No Gray Areas Quotes

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Sometimes it's better to stop trying to make sense of things. Life isn't clear cut, there are always gray areas.
Alexandra Adornetto (Halo (Halo, #1))
When a question has no correct answer, there is only one honest response. The gray area between yes and no. Silence.
Dan Brown (The da Vinci Code (Robert Langdon, #2))
The first slide says: SEXUAL EXPERIMENTATION WITH FOREIGN MONARCHS: A GRAY AREA. Alex wonders if it’s too late to swan dive off the roof.
Casey McQuiston (Red, White & Royal Blue)
It’s not all black and white, good and bad. Peoples actions...their motives...there are” - he circled his hands in the air - “gray areas.
Marissa Meyer (Archenemies (Renegades, #2))
I think people understand things different when they get older. It’s not a question of getting soft, or seeing things in the gray areas instead of black and white. I really believe I’m just understanding things different. Better.
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
She'd been taught all her life not to attack humans, but knocking them unconscious with tranquilizer guns was more of a gray area.
Jennifer Lynn Barnes (Trial by Fire (Raised by Wolves, #2))
Fridays are absolutely without a doubt the best day of the week, five grueling days of the same routine seem to melt at three o'clock on Friday afternoon. There's a sense of magic there, everything smells better, tastes better, and the colors are brighter. As opposed to Sunday evenings when everything begins to get dim all over again.
Stefanie Ellis (Ashes (The Gray Area, #1))
You say that as if there were anyone else in this world I would want. You have no idea what I feel for you.” He blinked and spat out something I never would have expected. “There is no gray area for me where you’re concerned. I don’t share, and I expect nothing less from you.
Mariana Zapata (Kulti)
And as awful as it sounds, death is a clean break. There are no gray areas. No ambiguity. It’s like a blank canvas in a way.
Lisa Jewell (None of This Is True)
Besides my professional goals, I have a couple of private ones, my man. One of those is to pet a kangaroo before I leave Australia. I understand there's lots of Eastern Grays around this area. What do you say? Are you in?' Bergman looked at him like he'd just made the worst financial investment of his life. 'Kangaroos are wild animals. I've heard they claw like girl fighters and kick like jackhammers. You're going to get your skull crushed.' Cole held up a finger. 'Or I'm going to pet a kangaroo. How cool would that be?
Jennifer Rardin (Bite Marks (Jaz Parks, #6))
When I learned about the gray existing between the black and white of absolute terms, I began to experience more peace. The more I expanded my gray areas (more than 50 shades), the more peace I experienced in my life.
David Walton Earle
Not everything was black and white. It was often in the gray areas where the hardest decisions are made.
Aly Martinez (Written with Regret (Regret #1))
Patty: I'll be the good guy. Shermy: I'll be the bad guy. Patty: What are you going to be, Charlie Brown? Charlie Brown: I'll be sort of in-between; I'll be a hypocrite!
Charles M. Schulz (The Complete Peanuts, Vol. 1: 1950-1952)
I know," he said quietly. "But I also know there’s a thin line between good and evil. There’s a gray area, one we all step into.
J.M. Darhower (Extinguish (Extinguish, #1))
The movies are gray The TV is black The horses are running Please bring me some food
Heinz Doofenshmirtz (Phineas and Ferb: How to Conquer the Tri-State Area (by Heinz Doofenshmirtz))
It’s not black and white," he said. "If it were, I wouldn’t be here right now, and neither would you. We’re the gray area, angel. We’re the pieces of the puzzle they don’t know what to do with, the pieces that don’t quite fit into their perfect little picture, so they choose to discard us, to keep their image untainted,but we can only be ignored for so long.
J.M. Darhower (Extinguish (Extinguish, #1))
Madrigal sniffed herself. "I'm almost sure I don't smell." "Maybe not, but between shining cleanliness and not smelling, there is a vast gray area.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
I’m not really interested in the black and white, the 'goodies and baddies.' I find the complexity of the gray areas more compelling, more intriguing. As I have said before, there are angels and demons in all of us, and I am interested in the relationship between the two within the ‘ordinary’ person.
Jacqueline Winspear
I don't want you to ever be touched by the gray areas I'm immersed in, baby. I want you clean. I want you to shine, just like you always do.
Maya Banks (Burn (Breathless, #3))
People dictate rules based on how they want to be treated, but I’ll tell you something. When someone else misbehaves, it’s black and white, isn’t it? We judge, and we condemn, but when we do it, it’s a gray area all of a sudden. Other people are subject to your convictions, but not you, right? Not Michael?
Penelope Douglas (Hideaway (Devil's Night, #2))
Mr. Gray,” I mutter. He’s smiling again like the Big Bad Wolf who wants to eat me. And boy, do I want him to eat m– “I just happened to be in the area,” he says, cutting off my internal monologue. “I needed to pick up a few supplies, and here you are. What a pleasant surprise.” His voice is cool and husky like a Wendy’s Frosty shake, with just a little bit of grit (also like a Frosty).
Andrew Shaffer (Fifty-one Shades: A Parody (First Three Chapters))
Evil men rarely convince others to their side by asking them to perform dark deeds for no good reason. They will always start with the lightest shade of gray. They so often use what seems like a good cause." "You don't think it's possible that a little gray is what's needed, sometimes?" asked Davian. Raleth snorted. "No," he said severely. "Gray is the color of cowardice and ignorance and sheer laziness, Davian--never let anyone tell you otherwise. If something is not clearly right or wrong then it bears actually *figuring out* which one it is, not dismissal into some nebulous third category. If you have a basis for your morality, a foundation for it, then there will always be an answer--and if you do not, then trying to decide whether *anything* is right or wrong is an exercise in futility and irrelevance.
James Islington (The Light of All That Falls (The Licanius Trilogy, #3))
When a question has no correct answer, there is only one honest response. The gray area between yes and no. Silence.
Dan Brown (The da Vinci Code (Robert Langdon, #2))
Conner had died much as he lived, in the grayest shadow between right and wrong.
Jennifer A. Nielsen (The Shadow Throne (Ascendance, #3))
Right and wrong are determined by the people who hold positions of authority, that's the way it has always been so how then can anyone know this truth you speak of? Don't you see that truth long ago became a shadow of itself, it's a mere echo of the past now... The world is one big moral gray area, it just makes you feel safer that it can be categorized into good and bad that's not actually how it works.
Atsushi Ōkub
In comparison with the Genesis myth, the modern myth in which humanity is marching to a better future is mere superstition. As the Genesis story teaches, knowledge cannot save us from ourselves. If we know more than before, it means only that we have greater scope to enact our madness. But – as the Genesis myth also teaches – there is no way we can rid ourselves of what we know . . . The message of Genesis is that in the most vital areas of human life there can be no progress, only an unending struggle with our nature.
John Gray (The Silence of Animals: On Progress and Other Modern Myths)
Language and hearing are seated in the cerebral cortex, the folded gray matter that covers the first couple of millimeters of the outer brain like wrapping paper. When one experiences silence, absent even reading, the cerebral cortex typically rests. Meanwhile, deeper and more ancient brain structures seem to be activated--the subcortical zones. People who live busy, noisy lives are rarely granted access to these areas. Silence, it appears, is not the opposite of sound. It is another world altogether, literally offering a deeper level of thought, a journey to the bedrock of the self.
Michael Finkel (The Stranger in the Woods: The Extraordinary Story of the Last True Hermit)
I’m sure there’s a lot of gray area when it comes to relationships and why we do what we do to connect, love, and navigate this crazy life.
Jewel E. Ann (When Life Happened)
This water was so dark we could see our faces in it, and it never stirred, set like glass, reflecting the beards of gray moss that smothered the cypress trees. If you looked out through these areas, toward the ocean, all you saw was the black water, the gray of the cypress trunks, and the constant, motionless rain of moss flowing down. All you heard was the low moaning. The effect of this cannot be understood without being there. The beauty of it cannot be understood, either, and when you see beauty in desolation it changes something inside you. Desolation tries to colonize you.
Jeff VanderMeer (Annihilation (Southern Reach, #1))
Good listeners have negative capability. They are able to cope with contradictory ideas and gray areas. Good listeners know there is usually more to the story than first appears and are not so eager for tidy reasoning and immediate answers, which is perhaps the opposite to being narrow-minded...In the psychological literature, negative capability is known as cognitive complexity, which research shows is positively related to self-compassion and negatively related to dogmatism.
Kate Murphy (You're Not Listening: What You're Missing and Why It Matters)
Now, the only time emotions hit me is when my sister is involved. She’s my gray area in a world of black and white. I want her happiness more than I want my own and knowing the guy across from me makes her happier than she’s been in her whole life causes a slight burning in my eyes.
Liz Tomforde (The Right Move (Windy City, #2))
More than anything else, we have to imagine a different kind of life, a different way of living. We have to reject the shiny, shallow future that will never come, and locate ourselves in the current, flawed moment. Despite what we've been taught, we are neither eternally blessed nor eternally damned. We are blessed and damned and everything in between. Instead of toggling between victory and defeat, we have to learnt to live in the middle, in the gray area, where a real life can unfold in its own time. We have to breathe in reality instead of distracting ourselves around the clock. We have to open our eyes and our hearts to each other. We have to connect with what already is, who we already are, what we already have.
Heather Havrilesky (What If This Were Enough?: Essays)
It is debatable whether blind faith is truly faith at all. Faith is the perceptive gray area where scientific facts meet an individual's experiential truths - the extreme of the former is left feeling in the dark whereas the latter is caught blinded by the light. By proper scientific method, it is intellectually dishonest for me to declare the existence of God with utmost certainty, but to my individual spirit, I would be intellectually dishonest to deny the existence of God even for a second. This leaves the best of both worlds, as the believer is called to be able to give reasons for his faith, a deviation from mere fantasy.
Criss Jami (Killosophy)
Or was the “something” that had changed . . . me? There comes a moment in every relationship when taking up permanent residence in the gray area between what is and what isn’t is no longer enough. When the need for clarity surpasses the need to make things work. When you start to realize that the constant limbo of an undefined relationship isn’t as fun as it was when the music first started. When you have to seek your own closure, because the other person cannot or will not give it to you.
Mandy Hale (I've Never Been to Vegas, but My Luggage Has: Mishaps and Miracles on the Road to Happily Ever After)
Acceptance is the most beautiful word in any language; this beautiful concept can only exist when you allow other people to be who they are and do not imprison them with your definition of what is right, proper, correct, or other limiting criteria. Decreasing the black and white in your thinking allows for an expansive area of gray, allowing you to live your life and others to live there life. Acceptance sets us all free! This simple change of thought creates a wonderful space for happiness to thrive.
David Walton Earle
Oftentimes, we end up in the gray area because we allow ourselves to get into or stay in situations without setting any clear expectations. I
Shonda Brown White (Don't Be A Wife To A Boyfriend: 10 Lessons I Learned When I Was Single)
Our role is to be exactly on the border, to stand in the gray area between fate and free will, and to play Ping-Pong there.
Yoav Blum (The Coincidence Makers)
We live in a society where people feel they have to be right, no matter what. If we subscribe to that narrow view, the critical gray area is compromised.
Carlos Wallace (The Other 99 T.Y.M.E.S: Train Your Mind to Enjoy Serenity)
Life's more interesting with gray areas.
Kendare Blake (Girl of Nightmares (Anna, #2))
Sometimes love is so intense that it turns into this gray area that borders on hate. That's what happens when the people you love have that type of power over you.
Julie Murphy
It was so much easier to write people off. Much harder to navigate the gray areas of interpersonal relationships.
Alisha Rai (The Right Swipe (Modern Love, #1))
I know gray areas too well. I write for silent audiences.
Antonia Perdu
I love the gray area between right and wrong.
Dan Brown
I have witnessed how the power of listening, storytelling and embracing gray areas breaks through the rigid 'us vs. them.
Aspen Baker (Pro-Voice: How to Keep Listening When the World Wants a Fight)
Know what’s worse than cold turkey? Just a little bump. One tiny sip to take the edge off. The edges never went away, they only got sharper. Every addict would tell you. Gray areas couldn’t exist in a sober environment.
A. Zavarelli (Stutter (Bleeding Hearts #2))
Do I abide by the black-and-white limits I’ve set for myself because that’s who I truly am or because that’s who I am while being judged? And how far into that gray area might I venture before I go running back to my familiar boundaries?
K.A. Tucker (Chasing River (Burying Water, #3))
The girl, perhaps without even realizing it, and who knows for how long, had been assessing the power of her swaying body, her restless eyes, on my husband; and he looked at her as one looks from a gray area at a white wall struck by the sun.
Elena Ferrante (The Days of Abandonment)
Greek and the Hebrew—and whichever side you embrace more strongly determines to a large extent how you see life. From the Greeks—specifically from the glory days of ancient Athens—we have inherited our ideas about secular humanism and the sanctity of the individual. The Greeks gave us all our notions about democracy and equality and personal liberty and scientific reason and intellectual freedom and open-mindedness and what we might call today “multiculturalism.” The Greek take on life, therefore, is urban, sophisticated, and exploratory, always leaving plenty of room for doubt and debate. On the other hand, there is the Hebrew way of seeing the world. When I say “Hebrew” here, I’m not specifically referring to the tenets of Judaism. (In fact, most of the contemporary American Jews I know are very Greek in their thinking, while it’s the American fundamentalist Christians these days who are profoundly Hebrew.) “Hebrew,” in the sense that philosophers use it here, is shorthand for an ancient world-view that is all about tribalism, faith, obedience, and respect. The Hebrew credo is clannish, patriarchal, authoritarian, moralistic, ritualistic, and instinctively suspicious of outsiders. Hebrew thinkers see the world as a clear play between good and evil, with God always firmly on “our” side. Human actions are either right or wrong. There is no gray area. The collective is more important than the individual, morality is more important than happiness, and vows are inviolable.
Elizabeth Gilbert (Committed: A Sceptic Makes Peace With Marriage)
Some argue that there is a spectrum of what we should expect as normal human character flaws. Narcissism seems to be the gray area where most discord bubbles up. Common teachings on sociopaths and psychopaths center on their intense lack of empathy.
Shannon Thomas (Healing from Hidden Abuse: A Journey Through the Stages of Recovery from Psychological Abuse)
Far worse, though, was the low, powerful moaning at dusk. The wind off the sea and the odd interior stillness dulled our ability to gauge direction, so that the sound seemed to infiltrate the black water that soaked the cypress trees. This water was so dark we could see our faces in it, and it never stirred, set like glass, reflecting the beards of gray moss that smothered the cypress trees. If you looked out through these areas, toward the ocean, all you saw was the black water, the gray of the cypress trunks, and the constant, motionless rain of moss flowing down. All you heard was the low moaning. The effect of this cannot be understood without being there. The beauty of it cannot be understood, either, and when you see beauty in desolation it changes something inside you Desolation tries to colonize you.
Jeff VanderMeer (Annihilation (Southern Reach, #1))
What I learned was that the more you commit to the process and the more you trust God for increase in every area of your life, the more God allows the scales to tip in your favor until one day the momentum is so tremendous that there is no going back to the life you knew. You
John W. Gray III (I Am Number 8: Overlooked and Undervalued, but Not Forgotten by God)
The world isn't black and white, good or bad. The battles that make a real difference are fought in the murky area in between, where the greater good requires brutal sacrifice. Where both the means and the ends are just shadows in a featureless gray landscape. And that was the death of my idealism.
Rachel Vincent (Alpha (Shifters, #6))
My advice to someone like you is to always stay close to the gray area and keep yourself and your family safe. Stay away from any place where you can run into police-that's the advice I give to you and to all young black men in this country. The police is for the protection of white people, my brother. Maybe black women and black children sometimes, but not black men. Never black men. Black men and police are palm oil and water. You understand me, eh?
Imbolo Mbue (Behold the Dreamers)
Few things are black-and-white, Lis. Most of life exists in that messy gray area in between, but if you wanted what was happening— you enjoyed it and so did the other— then there’s nothing wrong, she’d said. Anyone who tells you different either hasn’t been where you’ve been or they’re just living a different life. Doesn't make either of you right or wrong.
Jennifer L. Armentrout (Fall of Ruin and Wrath (Awakening, #1))
Through ambition, greed, arrogance, or naïveté, many bright, hard-working people have strayed into gray areas.
Guy Spier (The Education of a Value Investor: My Transformative Quest for Wealth, Wisdom, and Enlightenment)
Sometimes we face “gray areas,” things that aren’t necessarily forbidden by the Bible but still may not belong in our lives.
Billy Graham (Billy graham in quotes)
White lies are a gray area,
Janet Evanovich (Curious Minds (Knight and Moon, #1))
Humanity is about living in the gray area between corruptibility and incorruptibility.
D.C. Akers
Gray areas are just the inability to distinguish between darkness and light.
Ron Brackin
We're the gray area, angel. We're the pieces of the puzzle they don't know what to do with, the pieces that don't quite fit into their perfect little picture, so they choose to discard us, to keep their image untainted, but we can only be ignored for so long. Because eventually, whether they want to admit it or not, all of their black and white will bleed together anyway.
J.M. Darhower (Extinguish (Extinguish, #1))
When someone else misbehaves, it’s black and white, isn’t it? We judge, and we condemn, but when we do it, it’s a gray area all of a sudden. Other people are subject to your convictions, but not you, right?
Penelope Douglas (Hideaway (Devil's Night, #2))
In a relationship, prudent application of the gray theory is a key ingredient in assuring years of happiness; “till death do us part”. Balance is at the center of success, satisfaction and a lifetime of love.
Carlos Wallace (The Other 99 T.Y.M.E.S: Train Your Mind to Enjoy Serenity)
In Miss Chen's English class, we learned, 'To be or not to be...' but there's a big gray area in between. Maybe in Shakespeare times people only had two options. Griffin Wilson, he knew that the SATs were just the gateway to a big lifetime of bullshit. To get married and college. To paying taxes and trying to raise a kid who's not a school shooter. And Griffin Wilson knew drugs are only a patch. After drugs, you're always going to need more drugs.
Chuck Palahniuk (Make Something Up: Stories You Can't Unread)
Some justice, though did not deal with kindheartedness or good feeling toward others. No, justice had a darker side, a gray area where it mingled alongside vengeance, and only the wise and pure of heart were able to tell the two apart. That kind of justice was swift. It was only called upon afer mercy and morals fail. It was the darkest form of goodness known to anyone, even the gods, and required only the strongest, most daring men to bring about.
Evan Meekins (The Black Banner)
...use of the soul in Buffy: a personal or cultural belief which is blind to all else, which refuses to acknowledge gray area and insists on its own infallibility, as we've seen in our own history, is dangerous and detrimental.
Jim Ford (The Truth of Buffy: Essays on Fiction Illuminating Reality)
Eight weeks of practice in meditation, even with those with no previous experience, was enough reconfigure the brains of participants. The gray matter which fuels worry shrank, and the area associated with healthy thought awareness group.
Andrew Zolli (Resilience: Why Things Bounce Back)
Moonshots, by their definition, live in that gray area between audacious projects and pure science fiction. Instead of mere 10 percent gains, they aim for 10x (meaning ten times) improvements—that’s a 1000 percent increase in performance.
Peter H. Diamandis (Bold: How to Go Big, Create Wealth and Impact the World (Exponential Technology Series))
This part of the city was aggressively gray, but green life still struggled into being: moss on walls, weeds in guttering, the occasional forlorn tree. I have always lived in urban areas, but I feel the need for green as a visceral longing.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
There is no right or wrong in this world. No black and white. Remington and I live in the gray area. Logic is pointless. Gut feeling is dangerous. The only way to know whether you did the right or wrong thing is to ride it out and see it to the end.
Charleigh Rose (Misbehaved)
Parents have funny ways of showing their love sometimes. Mom says my life is all black and white right now, as a kid. But she says when I get older, become a women, that changes, and there's a lot of gray area. I think adult love is more complicated.
Brooklyn James
But by age four, the poor children had developed less “gray matter,” the areas of the brain responsible for impulse control, emotional behavior, problem solving, memory, and other skills critical to learning. Chronic stress also produces higher amounts of cortisol, the hormone that promotes survival. To be “soaked in cortisol,” says Pollak, changes the brain’s architecture. The child becomes overly sensitive and hyperreactive. Small slights can seem like grave insults. Once the child escalates, it takes much longer to cool down.
Andrea Elliott (Invisible Child: Poverty, Survival, and Hope in an American City)
I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building. Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked. “Have you seen Aiden?” “Aiden?” Were there really that many Aidens? “Graves.” “Can I ask what you need him for?” I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.” It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal. Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did. I couldn’t help but crack a little smile at his grumpiness. “Ready?” He did his form of a nod, a tip of his chin. I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably. He glared down at me. “What are you smiling at?” I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.” He mouthed ‘sunshine’ as his gaze strayed to the ceiling. We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked. He eyed me as he buckled in, and I slanted him a look. “What?” With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out. All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me. When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned. “For me?” I asked like an idiot. He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.” Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.
Mariana Zapata (The Wall of Winnipeg and Me)
Consciousness surely did not, James said, suddenly irrupt into the universe fully formed. The history of life is a history of intermediates, shadings-off, and gray areas. Much about the mind lends itself to a treatment in those terms. Perception, action, memory—all those things creep into existence from precursors and partial cases. Suppose someone asks: Do bacteria really perceive their environment? Do bees really remember what has happened? These are not questions that have good yes-or-no answers. There’s a smooth transition from minimal kinds of sensitivity to the world to more elaborate kinds, and no reason to think in terms of sharp divides.
Peter Godfrey-Smith (Other Minds: The Octopus, the Sea, and the Deep Origins of Consciousness)
I'm jittery.It's like the animatronic band from Chuck E. Cheese is throwing a jamboree in my stomach. I've always hated Chuck E. Cheese. Why am I thinking about Chuck E. Cheese? I don't know why I'm nervous.I'm just seeing my mom again. And Seany.And Bridge! Bridge said she'd come. St. Clair's connecting flight to San Francisco doesn't leave for another three hours,so we board the train that runs between terminals,and he walks me to the arrivals area.We've been quiet since we got off the plane. I guess we're tired. We reach the security checkpoint,and he can't go any farther. Stupid TSA regulations.I wish I could introduce him to my family.The Chuck E. Cheese band kicks it up a notch,which is weird, because I'm not nervous about leaving him. I'll see him again in two weeks. "All right,Banana.Suppose this is goodbye." He grips the straps of his backpack,and I do the same. This is the moment we're supposed to hug. For some reason,I can't do it. "Tell your mom hi for me. I mean, I know I don't know her. She just sounds really nice. And I hope she's okay." He smiles softly. "Thanks.I'll tell her." "Call me?" "Yeah,whatever. You'll be so busy with Bridge and what's-his-name that you'll forget all about your English mate, St. Clair." "Ha! So you are English!" I poke him in the stomach. He grabs my hand and we wrestle, laughing. "I claim....no...nationality." I break free. "Whatever,I totally caught you. Ow!" A gray-haired man in sunglasses bumps his red plaid suitcase into my legs. "Hey,you! Apologize!" St. Clair says,but the guy is already too far away to hear. I rub my shins. "It's okay, we're in the way. I should go." Time to hug again. Why can't we do it? Finally, I step forward and put my arms around him. He's stiff,and it's awkward, especially with our backpacks in the way.I smell his hair again. Oh heavens. We pull apart. "Have fun at the show tonight" he says. "I will.Have a good flight." "Thanks." He bites his thumbnail,and then I'm through security and riding down the escalator. I look back one last time. St. Clair jumps up and down, waving at me.I burst into laughter, and his face lights up.The escalator slides down. He's lost from view. I swallow hard and turn around.And then-there they are.Mom has a gigantic smile, and Seany is jumping and waving, just like St. Clair.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
now know about the involvement of Union Carbide in the Manhattan Project, the TNT Area, Area 51, and the Roswell Crash (where Carbide glue was found), we can assume that “nukes” and “saucers” were the exact same project. After Carbide’s Tech Center in South Charleston, West Virginia built the first atomic reactor in the late 1920s, and had
Gray Barker (Saucers of Fire: Nazi UFOs, The Hollow Earth, The Axis Shift, and Other Apocalyptic Assertions From the X-Files of Saucerian Press)
was sprawled on the family-room couch, half asleep in front of a Clint Eastwood movie. A can of ginger ale and an empty bag of pretzels sat on the table in front of him. He opened one eye and saw Maura, then looked at Greg and winked. “Hey, little buddy . . . I see your ladyfriend is here.” Greg felt the urge to lash out, like he’d done with Eileen and Brittany at school on Friday morning. But this time he didn’t take the bait. He said, “We’re just copying some artwork. For a project we’re doing. And it’s gonna make noise. We have to.” Ross heaved himself up off the couch, shut off the TV, burped, mumbled, “’Scuse me” in Maura’s general direction, and went looking for a quieter place to waste another hour or two. Greg said, “I got this paper that’s good and bright, but it’s not as thick as regular copy paper. Makes it easier to fold.” After placing the first master sheet face down on the glass, he pushed Print, and then held up the copy for Maura to see. Pointing at a gray area, he said, “See that? I can change the settings and make that part darker. It ought to be solid black. Except for that, it’s a good copy.” The machine beeped as Greg made the change, and then he pushed the Print button.
Andrew Clements (Lunch Money (Rise and Shine))
Moments of profound fear have a kind of beautiful purity, Anderson said. All of the gray areas of life disappear, and there is only the matter of living or dying. “And the simplicity of that, the crystal clarity of that, is so powerful, so beautiful and it’s—it’s hard to put that into words, but calling it adrenaline, or chalking it up to being an adrenaline junkie, that’s not it at all, that totally misses the point.
Huffman, Alan (Here I Am: The Story of Tim Hetherington, War Photographer)
Remain Healthy All Day: Drink a spoonful of oil every morning. Reach up with your arms and extend your body to its full height. Use a warm towel to dry the cat. Consider a philosophical idea larger than your area of expertise. Avoid getting cancer. Chalk up bad decisions to outside influences. Don't take your father too seriously. Play a game where you close your eyes very tightly, and when you open your eyes, you have amnesia and you must draw the details of your life from your surroundings. Give up smoking, drinking, and poetic verse. Remind yourself how important you are to your friends or at least your animals. Wax the floor in socks. Enter into a healthy, monogamous relationship. Consider briefly the idea of a soulmate. Light an entire box of matches and throw it into the sink. Hold a metal rod to the heavens and beg for whatever comes next.
Amelia Gray (AM/PM)
Do you hear that?” he says. “You mean the crashing thunder and pounding rain?” He shakes his head. I listen closely, trying to filter o ut the sounds of the storm. Then I hear it. A whooshing sound with a fast buzzing underne ath it. It’s so, so familiar but I can’t quite put my finger on it. A very definite blac k spot appears among the dark gray clouds. The spot lengthens horizontally. The puzzle pieces click into place and I get the full pictur e: Fighter jet. Headed straight for us. It could be a coincidence, right? F-22 Raptors fly low through giant thunderstorms over major metropolitan areas in the middle of the night a ll the time. Right. My illusions of a coincidence are shattered - by a mis sile flying straight at me. It would seem this guy has infrared, too. I mean, missiles? Really? Isn’t that a bit overkill? I start flying away, but Sani stops me. “Dive!
Sarah Nicolas (Dragons Are People, Too)
SATURDAY AT THE STORE is a nightmare. We are besieged by do-it-yourselfers wanting to spruce up their homes. Mr. and Mrs. Clayton and John and Patrick—the two other part-timers—and I are besieged by customers. But there’s a lull around lunchtime, and Mrs. Clayton asks me to check on some orders while I’m sitting behind the counter at the register discreetly eating my bagel. I’m engrossed in the task, checking catalog numbers against the items we need and the items we’ve ordered, eyes flicking from the order book to the computer screen and back as I make sure the entries match. Then, for some reason, I glance up … and find myself locked in the bold gray gaze of Christian Grey, who’s standing at the counter, staring at me. Heart failure. “Miss Steele. What a pleasant surprise.” His gaze is unwavering and intense. Holy crap. What the hell is he doing here, looking all outdoorsy with his tousled hair and in his cream chunky-knit sweater, jeans, and walking boots? I think my mouth has popped open, and I can’t locate my brain or my voice. “Mr. Grey,” I whisper, because that’s all I can manage. There’s a ghost of a smile on his lips and his eyes are alight with humor, as if he’s enjoying some private joke. “I was in the area,” he says by way of explanation. “I need to stock up on a few things. It’s a pleasure to see you again, Miss Steele.” His voice is warm and husky like dark melted chocolate fudge caramel … or something.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Do those of you in like Chicago or NYC ever notice how commuters on the train tend to get all quiet and intense when South Side or South Bronx starts to flow past? If you look closely at the faces, you see it’s not depression, not even discomfort; it’s a kind of rigid fascination with the beauty of ruins in which people live but look or love nothing like you, a horizonful of numbly complex vistas in slab-gray and spraypaint-red. Hieroglyphs on walls, people on stoops, hoops w/o nets. White people have always loved to gaze at the ‘real black world,’ preferably at a distance and while moving briskly through, toward business. A view from this remove yields easy abstractions about rap in its role as just the latest ‘black’ music. Like: the less real power a people have, the more they’ll assert hegemony in areas that don’t much matter in any grand scheme. A way to rule in hell: their own vocabulary, syntax, gestures, music, dance; own food; religious rhetoric; social and party customs; that…well-known athletic superiority—the foot-speed, vertical leap—we like them in fields, cotton- or ball-. It’s a Hell we like to look at because it has so clearly been made someone else’s very own….And the exported popular arts! The singing and dancing!…each innovation, new Scene, and genius born of a ‘suffering’ we somehow long to imagine, even as we co-opt, overpay, homogenize, make the best of that suffering song go to stud for our own pale performers.
David Foster Wallace (Signifying Rappers: Rap and Race in the Urban Present)
I want to say," she begins again, "I want to say that I have not always tried hard enough to know. That this 'moral compass' Claire talks about may not have been as helpful in my own personal life as it was in the wider political context. Sometimes it is easier to see clearly from a distance. And what is up close -- what is up close" -- she falters -- " is harder to make out." In the audience someone coughs. "There is so much gray between the black and the white ... and this is where most of us live.
Jessica Shattuck (The Women in the Castle)
We take the stairs down to the first level of the parking garage and I lead us toward the area reserved for doctors. She makes her way toward a black Audi, turns, and waits for me to join her. I smirk. “That’s not my car.” She nods. “Right, of course. I see it now.” She goes to a bright yellow Ferrari that belongs to one of the plastic surgeons. The vanity license plate reads: SXY DOC88. “Here we are.” “Not even close.” “Oh, okay. I get it. You aren’t flashy. Maybe that gray Range Rover over there?” I press the unlock button on my key fob and my rear lights flash. There she is, the car I’ve driven since I was in medical school. “You’re kidding. A Prius?! Satan himself drives a Prius?!” She turns around as if hoping to find someone else she can share this moment with. All she’s got is me. I shrug. “It gets good gas mileage.” She blinks exaggeratedly. “I couldn’t be more shocked if you’d hitched a horse to a buggy.” I chuckle and open the back door to toss in her backpack. “Get in. Traffic is going to be hell.” We buckle up in silence, back up and leave the parking garage in silence, pull out into traffic in silence. Finally, I ask, “Where do you live?” “On the west side. Right across from Franklin Park.” “Good. I have an errand I need to run that’s right by there. Mind if I do that before I drop you off?” “Well seeing as how you stole my backpack and forced me into your car, I don’t really think it matters what I want.” I see. She’s still pouting. That’s fine. “Good. Glad we’re on the same page.” She doesn’t think I’m funny.
R.S. Grey (Hotshot Doc)
One study found that just three hours of meditation practice led to improved attention and self-control. After eleven hours, researchers could see those changes in the brain. The new meditators had increased neural connections between regions of the brain important for staying focused, ignoring distractions, and controlling impulses. Another study found that eight weeks of daily meditation practice led to increased self-awareness in everyday life, as well as increased gray matter in corresponding areas of the brain. It
Kelly McGonigal (The Willpower Instinct: How Self-Control Works, Why It Matters, and What You Can Do To Get More of It)
I grew up with the strong impression that a person became spiritual by attending to these gray-area rules. For the life of me, I could not figure out much difference between the dispensations of Law and Grace. My visits to other churches have convinced me that this ladder-like approach to spirituality is nearly universal. Catholics, Mennonites, Churches of Christ, Lutherans, and Southern Baptists all have their own custom agenda of legalism. You gain the church’s, and presumably God’s, approval by following the prescribed pattern.
Philip Yancey (What's So Amazing About Grace?)
Maybe you could drive yourself crazy trying to chart backward all the causes and effects, all the ends and means, tracing everything to some original sin that may or may not have actually occurred but that people accepted as true, or true enough. Maybe staring into the eyes of all that history was a dangerous thing to do, as her mother had calmly warned her. Maybe you were supposed to move forward armed with just enough history to help you figure out the present without obsessing over the past. But how much was enough? Where was the gray area between ignorance and obsession?
Thomas Mullen (The Revisionists)
After school, Peter and I are lying on the couch; his feet are hanging off the end. He’s still in his costume, but I’ve changed into my regular clothes. “You always have the cutest socks,” he says, lifting up my right foot. These ones are gray with white polka dots and yellow bear faces. Proudly I say, “My great-aunt sends them from Korea. Korea has the cutest stuff, you know.” “Can you ask her to send me some too? Not bears, but maybe, like, tigers. Tigers are cool.” “Your feet are too big for socks as cute as these. Your toes would pop right out. You know what, I bet I could find you some socks that fit at…um, the zoo.” Peter sits up and starts tickling me. I gasp out, “I bet the--pandas or gorillas have to--keep their feet warm somehow…in the winter. Maybe they have some kind of deodorized sock technology as well.” I burst into giggles. “Stop…stop tickling me!” “Then stop being mean about my feet!” I’ve got my hand burrowed under his arm, and I am tickling him ferociously. But by doing so, I have opened myself up to more attacks. I yell, “Okay, okay, truce!” He stops, and I pretend to stop, but sneak a tickle under his arm, and he lets out a high-pitched un-Peter-like shriek. “You said truce!” he accuses. We both nod and lie back down, out of breath. “Do you really think my feet smell?” I don’t. I love the way he smells after a lacrosse game--like sweat and grass and him. But I love to tease, to see that unsure look cross his face for just half a beat. “Well, I mean, on game days…” I say. Then Peter attacks me again, and we’re wrestling around, laughing, when Kitty walks in, balancing a tray with a cheese sandwich and a glass of orange juice. “Take it upstairs,” she says, sitting down on the floor. “This is a public area.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
I thought about every mundane moment that makes up that gray area of a person’s life. It’s the hour or two a day that you clean your kitchen or watch TV or do the laundry. All my gray moments with Mia were colored in: chasing her around the Laundromat, spraying water on her from the kitchen sink, or messing around with her on the couch while we spent whole days watching reruns of The Office. I looked forward to the rest of my life, even if the rest of my life only consisted of the humdrum day-in, day-out bullshit, it didn’t matter because Mia turned the most unremarkable moments into moments I cherished.
Renee Carlino (Sweet Little Thing (Sweet Thing, #1.5))
September 10, 1965 Dear Francesca, Enclosed are two photographs. One is the shot I took of you in the pasture at sunrise. I hope you like it as much as I do. The other is of Roseman Bridge before I removed your note tacked to it. I sit here trolling the gray areas of my mind for every detail, every moment, of our time together. I ask myself over and over, “What happened to me in Madison County, Iowa?” And I struggle to bring it together. That’s why I wrote the little piece, “Falling from Dimension Z,” I have enclosed, as a way of trying to sift through my confusion. I look down the barrel of a lens, and you’re at the end of it. I begin work on an article, and I’m writing about you. I’m not even sure how I got back here from Iowa. Somehow the old truck brought me home, yet I barely remember the miles going by. A few weeks ago, I felt self-contained, reasonably content. Maybe not profoundly happy, maybe a little lonely, but at least content. All of that has changed. It’s clear to me now that I have been moving toward you and you toward me for a long time. Though neither of us was aware of the other before we met, there was a kind of mindless certainty humming blithely along beneath our ignorance that ensured we would come together. Like two solitary birds flying the great prairies by celestial reckoning, all of these years and lifetimes we have been moving toward one another. The road is a strange place. Shuffling along, I looked up and you were there walking across the grass toward my truck on an August day. In retrospect, it seems inevitable—it could not have been any other way—a case of what I call the high probability of the improbable. So here I am walking around with another person inside of me. Though I think I put it better the day we parted when I said there is a third person we have created from the two of us. And I am stalked now by that other entity. Somehow, we must see each other again. Any place, anytime. Call me if you ever need anything or simply want to see me. I’ll be there, pronto. Let me know if you can come out here sometime—anytime. I can arrange plane fare, if that’s a problem. I’m off to southeast India next week, but I’ll be back in late October. I Love You, Robert P. S., The photo project in Madison County turned out fine. Look for it in NG next year. Or tell me if you want me to send a copy of the issue when it’s published. Francesca Johnson set her brandy glass on the wide oak windowsill and stared at an eight-by-ten black-and-white photograph of herself.
Robert James Waller (The Bridges Of Madison County)
Words, so much more readily remembered, gradually replace our past with their own. Our birth pangs become pages. Our battles, our triumphs, our trophies, our stubbed toes, will survive only in their descriptions; because it is the gravestone we visit, when we visit, not the grave. It is against the stone we stand our plastic flowers. Who wishes to bid good morrow to a box of rot and bones? We say a name, and only a faint simulacrum of its object forms itself (if any at all does)- forms itself in that grayless gray area of consciousness where we put imaginary maps and once heard music; where we hunt for lost articles and diagram desire.
William H. Gass
. . . to voice private sympathies in the context of an official proceeding would require Washington to become, in his own words, 'lost to my own character.' Here, in this reference to character, Washington hit upon the essential difference between himself and Arnold. Washington's sense of right and wrong existed outside the impulsive demands of his own self-interest. Rules mattered to Washington. Even though Congress had made his life miserable for the last four years, he had found ways to do what he considered best for his army and his country without challenging the supremacy of civil authority. To do otherwise, to declare himself, like the seventeenth-century English revolutionary Oliver Cromwell, master of his army and his country, would require him to become 'lost to my own character.' For Arnold, on the other hand, rules were made to be broken. He had done it as a pre-Revolutionary merchant and he had done it as military governor of Philadelphia. This did not make Arnold unusual. Many prominent Americans before and since have lived in the gray area between selfishness and altruism. What made Arnold unique was the god-like inviolability he attached to his actions. He had immense respect for a man like Washington, but Arnold was, in the end, the leading person-age in the drama that was his life. Not lost to his own character, but lost in it, Arnold did whatever Arnold wanted.
Nathaniel Philbrick (Valiant Ambition: George Washington, Benedict Arnold, and the Fate of the American Revolution (The American Revolution Series))
wooded area, eventually making his way to the road that led to the hanging tree. Once there, he simply followed the path the truck had taken on previous trips, walking briskly, but not so fast as to attract attention. There was precious little to attract anyway on a hot Sunday shortly after dawn. Most miners and Peacekeepers would not rise for hours. After a few miles, he reached the depressing field and broke into a run for the hanging tree, eager to conceal himself in the woods. There was no sign of Lucy Gray, and as he passed under the branches, he wondered if in fact he’d misinterpreted her message and should have headed to the Seam instead. Then he caught a glimpse of orange and tracked it to a clearing. There she stood, unloading a stack of bundles from a small wagon, his scarf wound in a fetching manner around her head. She ran over and hugged him, and he responded even though it felt too hot for an embrace. The kiss that followed put him in a better mood. His hand went to the orange scarf in her hair. “This seems very bright for fugitives.” Lucy Gray smiled. “Well, I don’t want you to lose me. You still up for this?” “I have no choice.” Realizing that sounded halfhearted, he added, “You’re all that matters to me now.” “You, too. You’re my life now. Sitting here, waiting for you to show up, I realized I’d never really be brave enough to do this without you,” she admitted. “It’s not just how hard it will be. It’s too
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Nudity is a gray area. We certainly don’t think kids are harmed by growing up in households where casual nudity is the norm. But children who have never been around nude adults may be upset if nudity is suddenly introduced into their living room. Kids can be very sensitive to issues like sexual display, and flashing is clearly a violation of boundaries. Certainly, if a child expresses discomfort with being around your or your friends’ nudity, his or her desires should be respected. And we hope it goes without saying that no child should ever be required to be nude in front of others—many children go through phases of extreme modesty as they struggle to cope with their changing bodies, and that, too, deserves scrupulous respect. What
Dossie Easton (The Ethical Slut : A Practical Guide to Polyamory, Open Relationships & Other Adventures)
YOU’RE NO ANGEL, you know how this stuff comes to happen: Friday is payday and it’s been a gray day sogged by a slow ugly rain and you seek company in your gloom, and since you’re fresh to West Table, Mo., and a new hand at the dog-food factory, your choices for company are narrow but you find some finally in a trailer court on East Main, and the coed circle of bums gathered there spot you a beer, then a jug of tequila starts to rotate and the rain keeps comin’ down with a miserable bluesy beat and there’s two girls millin’ about that probably can be had but they seem to like certain things and crank is one of those certain things, and a fistful of party straws tumble from a woven handbag somebody brung, the crank gets cut into lines, and the next time you notice the time it’s three or four Sunday mornin’ and you ain’t slept since Thursday night and one of the girl voices, the one you want most and ain’t had yet though her teeth are the size of shoe-peg corn and look like maybe they’d taste sort of sour, suggests something to do, ’cause with crank you want something, anything, to do, and this cajoling voice suggests we all rob this certain house on this certain street in that rich area where folks can afford to wallow in their vices and likely have a bunch of recreational dope stashed around the mansion and goin’ to waste since an article in The Scroll said the rich people whisked off to France or some such on a noteworthy vacation. That’s how it happens. Can’t none of this be new to you.
Daniel Woodrell (Tomato Red)
Far worse, though, was a low, powerful moaning at dusk. The wind off the sea and the odd interior stillness dulled our ability to gauge direction, so that the sound seemed to infiltrate the black water that soaked the cypress trees. This water was so dark we could see our faces in it, and it never stirred, set like glass, reflecting the beards of gray moss that smothered the cypress trees. If you looked out through these areas, toward the ocean, all you saw was the black water, the gray of the cypress trunks, and the constant, motionless rain of moss flowing down. All you heard was the low moaning. The effect of this cannot be understood without being there. The beauty of it cannot be understood, either, and when you see beauty in desolation it changes something inside you. Desolation tries to colonize you. As
Jeff VanderMeer (Annihilation (Southern Reach, #1))
I began to think of my time, after the drugs had been portaled into me, when I could do nothing but sit in the hospital room, I began to think of all of it as the Gray Area. I had been warned about the fatigue, the fog, the pain, the numbness, but no matter about warnings, with some things you just can't know until you know. The stuff felt more like deletion than depletion, like a part of me was being permanently erased or replaced with gray gray gray gray, grayness. If I knew at the very least that I was still alive, I was having a good day. On other days I had to believe what I was doing could still be called living. The days did not pass but cracked open, then fizzled out into nothingness, and the nothingness was me, just as the endless gray became me. I was the Gray Area. Between the living and the dead, drifting and shrinking like a cloud.
Tommy Orange (Wandering Stars)
Yuppieville. The fourteenth floor of Lock-Horne Investments & Securities reminded Myron of a medieval fortress. There was the vast space in the middle, and a thick, formidable wall—the big producers’ offices—safeguarding the perimeter. The open area housed hundreds of mostly men, young men, combat soldiers easily sacrificed and replaced, a seemingly endless sea of them, bobbing and blending into the corporate-gray carpet, the identical desks, the identical rolling chairs, the computer terminals, the telephones, the fax machines. Like soldiers they wore uniforms—white button-down shirts, suspenders, bright ties strangling carotid arteries, suit jackets draped across the backs of the identical rolling chairs. There were loud noises, screams, rings, even something that sounded like death cries. Everyone was in motion. Everyone was scattering, panicked, under constant attack. Yes,
Harlan Coben (Drop Shot (Myron Bolitar, #2))
But if you, like poor old Rolling Stone’s nonprofessional, have come to a point on the Trail where you’ve started fearing your own cynicism every bit as much as you fear your credulity and the salesmen who feed on it, you’re apt to find your thoughts returning again and again to a certain dark and box-sized cell in a certain Hilton half a world and three careers away, to the torture and fear and offer of reprieve and a certain Young Voter named McCain’s refusal to violate a Code. There were no techs’ cameras in that box, no aides or consultants, no paradoxes or gray areas; nothing to sell. There was just one guy and whatever in his character sustained him. This is a huge deal. In your mind, that Hoa Lo box becomes sort of a dressing room with a star on the door, the private place behind the stage where one imagines “the real John McCain” still lives. And but now the paradox here is that this box that makes McCain “real” is: impenetrable. Nobody gets in or out. That’s why, however many behind-the-scenes pencils get put on the case, be apprised that a “profile” of John McCain is going to be just that: one side, exterior, split and diffracted by so many lenses there’s way more than one man to see. Salesman or leader or neither or both: the final paradox—the really tiny central one, way down deep inside all the other campaign puzzles’ spinning cubes and squares and boxes that layer McCain—is that whether he’s “for real” depends now less on what’s in his heart than on what might be in yours. Try to stay awake.
David Foster Wallace (Up, Simba!)
A committed escaper! One who never for a minute doubts that a man cannot live behind bars—not even as the most comfortable of trusties, in the accounts office, in the Culture and Education Section, or in charge of the bread ration. One who once he lands in prison spends every waking hour thinking about escape and dreams of escape at night. One who has vowed never to resign himself, and subordinates every action to his need to escape. One for whom a day in prison can never be just another day; there are only days of preparation for escape, days on the run, and days in the punishment cells after recapture and a beating. A committed escaper! This means one who knows what he is undertaking. One who has seen the bullet-riddled bodies of other escapers on display along the central tract. He has also seen those brought back alive—like the man who was taken from hut to hut, black and blue and coughing blood, and made o shout: "Prisoners! Look at what happened to me! It can happen to you, too!" He knows that a runaway's body is usually too heavy to be delivered to camp. And that therefore the head alone is brought back in a duffel bag, sometimes (this is more reliable proof, according to the rulebook) together with the right arm, chopped off at the elbow, so that the Special Section can check the fingerprints and write the man off. A committed escaper! It is for his benefit that window bars are set in cement, that the camp area is encircled with dozens of strands of barbed wire, towers, fences, reinforced barriers, that ambushes and booby traps are set, that red meat is fed to gray dogs.
Aleksandr Solzhenitsyn (The Gulag Archipelago, 1918-1956: An Experiment in Literary Investigation, Books V-VII)
..."facts" properly speaking are always and never more than interpretations of the data... the Gospel accounts are themselves such data or, if you like, hard facts. But the events to which the Gospels refer are not themselves "hard facts"; they are facts only in the sense that we interpret the text, together with such other data as we have, to reach a conclusion regarding the events as best we are able. They are facts in the same way that the verdict of a jury establishes the facts of the case, the interpretation of the evidence that results in the verdict delivered. Here it is as well to remember that historical methodology can only produce probabilities, the probability that some event took place in such circumstances being greater or smaller, depending on the quality of the data and the perspective of the historical enquirer. The jury which decides what is beyond reasonable doubt is determining that the probability is sufficiently high for a clear-cut verdict to be delivered. Those who like "certainty" in matters of faith will always find this uncomfortable. But faith is not knowledge of "hard facts"...; it is rather confidence, assurance, trust in the reliability of the data and in the integrity of the interpretations derived from that data... It does seem important to me that those who speak for evangelical Christians grasp this nettle firmly, even if it stings! – it is important for the intellectual integrity of evangelicals. Of course any Christian (and particularly evangelical Christians) will want to get as close as possible to the Jesus who ministered in Galilee in the late 20s of the first century. If, as they believe, God spoke in and through that man, more definitively and finally than at any other time and by any other medium, then of course Christians will want to hear as clearly as possible what he said, and to see as clearly as possible what he did, to come as close as possible to being an eyewitness and earwitness for themselves. If God revealed himself most definitively in the historical particularity of a Galilean Jew in the earliest decades of the Common Era, then naturally those who believe this will want to inquire as closely into the historical particularity and actuality of that life and of Jesus’ mission. The possibility that later faith has in some degree covered over that historical actuality cannot be dismissed as out of the question. So a genuinely critical historical inquiry is necessary if we are to get as close to the historical actuality as possible. Critical here, and this is the point, should not be taken to mean negatively critical, hermeneutical suspicion, dismissal of any material that has overtones of Easter faith. It means, more straightforwardly, a careful scrutiny of all the relevant data to gain as accurate or as historically responsible a picture as possible. In a day when evangelical, and even Christian, is often identified with a strongly right-wing, conservative and even fundamentalist attitude to the Bible, it is important that responsible evangelical scholars defend and advocate such critical historical inquiry and that their work display its positive outcome and benefits. These include believers growing in maturity • to recognize gray areas and questions to which no clear-cut answer can be given (‘we see in a mirror dimly/a poor reflection’), • to discern what really matters and distinguish them from issues that matter little, • and be able to engage in genuine dialogue with those who share or respect a faith inquiring after truth and seeking deeper understanding. In that way we may hope that evangelical (not to mention Christian) can again become a label that men and women of integrity and good will can respect and hope to learn from more than most seem to do today.
James D.G. Dunn (The Historical Jesus: Five Views)