Node Escape Quotes

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The extreme rarity of transitional forms in the fossil record persists as the trade secret of paleontology. The evolutionary trees that adorn our text- books have data only at the tips and nodes of their branches; the rest is inference, however reasonable, not the evidence of fossils. Yet Darwin was so wedded to gradualism that he wagered his entire theory on a denial of this literal record: "The geological record is extremely imperfect and this fact will to a large extent explain why we do not find interminable varieties, connecting together all the extinct and existing forms of life by the finest graduated steps, He who rejects these views on the nature of the geological record, will rightly reject my whole theory." Darwin's argument still persists as the favored escape of most paleontologists from the embarrassment of a record that seems to show so little of evolution. In exposing its cultural and methodological roots, I wish in no way to impugn the potential validity of gradualism (for all general views have similar roots). I wish only to point out that it was never -seen- in the rocks. Paleontologists have paid an exorbitant price for Darwin's argument. We fancy ourselves as the only true students of life's history, yet to preserve our favored account of evolution by natural selection we view our data as so bad that we never see the very process we profess to study. [Evolution’s Erratic Pace - "Natural History," May, 1977]
Stephen Jay Gould
We are all nodes of God. Between us, we are experiencing everything, and why wouldn’t God, the True God, do exactly that? In the seminal movie Groundhog Day, the hero at first sees the daily recurrence in which he is trapped as hell itself and does everything to free himself from it, even though he can’t. By the end of the movie, he has changed his perspective, and understands that he is actually in a process that allows him to become a god. When he achieves perfection, that’s when he escapes from the loop. You have to change your mindset too. You have to escape from linearity. You have to embrace the cyclical. You may not be up to it yet. But you will be one day. You will be comforted by this amazing reality you are in, you are part of, you are contributing to
Jack Tanner (The Meaning of Life: Where Is Your Life Taking You?)
* Behind him, Lex’s pursuers held their guns sideways on and low. They kept them down by their hips, hidden in the folds of their jackets. Both of them fired, but even with their specialised training, their shots were off-target by too great a margin. One round blasted a discarded water bottle sitting on a step, the other blew up a puff of rock dust a few inches from the target’s feet. Again, the faces of bystanders started to turn in his direction. ‘He is going to kill himself,’ said the male assassin through the wireless communication node adhered to his throat. This was unexpected. ‘No,’ said the woman, her reply tickling him through his skin. ‘I don’t think so . . .’ The target’s arm came down in a sharp motion, and the object he had strapped to his back snapped open into a blossom of bright orange fabric and fine white cords. The thin material immediately caught the steady breeze and inflated into a narrow rectangle with a kite-like cross-section. ‘A parachute?’ The man disregarded protocol and launched forward, hoping to get to the target before he could step off the ledge. The compact canopy filled with wind, drawing shouts of surprise from the assembled tourists in the square, and the target pushed off the side of Mdina’s battlements and into the air. The woman grabbed her partner by the shoulder and pulled him back. ‘Wait.’ She was already putting her weapon away. He resisted, irritated at the idea of missing the kill. The chute was little better than a gimmick, a toy that would barely slow the target’s descent. If he got to the edge, if the woman covered him, he might still be able to hit the mark. It was galling to think that this civilian would escape them. ‘Both of you stand away,’ said a third voice. ‘I have this.
James Swallow (Ghost (Marc Dane, #3))