Nobody Controls Me Quotes

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LOG ENTRY: SOL 381 I’ve been thinking about laws on Mars. Yeah, I know, it’s a stupid thing to think about, but I have a lot of free time. There’s an international treaty saying no country can lay claim to anything that’s not on Earth. And by another treaty, if you’re not in any country’s territory, maritime law applies. So Mars is “international waters.” NASA is an American nonmilitary organization, and it owns the Hab. So while I’m in the Hab, American law applies. As soon as I step outside, I’m in international waters. Then when I get in the rover, I’m back to American law. Here’s the cool part: I will eventually go to Schiaparelli and commandeer the Ares 4 lander. Nobody explicitly gave me permission to do this, and they can’t until I’m aboard Ares 4 and operating the comm system. After I board Ares 4, before talking to NASA, I will take control of a craft in international waters without permission. That makes me a pirate! A space pirate!
Andy Weir (The Martian)
If I were another person, I go on, I wouldn’t want to deal with me, I don’t want to deal with me, It’s so hopeless, I want out of this life. I really do. I keep thinking that if I could just get a grip of myself, I could be all right again. I keep thinking I’m driving myself crazy, but I swear, I swear to God, I have no control. It’s so awful, It’s like some demons have taken over my mind. And nobody believes me, Everybody thinks I could be better if I wanted to. But I can’t be the old Lizzy anymore, I can’t be myself anymore, I mean, actually, I am being myself right now and it’s horrible.
Elizabeth Wurtzel (Prozac Nation)
Don't you ever feel like, what if the world really IS messed up? What if we COULD Do it all over again from scratch? No more war. Nobody homeless. No more summer reading homework. 'm listening. Annabeth: I mean, the West represents a lot of the best things mankind ever did--that's why the fire is still burning. That's why OlympusIs still around. But sometimes you just see the bad stuff, you know? And you start thinking the way Luke does: 'If I could tear this all down, i would do it better.'. Don't you ever feel that way? Like YOU could do a better job I'd you ran the world? Percy:Um...no. Me running the world would be kind of a nightmare. Annabeth: then you're lucky. Hubris isn't your fatal flaw. Percy: what is? Annabeth: I don't know, Percy, but every hero has one. If you don't find it and learn to control it...well, they don't call it 'fatal' for nothing. Percy(thinking to himself): I thought about that. It didn't exactly cheer me up.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
That is the idea -- that we should all be wicked if we did not hold to the Christian religion. It seems to me that the people who have held to it have been for the most part extremely wicked. You find this curious fact, that the more intense has been the religion of any period and the more profound has been the dogmatic belief, the greater has been the cruelty and the worse has been the state of affairs. In the so-called ages of faith, when men really did believe the Christian religion in all its completeness, there was the Inquisition, with all its tortures; there were millions of unfortunate women burned as witches; and there was every kind of cruelty practiced upon all sorts of people in the name of religion. You find as you look around the world that every single bit of progress in humane feeling, every improvement in the criminal law, every step toward the diminution of war, every step toward better treatment of the colored races, or every mitigation of slavery, every moral progress that there has been in the world, has been consistently opposed by the organized churches of the world. I say quite deliberately that the Christian religion, as organized in its churches, has been and still is the principal enemy of moral progress in the world. You may think that I am going too far when I say that that is still so. I do not think that I am. Take one fact. You will bear with me if I mention it. It is not a pleasant fact, but the churches compel one to mention facts that are not pleasant. Supposing that in this world that we live in today an inexperienced girl is married to a syphilitic man; in that case the Catholic Church says, 'This is an indissoluble sacrament. You must endure celibacy or stay together. And if you stay together, you must not use birth control to prevent the birth of syphilitic children.' Nobody whose natural sympathies have not been warped by dogma, or whose moral nature was not absolutely dead to all sense of suffering, could maintain that it is right and proper that that state of things should continue. That is only an example. There are a great many ways in which, at the present moment, the church, by its insistence upon what it chooses to call morality, inflicts upon all sorts of people undeserved and unnecessary suffering. And of course, as we know, it is in its major part an opponent still of progress and improvement in all the ways that diminish suffering in the world, because it has chosen to label as morality a certain narrow set of rules of conduct which have nothing to do with human happiness; and when you say that this or that ought to be done because it would make for human happiness, they think that has nothing to do with the matter at all. 'What has human happiness to do with morals? The object of morals is not to make people happy.
Bertrand Russell (Why I Am Not a Christian and Other Essays on Religion and Related Subjects)
He took her chin in his hand and turned her to face him. "I'm a Dom, Savannah. I try to be in control of myself at all times, sometimes to the extreme. That control allows me to be in a place where I am responsible enough to accept the submission of someone who wants me to control her. The only control I will ever have over you is what you grant me.
Kallypso Masters (Nobody's Perfect (Rescue Me Saga, #3))
I deplored silence. I deplored stillness. I hated almost everything. I was very unhappy and angry all the time. I tried to control myself, and that only made me more awkward, unhappier, and angrier. I was like Joan of Arc, or Hamlet, but born into the wrong life—the life of a nobody, a waif, invisible. There's no better way to say it: I was not myself back then. I was someone else. I was Eileen.
Ottessa Moshfegh (Eileen)
But I was only a chaotic walker, nobody could stop me; even a totalitarian state was not able to control my daydreams, my poetic fascinations, the pattern of my walking.
Adam Zagajewski
I know that if I said today, "How many of you would like to have me pray for you to have self control?" I could stay here and pray for people to have self control until midnight tonight. How many of you would stay if I would just lay hands on you and pray for you to have self control? Well, you know what, it would be a waste of time! Because, you are not going to have self control because somebody prays for you to have self control. You aready have self control. It is in you as a fruit of the spirit, but it's a little teeny tiny little seed. And, nobody else can develop your fruit of the spirit. Nobody can develop your peace but you. Nobody can develop your joy but you. Nobody can develop your patience butyou. Nobody can develop your discipline and self control but you.
Joyce Meyer
I want to thank each person who has the courage to push through and past the set of coping behaviors we’ve come to label as codependency—who learn what it means to take care of themselves. “Nobody taught me how to take care of myself,” a fifty-year-old woman told me recently. “I didn’t have enough money to go to therapy, but I had enough to buy a book.
Melody Beattie (Codependent No More: How to Stop Controlling Others and Start Caring for Yourself)
If we can use an H-bomb--and as you said it's no checker game; it's real, it's war and nobody is fooling around--isn't it sort of ridiculous to go crawling around in the weeds, throwing knives and maybe getting yourself killed . . . and even losing the war . . . when you've got a real weapon you can use to win? What's the point in a whole lot of men risking their lives with obsolete weapons when one professor type can do so much more just by pushing a button?' Zim didn't answer at once, which wasn't like him at all. Then he said softly, 'Are you happy in the Infantry, Hendrick? You can resign, you know.' Hendrick muttered something; Zim said, 'Speak up!' I'm not itching to resign, sir. I'm going to sweat out my term.' I see. Well, the question you asked is one that a sergeant isn't really qualified to answer . . . and one that you shouldn't ask me. You're supposed to know the answer before you join up. Or you should. Did your school have a course in History and Moral Philosophy?' What? Sure--yes, sir.' Then you've heard the answer. But I'll give you my own--unofficial--views on it. If you wanted to teach a baby a lesson, would you cuts its head off?' Why . . . no, sir!' Of course not. You'd paddle it. There can be circumstances when it's just as foolish to hit an enemy with an H-Bomb as it would be to spank a baby with an ax. War is not violence and killing, pure and simple; war is controlled violence, for a purpose. The purpose of war is to support your government's decisions by force. The purpose is never to kill the enemy just to be killing him . . . but to make him do what you want him to do. Not killing . . . but controlled and purposeful violence. But it's not your business or mine to decide the purpose of the control. It's never a soldier's business to decide when or where or how--or why--he fights; that belongs to the statesmen and the generals. The statesmen decide why and how much; the generals take it from there and tell us where and when and how. We supply the violence; other people--"older and wiser heads," as they say--supply the control. Which is as it should be. That's the best answer I can give you. If it doesn't satisfy you, I'll get you a chit to go talk to the regimental commander. If he can't convince you--then go home and be a civilian! Because in that case you will certainly never make a soldier.
Robert A. Heinlein (Starship Troopers)
He can’t change anything. He doesn’t own me. Nobody does. They may think they do, but no matter how they scold or threaten or beat me, they can’t really control what goes on in my head, and I think that frustrates them to no end.
Xiran Jay Zhao (Iron Widow (Iron Widow, #1))
Let’s face it,” my Deep Throat had said to me, “nobody rules the world anymore. The markets rule the world. Maybe that’s why your conspiracy theorists make up all those crazy things. Because the truth is so much more frightening. Nobody rules the world. Nobody controls anything.
Jon Ronson (Them: Adventures with Extremists)
John was still making comments regarding violent things that he shouldn't, but I hoped he was just being a big mouth. Nobody was going to listen to me anyway.
Sierra D. Waters (Debbie.)
She grabbed the bills. “Alright, you rat bastard, you win.” She stuffed the money in her back pocket. “But I’m only taking it because I’m greedy and desperate, and because there’s no door on that room so you can’t get too frisky. “Fair enough.” “I mean it, Dean. If you try to cop even one feel…” “Me? What about you?” His eyes slid over her like cool icing on hot spice cake. “How about this, double or nothing.” “What are you taking about?” “You touch me first, I keep the hundred. I touch you first, you get two hundred. Nobody touches anybody, the deals stands as is.” She thought it over, but couldn’t see any immediate loopholes other than the threat of her inner-slut emerging, and she could darn well control that little bitch. “Deal.
Susan Elizabeth Phillips (Natural Born Charmer (Chicago Stars, #7))
They believed him out of control. What they didn’t know—what nobody but me knew—was that he’d never been more in control. He knew exactly what he was doing. He was free.
Pippa DaCosta (Darkest Before Dawn (The Veil, #3))
some self-control, he continued his lesson for Sir Asshole. “Then the endorphins kicked in to the point where she could no longer engage her brain to make the decision to speak her safeword.” He glanced
Kallypso Masters (Nobody's Angel (Rescue Me Saga, #1))
I love the way you feel inside me,” he said. Ryder made a low, rumbling noise of contentment. “I love the way I feel inside you, too.” “I love that you did this for me because you wanted to give me something special.” Luca started rocking back and forth on Ryder’s cock. “I love that you’ve never done it for anyone else.” Ryder’s brow creased. “Luca…” Luca put his hand over Ryder’s mouth, a domineering gesture that silenced Ryder instantly. He didn’t know where the words were coming from, just that they were clawing at his throat, demanding to get out. “I love the way you treat me,” he said. “I love that you’re so much stronger than me but you never make me feel weak. I love that you take care of me without implying that I can’t take care of myself. I love that you let me take control but always call me on my bullshit.” Luca had to pause for a moment; the pleasure of their slow, rhythmic fucking was making it difficult for him to gather his thoughts. Ryder waited, eyes watchful. “I love that you’re always worried about doing the right thing, even when nobody else is.” Certain that Ryder wouldn’t interrupt now, Luca let go of his mouth and braced his hands on Ryder’s chest. He bounced shallowly on Ryder’s cock, soaking up his size, his strength, his steady, reassuring presence. “I love that I can trust you, and I love that I can rely on you, and – and I love you, Ryder, I do, I love you – ” Because he did, of course he did. It was crazy to pretend that he didn’t. He might be damning them both, but he couldn’t hide from this any longer, couldn’t let Ryder go on thinking he wasn’t head-over-heels in love with him.
Cordelia Kingsbridge (Close Protection)
I can't control or predict God, but I trust him enough to allow this journey of knowing him to take me wherever it may lead, even if I don't know where that is until I get there.
Jim Palmer (Divine Nobodies: Shedding Religion to Find God)
Here’s the cool part: I will eventually go to Schiaparelli and commandeer the Ares 4 lander. Nobody explicitly gave me permission to do this, and they can’t until I’m aboard Ares 4 and operating the comm system. After I board Ares 4, before talking to NASA, I will take control of a craft in international waters without permission. That makes me a pirate! A space pirate!
Andy Weir (The Martian)
When you travel to another country, it’s important to know the local customs. When you’re interacting with someone with BPD, it’s crucial to understand that their unconscious assumptions may be very different from yours. They may include: I must be loved by all the important people in my life at all times or else I am worthless. I must be completely competent in all ways to be a worthwhile person. Some people are good and everything about them is perfect. Other people are thoroughly bad and should be blamed and punished for it. My feelings are caused by external events. I have no control over my emotions or the things I do in reaction to them. Nobody cares about me as much as I care about them, so I lose everyone I care about—despite the desperate things I do to stop them from leaving me. If someone treats me badly, then I become bad.
Paul T. Mason (Stop Walking on Eggshells: Taking Your Life Back When Someone You Care About Has Borderline Personality Disorder)
I didn’t want to get well, because if I got well, nobody would come and save me anymore. And I didn’t want to get well, because while I could not control my happiness, I could control my misery, and I would rather have had control than live in the tension of what if. A chance of hope is no pacifier against a sure tragedy.
Donald Miller (A Million Miles in a Thousand Years: What I Learned While Editing My Life)
I felt sorry for myself. I knew I wasn’t a bad person, but it did not stop me from carrying on and being argumentative. I felt out of control of my behavior or blamed others for my treatment of them. I felt my brain was moving too rapidly and I was constantly chasing after myself. Except for Terry, nobody seemed to be on my side.
Jenifer Lewis (The Mother of Black Hollywood: A Memoir)
When stress becomes sustained over long periods, our brain tends towards more habitual behaviours that demand less energy. Our ability to control our impulses, remember information and make decisions becomes impaired. Over time, our immune system is affected.
Julie Smith (Why Has Nobody Told Me This Before?)
Ms. Lane.”Barrons’ voice is deep, touched with that strange Old World accent and mildly pissed off. Jericho Barrons is often mildly pissed off. I think he crawled from the swamp that way, chafed either by some condition in it, out of it, or maybe just the general mass incompetence he encountered in both places. He’s the most controlled, capable man I’ve ever known. After all we’ve been through together, he still calls me Ms. Lane, with one exception: When I’m in his bed. Or on the floor, or some other place where I’ve temporarily lost my mind and become convinced I can’t breathe without him inside me this very instant. Then the things he calls me are varied and nobody’s business but mine. I reply: “Barrons,” without inflection. I’ve learned a few things in our time together. Distance is frequently the only intimacy he’ll tolerate. Suits me. I’ve got my own demons. Besides I don’t believe good relationships come from living inside each other’s pockets. I believe divorce comes from that. I admire the animal grace with which he enters the room and moves toward me. He prefers dark colors, the better to slide in and out of the night, or a room, unnoticed except for whatever he’s left behind that you may or may not discover for some time, like, say a tattoo on the back of one’s skull. “What are you doing?” “Reading,” I say nonchalantly, rubbing the tattoo on the back of my skull. I angle the volume so he can’t see the cover. If he sees what I’m reading, he’ll know I’m looking for something. If he realizes how bad it’s gotten, and what I’m thinking about doing, he’ll try to stop me. He circles behind me, looks over my shoulder at the thick vellum of the ancient manuscript. “In the first tongue?” “Is that what it is?” I feign innocence. He knows precisely which cells in my body are innocent and which are thoroughly corrupted. He’s responsible for most of the corrupted ones. One corner of his mouth ticks up and I see the glint of beast behind his eyes, a feral crimson backlight, bloodstaining the whites. It turns me on. Barrons makes me feel violently, electrically sexual and alive. I’d march into hell beside him. But I will not let him march into hell beside me. And there’s no doubt that’s where I’m going. I thought I was strong, a heroine. I thought I was the victor. The enemy got inside my head and tried to seduce me with lies. It’s easy to walk away from lies. Power is another thing. Temptation isn’t a sin that you triumph over once, completely and then you’re free. Temptation slips into bed with you each night and helps you say your prayers. It wakes you in the morning with a friendly cup of coffee, and knows exactly how you take it. He skirts the Chesterfield sofa and stands over me. “Looking for something, Ms. Lane?” I’m eye level with his belt but that’s not where my gaze gets stuck and suddenly my mouth is so dry I can hardly swallow and I know I’m going to want to. I’m Pri-ya for this man. I hate it. I love it. I can’t escape it. I reach for his belt buckle. The manuscript slides from my lap, forgotten. Along with everything else but this moment, this man. “I just found it,” I tell him.
Karen Marie Moning (Burned (Fever, #7))
I lifted the remote control, pushed the Play button, and started the video. I guess, in that moment, I also started my new life as Cameron-the-girl-with-no-parents. Ruth was sort of right, I would learn: A relationship with a higher power is often best practiced alone. For me it was practiced in hour-and-half or two-hour increments, and paused when necessary. I don't think it's overstating it to say that my religion of choice became VHS rentals, and that its messages came in Technicolor and musical montages and fades and jump cuts and silver-screen legends and B-movie nobodies and villains to root for and good guys to hate. But Ruth was wrong, too. There was more than just one other world beyond ours; there were hundreds and hundreds of them, and at 99 cents apiece I could rent them all.
Emily M. Danforth (The Miseducation of Cameron Post)
I had less control over my thoughts than I'd have liked. The little ring hung around my neck, under my gown, where nobody could see it. When I was alone, I took it out sometimes, wondering how he had judged the size, with nothing but my swollen, knotted fingers to go by. Wondering if my hands would ever be as they once were, small, white, and fine. By the time that happened, if it ever did, I would be long gone from here. I would have left behind both husband and wedding ring. It mattered little whether the size were right or no. Yet, when I thought this, I found my hand closing around the ring as if I did not want to let it go. It's mine, something inside me would say.
Juliet Marillier (Daughter of the Forest (Sevenwaters, #1))
I will eventually go to Schiaparelli and commandeer the Ares 4 lander. Nobody explicitly gave me permission to do this, and they can’t until I’m aboard Ares 4 and operating the comm system. After I board Ares 4, before talking to NASA, I will take control of a craft in international waters without permission. That makes me a pirate! A space pirate!
Andy Weir (The Martian)
I loved Jem- she said- I love him still, and he loved me, but i'm nobody's Will. My heart is my own. It is beyond you to control it. It has been beyond me to control it
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Truthfully, I feel too much. But you wouldn’t know that about me. Nobody does. Because I’m always in control.
A. Zavarelli (Crow (Boston Underworld, #1))
To love without expectation, you learn what’s not in your control. You understand that everyone has their own demons and nobody owes it to you to fight them.
Heidi Priebe (This Is Me Letting You Go)
I was taken to a villa to meet Sabri al-Banna, known as 'Abu Nidal' ('father of struggle'), who was at the time emerging as one of Yasser Arafat's main enemies. The meeting began inauspiciously when Abu Nidal asked me if I would like to be trained in one of his camps. No thanks, I explained. From this awkward beginning there was a further decline. I was then asked if I knew Said Hammami, the envoy of the PLO in London. I did in fact know him. He was a brave and decent man, who in a series of articles in the London Times had floated the first-ever trial balloon for a two-state solution in Israel/Palestine. 'Well tell him he is a traitor,' barked my host. 'And tell him we have only one way with those who betray us.' The rest of the interview passed as so many Middle Eastern interviews do: too many small cups of coffee served with too much fuss; too many unemployed heavies standing about with nothing to do and nobody to do it with; too much ugly furniture, too many too-bright electric lights; and much too much faux bonhomie. The only political fact I could winnow, from Abu Nidal's vainglorious claims to control X number of 'fighters' in Y number of countries, was that he admired the People's Republic of China for not recognizing the State of Israel. I forget how I got out of his office.
Christopher Hitchens (Hitch 22: A Memoir)
And then I thought of my loneliness, my approaching death, how nobody knew me, how nobody cared. I thought of my parents, long dead, and how little love they'd given me. I thought of Walter, of his nauseatingly gentle caresses. Even when he meant to be tender, he was condescending and controlling. I'd never been loved properly. Nobody had ever said, "You are wonderful, even your bitterness and neurotic energy are wonderful. Even your suspiciousness, your rigidity, your graying, thinning, hair, your wrinkled thighs?" I'd been young and beautiful once, and even then nobody had kissed me and said, "How young and beautiful you are”, not unless they wanted something from me. And that was Walter. Always wanting something, some permission to be boastful, some permission to have power. I cried and cried, thinking of the love I could have had, had I never met that awful, deleterious, pompous man. I let tears drip from my eyes, my head bent toward the gravel, and as they splatted they made a little trail behind me. Maybe Charlie would pass by later and follow the trail. Poor Charlie. He was the only one on Earth who loved me, and even he had left. My head began to throb. I got dizzy again.
Ottessa Moshfegh (Death in Her Hands)
So what does help when positive change demands that we resist temptation? One of the biggest factors is managing stress. The physiology of self-control is optimal when stress is low and heart-rate variability is high.
Julie Smith (Why Has Nobody Told Me This Before?)
I think that sitting there talking to Dan was a thing that had a great impression on my life. I know that being an idiot and all, I ain't supposed to have no philosophy of my own, but maybe it's just because nobody never too the time to talk to me about it. It was Dan's philosophy that everything that happen to us, or for that matter, to anything everywhere, is controlled by natural laws that govern the universe. His views were extremely complicated, but the gist of what he said begun to change my whole outlook on things.
Winston Groom (Forrest Gump (Forrest Gump, #1))
I HAVE A PASTOR FRIEND WHO SAYS THE ROOT OF sin is the desire for control. I think there’s some truth to that. And I’d add the root of control is fear. The reason I had such a rich fantasy life was partially because it gave me a sense of control. There was no risk in my fantasy life, and risk is what I feared the most. After all, to love somebody is to give them the power to hurt you, and nobody can hurt you if you’re the only one writing the script. But it doesn’t work. Controlling people are the loneliest people in the world.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
Heartbreak is very hard to live with. In the morning, it made me wish that I could just snooze my alarm and hide from the sunlight. In the afternoon, I cried at work silently, then I ran to the washroom so that nobody noticed. In the late afternoon, my brain would unsuccessfully try to take control for an hour after which I would be exhausted from the emotional roller coaster led by my heart. At night, I would squeeze my pillow, howling inside and yet not being able to scream, wishing that I could stop feeling the stinging pain.
Namrata Gupta (Lost Love Late Love)
Then someone knocks on the door, very clearly, four times. I pull away from Lena quickly. "What's that?" I say, dragging my forearm across my eyes, trying to get control of myself. Lena tries to pass it off as though she hadn't heard. Her face has gone white, her eyes wide and terrified. When the knocking starts up again, she doesn't move, just stays frozen where she is. "I thought nobody comes in this way." I cross my arms, watching Lena narrowly. There's a suspicious needling, pricking at some corner of my mind, but I can't quite focus on it. "They don't. I mean—sometimes—I mean, the delivery guys—" As she stammers excuses, the door opens, and he pokes his head in—the boy from the day Lena and I jumped the gate at the lab complex, just after we had our evaluations. His eyes land on me and he, too, freezes. At first I think there must be a mistake. He must have knocked on the wrong door. Lena will yell at him now, tell him to clear off. But then my mind grinds slowly into gear and I realize that no, he has just called Lena's name. This was obviously planned.
Lauren Oliver (Hana (Delirium, #1.5))
We go quiet as the next episode picks up exactly where it left off. Antoine manages to subdue Marie-Thérèse, and the two proceed to argue for ten minutes. Don’t ask me about what, because it’s in French, but I do notice that the same word—héritier—keeps popping up over and over again during their fight. “Okay, we need to look up that word,” I say in aggravation. “I think it’s important.” Allie grabs her cell phone and swipes her finger on the screen. I peek over her shoulder as she pulls up a translation app. “How do you think you spell it?” she asks. We get the spelling wrong three times before we finally land on a translation that makes sense: heir. “Oh!” she exclaims. “They’re talking about the father’s will.” “Shit, that’s totally it. She’s pissed off that Solange inherited all those shares of Beauté éternelle.” We high five at having figured it out, and in the moment our palms meet, pure clarity slices into me and I’m able to grasp precisely what my life has become. With a growl, I snatch the remote control and hit stop. “Hey, it’s not over yet,” she objects. “Allie.” I draw a steady breath. “We need to stop now. Before my balls disappear altogether and my man-card is revoked.” One blond eyebrow flicks up. “Who has the power to revoke it?” “I don’t know. The Man Council. The Stonemasons. Jason Statham. Take your pick.” “So you’re too much of a manly man to watch a French soap opera?” “Yes.” I chug the rest of my margarita, but the salty flavor is another reminder of how low I’ve sunk. “Jesus Christ. And I’m drinking margaritas. You’re bad for my rep, baby doll.” I shoot her a warning look. “Nobody can ever know about this.” “Ha. I’m going to post it all over the Internet. Guess what, folks—Dean Sebastian Kendrick Heyward-Di Laurentis is over at my place right now watching soaps and drinking girly drinks.” She sticks her tongue out at me. “You’ll never get laid again.” She’s right about that. “Can you at least add that the night ended with a blowjob?” I grumble. “Because then everyone will be like, oh, he suffered through all that so he could get his pole waxed.” “Your pole waxed? That’s such a gross description.” But her eyes are bright and she’s laughing as she says it.
Elle Kennedy (The Score (Off-Campus, #3))
People boast about having a gentle soul. I'll tell you right away, I am not gentle, I am the pinnacle of everything that is violent in nature. Yet nobody has ever seen me violent - you know why? Because gentleness is not the absence of violence, gentleness is the mastery over violence.
Abhijit Naskar (Visvavictor: Kanima Akiyor Kainat)
Then I saw the keyboard of an organ which filled one whole side of the walls. On the desk was a music-book covered with red notes. I asked leave to look at it and read, ‘Don Juan Triumphant.’ ‘Yes,’ he said, 'I compose sometimes.’ I began that work twenty years ago. When I have finished, I shall take it away with me in that coffin and never wake up again.’ 'You must work at it as seldom as you can,’ I said. He replied, 'I sometimes work at it for fourteen days and nights together, during which I live on music only, and then I rest for years at a time.’ 'Will you play me something out of your Don Juan Triumphant?’ I asked, thinking to please him. 'You must never ask me that,’ he said, in a gloomy voice. 'I will play you Mozart, if you like, which will only make you weep; but my Don Juan, Christine, burns; and yet he is not struck by fire from Heaven.’ Thereupon we returned to the drawing-room. I noticed that there was no mirror in the whole apartment. I was going to remark upon this, but Erik had already sat down to the piano. He said, 'You see, Christine, there is some music that is so terrible that it consumes all those who approach it. Fortunately, you have not come to that music yet, for you would lose all your pretty coloring and nobody would know you when you returned to Paris. Let us sing something from the Opera, Christine Daae.’ He spoke these last words as though he were flinging an insult at me.” “What did you do?” “I had no time to think about the meaning he put into his words. We at once began the duet in Othello and already the catastrophe was upon us. I sang Desdemona with a despair, a terror which I had never displayed before. As for him, his voice thundered forth his revengeful soul at every note. Love, jealousy, hatred, burst out around us in harrowing cries. Erik’s black mask made me think of the natural mask of the Moor of Venice. He was Othello himself. Suddenly, I felt a need to see beneath the mask. I wanted to know the FACE of the voice, and, with a movement which I was utterly unable to control, swiftly my fingers tore away the mask. Oh, horror, horror, horror!” Christine stopped, at the thought of the vision that had scared her, while the echoes of the night, which had repeated the name of Erik, now thrice moaned the cry: “Horror! … Horror! … Horror!
Gaston Leroux (The Phantom of the Opera)
To be with God is really to be involved with some enormous, overwhelming desire, and joy, and power which you cannot control, which controls you. I conceive of my own life as a journey toward something I do not understand, which in the going toward, makes me better. I conceive of God, in fact, as a means of liberation and not a means to control others. Love does not begin and end the way we seem to think it does. Love is a battle, love is a war; love is a growing up. No one in the world—in the entire world—knows more—knows Americans better or, odd as this may sound, loves them more than the American Negro. This is because he has had to watch you, outwit you, deal with you, and bear you, and sometimes even bleed and die with you, ever since we got here, that is, since both of us, black and white, got here—and this is a wedding. Whether I like it or not, or whether you like it or not, we are bound together forever. We are part of each other. What is happening to every Negro in the country at any time is also happening to you. There is no way around this. I am suggesting that these walls—these artificial walls—which have been up so long to protect us from something we fear, must come down.
James Baldwin (Nobody Knows My Name)
I realized a few days ago I didn't know what love was. To me love was helpless, suffocating, painful. It wasn't until [she] came that I realized that love was strong, that it meant standing up for yourself, saying things nobody wanted to hear. I also know it means giving of yourself because it makes somebody else happy. I don't know if I love [her]. For a while I was sure I didn't, but now I'm not sure. I know I need her, that I can't imagine living the rest of my life without her. Is that love? I think it's part of it. I know I want her. She comforts my spirit and body as nothing ever has. That's a part of love, too. I also know I'm never as happy as I am when I'm with her." "You sound like you're obsessed." "Maybe that's also part of love. I don't know, but I'm going to learn. It's embarrassing sometimes. I feel like a child. But I learn a little somethign every day. It's like a whole new way of living. It's a willingness to give up control. To make a commitment and have faith it'll work out." "It sounds like you've gone crazy" [. . .] "Maybe that's part of it, too. Whatever it is, it's something I want more than I ever thought possible. And [she] is the only one who can teach me. I'm not giving her up, no matter what it costs me." "Hell [. . .] You are in love with her.
Leigh Greenwood (Rose (Seven Brides, #1))
You have to walk differently on roofs,” Alec told him. He took Rafael’s hands in his, showing him how. “Like this, because they slope. Do it like me.” It was oddly nice, to teach a child these things. He’d had all sorts of plans to teach his little brother, when he got older, but his baby brother hadn’t lived to be older. “When will you give your parents a real grandchild?” he’d heard Irina Cartwright ask Isabelle after a Clave meeting. “By the Angel,” said Isabelle. “Is Max imaginary?” Irina paused, then laughed. “A Shadowhunter child, to teach our ways. Nobody would give those people a Shadowhunter child. Imagine a warlock around one of our little ones! And that kind of behavior. Children are so impressionable. It wouldn’t be right.” Isabelle went for her whip. Alec dragged his sister back. “You Lightwood kids are out of control and out of your minds,” muttered Irina. Jace had appeared beside Alec and Isabelle, and given Irina a radiant smile. “Yes, we are.
Cassandra Clare (The Land I Lost (Ghosts of the Shadow Market, #7))
They say, you are a wildfire that is out of control. It doesn’t matter because nobody sees it; they only feel it. I burn and set fire to everyone who crosses me because they deserve it. Nobody deserves my kindness. My kindness to them is a weakness, so I created a wildfire in my mind and around me. My skin is brass, and I do not burn easily.
Charlena E. Jackson (Pinwheels and Dandelions)
I’m worried,” I tell him. “This place seems out of control.” Harvey says everything I’m describing about HubSpot is absolutely normal. “You know what the big secret of all these start-ups is?” he tells me. “The big secret is that nobody knows what they’re doing. When it comes to management, it’s amateur hour. They just make it up as they go along.
Dan Lyons (Disrupted: My Misadventure in the Start-Up Bubble)
Self-control!” repeated Tom incredulously. “I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that’s the idea you can count me out.… Nowadays people begin by sneering at family life and family institutions, and next they’ll throw everything overboard and have intermarriage between black and white.
F. Scott Fitzgerald (The Great Gatsby)
Three postcards await our perusal, yea, three visions of a world. One: I see a theme park where there are lots of rides, but there is nobody who can control them and nobody who knows how the rides end. Grief counseling, however, is included in the price of admission. Two: I see an accident. An explosion of some kind inhabited by happenstantial life forms. A milk spill gone bacterial, only with more flame. It has no meaning or purpose or master. It simply is. Three: I see a stage, a world where every scene is crafted. Where men act out their lives within a tapestry, where meaning and beauty exist, where right and wrong are more than imagined constructs. There is evil. There is darkness. There is the Winter of tragedy, every life ending, churned back into the soil. But the tragedy leads to Spring. The story does not end in frozen death. The fields are sown in grief. The harvest will be reaped in joy. I see a Master's painting. I listen to a Master's prose. When darkness falls on me, when I stand on my corner of the stage and hear my cue, when I know my final scene has come and I must exit, I will go into the ground like corn, waiting for the Son.
N.D. Wilson (Notes From The Tilt-A-Whirl: Wide-Eyed Wonder in God's Spoken World)
Questions to explore: If you were to look back on this next chapter of your life and feel proud and content with how you faced life’s challenges, how would you be approaching daily life? What would the next chapter look like? In your answer try to focus on your own choices, actions and attitude, not other people or events that are out of your control. Try to consider how you would approach life, whatever happens. What do you want to stand for in your relationship with yourself, your health and personal growth? What is important to you about these? What kind of person do you want to be for the people in your life? How do you want to interact with them and contribute to their lives? How do you want the people in your life to feel when you are around? What do you want to represent in your circle of friends and family? If you only get to live once, what impact do you want to have while you are here? If no one knew how you spent your time, would you still be doing this? As you move forward through this day or this week, what is one value that you will try to bring to each choice and action? Examples here might be ‘Today I choose to bring enthusiasm/courage/compassion/curiosity to each experience, choice and action. I will do this by . . .
Julie Smith (Why Has Nobody Told Me This Before?)
decided years ago, as a teenager, that nobody has the liberty to control my rights because my rights are God-given and inherent. Some people are amazed at my outlook. A black preacher came up to me one time and said, "Man, you're a different kind of black man." I said, "No, I am in control of whose opinions are important." There is a significant difference between demanding one's rights from someone and displaying the rights one already possesses.
Myles Munroe (Understanding The Purpose And Power Of Woman)
I’ve been thinking about laws on Mars. Yeah, I know, it’s a stupid thing to think about, but I have a lot of free time. There’s an international treaty saying no country can lay claim to anything that’s not on Earth. And by another treaty, if you’re not in any country’s territory, maritime law applies. So Mars is “international waters.” NASA is an American nonmilitary organization, and it owns the Hab. So while I’m in the Hab, American law applies. As soon as I step outside, I’m in international waters. Then when I get in the rover, I’m back to American law. Here’s the cool part: I will eventually go to Schiaparelli and commandeer the Ares 4 lander. Nobody explicitly gave me permission to do this, and they can’t until I’m aboard Ares 4 and operating the comm system. After I board Ares 4, before talking to NASA, I will take control of a craft in international waters without permission. That makes me a pirate! A space pirate!
Andy Weir (The Martian)
I’ve never understood the phenomenon, but everyone absolutely loses their minds whenever they see someone pull out a T-shirt gun. It’s a universal constant that transcends all cultural divides: Republicans, Democrats, rich, poor, glassblowers, Inuit Indians, Motown nostalgia acts: They all pay a fortune for their tickets and sit nicely dressed and civilized. Then the dudes with the T-shirt guns come out and everyone gets that crazy red demon glow in their eyes, ready to tear arms out of their sockets and dive off balconies for three dollars of cotton. On the other end, the guys with the guns are in complete control of the crowd and get a God complex, teasing them, faking shots and making thousands of screaming loons sway left and right with their slightest move. And yet nobody but me can see the potential, like the next time the rest of the world is giving America a bunch of shit, our president just goes before the UN General Assembly and busts out a T-shirt gun. Problem fucking solved.
Tim Dorsey (Shark Skin Suite (Serge Storms #18))
That’s when I decide that prom is stupid. It’s just a dumb dance that might have meant something to the old me, but the new me doesn’t really give a flying frick. And that’s when Mark Baker, whom I now refer to as Galen’s BFF because of their testosterone-enhanced run-in last year, walks up to me. “You got your dress picked out for prom? Let me guess. It’s violet, to match your eyes.” I raise a brow at him. Since Galen has been gone, Mark has been awfully attentive. Not that Mark isn’t nice, and not that if it were a year ago, I’d be a babbling idiot if he took the time out of being godlike to ask what I planned on wearing for prom. But like everything else, Mark is so one year ago. And I don’t know if I like that. I shrug. “I’m probably not going.” Mark is not good at hiding surprise. “You mean Galen won’t allow you to-“ “Knock it off. I know you think Galen is controlling or whatever, but you’re wrong. And anyways, I can hold my own. If I wanted to go to prom, you can bet your sweet Aspercreme I’d be going.” Mark holds up his hands in surrender. “Simmer down, skillet. I was just asking a polite question. Did you want to talk about starving children or government conspiracy instead?” I laugh. I’d forgotten how easygoing Mark is. “Sorry. I’m just in a bad mood I guess.” “You think?” I punch his arm, then feel guilty about how flirty it looks. “Well, nobody’s perfect.” The bell rings and he starts walking backward, away from me. “But some people who shall remain nameless are pretty close to it.” He winks, then faces the other direction.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Nobody will be tougher on ISIS than me. Nobody,” he said during his campaign announcement speech on June 16, 2015. “There’s nobody bigger or better at the military than I am,” he stated a few days later. The following month came this memorably hypnotic line, one that echoes Moon’s language: “I know more about offense and defense than [the generals] will ever understand, believe me. Believe me. Than they will ever understand. Than they will ever understand.” It’s a classic example of Trump’s tried-and-true habit of lulling his audience through repetition. A few months later came another infamous claim: “I know more about ISIS [the Islamic State militant group] than the generals do. Believe me.
Steven Hassan (The Cult of Trump: A Leading Cult Expert Explains How the President Uses Mind Control)
They say, you are a wildfire that is out of control. It doesn’t matter because nobody sees it; they only feel it. I burn and set fire to everyone who crosses me because they deserve it. Nobody deserves my kindness. My kindness to them is a weakness, so I created a wildfire in my mind and around me. My skin is brass, and I do not burn easily. I am a human hazard because I destroy everything and everyone who gets in my way. They made me this way. Every time they neglected me, I was slowly fuming with heat. Every time they ignored me the fumes grew hotter from the smoke. Therefore, I became a human being gone bad. Every time they inhaled my fumes, I would cut them with my tongue's quadruple swords and kill them with my words.
Charlena E. Jackson (Pinwheels and Dandelions)
It’s different for dads. Nobody judges dads for their kids’ behavior like they do moms. Dads are rewarded just for being around. When Davis took Harper to the grocery store and she freaked out in the checkout lane over not getting candy or a cheap toy, nobody looked at him like he should have her under control or like he was responsible for her misbehavior. People bent over backward to help him all the time. That’s what usually happens with dads. But moms? I can’t count the number of snotty looks I’ve gotten in stores when Harper’s thrown a fit. I’ve never once had someone offer to help me with anything, even in those times when I was clearly struggling and on the verge of bursting into tears. And believe me, there’ve been plenty of those times. So Genevieve’s not alone in worrying about how her kid’s actions will reflect on her.
Lucinda Berry (Under Her Care)
LOG ENTRY: SOL 381 I've been thinking about laws on Mars. Yeah, I know, it's a stupid thing to think about, but I have a lot of free time. There's an international treaty saying no country can lay claim to anything that's not on Earth. And by another treaty, if you're not in any country's territory, maritime law applies. So Mars is "international waters". NASA is an American nonmilitary organization, and it owns the Hab. So while I'm in the Hab, American law applies. As soon as I step outside, I'm in international waters. Then when I get in the rover, I'm back to American law. Here's the cool part: I will eventually go to Schiaparelli and commandeer the Ares 4 lander. Nobody explicitly gave me permission to do this, and they can't until I'm aboard Ares 4 and operating the comm system. After I board Ares 4, before talking to NASA, I will take control of a craft in international waters without permission. That makes me a pirate! A space pirate!
Andy Weir (The Martian)
Before talking to my mom about how out of control I felt, I'd spent the night crying alone in the park I grew up going to, chain smoking, because the guy that I liked hadn't texted me back. And even amidst my tears and Camels and repeated utterings of "I'm going to die alone," I knew I looked fucking crazy. I knew if the guy could see me reacting this way, he'd block my number. But I still couldn't stop, and that's what scared me. My emotions had become all-encompassing. Like the night I'd given my landlord notice, I couldn't see or feel anything other than the most extreme version of the worst-case scenario. Because here's the thing: in those polarizing moments of ups or downs, what you're feeling in that moment can't be reasoned with or told to slow down, let alone stop. I looked across the park at the swings my friends and I used to hang out on and wondered what the fuck was wrong with me. Why couldn't I feel the way I used to, once upon a time? I wanted to feel invincible the way I sometimes did -- or better yet, I wanted no feeling at all.
Anne T. Donahue (Nobody Cares)
The individual is becoming a tiny chip inside a giant system that nobody really understands. Every day I absorb countless data bits through emails, phone calls and articles; process the data; and transmit back new bits through more emails, phone calls and articles. I don’t really know where I fit into the great scheme of things, and how my bits of data connect with the bits produced by billions of other humans and computers. I don’t have time to find out, because I am too busy answering all the emails. And as I process more data more efficiently – answering more emails, making more phone calls and writing more articles – so the people around me are flooded by even more data. This relentless flow of data sparks new inventions and disruptions that nobody plans, controls or comprehends. No one understands how the global economy functions or where global politics is heading. But no one needs to understand. All you need to do is answer your emails faster – and allow the system to read them. Just as free-market capitalists believe in the invisible hand of the market, so Dataists believe in the invisible hand of the data flow.
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
Compared to his experience, I wasn't an alcoholic -- he'd seen a real rinker, and I didn't look anything like that. But the older I got, the more complicated my habit became. I started to drink to fall asleep, to feel confident, to write. I began to drink well -- I learned how to make sure nobody ever really knew I'd been drinking at all. I drank to feel included, and I drank if it was offered. I drank to break the ice; I drank to spark real talk. I drank to hit on boys, and I drank to justify kissing them. Drinking could open a strange gateway to vulnerability. I drank because it gave me the illusion of control. I drank to justify intentional fuckery, knowing I could always circumvent real accountability by blaming it on too much of whatever I'd had the night before. I drank because I could escape from my anxiety and my worries and my hang-ups and everything that held me back. And I drank because I liked it. Because that's the thing: I liked it. Drinking was my favorite pastime and my costume. For a few solid hours, I got to convince myself (and everybody I met) that I was really much better than my actual self -- a shiny, full-color version.
Anne T. Donahue (Nobody Cares)
Nobody ever talked about what a struggle this all was. I could see why women used to die in childbirth. They didn't catch some kind of microbe, or even hemorrhage. They just gave up. They knew that if they didn't die, they'd be going through it again the next year, and the next. I couldn't understand how a woman might just stop trying, like a tired swimmer, let her head go under, the water fill her lungs. I slowly massaged Yvonne's neck, her shoulders, I wouldn't let her go under. She sucked ice through threadbare white terry. If my mother were here, she'd have made Melinda meek cough up the drugs, sure enough. "Mamacita, ay," Yvonne wailed. I didn't know why she would call her mother. She hated her mother. She hadn't seen her in six years, since the day she locked Yvonne and her brother and sisters in their apartment in Burbank to go out and party, and never came back. Yvonne said she let her boyfriends run a train on her when she was eleven. I didn't even know what that meant. Gang bang, she said. And still she called out, Mama. It wasn't just Yvonne. All down the ward, they called for their mothers. ... I held onto Yvonne's hands, and I imagined my mother, seventeen years ago, giving birth to me. Did she call for her mother?...I thought of her mother, the one picture I had, the little I knew. Karin Thorvald, who may or may not have been a distant relation of King Olaf of Norway, classical actress and drunk, who could recite Shakespeare by heart while feeding the chickens and who drowned in the cow pond when my mother was thirteen. I couldn't imagine her calling out for anyone. But then I realized, they didn't mean their own mothers. Not those weak women, those victims. Drug addicts, shopaholics, cookie bakers. They didn't mean the women who let them down, who failed to help them into womanhood, women who let their boyfriends run a train on them. Bingers and purgers, women smiling into mirrors, women in girdles, women in barstools. Not those women with their complaints and their magazines, controlling women, women who asked, what's in it for me? Not the women who watched TV while they made dinner, women who dyed their hair blond behind closed doors trying to look twenty-three. They didn't mean the mothers washing dishes wishing they'd never married, the ones in the ER, saying they fell down the stairs, not the ones in prison saying loneliness is the human condition, get used to it. They wanted the real mother, the blood mother, the great womb, mother of a fierce compassion, a woman large enough to hold all the pain, to carry it away. What we needed was someone who bled, someone deep and rich as a field, a wide-hipped mother, awesome, immense, women like huge soft couches, mothers coursing with blood, mothers big enough, wide enough, for us to hide in, to sink down to the bottom of, mothers who would breathe for is when we could not breathe anymore, who would fight for us, who would kill for us, die for us. Yvonne was sitting up, holding her breath, eyes bulging out. It was the thing she should not do. "Breathe," I said in her ear. "Please, Yvonne, try." She tried to breathe, a couple of shallow inhalations, but it hurt too much. She flopped back on the narrow bed, too tired to go on. All she could do was grip my hand and cry. And I thought of the way the baby was linked to her, as she was linked to her mother, and her mother, all the way back, insider and inside, knit into a chain of disaster that brought her to this bed, this day. And not only her. I wondered what my own inheritance was going to be. "I wish I was dead," Yvonne said into the pillowcase with the flowers I'd brought from home. The baby came four hours later. A girl, born 5:32 PM.
Janet Fitch (White Oleander)
He was known by three names. The official records have the first one: Marcos Maria Ribeira. And his official data. Born 1929. Died 1970. Worked in the steel foundry. Perfect safety record. Never arrested. A wife, six children. A model citizen, because he never did anything bad enough to go on the public record. The second name he had was Marcao. Big Marcos. Because he was a giant of a man. Reached his adult size early in his life. How old was he when he reached two meters? Eleven? Definitely by the time he was twelve. His size and strength made him valuable in the foundry,where the lots of steel are so small that much of the work is controlled by hand and strength matters. People's lives depended on Marcao's strength. His third name was Cao. Dog. That was the name you used for him when you heard his wife, Novinha, had another black eye, walked with a limp, had stitches in her lip. He was an animal to do that to her. Not that any of you liked Novinha. Not that cold woman who never gave any of you good morning. But she was smaller than he was, and she was the mother of his children, and when he beat her, he deserved the name of Cao. Tell me, is this the man you knew? Spent more hours in the bars than anyone but never made any friends there, never the camaraderie of alcohol for him. You couldn't even tell how much he had been drinking. He was surly and short-tempered before he had a drink and he was surly and short-tempered right before he passed out-nobody could tell the difference. You never heard of him having a friend, and none of you was ever glad to see him come into a room. That's the man you knew, most of you. Cao. Hardly a man at all. A few men, the men from the foundry in Bairro das Fabricados, knew him as a strong arm as they could trust. They knew he never said he could do more than he could do and he always did what he said he would do. You could count on him. So, within the walls of the foundry, he had their respect. But when you walked out of the door, you treated him like everybody else-ignored him, thought little of him. Some of you also know something else that you never talk about much. You know you gave him the name Cao long before he earned it. You were ten, eleven, twelve years old. Little boys. He grew so tall. It made you ashamed to be near him. And afraid, because he made you feel helpless. So you handled him the way human beings always handle things that are bigger than they are. You banded together. Like hunters trying to bring down a mastodon. Like bullfighters trying to weaken a giant bull to prepare it for the kill. Pokes, taunts, teases. Keep him turning around. He can't guess where the next blow was coming from. Prick him with barbs that stay under his skin. Weaken him with pain. Madden him. Because big as he is, you can make him do things. You can make him yell. You can make him run. You can make him cry. See? He's weaker than you after all. There's no blame in this. You were children then, and children are cruel without knowing better. You wouldn't do that now. But now that I've reminded you, you can clearly see an answer. You called him a dog, so he became one. For the rest of his life, hurting helpless people. Beating his wife. Speaking so cruelly and abusively to his son, Miro, that it drove the boy out of his house. He was acting the way you treated him, becoming what you told him he was. But the easy answer isn't true. Your torments didn't make him violent - they made him sullen. And when you grew out of tormenting him, he grew out of hating you. He wasn't one to bear a grudge. His anger cooled and turned into suspicion. He knew you despised him; he learned to live without you. In peace. So how did he become the cruel man you knew him to be? Think a moment. Who was it that tasted his cruelty? His wife. His children. Some people beat their wife and children because they lust for power, but are too weak or stupid to win power in the world.
Orson Scott Card
Dear Wildfire, Ember, you are a wildfire that is out of control. It doesn’t matter because nobody sees it; they only feel it. I burn and set fire to everyone who crosses me because they deserve it. If they don’t deserve it, so what, fuck it. Nobody deserves my kindness. My kindness to them is a weakness, so I created a wildfire in my mind and around me. My skin is brass, and I do not burn easily. I am a human hazard because I destroy everything and everyone who gets in my way. They made me this way. Every time they neglected me, I was slowly fuming with heat. Every time they ignored me the fumes grew hotter from the smoke. Therefore, I became a human being gone bad because I was a dangerous person. Every time they inhaled my fumes, I would cut them with my tongue's quadruple swords and kill them with my words. My fumes surrounded everyone with darkness because they couldn’t ever figure me out. They couldn’t read my thoughts; I became fearless in the worst way ever. When I was born, I was a wildfire, but the flames were smothered by me, always having to find a way to survive. Wildfire defines me perfectly because, just like a wildfire, I was unplanned, unwanted, and now I am uncontrollable. Everyone says, Ember, you’ve come so far, and they are shocked by my actions. I don’t know why they are surprised. After all, it is not my fault. I was born this way. I have officially exploded
Charlena E. Jackson (Pinwheels and Dandelions)
The profane passion is something absurd, a kind of drug, a 'sickness of the soul', as the Ancients supposed, everybody is ready to grant, and moralists have said so ad nauseum; but in this age of novels and films, when all of us are more or less drugged, nobody will believe it, and the distinction is capital. The moderns, men and women of passion, expect irresistible love to produce some revelation either regarding themselves or about life at large. This is a last vestige of the primitive mysticism. From poetry to the piquant anecdote, passion is everywhere treated as an experience, something that will alter my life and enrich it with the unexpected, with thrilling chances, and with enjoyment ever more violent and gratifying. The whole of possibility opens before me, a future that assents to desire! I am to enter into it, I shall rise to it, I shall reach it in 'transports'. The reader will say that this is but the everlasting illusion of mankind, the most guileless and—notwithstanding all that I have said—the most 'natural'; for it is the illusion of freedom and of living to the dull. But really a man becomes free only when he has attained self-mastery, whereas a man of passion seeks instead to be defeated, to lose all self-control, to be beside himself and in ecstasy. And indeed he is being urged on by his nostalgia, the origin and end of which are unknown to him. His illusion of freedom springs from this double ignorance.
Denis de Rougemont (Love in the Western World)
Dear Sad Eyes, I’m sure my eyes look sad from the outside, but nobody knows the pain behind my eyes. Sad eyes, do you know how to smile? I’m sure you would know if you weren’t so tired all of the time. Sad eyes, do you know how to rest? No, I have to strain my eyes in the dark because who else would watch my back. Sad eyes, there’s no such thing as rest—that is only wishful thinking. A stranger spoke to me today. She noticed me, my smile, and my sad eyes. For once, I didn’t feel invisible. I felt like somebody. Ms. Brown doesn’t know me, but she made me feel special. She made me feel like I mattered. She tried to be nice, but I fucked that up. Sad eyes, you know just as well as I do that anger eats me up alive, and I do not know how to control it. The anger I have for others is destroying me piece by piece. If I let it destroy me, then I won’t be able to kiss the moon, and all of the stars are going to fall from the sky. I won’t be able to dance in the moonlight, and the stars will not be my disco ball. I am so empty inside. I make-believe and imagine the dragonflies have filled my empty arms of darkness with light. Sad eyes, do you think you will be able to rest tonight? I hope so. With the moon, stars, and dragonflies surrounding me with so much light, I feel at peace and protected. Let’s try to rest and try it again tomorrow. After all, it will be another day. Who knows what might happen? Counting the stars and kissing the moon.
Charlena E. Jackson (Pinwheels and Dandelions)
You didn’t allow me anything! I allowed you! I allowed you to fool yourselves into thinking you had a choice!” Strom took a breath. When he had his anger under control, he spoke again. “You are clearly unfit to serve as Grand Mage,” he announced, “and all three of you are unfit to serve on the Council of Elders. By the authority vested in me by the international community I am hereby taking command of this Sanctuary. You are relieved of your duties.” Nobody moved. Valkyrie was frozen to the spot, though her eyes darted from person to person. Moving slowly, Grim reached for his jacket, and Skulduggery drew his revolver and pointed it into his face. “I wouldn’t do that if I were you,” Skulduggery said. The bodyguard raised his hands. Strom’s eyes widened. “What you just did is illegal.” “We’re in charge,” Ravel told him. “You think we’re going to roll over just because you tell us to? Who the hell do you think you are?” “I am a Grand Mage, Mr Ravel, a title I earned because of hard work and dedication. Whereas you, on the other hand, are Grand Mage because nobody else wanted the job.” “Whoa,” said Ravel. “That was a little below the belt, don’t you think?” “None of you have the required experience or wisdom to do what is expected of you. I know you’ll find it hard to believe, but we didn’t come here to take control. We came here to help.” “And now you want to take control anyway.” “You have proven yourselves incompetent. And what are you doing now? You’re holding a Grand Mage at gunpoint?” “Technically, Skulduggery is only holding a Grand Mage’s bodyguard at gunpoint. Which isn’t nearly as bad.” “You all seem to be forgetting that I have thirty-eight mages loyal to the Supreme Council in this country.” “And you seem to be under the illusion that we find that intimidating.” “If I go missing—” “Missing?” Ravel said. “Who said anything about going missing? No, no. You’re just going to be in a really long and really important meeting, that’s all.” “Don’t be a fool,” said Strom. “You can’t win here, Ravel. There are more of us than there are of you. And the moment our mages get wind of what’s going on down here, the rest of the Supreme Council will descend on you like nothing you’ve ever seen.” “Quintin, Quintin, Quintin... you make it sound like we’re going to war. This isn’t war. This is an argument. And like all arguments between grown-ups, we keep it away from the kiddies. You’ve got thirty-eight mages in the country? Ghastly, how many cells do we have?” “If we double up we’ll manage.” “Don’t make this any worse for yourselves,” said Strom. “An attack on any one of our mages will be considered an act of war.” “There’s that word again,” said Ravel. “This is insanity. Erskine, think about what you’re doing.” “What we’re doing, Quintin, is allowing our people to do their jobs.” “This is kidnapping.” “Don’t be so dramatic. We’re just going to keep you separated from your people for as long as we need to resolve the current crisis. Skulduggery and Valkyrie are on the case. When have they ever let us down?” Ravel turned to them, gave them a smile. “You’d better not let us down.” Skulduggery inclined his head slightly, and Valkyrie went with him as he walked away. “Holy cow,” Valkyrie whispered when they were around the corner. “Holy cow indeed.
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
Now the muted setting made sense: a neutral setting, soothing light, a book. The deep magic fed the beast within him. It took a monumental effort of will to restrain it. With the flare so close, Curran was a powder keg with a short fuse. I had to be careful not to light that fuse. Nobody outside the Pack, except for Andrea, knew I was here. He could kill me right now and they would never find my body. We shared a silence for a long moment. Magic blossomed, filling me with giddy energy. The short waves again. They would ebb in a minute, and then I’d be exhausted. Guilt gnawed at me. He could control himself in my presence, but I apparently couldn’t control myself in his. “Curran, up on the roof . . . That is, my brakes don’t work sometimes.” He leaned forward, suddenly animated. “Do I smell an apology?” “Yes. I said things I shouldn’t have. I regret saying them.” “Does this mean you’re throwing yourself at my feet?” “No. I pretty much meant that part. I just wish I could’ve put it in less offensive terms.” I glanced at him and saw a lion. He didn’t change, his face was still fully human, but there was something disturbingly lionlike in the way he sat, completely focused on me, as if ready to pounce. Stalking me without moving a muscle. The primordial urge to freeze shackled my limbs. I just sat there, unable to look away. A slow, lazy, carnivorous smile touched Curran’s lips. “Not only will you sleep with me, but you will say ‘please.’” I stared at him, shocked. The smile widened. “You will say ‘please’ before and ‘thank you’ after.” Nervous laughter bubbled up. “You’ve gone insane. All that peroxide in your hair finally did your brain in, Goldilocks.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
The God of theological theism is a being beside others and as such a part of the whole of reality. He certainly is considered its most important part, but as a part and therefore as subjected to the structure of the whole. He is supposed to be beyond the ontological elements and categories which constitute reality. But every statement subjects him to them. He is seen as a self which has a world, as an ego which is related to a thou, as a cause which is separated from its effect, as having a definite space and an endless time. He is a being, not being-itself. As such he is bound to the subject-object structure of reality, he is an object for us as subjects. At the same time we are objects for him as a subject. And this is decisive for the necessity of transcending theological theism. For God as a subject makes me into an object which is nothing more than an object. He deprives me of my subjectivity because he is all-powerful and all-knowing. I revolt and try to make him into an object, but the revolt fails and becomes desperate. God appears as the invincible tyrant the being in contrast with whom all other beings are without freedom and subjectivity. He is equated with the recent tyrants who with the help of terror try to transform everything into a mere object, a thing among things, a cog in the machine they control. He becomes the model of everything against which Existentialism revolted. This is the God Nietzsche said had to be killed because nobody can tolerate being made into a mere object of absolute knowledge and absolute control. This is the deepest root of atheism. It is an atheism which is justified as the reaction against theological theism and its disturbing implications. It is also the deepest root of the Existentialist despair and the widespread anxiety of meaninglessness in our period.
Paul Tillich (The Courage to Be)
In the introduction, I wrote that COVID had started a war, and nobody won. Let me amend that. Technology won, specifically, the makers of disruptive new technologies and all those who benefit from them. Before the pandemic, American politicians were shaking their fists at the country’s leading tech companies. Republicans insisted that new media was as hopelessly biased against them as traditional media, and they demanded action. Democrats warned that tech giants like Amazon, Facebook, Apple, Alphabet, and Netflix had amassed too much market (and therefore political) power, that citizens had lost control of how these companies use the data they generate, and that the companies should therefore be broken into smaller, less dangerous pieces. European governments led a so-called techlash against the American tech powerhouses, which they accused of violating their customers’ privacy. COVID didn’t put an end to any of these criticisms, but it reminded policymakers and citizens alike just how indispensable digital technologies have become. Companies survived the pandemic only by allowing wired workers to log in from home. Consumers avoided possible infection by shopping online. Specially made drones helped deliver lifesaving medicine in rich and poor countries alike. Advances in telemedicine helped scientists and doctors understand and fight the virus. Artificial intelligence helped hospitals predict how many beds and ventilators they would need at any one time. A spike in Google searches using phrases that included specific symptoms helped health officials detect outbreaks in places where doctors and hospitals are few and far between. AI played a crucial role in vaccine development by absorbing all available medical literature to identify links between the genetic properties of the virus and the chemical composition and effects of existing drugs.
Ian Bremmer (The Power of Crisis: How Three Threats – and Our Response – Will Change the World)
Dear Peter K, First of all I refuse to call you Kavinsky. You think you’re so cool, going by your last name all of a sudden. Just so you know, Kavinsky sounds like the name of an old man with a long white beard. Did you know that when you kissed me, I would come to love you? Sometimes I think yes. Definitely yes. You know why? Because you think EVERYONE loves you, Peter. That’s what I hate about you. Because everyone does love you. Including me. I did. Not anymore. Here are all your worst qualities: You burp and you don’t say excuse me. You just assume everyone else will find it charming. And if they don’t, who cares, right? Wrong! You do care. You care a lot about what people think of you. You always take the last piece of pizza. You never ask if anyone else wants it. That’s rude. You’re so good at everything. Too good. You could’ve given other guys a chance to be good, but you never did. You kissed me for no reason. Even though I knew you liked Gen, and you knew you liked Gen, and Gen knew you liked Gen. But you still did it. Just because you could. I really want to know: Why would you do that to me? My first kiss was supposed to be something special. I’ve read about it, what it’s supposed to feel like00fireworks and lightning bolts and the sound of waves crashing in your ears. I didn’t have any of that. Thanks to you it was as unspecial as a kiss could be. The worst part of it is, that stupid nothing kiss is what made me start liking you. I never did before. I never even thought about you before. Gen has always said that you are the best-looking boy in our grade, and I agreed, because sure, you are. But I still didn’t see the allure of you. Plenty of people are good-looking. That doesn’t make them interesting or intriguing or cool. Maybe that’s why you kissed me. To do mind control on me, to make me see you that way. It worked. Your little trick worked. From then on, I saw you. Up close, your face wasn’t so much handsome as beautiful. How many beautiful boys have you ever seen? For me it was just one. You. I think it’s a lot to do with your lashes. You have really long lashes. Unfairly long. Even though you don’t deserve it, fine, I’ll go into all the things I like(d) about you: One time in science, nobody wanted to be partners with Jeffrey Suttleman because he has BO, and you volunteered like it was no big deal. Suddenly everybody thought Jeffrey wasn’t so bad. You’re still in chorus, even though all the other boys take band and orchestra now. You even sing solos. And you dance, and you’re not embarrassed. You were the last boy to get tall. And now you’re the tallest, but it’s like you earned it. Also, when you were short, no one even cared that you were short--the girls still liked you and the boys still picked you first for basketball in gym. After you kissed me, I liked you for the rest of seventh grade and most of eighth. It hasn’t been easy, watching you with Gen, holding hands and making out at the bus stop. You probably make her feel very special. Because that’s your talent, right? You’re good at making people feel special. Do you know what it’s like to like someone so much you can’t stand it and know that they’ll never feel the same way? Probably not. People like you don’t have to suffer through those kinds of things. It was easier after Gen moved and we stopped being friends. At least then I didn’t have to hear about it. And now that the year is almost over, I know for sure that I am also over you. I’m immune to you now, Peter. I’m really proud to say that I’m the only girl in this school who has been immunized to the charms of Peter Kavinsky. All because I had a really bad dose of you in seventh grade and most of eighth. Now I never ever have to worry about catching you again. What a relief! I bet if I did ever kiss you again, I would definitely catch something, and it wouldn’t be love. It would be an STD! Lara Jean Song
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Nobody chooses to experience trauma. Whether it’s a natural disaster, a devastating accident, or an act of interpersonal violence, trauma often leaves people feeling violated and absent a sense of control. Because of this, it’s vital that survivors feel a sense of choice and autonomy in their mindfulness practice. We want them to know that in every moment of practice, they are in control. Nothing will be forced upon them. They can move at a pace that works for them, and they can always opt out of any practice. By emphasizing self-responsiveness, we help put power back in the hands of survivors. The body is central to this process. Survivors need to know they won’t be asked to override signals from their body, but to listen to them—one way they’ll learn to stay in their window of tolerance. We can accomplish this, in part, through our selection of language. Rather than give instructions as declarations, we can offer invitations that increase agency. Here are a few examples: • “In the next few breaths, whenever you’re ready, I invite you to close your eyes or have them open and downcast” (as opposed to “Close your eyes”). • “You appeared to be hyperventilating at the end of that last meditation. Would you like to talk to me for a minute about it?” (versus “You looked terrified. I need to talk to you”). In all of our interactions, we can tailor our instructions to be invitations instead of commands. Another way to emphasize choice is to provide different options in practice. We can offer students and clients the choice to have their eyes open or closed, or to adopt a posture that works best for them (e.g., standing, sitting, or lying down). Any time we are offering different ways people can practice, we can also work to normalize any choice they make—one way is not superior to the other.17 While we can encourage people to stay through the duration of a meditation period, we also want them to know that leaving the room—especially if they are surpassing their window of tolerance—is an option that is always available to them.
David A. Treleaven (Trauma-Sensitive Mindfulness: Practices for Safe and Transformative Healing)
her that when he had first raised the idea, I hadn’t known he was sick. Almost nobody knew, she said. He had called me right before he was going to be operated on for cancer, and he was still keeping it a secret, she explained. I decided then to write this book. Jobs surprised me by readily acknowledging that he would have no control over it or even the right to see it in advance. “It’s your book,” he said. “I won’t even read it.” But later that fall he seemed to have second thoughts about cooperating and, though I didn’t know it, was hit by another round of cancer complications. He stopped returning my calls, and I put the project aside for a while. Then, unexpectedly, he phoned me late on the afternoon of New Year’s Eve 2009. He was at home in Palo Alto with only his sister, the writer Mona Simpson. His wife and their three children had taken a quick trip to go skiing, but he was not healthy enough to join them. He was in a reflective mood, and we talked for more than an hour. He began by recalling that he had wanted to build a frequency counter when he was twelve, and he was able to look up Bill Hewlett, the founder of HP, in the phone book and call him to get parts. Jobs said that the past twelve years of his life, since his return to Apple, had been his most productive in terms of creating new products. But his more important goal, he said, was to do what Hewlett and his friend David Packard had done, which was create a company that was so imbued with innovative creativity that it would outlive them. “I always thought of myself as a humanities person as a kid, but I liked electronics,” he said. “Then I read something that one of my heroes, Edwin Land of Polaroid, said about the importance of people who could stand at the intersection of humanities and sciences, and I decided that’s what I wanted to do.” It was as if he were suggesting themes for his biography (and in this instance, at least, the theme turned out to be valid). The creativity that can occur when a feel for both the humanities and the sciences combine in one strong personality was the topic that most interested me in my biographies of Franklin and Einstein, and I believe that it will be a key to creating innovative economies in the twenty-first century. I asked Jobs why he wanted me to be the one to write his biography. “I think you’re good at getting people to talk,” he replied. That was an unexpected answer. I knew that I would have to interview scores of people he had fired, abused, abandoned, or otherwise infuriated, and I feared he would not be comfortable with my getting them to talk. And indeed he did turn out to be skittish when word trickled back to him of people that I was interviewing. But after a couple of months,
Walter Isaacson (Steve Jobs)
Climadex :- Anyhoo, most devotees are willing to pay for their banality. It is done to make sure that counterparts comprehend the applicable laws. There's nothing else to do but watch. That's how to control worrying in reference to that predicament. It - Nobody can use it. They're not all that quotable. It is quite lame to me how companions must not face a snap of a theorem like this. That predisposition is. I would concentrate all my efforts doing this with it and you have to give it high priority. I'm very curious dealing with this. We can't go back.
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Climadex :- Anyhoo, most devotees are willing to pay for their banality. It is done to make sure that counterparts comprehend the applicable laws. There's nothing else to do but watch. That's how to control worrying in reference to that predicament. It - Nobody can use it. They're not all that quotable. It is quite lame to me how companions must not face a snap of a theorem like this. That predisposition is. I would concentrate all my efforts doing this with it and you have to give it high priority. I'm very curious dealing with this. We can't go back.
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There was this new minister who went to the cemetery sorry, cemetery and he got his PhD and his DD and he’s got assign to his first church. I’ll never forget this. When he got there the church was a little lively but he was dead and he told the people now that am your new pastor we gonna do things a little different around here. He said, no more shouting, we’re going to do things in order. And theres going to be a quietness. He said I want you to follow my lead. He said I’ve graduated from the seminary and I’ve been educated and we’re going to do things in order and we’re going to take away this noise. It took him about 6 months to get things all tone down, he thought. He never even bothered to write his sermons out because some of the people were still shouting. But after 6 months he had everything under control and everything was dead. Dead quite. I mean quite. And finally he worked on his message all week long, had it all type written out on 15 pages, double space. Had everything perfect and now he is going to demonstrate his educational powers. Ready to wax eloquent and have them know they have an educated preacher/minister. He got into his message that he was reading. And he got to page 5, there was an ooooooooooooold fashion deacon in the back and let out one of them big old weeeeeeeeeeellllllllllllll gloryyyyyyyyyyyyyyy !!!!!. that was like an atom bomb that struck. And he became frustrated and all 15 pages of notes fell on the ground and he lost his place. He was never been so humiliated in all of his life. He could not finish his sermon. The only thing he could do is stop and pray and put the benediction on. He became so aggravated at the brother at the back. He said I did not know what I said to make him shout but he said am going to visit him in the morning and am going to found out what I said. And whatever I said am going to cut it out of my mind and I’ll never say it again so he won’t shout. Monday morning he headed out and he went to this brother who was a farmer. He didn’t even bother to go to the house. He wanted to handle this man to man. The brother offered a cup of coffee but the pastor refused it. He said I came out here to talk man to man sir. Do you remember when I first came to the church I said we were going to do things differently. He said yes sir I do remember. You remember I said nobody was going to make some noice. He said yes sir I remember that. He said yesterday you embarrassed me. I only got half way through my sermon. He said I want you to be honest with me brother. What was it that I said that made you shout because whatever it is am not going to say it no more. The brother breathed and said let get one thing straight pastor, you’ve been here six months. aint nothing you ever said made me shout. Nothing at all. But when I get to thinking how deep I was in sin and Jesus brought me out and cleaned me and wrote my name the book of life. How so good He’s been to me. When I was thinking of what He done for me, I couldn’t help but shoouuuuuuuuuuuuuuut to His gloryyyyyyyyyyyyyyyyyyyy. I don’t just shout in church, here with my mules thinking of Jesus, I feel another shouuuuuuuuuuuuut coming up.
RW SCHAMBACH
Anxiety followed me when I changed jobs, during my first year of university, and throughout the following autumn and winter. It hung around when I started to drink more, when I started to drink less, and when I got sober once and for all and was forced to process life without numbness. It would hover over me for days before finally swooping in to convince me that I was failing, that I was weak, that I was alone. It would worsen when I tried to push it down. It thrived in the dark and in my solitude, and the longer I kept it there, the more anxious I became. Well into 2015, I kept chiding myself for not being better -- for not yet outsmarting the narratives that made me feel small and trapped and afraid. So, fueled by comparison with the people around me who seemed to have their lives under control, I threw myself into self-improvement: I decided I needed to commit to bigger and better, doing more, being more, being smarter, being more involved, less thirsty, more enthusiastic, busier, more relaxed, and, and, and. Perfect, perfect, perfect. And anxiety clapped back.
Anne T. Donahue (Nobody Cares)
Please tell me we don’t have to go all the way upstairs for a condom,” she said. “Back pocket.” She leaned with him as he fished it out, then tried to help him get his jeans down over his hips. Her foot hit the coffee table, which snagged on the throw rug and sent the Scrabble tiles sliding all over the board. She laughed as he tore open the condom packet. “Now nobody wins.” “I was ahead.” He put one hand on her hip, using the other to guide himself into her. “So I win.” Emma moaned as he filled her, bracing herself against the couch with a hand on either side of his head. “The game wasn’t over. It’s a draw.” He pulled down on her hips as he drove up into her, making her gasp. “Ties are for pussies. Admit I won.” She looked down into his blue eyes, crinkled with amusement as he grinned at her. God, she loved…having sex with this man. “One good word isn’t a victory.” “That’s not what the score sheet said.” He stopped moving, and when she tried to rock against him, he held down on her hips so she couldn’t move, either. Then he had the nerve to chuckle at her growl of sexual frustration. “Admit it. I can sit here all night.” “Oh, really?” She went straight for a known weak spot—nipping at his earlobe before sucking it into her mouth. He let go of her hips with one hand, intending to push her mouth away, but she rocked her hips. He groaned and put his hand back. She breathed softly against his ear and then ran her tongue along the outside. “Admit I was going to win,” she whispered, “because I can do this all night.” With one leg, he kicked at the table, sending it over and the letter tiles flying. Before Emma could react, she was on her back on the throw rug with Sean between her legs and her hands held over her head. “I don’t lose.” He crossed her wrists so he could hold them with one hand, then used the other to pull her leg up over his hip so he was totally buried in her. “Give up?” She shook her head, but couldn’t hold back the sigh as he oh, so slowly withdrew almost completely and then just as slowly filled her again. “You’re cheating.” He did it again and again, the slow friction delicious and frustrating, until they were both trembling and on the edge. Then, as he was pulling out of her once again with a self-control that made her want to scream, it became a matter of life or death, because she was going to die if she didn’t get what her body was looking for. “Okay, fine. You win.” He drove into her hard, his fingers biting into her wrists before he released them so he could lift her legs to her shoulder. She cried his name as his fingers dug into her hips and he gave them what they both wanted. When he collapsed on top of her, breathing hard against her neck, she wrapped her legs and arms around him, holding him close. “Another one for the win column,” he said once they’d caught their breath. “It has an asterisk, though, because you totally cheated.” “All’s fair in sex and Scrabble, baby.” He propped his head on his hand and smiled down at her. “What should we play next?” “I’ve still got clothes on. You’ve still got clothes on. Maybe we should break out a deck of cards.” “You’re my kinda girl, Emma Shaw,” he said, and thankfully, he was in the process of getting up off the floor, because she didn’t think she did a good job of hiding how happy those words made her.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
Orpheus literally had his hands full, holding on to her while she struggled to break away from him and plunge into the water, time after time. How the other Argonauts laughed! Jason was exasperated. He needed Orpheus to keep the rowers working together and he was short by three men since the battle. He couldn’t spare anyone else from the crew to keep the girl from killing herself. When he ordered Herakles to grab her and tie her to the mast, our “dove” showed us that she spoke our language well enough to spew blistering curses and threats. “Listen to that!” Herakles exclaimed with an exaggerated shudder. “She’s a witch’s daughter, sure enough. She’ll put a spell on me if I offend her.” “Stop that nonsense and control the brat,” Jason snapped. “Alas, beloved prince, I can’t.” Herakles sighed and hung his head with such a pathetic air that Milo, Hylas, and I stuffed our knuckles into our mouths to stifle snickers. “I made a vow to Hera not to touch a woman until we come to Colchis.” That was too much for Hylas. He burst into hoots of laughter, and Milo and I joined in, until we had to clutch one another to keep from falling over. I was still trying to catch my breath when Jason’s foot shot out and dealt me an undeniable kick in the behind. “You think this is funny? You watch her!” he barked at me. “If anything happens to the scrawny little bitch, we’ll stick you in a dress, hand you over to her flea-bitten relatives, and be halfway to Colchis before they figure out they’ve been duped. If you’re lucky, they’ll kill you quickly. If not, they might decide to use their knives to turn you into the daughter they lost. See if you can laugh your way out of that, boy!” He showed his teeth in a satisfied smirk and didn’t understand why I kept on laughing at his threat, even while I walked off to assume my new job as the girl’s keeper.
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
A RECIPE FOR BADASS CONFIDENCE -I will always be able to get a job if I need one. -Billions of people are living far less expensive lives than mine, and yet many millions of these people are surely happier than me. What is their secret? -While I don’t control the entire world, I am in control of my response to everything I experience. And my response is the part that determines my happiness. -I am in control of my cost of living. Everything I do is a decision, and it’s made by me, not the world around me. -I can always learn new things. With proper dedication, I can gain any skill that I want or need. This means when I depend on other people, it’s just a positive choice we are both making. When others depend on me, they are acknowledging my strength and I will choose to pass some of it on to them. -My kids will be just fine. Just by giving them my love and support and being honest with them. They don’t need prestige and they don’t need the support of multimillionaire parents to prosper in life. Nobody does. -Exotic Travel (just like any other luxury) is not a necessity for a happy life. At a moment’s notice, I could choose to spend the rest of my life within driving distance of this spot, and still lead a completely blissful existence forever. -But on the other side of that same coin, I can always move. My current location is a mixture of chance and choice, but people move all the time and their lives are usually better for it. -I can always make friends. No matter where you drop me in the world, I could build up a loving support network of warm and caring relationships. Because people are the same everywhere – we all just want to be valued and given some warm attention. -I know that my real goal in life is happiness, and I will always have the right tools available to me to maximize my happiness. They’re everywhere, and they are free. -Millions of others have achieved this before me, with fewer advantages and in harder times. I have more than enough personal power to get this shit done, in spades.
Pete Adeney (Mr. Money Mustache)
I’m always in control. Cool, calm, and collected. Nobody gets beneath my skin, but Adam comes close. There’s something about the way he looks at me, as though he can see my deepest, darkest secrets and despises me for them, that unnerves me. It’s as if he can’t stand the sight of me.
Elle Fielding (Trusting the Enemy Next Door)
Around this time, I was again tested for partial deafness, for although I could speak I often didn't use language in the same way as others and often got no meaning out of what was said to me. Although words are symbols, it would be misleading to say that I did not understand symbols. I had a whole system of relating that I considered "my language." It was other people who did not understand the symbolism I used, and there was no way I could or was going to tell them what I meant. I developed a language of my own. Everything I did, from holding two fingers together to scrunching up my toes, had a meaning, usually to do with reassuring myself that I was in control and no one could reach me, wherever the hell I was. Sometimes it had to do with telling people how I felt, but it was so subtle it was often unnoticed or simply taken to be some new quirk that "mad Donna" had thought up.
Donna Williams (Nobody Nowhere: The Extraordinary Autobiography of an Autistic Girl)
Around this time, I was again tested for partial deafness, for although I could speak I often didn't use language in the same way as others and often got no meaning out of what was said to me. Although words are symbols, it would be misleading to say that I did not understand symbols. I had a whole system of relating that I considered "my language." It was other people who did not understand the symbolism I used, and there was no way I could or was going to tell them what I meant. I developed a language of my own. Everything I did, from holding two fingers together to scrunching up my toes, had a meaning, usually to do with reassuring myself that I was in control and no one could reach me, wherever the hell I was. Sometimes it had to do with telling people how I felt, but it was so subtle it was often unnoticed or simply taken to be some new quirk that "mad Donna" had thought up.
Donna Williams (Nobody Nowhere: The Extraordinary Autobiography of an Autistic Girl)
Around this time, I was again tested for partial deafness, for although I could speak I often didn't use language in the same way as others and often got no meaning out of what was said to me. Although words are symbols, it would be misleading to say that I did not understand symbols. I had a whole system of relating that I considered "my language." It was other people who did not understand the symbolism I used, and there was no way I could or was going to tell them what I meant. I developed a language of my own. Everything I did, from holding two fingers together to scrunching up my toes, had a meaning, usually to do with reassuring myself that I was in control and no one could reach me, wherever the hell I was. Sometimes it had to do with telling people how I felt, but it was so subtle it was often unnoticed or simply taken to be some new quirk that "mad Donna" had thought up.
Donna Williams (Nobody Nowhere: The Extraordinary Autobiography of an Autistic Girl)
Thus, the people I scold, play and irritate are the people that are close to my heart. And I am not the same person for other people, If I have to consider someone as close then i should have talked with them at least a little while. And naming it in different manner, shows your dirty mind not mine. And even if there is something between me and the people that are close to my heart, what is the issue here? did they make complaints about me? or did i harass them? You have right to ask me question only if it is against law or immorality. The color of the dress, what I eat, What I watch is my personal, and As i control my subconscious mind it may affect people but to avoid that just consider me as Indian citizen that is all. Then whatever I do will be electronically recorded for marketing as bangalore or Tamilnadu or wherever I go, the things are same. And coming to talking with me, Nobody can reach near me without I allow you to - Yes I said the truth. It is not that I am silent and I can not talk. I can talk anytime with anyone but I choose people and my subconscious mind choose people. Wherever I go and eat or shopping or any events I will be silent for a while so that my subconscious works there, and that will stop unnecessary people. This is my secret. Even where i study or work also I allow only certain people to be close to me although I talk with almost all in academic institutions or working places. Take my Ug college, or Nalanda or verzeo, I was sharing a lot with only certain people, I chose them and they are close to me always, you think in any manner I don't even care. Kalasalingam, Nalanda and verzeo are always very close to my heart than anyone else because these three places have witnessed me directly, and they know a lot about me than anyone else. My parents and personal friends cycle is my personal. But for society whatever I wish to contribute, I will contribute only through science but for science I need knowledge on each and every aspects of life. So that is it. If you do not understand still then you are dump.
Ganapathy K
Thus, the people I scold, play and irritate are the people that are close to my heart. And I am not the same person for other people, If I have to consider someone as close then i should have talked with them at least a little while. And naming it in different manner, shows your dirty mind not mine. And even if there is something between me and the people that are close to my heart, what is the issue here? did they make complaints about me? or did i harass them? You have right to ask me question only if it is against law or immorality. The color of the dress, what I eat, What I watch is my personal, and As i control my subconscious mind it may affect people but to avoid that just consider me as Indian citizen that is all. Then whatever I do will be electronically recorded for marketing as bangalore or Tamilnadu or wherever I go, the things are same. And coming to talking with me, Nobody can reach near me without I allow you to - Yes I said the truth. It is not that I am silent and I can not talk, I can talk with anyone and anytime but I allow only certain people wherever I go because my subconscious work even when I am awake. And animals and plants or non living things even if they hurt me, I forgive them because they do not have sixth sense but if it is human that hurt me or even thinking about hurting my soul then I will reply my souls secret code to you and you will die. So kindly do not play with me around unless I talk or allow you to. My subconsious is not from my birth but also knowledge from Vedas and Great granpa Ganapathy Swamy Naidu who wrote palm leaves about souls and medicine, and this is my seventh sense, I even can manifest nature If I want to, Kindly remember. So do not play with me around hereafter at all whomever it is.
Ganapathy K
Thus, the people I scold, play and irritate are the people that are close to my heart. And I am not the same person for other people, If I have to consider someone as close then i should have talked with them at least a little while. And naming it in different manner, shows your dirty mind not mine. And even if there is something between me and the people that are close to my heart, what is the issue here? did they make complaints about me? or did i harass them? You have right to ask me question only if it is against law or immorality. The color of the dress, what I eat, What I watch is my personal, and As i control my subconscious mind it may affect people but to avoid that just consider me as Indian citizen that is all. Then whatever I do will be electronically recorded for marketing as bangalore or Tamilnadu or wherever I go, the things are same. And coming to talking with me, Nobody can reach near me without I allow you to - Yes I said the truth. It is not that I am silent and I can not talk, I can talk with anyone and anytime but I allow only certain people wherever I go because my subconscious work even when I am awake. And animals and plants or non living things even if they hurt me, I forgive them because they do not have sixth sense but if it is human that hurt me or even thinking about hurting my soul then I will reply my souls secret code to you and you will die. So kindly do not play with me around unless I talk or allow you to. My subconscious is not only from my birth but also knowledge from Vedas and Great Grandpa Ganapathy Swamy Naidu who wrote palm leaves about souls and medicine, and this is my seventh sense, I even can manifest nature If I want to, Kindly remember. So do not play with me around hereafter at all whomever it is.
Ganapathy K
Years ago, I received a call from a paramedic I had known for a long, long time. He was a true believer; a provider in it to do good more than to do well. By the tone of his voice, I could tell he was in some serious trouble. His voice did not lie. He was. It seemed that some years earlier he had suffered an injury off the job. The injury resulted in several surgeries and months of painful recovery, physical rehabilitation, and pain medicine. It started as an as-needed remedy for intense pain but before long became a physical necessity. When the actual pain no longer necessitated the monthly refills, the feigned pain took over. When that excuse had run its course, new injuries and favors from friends took over. The cycle had begun. Back at work, he became adept at leading his double life; on the job he was clean, sober, and clear-headed, but off-duty the pills took over. The decline was slow, but steady. It would not be long before he would lose all control. One day, on a call with the entire crew, he found himself in the home of a patient whose medicine cupboard was a veritable treasure trove of pain killing goodies. Jackpot! While logging all of the medicines, it was easy to drop a full bottle of a certain pain killer into his pocket, and he did…completely undetected. The patient was transported, and the scene was cleared, and his addiction would be fed for a little while longer. Nobody would ever know. However, as he exited the scene with his supervisor, he was struck with a blunt and harsh realization: This is not who I am and it’s not who I want to be! While still at the curbside, in front of the patient’s home, he pulled the bottle from his pocket, handed it to his supervisor, and admitted sincerely: “I have a problem. I need help.” His supervisor considered the heartfelt and painfully honest plea for help, but the paramedic was summarily fired from a job where he had an impeccable record of exemplary service for nearly two decades. He was stripped of his Paramedic license and reported to local authorities and was charged with multiple felonies by the District Attorney. That was the response from his supervisor and the rest of the morally superior lemmings up the chain of command. He asked for help, and they fucked him…because they were afraid of what actually helping him might look like to the outside world. Not once was he offered treatment or an ounce of compassion. He asked for help; now he was looking at serious prison time. This brings us to the frightened and helpless tone in his voice when he called me. Thankfully, his story ends with the proper treatment: A new career and the entire criminal case being dismissed (he had a great lawyer). Unfortunately, similar stories continue to play out in agencies, both public and private, all across America and they do not, or will not, end so well.
David Givot (Sirens, Lights, and Lawyers: The Law & Other Really Important Stuff EMS Providers Never Learned in School)
We all have a limited capacity for attention, and when we need to perform under stressful conditions we need to take full control of that spotlight and focus on what is going to help us face the challenge.
Julie Smith (Why Has Nobody Told Me This Before?)
The Random Book Club is an offshoot of the shop which I set up a few years ago when business was sore and the future looked bleak. For £59 a year subscribers receive a book a month, but they have no say over what genre of book they receive, and quality control is entirely down to me. I am extremely judicious in what I choose to put in the box from which the RBC books are parcelled and sent. Since subscribers are clearly inveterate readers, I always take care to pick books that I think anyone who loves reading for its own sake would enjoy. There is nothing that would require too much technical expertise to understand: a mix of fiction and non-fiction, with the weight slightly towards non-fiction, and some poetry. Among the books going out later this month are a copy of Clive James’s Other Passports, Lawrence Durrell’s Prospero’s Cell, Iris Murdoch’s biography of Sartre, Neville Shute’s A Town Like Alice, and a book called 100+ Principles of Genetics. All the books are in good condition, none is ex-library, and some – several of them each year – are hundreds of years old. I estimate that if the members decided to sell the books on eBay, they would more than make their money back. There is a forum on the web site, but nobody uses it, which gives me an insight into the type of person who is attracted to the idea – they don’t like clubs where they have to interact with other people. Perhaps that is why I came up with the idea in the first place – it is a sort of Groucho Marx approach to clubs. There are about 150 members and, apart from a minimal amount of advertising in the Literary Review, the only marketing I do is to have a web site and Facebook page, neither of which I have updated for some time. Word of mouth seems to have been the best way of marketing it. It has saved me from financial embarrassment during a very difficult time in the book trade.
Shaun Bythell (The Diary of a Bookseller (The Bookseller Series by Shaun Bythell Book 1))
Metacognition is the process of stepping back from the thoughts and getting enough distance to allow us to see those thoughts for what they really are. When you do this, they lose some of their power over you and how you feel and behave. You get to choose how you respond to them rather than feeling controlled and driven by something.
Julie Smith (Why Has Nobody Told Me This Before?)
The writing is — I’m free from pain. It’s the place where I live; it’s where I have control; it’s where nobody tells me what to do; it’s where my imagination is fecund and I am really at my best. Nothing matters more in the world or in my body or anywhere when I’m writing.
Toni Morrison
Security involves personal liberty, freedom of choice, unrestricted movement, and self-determination. It has always amazed me how easily ‘maintaining control’ morphs into restriction, intimidation, and authority through fear. I hope our friends back there will never forget the experience.
Joe Nobody (Holding Their Own: The Salt War)
I admire you.” I shoot him an awed glance and shake my head. “How you so easily dismiss the attention.” Then I loosen the elastic band on my hair and pull it to my sides to use it as a curtain to hide my face. He watches me in confusion. I can feel people staring at us now, and uncomfortably, I grab the aviators he just pulled out and slip them on my face. He looks down at me with a half smile and eyes narrowed in speculation. “Want a fake mustache with that?” “I’m good.” I grin. I follow him to the car and we don’t bother to set the bag in the trunk. The car is super spacious anyway. He opens the door before Otis can fully make it and we ease inside. “Rachel . . .” He falls sober, plucking off the aviators. I’m smiling, but I also feel ashamed. “Sin, I’m sorry.” I drop my face. “It’s going to take me a while to get used to the attention you get.” “Don’t notice it. Don’t give it even a moment’s thought. I never do.” “Hmm.” My mouth twists wryly. “It’s not only the attention, but wondering what lies they’ll put out . . . having no control over that.” I feel my heart squeeze a little as our eyes meet, him sitting across from me, broad and muscular and drop-dead gorgeous. And I admit the closest thing I can say to I love you. “It’s hard when everyone stares at the man you want, and you want him to want nobody but you.” He simply says two words that melt me. “He does.
Katy Evans
She leaned up and kissed me. Her mouth tasted like lipstick, blood, and gunpowder. It was also the softest thing that I’d ever felt, and in spite of the pain I felt my mouth opening so that my tongue could flick out to taste hers. The heat came off her face like a furnace. Our tongues moved around each other’s, swirling and dueling. Finally she broke the kiss. It was like surfacing after a long, intoxicating dive through a sea of Red Bull. “What was that for?”I managed. “I am beginning to like you, Perry.”I shivered out a breath. “You’ve got a kooky way of showing it.”“Have you ever felt more alive?”“Once or twice, yes.”Gobi was still looking at me, lips half parted, eyes searching the depths of whatever was inside me. She looked lost and young and totally uncontrolled, a reflection of how I felt now, in a place that I’d never been before, somewhere that nobody would ever think to look for me. I had the sudden, ridiculous, absolutely compelling vision of chucking everything—school, music, my family and friends—and running away with her, away from the rest of the world. I figured we’d last about a week. “Are you all right?”she asked. “My head hurts.”“Is the lipstick,”she smiled. “There is a mind-control drug in it. You are now completely under my power ... By dawn you will be mine.”“Just promise me you won’t hurt my family.”She went serious. “Families get hurt, Perry. There are no guarantees this side of the grave.”“You’re a real bitch, you know that?”“I never denied it.”I swung at her. She caught my fist. “Too slow.”I let myself tilt forward just enough for our foreheads to touch, then reached for her neck and put my fingers on the scar, tracing the thin curve of raised tissue. “What happened there?”Her gaze shifted away. “A painful memory.”“Like what, getting your throat cut and coming back from the grave?”Gobi straightened up. The mood didn’t just break—it shattered into a million sharp and spiky pieces that lay all over the sidewalk like dragon’s teeth. Then she shuddered and fell still. “Gobi?”She leaned forward again, and I caught her. For a moment we just stood there together in front of the dive bar, and when I felt her legs starting to give way, I lowered her back down the front steps.
Joe Schreiber (Au Revoir, Crazy European Chick (Perry & Gobi, #1))
This is the revolution in the mind which i believe is necessary: white people discovering and expressing our self-worth as individuals, not by taking up more space than our identity requires (in which case we value the appendages and attachments to our personhood more than we do the actual self), but by taking up less space. This goes back to the main principle of humanity: people should live the way they want to live. Nobody should stop you, but you should also not stop anyone else. For too long this has been one-sided. You may disagree with me: your view has value. It is your view. But it is a view which extends beyond yourself, and how you control your own life, to how you control the lives of others.  And this (i believe) is colonial thinking. You may have noticed how i keep saying things like “i feel,” “it’s my opinion” and “i believe.”  This is intentional.  Usually one tries to win an argument by sticking to the facts.  “Facts are facts.”  If we’re only arguing about our opinions or feelings regarding the facts, we won’t get anywhere.  Just argue about the facts.  But i’m not trying to win an argument.  Because i believe (and there goes another “i believe”) people actually don’t hold a lot of their views based on facts.  We hold our views, and we live our lives, according to how we feel about things.  So i believe it’s important that we are simply honest about how we feel and then live according to these feelings, which are our truth.  And this means i want you to respond to the way i feel and begin to process these feelings through your own truth, whatever that is. I want us to hear what Black people have been living through and try to feel their experience in the context of our individuality, and then translate these feelings into behavior or social action.  That is, once we know how people feel—truly feel— our reality is altered.  This change is not only related to the facts of an agreed-upon reality (and it seems we agree upon very little) but is related as well to how we feel once we know how other people feel, and how this shared feeling shapes our future actions toward them.  We change what we want to do, not because we’ve been hit over the head with facts, but because we choose to feel differently about ourselves and everyone around us.
Samantha Foster (an experiment in revolutionary expression: by samantha j foster)
Jack Reacher made his first appearance in print on March 17, 1997—St. Patrick’s Day—when Putnam published Killing Floor in the United States, which was Reacher’s—and my—debut. But I can trace his, and the book’s, genesis backward at least to New Year’s Eve 1988. Back then I worked for a commercial television station in Manchester, England. I was eleven years into a career as a presentation director, which was a little like an air traffic controller for the network airwaves. In February 1988, the UK commercial network had started twenty-four-hour broadcasting. For a year before that, management had been talking about how to man the new expanded commitment. None of us really wanted to work nights. Management didn’t really want to hire extra people. End of story. Stalemate. Impasse. What broke it was the offer of a huge raise. We took it, and by New Year’s Eve we were ten fat and happy months into the new contract. I went to a party, but didn’t feel much like celebrating. Not that I wasn’t content in the short term—I sleep better by day than night, and I like being up and about when the world is quiet and lonely, and for sure I was having a ball with the new salary. But I knew in my bones that management resented the raise, and I knew that the new contract was in fact the beginning of the end. Sooner or later, we would all be fired in revenge. I felt it was only a matter of time. Nobody agreed with me, except one woman. At the party, in a quiet moment, she asked me, “What are you going to do when this is all over?
Lee Child (Killing Floor (Jack Reacher, #1))
You got me so fucking turned on I couldn’t stand up if the place were on fucking fire, princess.” He points toward my chocolate-milk container. “And all you did was touch your pretty little lips to a fucking milk carton.” He rubs his forehead as if he wants to rub the thoughts away. He looks into my eyes. “All I know is if you ever touched me with that mouth of yours, I would go off like a cannon, princess. I’d be the happiest man in the world, but ashamed of myself, because I have no control when it comes to you, apparently.” He grimaces and looks down toward his lap, adjusting his pants as he wiggles his hips. “Our situation is messed up for so many reasons that I can’t even think about going there with you. But all I can think about is going there with you.” He groans and shoves a piece of bacon in his mouth. His eyes don’t leave mine, though. “I got up this morning thoroughly prepared to ignore you today. But then there you were, and you were smiling at me.” He looks down at my mouth. “I couldn’t ignore you if I tried.” I take a deep breath, trying to rationalize my thoughts. But I can’t. I have never, ever felt like this before. My girlfriends have talked about it, but I have never felt it. Even when I go on dates, it’s like some part of me shuts down. But with Pete, nothing shuts down. Everything wakes up. He goes on to say, “I don’t want to want you.” My heart stutters. I get it. I don’t like it. But I get it. I nod. Nobody likes damaged goods. I get up from the table and pick up my plate. “Wait,” he calls. I can’t wait. If I wait, he might see the tears that are brimming in my eyes. “Princess,” he calls again. Suddenly, my shirt jerks and I can’t walk any farther. I look back and see his hand twisted in the tail end of my shirt. He leans over the table and presses his lips together. “Don’t walk away,” he says. But all I see is the hand fisted in my shirt. My heart stutters, and my breaths freeze in my chest. I can’t get away. I turn back and punch him directly in the face with the heel of my hand. He jerks, his eyes closing as he winces and snaps his head back. I chop his wrist with my fist. One, two… Next, I’ll go for his eyes. “Reagan!” Dad yells as he drops what he’s holding and rushes in my direction. He tackles Pete, who is still stunned from my punch to the face. They drop to the ground, with Pete rolling to the bottom. Dad flips him over and pulls his hands behind his back. “Reagan,” Dad grunts. “What happened?” Pete lays there on the ground. He’s not even putting up a fight. He just winces, his eyes shut tightly as a slow trickle of blood streams from his nose. “Stay down,” Dad warns. Pete nods, and he doesn’t move. But his eyes finally open, and they meet mine. I don’t know how to interpret that look at all or what to say. So, I turn and run back to the house. I run like the terrified little girl I am.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
The New England wilderness March 1, 1704 Temperature 10 degrees She had no choice but to go to him. She set Daniel down. Perhaps they would spare Daniel. Perhaps only she was to be burned. She forced herself to keep her chin up, her eyes steady and her steps even. How could she be afraid of going where her five-year-old brother had gone first? O Tommy, she thought, rest in the Lord. Perhaps you are with Mother now. Perhaps I will see you in a moment. She did not want to die. Her footsteps crunched on the snow. Nobody spoke. Nobody moved. The Indian handed Mercy a slab of cornmeal bread, and then beckoned to Daniel, who cried, “Oh, good, I’m so hungry!” and came running, his happy little face tilted in a smile at the Indian who fed him. “Mercy said we’d eat later,” Daniel confided in the Indian. The English trembled in their relief and the French laughed. The Indian knelt beside Daniel, tossing aside Tommy’s jacket and dressing Daniel in warm clean clothing from another child. Nobody in Deerfield owned many clothes, and if she permitted herself to think about it, Mercy would know whose trousers and shirt these were, but she did not want to think about what dead child did not need clothes, so she said to the Indian, “Who are you? What’s your name?” He understood. Putting the palm of his hand against his chest, he said, “Tannhahorens.” She could just barely separate the syllables. It sounded more like a duck quacking than a real word. “Tannhahorens,” he said again, and she repeated it after him. She wondered what it meant. Indian names had to make a picture. She smiled carefully at the man she had thought was going to burn her alive as an example and said, “I’ll be right back, Tannhahorens.” She took a few steps away, and when he did nothing, she ran to her family. Her uncle swept her into his arms. How wonderful his scratchy beard felt! How strong and comforting his hug! “My brave girl,” he whispered, kissing her hair. “Mercy, they won’t let me help you.” In a voice as childish and puzzled as Daniel’s, he added, “They won’t let me help your aunt Mary, or Will and Little Mary either. I tried to help your brothers and got whipped for it.” He stammered: Uncle Nathaniel, whose reading choices from the Bible were always about war, and whose voice made every battle exciting. He needed her comfort as much as she needed his. “Uncle Nathaniel,” she said, “if I had done better, Tommy and Marah--” “Hush,” said her uncle. “The Lord set a task before you and you obeyed. Daniel is your task. Say your prayers as you march.” In a tight little pack behind Uncle Nathaniel stood her three living brothers. How small and cold they looked. Sam lifted his chin to encourage his sister and said, “At least we’re together. Do the best you can, Mercy. So will we.” They stared at each other, the two closest in age, and Mercy thought how proud their mother would be of Sam. “Mercy,” cried her brother John, panicking, “you have to go! Go fast,” he said urgently. “Your Indian is pointing at you.” Tannhahorens was watching her but not signaling. He isn’t angry, thought Mercy. I don’t have to be afraid, but I do have to return. “Find out your Indian’s name,” she said to her brothers. “It helps. Call him by name.” She took the time to hug and kiss each brother. How narrow their little shoulders; how thin the cloth that must keep them from freezing. She had to go before she wept. Indians did not care for crying. “Be strong, Uncle Nathaniel,” she said, touching the strange collar around his neck. “Don’t tug it,” he said wryly. “It’s lined with porcupine quill tips. If I don’t move at the right speed, the Indians give my leash a twitch and the needles jab my throat.” The boys laughed, pantomiming a hard jerk on the cord, and Mercy said, “You’re all just as mean as you ever were!” “And alive,” said Sam. When they hugged once more, she felt a tremor in him, deep and horrified, but under control.
Caroline B. Cooney (The Ransom of Mercy Carter)
Victor, Andy, and I sat waiting at the café within Miss Selfridge (the young fashion section of the department store) for our entourage to finish shopping. I took this opportunity to seek their advice.               “Tad proposed to me at the Oriental Club,” I declared nonchalantly.               “I know,” came Andy’s reply.               Boggled by his response, I questioned, “Why didn’t you ask me about it?” “I was waiting for you to tell me,” he answered. “He also gave you a key to his town house.” Shocked by his knowingness, I exclaimed, “How did you know?” “I know more about you than you,” he teased. Both men laughed at me. I looked at my teacher, confused. “You knew, too?” “Of course I did. I was present when Tad sought your Valet’s permission.” “Why did Tad come to you for permission?” I questioned. Victor promulgated, “Because he’s an honourable gentleman and a true romantic.” Andy nodded in agreement. My chaperone vociferated, “I’m your guardian, so he came to me to ask for your hand.” “Ask for my hand!” I exclaimed. “I’m not planning to marry him…” Before I could continue, my Valet pronounced, “Then it’s settled. You don’t want to be his property.” “I’m nobody’s property but my own!” I cried. The men burst into mirth. “I’m glad you are being sensible. In the Arab culture, being a kept boy is similar to being in a heterosexual marriage. The dominant partner has total control of his ‘wife boy,’” Triqueros commented. “I’m nobody’s ‘wife boy’!” I burst out. “And definitely not Tad’s.” “Very well then. It’s settled that you are not taking up his offer. I’ll convey your sentiments,” Andy finalized. Case closed. “I can tell him myself. I don’t need you to do it for me,” I voiced. Victor cited, “Since you are Andy’s charge, it is appropriate for him to act on your behalf to inform the intended of your decision. It’s customary protocol, as a man asks the father for his daughter’s hand.” I argued, “But I’m not a girl. I’m a boy who can make his own decisions. I am responsible for me!” Both mentors laughed again. “Are you sure about that?” my lover ruffled my hair and sniggered. “You could have fooled me.” My chaperone and I started a playful tug-of-war until my judicious professor put a stop to our silliness. “Young, stop this absurdity,” Triqueros commanded. “As I’d promised, I’m giving you a short lesson about the ‘real’ England. The existing British monarchy.” His words perked my attention.
Young (Turpitude (A Harem Boy's Saga Book 4))
A good but plain-Jane drill you prob’ly know pits the shooter against two to four standard IDPA/ USPSA cardboard torso targets. Using a shot-timer like the PACT Club Timer III, from the beep, put two rounds in each, slow enough to assure all hits are in top-scoring zones. Check your elapsed times. Push faster until you start dropping rounds outside the sweet spots, then back off, slow down and work your way up again. Maybe you integrate a reload. It’s sound, but it lacks panache. Kick it up. Between and around those full-size cardboards, add in half-size*, and some 10" and 5" mini-torsos**. Vary your drills; don’t just shoot left-to-right and back again. Shoot the little guys first, then the larger ones or vice versa or “Connor-versa,” which appears to onlookers to be a spazz-pattern. It is actually coldly calculated — by a spazz. Me. The variety is healthy. You can snap-shoot the full and half-size targets, but the minis force you to concentrate, bear down and get squinty. Sure, program reloads in too, and switching from right to left hand. Now add more fun with malfunction drills: Say you have 10 identical 15-round magazines and six inert dry-fire rounds. In six mags, stagger placement of duds, like second round in one, sixth round in another, blah-blah. Then mix the mags up so you don’t know where the surprises are. And on the timer, give yourself no slack for correcting your malf’s. Now for the spicy stir-fry sauce: Between sweeps of the targets, while gripping your pistol in one hand, bring your other hand back, touch your thumb to your nose, waggle your fingers vigorously, and shout as loudly as possible “O ye sinners, now shall ye repent! Let the Great Slaying begin!” or, “For freedom, Fritos and chicken-fried steak!” or, “Back awaaay from the bulgogi and nobody gets hurt!” Note: Never mess with my bulgogi. Never. Or, try shouting “I love you and blood sausage too!” — but shout it in German; makes it confusing and terrifying. Ich liebe dich und blutwurst auch! Exercising exemplary muzzle control and strictly observing all range safety protocols, slump your shoulders, hang your head and slowly turn around, looking dazed, lost, spaced-out ... Then, by degrees, “recover consciousness” and smile. It’s unlikely anyone will be there by this point, so that smile can be very genuine. If any looky-lou’s are still present, they’ll prob’ly be frozen like deer caught in headlights. Perfecto! If you see me at the range and I’m munchin’ a sammich and sippin’ coffee, stop and say howdy. But if I’m shooting drills, well ... Trouble not, etcetera. Connor OUT
John Connor (Guncrank Diaries)
It’s called metacognition, which is a fancy name for thoughts about your thoughts. We have this ability to think. But we also have the ability to think about what we are thinking. Metacognition is the process of stepping back from the thoughts and getting enough distance to allow us to see those thoughts for what they really are. When you do this, they lose some of their power over you and how you feel and behave. You get to choose how you respond to them rather than feeling controlled and driven by something. Metacognition sounds complicated but it is simply the process of noticing which thoughts pop into your head and observing how they make you feel. You can have a go by pausing for a few minutes and noticing where your mind wanders to. Notice how you can choose to focus in on a thought, like Stanley putting the mask over his face, or you can let it pass and wait for the next thought to arrive. The power of any thought is in how much we buy into it. How much we believe it to be true and meaningful. When we observe our own thought processes in this way, we start to see thoughts for what they are, and what they are not. Thoughts are not facts. They are a mix of opinions, judgements, stories, memories, theories, interpretations, and predictions about the future. They are ideas offered up by your brain about ways we could make sense of the world. But the brain has limited information to go on.
Dr Julie Smith (Why Has Nobody Told Me This Before? [Hardcover], Cognitive Behavioural Therapy, Reasons to Stay Alive 3 Books Collection Set)