“
I can believe things that are true and things that aren't true and I can believe things where nobody knows if they're true or not.
I can believe in Santa Claus and the Easter Bunny and the Beatles and Marilyn Monroe and Elvis and Mister Ed. Listen - I believe that people are perfectable, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkled lemurs and bad ones who mutilate cattle and want our water and our women.
I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state.
I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste.
I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like martians in War of the Worlds.
I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman.
I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumble bee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself.
I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of causal chaos, background noise, and sheer blind luck.
I believe that anyone who says sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too.
I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system.
I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
Nobody loves me, nobody cares,
Nobody picks me peaches and pears.
Nobody offers me candy and Cokes,
Nobody listens and laughs at me jokes.
Nobody helps when I get into a fight,
Nobody does all my homework at night.
Nobody misses me,
Nobody cries,
Nobody thinks I'm a wonderful guy.
So, if you ask me who's my best friend, in a whiz,
I'll stand up and tell you NOBODY is!
But yesterday night I got quite a scare
I woke up and Nobody just WASN'T there!
I called out and reached for Nobody's hand,
In the darkness where Nobody usually stands,
Then I poked through the house, in each cranny and nook,
But I found SOMEBODY each place that I looked.
I seached till I'm tired, and now with the dawn,
There's no doubt about it-
NOBODY'S GONE!!
”
”
Shel Silverstein
“
Let me tell you something you already know. The world ain't all sunshine and rainbows. It's a very mean and nasty place and I don't care how tough you are it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain't about how hard ya hit. It's about how hard you can get hit and keep moving forward. How much you can take and keep moving forward. That's how winning is done!
”
”
Sylvester Stallone (Rocky Balboa)
“
somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near
your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully, mysteriously) her first rose
or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing
(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands
”
”
E.E. Cummings (Selected Poems)
“
I am notorious for making impassioned speeches about things nobody cares about.
”
”
Mindy Kaling (Why Not Me?)
“
He looked right at me as he gave me a half smile. "You're the brightest thing in the room", he said. He lifted his hand from my waist, and slowly, carefully brushed a stray lock of hair from my cheek. "You shine".
My breath caught in my throat. People said those kinds of things about Sloane-not about me.
"What?" frank asked, his eyes on mine.
"Just..." I took a shaky breath. "Nobody's ever said something like that to me."
"Then they don't see what I see," he said.
”
”
Morgan Matson (Since You've Been Gone)
“
The nutritionist said I should eat root vegetables.
Said if I could get down thirteen turnips a day
I would be grounded, rooted.
Said my head would not keep flying away
to where the darkness lives.
The psychic told me my heart carries too much weight.
Said for twenty dollars she’d tell me what to do.
I handed her the twenty. She said, “Stop worrying, darling.
You will find a good man soon.”
The first psycho therapist told me to spend
three hours each day sitting in a dark closet
with my eyes closed and ears plugged.
I tried it once but couldn’t stop thinking
about how gay it was to be sitting in the closet.
The yogi told me to stretch everything but the truth.
Said to focus on the out breath. Said everyone finds happiness
when they care more about what they give
than what they get.
The pharmacist said, “Lexapro, Lamicatl, Lithium, Xanax.”
The doctor said an anti-psychotic might help me
forget what the trauma said.
The trauma said, “Don’t write these poems.
Nobody wants to hear you cry
about the grief inside your bones.”
But my bones said, “Tyler Clementi jumped
from the George Washington Bridge
into the Hudson River convinced
he was entirely alone.”
My bones said, “Write the poems.
”
”
Andrea Gibson (The Madness Vase)
“
Let me tell you something you already know. The world ain't all sunshine and rainbows. It's a very mean and nasty place, and I don't care how tough you are, it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain't about how hard you hit. It's about how hard you can get hit and keep moving forward; how much you can take and keep moving forward. That's how winning is done! Now, if you know what you're worth, then go out and get what you're worth. But you gotta be willing to take the hits, and not pointing fingers saying you ain't where you wanna be because of him, or her, or anybody. Cowards do that and that ain't you. You're better than that! I'm always gonna love you, no matter what. No matter what happens. You're my son and you're my blood. You're the best thing in my life. But until you start believing in yourself, you ain't gonna have a life.
”
”
Sylvester Stallone (Rocky Balboa)
“
While some of us might be sitting around thinking “Nobody cares about me!”, our heart is currently working its seventeen-thousandth twenty-four-hour shift—and would have every right to feel a little forgotten when its owner thinks such thoughts.
”
”
Giulia Enders (Gut: The Inside Story of Our Body’s Most Underrated Organ)
“
It made me sad when I caught myself pretending that everybody out there in cyberspace cared about what I thought, when really nobody gives a shit. And when I multiplied that sad feeling by all the millions of people in their lonely little rooms, furiously writing and posting to their lonely little pages that nobody has time to read because they’re all so busy writing and posting, it kind of broke my heart.
”
”
Ruth Ozeki (A Tale for the Time Being)
“
Nothing worse... nothing worse that to be stuck somewhere with some married a-hole and have to listen to him tell you about his f***in' kids... Let me tell ya something, folks... nobody cares about your children, okay?" Nobody cares about your children. I speak for everyone. I've been appointed by the rest of the group to inform you we don't care about your children – that's why they're your children, so you can care about them and we don't have to bother.
”
”
George Carlin
“
When our heart is closed, it can create a lonely and isolated feeling together with the attitude: "Nobody loves me" or "Nobody cares about me", which can make it hard for other people to love us.
”
”
Swami Dhyan Giten (The Silent Whisperings of the Heart - An Introduction to Giten's Approach to Life)
“
The most dangerous drink is gin. You have to be really, really careful with that. And you also have to be 45, female and sitting on the stairs. Because gin isn't really a drink, it's more a mascara thinner. "Nobody likes my shoes!" "I made... I made fifty... fucking vol-au-vents, and not one of you... not one of you... said 'Thank you.'" And my favourite: "Everybody, shut up. Shut up! This song is all about me.
”
”
Dylan Moran
“
I looked about me. Luminous points glowed in the darkness. Cigarettes punctuated the humble meditations of worn old clerks. I heard them talking to one another in murmurs and whispers. They talked about illness, money, shabby domestic cares. And suddenly I had a vision of the face of destiny. Old bureaucrat, my comrade, it is not you who are to blame. No one ever helped you to escape. You, like a termite, built your peace by blocking up with cement every chink and cranny through which the light might pierce. You rolled yourself up into a ball in your genteel security, in routine, in the stifling conventions of provincial life, raising a modest rampart against the winds and the tides and the stars. You have chosen not to be perturbed by great problems, having trouble enough to forget your own fate as a man. You are not the dweller upon an errant planet and do not ask yourself questions to which there are no answers. Nobody grasped you by the shoulder while there was still time. Now the clay of which you were shaped has dried and hardened, and naught in you will ever awaken the sleeping musician, the poet, the astronomer that possibly inhabited you in the beginning.
”
”
Antoine de Saint-Exupéry (Wind, Sand and Stars)
“
I saw a meme the other day with a picture of Marilyn Manson and Robin Williams. It said about the former, this isn’t the face of depression, and about the latter, this is. This really struck a chord and it’s been on my mind since then. As someone who has continuously dipped in and out of chronic depression and anxiety for close to three decades now, and I’ve never previously spoken about the subject, I finally thought it was time I did.
These days it’s trendy for people to think they’re cool and understanding about mental illness, posting memes and such to indicate so. But the reality is far different to that. It seems most people think if they publicly display such understanding then perhaps a friend will come to them, open up, and calmly discuss their problems. This will not happen. For someone in that seemingly hopeless void of depression and anxiety the last thing they are likely to do is acknowledge it, let alone talk about it. Even if broached by a friend they will probably deny there is a problem and feel even more distanced from the rest of the world.
So nobody can do anything to help, right? No. If right now you suspect one of your friends is suffering like this then you’re probably right. If right now you think that none of your friends are suffering like this then you’re probably wrong. By all means make your public affirmations of understanding, but at least take on board that an attempt to connect on this subject by someone you care about could well be cryptic and indirect.
When we hear of celebrities who suffered and finally took their own lives the message tends to be that so many close friends had no idea. This is woeful, but it’s also great, right? Because by not knowing there was a problem there is no burden of responsibility on anyone else. This is another huge misconception, that by acknowledging an indirect attempt to connect on such a complex issue that somehow you are accepting responsibility to fix it. This is not the case. You don’t have to find a solution. Maybe just listen. Many times over the years I’ve seen people recoil when they suspect that perhaps that is the direct a conversation is about to turn, and they desperately scramble for anything that can immediately change the subject. By acknowledging you’ve heard and understood doesn’t mean you are picking up their burden and carrying it for them.
Anyway, I’ve said my piece. And please don’t think this is me reaching out for help. If this was my current mindset the last thing I’d ever do is write something like this, let alone share it.
”
”
R.D. Ronald
“
I make a habit of setting aside some time each evening to take out my knitting and work quietly on it, happily relaxing. I believe that it prepares me for sleep and washes away the cares of my day.
I will consider that intarsia, or Fair Isle with three or more colors in a row, prepares nobody for sleep and cursing loudly while flinging knitting around the living room is about as far away from soothing as you can get.
”
”
Stephanie Pearl-McPhee (At Knit's End)
“
Let me tell you something you already know. The world ain’t all sunshine and rainbows. It’s a very mean and nasty place, and I don’t care how tough you are, it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain’t about how hard you hit. It’s about how hard you can get hit and keep moving forward; how much you can take and keep moving forward. That’s how winning is done! Now, if you know what you’re worth, then go out and get what you’re worth. But you gotta be willing to take the hits, and not pointing fingers saying you ain’t where you wanna be because of him, or her, or anybody. Cowards do that and that ain’t you. You’re better than that!
”
”
Sylvester Stallone
“
You see, nobody cares about me except you. You don't know what that's like. You've always had people who cared. You've always had people. I've never had anybody. No wonder I feel frustrated.
”
”
Iris Murdoch (Henry and Cato)
“
One of my big revelations was that nobody cares whether you write your novel or not. They want you to be happy. Your parents want you to have health insurance. Your friends want you to be a good friend. But everyone’s thinking about their own problems and nobody wakes up in the morning thinking, ‘Boy, I sure hope Sam finishes that chapter and gets one step closer to his dream of being a working writer.’ Nobody does that. If you want to write, it has to come from you. If you don’t want to write, that’s great. Go do something else. That was a very liberating moment for me.
”
”
Sam Lipsyte
“
What is there to see if I go outside? Don't tell me. I know. I can see other people. I don't want to see other people. They look awful. The men look like slobs and the women look like men. The men have mush faces framed by long hair and the women have big noses, big jaws, big heads, and stick-like bodies. That depresses me. Its no fun to people-watch anymore because there's so little variety in types.
You say it's good to get a change of scenery. What scenery? New buildings? New cars? New freeways? New shopping malls? Go to the woods or a park? I saw a tree once. The new ones look the same, which is fine. I even remember what the old ones look like. My memory isn't that short. But it's not worth going to see a squirrel grab a nut, or fish swimming around in a big tank if I must put up with the ugly contemporary human pollution that accompanies each excursion. The squirrel may enliven me and remind me of better vistas but the price in social interaction isn't worth it. If, on my way to visit the squirrel, I encounter a single person who gains stimulation by seeing me, I feel like I have given more than I've received and I get sore.
If every time I go somewhere to see a fish swimming, I become someone else's stimulation, I feel shortchanged. I'll buy my own fish and watch it swim. Then, I can watch the fish, the fish can watch me, we can be friends, and nobody else interferes with the interaction, like trying to hear what the fish and I are talking about. I won't have to get dressed a certain way to visit the fish. I needn't dress the way my pride dictates, because who's going to see me? I needn't wear any pants. The fish doesn't care. He doesn't read the tabloids. But, if I go out to see a fish other than my own, I'm right back where I started: entertaining others, which is more depleting than visiting the new fish is entertaining.
Maybe I should go to a coffee house. I find no stimulation in watching ordinary people trying to put the make on other uninteresting people. I can fix my own cup of coffee and not have to look at or talk to other people. No matter where I go, I stimulate others, and have been doing so all my life. It used to be I'd sometimes get stimulated back.
”
”
Anton Szandor LaVey
“
He told me not to cry, so I didn’t. He told me not to care about anyone, so I didn’t. I squashed it all down and locked it up deep inside of me. Truthfully, I feel too much. But you wouldn’t know that about me. Nobody does.
”
”
A. Zavarelli (Crow (Boston Underworld, #1))
“
But I love her. That’s the funny part of it. I love them all, and they don’t give a hoot about me. Maybe that’s why I call when I’m not going to be home. Because I care. Nobody else does. You don’t know how lucky you are to be loved.
”
”
Madeleine L'Engle (A Wrinkle in Time (Time Quintet, #1))
“
There is a saying that "paper is more patient than man";it came back to me on one of my slightly melancholy days,while I sat chin in hand,feeling too bored and limp even to make up my mind whether to go out or stay at home. Yes, there is no doubt that paper is patient and as I don't intend to show this cardboard-covered notebook,bearing the proud name of"diary",to anyone,unless I find a real friend,boy or girl,probably nobody cares.And now I come to the root of the matter,the reason for my starting a diary:it is that I have no such real friend.
Let me put it more clearly,since no one will believe that a girl of thirteen feels herself quite alone in the world,nor is it so.I have darling parents and a sister of sixteen.I know about thirty people whom one might call friends--I have strings of boy friends,anxious to catch a glimpse of me and who,failing that,peep at me through mirrors in class.I have relations,aunts and uncles,who are darlings too,a good home,no--I don't seem to lack anything.But it's the same with all my friends,just fun and joking,nothing more.I can never bring myself to talk of anything outside the common round.We don't seem to be able to get any closer,that is the root of the trouble.Perhaps I lack confidence,but anyway,there it is,a stubborn fact and I don't seem to be able to do anything about it.
”
”
Anne Frank (Anne Frank: The Diary of a Young Girl)
“
But then something happened, Ray, something amazing. Something...
"That white cop sitting next to me? He took a long look at my mother when she came in, just like, absorbed her, and then without even turning to me, he just put his hand on my back, up between my neck and shoulder...
"And all he did was squeeze. Give me a little squeeze of sympathy, then rubbed that same spot with his palm for maybe two, three seconds, and that was it.
"But I swear to you, nobody, in my entire life up to that point had ever touched me with that kind of tenderness. I had never experienced a sympathetic hand like that, and Ray, it felt like lightning.
"I mean, the guy did it without thinking, I'm sure. And when dinnertime rolled around he had probably forgotten all about it. Forgot about me, too, for that matter... But I didn't forget.
"I didn't walk around thinking about it nonstop either, but something like seven years later when I was at community college? The recruiting officer for the PD came on campus for Career Day, and I didn't really like college all that much to begin with, so I took the test for the academy, scored high, quit school and never looked back.
"And usually when I tell people why I became a cop I say because it would keep Butchie and Antoine out of my life, and there's some truth in that.
"But I think the real reason was because that recruiting officer on campus that day reminded me, in some way, you know, conscious or not, of that housing cop who had sat on the bench with me when I was thirteen.
"In fact, I don't think it, I know it. As sure as I'm standing here, I know I became a cop because of him. For him. To be like him. God as my witness, Ray. The man put his hand on my back for three seconds and it rerouted my life for the next twenty-nine years.
"It's the enormity of small things... Adults, grown-ups, us, we have so much power... And sometimes when we find ourselves coming into contact with certain kinds of kids? Needy kids? We have to be ever so careful...
”
”
Richard Price
“
Who are we to say getting incested or abused or violated or any of those things can’t have their positive aspects in the long run? … You have to be careful of taking a knee-jerk attitude. Having a knee-jerk attitude to anything is a mistake, especially in the case of women, where it adds up to this very limited and condescending thing of saying they’re fragile, breakable things that can be destroyed easily. Everybody gets hurt and violated and broken sometimes. Why are women so special? Not that anybody ought to be raped or abused, nobody’s saying that, but that’s what is going on. What about afterwards? All I’m saying is there are certain cases where it can enlarge you or make you more of a complete human being, like Viktor Frankl. Think about the Holocaust. Was the Holocaust a good thing? No way. Does anybody think it was good that it happened? No, of course not. But did you read Viktor Frankl? Viktor Frankl’s Man’s Search for Meaning? It’s a great, great book, but it comes out of his experience. It’s about his experience in the human dark side. Now think about it, if there was no Holocaust, there’d be no Man’s Search for Meaning… . Think about it. Think about being degraded and brought within an inch of your life, for example. No one’s gonna say the sick bastards who did it shouldn’t be put in jail, but let’s put two things into perspective here. One is, afterwards she knows something about herself that she never knew before. What she knows is that the most totally terrible terrifying thing that she could ever have imagined happening to her has now happened, and she survived. She’s still here, and now she knows something. I mean she really, really knows. Look, totally terrible things happen… . Existence in life breaks people in all kinds of awful fucking ways all the time, trust me I know. I’ve been there. And this is the big difference, you and me here, cause this isn’t about politics or feminism or whatever, for you this is just ideas, you’ve never been there. I’m not saying nothing bad has ever happened to you, you’re not bad looking, I’m sure there’s been some sort of degradation or whatever come your way in life, but I’m talking Viktor Frankl’s Man’s Search for Meaning type violation and terror and suffering here. The real dark side. I can tell from just looking at you, you never. You wouldn’t even wear what you’re wearing, trust me.
What if I told you it was my own sister that was raped? What if I told you a little story about a sixteen-year-old girl who went to the wrong party with the wrong guy and four of his buddies that ended up doing to her just about everything four guys could do to you in terms of violation? But if you could ask her if she could go into her head and forget it or like erase the tape of it happening in her memory, what do you think she’d say? Are you so sure what she’d say? What if she said that even after that totally negative as what happened was, at least now she understood it was possible. People can. Can see you as a thing. That people can see you as a thing, do you know what that means? Because if you really can see someone as a thing you can do anything to him. What would it be like to be able to be like that? You see, you think you can imagine it but you can’t. But she can. And now she knows something. I mean she really, really knows.
This is what you wanted to hear, you wanted to hear about four drunk guys who knee-jerk you in the balls and make you bend over that you didn’t even know, that you never saw before, that you never did anything to, that don’t even know your name, they don’t even know your name to find out you have to choose to have a fucking name, you have no fucking idea, and what if I said that happened to ME? Would that make a difference?
”
”
David Foster Wallace (Brief Interviews with Hideous Men)
“
Love isn’t a state of perfect caring. It is an active noun, like struggle. To love someone is to strive to accept that person exactly the way he or she is, right here and now. —FRED ROGERS, MISTER ROGERS’ NEIGHBORHOOD One of the hardest things about relationships is accepting the other person for who they are. I can’t tell you how many times I’ve wanted to change one thing or another about a friend or a loved one, but then I remember that nobody is perfect, including me. Goal: If you find yourself criticizing someone, be mindful that no one is perfect—yourself included.
”
”
Demi Lovato (Staying Strong: 365 Days a Year)
“
Al Hickey: [following the final shootout] Nobody came... nobody cares. It's still not about anything.
Frank Boggs: Yeah, you told me.
”
”
Phillip Rock (Hickey & Boggs)
“
Nobody cares about someone like me, because they don't know the frustration that you feel when you have the solution, but you do not have the problem.
”
”
Jerry Seinfeld (Is This Anything?)
“
I live life day by day without seeking the approval of others. I do not care what they think about me. My life is about making me happy. If I am not happy then, who will make me happy? Nobody, because happiness starts within me first.
”
”
Charlena E. Jackson (Unapologetic For My Flaws and All)
“
When you travel to another country, it’s important to know the local customs. When you’re interacting with someone with BPD, it’s crucial to understand that their unconscious assumptions may be very different from yours. They may include: I must be loved by all the important people in my life at all times or else I am worthless. I must be completely competent in all ways to be a worthwhile person. Some people are good and everything about them is perfect. Other people are thoroughly bad and should be blamed and punished for it. My feelings are caused by external events. I have no control over my emotions or the things I do in reaction to them. Nobody cares about me as much as I care about them, so I lose everyone I care about—despite the desperate things I do to stop them from leaving me. If someone treats me badly, then I become bad.
”
”
Paul T. Mason (Stop Walking on Eggshells: Taking Your Life Back When Someone You Care About Has Borderline Personality Disorder)
“
I appreciate the scientific rigor with which you’ve approached this project, Anna,” said Christopher, who had gotten jam on his sleeve. “Though I don’t think I could manage to collect that many names and also pursue science. Much too time-consuming.”
Anna laughed. “How many names would you want to collect, then?”
Christopher tilted his head, a brief frown of concentration crossing his face, and did not reply.
“I would only want one,” said Thomas.
Cordelia thought of the delicate tracery of the compass rose on Thomas’s arm, and wondered if he had any special person in mind.
“Too late for me to only have one,” declared Matthew airily. “At least I can hope for several names in a carefully but enthusiastically selected list.”
“Nobody’s ever tried to seduce me at all,” Lucie announced in a brooding fashion. “There’s no need to look at me like that, James. I wouldn’t say yes, but I could immortalize the experience in my novel.”
“It would be a very short novel, before we got hold of the blackguard and killed him,” said James.
There was a chorus of laughter and argument. The afternoon sun was sinking in the sky, its rays catching the jeweled hilts of the knives in Anna’s mantelpiece. They cast shimmering rainbow patterns on the gold-and-green walls. The light illuminated Anna’s shabby-bright flat, making something in Cordelia’s heart ache. It was such a homey place, in a way that her big cold house in Kensington was not.
“What about you, Cordelia?” said Lucie.
“One,” said Cordelia. “That’s everyone’s dream, isn’t it, really? Instead of many who give you little pieces of themselves—one who gives you everything.”
Anna laughed. “Searching for the one is what leads to all the misery in this world,” she said. “Searching for many is what leads to all the fun.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
It was [John Gardner's] conviction that if the words in the story were blurred because of the author's insensitivity, carelessness, or sentimentality, then the story suffered from a tremendous handicap. But there was something even worse and something that must be avoided at all costs: if the words and the sentiments were dishonest, the author was faking it, writing about things he didn't care about or believe in, then nobody could ever care anything about it.
”
”
Raymond Carver (Call If You Need Me: The Uncollected Fiction and Other Prose)
“
I love the way you feel inside me,” he said.
Ryder made a low, rumbling noise of contentment. “I love the way I feel inside you, too.”
“I love that you did this for me because you wanted to give me something special.” Luca started rocking back and forth on Ryder’s cock. “I love that you’ve never done it for anyone else.”
Ryder’s brow creased. “Luca…”
Luca put his hand over Ryder’s mouth, a domineering gesture that silenced Ryder instantly. He didn’t know where the words were coming from, just that they were clawing at his throat, demanding to get out.
“I love the way you treat me,” he said. “I love that you’re so much stronger than me but you never make me feel weak. I love that you take care of me without implying that I can’t take care of myself. I love that you let me take control but always call me on my bullshit.”
Luca had to pause for a moment; the pleasure of their slow, rhythmic fucking was making it difficult for him to gather his thoughts. Ryder waited, eyes watchful.
“I love that you’re always worried about doing the right thing, even when nobody else is.” Certain that Ryder wouldn’t interrupt now, Luca let go of his mouth and braced his hands on Ryder’s chest. He bounced shallowly on Ryder’s cock, soaking up his size, his strength, his steady, reassuring presence. “I love that I can trust you, and I love that I can rely on you, and – and I love you, Ryder, I do, I love you – ”
Because he did, of course he did. It was crazy to pretend that he didn’t. He might be damning them both, but he couldn’t hide from this any longer, couldn’t let Ryder go on thinking he wasn’t head-over-heels in love with him.
”
”
Cordelia Kingsbridge (Close Protection)
“
That war [Bosnian war] in the early 1990s changed a lot for me. I never thought I would see, in Europe, a full-dress reprise of internment camps, the mass murder of civilians, the reinstiutution of torture and rape as acts of policy. And I didn't expect so many of my comrades to be indifferent - or even take the side of the fascists. It was a time when many people on the left were saying 'Don't intervene, we'll only make things worse' or, 'Don't intervene, it might destabilise the region. And I thought - destabilisation of fascist regimes is a good thing. Why should the left care about the stability of undemocratic regimes? Wasn't it a good thing to destabilise the regime of General Franco? It was a time when the left was mostly taking the conservative, status quo position - leave the Balkans alone, leave Milosevic alone, do nothing. And that kind of conservatism can easily mutate into actual support for the aggressors. Weimar-style conservatism can easily mutate into National Socialism. So you had people like Noam Chomsky's co-author Ed Herman go from saying 'Do nothing in the Balkans', to actually supporting Milosevic, the most reactionary force in the region. That's when I began to first find myself on the same side as the neocons. I was signing petitions in favour of action in Bosnia, and I would look down the list of names and I kept finding, there's Richard Perle. There's Paul Wolfowitz. That seemed interesting to me. These people were saying that we had to act. Before, I had avoided them like the plague, especially because of what they said about General Sharon and about Nicaragua. But nobody could say they were interested in oil in the Balkans, or in strategic needs, and the people who tried to say that - like Chomsky - looked ridiculous. So now I was interested.
”
”
Christopher Hitchens
“
Magnus threw the monkey a fig. The monkey took the fig.
"There," said Magnus. "Let us consider the matter settled."
The monkey advanced, chewing in a menacing fashion.
"I rather wonder what I am doing here. I enjoy city life, you know," Magnus observed. "The glittering lights, the constant companionship, the liquid entertainment. The lack of sudden monkeys."
He ignored Giuliana's advice and took a smart step back, and also threw another piece of fruit. The monkey did not take the bait this time. He coiled and rattled out a growl, and Magnus took several more steps back and into a tree.
Magnus flailed on impact, was briefly grateful that nobody was watching him and expecting him to be a sophisticated warlock, and had a monkey assault launched directly to his face.
He shouted, spun, and sprinted through the rain forest. He did not even think to drop the fruit. It fell one by one in a bright cascade as he ran for his life from the simian menace. He heard it in hot pursuit and fled faster, until all his fruit was gone and he ran right into Ragnor.
"Have a care!" Ragnor snapped.
He detailed his terrible monkey adventure twice.
"But of course you should have retreated at once from the dominant male," Giuliana said. "Are you an idiot? You are extremely lucky he was distracted from ripping out your throat by the fruit. He thought you were trying to steal his females."
"Pardon me, but we did not have the time to exchange that kind of personal information," Magnus said. "I could not have known! Moreover, I wish to assure both of you that I did not make any amorous advances on female monkeys." He paused and winked. "I didn't actually see any, so I never got the chance."
Ragnor looked very regretful about all the choices that had led to his being in this place and especially in this company. Later he stooped and hissed, low enough so Giuliana could not hear and in a way that reminded Magnus horribly of his monkey nemesis: "Did you forget that you can do magic?"
Magnus spared a moment to toss a disdainful look over his shoulder.
"I am not going to ensorcel a monkey! Honestly, Ragnor. What do you take me for?
”
”
Cassandra Clare (The Bane Chronicles)
“
Did you get me that movie about Genghis Khan?
'It's in the Netflix queue, but that's not the surprise. You don't need to worry, it'll be something good. I just don't want you to feel depressed about going home.'
Oh, I won't. But it would be cool to have a stream like this in the backyard. Can you make one?
'Ummm... no.'
I figured. Can't blame a hound for trying.
Oberon was indeed surprised when we got back home to Tempe. Hal had made the arrangements for me and Oberon perked up as soon as we were dropped off by the shuttle from the car rental company.
'Hey, smells like someone's in my territory,' he said.
'Nobody could be here without my permission, you know that.'
'Flidais did it.'
'That isn't Flidais you smell, believe me.'
I opened the front door, and Oberon immediately ran to the kitchen window that gazed upon the backyard. He barked joyously when he saw what was waiting for him there.
'French poodles! All black and curly with poofy little tails!'
'And every one of them in heat.'
'Oh, WOW! Thanks Atticus! I can't wait to sniff their asses!'
He bounded over to the door and pawed at it because the doggie door was closed to prevent the poodles from entering.
'You earned it, buddy. Hold on, get down off the door so I can open it for you, and be careful, don't hurt any of them.'
I opened the door, expecting him to bolt through it and dive into his own personal canine harem, but instead he took one step and stopped, looking up at me with a mournful expression, his ears drooping and a tiny whine escaping his snout.
'Only five?
”
”
Kevin Hearne (Hounded (The Iron Druid Chronicles, #1))
“
What are you watching? Is it comforting? I don’t have the bandwidth to give a fuck about anything not comforting to me most of the time. I know that’s “uncultured,” but also I don’t care because who are you, person challenging me? I want to watch Veep before bed because it makes me laugh, and I want to watch true crime documentaries, and I want to watch British actors in terrific costumes battling through emotions they weren’t even aware they had. That’s all. I’m tired. Find your comforting shit. Build your mental fort and hang out there.
”
”
Anne T. Donahue (Nobody Cares)
“
All I know is I'm losing my mind," Franny said. "I'm just sick of ego, ego, ego. My own and everybody else's. I'm sick of everybody that wants to get somewhere, do something distinguished and all, be somebody interesting. It's disgusting - it is, it is. I don't care what anybody says . . .
I'm not afraid to compete. It's just the opposite. Don't you see that? I'm afraid I will compete - that's what scares me. That's why I quit the Theater Department. Just because I'm so horribly conditioned to accept everybody else's values, and just because I like applause and people to rave about me, doesn't make it right. I'm ashamed of it. I'm sick of it. I'm sick of not having the courage to be an absolute nobody. I'm sick of myself and everybody else that wants to make some kind of a "splash.
”
”
J.D. Salinger (Franny and Zooey)
“
The last one's hard. Marriage is always a balancing act, and it's never a good idea for one partner to get too big a head, but I'm afraid that's what's going to happen here. People write a lot of things about Eric Dillon's talent, and most of it's true. But nobody writes about the important things. The fact that he's a wonderful father and the best husband a woman could have. That fact that he cares about other people so much that he sometimes scares me. That doesn't mean he's perfect, of course. It's hard living with a man who's prettier than all of your girlfriends put together. But if it weren't for Eric Dillon, I wouldn't be here tonight. He loved me when I wasn't lovable, and I guess when it comes right down to it, that's pretty much what family is all about. Thank you, sweetheart.
”
”
Susan Elizabeth Phillips (Honey Moon)
“
This is the last time you raise your voice to my fiancée, not to mention throw things around like a poorly trained circus monkey. Nobody—and I do mean no person on this planet—talks to the future Mrs. Keaton like this. Any wrath she is to endure is mine. The only person she answers to is me. The only man to put her in her place—if and when needed—would. Be. Me. You will be respectful, agreeable, and polite to her. Tell me if I’m not understood, and I’ll make sure to make my point by destroying everything you care about.
”
”
L.J. Shen (The Kiss Thief)
“
It made me sad when I caught myself pretending that everybody out there in cyberspace cared about what I thought, when really nobody gives
”
”
Ruth Ozeki (A Tale for the Time Being)
“
My Sadness is Deeper than Yours
My sadness is deeper than yours. My interior life is richer than yours. I am more interesting than you. I don’t care about anybody else’s problems. They are not as serious as mine. Nobody knows the weight I carry, the trouble I’ve seen. There are worlds in my head that nobody has access to: fortunately for them, fortunately for me. I have seen things that you will never see, and I have feelings that you are incapable of feeling, that you would never allow yourself to feel, because you lack the capacity and the curiosity. Once you felt the hint of such a feeling, you would stamp it out. I am a martyr to futility and I don’t expect to be shut down by a pretender. Mothballs are an aphrodisiac to me, beauty depresses me. You could never hope to fathom the depth of my feelings, deeper than death. I look down upon you all from my lofty height of lowliness. The fullness of your satisfaction lacks the cadaverous purity of my pain. Don’t talk to me about failure. You don’t know the meaning of the word. When it comes to failure, you’re strictly an amateur. Bush league stuff. I’m ten times the failure you’ll ever be. I have more to complain about than you, and regrets: more than a few, too many to mention. I am a fully-qualified failure, I have proven it over and over again. My credentials are impeccable, my resume flawless. I have worked hard to put myself in a position of unassailable wretchedness, and I demand to be respected for it. I expect to be rewarded for a struggle that produced nothing. I want the neglect, the lack of acknowledgment. And I want the bitterness that comes with it too.
”
”
John Tottenham
“
Coach Graham used to ride me hard. I remember one practice in particular. 'You're doing it all wrong, Pauch. Go back! Do it again!' I tried to do what he wanted. It wasn't enough. 'You owe me, Pauch! You're doing push-ups after practice."
When I was finally dismissed, one of the assistant coaches came over to reassure me. 'Coach Graham rode you pretty hard, didn't he?' he said. I could barely muster a 'yeah.'
'That's a good thing,' the assistant told me. 'When you're screwing up and nobody says anything to you anymore, that means they've given up on you.'
That lesson has stuck with me my whole life. When you see yourself doing something badly and nobody's bothering to tell you anymore, that's a bad place to be. You may not want to hear it, but your critics are often the ones telling you they still love you and care about you, and want to make you better.
”
”
Randy Pausch (The Last Lecture)
“
You can call it that if you like, but what was I to do? I was desperate. I would have had to move out. I had no job, no income, nowhere to go. Philip was in the cemetery and nobody cared about me.
”
”
Anthony Horowitz (The Twist of a Knife (Hawthorne & Horowitz #4))
“
It matters not at all that I do not want to marry, that I am afraid of the wedding, afraid of consummating the marriage, afraid of childbirth, afraid of everything about being a wife. Nobody even asks if I have lost my childhood sense of vocation, if I still want to be a nun. Nobody cares what I think at all. They treat me like an ordinary young woman, bred for wedding and bedding, and since they do not ask me what I think, nor observe what I feel, there is nothing that gives them pause at all.
”
”
Philippa Gregory (The Red Queen (The Plantagenet and Tudor Novels, #3))
“
You trying to tell me a woman can’t be nothing without a man. But you alright, huh? You can just walk out of here without me - without a woman – and still be a man. That’s alright. Ain’t nobody gonna ask you, “Avery, who you got to love you?” That’s alright for you. But everybody gonna be worried about Berniece. “How Berniece gonna take care of herself? How she gonna raise that child without a man? Wonder what she do with herself. How she gonna live like that?” Everybody got all kinds of questions for Berniece. Everybody telling me I can’t be a woman unless I got a man. Well, you tell me, Avery – you know – how much a woman am I?
”
”
August Wilson (The Piano Lesson)
“
So, let me tell you what you got to do. You got to think about that baby. You got to hold on to that baby, don't care what else happens or don't happen. You got to do that. Can't nobody else do that for you. And the rest of us, well, we going to hold on to you.
”
”
James Baldwin (If Beale Street Could Talk)
“
All the girls stared at me with hatred in their eyes. It was a big drama that had to be acted out. But deep down, nobody really cared. The other girls didn't care about Jennifer. Jennifer didn't care about me. I didn't care about anything.
Everyone was so full of crap.
”
”
Blake Nelson (Paranoid Park)
“
We can’t let him win. Even if it takes fifty years, or a hundred. You can’t let the bad guys win. It’s not acceptable.”
For Hodda, life is drama. It falls into a set number of clearly defined categories: tragedy, comedy, romance, burlesque, farce. If it’s a comedy, the good guys win and everybody gets married. If it’s a tragedy, the good guys win but everybody dies. But you can’t let the bad guys win. Nobody’s going to pay to see that.
Me, I don’t care about the bad guys, so long as they keep the hell away from me. When they get too close, in my face, I tell lies and run away. That means I’ll never be a hero, but I don’t mind that. I do character parts and impersonations.
”
”
K.J. Parker (How to Rule an Empire and Get Away with It (The Siege, #2))
“
call me a nobody. He just had a lot on his mind. ‘You ever meet your dad?’ I asked. ‘Once.’ I waited, thinking that if he wanted to tell me, he’d tell me. Apparently, he didn’t. I wondered if the story had anything to do with how he got his scar. Luke looked up and managed a smile. ‘Don’t worry about it, Percy. The campers here, they’re mostly good people. After all, we’re extended family, right? We take care
”
”
Rick Riordan (Percy Jackson and the Lightning Thief (Percy Jackson, #1))
“
Nobody cared about Oma Kristel, about the way she had tried to keep herself attractive long after Youth had packed its bags and moved out of the aging tenement, about the way she always had some little gift for me, a sample bottle of unsuitable scent or a brooch made of sparkly paste.
”
”
Helen Grant (The Vanishing of Katharina Linden)
“
What joke?” “The one about the guy who rolls a wheelbarrow full of sawdust out of a construction site every night.” “I don’t know that one,” Cochran said. Lucas said, “The security guy keeps checking and checking and checking the wheelbarrow, thinking the guy had to be stealing something. Never found anything hidden in the sawdust, and nobody cared about the sawdust. Couple of years later, they bump into each other, and the security guy says, ‘Look, it’s all in the past, you can tell me now. I know you were stealing something. What was it?’ And the guy says, ‘Wheelbarrows.
”
”
John Sandford (Silken Prey (Lucas Davenport #23))
“
He has a very nice face and style, really," said Mrs. Kenwigs.
"He certainly has," added Miss Petowker. "There's something in his appearance quite--dear, dear, what's the word again?"
"What word?" inquired Mr. Lillyvick.
"Why--dear me, how stupid I am!" replied Miss Petowker, hesitating. "What do you call it when lords break off doorknockers, and beat policemen, and play at coaches with other people's money, and all that sort of thing?"
"Aristocratic?" suggested the collector.
"Ah! Aristocratic," replied Miss Petowker; "something very aristocratic about him, isn't there?"
The gentlemen held their peace, and smiled at each other, as who should say, "Well! there's no accounting for tastes;" but the ladies resolved unanimously that Nicholas had an aristocratic air, and nobody caring to dispute the position, it was established triumphantly.
”
”
Charles Dickens (Nicholas Nickleby)
“
Billy Pilgrim had a theory about diaries.
Women were more likely than men to think that their lives had sufficient meaning to require recording on a daily basis. It was not for the most part a God-is-leading-me-on-a-wondrous-journey kind of meaning, but more an I've-gotta-be-me-but-nobody-cares sentimentalism that passed for meaning, and they usually stopped keeping a diary by the time they hit thirty, because by then they didn't want to ponder the meaning of life anymore because it scared the crap out of them.
”
”
Dean Koontz (The Darkest Evening of the Year)
“
I am at peace.
Joshua hurt me horribly when he told me that nobody was looking for me. Now I know the truth. There’s at least one person out there who cares, and that is enough. And that is worth dying for. This nightmare is about to end. I will finally float free away from here, and I will be who I want. Tam with a Plan. Tam who helps other people.
”
”
Ginger Talbot (Tamara, Taken (Blue Eyed Monsters #1))
“
The reason I'm so crazy is because nobody cares anything about me. I don't guess there's anybody I care much about, either. It's my own fault, though - I haven't had the guts to try and do anything about it.
”
”
Larry McMurtry (The Last Picture Show)
“
Good evening," it lowed and sat back heavily on its haunches, "I am the main Dish of the Day. May I interest you in parts of my body? It harrumphed and gurgled a bit, wriggled its hind quarters into a more comfortable position and gazed peacefully at them.
Its gaze was met by looks of startled bewilderment from Arthur and Trillian, a resigned shrug from Ford Prefect and naked hunger from Zaphod Beeblebrox.
"Something off the shoulder perhaps?" suggested the animal. "Braised in a white wine sauce?"
"Er, your shoulder?" said Arthur in a horrified whisper.
"But naturally my shoulder, sir," mooed the animal contentedly, "nobody else's is mine to offer."
Zaphod leapt to his feet and started prodding and feeling the animal's shoulder appreciatively.
"Or the rump is very good," murmured the animal. "I've been exercising it and eating plenty of grain, so there's a lot of good meat there." It gave a mellow grunt, gurgled again and started to chew the cud. It swallowed the cud again.
"Or a casserole of me perhaps?" it added.
"You mean this animal actually wants us to eat it?" whispered Trillian to Ford.
"Me?" said Ford, with a glazed look in his eyes. "I don't mean anything."
"That's absolutely horrible," exclaimed Arthur, "the most revolting thing I've ever heard."
"What's the problem, Earthman?" said Zaphod, now transferring his attention to the animal's enormous rump.
"I just don't want to eat an animal that's standing there inviting me to," said Arthur. "It's heartless."
"Better than eating an animal that doesn't want to be eaten," said Zaphod.
"That's not the point," Arthur protested. Then he thought about it for a moment. "All right," he said, "maybe it is the point. I don't care, I'm not going to think about it now. I'll just ... er ..."
The Universe raged about him in its death throes.
"I think I'll just have a green salad," he muttered.
"May I urge you to consider my liver?" asked the animal, "it must be very rich and tender by now, I've been force-feeding myself for months."
"A green salad," said Arthur emphatically.
"A green salad?" said the animal, rolling his eyes disapprovingly at Arthur.
"Are you going to tell me," said Arthur, "that I shouldn't have green salad?"
"Well," said the animal, "I know many vegetables that are very clear on that point. Which is why it was eventually decided to cut through the whole tangled problem and breed an animal that actually wanted to be eaten and was capable of saying so clearly and distinctly. And here I am."
It managed a very slight bow.
"Glass of water please," said Arthur.
"Look," said Zaphod, "we want to eat, we don't want to make a meal of the issues. Four rare steaks please, and hurry. We haven't eaten in five hundred and seventy-six thousand million years."
The animal staggered to its feet. It gave a mellow gurgle.
"A very wise choice, sir, if I may say so. Very good," it said. "I'll just nip off and shoot myself."
He turned and gave a friendly wink to Arthur.
"Don't worry, sir," he said, "I'll be very humane."
It waddled unhurriedly off to the kitchen.
A matter of minutes later the waiter arrived with four huge steaming steaks.
”
”
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
“
They say that true love always brings with it great and generous acts. Sometimes, amazing things happen to people and nobody knows about it. Nobody knows or cares. Someday many years from now in the faraway future, I will look back and say, “That year when I was in seventh grade, I knew a boy named Henderson Elliot, and what he did for me was extraordinary and who he was and how he won my heart was nothing short of incredible.”
Some people in peril don’t get saved, like Marty Hoey or my mom, and some people in peril do get saved, like me. Maybe it was because Henderson bought a chunk of a falling star, a gold-flecked quiet and ever-hopeful star. I hold it now tightly in my palm.
”
”
Phoebe Stone (The Boy on Cinnamon Street)
“
Not the cute kind of cuckoo, or the lights-on-but-nobody's-home loony. She's really, genuinely, sold my-soul-to-the-devil crazy. She don't care about me or anyone else in the place. I mean, sure, she killed Frankie. And maybe she wanted to save the rest of us or whatever. But mostly, she just plain wanted to kill him. I mean, she stabbed him like a zillion times. Then licked his blood. I don't remember Wonder woman ever doing that at the end of an episode.
”
”
Lisa Gardner (Fear Nothing (Detective D.D. Warren, #7))
“
Growing up, those of us who had to put a hyphen before "American" got scoffed at for sending money home to cousins in the old country or supporting aging parents here on green cards. But you used to shake your head and tell me how, back home, nobody put their parents into nursing homes or let their kin go hungry. The same thing lives on among Sami's queer and trans friends of color, he tells me, crowdfunding for medical care and housing online, or in the group chats he tells me about where friends help one another escape abusive relationship or housing crises with safety planning and couches to sleep on. We take care of one another because no one else will, eh says. But every time is a gamble.
”
”
Zeyn Joukhadar (The Thirty Names of Night)
“
When I asked the Reb, Why do bad things happen to good people?, he gave none of the standard answers. He quietly said, “No one knows.” I admired that. But when I asked if that ever shook his belief in God, he was firm. “I cannot waver,” he said. Well, you could, if you didn’t believe in something all-powerful. “An atheist,” he said. Yes. “And then I could explain why my prayers were not answered.” Right. He studied me carefully. He drew in his breath. “I had a doctor once who was an atheist. Did I ever tell you about him?” No. “This doctor, he liked to jab me and my beliefs. He used to schedule my appointments deliberately on Saturdays, so I would have to call the receptionist and explain why, because of my religion, that wouldn’t work.” Nice guy, I said. “Anyhow, one day, I read in the paper that his brother had died. So I made a condolence call.” After the way he treated you? “In this job,” the Reb said, “you don’t retaliate.” I laughed. “So I go to his house, and he sees me. I can tell he is upset. I tell him I am sorry for his loss. And he says, with an angry face, ‘I envy you.’ “‘Why do you envy me?’ I said. “‘Because when you lose someone you love, you can curse God. You can yell. You can blame him. You can demand to know why. But I don’t believe in God. I’m a doctor! And I couldn’t help my brother!’ “He was near tears. ‘Who do I blame?’ he kept asking me. ‘There is no God. I can only blame myself.’” The Reb’s face tightened, as if in pain. “That,” he said, softly, “is a terrible self-indictment.” Worse than an unanswered prayer? “Oh yes. It is far more comforting to think God listened and said no, than to think that nobody’s out there.
”
”
Mitch Albom (Have a Little Faith: A True Story)
“
When most folks think about the problems of growing up in the hood, they think about what it must feel like to be poor, or hungry, or to have your lights cut off. The struggle nobody talks about is what it feels like to be invisible, or to know in your heart that nobody cares. Mama didn’t want to be famous; she wanted to be seen. All those years I thought we were so different, but when I stepped onstage and saw all those facing smiling back at me, I realized Mama and I craved the same thing.
”
”
Patricia Williams (Rabbit: A Memoir)
“
In the great meteor shower of August, the Perseid, I wail all day for the shooting stars I miss. They’re out there showering down, committing hari-kiri in a flame of fatal attraction, and hissing perhaps into the ocean. But at dawn what looks like a blue dome clamps down over me like a lid on a pot. The stars and planets could smash and I’d never know. Only a piece of ashen moon occasionally climbs up or down the inside of the dome, and our local star without surcease explodes on our heads. We have really only that one light, one source for all power, and yet we must turn away from it by universal decree. Nobody here on the planet seems aware of that strange, powerful taboo, that we all walk about carefully averting our faces, this way and that, lest our eyes be blasted forever.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
Now it's hitting me. I will never have a family to grieve for me. I will never have people feel about me the way they feel about Marc's grandfather. I will not leave the trail of memories that he's left. No one will ever have known me or what I've done. If I die, there will be no body to mark me, no funeral to attend, no burial. If I die, there will be nobody but Rhiannon who will ever know I've been here. I cry because I am so jealous of Marc's grandfather, because I am jealous of anyone who can make other people care so much.
”
”
David Levithan (Every Day (Every Day, #1))
“
Turkey buzzard, Warn explained. They’s the ones got red heads.
Where do you keep him?
Been keepin him in the smokehouse, he said.
Don’t nobody care for you to keep him?
Naw. The old lady set up a fuss but I told her I was goin to bring him in the house and learn him to set at table and that calmed her down some. Here, don’t get too close or he’ll puke on ye. He puked on Rock and Rock like to never got over it—stit won’t have nothin to do with him. Don’t nobody think much of him I reckon but me. I like him cause he’s about a mean son of a bitch and twice as ugly.
”
”
Cormac McCarthy (The Orchard Keeper)
“
Oh sure, and you know who listens to them? Pansy, overeducated know-it-alls, and you know who listens to them? Nobody! Who’s going to care about some PBS-NPR fringe minority that’s out of touch with the mainstream? The more those elitist eggheads shouted “The Dead Are Walking,” the more most real Americans tuned them out.
So, let me see if I understand your position.
The administration’s position.
The administration’s position, which is that you gave this problem the amount of attention that you thought it deserved.
Right.
Given that at any time, government always has a lot on its plate, and especially at this time because another public scare was the last thing the American people wanted.
Yep.
So you figured that the threat was small enough to be “managed” by both the Alpha teams abroad and some additional law enforcement training at home.
You got it.
Even though you’d received warnings to the contrary, that it could never just be woven into the fabric of public life and that it actually was a global catastrophe in the making.
[Mister Carlson pauses, shoots me an angry look, then heaves a shovelful of “fuel” into his cart.]
Grow up.
”
”
Max Brooks (World War Z: An Oral History of the Zombie War)
“
I can suspend judgment on those who kill–but I think they are evil for the community; they bring in nothing except hate, and take from it all they can. I am willing to believe that they are made that way, that they are born with a disability, for which, perhaps, one should pity them; but even then, I think, not spare them–because you cannot spare them any more than you could spare the man who staggers out from a plague-stricken village in the Middle Ages to mix with innocent and healthy children in a nearby village. The innocent must be protected; they must be able to live at peace and charity with their neighbours. It frightens me that nobody seems to care about the innocent.
”
”
Agatha Christie (Agatha Christie: An Autobiography)
“
Whatever you do, don’t feel sorry for me. I know it’s the best you can do. Life hasn’t hit you in your perfect little bubble yet. Please don’t try to understand. Nobody can. No one knows what it’s like to be me, except others like me. You’re making me pissed. You’re making me feel bad. Stop reminding me that I have no life. I don’t care about your prom. Yes, I know I haven’t talked to you in a while. NO, I’m not ignoring you, but it’s not exactly like you’ve been calling me either. I just haven’t been feeling well lately. I’m tired and my body is aching all over. It’s hurting all the time. I can barely move when it rains, and some days I just don’t want to do anything. SHUT UP.
”
”
Jacquelyn Nicole Davis (Trace The Grace: A Memoir)
“
Ah, but, dear North Wind, you don't know how nice it is to feel your arms about me. It is a thousand times better to have them and the wind together, than to have only your hair and the back of your neck and no wind at all."
"But it is surely more comfortable there?"
"Well, perhaps; but I begin to think there are better things than being comfortable."
"Yes, indeed there are. Well, I will keep you in front of me. You will feel the wind, but not too much. I shall only want one arm to take care of you; the other will be quite enough to sink the ship."
"Oh, dear North Wind! how can you talk so?"
"My dear boy, I never talk; I always mean what I say."
"Then you do mean to sink the ship with the other hand?"
"Yes."
"It's not like you."
"How do you know that?"
"Quite easily. Here you are taking care of a poor little boy with one arm, and there you are sinking a ship with the other. It can't be like you."
"Ah! but which is me? I can't be two mes, you know."
"No. Nobody can be two mes."
"Well, which me is me?"
"Now I must think. There looks to be two."
"Yes. That's the very point.—You can't be knowing the thing you don't know, can you?"
"No."
"Which me do you know?"
"The kindest, goodest, best me in the world," answered Diamond, clinging to North Wind.
"Why am I good to you?"
"I don't know."
"Have you ever done anything for me?"
"No."
"Then I must be good to you because I choose to be good to you."
"Yes."
"Why should I choose?"
"Because—because—because you like."
"Why should I like to be good to you?"
"I don't know, except it be because it's good to be good to me."
"That's just it; I am good to you because I like to be good."
"Then why shouldn't you be good to other people as well as to me?"
"That's just what I don't know. Why shouldn't I?"
"I don't know either. Then why shouldn't you?"
"Because I am."
"There it is again," said Diamond. "I don't see that you are. It looks quite the other thing."
"Well, but listen to me, Diamond. You know the one me, you say, and that is good."
"Yes."
"Do you know the other me as well?"
"No. I can't. I shouldn't like to."
"There it is. You don't know the other me. You are sure of one of them?"
"Yes."
"And you are sure there can't be two mes?"
"Yes."
"Then the me you don't know must be the same as the me you do know,—else there would be two mes?"
"Yes."
"Then the other me you don't know must be as kind as the me you do know?"
"Yes."
"Besides, I tell you that it is so, only it doesn't look like it. That I confess freely. Have you anything more to object?"
"No, no, dear North Wind; I am quite satisfied.
”
”
George MacDonald (At the Back of the North Wind)
“
The morning grass was damp and cool with dew. My yellow rain slicker must have looked sharp contrasted against the bright green that spring provided. I must have looked like an early nineteenth century romantic poet (Walt Whitman, perhaps?) lounging around a meadow celebrating nature and the glory of my existence. But don’t make this about me. Don’t you dare. This was about something bigger than me (by at least 44 feet).
I was there to unselfishly throw myself in front of danger (nothing is scarier than a parked bulldozer), in the hopes of saving a tree, and also procuring a spot in a featured article in my local newspaper. It’s not about celebrity for me, it’s about showing that I care. It’s not enough to just quietly go about caring anymore. No, now we need the world to see that we care. I was just trying to do my part to show I was doing my part.
But no journalists or TV news stations came to witness my selfless heroics. In fact, nobody came at all, not even Satan’s henchmen (the construction crew). People might scoff and say, “But it was Sunday.” Yes, it was Sunday. But if you’re a hero you can’t take a day off.
I’d rather be brave a day early than a day late. Most cowards show up late to their destiny. But I always show up early, and quite often I leave early too, but at least I have the guts to lay down my life for something I’d die for. Now I only laid down my life for a short fifteen-minute nap, but I can forever hold my chin high as I loudly tell anyone who will listen to my exploits as an unsung hero (not that I haven’t written dozens of songs dedicated to my bravery).
Most superheroes hide anonymously behind masks. That’s cowardly to me. I don’t wear a mask. And the only reason I’m anonymous is that journalists don’t respond to my requests for interviews, and when I hold press conferences nobody shows up, not even my own mother.
The world doesn’t know all the good I’ve done for the world. And that’s fine with me. Not really. But if I have to go on being anonymous to make this world a better place, I will. But that doesn’t mean I’m not thinking about changing my hours of altruism from 7-8 am Sunday mornings to 9-5 am Monday through Friday, and only doing deeds of greatness in crowded locations.
”
”
Jarod Kintz (Gosh, I probably shouldn't publish this.)
“
I turned out okay because of the people in foster care who didn’t go anywhere when I tried to push them away.”
“Anyone in particular?”
“There were a lot. But there was a counselor at one of my group homes named Jenelle Bugue. And when I woke up crying at 3 A.M. because I felt nobody loved me, she would sit with me and tell me that she cared about me, and she wasn’t going anywhere.
”
”
Brandon Stanton (Humans of New York: Stories)
“
…by Tracie Morris, “Project Princess.” It’s about a girl from the projects who doesn’t care what people think about her—she just does what makes her feel confident. Then I looked myself straight in the eyes and said, “Gabi, get over it. You look spectacular. You look amazing, so stop your bitching or do something that makes you feel better.” I took a deep breath and took off my shorts and shirt and stepped out on the beach like I owned that shit and didn’t give a fuck about all the skinny girls around me. After a while, I didn’t feel like an outsider and nobody made comments or even cared about what I looked like. The other think about being fat is that you spend too much damn time worrying about being fat and that takes time away from having fun. But I decided today would be different. And it was.
”
”
Isabel Quintero (Gabi, a Girl in Pieces)
“
Like you, I grew up in a remote animist village. But then I went to a strict Catholic education in France. I was perfectly content to accept the grand Shee Yee of the Otherworld and the Lord B, and Jesus and his mother as my spiritual icons as long as I didn't have to spend too long on my knees. I would have settled for a committee. I just wanted order. But once I started to see my own ghosts I understood what these religions were all about. They were clubs set up by people like me to stop themselves from going mad. You know what I really think happens? You die. You wait for your number. There's a bit of time to take care of unfinished business. And you pass on. And, as you don't come back, nobody actually knows what you pass on to. But that description has never been acceptable. People want an ending. They don't want to vanish into thin air. So these great religious gurus made some endings up. The more comfortable and happy your ending, the more members signed up and paid their fees. And the kings and emperors started to add rules and regulations to subjugate the commoners and keep them in line. As so they invented hell and told you if you coveted your neighbor's mule you wouldn't even get into the clubhouse at the end of it all.
”
”
Colin Cotterill (The Woman Who Wouldn't Die (Dr. Siri Paiboun, #9))
“
Most people actually ignore things out of the ordinary. Or, worse, hope that someone else will take care of it.
I remember being on the train in Chicago in a car with about a dozen other people. On the other side of the car, a man suddenly fell off his seat. Just… toppled over into the aisle. He started convulsing. There were three people between me and him. But nobody said anything. Nobody did anything.
I stood up, “Sir?” I said, and started toward him.
And that’s when everyone started to move. I called for someone at the back to push the operator alert button, to tell the train driver to call for an ambulance at the next stop. After I moved, there were suddenly three or four other people with me, coming to the man’s aid.
But somebody had to move first.
I stood in a crowded, standing-room only train on another day and watched a young woman standing near the door close her eyes and drop her papers and binder onto the floor. She was packed tight, surrounded by other people, and no one said anything.
Her body began to go limp. “Are you OK!?” I said loudly, leaning toward her, and then other people were looking, and she was sagging, and the buzz started, and somebody called up from the front of the car that he was a doctor, and someone gave up their seat, and people moved, moved, moved.
Somebody needs to be the person who says something is wrong. We can’t pretend we don’t see it. Because people have been murdered and assaulted on street corners where hundreds of people milled around, pretending everything was normal.
But pretending it was normal didn’t make it so.
Somebody has to point it out. Somebody has to get folks to move.
Somebody has to act.
”
”
Kameron Hurley
“
You really don’t believe that anything can have a value of its own beyond what function it serves for human beings?” Resaint said. “Value to who?” Resaint asked Halyard to imagine a planet in some remote galaxy—a lush, seething, glittering planet covered with stratospheric waterfalls, great land-sponges bouncing through the valleys, corals budding in perfect niveous hexagons, humming lichens glued to pink crystals, prismatic jellyfish breaching from the rivers, titanic lilies relying on tornadoes to spread their pollen—a planet full of complex, interconnected life but devoid of consciousness. “Are you telling me that, if an asteroid smashed into this planet and reduced every inch of its surface to dust, nothing would be lost? Because nobody in particular would miss it?” “But the universe is bloody huge—stuff like that must happen every minute. You can’t go on strike over it. Honestly it sounds to me to like your real enemy isn’t climate change or habitat loss, it’s entropy. You don’t like the idea that everything eventually crumbles. Well, it does. If you’re this worried about species extinction, wait until you hear about the heat death of the universe.” “I would be upset about the heat death of the universe too if human beings were accelerating the rate of it by a hundred times or more.” “And if a species’ position with respect to us doesn’t matter— you know, those amoebae they found that live at the bottom of the Mariana Trench, if they’re just as important as Chiu Chiu or my parents’ dog, even though nobody ever gets anywhere near them—if distance in space doesn’t matter, why should distance in time? If we don’t care about whether their lives overlap with our lives, why even worry about whether they exist simultaneously with us? Your favorite wasp—Adelo-midgy-midgy—” “Adelognathus marginatum—” “It did exist. It always will have existed. Extinction can’t take that away. It went through its nasty little routine over and over again for millions and millions of years. The show was a big success. So why is it important that it’s still running at the same time you are? Isn’t that centering the whole thing on human beings, which is exactly what we’re not supposed to be doing? I mean, for that matter—reality is all just numbers anyway, right? I mean underneath? That’s what people say now. So why are you so down on the scans? Hacks aside. Why is it so crucial that these animals exist right now in an ostensibly meat-based format, just because we do? My point is you talk about extinction as if you’re taking this enlightened post-human View from Nowhere but if we really get down to it you’re definitely taking a View from Karin Resaint two arms two legs one head born Basel Switzerland year of our lord two-thousand-and-when-ever.” But Resaint wasn’t listening anymore.
”
”
Ned Beauman (Venomous Lumpsucker)
“
when I don't have anything to read, I feel like a tortoise without a shell or a boat without an anchor. There is nothing to hide under. Nowhere to stop and rest. When I don't have a book, there is nowhere good or interesting to be, there is nobody to care about, nothing to hope for, and nothing to puzzle over. When I do have something to read, it keeps me breathing. It's the reward for all the other things. It's the think to look forward to, the reason for doing my day.
”
”
E.R. Frank (Dime)
“
For a woman who has chosen family as well as work, there’s never time, and yet somehow time is given to us as time is given to the man who must sail a ship or chart the stars. For most writers it takes many manuscripts before enough royalties are coming in to pay for a roof over the head and bread on the table. Other jobs must often be found to take care of bread and butter. A certain amount of stubbornness—pig-headedness—is essential. — I’m often asked how my children feel about my work, and I have to reply, “Ambivalent.” Our firstborn observed to me many years ago, when she was a grade-school child, “Nobody else’s mother writes books.” But she also said, around the same time, “Mother, you’ve been very cross and edgy with us lately, and we’ve noticed that you haven’t been writing, and we wish you’d get back to the typewriter.” A wonderfully freeing remark. I had to learn that I was a better mother and wife when I was working than when I was not.
”
”
Madeleine L'Engle (Walking on Water: Reflections on Faith and Art)
“
I can believe things that are true and I can believe things that aren’t true and I can believe things where nobody knows if they’re true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen—I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone’s ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theatres from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we’ll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind’s destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it’s aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there’s a cat in a box somewhere who’s alive and dead at the same time (although if they don’t ever open the box to feed it it’ll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn’t even know that I’m alive. I believe in an empty and godless universe of causal chaos, background noise and sheer blind luck. I believe that anyone who says that sex is overrated just hasn’t done it properly. I believe that anyone who claims to know what’s going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman’s right to choose, a baby’s right to live, that while all human life is sacred there’s nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, life is a cruel joke and that life is what happens when you’re alive and that you might as well lie back and enjoy it.
”
”
Neil Gaiman (American Gods)
“
The children around our house have a saying that everything is either true, not true, or one of Mother's delusions. Now, I don't know about the true things or the not-true things, because there seem to be so many of them, but I do know about Mother's delusions, and they're solid. They range from the conviction that the waffle iron, unless watched, is going to strangle the toaster, to the delusion that electricity pours out of an empty socket onto your head, and nothing is going to change any one of them.
The very nicest thing about being a writer is that you can afford to indulge yourself endlessly with oddness, and nobody can really do anything about it, as long as you keep writing and kind of using it up, as it were. I am, this morning, endeavoring to persuade you to join me in my deluded world; it is a happy, irrational, rich world, full of fairies and ghosts and free electricity and dragons, and a world beyond all others fun to walk around in. All you have to do---and watch this carefully please--is keep writing. As long as you write it away regularly, nothing can really hurt you.
”
”
Shirley Jackson (Let Me Tell You: New Stories, Essays, and Other Writings)
“
The nutritionist said I should eat root vegetables.
Said if I could get down thirteen turnips a day
I would be grounded, rooted.
Said my head would not keep flying away
to where the darkness lives.
The psychic told me my heart carries too much weight.
Said for twenty dollars she’d tell me what to do.
I handed her the twenty. She said, “Stop worrying, darling.
You will find a good man soon.”
The first psycho therapist told me to spend
three hours each day sitting in a dark closet
with my eyes closed and ears plugged.
I tried it once but couldn’t stop thinking
about how gay it was to be sitting in the closet.
The yogi told me to stretch everything but the truth.
Said to focus on the out breath. Said everyone finds happiness
when they care more about what they give
than what they get.
The pharmacist said, “Lexapro, Lamicatl, Lithium, Xanax.”
The doctor said an anti-psychotic might help me
forget what the trauma said.
The trauma said, “Don’t write these poems.
Nobody wants to hear you cry
about the grief inside your bones.”
But my bones said, “Tyler Clementi jumped
from the George Washington Bridge
into the Hudson River convinced
he was entirely alone.”
My bones said, “Write the poems.
”
”
Andrea Gibson (The Madness Vase)
“
Then the time came for you to be your own man and take on the world, and you did. But somewhere along the line, you changed. You stopped being you. You let people stick a finger in your face and tell you you’re no good. And when things got hard, you started looking for something to blame, like a big shadow. Let me tell you something you already know. The world ain’t all sunshine and rainbows. It’s a very mean and nasty place and I don’t care how tough you are it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is going to hit as hard as life. But it ain’t about how hard you hit. It’s about how hard you can get hit and keep moving forward. How much you can take and keep moving forward. That’s how winning is done! Now if you know what you’re worth then go out and get what you’re worth. But you’ve got to be willing to take the hits, and not pointing fingers saying you ain’t where you want to be because of him, or her, or anybody! Cowards do that and that ain’t you! You’re better than that! I’m always going to love you no matter what. No matter what happens. You’re my son and you’re my blood. You’re the best thing in my life. But until you start believing in yourself, you ain’t going to have a life.
”
”
Charlie Wardle (Managing Stress & Preventing Depression (Climb Your Mountain))
“
I don’t know if the other defectors had the same problems, but for me the most difficult part of the program was learning to introduce myself in class. Almost nobody knew how to do this, so the teachers taught us that the first thing you say is your name, age, and hometown. Then you can tell people about your hobbies, your favorite recording artist or movie star, and finally you can talk about “what you want to be in the future.” When I was called on, I froze. I had no idea what a “hobby” was. When it was explained that it was something I did that made me happy, I couldn’t conceive of such a thing. My only goal was supposed to be making the regime happy. And why would anyone care about what “I” wanted to be when I grew up? There was no “I” in North Korea—only “we.” This whole exercise made me uncomfortable and upset. When the teacher saw this, she said, “If that’s too hard, then tell us your favorite color.” Again, I went blank. In North Korea, we are usually taught to memorize everything, and most of the time there is only one correct answer to each question. So when the teacher asked for my favorite color, I thought hard to come up with the “right” answer. I had never been taught to use the “critical thinking” part of my brain, the part that makes reasoned judgments about why one thing seems better than another. The teacher told me, “This isn’t so hard. I’ll go first: My favorite color is pink. Now what’s yours?” “Pink!” I said, relieved that I was finally given the right answer. In South Korea, I learned to hate the question “What do you think?” Who cared what I thought? It took me a long time to start thinking for myself and to understand why my own opinions mattered. But after five years of practicing being free, I know now that my favorite color is spring green and my hobby is reading books and watching documentaries. I’m not copying other people’s answers anymore.
”
”
Yeonmi Park (In Order to Live: A North Korean Girl's Journey to Freedom)
“
Has he invited you to dinner, dear? Gifts, flowers, the usual?”
I had to put my cup down, because my hand was shaking too much. When I stopped laughing, I said, “Curran? He isn’t exactly Mr. Smooth. He handed me a bowl of soup, that’s as far as we got.”
“He fed you?” Raphael stopped rubbing Andrea.
“How did this happen?” Aunt B stared at me. “Be very specific, this is important.”
“He didn’t actually feed me. I was injured and he handed me a bowl of chicken soup. Actually I think he handed me two or three. And he called me an idiot.”
“Did you accept?” Aunt B asked.
“Yes, I was starving. Why are the three of you looking at me like that?”
“For crying out loud.” Andrea set her cup down, spilling some tea. “The Beast Lord’s feeding you soup. Think about that for a second.”
Raphael coughed. Aunt B leaned forward. “Was there anybody else in the room?”
“No. He chased everyone out.”
Raphael nodded. “At least he hasn’t gone public yet.”
“He might never,” Andrea said. “It would jeopardize her position with the Order.”
Aunt B’s face was grave. “It doesn’t go past this room. You hear me, Raphael? No gossip, no pillow talk, not a word. We don’t want any trouble with Curran.”
“If you don’t explain it all to me, I will strangle somebody.” Of course, Raphael might like that . . .
“Food has a special significance,” Aunt D said.
I nodded. “Food indicates hierarchy. Nobody eats before the alpha, unless permission is given, and no alpha eats in Curran’s presence until Curran takes a bite.”
“There is more,” Aunt B said. “Animals express love through food. When a cat loves you, he’ll leave dead mice on your porch, because you’re a lousy hunter and he wants to take care of you. When a shapeshifter boy likes a girl, he’ll bring her food and if she likes him back, she might make him lunch. When Curran wants to show interest in a woman, he buys her dinner.”
“In public,” Raphael added, “the shapeshifter fathers always put the first bite on the plates of their wives and children. It signals that if someone wants to challenge the wife or the child, they would have to challenge the male first.”
“If you put all of Curran’s girls together, you could have a parade,” Aunt B said. “But I’ve never seen him physically put food into a woman’s hands. He’s a very private man, so he might have done it in an intimate moment, but I would’ve found out eventually. Something like that doesn’t stay hidden in the Keep. Do you understand now? That’s a sign of a very serious interest, dear.”
“But I didn’t know what it meant!”
Aunt B frowned. “Doesn’t matter. You need to be very careful right now. When Curran wants something, he doesn’t become distracted. He goes after it and he doesn’t stop until he obtains his goal no matter what it takes. That tenacity is what makes him an alpha.”
“You’re scaring me.”
“Scared might be too strong a word, but in your place, I would definitely be concerned.”
I wished I were back home, where I could get to my bottle of sangria. This clearly counted as a dire emergency.
As if reading my thoughts, Aunt B rose, took a small bottle from a cabinet, and poured me a shot. I took it, and drained it in one gulp, letting tequila slide down my throat like liquid fire.
“Feel better?”
“It helped.” Curran had driven me to drinking. At least I wasn’t contemplating suicide.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
Can good come from evil? Have you ever considered the possibility that one might undertake a search not for God but for evil? You people may have been on the wrong track all these years with all that talk about God and signs of his existence, the order and beauty of the universe--that's all washed up and you know it. The more we know about the beauty and order of the universe, the less God has to do with it. I mean, who cares about such things as the Great Watchmaker?
But what if you could show me a sin? a purely evil deed, an intolerable deed for which there is no explanation? Now there's a mystery. People would sit up and take notice. I would be impressed. You could almost make a believer out of me.
In times when nobody is interested in God, what would happen if you could prove the existence of sin, pure and simple? Wouldn't that be a windfall for you? A new proof of God's existence! If there is such a thing as sin, evil, a living malignant force, there must be a God!
I'm serious. When was the last time you saw a sin? Oh, you've seen quite a few? Well, I haven't, not lately. I mean a pure unadulterated sin. You're not going to tell me that some poor miserable slob of a man who beats up his own child has committed a sin?
You don't look impressed. Yes, you know me too well. I was only joking. Well, half joking.
”
”
Walker Percy (Lancelot)
“
He regarded her indignantly. “Did she say I broke our engagement?”
“She didn’t say hardly anything when I talked to her this morning, just that the two of you reached a mutual decision to end your relationship.”
“And you assumed that meant I ended it.”
“Didn’t you?”
“Hell, no.”
“Are you saying Gracie dumped you?”
He saw too late the trap he’d laid for himself.
“‘Course not. Nobody dumps me.”
“She did, didn’t she? She dumped you! Holy Moses! A person of the female species finally gave Bobby Tom Denton back a little bit of what he’s been giving out.” Grinning widely, she lifted her face to the heavens. “Thank you, Jesus!”
“Will you stop that! She didn’t dump me. Haven’t you figured out by now that we were never really engaged! It was just a ploy to keep everybody off my back while I was in town.” The fact that Terry Jo was making a joke out of this hurt in a way he couldn’t express.
“Of course you were engaged. A blind fool could see the two of you love each other.”
“We do not! Well, maybe she loves me, but…I care about her. Who wouldn’t? She’s about the best kind of woman there is. But, love? She’s not my type, Terry Jo.”
Terry Jo gave him a long, steady gaze. “It’s amazing. You don’t know any more about women now than you did in high school when you threw me over for Sherri Hopper.” She regarded him sadly. “When are you going to grow up, Bobby Tom?
”
”
Susan Elizabeth Phillips (Heaven, Texas (Chicago Stars, #2))
“
Let me tell you something you already know. The world ain't all sunshine and rainbows. It's a very mean and nasty place and I don't care how tough you are it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain't about how hard ya hit. It's about how hard you can get it and keep moving forward. How much you can take and keep moving forward. That's how winning is done! Now if you know what you're worth then go out and get what you're worth. But ya gotta be willing to take the hits, and not pointing fingers saying you ain't where you wanna be because of him, or her, or anybody! Cowards do that and that ain't you! You're better than that!
”
”
Sylvester Stallone as Rocky
“
Did you have a kid in your neighborhood who always hid so good, nobody could find him? We did. After a while we would give up on him and go off, leaving him to rot wherever he was. Sooner or later he would show up, all mad because we didn't keep looking for him. And we would get mad back because he wasn't playing the game the way it was supposed to be played.
There's hiding and there's finding, we'd say. And he'd say it was hide-and-seek, not hide-and-give-UP, and we'd all yell about who made the rules and who cared about who, anyway, and how we wouldn't play with him anymore if he didn't get it straight and who needed him anyhow, and things like that. Hide-and-seek-and-yell. No matter what, though, the next time he would hide too good again. He's probably still hidden somewhere, for all I know.
As I write this, the neighborhood game goes on, and there is a kid under a pile of leaves in the yard just under my window. He has been there a long time now, and everybody else is found and they are about to give up on him over at the base. I considered going out to the base and telling them where he is hiding. And I thought about setting the leaves on fire to drive him out. Finally, I just yelled, "GET FOUND, KID!" out the window. And scared him so bad he probably wet his pants and started crying and ran home to tell his mother. It's real hard to know how to be helpful sometimes.
A man I know found out last year he had terminal cancer. He was a doctor. And knew about dying, and he didn't want to make his family and friends suffer through that with him. So he kept his secret. And died. Everybody said how brave he was to bear his suffering in silence and not tell everybody, and so on and so forth. But privately his family and friends said how angry they were that he didn't need them, didn't trust their strength. And it hurt that he didn't say good-bye.
He hid too well. Getting found would have kept him in the game. Hide-and-seek, grown-up style. Wanting to hide. Needing to be sought. Confused about being found. "I don't want anyone to know." "What will people think?" "I don't want to bother anyone."
Better than hide-and-seek, I like the game called Sardines. In Sardines the person who is It goes and hides, and everybody goes looking for him. When you find him, you get in with him and hide there with him. Pretty soon everybody is hiding together, all stacked in a small space like puppies in a pile. And pretty soon somebody giggles and somebody laughs and everybody gets found.
Medieval theologians even described God in hide-and-seek terms, calling him Deus Absconditus. But me, I think old God is a Sardine player. And will be found the same way everybody gets found in Sardines - by the sound of laughter of those heaped together at the end.
"Olly-olly-oxen-free." The kids out in the street are hollering the cry that says "Come on in, wherever you are. It's a new game." And so say I. To all those who have hid too good. Get found, kid! Olly-olly-oxen-free.
”
”
Robert Fulghum (All I Really Need to Know I Learned in Kindergarden)
“
I’ve often wished—especially when I was younger—that my work was better, that it rose to the level of genius, that I could write well enough to make something worth remembering. But I think that way of imagining art might make individuals too important. Maybe in the end art and life are more like the world’s largest ball of paint. You carefully choose your colors, and then you add your layer as best you can. In time, it gets painted over. The ball gets painted again and again until there is no visible remnant of your paint. And eventually, maybe nobody knows about it except for you. But that doesn’t mean your layer of paint is irrelevant or a failure. You have permanently, if slightly, changed the larger sphere. You’ve made it more beautiful, and more interesting. The world’s largest ball of paint looks nothing like the baseball it used to be, and you’re part of the reason. In the end, that’s what art is for me. You paint the ball, which changes the way someone else thinks about painting the ball, and so on, until some guy overwhelmed with grief and dread drives out to Alexandria, Indiana, to see what beautiful foolishness thousands of people have made together, and feels a hope that cannot be explained or shared except by painting. That guy adds a layer of his own to the ball, one that won’t last but still matters. Art is not only a genius going forth, as James Joyce put it, “to forge in the smithy of my soul the uncreated conscience of my race.” Art is also picking a light blue for your layer of the world’s largest ball of paint, knowing that it will soon be painted over, and painting anyway. I give the world’s largest ball of paint four stars.
”
”
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
“
If you don’t know what side you’re on right now, if you don’t know who you’re actually fighting. I’ve told you before we are not fighting with the president of the United States. We are not fighting with the Democrats, we are fighting evil, and if you don’t believe me, yesterday in Austin the governor decided that he was going to call for a special session. So now all the protesters are there in front of Austin… standing there in front of the capitol building in Austin and people are singing Amazing Grace. The pro death people are chanting things like ‘Mary should have had an abortion,’ meaning Jesus should never have been born and “Hail Satan." When you can have a group of people chanting around a state capitol Hail Satan’ and nobody seems to care about that, I don’t recognize my country anymore. I am a man determined to be free.
”
”
Glenn Beck
“
I don't believe in this nonsense about time. Time is just common, it's like water for a fish. Everybody's in this water, nobody gets out of it, or if he does the same thing happens to him that happens to the fish, he dies. And you know what happens in this water, time? The big fish eat the little fish. That's all. The big fish eat the little fish and the ocean doesn't care.'
[...]
'Anyway,' he said mildly, 'I don't see what you can do with little fish except eat them. What else are they good for?' 'In my country,' I said, feeling a subtle war within me as I said it, 'the little fish seem to have gotten together and are nibbling at the body of the whale.' 'That will not make them whales,' said Giovanni. 'The only result of all that nibbling will be that there will no longer be any grandeur anywhere, not even at the bottom of the sea.
”
”
James Baldwin
“
I don't believe in this nonsense about time. Time is just common, it's like water for a
fish. Everybody's in this water, nobody gets out of it, or if he does the same thing happens
to him that happens to the fish, he dies. And you know what happens in this water, time?
The big fish eat the little fish. That's all. The big fish eat the little fish and the ocean
doesn't care.'
[...]
'Anyway,' he said mildly, 'I don't see what you can do with little fish except eat them.
What else are they good for?'
'In my country,' I said, feeling a subtle war within me as I said it, 'the little fish seem
to have gotten together and are nibbling at the body of the whale.'
'That will not make them whales,' said Giovanni. 'The only result of all that nibbling
will be that there will no longer be any grandeur anywhere, not even at the bottom of the
sea.
”
”
James Baldwin
“
I was just bouncing back and forth all over the place with no sense of groundedness at all. I loved growing up in the church-- that's the thing-- growing up in the church hasn't been this traumatic, horrible experience for me. I hadn't gone to one of those scary churches that was overtly mean or hostile. My church puton this face of "we love everyody and we're all about grace". That was always the message. But when I started conffessing to people in my church that I'm dealing with this right now and it's realy hard for me, I don't know what to do, the only thing they could seem to think to do was how to convert me back to their way of thinking. "Well you're wrong. Because we already know the answer." Nobody was like, "Okay, let's just talk through this because it's you're life, and whatever you decide, we'll still care about you." The only thing they cared about in the conversation was giving me the answer; making sure they got me back on the right path; treating the whole thing like a debate instead of a conversation. I realized this community's ideology is more important to them than anything else. It's more important than people; it's more important than keeping their relationships with one another in tact. The ideology is the only thing that matters here. I guess on some level I knew that they would respond that way. But there was a part of me that was like, "But surely, I had grown up in this church. All these people care about me; surely they're not going to react that way to ~me. When they did, I felt like, other than being a person who comes to their church and believes their right thins, do I have any value to these people? If I stop believing all the right things, then do I stop having value to them?
”
”
Linda Kay Klein (Pure: Inside the Evangelical Movement That Shamed a Generation of Young Women and How I Broke Free)
“
What was clear to me was that something was happening, and that something was a train I couldn't stop or slow down or get off. What was clear too was when it ended. I knew the exact moment. I could feel it. Even then, in that hour, I understood that the experience was of supreme value and importance. I didn't need hindsight. I knew in the moment. My family may have been repelled, even appalled by where I had been and what I had done; my friends may have feared for my sanity; others who cared for me may have shaken their heads at the waste and folly and futility. Even I understood it would take me years to recover. I didn't care. The trip was worth it. Why? Because I now had a history that was mine alone. I had an ordeal that I had survived and a passage that I had paid for with my own blood. Nobody knew about this passage but me. Nobody would ever know, nor did I feel the slightest urge to communicate it. This was mine, and nobody could ever take it away from me. I had punched my ticket. I had filled in the blanks.
”
”
Steven Pressfield (The Artist's Journey: The Wake of the Hero's Journey and the Lifelong Pursuit of Meaning)
“
Wessex Heights
There are some heights in Wessex, shaped as if by a kindly hand
For thinking, dreaming, dying on, and at crises when I stand,
Say, on Ingpen Beacon eastward, or on Wylls-Neck westwardly,
I seem where I was before my birth, and after death may be.
In the lowlands I have no comrade, not even the lone man’s friend –
Her who suffereth long and is kind; accepts what he is too weak to mend:
Down there they are dubious and askance; there nobody thinks as I,
But mind-chains do not clank where one’s next neighbour is the sky.
In the towns I am tracked by phantoms having weird detective ways –
Shadows of beings who fellowed with myself of earlier days:
They hang about at places, and they say harsh heavy things –
Men with a frigid sneer, and women with tart disparagings.
Down there I seem to be false to myself, my simple self that was,
And is not now, and I see him watching, wondering what crass cause
Can have merged him into such a strange continuator as this,
Who yet has something in common with himself, my chrysalis.
I cannot go to the great grey Plain; there’s a figure against the moon,
Nobody sees it but I, and it makes my breast beat out of tune;
I cannot go to the tall-spired town, being barred by the forms now passed
For everybody but me, in whose long vision they stand there fast.
There’s a ghost at Yell’ham Bottom chiding loud at the fall of the night,
There’s a ghost in Froom-side Vale, thin lipped and vague, in a shroud of white,
There is one in the railway-train whenever I do not want it near,
I see its profile against the pane, saying what I would not hear.
As for one rare fair woman, I am now but a thought of hers,
I enter her mind and another thought succeeds me that she prefers;
Yet my love for her in its fulness she herself even did not know;
Well, time cures hearts of tenderness, and now I can let her go.
So I am found on Ingpen Beacon, or on Wylls-Neck to the west,
Or else on homely Bulbarrow, or little Pilsdon Crest,
Where men have never cared to haunt, nor women have walked with me,
And ghosts then keep their distance; and I know some liberty.
”
”
Thomas Hardy
“
When we came out of the cookhouse, we found the boy's father, the Indian man who had been grazing the horses in the pasture, waiting for us. He wanted someone to tell his troubles to. He looked about guardedly, afraid that the Señora might overhear him.
'Take a look at me' he said. I don't even know how old I am. When I was young, the Señor brought me here. He promised to pay me and give me a plot of my own. 'Look at my clothes' he said, pointing to the patches covering his body. 'I can't remember how many years I've been wearing them. I have no others. I live in a mud hut with my wife and sons. They all work for the Señor like me. They don't go to school. They don't know how to read or write; they don't even speak Spanish. We work for the master, raise his cattle and work his fields. We only get rice and plantains to eat. Nobody takes care of us when we are sick. The women here have their babies in these filthy huts.'
'Why don't you eat meat or at least milk the cows?' I asked.
'We aren't allowed to slaughter a cow. And the milk goes to the calves. We can't even have chicken or pork - only if an animal gets sick and dies. Once I raised a pig in my yard' he went on. 'She had a litter of three. When the Señor came back he told the foreman to shoot them. That's the only time we ever had good meat.'
'I don't mind working for the Señor but I want him to keep his promise. I want a piece of land of my own so I can grow rice and yucca and raise a few chickens and pigs. That's all.' 'Doesn't he pay you anything?' Kevin asked. 'He says he pays us but he uses our money to buy our food. We never get any cash. Kind sirs, maybe you can help me to persuade the master . Just one little plot is all I want. The master has land, much land.'
We were shocked by his tale. Marcus took out a notebook and pen. 'What's his name?'. He wrote down the name. The man didn't know the address. He only knew that the Señor lived in La Paz.
Marcus was infuriated. 'When I find the owner of the ranch, I'll spit right in his eye. What a lousy bastard! I mean, it's really incredible'. 'That's just the way things are,' Karl said. 'It's sad but there's nothing we can do about it.
”
”
Yossi Ghinsberg (Jungle: A Harrowing True Story of Survival)
“
Let me tell you about this leg, Miss Oldridge," he said. "This used to be a modest, well-behaved leg, quietly going about its business, troubling nobody. But ever since it was hurt, it has become tyrannical."
Her expression eased another degree, and amusement glinted in her eyes, like faint, distant stars in a midsummer night's sky.
Encouraged, he went on, "This limb is selfish, surly, and ungrateful. When English medical expertise declared the case hopeless, we took the leg to a Turkish healer. He plied it with exotic unguents and cleaned and dressed it several times a day. By this means he staved off the fatal and malodorous infection it should have suffered otherwise. Was the leg grateful? Did it go back to work like a proper leg? No, it did not."
Lips twitching, she made a sympathetic murmur.
"This limb, madam," he said, "demanded months of boring exercises before it would condescend to perform the simplest movements. Even now, after nearly three years of devoted care and maintenance, it will fly into a fit over damp weather. And this, may I remind you, is an English leg, not one of your delicate foreign varieties.
”
”
Loretta Chase
“
«It's not easy to believe.»
«I» she told him, «I can believe anything. You have no idea what I can believe.»
«Really?»
«I can believe things that are true and I can believe things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen - I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like the Martians in "War of the Worlds". I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kind of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of casual chaos, background noise, and sheer blind luck. I believe that anyone who says that sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.»
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
He opened the door after letting me pound on it for almost five minutes. His truck was in the carport. I knew he was here.
He pulled the door open and walked back inside without looking at me or saying a word. I followed him in, and he dropped onto a sofa I’d never seen before.
His face was scruffy. I’d never seen him anything but clean-shaven. Not even in pictures. He had bags under his eyes. He’d aged ten years in three days.
The apartment was a mess. The boxes were gone. It looked like he had finally unpacked. But laundry was piled up in a basket so full it spilled out onto the floor. Empty food containers littered the kitchen countertops. The coffee table was full of empty beer bottles. His bed was unmade. The place smelled stagnant and dank.
A vicious urge to take care of him took hold. The velociraptor tapped its talon on the floor. Josh wasn’t okay.
Nobody was okay.
And that was what made me not okay.
“Hey,” I said, standing in front of him.
He didn’t look at me. “Oh, so you’re talking to me now,” he said bitterly, taking a long pull on a beer. “Great. What do you want?”
The coldness of his tone took me aback, but I kept my face still. “You haven’t been to the hospital.”
His bloodshot eyes dragged up to mine. “Why would I? He’s not there. He’s fucking gone.”
I stared at him.
He shook his head and looked away from me. “So what do you want? You wanted to see if I’m okay? I’m not fucking okay. My best friend is brain-dead. The woman I love won’t even fucking speak to me.”
He picked up a beer cap from the coffee table and threw it hard across the room. My OCD winced.
“I’m doing this for you,” I whispered.
“Well, don’t,” he snapped. “None of this is for me. Not any of it. I need you, and you abandoned me. Just go. Get out.”
I wanted to climb into his lap. Tell him how much I missed him and that I wouldn’t leave him again. I wanted to make love to him and never be away from him ever again in my life—and clean his fucking apartment.
But instead, I just stood there. “No. I’m not leaving. We need to talk about what’s happening at the hospital.”
He glared up at me. “There’s only one thing I want to talk about. I want to talk about how you and I can be in love with each other and you won’t be with me. Or how you can stand not seeing me or speaking to me for weeks. That’s what I want to talk about, Kristen.”
My chin quivered. I turned and went to the kitchen and grabbed a trash bag from under the sink. I started tossing take-out containers and beer bottles.
I spoke over my shoulder. “Get up. Go take a shower. Shave. Or don’t if that’s the look you’re going for. But I need you to get your shit together.”
My hands were shaking. I wasn’t feeling well. I’d been light-headed and slightly overheated since I went to Josh’s fire station looking for him. But I focused on my task, shoving trash into my bag. “If Brandon is going to be able to donate his organs, he needs to come off life support within the next few days. His parents won’t do it, and Sloan doesn’t get a say. You need to go talk to them.”
Hands came up under my elbows, and his touch radiated through me.
“Kristen, stop.”
I spun on him. “Fuck you, Josh! You need help, and I need to help you!”
And then as fast as the anger surged, the sorrow took over. The chains on my mood swing snapped, and feelings broke through my walls like water breaching a crevice in a dam. I began to cry. I didn’t know what was wrong with me. The strength that drove me through my days just wasn’t available to me when it came to Josh.
I dropped the trash bag at his feet and put my hands over my face and sobbed. He wrapped his arms around me, and I completely lost it.
”
”
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
“
Dear Peter K,
First of all I refuse to call you Kavinsky. You think you’re so cool, going by your last name all of a sudden. Just so you know, Kavinsky sounds like the name of an old man with a long white beard.
Did you know that when you kissed me, I would come to love you? Sometimes I think yes. Definitely yes. You know why? Because you think EVERYONE loves you, Peter. That’s what I hate about you. Because everyone does love you. Including me. I did. Not anymore.
Here are all your worst qualities:
You burp and you don’t say excuse me. You just assume everyone else will find it charming. And if they don’t, who cares, right? Wrong! You do care. You care a lot about what people think of you.
You always take the last piece of pizza. You never ask if anyone else wants it. That’s rude.
You’re so good at everything. Too good. You could’ve given other guys a chance to be good, but you never did.
You kissed me for no reason. Even though I knew you liked Gen, and you knew you liked Gen, and Gen knew you liked Gen. But you still did it. Just because you could. I really want to know: Why would you do that to me? My first kiss was supposed to be something special. I’ve read about it, what it’s supposed to feel like00fireworks and lightning bolts and the sound of waves crashing in your ears. I didn’t have any of that. Thanks to you it was as unspecial as a kiss could be.
The worst part of it is, that stupid nothing kiss is what made me start liking you. I never did before. I never even thought about you before. Gen has always said that you are the best-looking boy in our grade, and I agreed, because sure, you are. But I still didn’t see the allure of you. Plenty of people are good-looking. That doesn’t make them interesting or intriguing or cool.
Maybe that’s why you kissed me. To do mind control on me, to make me see you that way. It worked. Your little trick worked. From then on, I saw you. Up close, your face wasn’t so much handsome as beautiful. How many beautiful boys have you ever seen? For me it was just one. You. I think it’s a lot to do with your lashes. You have really long lashes. Unfairly long.
Even though you don’t deserve it, fine, I’ll go into all the things I like(d) about you:
One time in science, nobody wanted to be partners with Jeffrey Suttleman because he has BO, and you volunteered like it was no big deal. Suddenly everybody thought Jeffrey wasn’t so bad.
You’re still in chorus, even though all the other boys take band and orchestra now. You even sing solos. And you dance, and you’re not embarrassed.
You were the last boy to get tall. And now you’re the tallest, but it’s like you earned it. Also, when you were short, no one even cared that you were short--the girls still liked you and the boys still picked you first for basketball in gym.
After you kissed me, I liked you for the rest of seventh grade and most of eighth. It hasn’t been easy, watching you with Gen, holding hands and making out at the bus stop. You probably make her feel very special. Because that’s your talent, right? You’re good at making people feel special.
Do you know what it’s like to like someone so much you can’t stand it and know that they’ll never feel the same way? Probably not. People like you don’t have to suffer through those kinds of things. It was easier after Gen moved and we stopped being friends. At least then I didn’t have to hear about it.
And now that the year is almost over, I know for sure that I am also over you. I’m immune to you now, Peter. I’m really proud to say that I’m the only girl in this school who has been immunized to the charms of Peter Kavinsky. All because I had a really bad dose of you in seventh grade and most of eighth. Now I never ever have to worry about catching you again. What a relief! I bet if I did ever kiss you again, I would definitely catch something, and it wouldn’t be love. It would be an STD!
Lara Jean Song
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
Letty wanted to know every detail of Laura's going. As she asked and listened, her heart beat uncomfortably fast and she felt that, if she did not take care, she would burst into tears. Laura had gone; she had broken away.
'It's not fair! It's not fair!' Letty cried to herself. Laura had got what she wanted; whatever happened to her afterwards she had got, once, what she wanted. She had had the courage to take it.
'Not that I ever wanted to go off with a man,' Letty had thought on the way to Greenbanks with Ambrose. No, she had never seen anyone she wanted to go off with. When she thought of going, it was never with a man. Once she had indulged in wild dreams. For years after she was married she felt that someone would one day come, someone she could love with all her heart, with that high, free elation and that deep satisfaction she could imagine. She would be able to share everything with him; her fears in the night about loneliness, death, the end of things. He would understand, she felt, but he would not explain, for after all there is no explanation. He would laugh, too, at what she laughed at; he would enjoy shop incidents, tram incidents, street incidents - all the queer, funny things that go to make up every day. Letty felt, for years, that someone like this would come before it was too late.
'It's not really me, having the children and living with Ambrose,' she would think in bewilderment. 'This isn't my life really; it will all be different soon. I shall begin to live as I want to - soon.'
But the years went on and now she was over forty and looked for nobody to rescue her as if she were a damsel in distress. She no longer expected to be loved by any man. Men wanted youth and beauty; no matter how old and ugly they were themselves, they felt entitled to youth and beauty in women. She had missed the great love she had dreamed of as a girl, but she thought about it no more. Her wishes had changed as she grew older; she now only wanted to get away by herself, to enjoy life in her own way. [...] She knew what she wanted, but could not have; it was freedom.
”
”
Dorothy Whipple (Greenbanks)