of those languid women made of dark honey, smooth and sweet and terribly sticky, who take control of a room with a syrupy gesture, a toss of the hair, a single slow whiplash of the eyes-and all the while remain as still as the center of a hurricane, apparently unaware of the force of gravity by which they irresistibly attract to themselves the yearnings and the souls of both men and women.
”
”
Patrick Süskind (Perfume: The Story of a Murderer)
“
She was one of those languid women, made of dark honey, smooth and sweet, and terribly sticky, who take control of a room with a syrupy gesture, a toss of the hair, a single slow whiplash of the eyes — and all the while remain as still as the centre of a hurricane, apparently unaware of the force of gravity by which they irresistibly attract themselves the yearnings and the souls of both men and women.
”
”
Patrick Süskind
“
You know those little moments when an unexpected act or a spoken word affects your heart with sweet, satiating intensity―a simple gesture that possesses deep, personal meaning beyond what anyone realizes? You know those tender moments? That's God pressing his lips on your forehead and whispering, 'I love you.'
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
“
That was the thing about her. When you told her about an incident where you so badly screwed up, half expecting her to laugh at you in amusement, half anticipating a smirk of disgust, she would hardly express her pity or maybe she did express what she felt, for she would just nod her head, gesturing you to go on... As if it's normal... As if you're normal.
”
”
Sanhita Baruah
“
But Gemma, you could change the world."
"That should take far more than my power," I say.
"True. But change needn't happen all at once. It can be small gestures."
"Moments. Do you understand?" He's looking at me differently now, though I cannot say how. I only know I need to look away...
We pass by the pools, where the mud larks sift. And for only a few seconds, I let the magic loose again.
"Oi! By all the saints!" a boy cries from the river.
"Gone off the dock?" an old woman calls. The mud larks break into cackles.
"'S not a rock!" he shouts. He races out of the fog, cradling something in his palm. Curiosity gets the better of the others. They crowd about trying to see. In his palm is a smattering of rubies. "We're rich mates! It's a hot bath and a full belly for every one of us!"
Kartik eyes me suspiciously. "That was a strange stroke of good fortune."
"Yes it was."
"I don't suppose that was your doing."
"I'm not sure I don't know what you mean," I say.
And that is how change happens. One gesture. One person. One moment at a time.
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
Poppy was every fine, good, unselfish impulse that he would never have. She was every caring thought, loving gesture, happy moment, that he would never know. She was every minute of peaceful sleep that would forever elude him."
- Harry's thoughts
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
There is a lady sweet and kind,
Was never a face so pleased my mind;
I did but see her passing by. And yet I'll love her till I die. Her gesture, motion, and her smiles,
Her wit, her voice my heart beguiles,
Beguiles my heart, I know not why,
And yet I'll love her till I die. Cupid is winged and he doth range,
Her country, so, my love doth change. But change she earth, or change she sky,
Yet, I will love her till I die.
”
”
Thomas Ford
“
You meet a girl: shy, unassuming. If you tell her she’s beautiful, she’ll think you’re sweet, but she won’t believe you. She knows that beauty lies in your beholding.” Bast gave a grudging shrug. “And sometimes that’s enough.” His eyes brightened. “But there’s a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you…” Bast gestured excitedly. “Suddenly the story she tells herself in her own head changes. She transforms. She isn’t seen as beautiful. She is beautiful, seen.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
What’s got you smilin’ like a bitch who just had good cock?” I was interrupted by a sexy drawl.
I looked up to see Nash leaning against the door frame, arms crossed in front of him, sexy smirk plastered on his face. He was tall, all muscle and ink; he exuded a couldn’t-give-a-fuck attitude. Nash was one of the cockiest men I had ever met and the women flocked to him.
I rolled my eyes. “Can a woman not smile unless she’s had cock?” I asked.
He uncrossed his arms and pushed away from the door frame; coming towards me, “No, sweet thing, it all comes down to cock.”
“Well, I hate to tell you, Nash, but this woman hasn’t had any today, and yet I am still smiling. I think your theory is a little off.” I loved bantering back and forth with him.
He raised his eyebrows. “J’s fallin’ down on the job there sweetheart. You sure you don’t want to jump ships? I’ve got all you’ll ever need,” he grinned at me, opening his arms wide in an inviting gesture.
”
”
Nina Levine (Storm (Storm MC, #1))
“
He raised his voice over the crowd’s roar and gestured to Cade’s phone. “Good news?”
Cade tucked the phone back into his pocket. “She said yes.”
Vaughn blinked—clearly having expected Cade to say something else—then threw out his hands. He had no clue what they were talking about, but right then everything was a cause for celebration. “She said yes! Hell, yeah!” He grabbed Huxley and pointed to Cade, shouting over the crowd. “She said yes.”
“Sweet,” Huxley said, tapping his beer to Cade’s. “Who said yes?”
“Brooke Parker. I’m seeing her tonight.”
“Fuck you,” Vaughn said, somewhat in awe. “I knew it. You’ve been digging her from the moment she told you to shove your obstruction of justice threats up your ass.”
“What can I say? I’m a sucker for the shy, quiet types.
”
”
Julie James (Love Irresistibly (FBI/US Attorney, #4))
“
He unsnapped her jeans and said, “I want you just like this.” Then he kissed her.
There was nothing romantic about Diaz, no murmured sweet things, no gallant gestures, just this kiss that went on and on, deep and voracious. She’d never been kissed like this before, with an intensity that stripped everything down to the simplest components: male, female. He held her with his hand burrowed into her hair, her skull gripped in his palm, her head tilted back while he fed from her mouth. That was what it felt like, a taking. And yet he gave, too. He gave pleasure. She burned with it, the flames fueled by nothing more than his mouth and tongue.
”
”
Linda Howard (Cry No More)
“
I find it so bizarre that I occupy space, and that I am seen by other people. I feel like I am falling through space and Eleanor just threw me a rose. It’s such a sweet, pointless gesture. It would be less devastating to fall through space alone, without someone else falling next to me. Whenever someone does something nice for me, I feel intensely aware of how strange and sad it is to know someone.
”
”
Emily R. Austin (Everyone in This Room Will Someday Be Dead)
“
Houses, gardens, and people were transfigured into musical sounds, all that was solid seemed to be transfigured into soul and into gentleness. Sweet veils of silver and soul-haze swam through all things and lay over all things. The soul of the world had opened, and all grief, all human disappointment, all evil, all pain seemed to vanish, from now on never to appear again. Earlier walks came before my eyes; but the wonderful image of the humble present became a feeling which overpowered all others. The future paled, and the past dissolved. I glowed and flowered myself in the glowing, flowering present. From near and far, great things and small things emerged bright silver with marvelous gestures, joys, and enrichments, and in the midst of this beautiful place I dreamed of nothing but this place itself. All other fantasies sank and vanished in meaninglessness. I had the whole rich earth immediately before me, and I still looked only at what was most small and most humble. With gestures of love the heavens rose and fell. I had become an inward being, and walked as in an inward world; everything outside me became a dream; what I had understood till now became unintelligible. I fell away from the surface, down into the fabulous depths, which I recognized then to be all that was good. What we understand and love understands and loves us also. I was no longer myself, was another, and yet it was on this account that I became properly myself. In the sweet light of love I realized, or believe I realized, that perhaps the inward self is the only self which really exists.
”
”
Robert Walser (Selected Stories)
“
I stood with my arms crossed, scanning the crowd. My eyes hated on a very tall gorilla looking in our direction. He bore a red badge on his furry chest. I had no idea how long we stared at each other, unmoving, before I lifted one hand in a wave.
“Who are you waving at?” Veronica asked me.
“Um, that big monkey. I think he's starting at...us.”
And at that moment, the gorilla lifted an arm and scratched his armpit. The silly gesture filled me with a rush of joy. But I wasn't going to him.
I faced my friends, chewing my thumbnail. Please come over. When I glanced again, he was walking our way. Yes! My pulse went erratic.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
They visited him in saris, clumping gracelessly through red mud and long grass ... and introduced themselves as Mrs. Pillai, Mrs. Eapen and Mrs. Rajagopalan. Velutha introduced himself and his paralyzed brother Kuttappen (although he was fast asleep). He greeted them with the utmost courtesy. He addressed them all as Kochamma [an honorific title for a woman] and gave them fresh coconut water to drink. He chatted to them about the weather. The river. The fact that in his opinion coconut trees were getting shorter by the year. As were the ladies in Ayemenem. He introduced them to his surly hen. He showed them his carpentry tools, and whittled them each a little wooden spoon.
It is only now, these years later, that Rahel with adult hindsight recognized the sweetness of that gesture. A grown man entertaining three raccoons, treating them like real ladies. Instinctively colluding in the conspiracy of their fiction, taking care not to decimate it with adult carelessness. Or affection. [emphasis mine]
It is after all so easy to shatter a story. To break a chain of thought. To ruin a fragment of a dream being carried around carefully like a piece of porcelain.
To let it be, to travel with it, as Velutha did, is much the harder thing to do.
”
”
Arundhati Roy (The God of Small Things)
“
She is a mortal danger to all men. She is beautiful without knowing it, and posses charms that she's not even aware of. She is like a trap set by nature - a sweet perfumed rose in whose petals Cupid lurks in ambush! Anyone who has seen her smile has known perfection. She instils grace in every common thing and divinity in every careless gesture. Venus in her shell was never so lovely, and Diana in the forest never so graceful as you.
”
”
Cyrano de Bergerac
“
She is a mortal danger to all men. She is beautiful without knowing it, and possesses charms that she's not even aware of. She is like a trap set by nature - a sweet perfumed rose in whose petals Cupid lurks in ambush. Anyone who has seen her smile has known perfection. She instills grace in every common thing and divinity in every careless gesture. Venus in her shell was never so lovely, and Diana in the forest never so graceful as you,” I whispered. Lifting my head up, I looked deep into her eyes.
”
”
Christine Zolendz (Scars and Songs (Mad World, #3))
“
She batted him away and gestured to the muscles hidden beneath his shirt. "You're going to make me look like that?"
His low laugh rippled over her body. "No one can look like this but me, Nes."
Arrogant ass.
"Rhysand and Azriel do," she said sweetly.
"I've got one or two muscles on them."
"I don't see it."
He winked. "Maybe they're in other places."
She couldn't help it. Couldn't stop it. Not the flash of desire, but the smile that overtook her face. She huffed a laugh.
Cassian stared like he hadn't seen her before.
His shock was enough that Nesta dropped her smile. "All right," she said. "Warm-up, then abdominals.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
Her voice, her smile, her every gesture was utterly familiar to him: these traces of her presence had danced in his dreams for years, and now he beheld them with waking eyes. Fate is cruel, but it’s a cruelty that suffuses sweetness into the suffering.
”
”
Eileen Chang
“
Peace, he knows, can be shattered in a million variations: great visions of the end, a rain of ash, a disease on the wind, a blast in the distance, the sun dying like a kerosene lamp clicked off. And in smaller ways: an overheard remark, his daughter’s sour mood, his own body faltering. There’s no use in anticipating the mode. He will wait for the hushed spaces in life, for Ellis’s snore in the dark, for Grete’s stealth kiss, for the warm light inside the gallery, his images on the wall broken beyond beauty into blisters and fragments, returning in the eye to beauty again. The voices of women at night on the street, laughing; he has always loved the voices of women. Pay attention, he thinks. Not to the grand gesture, but to the passing breath.
He sits. He lets the afternoon sink in. The sweetness of the soil rises to him. A squirrel scolds from high in a tree. The city is still far away, full of good people going home. In this moment that blooms and fades as it passes, he is enough, and all is well in the world.
”
”
Lauren Groff (Arcadia)
“
What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult?
Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully.
“Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.”
On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.”
“I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done.
Dead silence crashes over the kitchen.
Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list.
That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it...
“I just have one question,” Garrett starts.
“Really?” Tuck says. “Because I have many.”
Sighing, I put my pen down. “Go ahead. Get it out of your systems.”
Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.”
“It’s for Grace,” I reply through clenched teeth.
My best friend nods solemnly.
Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing.
“What are you doing?” I demand.
“Texting Wellsy. She needs to know this.”
“I hate you.”
I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.”
“Cutlass?” Garrett wheezes. “Like the sword?”
“The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.”
Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.”
He’s right. I should have. I’m a terrible poet and I do know it.
“Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.”
“Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.”
I ponder the next line. “How sweet…”
“Your ass,” Tucker supplies.
Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again.
“Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.”
“Call my girlfriend a ho one more time and you won’t have a bro.”
Tucker chuckles. “Seriously, why are you writing poetry for this chick?”
“Because I’m trying to win her back. This is one of her requirements.”
That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?”
“None of your fucking business.”
“Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!”
I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.”
Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
Jerry took a large slice of wheaten bread, spread with golden butter, and bit into it with her small white teeth. It was a natural gesture - she was very hungry indeed - but to Sam, there was something symbolic about it. Jerry was like bread, he thought. She was like good wholesome wheaten bread, spread thick with honest farm butter; and the thought crossed his mind, that a man might eat bread forever and ever, and not tire of it, and it would never clog his palate like sweet cakes or pastries or chocolate éclairs.
”
”
D.E. Stevenson (Miss Buncle Married (Miss Buncle #2))
“
Today, home from Trinidad, I thank James Arthur Baldwin for his legacy of fire. A fine rain of words when we had no tongues. He set fire to our eyes. Made a single look, gesture endure. Made a people meaningful and moral. Responsible finally for all our sweet and terrible lives.
”
”
Sonia Sanchez (Shake Loose My Skin: New and Selected Poems)
“
Cassie fumbled helplessly beneath the shade of the ancient oak, still searching for her second shoe.The first had been easy to find, having landed close to where she had kicked it off; and when her hand had finally encountered it, she clutched it to her breast in a gesture of smug triumph. For one brief moment, she felt a twinge of sympathy for the sighted people who would never experience such sweet victory from a task as simple as finding a shoe.
”
”
Melinda Cross
“
I am many things, but an exhibitionist is not one of them.” He gestures at a recess down the hall that I’m starting to recognize as a ship door. “This is where our mess is. Come. You can eat and I can tell you all about how I won’t touch you without your permission.” “You keep adding that ‘your permission’ thing,” I point out. He glances down at me, and his eyes are warm, his smile inviting. “That is because, my sweet Fran, I plan on having your permission. Just not today.
”
”
Ruby Dixon (The Corsair's Captive (Corsairs, #1))
“
So, what do you go for in a girl?”
He crows, lifting a lager to his lips
Gestures where his mate sits
Downs his glass
“He prefers tits I prefer ass. What do you go for in a girl?”
I don’t feel comfortable
The air left the room a long time ago
All eyes are on me
Well, if you must know I want a girl who reads
Yeah. Reads.
I’m not trying to call you a chauvinist
Cos I know you’re not alone in this but…
I want a girl who reads
Who needs the written word & uses the added vocabulary
She gleans from novels and poetry
To hold lively conversation In a range of social situations
I want a girl who reads
Who’s heart bleeds at the words of Graham Greene Or even Heat magazine
Who’ll tie back her hair while reading Jane Eyre
And goes cover to cover with each water stones three for two offer but
I want a girl who doesn’t stop there
I want a girl who reads
Who feeds her addiction for fiction
With unusual poems and plays
That she hunts out in crooked bookshops for days and days and days
She’ll sit addicted at breakfast, soaking up the back of the cornflakes box
And the information she gets from what she reads makes her a total fox
Cos she’s interesting & unique & her theories make me go weak at the knees
I want a girl who reads
A girl who’s eyes will analyze
The menu over dinner
Who’ll use what she learns to kick my ass in arguments so she always ends the winner
But she’ll still be sweet and she’ll still be flirty
Cos she loves the classics and the classics are dirty
So late at night she’d always have me in a stupor
As she paraphrases the raunchier moments from the works of
Jilly Cooper See, some guys prefer asses
Some prefer tits
And I’m not saying that I don’t like those bits
But what’s more important
What supersedes
Is a girl with passion, wit and dreams
So I’d like a girl who reads.
”
”
Mark Grist
“
Don’t confuse love with romance, young lady. Romance is beautiful, it’s a gesture, it’s a walk in a park with a pretty girl. Love is ugly sometimes. It’s a crawl into a war zone to save a friend. Romance whispers sweet nothings. Love tells painful truths. Romance gives an engagement ring. Love takes a bullet. I gave up marriage and children and sex and the comforts of family, because I love my Lord, and I would take a bullet for anyone in this church, including you, young lady. Now you tell me I don’t know what love is.
”
”
Tiffany Reisz (The Queen)
“
There is nothing more holy than the power to make something from its individual parts, and give it to someone in a gesture of love.
”
”
Rebecca Ley (Sweet Fruit, Sour Land)
“
Nicolas walked toward him. Ignoring the presence of the others nearby, he took Julien's chin in his hand and kissed him tenderly on the lips. Julien seemed chagrined at first, and then accepted the gesture. It was sweet, and had the air of a couple that had been together for a great long time.
Maric glanced away, embarrased by the intimacy, not to mention the fact that he hadn't quite realized the nature of the two warriors' relationship ealier. Not just comrades, then, and far more than close friend. The older Grey Wardens seemed unsurprised.
”
”
David Gaider (The Calling (Dragon Age, #2))
“
Casteel extended his arm to me. I came forward, placing my hand in his. He tugged me into his side, and a heartbeat later, Kieran’s other hand fisted in my hair. The air shuddered from me as I squeezed my eyes tight against the rush of tears—the rush of…sweet emotion. The simple gesture was a powerful reminder that this moment wasn’t just about them. It was about us.
”
”
Jennifer L. Armentrout (The War of Two Queens (Blood And Ash, #4))
“
She turned to put the basket of bread on the table and saw Brian, and the clutch of mums and zinnias he held in his hand.
"It seemed to call for them," he said.
She stared at the cheerful fall bloossoms, then up into his face. "You picked me flowers."
The sheer disbelief in her voice had him moving his shoulders restlessly. "Well,you made me dinner, with wine and candles and the whole of it. Bedsides, they're your flowers anyway."
"No,they're not." Drowning in love she set the basket down, waited. "Until you give them to me."
"I'll never understand why women are so sensitive over posies." He held them out.
"Thank you." She closed her eyes, buried her face in them. She wanted to remember the exact fragrance, the exact texture. Then lowering them again, she lifted her mouth to his for a kiss. Rubbed her cheek against his.
His arms came around her so suddenly, so tightly, she gasped. "Brian? What is it?"
That gesture,the simple and sweet gesture of cheek against cheek nearly destroyed him. "It's nothing. I just like the way you feel against me when I hold you."
"Hold me any tighter,I'll be through you.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
To that point, he had always found the vicomtesse overflowing with friendly politeness, that sweet-flowing grace conferred by an aristocratic education, and which is never truly there unless it comes, automatically and unthinkingly, straight from the heart.
[...]
For anyone who had learned the social code, and Rastignac had absorbed it all in a flash, these words, that gesture, that look, that inflection in her voice, summed up all there was to know about the nature and the ways of men and women of her class. He was vividly aware of the iron hand underneath the velvet glove; the personality, and especially the self-centeredness, under the polished manners; the plain hard wood, under all the varnish. [...] Eugène had been entirely too quick to take this woman's word for her own kindness. Like all those who cannot help themselves, he had signed on the dotted line, accepting the delightful contract binding both benefactor and recipient, the very first clause of which makes clear that, as between noble souls, perfect equality must be forever maintained. Beneficience, which ties people together, is a heavenly passion, but a thoroughly misunderstood one, and quite as scarce as true love. Both stem from the lavish nature of great souls.
”
”
Honoré de Balzac (Père Goriot)
“
the six of us are supposed to drive to the diner in Hastings for lunch. But the moment we enter the cavernous auditorium where the girls told us to meet them, my jaw drops and our plans change.
“Holy shit—is that a red velvet chaise lounge?”
The guys exchange a WTF look. “Um…sure?” Justin says. “Why—”
I’m already sprinting toward the stage. The girls aren’t here yet, which means I have to act fast. “For fuck’s sake, get over here,” I call over my shoulder.
Their footsteps echo behind me, and by the time they climb on the stage, I’ve already whipped my shirt off and am reaching for my belt buckle. I stop to fish my phone from my back pocket and toss it at Garrett, who catches it without missing a beat.
“What is happening right now?” Justin bursts out.
I drop trou, kick my jeans away, and dive onto the plush chair wearing nothing but my black boxer-briefs. “Quick. Take a picture.”
Justin doesn’t stop shaking his head. Over and over again, and he’s blinking like an owl, as if he can’t fathom what he’s seeing.
Garrett, on the other hand, knows better than to ask questions. Hell, he and Hannah spent two hours constructing origami hearts with me the other day. His lips twitch uncontrollably as he gets the phone in position.
“Wait.” I pause in thought. “What do you think? Double guns, or double thumbs up?”
“What is happening?”
We both ignore Justin’s baffled exclamation.
“Show me the thumbs up,” Garrett says.
I give the camera a wolfish grin and stick up my thumbs.
My best friend’s snort bounces off the auditorium walls. “Veto. Do the guns. Definitely the guns.”
He takes two shots—one with flash, one without—and just like that, another romantic gesture is in the bag.
As I hastily put my clothes back on, Justin rubs his temples with so much vigor it’s as if his brain has imploded. He gapes as I tug my jeans up to my hips. Gapes harder when I walk over to Garrett so I can study the pictures.
I nod in approval. “Damn. I should go into modeling.”
“You photograph really well,” Garrett agrees in a serious voice. “And dude, your package looks huge.”
Fuck, it totally does.
Justin drags both hands through his dark hair. “I swear on all that is holy—if one of you doesn’t tell me what the hell just went down here, I’m going to lose my shit.”
I chuckle. “My girl wanted me to send her a boudoir shot of me on a red velvet chaise lounge, but you have no idea how hard it is to find a goddamn red velvet chaise lounge.”
“You say this as if it’s an explanation. It is not.” Justin sighs like the weight of the world rests on his shoulders. “You hockey players are fucked up.”
“Naah, we’re just not pussies like you and your football crowd,” Garrett says sweetly. “We own our sex appeal, dude.”
“Sex appeal? That was the cheesiest thing I’ve ever—no, you know what? I’m not gonna engage,” Justin grumbles. “Let’s find the girls and grab some lunch
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
They must have looked like traveling companions, Phoebe thought, possibly even a couple. She noticed her voice leaning into laughter, how she tossed her head, each tiny gesture like the sweet ache of a muscle craving exercise.
”
”
Jennifer Egan (The Invisible Circus)
“
Domestic
Where's the wisdom in erasing a loved one's mess,
so akin to his signature? Your honor, I only meant
to strew the immaculate in his wake. To wipe the path
ahead and behind reasonably clean. Futile, yes,
but weren't such gestures essential to love's discipline
once upon a time? Daily, I harvested dropped fruit peels
and socks. I chased him through life with dustpan
and broom, smoothed his body dents from the bed,
soothed the mud tramped floors. Did I sin in this?
Better to leave the habitat sweetly reeking of him
than to spend years scrubbing up evidence of his existence.
Archaelogists centuries hence may marvel at such relics:
his mustard stained napkins, toothpicks chewed
to splinters. Never let it be said that in my zeal
to clean I robbed the future's museums. Who
am I to call what flies to either side of the trail
he blazes--half read magazines, cups of scummed
over coffee and mashed out cigarettes--dirt?
”
”
Amy Gerstler (Ghost Girl)
“
He could never know how beautiful he was in these moments, and Devin couldn't bring himself to say anything. What would he say? “I've always noticed you, but never thought I deserved someone like you?”
That wasn't right. It was cheesy and over-the-top, and still somehow inadequate to describe the maelstrom of emotions he felt when he was around Sam. Mike made it seem simple, but it wasn't. This wasn't like hooking up with a hot guy he'd met on the dance floor, it was Sam. The sweet, cerebral, quiet man who'd been his friend for nearly two years and somehow managed to sneak out of the friend box into this no man's land where every word, every gesture was a promise Devin wasn't sure he could keep.
”
”
Sara Winters (See Right Through (Savannah, #1))
“
Marius made a movement.
'Oh, don't go!' she said. 'It won't be long.'
She was sitting almost upright, but her voice was very low and broken by hiccoughs. At moments she struggled for breath. Raising her face as near as she could to Marius', she said, with a strange expression:
'Look, I can't cheat you. I have a letter for you in my pocket. I've had it since yesterday. I was asked to post it, but I didn't. I didn't want you to get it. But you might be angry with me when we meet again. Because we shall all meet again, shan't we? Take your letter.'
With a convulsive movement she seized Marius' hand with her own injured one, but without seeming to feel the pain, and guided it to her pocket.
'Take it,' she said.
Marius took out the letter, and she made a little gesture of satisfaction and acceptance.
'Now you must promise me something for my trouble...' She paused.
'What?' asked Marius.
'Do you promise?'
'Yes, I promise.'
'You must kiss me on the forehead after I'm dead...I shall know.'
She let her head fall back on his knees; her lids fluttered, and then she was motionless. He thought that the sad soul had left her. But then, when he thought it was all over, she slowly opened her eyes that were now deep with the shadow of death, and said in a voice so sweet that it seemed already to come from another world:
'You know, Monsieur Marius, I think I was a little bit in love with you.'
She tried to smile, and died.
”
”
Victor Hugo (Les Misérables)
“
When someone dies they get very cold and very still. That probably sounds obvious, but when it’s your mother it doesn’t feel obvious—it feels shocking. You watch, winded and reeling, as the medical technicians neutralize the stasis field and power down the synthetic organ metabolizer. But the sentimental gesture of kissing her forehead makes you recoil because the moment your lips touch her skin you realize just how cold and just how still she is, just how permanent that coldness and that stillness feel. Your body lurches like it’s been plunged into boiling water and for the first time in your life you understand death as a biological state, an organism ceasing to function. Unless you’ve touched a corpse before, you can’t comprehend the visceral wrongness of inert flesh wrapped around an inanimate object that wears your mother’s face. You feel sick with guilt and regret and sadness about inconsequential anecdote. You can’t remember anything thoughtful or sweet or tender that you ever did even though logically you know you must have. All you can recall is how often you were small and petty and false. She was your mother and she loved you in a way nobody ever has and nobody ever will and now she’s gone.
”
”
Elan Mastai (All Our Wrong Todays)
“
I slapped his chest with the back of my hand, which he then caught and pressed against his heart. The message was there in that sweet, subtle gesture. I was in him, and he was in me. We were complete opposites, but we’d been made for each other.
”
”
Rachel Higginson (The Opposite of You (Opposites Attract, #1))
“
Ren took his time perusing the menu and seemed to be thoroughly enjoying himself. I didn’t even pick my menu up. He shot me meaningful glances while I sat silently, trying to avoid making eye contact. When she came back, she spoke to him briefly and gestured to me.
I smiled, and in a syrupy sweet voice, said, “I’ll have whatever will get me out of here the fastest. Like a salad, maybe.”
Ren smiled benignly back at me and rattled off what sounded like a banquet of choices, which the waitress was more than happy to take her time writing down. She kept touching him and laughing with him too. Which I found very, very annoying.
When she left, he leaned back in his chair and sipped his water.
I broke the silence first and hissed at him quietly, “I don’t know what you’re playing at, but you only have about two minutes left, so I hope you ordered the steak tartar, Tiger.”
He grinned mischievously. “We’ll see, Kells. We’ll see.”
“Fine. No skin off my nose. I can’t wait to see what happens when a white tiger runs through this nice establishment creating mayhem and havoc. Perhaps they will lose one of their stars because they put their patrons in danger. Maybe your new waitress girlfriend will run away screaming.” I smiled at the thought.
Ren affected shock, “Why, Kelsey! Are you jealous?”
I snorted in a very unladylike way. “No! Of course not.”
He grinned. Nervously, I played with my cloth napkin. “I can’t believe you convinced Mr. Kadam to play along with you like this. It’s shocking, really.”
He opened his napkin and winked at the waitress when she came to bring us a basket of rolls.
When she left, I challenged, “Are you winking at her? Unbelievable!”
He laughed quietly and pulled out a steaming roll, buttered it, and put it on my plate. “Eat, Kelsey,” he commanded. Then he sat forward. “Unless you are reconsidering seeing the view from my lap.”
Angrily, I tore apart my roll and swallowed a few pieces before I even noticed how delicious they were-light and flaky with little flecks of orange rind mixed into the dough. I would have eaten another one, but I wouldn’t give him the satisfaction.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Both Rick and Amelia were impressed with their graceful movements. The Balinese dance was artistic with great expression. The dancers seemed to be telling a story through their fingers, hands and body gestures, including head and eye movements. It was amazing. Every gesture was elegant.
”
”
Linda Weaver Clarke (The Bali Mystery (Amelia Moore Detective Series #1))
“
Ah, poems amount to so little when you write them too early in your life. You ought to wait and gather sense and sweetness for a whole lifetime, and a lone one if possible, and then, at the very end, you might perhaps be able to write ten good lines. For poems are not, as people think, simply emotions (one has emotions early enough)—they are experiences.
For the sake of a single poem, you must see many cities, many people and Things, you must understand animals, must feel how birds fly, and know the gesture which small flowers make when they open in the morning. You must be able to think back to streets in unknown neighborhoods, to unexpected encounters, and to partings you had long seen coming; to days of childhood whose mystery is still unexplained, to parents whom you had to hurt when they brought in a joy and you didn’t pick it up (it was a joy meant for somebody else—); to childhood illnesses that began so strangely with so many profound and difficult transformations, to days in quiet, restrained rooms and to mornings by the sea, to the sea itself, to seas, to nights of travel that rushed along high overhead and went flying with all the stars, and it is still not enough to be able to think of all that.
You must have memories of many nights of love, each one different from all the others, memories of women screaming in labor, and of light, pale, sleeping girls who have just given birth and are closing again. But you must also have been beside the dying, must have sat beside the dead in the room with the open window and the scattered noises. And it is not yet enough to have memories. You must be able to forget them when they are many, and you must have the immense patience to wait until they return. For the memories themselves are not important. Only when they have changed into our very blood, into glance and gesture, and are nameless, no longer to be distinguished from ourselves—only then can it happen that in some very rare hour the first word of a poem arises in their midst and goes forth from them.
- For the Sake of a Single Poem
”
”
Rainer Maria Rilke (The Selected Poetry of Rainer Maria Rilke)
“
No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough."
His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
Alone and lost, appeared this saint,
With pretty gray eyes, darkness can’t taint.
He stole her from cold, from blustering storm,
Kind and gentle, he took her from harm.
Fearful of dark, he created her light,
A jar of gold, chasing demons of night.
Telling stories of love, he brought to her life,
A moment by his side: no pain, no strife.
He gifted her poems, a gesture on whim,
With every word read, she could see only him.
She counted the days until he returned home,
The boy with his light, the girl not alone.
Invisible to all, a shade wandering in dark,
He brought back her faith, with his pure kind heart.
- Elsie
”
”
Tillie Cole (Sweet Soul (Sweet Home, #4; Carillo Boys, #3))
“
I know she memorized the pages torn from it at an early age. I know she pours over every book of poems she can find from the public library, trying to recreate the same feeling my copied words elicited in her as a child.
I also know she won’t find that feeling elsewhere, because it’s not in the words, it’s in the gesture.
Poetry gifted, not poetry borrowed.
”
”
Sav R. Miller (Sweet Sin (Monsters & Muses, #0.5))
“
Ah, I believe Schacht. Only too willingly; that’s to say, I think what he says is absolutely true, for the world is incomprehensibly crass, tyrannical, moody, and cruel to sickly and sensitive people. Well, Schacht will stay here for the time being. We laughed at him a bit, when he arrived, that can’t be helped either, Schacht is young and after all can’t be allowed to think there are special degrees, advantages, methods, and considerations for him. He has now had his first disappointment, and I’m convinced that he’ll have twenty disappointments, one after the other. Life with its savage laws is in any case for certain people a succession of discouragements and terrifying bad impressions. People like Schacht are born to feel and suffer a continuous sense of aversion. He would like to admit and welcome things, but he just can’t. Hardness and lack of compassion strike him with tenfold force, he just feels them more acutely. Poor Schacht. He’s a child and he should be able to revel in melodies and bed himself in kind, soft, carefree things. For him there should be secret splashings and birdsong. Pale and delicate evening clouds should waft him away in the kingdom of Ah, What’s Happening to Me? His hands are made for light gestures, not for work. Before him breezes should blow, and behind him sweet, friendly voices should be whispering. His eyes should be allowed to remain blissfully closed, and Schacht should be allowed to go quietly to sleep again, after being wakened in the morning in the warm, sensuous cushions. For him there is, at root, no proper activity, for every activity is for him, the way he is, improper, unnatural, and unsuitable. Compared with Schacht I’m the trueblue rawboned laborer. Ah, he’ll be crushed, and one day he’ll die in a hospital. or he’ll perish, ruined in body and soul, inside one of our modern prisons.
”
”
Robert Walser (Jakob von Gunten)
“
If there’s one thing I regret it’s not having told my father how much I admired and loved him. My only gesture of affection was a quick kiss on the forehead two days before he died. The kiss tasted like sugar and I felt like a thief who furtively stole something that no longer belong to anybody. Why do we hide our feelings? Out of cowardice? Out of egotism? With a mother it’s different: we cover her with flowers, gifts and sweet phrases. What is it that prevents us from affectionately confronting our father and telling him, face to face, how much we love or admire him? On the other hand, why do we curse him under our breath when he puts us in our place? Why do we react with wickedness and not affection when the occasion presents itself? Why are we brave with taunts and cowards with affection? Why did I never tell my father these things but I tell them to you, who are probably too young to understand them yet? One night I wanted to speak to my father ion his room but found him asleep. As I quietly began to leave the room, I heard my sleeping father, in a desperate voice, say: “No, papa, no!” What strange, agitated dream was my father experiencing with his father? And if one thing caught my attention, beyond the enigma of the dream, was that my father was seventy-eight years old at that time and my grandfather had been dead for at least a quarter of a century. Does a man have to die to speak to his father?
”
”
Juan Gabriel Vásquez (La forma de las ruinas)
“
There was just enough room for the tonga to get through among the bullock-carts, rickshaws, cycles and pedestrians who thronged both the road and the pavement--which they shared with barbers plying their trade out of doors, fortune-tellers, flimsy tea-stalls, vegetable-stands, monkey-trainers, ear-cleaners, pickpockets, stray cattle, the odd sleepy policeman sauntering along in faded khaki, sweat-soaked men carrying impossible loads of copper, steel rods, glass or scrap paper on their backs as they yelled 'Look out! Look out!' in voices that somehow pierced though the din, shops of brassware and cloth (the owners attempting with shouts and gestures to entice uncertain shoppers in), the small carved stone entrance of the Tinny Tots (English Medium) School which opened out onto the courtyard of the reconverted haveli of a bankrupt aristocrat, and beggars--young and old, aggressive and meek, leprous, maimed or blinded--who would quietly invade Nabiganj as evening fell, attempting to avoid the police as they worked the queues in front of the cinema-halls. Crows cawed, small boys in rags rushed around on errands (one balancing six small dirty glasses of tea on a cheap tin tray as he weaved through the crowd) monkeys chattered in and bounded about a great shivering-leafed pipal tree and tried to raid unwary customers as they left the well-guarded fruit-stand, women shuffled along in anonymous burqas or bright saris, with or without their menfolk, a few students from the university lounging around a chaat-stand shouted at each other from a foot away either out of habit or in order to be heard, mangy dogs snapped and were kicked, skeletal cats mewed and were stoned, and flies settled everywhere: on heaps of foetid, rotting rubbish, on the uncovered sweets at the sweetseller's in whose huge curved pans of ghee sizzled delicioius jalebis, on the faces of the sari-clad but not the burqa-clad women, and on the horse's nostrils as he shook his blinkered head and tried to forge his way through Old Brahmpur in the direction of the Barsaat Mahal.
”
”
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
“
Winter apple,” Kestrel said. “Arin, you have been bribing my horse!”
“Me? No.”
“You have! No wonder he likes you so much.”
“Are you sure it’s not because of my good looks and pleasing manners?” This was said lightly--not quite sarcastically, yet in a voice that nevertheless told Kestrel that he doubted he possessed either of these things.
But he was pleasing. He pleased her. And she could never forget his beauty. She had learned it all too well.
She blushed. “It’s not fair,” she said.
He took in her rising color. His mouth curved. And although Kestrel wasn’t sure that he could interpret what effect he was having on her simply by standing there and saying the word pleasing, she knew that he always knew when he had an advantage.
He pressed it. “Doesn’t your father’s theory of war include winning over the other side by offering sweets? No? An oversight, I think. I wonder…might I bribe you?”
Kestrel’s fingers clenched. It probably looked like anger. It wasn’t. It was the instinctive gesture of someone dangerously tempted.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Love's Retreat"
Soul mates of a depth entwined
are kindred flames beyond the find
who shall be love's caress to know
past the flight of Cupid's bow
And borrowed from a sonnet's hold
of court and spark beyond the fold
truth shall be a love divine
to wrap around and then entwine
For higher love does rise in form
with every tenderness to warm
past a depth beyond the sea
which sanctions kindred flames to be
And hearts of many start to sing
in sweet refrain as lovers bring
a breaking dawn beyond the night
from which two hearts begin their flight
Soul mates shall forever be
the rose within their eyes to see
with twin flames reaching higher chord
in loving song so much adored
For when they merge as sacred one
life is spun as comets run
and from each kiss of gesture felt
heartfelt candles start to melt
Borrowed from each touch to own
love surmounts the all alone
as starlight rainbows cast a gift
among the cosmic river drift
And there amid a starry night
soul mates gather past delight
forming higher venture sweet
lost in Cupid's love retreat.
A V
”
”
Anonymous
“
We've been trying to recreate Mum's Coorg pandhi curry."
"Is that so?" said Mynah. "How was that supposed to work without the kachampuli?"
"The what?"
"Kachampuli," she repeated.
"What is kachampuli supposed to be?" Dad asked, sounding out the syllables carefully.
Mynah let out a shriek of laughter. "Are you telling me you've been trying to make Coorg pandhi curry all this time, and neither of you knows about kachampuli? Which is only the most essential ingredient?"
"But surely the pandhi is the most essential ingredient," Anna protested, gesturing in the direction of the pork rind sitting on the counter. "Otherwise it would be called kachampuli curry."
Mynah ignored that and wiped tears of laughter from her eyes. "Kachampuli, my sweet ignorant ones, is what gives the pandhi curry its distinct flavor. It's a little vinegar, and it's made from a limey sort of fruit they grow in Coorg." She marched to one of the cupboards, rooted around in the back, and retrieved a dusty bottle with a sealed cap. Inside gleamed a thick, dark liquid. "Behold," she said dramatically, "kachampuli.
”
”
Sangu Mandanna (Hungry Hearts: 13 Tales of Food & Love)
“
I had the most ridiculous dream.” I point at my brother. “You were there.” I point at Simon beside him. “And you.” Then Franny, all of them huddled on the floor around me. “And you too. You . . . abdicated the throne, Nicholas. And they all wanted to make me king.” A maniacal laugh passes my lips . . . until I turn to the right and see dark blue eyes, sweet lips. and black, swirling hair.
Then I scream like a girl. “Ahhhh!”
It’s Olivia. My brother’s wife. His very American wife.
I turn back to Nicholas. “It wasn’t a dream, was it?”
“No, Henry.”
I lie back down on the floor. “Fuuuuuck.”
Then I feel sort of bad.
“Sorry, Olive. You know I think you’re top-notch.”
She smiles kindly. “It’s okay, Henry. I’m sorry you’re having a hard time.”
I scrub my hand over my face, trying to think clearly.
“It’s all right. This is a better, new plan—I won’t have to live under the stage now.”
“You were going to live under the stage?” Nicholas asks.
I wave my hand. “Forget it. It was Potter’s stupid idea. Boy Wonder Wizard, my arse.”
And now my brother looks really worried.
I gesture to him. “But you’re here now. You can take me with you back to the States.”
“Henry . . .”
“Give me your tired, poor, huddled masses yearning to be free—that describes me perfectly! I’m a huddled mass, Nicholas!”
He squeezes my arms, shaking just a bit. “Henry. You can’t move to America.”
I grasp his shirt. And my voice morphs into an eight-year-old boy’s, confessing he sees dead people. “But she’s so mean, Nicholas. She’s. So. Mean.”
He taps my back. “I know.”
Nicholas and Simon drag me up, holding on so that I stay on my feet. “But we’ll figure it out,” Nicholas says. “It’s going to be all right.”
I shake my head. “You keep saying that. I’m starting to think you don’t know what the hell you’re talking about.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
No, listen. I’ve got it now. You meet a girl: shy, unassuming. If you tell her she’s beautiful, she’ll think you’re sweet, but she won’t believe you. She knows that beauty lies in your beholding.” Bast gave a grudging shrug. “And sometimes that’s enough.” His eyes brightened. “But there’s a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you…” Bast gestured excitedly. “Suddenly the story she tells herself in her own head changes. She transforms. She isn’t seen as beautiful. She is beautiful, seen.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
Soon thereafter, a maid brought Poppy a tray of neat boxes tied with ribbons. Opening them, Poppy discovered that one was filled with toffee, another with boiled sweets, and another with Turkish delight. Best of all, one box was filled with a new confection called "eating-chocolates" that had been all the rage at the London Exhibition.
"Where did these come from?" Poppy asked Harry when he returned to her room after a brief visit to the front offices.
"From the sweet shop."
"No, these," Poppy showed him the eating-chocolates. "No one can get them. The makers, Fellows and Son, have closed their shop while they moved to a new location. The ladies at the philanthropic luncheon were talking about it."
"I sent Valentine to the Fellows residence to ask them to make a special batch for you." Harry smiled as he saw the paper twists scattered across the counterpane. "I see you've sampled them."
"Have one," Poppy said generously.
Harry shook his head. "I don't like sweets." But he bent down obligingly as she gestured for him to come closer. She reached out to him, her fingers catching the knot of his necktie.
Harry's smile faded as Poppy exerted gentle tension, drawing him down. He was suspended over her, an impending weight of muscle and masculine drive. As her sugared breath blew against his lips, she sensed the deep tremor within him. And she was aware of a new equilibrium between them, a balance of will and curiosity. Harry held still, letting her do as she wished.
She tugged him closer until her mouth brushed his. The contact was brief but vital, striking a glow of heat.
Poppy released him carefully, and Harry drew back.
"You won't kiss me for diamonds," he said, his voice slightly raspy, "but you will for chocolates?"
Poppy nodded.
As Harry turned his face away, she saw his cheek tauten with a smile. "I'll put in a daily order, then.
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
When the girl didn’t move, Gavin summoned her near with his fingers. His heart thrummed as she obeyed, stepping up close to him. Her young stature was much shorter than his tall, wiry form. Gavin regarded her prettiness - pale cheeks, pink lips, inquisitive eyes. Fascinated by her, he longed to know her name.
“Who are you?” he asked. He heard the girl utter the same question at the same time.
Cocking his head, he claimed, “I asked you first.”
“No you didn’t,” she protested, shaking her red-hooded head, “I asked you at the same time you asked me.”
Gavin grinned at her insistence. It was hard for him not to chuckle. “Well, then, I suppose we’ll have to go with ‘girls first’.” His grin widened into a white smile.
The girl gestured to herself. “I’m Little Red Riding Hood.”
He recognized the name of a fairy tale character, and groaned under his breath at not having discovered this dreamer’s real name.
“Actually,” she confessed almost immediately, “I’m not really Red Riding Hood. My name is Annabelle, but I’m pretending to be her because……well……because this is my dream and that’s what I wish to dream about.”
Oh glorious day! He’d learned her name! Annabelle! Annabelle! What a perfectly sweet sound was this utterance of…..Annabelle.
”
”
Richelle E. Goodrich (Secrets of a Noble Keykeeper)
“
Ah! but verses amount to so little when one writes them young. One ought to wait and gather sense and sweetness a whole life long, and a long life if possible, and then, quite at the end, one might perhaps be able to write ten lines that were good. For verses are not, as people imagine, simply feelings (those one has early enough),–they are experiences. For the sake of a single verse, one must see many cities, men and things, one must know the animals, one must feel how the birds fly and know the gesture with which the little flowers open in the morning. One must be able to think back to roads in unknown regions, to unexpected meetings and to partings one had long seen coming; to days of childhood that are still unexplained, to parents whom one had to hurt when they brought one some joy and one did not grasp it (it was a joy for someone else); to childhood illnesses that so strangely begin with such a number of profound and grave transformations, to days in rooms withdrawn and quiet and to the mornings by the sea, to the sea itself, to seas, to nights of travel that rushed along on high and flew with all the stars–and it is not yet enough if one may think of all this. One must have memories of many nights of love, none of which was like the others, of the screams of women in labour, and of light, white sleeping women in childbed, closing again. But one must also have been beside the dying, must have sat beside the dead in the room with the open window and the fitful noises. And still it is not yet enough to have memories. One must be able to forget them when they are many and one must have the great patience to wait until they come again. For it is not yet the memories themselves. Not till they have turned to blood within us, to glance and gesture, nameless and no longer to be distinguished from ourselves–not till then can it happen that in a most rare hour the first word of a verse arises in their midst and goes forth from them.
”
”
Rainer Maria Rilke
“
Oh. I get it." Abby laughed. "This is where you bid on someone to wash your car."
"Naked," Charli said.
"Or check the shower tiles."
"Also naked."
Abby laughed. "I'm guessing that as long as there's wet and naked, we're all good."
Fiona let out a long sigh.
"What was that?" Charli asked with a lift to her perfect brows. "Have you got a victim---I mean a participant in mind?"
Fiona glanced across the hall. "Have you seen Jackson's fireman buddy?"
"No." Charli looked across the room. "Should we?"
"Too late," Fiona said. "I've got first dibs."
At that moment, Abby noticed the Wilder boys walk across the front of the room near the stage. Individually, they were stunning. As a group, they looked as appetizing as a decadent box of chocolates. Abby couldn't tear her eyes away from Jackson. Put him in a fireman suit, a tux jacket and jeans, or a simple T-shirt and cargo shorts, and he took her breath away.
Truthfully, she liked him best in noting at all.
"Holy guacamole." Charli gestured to a tall, dark, and devastating man walking with the group. "Is that who you are talking about?"
Fiona nodded. "I want to lick him up one side and down the other like a cherry Popsicle."
"Honey, you bid as high as you can go," Charli said. "And if you run out of money, you just let me know. I'd be happy to chip in.
”
”
Candis Terry (Sweetest Mistake (Sweet, Texas, #2))
“
Consider it a Solstice and birthday present in one.' He gestured to the house, the gardens, the grounds that flowed to the river's edge. With a perfect view of the Rainbow at night, thanks to the land's curve. 'It's yours. Ours. I purchased it on Solstice Eve. Workers are coming in two days to begin clearing the rubble and knock down the rest of the house.'
I blinked again, long and slow. 'You bought me an estate?'
'Technically, it will be our estate, but the house is yours. Build it to your heart's content. Everything you want, everything you need- build it.'
The cost alone, the sheer size of this gift had to astronomical. 'Rhys.'
He paced a few steps, running his hands through his blue-black hair, his wings tucked in tight. 'We have no space at the town house. You and I can barely fit everything in the bedroom. And no one wants to be at the House of Wind.' He again gestured to the magnificent estate around us. 'So build a house for us, Feyre. Dream as wildly as you want. It's yours.'
I didn't have words for it. What cascaded through me. 'It- the cost-'
'Don't worry about the cost.'
'But...' I gaped at the sleeping, tangled land, the ruined house. Pictured what I might want there. My knees wobbled. 'Rhys- it's too much.'
His face became deadly serious. 'Not for you. Never for you.' He slid his arms around my waist, kissing my temple. 'Build a house with a painting studio.' He kissed my other temple. 'Build a house with an office for you, and one for me. Build a house with a bathtub big enough for two- and for wings.' Another kiss, this time to my cheek. 'Build a house with a garden for Elain, a training ring for the Illyrian babies, a library for Amren, and an enormous dressing room for Mor.' I choked on a laugh at that. But Rhys silenced it with a kiss to my mouth, lingering and sweet. 'Build a house with a nursery, Feyre.'
My heart tightened to the point of pain, and I kissed him back. Kissed him again and again, the property wide and clear around us. 'I will,' I promised.
”
”
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
“
Sarah sits up and reaches over, plucking a string on my guitar. It’s propped against the nightstand on her side of the bed. “So . . . do you actually know how to play this thing?”
“I do.”
She lies down on her side, arm bent, resting her head in her hand, regarding me curiously. “You mean like, ‘Twinkle, Twinkle, Little Star,’ the ‘ABC’s,’ and such?”
I roll my eyes. “You do realize that’s the same song, don’t you?”
Her nose scrunches as she thinks about it, and her lips move as she silently sings the tunes in her head. It’s fucking adorable. Then she covers her face and laughs out loud.
“Oh my God, I’m an imbecile!”
“You shouldn’t be so hard on yourself, but if you say so.”
She narrows her eyes. “Bully.” Then she sticks out her tongue.
Big mistake.
Because it’s soft and pink and very wet . . . and it makes me want to suck on it. And then that makes me think of other pink, soft, and wet places on her sweet-smelling body . . . and then I’m hard.
Painfully, achingly hard.
Thank God for thick bedcovers. If this innocent, blushing bird realized there was a hot, hard, raging boner in her bed, mere inches away from her, she would either pass out from all the blood rushing to her cheeks or hit the ceiling in shock—clinging to it by her fingernails like a petrified cat over water.
“Well, you learn something new every day.” She chuckles. “But you really know how to play the guitar?”
“You sound doubtful.”
She shrugs. “A lot has been written about you, but I’ve never once heard that you play an instrument.”
I lean in close and whisper, “It’s a secret. I’m good at a lot of things that no one knows about.”
Her eyes roll again. “Let me guess—you’re fantastic in bed . . . but everybody knows that.” Then she makes like she’s playing the drums and does the sound effects for the punch-line rim shot. “Ba dumb ba, chhhh.”
And I laugh hard—almost as hard as my cock is.
“Shy, clever, a naughty sense of humor, and a total nutter. That’s a damn strange combo, Titebottum.”
“Wait till you get to know me—I’m definitely one of a kind.”
The funny thing is, I’m starting to think that’s absolutely true.
I rub my hands together, then gesture to the guitar. “Anyway, pass it here. And name a musician. Any musician.”
“Umm . . . Ed Sheeran.”
I shake my head. “All the girls love Ed Sheeran.”
“He’s a great singer. And he has the whole ginger thing going for him,” she teases. “If you were born a prince with red hair? Women everywhere would adore you.”
“Women everywhere already adore me.”
“If you were a ginger prince, there’d be more.”
“All right, hush now smartarse-bottum. And listen.”
Then I play “Thinking Out Loud.” About halfway through, I glance over at Sarah. She has the most beautiful smile, and I think something to myself that I’ve never thought in all my twenty-five years: this is how it feels to be Ed Sheeran.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
An autumn evening...
An autumn evening, I ran hurriedly,
made my way I did to that special bench in the park,
Where in a likewise special week,
I used to meet my Amily.
My dear Amily with her mischievious eyes,
Hear songs do my ears, whenever she speaks.
With her fragrance and aura of jasmine,
Feel I do that I am in heaven.
Words spoken between us are of course less,
but the thoughts that we share are, a lot.
See each other we do, very less.
Yet an urge to keep seeing each other, we have got.
As I sat on the bench today, waiting for her,
I wondered how today she would be.
Would she dress grand or just come casually,
in a simple manner and her hair let out freely.
After a while, glance I did at the time.
“Why hadn't she come by now?”
Did she meet with trouble on the way that she came?
Or didn't it cross her mind what the time was now?
Then my worries were put to rest,
When I saw her in front of me.
I smiled at the way, that she had dressed for me.
Wearing a dress of my favourite colour,
and herself appearing royal with grandeur,
she came slowly towards me, with doubt in her eyes,
as her eyes enquired if she looked good that way?
I smiled again and gestured that she looked like a princess.
Then I offered my hand, to walk the rest of the day.
So holding each other's hands,
we walked gently,
with our minds out of the world and lost in our own dreams;
Just the two of us, me and my Amily.
”
”
Yasir Sulaiman (3 Stories of Love: Romance isn't always sweet)
“
Such Pleasure took the Serpent to behold This Flourie Plat, the sweet recess of EVE Thus earlie, thus alone; her Heav'nly forme Angelic, but more soft, and Feminine, Her graceful Innocence, her every Aire Of gesture or lest action overawd His Malice, and with rapine sweet bereav'd His fierceness of the fierce intent it brought: That space the Evil one abstracted stood From his own evil, and for the time remaind Stupidly good, of enmitie disarm'd, Of guile, of hate, of envie, of revenge; But the hot Hell that alwayes in him burnes, Though in mid Heav'n, soon ended his delight, And tortures him now more, the more he sees Of pleasure not for him ordain'd: then soon Fierce hate he recollects, and all his thoughts Of mischief, gratulating, thus excites.
”
”
John Milton (Paradise Lost)
“
With great reluctance— sitting in the chair with Kate and doing nothing but hold her was surprisingly satisfying— he stood, lifting her in his arms as he did so, and then set her back in the chair. “This has been a delightful interlude,” he murmured, leaning down to drop a kiss on her forehead. “But I fear your mother’s early return. I shall see you Saturday morning?”
She blinked. “Saturday?”
“A superstition of my mother’s,” he said with a sheepish smile. “She thinks it’s bad luck for the bride and groom to see one another the day before the wedding.”
“Oh.” She rose to her feet, self-consciously smoothing her dress and hair. “And do you believe it as well?”
“Not at all,” he said with a snort.
She nodded. “It’s very sweet of you to indulge your mother, then.”
Anthony paused for a moment, well aware that most men of his reputation did not want to appear tied to apron strings. But this was Kate, and he knew that she valued devotion to family as much as he did, so he finally said, “There is little I would not do to keep my mother content.”
She smiled shyly. “It is one of the things I like best about you.”
He made some sort of gesture designed to change the subject, but she interrupted with, “No, it’s true. You’re far more caring a person than you’d like people to believe.”
Since he wasn’t going to be able to win the argument with her— and there was little point in contradicting a woman when she was being complimentary— he put a finger to his lips and said, “Shhh. Don’t tell anyone.” And then, with one last kiss to her hand and a murmured, “Adieu,” he made his way out the door and outside.
-Anthony & Kate
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
Seith Mann: The thing about that scene [where the girl student slices the other girl's face] that really struck me, was Dukie and the fan. After this girl does this horrific thing, Dukie is reaching out with this fan in this sweet way. It was profound to me, seeing Dukie and the way he goes in the story. ... Seeing someone in the midst of all that chaos, for him to zero in on this girl and try to extend this gesture of kindness, of sweetness that can't really be articulated, was poetic. Even in the midst of all this madness, there's this sweet soul trying to touch somebody else and knowing the rest of the reason and how he gets lost on his way, to a certain extent, is why I think that season is so powerful. Just having an inherently good heart does not help you when you're in certain circumstances. That's tragic. (228)
”
”
Jonathan Abrams (All the Pieces Matter: The Inside Story of The Wire)
“
A man who is awake in the open field at night or who wanders over silent paths experiences the world differently than by day. Nighness vanishes, and with it distance; everything is equally far and near, close by us and yet mysteriously remote. Space loses its measures. There are whispers and sounds, and we do not know where or what they are. Our feelings too are peculiarly ambiguous. There is a strangeness about what is intimate and dear, and a seductive charm about the frightening. There is no longer a distinction between the lifeless and the living, everything is animate and soulless, vigilant and asleep at once. What the day brings on and makes recognizable gradually, emerges out of the dark with no intermediary stages. The encounter suddenly confronts us, as if by a miracle: What is the thing we suddenly see - an enchanted bride, a monster, or merely a log? Everything teases the traveller, puts on a familiar face and the next moment is utterly strange, suddenly terrifies with awful gestures and immediately resumes a familiar and harmless posture.
Danger lurks everywhere. Out of the dark jaws of the night which gape beside the traveller, any moment a robber may emerge without warning, or some eerie terror, or the uneasy ghost of a dead man - who knows what may once have happened at that very spot? Perhaps mischievous apparitions of the fog seek to entice him from the right path into the desert where horror dwells, where wanton witches dance their rounds which no man ever leaves alive. Who can protect him, guide him aright, give him good counsel? The spirit of Night itself, the genius of its kindliness, its enchantment, its resourcefulness, and its profound wisdom. She is indeed the mother of all mystery. The weary she wraps in slumber, delivers from care, and she causes dreams to play about their souls. Her protection is enjoyed by the un-happy and persecuted as well as by the cunning, whom her ambivalent shadows offer a thousand devices and contrivances. With her veil she also shields lovers, and her darkness keeps ward over all caresses, all charms hidden and revealed. Music is the true language of her mystery - the enchanting voice which sounds for eyes that are closed and in which heaven and earth, the near and the far, man and nature, present and past, appear to make themselves understood.
But the darkness of night which so sweetly invites to slumber also bestows new vigilance and illumination upon the spirit. It makes it more perceptive, more acute, more enterprising. Knowledge flares up, or descends like a shooting star - rare, precious, even magical knowledge.
And so night, which can terrify the solitary man and lead him astray, can also be his friend, his helper, his counsellor.
”
”
Walter F. Otto (Homeric Gods: The Spiritual Significance of Greek Religion. Tr from German by Moses Hadas. Reprint of the 1954 Ed)
“
When he slides in, I press my eyes shut and groan. This is going to be so, so good.
His smooth, slow thrusts turn animalistic in a matter of minutes. All I can do is cry out as the pleasure consumes me from head to toe, gripping for dear life onto the glass.
My head is shrouded in a fog of arousal. I can't get out a single coherent thought other than more, harder, faster, please.
I tell Max exactly that. And he does it all.
When his sounds turn quick and desperate, when his fingers turn viselike against my hips, I slide one of my hands between my thighs and circle frantically in the spot I need it most. This is the wildest, most lustful thing I've ever done in my life. Never in a million years did I think I'd ever be the type of girl who wants to have sex against a window overlooking downtown Portland, but I've never been so turned on. I've never been so consumed with pleasure.
This is the effect Max Boyson has on me. Not only does he make me ooey-gooey on the inside with his thoughtful gestures, his sweet words, and the way he looks at me like I'm the only person in the room. But with a single teasing kiss and the touch of his hand on my skin, I turn sex-crazed. He makes me feel so sexy and comfortable all at once. I love love love all the sides this man brings out in me.
With a firm hand, he grips my jaw and turns my face to the side so he can plant a desperate kiss on my mouth. Soon I'm trembling as climax threatens to wreck me.
When it hits, that's exactly what happens. I groan-scream and come apart in Max's grip. My head goes foggy as pleasure annihilates me. It's a glorious end, though. I'm left quivering, barely able to stand, but Max holds me securely in his arms. It's the sweetest and hottest hug from behind: his entire body covers me while his open mouth rests against my shoulder, gasping and growling at once.
”
”
Sarah Echavarre Smith (The Boy With the Bookstore)
“
One should wait, and gather meaning and sweetness a whole life long, a long life if possible, and then, at the very end, one might perhaps be able to write ten good lines. For verses are not feelings, as people imagine – those one has early enough; they are experiences. In order to write a single line, one must see a great many cities, people and things, have an understanding of animals, sense how it is to be a bird in flight, and know the manner in which the little flowers open every morning. In one's mind there must be regions unknown, meetings unexpected and long-anticipated partings, to which one can cast back one's thoughts – childhood days that still retain their mystery, parents inevitably hurt when one failed to grasp the pleasure they offered (and which another would have taken pleasure in), childhood illnesses beginning so strangely with so many profound and intractable transformations, days in peacefully secluded rooms and mornings beside the sea, and the sea itself, seas, nights on journeys that swept by on high and flew past filled with stars – and still it is not enough to be able to bring all this to mind. One must have memories of many nights of love, no two alike; of the screams of women in labour; and of pale, white, sleeping women in childbed, closing again. But one must also have been with the dying, have sat in a room with the dead with the window open and noises coming in at random. And it is not yet enough to have memories. One has to be able to forget them, if there are a great many, and one must have great patience, to wait for their return. For it is not the memories in themselves that are of consequence. Only when they are become the very blood within us, our every look and gesture, nameless and no longer distinguishable from our inmost self, only then, in the rarest of hours, can the first word of a poem arise in their midst and go out from among them.
”
”
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
“
I'll keep the girl out of trouble," Gray said, in what seemed to him a rather magnanimous gesture. "I'll watch out for her."
"Oh, I've no doubt you will. But who's going to watch out for you?"
Gray's nerves prickled. So, it wasn't the girl Joss was concerned about. No, he expected Gray to cock it all up.
"Right, Joss. I'm an unprincipled, lecherous bastard." He paused, waiting for his brother to argue otherwise.
He didn't.
Gray protested. "She's a governess, for the love of gold. Prim, proper, starched, dull." Soft, he thought in counterpoint. Delicate, sweet. Intriguing.
"Ah. So you'll dally with any chambermaid or serving wench who'll lift her skirts, but you'd draw the line at seducing a governess?"
"Yes. Have a look at me, man." Gray smoothed his brushed velvet lapel, then gestured upward at the banners trimming the freshly tarred rigging. "Look at this ship. I'm telling you, my libertine days are over. I've gone respectable."
"It's easy to change your coat. It's a great deal harder to change your ways.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
A rattle of dishes warned of a servant’s entry into the hall, but Christopher was incensed, and half turning with a growl, he gestured Paine back.
“Get out of here, man!”
“Christopher!” Erienne gasped and took two halting steps to follow the befuddled servant, but Christopher came around to face her with a glare.
“Stay where you are, madam! I am not finished with you.”
“You have no right to give orders here,” she protested, her own ire growing. “This is my husband’s house!”
“I’ll give orders when and where I damn well please, and for once, you will stand and listen until I’m through!”
More than a trifle outraged herself, Erienne hurled back her answer. “You may command the men on your ship to your will, Mister Seton, but you have no such authority here! Good day to you!”
Catching up her skirts, she whirled and stalked toward the tower until she heard the sound of rapid footsteps coming behind her, then a sudden panic seized her that he would make such a scene that she would not be able to face the servants… or her husband. She raced into the entry, stepping over the puddle, and took to the stairs, forcing every bit of strength she could into her limbs. She had barely gained the fourth step when she heard sliding feet, a loud thump, and then a painful grunt followed by an angry curse.
When she whirled, Christopher was just coming to rest in a heap against the wall after sliding across the floor, partway on his back. For a moment she stared aghast at the dignified man sprawled in a most undignified manner, but when he raised his head to look at her with barely contained rage, she was struck by the humor of it all. Bubbling laughter broke forth, winning from him a dark scowl of exasperation.
“Are you hurt, Christopher?” she asked sweetly.
“Aye! My pride has been mightily bruised!”
“Oh, that will mend, sir,” she chuckled, spreading her skirts to perch primly on the step above him. Her eyes danced with a lively light that was simply dazzling to behold. “But you should take care. If such a modest spot of water can bring you down so abruptly, I would not advise sailing beyond these shores.”
“ ’Tis not a spot of water that’s brought me down, but a waspish wench who sets her barbs against me at every turn.”
“You dare accuse me when you come in here huffing and snorting like a raging bull?” She gave a throaty, skeptical laugh. “Really, Christopher, you ought to be ashamed of yourself. You frightened Paine and nearly made me swallow my heart.”
“That’s an impossibility, madam, for that thing is surely made of cold, hard steel.”
“You’re pouting,” she chided flippantly, “because I have not fallen swooning at your feet.”
“I’m angry because you continually deny the fact that you should be my wife!” he stated emphatically.
Footsteps on the stairs behind Erienne made them glance up. Aggie came nonchalantly down the steps, seeming unaware of Christopher’s storm-dark frown. Excusing herself, she stepped past her mistress. Finally, on reaching level footing, she contemplated the man, a twinkle of mischief in her eye.
“Aren’t ye a wee bit old ter be takin’ yer leisure on the floor, sir?”
He raised a brow at Erienne as that one smothered a giggle, and with a snort, got to his feet and brushed off his breeches and coatsleeve.
-Christopher, Erienne, and Aggie
”
”
Kathleen E. Woodiwiss (A Rose in Winter)
“
Phelan,” Cam said, looking up with an easy smile, “have you come to see the timber yard?”
“Thank you, but I’m here for another reason.”
Leo, who was standing near the window, glanced from Christopher’s rumpled attire to Beatrix’s disheveled condition. “Beatrix, darling, have you taken to going off the estate dressed like that?”
“Only this once,” she said apologetically. “I was in a hurry.”
“A hurry involving Captain Phelan?” Leo’s sharp gaze moved to Christopher. “What do you wish to discuss?”
“It’s personal,” Christopher said quietly. “And it concerns your sister.” He looked from Cam to Leo. Ordinarily there would have been no question concerning which one of them to approach. As lord of the manor, Leo would have been the first choice. However, the Hathaways seemed to have settled on an unconventional sharing of roles.
“Which one of you should I talk to?” Christopher asked.
They pointed to each other and replied at the same time.
“Him.”
Cam spoke to Leo. “You’re the viscount.”
“You’re the one who usually deals with that sort of thing,” Leo protested.
“Yes. But you won’t like my opinion on this one.”
“You’re not actually considering giving them your approval, are you?”
“Of all the Hathaway sisters,” Cam said equably, “Beatrix is the one most suited to choose her own husband. I trust her judgment.”
Beatrix gave him a brilliant smile. “Thank you, Cam.”
“What are you thinking?” Leo demanded of his brother-in-law. “You can’t trust Beatrix’s judgment.”
“Why not?”
“She’s too young,” Leo said.
“I’m twenty-three,” Beatrix protested. “In dog years I’d be dead.”
“And you’re female,” Leo persisted.
“I beg your pardon?” Catherine interrupted. “Are you implying that women have poor judgment?”
“In these matters, yes.” Leo gestured to Christopher. “Just look at the fellow, standing there like a bloody Greek god. Do you think she chose him because of his intellect?”
“I graduated from Cambridge,” Christopher said acidly. “Should I have brought my diploma?”
“In this family,” Cam interrupted, “there is no requirement of a university degree to prove one’s intelligence. Lord Ramsay is a perfect example of how one has nothing to do with the other.”
“Phelan,” Leo said, “I don’t intend to be offensive, however--”
“It’s something that comes naturally to him,” Catherine interrupted sweetly.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Well, I don’t know about you girls,” Patti called out, “but I’m starving. You wanna help me throw everything together before I go check on the chicken?”
The twins shared uncertain expressions.
“Sure, we’ll help,” I answered for them. “What do you need us to do?”
“All right, how about you and Marna make the salad, and Ginger can help me bake this cake.”
Their eyes filled with horror.
“You mean like chopping things?” Marna whispered.
“Yeah. It’s not hard. We’ll do it together.” At my prompting they stood but made no move toward the kitchen with me.
“I’m not sure you ought to trust me with a knife,” Marna said.
“Or me with baked goods,” Ginger added. I’d never seen her so unsure of herself. If it were just me making the request, she’d tell me to go screw myself, but neither girl seemed to know how to act around Patti. They fidgeted and glanced at the kitchen.
Patti came over and took Ginger by the arm.
“You’ll both be fine,” Patti insisted. “It’ll be fun!”
The seriousness of the twins in the kitchen was comical. They took each step of their jobs with slow, attentive detail, checking and double-checking the measurements while Patti ran out to flip the chicken. Somewhere halfway through, the girls loosened up and we started chatting. Patti put Ginger at ease in a way I’d never seen her. At one point we were all laughing and I realized I’d never seen Ginger laugh in a carefree way, only the mean kind of amusement brought on at someone else’s expense. Usually mine. Ginger caught me looking and straightened, smile disappearing. Patti watched with her keen, wise eyes. She wasn’t missing the significance of any gesture here.
When she returned from getting the chicken off the grill, Ginger said, “Oh, that smells divine, Miss Patti.”
Who was this complimenting girl? Patti smiled and thanked her.
Ginger was so proud of the cake when it was finished that she took several pictures of it with her phone. She even wanted a picture of her and Patti holding the cake together, which nearly made Patti burst with motherly affection. I couldn’t even manage to feel jealous as Patti heaped nurture on Ginger. It was so sweet it made my eyes sting. Marna kept sending fond glances at her sister.
“I did that part right there all by myself,” Ginger said to Marna, pointing to the frosting trim. “Brilliant, isn’t it?”
“Bang-up job, Gin.” Marna squeezed her sister around the shoulder.
”
”
Wendy Higgins (Sweet Peril (Sweet, #2))
“
Little girl, who gave you permission to--Oh!” She bit off her words the moment that she noticed how well I was dressed, to say nothing of the two guards attending me. Her expression transformed from sour to sweet with stunning speed.
“Ah, noble lady, I see that you have a keen eye for quality,” she cried. “You won’t find better cloth anywhere in Delphi--warm in winter, light in summer, tightly woven, and proof against wind and rain. And just look at those colors!”
I did. They were all drab grays and browns. I held the first cloth up to the sunlight. If that was what she called a tight weave, so was a fishing net.
“I want a cloak,” I told her, tossing the cloth aside. “Something long and heavy. It’s for him.” I nodded at Milo.
“Of course, just as you wish, I have exactly what you want, wait right here,” she chattered. “I’ll bring out the best I have, something worthy of the noble lord.” She raised her hands to Milo in a gesture of reverence before ducking back into her house.
“‘The noble lord’?” the tall guard repeated, incredulous. He and his companion snickered. Milo looked miserable.
“Ignore them,” I told him, speaking low. “I promise you, before today is over, you’ll be the one laughing at them.
”
”
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
“
Where shall I put…?” A little maid stopped in the doorway, all but hidden behind a large bouquet of bright red carnations. Alas for my heart. Hazlit knew the sentiment associated with red carnations and had had them delivered anyway. He certainly wasn’t going to send the woman roses, for God’s sake. Carnations were durable, and they had a fresh, spicy scent that put Hazlit in mind of his hostess. She didn’t strike him as the type of lady to waste time decoding bouquets in any case. “On the sideboard, Millie.” Miss Windham’s lips turned up in a smile more sweet than any Hazlit had seen on her. “My youngest brother is temporarily returned to Town,” she said, taking the card from the bouquet. “Of all my siblings, Valentine is the one most likely to make the gallant gesture…” She fell silent while she read the card, her smile shifting to something heart-wrenchingly tentative. “This wasn’t necessary, Mr. Hazlit.” Regards, Hazlit. Not exactly poetry, but proof he’d upstaged at least her doting brother. “Perhaps not necessary, but a man can hope his small tokens are appreciated.” He glanced pointedly at the maid while he delivered that flummery, because the girl was lingering over the flowers unnecessarily. “That
”
”
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
“
I’ve had the best time! The spirit here is incredible. It’s competitive, to be sure, but everyone supports each other. I was getting advice from men I was about to go against right up to the very moment the competitions began.”
“That’s wonderful,” Joanna said and handed him a mug of lemonade. “You look absolutely awful.”
“I showered,” he replied, a bit defensively.
“She means the bruises,” Kassandra said. She thought “awful” was going too far, for the truth was, he looked magnificent. He was a bit battered, however, as was to be expected. All the competitors were the same.
“These are nothing,” he insisted, gesturing to the livid black-and-blue splotches with which he was adorned, and with the enthusiasm of a boy, added, “I won two silver bracelets. Here.” He handed one to each of them and beamed as they put them on.
“Thank you,” Joanna said sweetly and leaned over to kiss his cheek.
Kassandra stared at the bracelet, turning it round and round her wrist. In her quarters, there were chests fitted with silk-lined drawers that held precious jewels given to her because she was a princess. She wore them on occasion and enjoyed them. But never had she received anything so lovely as that simple silver bracelet won by sweat and skill in the Games.
“It’s very nice,” she said, and felt his gaze even as she refused to meet it.
”
”
Josie Litton (Kingdom Of Moonlight (Akora, #2))
“
To the Highland Girl of Inversneyde
SWEET Highland Girl, a very shower
Of beauty is thy earthly dower!
Twice seven consenting years have shed
Their utmost bounty on thy head:
And these gray rocks, this household lawn,
These trees—a veil just half withdrawn,
This fall of water that doth make
A murmur near the silent lake,
This little bay, a quiet road
That holds in shelter thy abode;
In truth together ye do seem
Like something fashion’d in a dream;
Such forms as from their covert peep
When earthly cares are laid asleep!
But O fair Creature! in the light
Of common day, so heavenly bright
I bless Thee, Vision as thou art,
I bless thee with a human heart:
God shield thee to thy latest years!
I neither know thee nor thy peers:
And yet my eyes are fill’d with tears.
With earnest feeling I shall pray
For thee when I am far away;
For never saw I mien or face
In which more plainly I could trace
Benignity and home-bred sense
Ripening in perfect innocence.
Here scatter’d, like a random seed,
Remote from men, Thou dost not need
The embarrass’d look of shy distress,
And maidenly shamefacédness:
Thou wear’st upon thy forehead clear
The freedom of a mountaineer:
A face with gladness overspread,
Soft smiles, by human kindness bred;
And seemliness complete, that sways
Thy courtesies, about thee plays;
With no restraint, but such as springs
From quick and eager visitings
Of thoughts that lie beyond the reach
Of thy few words of English speech:
A bondage sweetly brook’d, a strife
That gives thy gestures grace and life!
So have I, not unmoved in mind,
Seen birds of tempest-loving kind,
Thus beating up against the wind.
What hand but would a garland cull
For thee who art so beautiful?
O happy pleasure! here to dwell
Beside thee in some heathy dell;
Adopt your homely ways, and dress,
A shepherd, thou a shepherdess!
But I could frame a wish for thee
More like a grave reality:
Thou art to me but as a wave
Of the wild sea: and I would have
Some claim upon thee, if I could,
Though but of common neighbourhood.
What joy to hear thee, and to see!
Thy elder brother I would be,
Thy father, anything to thee.
Now thanks to Heaven! that of its grace
Hath led me to this lonely place:
Joy have I had; and going hence
I bear away my recompense.
In spots like these it is we prize
Our memory, feel that she hath eyes:
Then why should I be loth to stir?
I feel this place was made for her;
To give new pleasure like the past,
Continued long as life shall last.
Nor am I loth, though pleased at heart,
Sweet Highland Girl! from thee to part;
For I, methinks, till I grow old
As fair before me shall behold
As I do now, the cabin small,
The lake, the bay, the waterfall;
And Thee, the spirit of them all
”
”
William Wordsworth
“
A Season in Hell
- 1854-1891
A while back, if I remember right, my life was one long party where all hearts were open wide, where all wines kept flowing.
One night, I sat Beauty down on my lap.—And I found her galling.—And I roughed her up.
I armed myself against justice.
I ran away. O witches, O misery, O hatred, my treasure's been turned over to you!
I managed to make every trace of human hope vanish from my mind. I pounced on every joy like a ferocious animal eager to strangle it.
I called for executioners so that, while dying, I could bite the butts of their rifles. I called for plagues to choke me with sand, with blood. Bad luck was my god. I stretched out in the muck. I dried myself in the air of crime. And I played tricks on insanity.
And Spring brought me the frightening laugh of the idiot.
So, just recently, when I found myself on the brink of the final squawk! it dawned on me to look again for the key to that ancient party where I might find my appetite once more.
Charity is that key.—This inspiration proves I was dreaming!
"You'll always be a hyena etc. . . ," yells the devil, who'd crowned me with such pretty poppies. "Deserve death with all your appetites, your selfishness, and all the capital sins!"
Ah! I've been through too much:-But, sweet Satan, I beg of you, a less blazing eye! and while waiting for the new little cowardly gestures yet to come, since you like an absence of descriptive or didactic skills in a writer, let me rip out these few ghastly pages from my notebook of the damned.
”
”
Arthur Rimbaud
“
I couldn’t wait to follow through. I couldn’t wait to end this. “Your revenge?” Matthias laughed. “You’re revenge? What could you possibly do that would make any difference to me?” I looked up at Kane and he looked down at me. I smiled at him sweetly and he smiled back. I leaned in and he mirrored me. I tilted my face up to kiss him and he gladly reciprocated. Then I pulled back and swiveled my gaze to Matthias. “I will take your family away. Just like you took mine. I will pluck them from you one by one and make them suffer until they beg for death. Or, I will simply rescue them and give them a better life than you ever could.” Matthias barked out a louder laugh. “That’s sweet. It sounds like you’ve put thought into all that, but you can’t. It’s just not possible. “Sure it is,” I told him. “I’ve already gotten two of your children. Tyler isn’t here.” I gestured at Tyler. “Tyler will never be here. Unless you count that. Which being a self-respecting person, I wouldn’t. But who knows about you. And Miller isn’t here either. Miller is worse than Tyler. Look! You got Tyler to come to breakfast, but I seem to have forgotten Miller’s excuse. Could you remind me?” He stayed quiet. Which was a miracle in itself. So I continued, “I’m waiting for the right opportunity for Linley. I’ve been waiting for it for a while now. I’ve been watching her and watching her and just waiting. I cannot wait until I get her alone. I cannot wait until it’s just the two of us. It will be so fun. It’s what helps get me through these long days. Just thoughts of Linley. Just thoughts of what I will do to her and how slowly I will make those last painful moments last. And Kane? I could take him in a second. I could rip him out of your hands so fast you would blink and he would be gone. He might deny that if you ask him. But I know better. I hear everything else he says. I feel everything else he means. Kane is mine. You’re a smart man, Matthias, so don’t think for a second he isn’t. Right?” I turned to Kane. He leaned down again and kissed me. Point proved. I relaxed into Kane and let my threats soothe my soul and settle over the man I wanted to watch burn in hell. His reply was an arrogant smirk and hard eyes. “Little girl, you just asked for trouble, I’m-” “Do it,” I hissed. “Do whatever it is you want to do and see if I’m bluffing. Try me! Hurt someone I love. Hurt me. Take something away from me and see how painfully and how permanently I take something away from you.” I stood up and pushed aggressively away from the table. I stared him down the entire time. Kane let me go without even an attempt to restrain me. I was beyond that. I was beyond all of this. I was leaving. Today. Because without a doubt I would follow through with every single one of my threats. I stomped from the warehouse. I could feel Kane behind me, but he still didn’t try to slow me down. And I knew he wouldn’t. He really was mine. Matthias, Hendrix, nobody could take him from me. And he would do whatever I wanted as long as he thought we could survive. I hoped both of us could survive what I was about to ask him to do.
”
”
Rachel Higginson (Love and Decay Omnibus: Season Two (Episodes 1-12) (Love and Decay, A Novella Series Book 2))
“
By habitus, I mean dispositions that inhere and mold the deepest, subtlest, intricate structures of personhood, are constituted and emergent in the most elusive folds and lineaments of consciousness, and are articulated in lastingly resilient, enduring textual tapestries of experience, orientations, desires. The range of habitus is deep and broad: habitus forms the long arc of evolutionary developments and arrangements of the body in action and at rest, posture, gait, stance, and gesture; it is the silent teacher of the phonemic alphabet, determining subtle distinctions of timbre and tone, accents and intonations in voice articulations; it is the subcutaneous, ingrained dynamic inhering in daily competencies, executed flawlessly and yet seemingly unconsciously, such as balancing huge loads the size of a person’s body weight on the head as Kikuyu women often do, or walking fearlessly on narrow glacial paths through plunging cliffs as the Sherpas do, or weaving in and out of traffic while engaged in deep conversations on a cell phone as Californians do. Habitus describes the imbrication of structure and culture in desire. It is what defines subtle distinctions of taste, those almost ineffable differences of sweetness, succulence, spiciness, and bitterness in food and drink; the raging fetishes and unbidden cravings that shadow sexuality; the fickle difference between scents that intoxicate or trigger upheavals of wretching. Habitus, then, is “human nature” understood as the deep penetration of sociality with biology in such a manner that it is the motor of self, of choice, of vocation.
”
”
Omedi Ochieng (Groundwork for the Practice of the Good Life: Politics and Ethics at the Intersection of North Atlantic and African Philosophy (Routledge Studies in Social and Political Thought))
“
The front door is locked—what’s up with that?”
“Logan fixed the lock,” I tell her.
Her bright red, heart-shaped mouth smiles. “Good job, Kevin Costner. You should staple the key to Ellie’s forehead, though, or she’ll lose it.”
She has names for the other guys too and when her favorite guard, Tommy Sullivan, walks in a few minutes later, Marlow uses his. “Hello, Delicious.” She twirls her honey-colored, bouncy hair around her finger, cocking her hip and tilting her head like a vintage pinup girl.
Tommy, the fun-loving super-flirt, winks. “Hello, pretty, underage lass.” Then he nods to Logan and smiles at me. “Lo . . . Good morning, Miss Ellie.”
“Hey, Tommy.”
Marlow struts forward. “Three months, Tommy. Three months until I’m a legal adult—then I’m going to use you, abuse you and throw you away.”
The dark-haired devil grins. “That’s my idea of a good date.” Then he gestures toward the back door. “Now, are we ready for a fun day of learning?”
One of the security guys has been walking me to school ever since the public and press lost their minds over Nicholas and Olivia’s still-technically-unconfirmed relationship. They make sure no one messes with me and they drive me in the tinted, bulletproof SUV when it rains—it’s a pretty sweet deal.
I grab my ten-thousand-pound messenger bag from the corner.
“I can’t believe I didn’t think of this before. Elle—you should have a huge banger here tonight!” says Marlow.
Tommy and Logan couldn’t have synced up better if they’d practiced:
“No fucking way.”
Marlow holds up her hands, palms out. “Did I say banger?”
“Huge banger,” Tommy corrects.
“No—no fucking way. I meant, we should have a few friends over to . . . hang out. Very few. Very mature. Like . . . almost a study group.”
I toy with my necklace and say, “That actually sounds like a good idea.”
Throwing a party when your parents are away is a rite-of-high-school passage. And after this summer, Liv will most likely never be away again. It’s now or never.
“It’s a terrible idea.” Logan scowls.
He looks kinda scary when he scowls. But still hot. Possibly, hotter.
Marlow steps forward, her brass balls hanging out and proud. “You can’t stop her—that’s not your job. It’s like when the Bush twins got busted in that bar with fake IDs or Malia was snapped smoking pot at Coachella. Secret Service couldn’t stop them; they just had to make sure they didn’t get killed.”
Tommy slips his hands in his pockets, laid back even when he’s being a hardass. “We could call her sister. Even from an ocean away, I’d bet she’d stop her.”
“No!” I jump a little. “No, don’t bother Liv. I don’t want her worrying.”
“We could board up the fucking doors and windows,” Logan suggests.
’Cause that’s not overkill or anything.
I move in front of the two security guards and plead my case. “I get why you’re concerned, okay? But I have this thing—it’s like my motto. I want to suck the lemon.”
Tommy’s eyes bulge. “Suck what?”
I laugh, shaking my head. Boys are stupid.
“You know that saying, ‘When life gives you lemons, make lemonade’?—well, I want to suck the lemon dry.”
Neither of them seems particularly impressed.
“I want to live every bit of life, experience everything it has to offer, good and bad.” I lift my jeans to show my ankle—and the little lemon I’ve drawn there. “See? When I’m eighteen, I’m going to get this tattooed on for real. As a reminder to live as much and as hard and as awesome as I can—to not take anything for granted. And having my friends over tonight is part of that.”
I look back and forth between them. Tommy’s weakening—I can feel it. Logan’s still a brick wall.
“It’ll be small. And quiet—I swear. Totally controlled. And besides, you guys will be here with me. What could go wrong?”
Everything.
Everything goes fucking wrong.
”
”
Emma Chase (Royally Endowed (Royally, #3))
“
I could stay,” he said. “I could leave tomorrow.”
“No. I want you to go now.”
“Do you?”
“Yes.”
“Ah, but what about what I want?”
The softness in his voice made her lift her gaze. She would have answered him--how, she wasn’t sure--if Javelin’s attention hadn’t turned to him. The stallion began nuzzling Arin as if he were the horse’s favorite person in the world. Kestrel felt a pang of jealousy. Then she saw something that sent thoughts of jealousy and loneliness and want right out of her head, and just made her mad. Javelin was nibbling a certain part of Arin, waffling around a pocket exactly the right size to hold a--
“Winter apple,” Kestrel said. “Arin, you have been bribing my horse!”
“Me? No.”
“You have! No wonder he likes you so much.”
“Are you sure it’s not because of my good looks and pleasing manners?” This was said lightly--not quite sarcastically, yet in a voice that nevertheless told Kestrel that he doubted he possessed either of these things.
But he was pleasing. He pleased her. And she could never forget his beauty. She had learned it all too well.
She blushed. “It’s not fair,” she said.
He took in her rising color. His mouth curved. And although Kestrel wasn’t sure that he could interpret what effect he was having on her simply by standing there and saying the word pleasing, she knew that he always knew when he had an advantage.
He pressed it. “Doesn’t your father’s theory of war include winning over the other side by offering sweets? No? An oversight, I think. I wonder…might I bribe you?”
Kestrel’s fingers clenched. It probably looked like anger. It wasn’t. It was the instinctive gesture of someone dangerously tempted.
“Open your hands, Little Fists,” said Arin. “Open your eyes. I haven’t stolen his love for you. Look.” It was true that in the course of their conversation, Javelin had turned away from Arin, disappointed by the empty pocket. The horse nosed Kestrel’s shoulder. “See?” Arin said. “He knows the difference between an easy mark and his mistress.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
We had a second date that night, then a third, and then a fourth. And after each date, my new romance novel protagonist called me, just to seal the date with a sweet word.
For date five, he invited me to his house on the ranch. We were clearly on some kind of a roll, and now he wanted me to see where he lived. I was in no position to say no.
Since I knew his ranch was somewhat remote and likely didn’t have many restaurants nearby, I offered to bring groceries and cook him dinner. I agonized for hours over what I could possibly cook for this strapping new man in my life; clearly, no mediocre cuisine would do. I reviewed all the dishes in my sophisticated, city-girl arsenal, many of which I’d picked up during my years in Los Angeles. I finally settled on a non-vegetarian winner: Linguine with Clam Sauce--a favorite from our family vacations in Hilton Head.
I made the delicious, aromatic masterpiece of butter, garlic, clams, lemon, wine, and cream in Marlboro Man’s kitchen in the country, which was lined with old pine cabinetry. And as I stood there, sipping some of the leftover white wine and admiring the fruits of my culinary labor, I was utterly confident it would be a hit.
I had no idea who I was dealing with. I had no idea that this fourth-generation cattle rancher doesn’t eat minced-up little clams, let alone minced-up little clams bathed in wine and cream and tossed with long, unwieldy noodles that are difficult to negotiate.
Still, he ate it. And lucky for him, his phone rang when he was more than halfway through our meal together. He’d been expecting an important call, he said, and excused himself for a good ten minutes. I didn’t want him to go away hungry--big, strong rancher and all--so when I sensed he was close to getting off the phone, I took his plate to the stove and heaped another steaming pile of fishy noodles onto his plate. And when Marlboro Man returned to the table he smiled politely, sat down, and polished off over half of his second helping before finally pushing away from the table and announcing, “Boy, am I stuffed!”
I didn’t realize at the time just how romantic a gesture that had been.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Drat. Daisy pulled back with a frown. She felt guilty that she had enjoyed the kiss so little. And it made her feel even worse when it appeared Llandrindon had enjoyed it quite a lot.
“My dear Miss Bowman,” Llandrindon murmured flirtatiously. “You didn’t tell me you tasted so sweet.”
He reached for her again, and Daisy danced backward with a little yelp. “My lord, control yourself!”
“I cannot.” He pursued her slowly around the fountain until they resembled a pair of circling cats. Suddenly he made a dash for her, catching at the sleeve of her gown. Daisy pushed hard at him and twisted away, feeling the soft white muslin rip an inch or two at the shoulder seam.
There was a loud splash and a splatter of water drops.
Daisy stood blinking at the empty spot where Llandrindon had been, and then covered her eyes with her hands as if that would somehow make the entire situation go away.
“My lord?” she asked gingerly. “Did you… did you just fall into the fountain?”
“No,” came his sour reply. “You pushed me into the fountain.”
“It was entirely unintentional, I assure you.” Daisy forced herself to look at him.
Llandrindon rose to his feet, water streaming from his hair and clothes, his coat pockets filled to the brim. It appeared the dip in the fountain had cooled his passions considerably.
He glowered at her in affronted silence. Suddenly his eyes widened, and he reached into one of his water-laden coat pockets. A tiny frog leaped from the pocket and returned to the fountain with a quiet plunk.
Daisy tried to choke back her amusement, but the harder she tried the worse it became, until she finally burst out laughing. “I’m sorry,” she gasped, clapping her hands over her mouth, while irrepressible giggles slipped out. “I’m so— oh dear—” And she bent over laughing until tears came to her eyes.
The tension between them disappeared as Llandrin don began to smile reluctantly. He stepped from the fountain, dripping from every surface. “I believe when you kiss the toad,” he said dryly, “he is supposed to turn into a prince. Unfortunately in my case it doesn’t seem to have worked.”
Daisy felt a rush of sympathy and kindness, even as she snorted with a few last giggles. Approaching him carefully, she placed her small hands on either side of his wet face and pressed a friendly, fleeting kiss on his lips.
His eyes widened at the gesture.
“You are someone’s handsome prince,” Daisy said, smiling at him apologetically. “Just not mine. But when the right woman finds you… how lucky she’ll be.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
Lottie pressed her face into the crook of his neck and shoulder. She had to stop him now, before her will was completely demolished. “No. Please stop. I’m sorry.”
His hand slid from her blouse, and he touched her damp lips with his fingers. “Have I frightened you?” he whispered.
Lottie shook her head, somehow resisting the urge to curl into his embrace like a sun-warmed cat. “No… I’ve frightened myself.”
For some reason her admission made him smile. His fingers moved to her throat, tracing the fragile line with a sensitivity that made her breath catch. Tugging the peasant blouse back up to her shoulder, he retied the frayed ribbon that secured the neckline. “Then I’ll stop,” he said. “Come— I’ll take you to the house.”
He stayed close to her as they continued through the forest, occasionally moving to push a branch out of the way, or taking her hand to guide her over a rough place on the path. As familiar as she was with the woods of Stony Cross Park, Lottie had no need of his assistance. But she accepted the help with demur. And she did not protest when he paused again, his lips finding hers easily in the darkness. His mouth was hot and sweet as he kissed her compulsively… swift kisses, languid ones, kisses that ranged from intense need to wicked flirtation. Drugged with pleasure, Lottie let her hands wander to the thick dishevelment of his hair, the iron-hard nape of his neck. When the blistering heat rose to an untenable degree, Lord Sydney groaned softly.
“Charlotte…”
“Lottie,” she told him breathlessly.
He pressed his lips to her temple and cuddled her against his powerful body as if she were infinitely fragile. “I never thought I would find someone like you,” he whispered. “I’ve looked for you so long… needed you…”
Lottie shivered and dropped her head to his shoulder. “This isn’t real,” she said faintly.
His lips touched her neck, finding a place that made her arch involuntarily. “What’s real, then?”
She gestured to the yew hedge that bordered the estate garden. “Everything back there.”
His arms tightened, and he spoke in a muffled voice. “Let me come to your room. Just for a little while.”
Lottie responded with a trembling laugh, knowing exactly what would happen if she allowed that. “Absolutely not.”
Soft, hot kisses drifted over her skin. “You’re safe with me. I would never ask for more than you were willing to give.”
Lottie closed her eyes, her head spinning. “The problem is,” she said ruefully, “I am willing to give you entirely too much.”
She felt the curve of his smile against her cheek. “Is that a problem?”
“Oh, yes.” Pulling away from him, Lottie held her hands to her hot face and sighed unsteadily. “We must stop this. I don’t trust myself with you.”
“You shouldn’t,” he agreed hoarsely.
-Lottie & Nick
”
”
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
“
Perhaps I won’t tire of her,” Gray protested, just to be contrary. Because, apparently, that was how brothers behaved.
“Perhaps a dolphin will fly out of your arse. And here’s an argument even you can’t refuse. Grayson Shipping doesn’t need a reputation for delivering damaged goods. You want me to hand George Waltham an impregnated governess?”
“I wouldn’t get her with child. Give me that much credit, at least.”
“I give you credit for nothing. Let’s try this one last time, shall we? You made me this ship’s captain. If I’m the captain, what I say goes. And I say you don’t touch her. If you can’t abide by my orders, take command of the ship yourself and let me go home.”
“Go home and do what? Squander your fortune and talent on dirt farming?”
“Go home and take care of my own family. Go home and do what I damn well please, for once.”
Cursing, Gray leaned against the wall. He knew Joss would make good on that threat, too. It hadn’t been easy, coaxing his brother out of mourning. Gray had resorted to outright bullying just to convince him to take command of the Aphrodite, threatening to cut off his income unless he reported to London as agreed. But he needed Joss, if this shipping concern was to stay afloat. He’d worked too hard, sacrificed too much to see it fail.
And if Joss didn’t become a willing partner, it all would have been in vain.
“Stay away from the girl, Gray.”
Gray sighed. “We’re on the same ship. I can’t help but be near her. I’ll not promise to refrain from touching her, because the girl seems to lose her footing whenever I’m around. But I give you my word I’ll not kiss her again. Satisfied?”
Joss shook his head. “Give me your word you won’t bed her.”
“What a legend you’re making me! Insinuating I could bed her without even kissing her first.” Gray worried the edge of his thumbnail as he considered. “That might prove an amusing challenge, now that you suggest it.”
Joss shot him an incredulous look.
“With some other lady, on some other ship.” Gray raised his hands in a defensive gesture. “I’ll not bed her. You have my word. And don’t think that’s not a great sacrifice, because it is. I’d have her in two, three days at the most, I tell you.”
“Once again-not amusing.”
“For God’s sake, Joss, it’s a joke. What do you want, an apology? I’m sorry for kissing Miss Turner’s hand, all right?”
Joss shook his head and flipped open the logbook. “No, you’re not.”
“Yes, I am.” The odd thing of it was, Gray was telling the truth. He knew he was being an ass, but the joking was easier than honesty. For all his teasing, he hadn’t kissed her hand with the intent to seduce, or to judge if she tasted as sweet as he’d dreamed. He’d kissed her fingers for one reason only. Because they were trembling, and he’d wanted them to stop. It was wholly unlike him, that kiss. It was not a gesture he thought it wise to repeat. That girl did something strange to him.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
I worry about you too,” I said softly as I caressed her head resting against my chest. “You look tired.”
Lark didn’t speak for a minute. When she finally looked at me, I saw a lot of different emotions swirling in those bright green eyes. “I feel like shit. I’m tired and dizzy. I can’t eat ninety percent of the food I used to eat. I feel awful, but I’m afraid to complain.”
“Why?”
“Maddy just had her baby and she was so tough about the whole thing. I’m surprised she didn’t give birth in the middle of the grocery store then go back to picking up things for dinner. Next to her, I’m a weakling. Also, Farah is going to be all brave and awesome too. I don’t want to be the whiner.”
“First of all, Maddy’s got that natural breeder look about her. Some chicks are like that and you can’t let the exception be your rule. Besides, you’re having twins. You have more baby cooking to do than she did, so screw comparisons.”
“I just don’t want people to think less of me.”
“By people, do you mean Aaron?”
“We barely met and got married and now I’m getting fat and I’m tired all the time. I don’t want him to lose interest.”
“Oh, Lark, you’re so fucking stupid sometimes.”
“Yeah, I know,” she said, grinning. “We have that in common.”
“So true.”
“Mom said that I’m like her and she had a guy like Aaron and she suffocated him and he ditched her. I know Mom sucks, but what if she’s right and I wear down Aaron and he stops loving me?”
“Any man who would want Mom must be shit. Aaron isn’t shit.”
“I know, but I get scared of messing up everything I have.”
Kissing her forehead, I stood up and walked to the bedroom door. “Hey, Mister Clean, get over here.”
Laughing, Lark followed me into the hallway where Aaron appeared, clearly loving his new nickname.
“Listen up, Yul Brynner,” I said, sending Lark into giggles. “My sister is cooking up two kids that you stuck inside her. She needs more damn love than you’re giving. If you don’t do a better job of babying her, I’m going to have to replace you. Hmm, I just saw this guy Jake that I knew from high school. He’s ripped and works at the gym. The gym, Aaron.”
My brother-in-law stared unaffected until I finished then he gazed down at his wife. Lark must have known what was coming because she started giggling.
“My sweet muse,” he murmured and she laughed harder, “do you need more love than I’m giving?”
Aaron swept Lark into his arms and cradled her like a kid. “Poor thing. I’ll just need to pay more attention.”
As he kissed all over her, Lark stopped giggling and began moaning affirmations.
“Good thing you obeyed because I think Jake might be gay.”
After giving me a wink, Aaron gestured for me to go away. I was the one to obey this time. Leaving them to cuddle and more in the bedroom, I watched television and finished the popcorn. Professor joined me, but Pollack was wary. I think it was because I was always barking at her. In my defense, she started it.
”
”
Bijou Hunter (Damaged and the Outlaw (Damaged, #4))
“
He concluded the speech with an irritated motion of his hands.
Unfortunately, Evie had been conditioned by too many encounters with Uncle Peregrine to discern between angry gestures and the beginnings of a physical attack. She flinched instinctively, her own arms flying up to shield her head. When the expected pain of a blow did not come, she let out a breath and tentatively lowered her arms to find Sebastian staring at her with blank astonishment.
Then his face went dark.
"Evie," he said, his voice containing a bladelike ferocity that frightened her. "Did you think I was about to... Christ. Someone hit you. Someone hit you in the past---who the hell was it?" He reached for her suddenly---too suddenly---and she stumbled backward, coming up hard against the wall. Sebastian went very still. "Goddamn," he whispered. Appearing to struggle with some powerful emotion, he stared at her intently. After a long moment, he spoke softly. "I would never strike a woman. I would never harm you. You know that, don't you?"
Transfixed by the light, glittering eyes that held hers with such intensity, Evie couldn't move or make a sound. She started as he approached her slowly. "It's all right," he murmured. "Let me come to you. It's all right. Easy." One of his arms slid around her, while he used his free hand to smooth her hair, and then she was breathing, sighing, as relief flowed through her. Sebastian brought her closer against him, his mouth brushing her temple. "Who was it?" he asked.
"M-my uncle," she managed to say. The motion of his hand on her back paused as he heard her stammer.
"Maybrick?" he asked patiently.
"No, th-the other one."
"Stubbins."
"Yes." Evie closed her eyes in pleasure as his other arm slid around her. Clasped against Sebastian's hard chest, with her cheek tucked against his shoulder, she inhaled the scent of clean male skin, and the subtle touch of sandalwood cologne.
"How often?" she heard him ask. "More than once?"
"I... i-it's not important now."
"How often, Evie?"
Realizing that he was going to persist until she answered, Evie muttered, "Not t-terribly often, but... sometimes when I displeased him, or Aunt Fl-Florence, he would lose his temper. The l-last time I tr-tried to run away, he blackened my eye and spl-split my lip."
"Did he?" Sebastian was silent for a long moment, and then he spoke with chilling softness. "I'm going to tear him limb from limb."
"I don't want that," Evie said earnestly. "I-I just want to be safe from him. From all of them."
Sebastian drew his head back to look down into her flushed face. "You are safe," he said in a low voice. He lifted one of his hands to her face, caressing the plane of her cheekbone, letting his fingertip follow the trail of pale golden freckles across the bridge of her nose. As her lashes fluttered downward, he stroked the slender arcs of her brows, and cradled the side of her face with his palm. "Evie," he murmured. "I swear on my life, you will never feel pain from my hands. I may prove a devil of a husband in every other regard... but I wouldn't hurt you that way. You must believe that."
The delicate nerves of her skin drank in sensations thirstily... his touch, the erotic waft of his breath against her lips. Evie was afraid to open her eyes, or to do anything that might interrupt the moment. "Yes," she managed to whisper. "Yes... I---"
There was the sweet shock of a probing kiss against her lips... another... She opened to him with a slight gasp. His mouth was hot silk and tender fire, invading her with gently questing pressure. His fingertips traced over her face, tenderly adjusting the angle between them.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))