Nipple Woman Quotes

We've searched our database for all the quotes and captions related to Nipple Woman. Here they are! All 100 of them:

I rarely drink, but last night, after several hours and several beers at the bar, I found myself face to face with two huge boobs. They weren’t the breasts of a young woman, but those of an old man. Still, the taste of a nipple is genderless.
Jarod Kintz (So many chairs, and no time to sit)
I, a woman, find wearing high heels agreeable only on the very rare occasion that (1) I will be ferried between destinations upon a palanquin or (2) I am going to a cocktail party and, at five feet two, don't want to spend the evening discussing the latest movies with somebody's nipples.
Lauren Collins
God, I wanted to marry this woman or collar her or cage her; I wanted to own her, make her, take her; I wanted us on this old carpet forever, with her hair coming undone and her nipples hard and her naughty pussy milking my dick for everything it was worth.
Sierra Simone (Priest (Priest, #1))
Let them know the real me. All my weaknesses. Yes, I’ll make plans to do that. Right on the heels of your announcement that Izzy Goodnight isn’t a girl anymore but a twenty-six-year-old woman who likes her nipples pinched.
Tessa Dare (Romancing the Duke (Castles Ever After, #1))
Their [girls] sexual energy, their evaluation of adolescent boys and other girls goes thwarted, deflected back upon the girls, unspoken, and their searching hungry gazed returned to their own bodies. The questions, Whom do I desire? Why? What will I do about it? are turned around: Would I desire myself? Why?...Why not? What can I do about it? The books and films they see survey from the young boy's point of view his first touch of a girl's thighs, his first glimpse of her breasts. The girls sit listening, absorbing, their familiar breasts estranged as if they were not part of their bodies, their thighs crossed self-consciously, learning how to leave their bodies and watch them from the outside. Since their bodies are seen from the point of view of strangeness and desire, it is no wonder that what should be familiar, felt to be whole, become estranged and divided into parts. What little girls learn is not the desire for the other, but the desire to be desired. Girls learn to watch their sex along with the boys; that takes up the space that should be devoted to finding out about what they are wanting, and reading and writing about it, seeking it and getting it. Sex is held hostage by beauty and its ransom terms are engraved in girls' minds early and deeply with instruments more beautiful that those which advertisers or pornographers know how to use: literature, poetry, painting, and film. This outside-in perspective on their own sexuality leads to the confusion that is at the heart of the myth. Women come to confuse sexual looking with being looked at sexually ("Clairol...it's the look you want"); many confuse sexually feeling with being sexually felt ("Gillete razors...the way a woman wants to feel"); many confuse desiring with being desirable. "My first sexual memory," a woman tells me, "was when I first shaved my legs, and when I ran my hand down the smooth skin I felt how it would feel to someone else's hand." Women say that when they lost weight they "feel sexier" but the nerve endings in the clitoris and nipples don't multiply with weight loss. Women tell me they're jealous of the men who get so much pleasure out of the female body that they imagine being inside the male body that is inside their own so that they can vicariously experience desire. Could it be then that women's famous slowness of arousal to men's, complex fantasy life, the lack of pleasure many experience in intercourse, is related to this cultural negation of sexual imagery that affirms the female point of view, the culture prohibition against seeing men's bodies as instruments of pleasure? Could it be related to the taboo against representing intercourse as an opportunity for a straight woman actively to pursue, grasp, savor, and consume the male body for her satisfaction, as much as she is pursued, grasped, savored, and consumed for his?
Naomi Wolf (The Beauty Myth)
Why do men have nipples? Because God is a woman and she really wants us to enjoy ourselves, that's why.
Cameron Dean (Passionate Thirst (Candace Steele Vampire Killer, #1))
No baby knows when the nipple is pulled from his mouth for the last time. No child knows when he last calls his mother “Mama.” No small boy knows when the book has closed on the last bedtime story that will ever be read to him. No boy knows when the water drains from the last bath he will ever take with his brother. No young man knows, as he first feels his greatest pleasure, that he will never again not be sexual. No brinking woman knows, as she sleeps, that it will be four decades before she will again awake infertile. No mother knows she is hearing the word Mama for the last time. No father knows when the book has closed on the last bedtime story he will ever read: From that day on, and for many years to come, peace reigned on the island of Ithaca, and the gods looked favorably upon Odysseus, his wife, and his son.
Jonathan Safran Foer (Here I Am)
Her eyes are green, angry. Her nipples are hard. Lust is absurd. It strikes in the strangest places at the oddest times. She doesn’t even realize she’s feeling it. She’s erected a barricade of propriety and lies between us. I despise the type of woman she is. I loathe her soft pink innocence. My body doesn’t concur. I wonder why her? Why not, say, a streetlamp, for all we have in common? She’s chiffon and satin ribbons. I’m raw meat and razor blades. I have never been drawn to my opposite. I like what I am.
Karen Marie Moning (Burned (Fever, #7))
When she sits up, her long dark hair slides over her shoulders, covering her breasts. It's the contrast of the black against her milky skin, the way the ends of her hair just cover her nipples. Now I know why this view of a woman has been drawn a million times.
Christina Lauren (Dark Wild Night (Wild Seasons, #3))
I’ll tell you this once, so listen fuckin’ close. I don’t want no skinny, bony-assed woman. I want a woman with flesh, something for me to appreciate. I want curves that make my jaw tighten, and my dick hard. I want to see beauty that only a woman with curves can accentuate. You, baby, are what a woman should be. So, I’m goin’ to keep my hands on you, I’m goin’ to suck your nipples, I’m goin’ to squeeze your ass, and then I’m goin’ to put my cock deep inside you—purely because you’re the most beautiful thing I have ever seen.
Bella Jewel (Precarious (Jokers' Wrath MC, #1))
She let her body go limp, moaned, and combed her fingers through his hair, ran them over his shoulders. "Your jacket," she murmured and tugged at it. When he shifted to shrug free, she had him. It was a basic tenet of hand-to-hand. Never lower your guard. She scissored, shoved, and pinned him with a knee to the crotch and an elbow to the throat. "You're tricky." He calculated he could dislodge the elbow, but the knee... There were some things a man didn't care to risk. He kept his eyes on hers and slowly, carefully skimmed his fingertips up her bare torso, circled her breast. "I admire that in a woman." "You're easy." His thumb brushed lightly over her nipple, quickening her breath. "I admire that in a man." "Well, you've got me now." He unsnapped her waistband, teased her stomach muscles to quiver. "Be kind." She grinned, levered her elbow away to brace her hands on either side of his head. "I don't think so." Lowering her head, she caught his mouth with hers.
J.D. Robb (Ceremony in Death (In Death, #5))
Women! What can you say? Who made 'em? The hair... They say the hair is everything, you know. Have you ever buried your nose in a mountain of curls... just wanted to go to sleep forever? Or lips... and when they touched, yours were like... that first swallow of wine... after you just crossed the desert. Tits. Hoo-ah! Big ones, little ones, nipples staring right out at ya, like secret searchlights. Mmm. Legs. I don't care if they're Greek columns... or secondhand Steinways. What's between 'em... passport to heaven. I need a drink. Yes, Mr Sims, there's only two syllables in this whole wide world worth hearing: pussy. Hah! Are you listenin' to me, son? I'm givin' ya pearls here.
Al Pacino
So no matter what someone says, don’t become less to make someone else more comfortable. You don’t need to hide your talents or opinions or your beauty or even your sexuality. Don’t offer less of your presence, offer more. If someone has a problem with that, let them deal with it, not you. You belong here, nipples and all.
Shannon Harris (The Woman They Wanted: Shattering the Illusion of the Good Christian Wife)
And in the background, the constant, high, whining mewl of local disapproval. Within the first few months of her return, to her parents' home, Ammy quickly learned to recognize and despise the ugly face of sympathy. Old female relations with incipient beards and several wobbling chins made overnight trips to Ayemenem to commiserate with her about her divorce. They squeezed her knee and gloated. She fought off the urge to slap them. Or twiddle their nipples. With a spanner. Like Chaplin in Modern Times. When she looked at herself in her wedding photographs, Ammu felt the woman that looked back at her was someone else. A foolish jeweled bride. Her silk sunset-colored sari shot with gold. Rings on very finger. White dots of sandalwood paste over her arched eye-brows. Looking at herself like this, Ammu's soft mouths would twist into a small, bitter, smile at the memory - not of the wedding itself so much as the fact that she had permitted herself to be so painstakingly decorated before being led to the gallows. It seemed so absurd. So futile. Like polishing firewood. ....... Ammu knew that weddings were not something that could be avoided altogether. At least not practically speaking. But for the rest of her life she advocated small weddings in ordinary clothes. it made them less ghoulish, she thought.
Arundhati Roy (The God of Small Things)
She toyed with the top button of his shirt. “Do Apaches kiss?” “The people believe the mouth is only for eating.” “Oh.” She didn’t try to hide her disappointment. He shifted her against him a little and cupped her breast with one hand, his thumb rubbing across the nipple. “They also believe a woman’s breast is only for nursing a child.” Lowering his mouth over hers, he ran his tongue between her lips, exploring her tongue, making her shiver with a stroke along the roof of her mouth. When he raised his head at last, she whispered, “I’m glad you’re an unbeliever.
Ellen O'Connell (Dancing on Coals)
You, baby, are what a woman should be. So, I’m goin’ to keep my hands on you, I’m goin’ to suck your nipples, I’m goin’ to squeeze your ass, and then I’m goin’ to put my cock deep inside you—purely because you’re the most beautiful thing I have ever seen.
Bella Jewel (Precarious (Jokers' Wrath MC, #1))
man and a woman were approaching their 50th wedding anniversary. To celebrate, the woman decided she would cook a big dinner for her husband. Then he said they should do what they did on their wedding night, and eat at the dinner table naked. The woman agreed. On their anniversary night, at the table, the woman says, "Honey, my nipples are as hot for you as they were 50 years ago." The man replies, "Madge, hon, that's because they are sitting in your soup. ♦◊♦◊♦◊♦
Various (101 Dirty Jokes - sexual and adult's jokes)
Lucas and Z kneeled on each side of the woman in their arms. Their mouths sucked at each of her nipples while their fingers worked together to pleasure her—Lucas at her clit while Z’s fingers plunged inside her. Her head was tilted back so all I could make out was her blonde hair and slim body as she writhed with pleasure.
B.B. Reid (The Bandit (Stolen Duet, #1))
Wyatt should’ve looked ridiculous sitting on the floor, leaning into the crate making kissykiss noises at the cat, but he didn’t. He looked … mouthwatering. “Hey, sweet thing,” he said in a low cajoling voice. “Come on out. I’ll gonna love you up, I promise. You know you want some of that.” “Oh, please,” Emily said on a laugh to cover up the fact that her bones melted at the sound of him. “That’s never going to work—“ But hell if the cat didn’t shift ever so slightly closer to Wyatt and sniff at him. Wyatt flashed both Sweetie and Emily a smile. “Aw, that’s it,” he crooned to the suspicious, wary cat. “Come on, baby girl, all the way. I’ll be good to you, I promise.” Emily laughed again, even as she felt her nipples tighten. She crossed her arms over her chest. “Honestly, Wyatt, no selfrespecting female – cat or woman – is going to—
Jill Shalvis (Then Came You (Animal Magnetism, #5))
If he turned his hand into her and began stroking her there, she would wake up smiling and drowsy and ready for him again. They would kiss. Erotically. Her mouth would be so damn enticing, he’d dip into it again and again to gather the taste that was now familiar to him. He would touch his tongue to her nipples, and she’d rub her thumb around the tip of his cock and feel that he was about to burst, and then he’d be inside her, moving. Or maybe not. Maybe he would do something he’d never done with a woman. Maybe he would just… be. [...] No, maybe this time, he would just savor being joined to another person as tightly as two people could be. He would savor being joined with Honor.
Sandra Brown (Lethal (Lee Coburn, #1))
she wanted to know what it felt like to have full breasts and a woman’s nipples at least once before she died. It would really suck if hornets killed her before she had that chance.
Haruki Murakami (Killing Commendatore)
I had started on the marriage and motherhood beat by accident with a post on my personal, read only by friends, blog called ‘Fifty Shades of Men’. I had written it after buying Fifty Shades of Grey to spice up what Dave and I half-jokingly called our grown up time, and had written a meditation on how the sex wasn’t the sexiest part of the book. “Dear publishers, I will tell you why every woman with a ring on her finger and a car seat in her SUV is devouring this book like the candy she won’t let herself eat.” I had written. “It’s not the fantasy of an impossibly handsome guy who can give you an orgasm just by stroking your nipples. It is instead the fantasy of a guy who can give you everything. Hapless, clueless, barely able to remain upright without assistance, Ana Steele is that unlikeliest of creatures, a college student who doesn’t have an email address, a computer, or a clue. Turns out she doesn’t need any of those things. Here is the dominant Christian Grey and he’ll give her that computer plus an iPad, a beamer, a job, and an identity, sexual and otherwise. No more worrying about what to wear. Christian buys her clothes. No more stress about how to be in the bedroom. Christian makes those decisions. For women who do too much—which includes, dear publishers, pretty much all the women who have enough disposable income to buy your books—this is the ultimate fantasy: not a man who will make you come, but a man who will make agency unnecessary, a man who will choose your adventure for you.
Jennifer Weiner (All Fall Down)
Savannah's fear was being pushed aside by the heated tenderness of Gregori's mouth, by the gentleness in his caressing hands. He carelessly shoved the sheet down, exposing her bare breasts to his hungry gaze. Hot. He was so hot. Savannah could not stand the feel of the thin sheet of her heated hips, twisting around her legs. Her hands were tangled in Gregori's thick hair, crushing it in her fingers like so much silk.His shirt was open to his tapered waist, his hard muscles pressing against her soft breasts. The rough,dark hair on his chest rasped erotically over nipples. A wave of heat heralded a storm of fire, through him, through her. Savannah's hands, of their own accord, pushed his shirt from his wide shoulders. She watched with enormous eyes as he slowly shrugged out of it, his silver gaze holding her blue one captive. She was drowning in those pale, mesmerizing eyes. Eyes filled with such intensity, with so much hunger for one woman. Her. Only her.
Christine Feehan (Dark Magic (Dark, #4))
He stood looking down at me with a white towel wrapped around his waist. I always imagined what he might look like after seven years, but even my wildest dreams couldn’t have conjured up what I was actually met with. His messy black hair had now been replaced by longish sexy waves that curled around his ears. He was wearing glasses. He looked even sexier in glasses. Even from here, I could see the piercing gray of his eyes through them. His inked body was bigger, even more built than before. He lifted a cigarette to his mouth and even amidst the shock of seeing him, disappointment set in that he was smoking again. Elec blew out the smoke as his eyes stayed fixed on mine. He wasn’t smiling. He just looked at me intently. His powerful stare alone had put all of my senses on high alert, throwing my body out of whack. My head was pounding, my eyes were teary, my ears were beating, my mouth was watering, my nipples were hard, my hands were trembling, my knees were shaking and my heart…I couldn’t describe what was going on inside my chest. Before I could process any of this, a woman with blonde hair came up from behind him and wrapped her arms around his waist.
Penelope Ward (Stepbrother Dearest)
THE FORTRESS Under the pink quilted covers I hold the pulse that counts your blood. I think the woods outdoors are half asleep, left over from summer like a stack of books after a flood, left over like those promises I never keep. On the right, the scrub pine tree waits like a fruit store holding up bunches of tufted broccoli. We watch the wind from our square bed. I press down my index finger -- half in jest, half in dread -- on the brown mole under your left eye, inherited from my right cheek: a spot of danger where a bewitched worm ate its way through our soul in search of beauty. My child, since July the leaves have been fed secretly from a pool of beet-red dye. And sometimes they are battle green with trunks as wet as hunters' boots, smacked hard by the wind, clean as oilskins. No, the wind's not off the ocean. Yes, it cried in your room like a wolf and your pony tail hurt you. That was a long time ago. The wind rolled the tide like a dying woman. She wouldn't sleep, she rolled there all night, grunting and sighing. Darling, life is not in my hands; life with its terrible changes will take you, bombs or glands, your own child at your breast, your own house on your own land. Outside the bittersweet turns orange. Before she died, my mother and I picked those fat branches, finding orange nipples on the gray wire strands. We weeded the forest, curing trees like cripples. Your feet thump-thump against my back and you whisper to yourself. Child, what are you wishing? What pact are you making? What mouse runs between your eyes? What ark can I fill for you when the world goes wild? The woods are underwater, their weeds are shaking in the tide; birches like zebra fish flash by in a pack. Child, I cannot promise that you will get your wish. I cannot promise very much. I give you the images I know. Lie still with me and watch. A pheasant moves by like a seal, pulled through the mulch by his thick white collar. He's on show like a clown. He drags a beige feather that he removed, one time, from an old lady's hat. We laugh and we touch. I promise you love. Time will not take away that.
Anne Sexton (Selected Poems)
However, what America does possess in abundance is a legacy of colorful names. A mere sampling: Chocolate Bayou, Dime Box, Ding Dong, and Lick Skillet, Texas; Sweet Gum Head, Louisiana; Whynot, Mississippi; Zzyzx Springs, California; Coldass Creek, Stiffknee Knob, and Rabbit Shuffle, North Carolina; Scratch Ankle, Alabama; Fertile, Minnesota; Climax, Michigan; Intercourse, Pennsylvania; Breakabeen, New York; What Cheer, Iowa; Bear Wallow, Mud Lick, Minnie Mousie, Eighty-Eight, and Bug, Kentucky; Dull, Only, Peeled Chestnut, Defeated, and Nameless, Tennessee; Cozy Corners, Wisconsin; Humptulips, Washington; Hog Heaven, Idaho; Ninety-Six, South Carolina; Potato Neck, Maryland; Why, Arizona; Dead Bastard Peak, Crazy Woman Creek, and the unsurpassable Maggie’s Nipples, Wyoming.
Bill Bryson (The Mother Tongue: English and How it Got that Way)
Thankfully he was wearing a towel—even if it was positioned sinfully low on his hips. But that still left an awful lot to look at. An awful lot. Like the scattered droplets of water on his shoulders and chest and abs. And his nipples. Flat and brown and so evenly spaced she wanted to get out a ruler and measure them. Or possibly use her tongue.
Amy Andrews (Troy (American Extreme Bull Riders Tour, #5))
We should be in my bed right now. I should be kissing your breasts, sucking your nipples, tasting your honey. I should be sinking inside you slow and hot and so deep that you’ll be begging me to make it fast, then make it last. I should be feeling your sweet grip on my cock, and I bet you grip hard, Harper, ’cause you’re the kind of woman who takes no prisoners. I should be squeezing that gorgeous ass of yours while I pump in and out, looking for that spot that’ll light you up. I need you to know that in another universe, this would be a done deal, and the only thing stopping me from making you mine is that in this universe, my current employment situation stops me from making good on all the dirty things I’m dying to do to you. You understand?
Kate Meader (Irresistible You (Chicago Rebels, #1))
baseball. The intestines may fill up completely with blood. The lining of the gut dies and sloughs off into the bowels and is defecated along with large amounts of blood. In men, the testicles bloat up and turn black-and-blue, the semen goes hot with Ebola, and the nipples may bleed. In women, the labia turn blue, livid, and protrusive, and there may be massive vaginal bleeding. The virus is a catastrophe for a pregnant woman: the child is aborted spontaneously and is usually infected with Ebola virus, born with red eyes and a bloody nose. Ebola destroys the brain more thoroughly than does Marburg, and Ebola victims often go into epileptic convulsions during the final stage. The convulsions are generalized grand mal seizures—the whole body twitches and shakes, the arms and legs thrash around, and the eyes, sometimes bloody, roll up into the head. The tremors and convulsions of the patient may smear or splatter blood around. Possibly this epileptic splashing of blood is one of Ebola’s strategies for success—it makes the victim go into a flurry of seizures as he dies, spreading blood all over the place, thus giving the virus a chance to jump to a new host—a kind of transmission through smearing. Ebola (and Marburg) multiplies so rapidly and powerfully that the body’s infected cells become crystal-like blocks of packed virus particles. These crystals are broods of virus getting ready to hatch from the cell. They are known as bricks. The bricks, or crystals, first appear near the center of the cell and then migrate toward the surface. As a crystal
Richard Preston (The Hot Zone)
Hidden under wild ferns on Howth. Below us bay sleeping sky. No sound. The sky. The bay purple by the Lion's head. Green by Drumleck. Yellowgreen towards Sutton. Fields of undersea, the lines faint brown in grass, buried cities. Pillowed on my coat she had her hair, earwigs in the heather scrub my hand under her nape, you'll toss me all. O wonder! Coolsoft with ointments her hand touched me, caressed: her eyes upon me did not turn away. Ravished over her I lay, full lips open, kissed her mouth. Yum. Softly she gave me in my mouth the seedcake warm and chewed. Mawkish pulp her mouth had mumbled sweet and sour with spittle. Joy: I ate it: joy. Young life, her lips that gave me pouting. Soft, warm, sticky gumjelly lips. Flowers her eyes were, take me, willing eyes. Pebbles fell. She lay still. A goat. No-one. High on Ben Howth rhododendrons a nannygoat walking surefooted, dropping currants. Screened under ferns she laughed warmfolded. Wildly I lay on her, kissed her; eyes, her lips, her stretched neck, beating, woman's breasts full in her blouse of nun's veiling, fat nipples upright. Hot I tongued her. She kissed me. I was kissed. All yielding she tossed my hair. Kissed, she kissed me. Me. And me now. Stuck, the flies buzzed.
James Joyce (Ulysses)
Now there's a place I didn't cover. Maybe I should." "Maybe you should---oh!" She gasped and bucked as I leaned down and lapped at her breast, flicking her nipple. God, she tasted good, sweet woman and creamy lemon. I sucked her deep into my mouth, loving the way she groaned and writhed. Not letting go, I pulled back, tugging at her breast until her nipple freed with a decadent pop. Then moved on to her other breast, taking my time, nuzzling and licking until my lips were covered in cream, and she begged and whimpered for more. A dollop of lemony confection slid down the plump curve of her pretty tit, and I chased it with my tongue, slurping it up, licking her nipple once more because I could. And then I did it again. Her arm wound around my neck, urging me farther down. "Get messy with me, Lucian." She was beautiful, flushed and fevered with her need. "Yes, ma'am." I eased over her, my dick finding her waiting sex, and pushed into that perfect spot. We both groaned, our bodies sliding on slick buttercream. My mouth found hers, and she devoured me, her thighs clasping my hips, body working with mine. I thrust deep and steady, reveling in the feel of her. It felt so good my body flared hot and cold and hot again. "I fucking love fucking you.
Kristen Callihan (Make It Sweet)
When his lips landed to hers, his hand raced over the curves of her body. Jocelyn whimpered to his searing lips. His tongue plunged over her lips. Feeling his heat blast into her. Her tongue swirled, and laced to his as he pulled her aching frame into him. Her breasts mashed to his thick chest. Nipple burst into shards of stones. The fingers that had held his neck, curled into his dark hair. She bordered on being out of control. Igider's, kiss was magnetic to her darkest layers of passion. Tonight, she didn't want to be beaten, spanked or bound. She wanted to be made love to you. To be treated like a woman that mattered, not a toy. For once, she wanted to feel the deepest pleasure of a man and woman without all the pain. Yes, he could flog her senseless but this time it was going to be different. Jocelyn knew this wasn't love, but her mind and soul craved the need to be loved, even if it was carnal. Frozen Sin coming December 28th
Lisette Kristensen
When I catch my breath, Gretchen smiles and takes my hand to walk me to the bedroom. I follow her with no resistance. She leads me to the bed and lifts the hem of her dress to show me that she’s not wearing anything underneath it. She climbs onto the bed while still holding my hand and pulls me along. She positions herself against the pillows and the headboard, spreading her legs and guiding me between her thighs. I’m still not sure I like going down on a woman but she leaves me little choice - do it or fight it and I don’t have it in me to fight her. She grabs a fistful of my hair and pulls my face into her wet vagina, burying my face in her wetness. She moans as I lick her clit. She lets go of my hair giving me free rein to stimulate her as I see fit. She raises her hands up to her breasts and pinches her nipples through the thin fabric, moaning like a bitch in heat. “Fuck, that’s so good, Allie,” she says between moans. “God, you're so good at this.
Lena White (Cuckold Awakening (First Time Hotwife Book 2))
He’s licking the inside of my breasts like they’re luscious, sweet fruits. I run my fingers in his hair, bow into him, beg, “Please.” He hums against my nipple. I wait for him to take it into his mouth, tense as a violin string, and when he doesn’t, when he pulls back to stare at me, I nearly groan. I do groan. A soft, miserable whine. “If you were any other woman . . .” His palms stroke my knees, spreading my legs apart. “If you were anyone but you, I would take you to bed. And I’d fuck you everywhere you let me.” His fingers are like electricity, climbing up my inner thighs, lighting up nerve endings. “I would go down on you, maybe while you’re going down on me. And because your tits look like something I’ll be dreaming about for decades, I’d ask for permission to come on them. Paint a picture.” He reaches the elastic of my panties. I inhale, sharp. “I’d clean you up and feed you before taking you home, if you wanted me to.” His thumb pushes the wet cotton
Ali Hazelwood (Love, Theoretically)
In ancient times,' Quichotte said, in a last appeal to reason, 'when a woman was accused of witchcraft, the proofs were that she has a "familiar", usually a cat, plus a broomstick and a third nipple for the Devil to suck on. But almost all homes had cats and brooms and in those days many people's bodies had warts. Thus the mere accusation, witch!, was all that was required. The proof was in every home and on every woman's body and therefore all women so accused were automatically guilty.
Salman Rushdie (Quichotte)
Finally, when his lust had become a savage hunger, he dropped the belt and pulled up her sweater to admire his work. His eyes widened with glee as he gazed at her reddened breasts, with the silver pasties still stuck in place. “I’m not looking for silver,” he said, peeling the pasties away from her burning, sensitive nipples. “And there’s a buried treasure men crave much more than gold. That treasure is priceless… white gold, not from a dead man’s chest, but fresh from a living woman’s breast.
Violet Reigns (Milkmania (Milked! #4))
Cersei cupped the other woman’s breast. Softly at first, hardly touching, feeling the warmth of it beneath her palm, the skin as smooth as satin. She gave it a gentle squeeze, then ran her thumbnail lightly across the big dark nipple, back and forth and back and forth until she felt it stiffen. When she glanced up, Taena’s eyes were open. “Does that feel good?” she asked. “Yes,” said Lady Merryweather. “And this?” Cersei pinched the nipple now, puling on it hard, twisting it between her fingers. The Myrish woman gave a gasp of pain. “You’re hurting me.” “It’s just the wine. I had a flagon with my supper, and another with the widow Stokeworth. I had to drink to keep her calm.” She twisted Taena’s other nipple too, puling until the other woman gasped. “I am the queen. I mean to claim my rights.” “Do what you wil.” Taena’s hair was as black as Robert’s, even down between her legs, and when Cersei touched her there she found her hair al sopping wet, where Robert’s had been coarse and dry. “Please,” the Myrish woman said, “go on, my queen. Do as you wil with me. I’m yours.” But it was no good. She could not feel it, whatever Robert felt on the nights he took her. There was no pleasure in it, not for her. For Taena, yes. Her nipples were two black diamonds, her sex slick and steamy. Robert would have loved you, for an hour. The queen slid a finger into that Myrish swamp, then another, moving them in and out, but once he spent himself inside you, he would have been hard-pressed to recal your name. She wanted to see if it would be as easy with a woman as it had always been with Robert. Ten thousand of your children perished in my palm, Your Grace, she thought, slipping a third finger into Myr. Whilst you snored, I would lick your sons of my face and fingers one by one, al those pale sticky princes. You claimed your rights, my lord, but in the darkness I would eat your heirs. Taena gave a shudder. She gasped some words in a foreign tongue, then shuddered again and arched her back and screamed. She sounds as if she is being gored, the queen thought. For a moment she let herself imagine that her fingers were a bore’s tusks, ripping the Myrish woman apart from groin to throat. It was stil no good. It had never been any good with anyone but Jaime. When she tried to take her hand away, Taena caught it and kissed her fingers. “Sweet queen, how shal I pleasure you?” She slid her hand down Cersei’s side and touched her sex. “Tel me what you would have of me, my love.
George R.R. Martin (A Feast for Crows)
God, she was gorgeous. Pure and cleanly beautiful. From the rounded crests of her cheeks to the delicate sweep of her jaw, she had the kind of face sculptors memorialized in marble and the rest of us gazed upon for centuries to come. Of course she was beautiful. She was an actress. Meant to be idolized on the screen. Emma Maron, a.k.a Princess Anya, future queen and conqueror on Dark Castle. The guys and I used to watch the show while traveling between games. Anya was a favorite. Particularly since... I'd seen her breasts. It hit me like a puck to the helmet, and my ears began to ring. I'd seen those perfect creamy handfuls with sweet pink tips that pointed upward, defying gravity and begging to be sucked. I had watched her on hands on knees, perky tits bouncing as Arasmus slammed into her from behind. I actually blushed. Me. The guy who'd had dozens of women throw themselves at him every night since high school. I'd had sex so many times and in so many ways it had become a blur. Nothing shamed me or made me uncomfortable. Yet I started to get hot under the collar, my cheeks burning. After nearly a year of being disinterested in all things sexual, my dick decided to make its presence known and start rising. Now, of all times. Now, when I was stuck in a damn truck less than three feet from a woman, I finally got a hard-on. Lovely. I felt like a damn lecher. "At least it's a beautiful drive," she said, breaking through heated thoughts of creamy breasts with cotton candy nipples.
Kristen Callihan (Make It Sweet)
Although the scent of her body wash lingered, fruity and floral. He breathed it in. Nice. He grinned then and imagined her standing before him now, naked, her skin damp with dewy droplets. Temptation sinned with the flick of his tongue along her moist neck and the tip of her nipple. Foreplay came in toweling a woman dry. Gently patting down soft breasts, a rub over her belly, and a deep slide between her legs. Arousal teased him unmercifully. He sucked air. His sex thickened. Throbbed. An intractable ache.
Kate Angell (The Café Between Pumpkin and Pie (Moonbright, Maine #3))
When I reach the doorway, I stop and thank every higher power for putting this woman in my life. Because, holy fucking Christ, there is nothing I did to deserve this. Banner is spread out on top of my sheets like some kind of fantasy come to life, wearing nothing but a scrap of red lace that she might call a bra, but I can see her nipples through. Her legs are splayed wide, and there’s a toy buried inside her pussy. Her eyes are closed as she throws her head back and lets out a moan. She doesn’t even realize I’m here, and she’s already getting off. Naughty girl.
Meghan March (Real Good Love (Real Duet, #2))
she came out—dancing around in a white shirt with nothing underneath, the rosy coins of her nipples visible under the thin fabric—asking for a wood saw and spackle, he’d been jumpy as a jackrabbit sniffing Easter candy. He could have looked in the bedroom when she left to sleep, to go to Brass and Bones, to go wherever sex-witch art-fairies go. She came back every day with packages from the Indian import store, bags from the pagan crystal shop, boxes that smelled like incense and old wood. But he didn’t look because deep down he liked the mystery, that a woman had claimed a space in the house he’d designed, made it hers to reveal on her terms.
Kira A. Gold (The Dirty Secret)
Inside, there was a bed, and upon the bed there was a woman. More beautiful was she even than the damask rose while her scent, drifting through the open window, was that of the night dew. Her hair was silken as the raven's wing. Quite naked, she lay, so still upon the bed, her eyes closed in reverie. The young man looked first upon her breasts, where her hand rested. And upon each breast, there was a rosebud nipple. Upon each nipple there was a tip most tender. Upon each tip there was a milky drop. Chin lifted, lips parted, she milked her maiden breast. 'What I would give to suckle at that teat,' thought he. from 'Against Faithlessness' in Cautionary Tales
Emmanuelle de Maupassant (Cautionary Tales: a collection of darkly delicious folktales)
Stuck on the pane two flies buzzed, stuck. Glowing wine on his palate lingered swallowed. Crushing in the winepress grapes of Burgundy. Sun’s heat it is. Seems to a secret touch telling me memory. Touched his sense moistened remembered. Hidden under wild ferns on Howth below us bay sleeping: sky. No sound. The sky. The bay purple by the Lion’s head. Green by Drumleck. Yellowgreen towards Sutton. Fields of undersea, the lines faint brown in grass, buried cities. Pillowed on my coat she had her hair, earwigs in the heather scrub my hand under her nape, you’ll toss me all. O wonder! Coolsoft with ointments her hand touched me, caressed: her eyes upon me did not turn away. Ravished over her I lay, full lips full open, kissed her mouth. Yum. Softly she gave me in my mouth the seedcake warm and chewed. Mawkish pulp her mouth had mumbled sweetsour of her spittle. Joy: I ate it: joy. Young life, her lips that gave me pouting. Soft warm sticky gumjelly lips. Flowers her eyes were, take me, willing eyes. Pebbles fell. She lay still. A goat. No-one. High on Ben Howth rhododendrons a nannygoat walking surefooted, dropping currants. Screened under ferns she laughed warmfolded. Wildly I lay on her, kissed her: eyes, her lips, her stretched neck beating, woman’s breasts full in her blouse of nun’s veiling, fat nipples upright. Hot I tongued her. She kissed me. I was kissed. All yielding she tossed my hair. Kissed, she kissed me. Me. And me now. Stuck, the flies buzzed.
James Joyce (Ulysses)
You promise you're not going to hurt me?” I untie the cord from around her wrists and pull her into my arms. Then I throw her down on the desk and plant a kiss on her so intense I feel her nipples harden underneath me. She hesitates at first, but when I tease her bottom lip with my tongue she opens her mouth and lets out a low moan. I pull away and give her a cocky smirk. “Did that hurt?” She opens her mouth to say something, but pauses. The resonating slap across my face with the palm of her hand throws me for a loop. “Don't you fucking touch me again until I get some answers asshole,” she says as she pushes me off of her and pries herself from the desk. I rub my cheek and stare at her in awe. God, I love this woman.
Ashley Jade (Twisted Wrath (Twisted Fate #2))
Ravished over her I lay, full lips full open, kissed her mouth. Yum. Softly she gave me in my mouth the seedcake warm and chewed. Mawkish pulp her mouth had mumbled sweetsour of her spittle. Joy: I ate it: joy. Young life, her lips that gave me pouting. Soft warm sticky gumjelly lips. Flowers her eyes were, take me, willing eyes. Pebbles fell. She lay still. A goat. No-one. High on Ben Howth rhododendrons a nannygoat walking surefooted, dropping currants. Screened under ferns she laughed warmfolded. Wildly I lay on her, kissed her: eyes, her lips, her stretched neck beating, woman’s breasts full in her blouse of nun’s veiling, fat nipples upright. Hot I tongued her. She kissed me. I was kissed. All yielding she tossed my hair. Kissed, she kissed me.
James Joyce (Ulysses)
Gentle hands, soft lips, and hot little breaths down my stomach. Pleasure, a thick syrup pouring over my limbs. My cock rose, growing heavy with desire. We were so new together, by all accounts, I should be panting madly, trying to take over. But I was slowly heating wax molding to her will. Emma palmed me through my briefs, and I grunted. I wanted them off, no barriers between us. As if she heard the silent demand, she kissed my nipple and slowly eased the briefs down. I lifted my butt to help her. My dick slapped against my belly as it was freed. Emma made a noise of appreciation and then wrapped her clever fingers around me. "Please," I whispered. My body was weak, but my need grew stronger, drowning out everything else. She complied, stroking, her lips on my lower abs, teasing along the V leading to my hips. "Em..." My plea broke off into a groan as her hot mouth enveloped me. There were no more words. I let her have me, do as she willed, and I was thankful for it. And it felt so good I could only lie there and take it, try not to thrust into her mouth like an animal. But she pulled free with a lewd pop and gazed up at me. Panting lightly, I stared back at her, ready to promise her anything, when she kissed my pulsing tip. "Go ahead," she said. "Fuck my mouth." I almost spilled right there. She sucked me deep once more, and a sound tore out of me that was part pained, part "Oh God, please don't ever stop." The woman was dismantling me in the best of ways. Waves of heat licked up over my skin as I pumped gently into her mouth, keeping my moves light because I didn't want to hurt her, and because denying myself was outright torture. Apparently, I was into that. She sucked me like I was dessert----all the while, her hand stroking steady circles on the tight, sensitive skin of my lower abs. It was that touch, the knowledge that she was doing this because she wanted to take care of me, that rushed me straight to the edge. My trembling hand touched the crown of her head. "Em. Baby, I'm gonna..." I gasped as she did something truly inspired with her tongue. "I'm gonna..." She pulled free with one last suck and surged up to kiss me, her hand wrapping around my aching dick and stroking it. Panting into her mouth, my kiss frantic and sloppy, I came with a shudder of pleasure. And all the tension, all the pain, dissolved like a sugar cube dropped into hot tea.
Kristen Callihan (Make It Sweet)
Between Myself and Death To Jimmy Blanton's Music: Sophisticated Lady, Body and Soul A fervor parches you sometimes, And you hunch over it, silent, Cruel, and timid; and sometimes You are frightened with wantonness, And give me your desperation. Mostly we lurk in our coverts, Protecting our spleens, pretending That our bandages are our wounds. But sometimes the wheel of change stops; Illusion vanishes in peace; And suddenly pride lights your flesh— Lucid as diamond, wise as pearl— And your face, remote, absolute, Perfect and final like a beast's. It is wonderful to watch you, A living woman in a room Full of frantic, sterile people, And think of your arching buttocks Under your velvet evening dress, And the beautiful fire spreading From your sex, burning flesh and bone, The unbelievably complex Tissues of your brain all alive Under your coiling, splendid hair. * * * I like to think of you naked. I put your naked body Between myself alone and death. If I go into my brain And set fire to your sweet nipples, To the tendons beneath your knees, I Can see far before me. It is empty there where I look, But at least it is lighted. I know how your shoulders glisten, How your face sinks into trance, And your eves like a sleepwalker's, And your lips of a woman Cruel to herself. I like to Think of you clothed, your body Shut to the world and self contained, Its wonderful arrogance That makes all women envy you. I can remember every dress, Each more proud then a naked nun. When I go to sleep my eves Close in a mesh of memory. Its cloud of intimate odor Dreams instead of myself.
Kenneth Rexroth (Selected Poems)
She didn’t want to give the murder-pornography frame by frame. Didn’t want to recite her route across Manhattan, the length of the knife blade and the number of times she pulled the trigger, the color of the blood-splattered wallpaper in the hotel room, the man falling to the floor, the baby crying in the next room, the woman emerging and dropping the bottle, its nipple popping off and the milk spilling onto the carpet, the woman pleading “Por favor,” her hands up, shaking her head, asking— begging— for her life to be spared, her big black eyes wide, deep sinkholes of dark terror, while Kate trained the Glock on her, a seemingly eternal internal debate, while the baby sounded like he was the same age as Jake, late infancy, and this poor woman the same age as Kate, a different version of herself, an unlucky woman who didn’t deserve to die.
Chris Pavone (The Expats (Kate Moore, #1))
O my body! I dare not desert the likes of you in other men and women, nor the likes of the parts of you, I believe the likes of you are to stand or fall with the likes of the soul, (and that they are the soul,) I believe the likes of you shall stand or fall with my poems, and that they are my poems, Man’s, woman’s, child’s, youth’s, wife’s, husband’s, mother’s, father’s, young man’s, young woman’s poems, Head, neck, hair, ears, drop and tympan of the ears, Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or sleeping of the lids, Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the jaw-hinges, Nose, nostrils of the nose, and the partition, Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue, Strong shoulders, manly beard, scapula, hind-shoulders, and the ample side-round of the chest, Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones, Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger, finger-joints, finger-nails, Broad breast-front, curling hair of the breast, breast-bone, breast-side, Ribs, belly, backbone, joints of the backbone, Hips, hip-sockets, hip-strength, inward and outward round, man-balls, man-root, Strong set of thighs, well carrying the trunk above, Leg fibres, knee, knee-pan, upper-leg, under-leg, Ankles, instep, foot-ball, toes, toe-joints, the heel; All attitudes, all the shapeliness, all the belongings of my or your body or of any one’s body, male or female, The lung-sponges, the stomach-sac, the bowels sweet and clean, The brain in its folds inside the skull-frame, Sympathies, heart-valves, palate-valves, sexuality, maternity, Womanhood, and all that is a woman, and the man that comes from woman, The womb, the teats, nipples, breast-milk, tears, laughter, weeping, love-looks, love-perturbations and risings, The voice, articulation, language, whispering, shouting aloud, Food, drink, pulse, digestion, sweat, sleep, walking, swimming, Poise on the hips, leaping, reclining, embracing, arm-curving and tightening, The continual changes of the flex of the mouth, and around the eyes, The skin, the sunburnt shade, freckles, hair, The curious sympathy one feels when feeling with the hand the naked meat of the body, The circling rivers the breath, and breathing it in and out, The beauty of the waist, and thence of the hips, and thence downward toward the knees, The thin red jellies within you or within me, the bones and the marrow in the bones, The exquisite realization of health; O I say these are not the parts and poems of the body only, but of the soul, O I say now these are the soul!
Walt Whitman (I Sing the Body Electric)
He hooks his finger into the soft cup of my bra and lowers it. His forehead presses against mine and he looks down, to the hard point of my nipple. “Jesus,” he mutters. “I can take it off—” “No.” He groans softly and thumbs the pebble back and forth. Pinches it just this side of too much, making me gasp. “I’m not going to fuck you, but God, I could.” His entire palm rubs against my breast, and my whimper is humiliating. This is going to feel good. Really, really good. It’s already much better than . . . than anything. Pulling embarrassing, unfortunate noises out of me. “What do I do?” he asks, fitting his fingers in the dips of my ribs. I look up at him, glossy-eyed, already a little dazed. “What?” “What do you like?” He’s looking down at my body like it’s a beautiful space oddity, something belonging to a minor goddess, to be investigated in filthy, methodical, obscene ways. His hand traces my flat stomach. Skims the place where my thigh highs transition into tender skin. Brushes reverently against the pod right above my panties, like this little thing my life depends on is as much a part of me as my navel. J.J. asked me to take it off, said he found it off-putting. Made bionic woman jokes. And then there’s Jack. Licking his lips and asking, “Where do I start?” I have no clue. “Um . . .” He kisses me again, this time slow and gentle, pulling back from that initial brink. He uncovers my other breast, and his fingers are back, playing with my nipple like it’s an instrument. Liquid warmth hooks low in my belly. “Trial and error, then.” “What do you do with other girls?” “Other girls?” “Normal girls.” He laughs into my collarbone, then starts sucking on it. “Elsie.” “I just want to know. If I . . . if I weren’t me, what would you do?” “No.
Ali Hazelwood (Love, Theoretically)
Urgent Story" When the oracle said, ‘If you keep pigeons you will never lose home.’ I kept pigeons. They flicked their red eyes over me, a deft trampling of that humanly proud distance by which remaining aloof in it’s own fullness. I administered crumbs, broke sky with them like breaking the lemon-light of the soul's amnesia for what It wants but will neither take nor truh let go. How it revived me, to release them! And at that moment of flight to disavow the imprint, to tear their compass, out by the roots of some green meadow they might fly over on the way to an immaculate freedom, meadow in which a woman has taken off her blouse, then taken off the man's flannel shirt in their sky-drenched arc of one, then the other above each other's eyelids is a branding of daylight, the interior of its black ambush in which two joys lame the earth a while with heat and cloudwork under wing-beats. Then she was quiet with him. And he with her. The world hummed with crickets, with bees nudging the lupins. It is like that when the earth counts its riches—noisy with desire even when desire has strengthened our bodies and moved us into the soak of harmony. Her nipples in sunlight have crossed his palm wind-sweet with savor and the rest is so knelt before that when they stand upright the flight-cloud of my tamed birds shapes an arm too short for praise. Oracle, my dovecot is an over and over nearer to myself when its black eyes are empty. But by nightfall I am dark before dark if one bird is missing. Dove left open by love in a meadow, Dove commanding me not to know where it sank into the almost-night—for you I will learn to play the concertina, to write poems full of hateful jasmine and longing, to keep the dead alive, to sicken at the least separation. Dove, for whose sake I will never reach home.
Tess Gallagher (My Black Horse: New & Selected Poems)
The woman was in her middle twenties and she wore a sort of tennis dress that shouted Money almost as loudly as the car did, sleeveless and V neck, of a semi-transparent material, chiffon or crêpe-de-Chine or maybe georgette, which allowed the pink of her nipples to show through. She not only wore no brassiere, she obviously wore no undergarment of any description. There was nothing of modesty about her. Not that she was flaunting herself; that was what was so outlandish about it (for this was the late Twenties; plenty of women were dressing almost as scantily); she appeared not even to know the watchers were there. Her hair was brown with streaks of sunburnt yellow, bobbed just a little longer than ponjola, and her skin was tanned to the smooth, soft tint of café au lait. She moved slowly, after the manner of the inherently lazy, not so much as if she had no energy, but as if she were conserving it for something she really cared about—bed, most men would say, for there was a strong suggestion of such about her, like an aura. Her mouth was lipsticked savagely, no prim cupid’s bow, and there was a faint saddle of freckles across the bridge of her nose. She
Shelby Foote (Love in a Dry Season)
In ninety seconds they were naked and he was nibbling at her ear while his hand rubbed her pubic mat; but a saboteur was at work at his brain. 'I love you,' he thought, and it was not untrue because he loved all women now, knowing partially what sex was really all about, but he couldn't bring himself to say it because it was not totally true, either, since he loved Mavis more, much more. 'I'm awfully fond of you,' he almost said, but the absurdity of it stopped him. Her hand cupped his cock and found it limp; her eyes opened and looked into his enquiringly. He kissed her lips quickly and moved his hand lower, inserting a ringer until he found the clitoris. But even when her breathing got deeper, he did not respond as usual, and her hand began massaging his cock more desperately. He slid down, kissing nipples and bellybutton on the way, and began licking her clitoris. As soon as she came, he cupped her buttocks, lifted her pelvis, got his tongue into her vagina and forced another quick orgasm, immediately lowering her slightly again and beginning a very gentle and slow return in spiral fashion back to the clitoris. But still he was flaccid. 'Stop,' Stella breathed. 'Let me do you, baby.' George moved upward on the bed and hugged her. 'I love you,' he said, and suddenly it did not sound like a lie. Stella giggled and kissed his mouth briefly. 'It takes a lot to get those words out of you, doesn't it?' she said bemusedly. 'Honesty is the worst policy,' George said grimly. 'I was a child prodigy, you know? A freak. It was rugged. I had to have some defense, and somehow I picked honesty. I was always with older boys so I never won a fight. The only way I could feel superior, or escape total inferiority, was to be the most honest bastard on the planet earth.' 'So you can't say 'I love you' unless you mean it?' Stella laughed. 'You're probably the only man in America with that problem. If you could only be a woman for a while, baby! You can't imagine what liars most men are.' 'Oh, I've said it at times. When it was at least half true. But it always sounded like play-acting to me, and I felt it sounded that way to the woman, too. This time it just came out, perfectly natural, no effort.' 'That is something,' Stella grinned. 'And I can't let it go unrewarded.' Her black body slid downward and he enjoyed the esthetic effect as his eyes followed her— black on white, like the yinyang or the Sacred Chao—what was the psychoses of the white race that made this beauty seem ugly to most of them? Then her lips closed over his penis and he found that the words had loosened the knot: he was erect in a second. He closed his eyes to savor the sensation, then opened them to look down at her Afro hairdo, her serious dark face, his cock slipping back and forth between her lips. 'I love you,' he repeated, with even more conviction. 'Oh, Christ, Oh, Eris, oh baby baby, I love you!' He closed his eyes again, and let the Robot move his pelvis in response to her. 'Oh, stop,' he said, 'stop,' drawing her upward and turning her over, 'together,' he said, mounting her, 'together,' as her eyes closed when he entered her and then opened again for a moment meeting his in total tenderness, 'I love you, Stella, I love,' and he knew it was so far along that the weight wouldn't bother her, collapsing, using his arms to hug her, not supporting himself, belly to belly and breast to breast, her arms hugging him also and her voice saying, 'I love you, too, oh, I love you,' and moving with it, saying 'angel' and 'darling' and then saying nothing, the explosion and the light again permeating his whole body not just the penis, a passing through the mandala to the other side and a long sleep.
Robert Anton Wilson (The Illuminatus! Trilogy)
Stopping just short of her mouth, he rasped, “Are you still engaged to Blakeborough?” Her gorgeous eyes narrowed. “My engagement didn’t stop you last night.” “It would now.” A coy smile broke over her lips, and she tightened her grip on his neck. “Then I suppose it’s a good thing I am not.” With a growl of triumph, he kissed her once more. She was here. She was his. Nothing else mattered. Still kissing her, he jerked both sets of curtains closed. Then he tugged her onto his lap and began to tear at the fastenings of her pelisse-dress. He wanted to touch her, taste her…be inside her. He could think of naught else. “I take it that you mean to seduce me,” she murmured between kisses. “Yes.” Seduce her and marry her. And then seduce her again, as often as he could. “Well then, carry on.” So he did. He unfastened her clothes just enough to bare her breasts, then seized one in his mouth. God, she was perfect. His perfect jewel. She buried her hands in his hair to pull her into him, sighing and moaning as if she would die if he didn’t make love to her. Which was exactly how he felt. Working his hand up beneath her skirts and into the slit in her drawers, he found her so wet and hot that he nearly came right there. He slipped a finger inside her silky sweetness, and she gasped, then began to tug at his trouser buttons. “You’re all I want, Jane.” As he stroked her, he used his other hand to brush hers away so he could unfasten his own trouser buttons. “The only woman I ever cared about.” “You’re the only man Iever cared about.” She undulated against his fingers, begging for him with her body. “Why do you think…I waited for you so long?” “Not long enough, apparently,” he muttered, “or you wouldn’t have gotten yourself engaged to Blakeborough.” He tugged at her nipple with his teeth, then relished her cry of pleasure. “I only…did it because I was…tired of waiting.” She arched against his mouth. “Because you clearly weren’t…coming back for me.” “I was sure you hated me.” At last he got his trousers open. “You acted like you hated me still.” “I did.” Her breath was unsteady. “But only because…you tore us apart.” He shifted her to sit astride him. “And now?” Flashing him a provocative smile he would never have dreamed she had in her repertoire, she unbuttoned his drawers. “Do I look like I hate you?” His cock, so hard he thought it might erupt right there and embarrass him, sprang free. “You look like…like…” He paused to take in her lovely face with its flushed cheeks, sparkling eyes, and lush lips. Then he swept his gaze down to her breasts with their brazen tips, displayed so enticingly above the boned corset and her undone shift. He then dropped his eyes to the smooth thighs emerging from beneath her bunched-up skirts. Shoving the fabric higher, he exposed her dewy thatch of curls, and a shudder of anticipation shook him. “You look like an angel.” She uttered a breathy laugh. “A wanton, more like.” Taking his cock in her hand, she stroked it so wonderfully that he groaned. “Would an angel do this?
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
At first I didn’t think I was going to be able to make it on the outside at all. I’ve described prison society as a scaled-down model of your outside world, but I had no idea of how fast things moved on the outside; the raw speed people move at. They even talk faster. And louder. It was the toughest adjustment I’ve ever had to make, and I haven’t finished making it yet . . . not by a long way. Women, for instance. After hardly knowing that they were half of the human race for forty years, I was suddenly working in a store filled with them. Old women, pregnant women wearing tee-shirts with arrows pointing downward and a printed motto reading BABY HERE, skinny women with their nipples poking out at their shirts—a woman wearing something like that when I went in would have gotten arrested and then had a sanity hearing—women of every shape and size. I found myself going around with a semi-hard almost all the time and cursing myself for being a dirty old man. Going to the bathroom, that was another thing. When I had to go (and the urge always came on me at twenty-five past the hour), I had to fight the almost overwhelming need to check it with my boss. Knowing that was something I could just go and do in this too-bright outside world was one thing; adjusting my inner self to that knowledge after all those years of checking it with the nearest screwhead or facing two days in solitary for the oversight . . . that was something else. My boss didn’t like me. He was a young guy, twenty-six or -seven, and I could see that I sort of disgusted him,
Stephen King (Different Seasons: Four Novellas)
He learned what made her shudder, what made her sigh. He became so attuned to her that every touch of teeth or lips or fingers offered pleasure. She writhed in his arms, tangling her legs with his, fighting for air. He trailed one hand across her stomach to the soft curls that hid her sex. She made a soft sound of desire and arched up. He slipped his hand between her legs. The merest brush of his fingers in her moisture and she jerked in response. She was so sleek and hot. Not being inside her was torture. But it was still too soon. Even while she shivered and quaked with reaction. He found one particular place that made her cry out. He scraped his teeth over a tight nipple and touched her between the legs again. Her spine bowed and she bit back a scream. A hot flood drenched his fingers. His nostrils flared as the scent of her arousal rose stronger, sharper. How could she call herself a cold woman? She was living flame. She flickered and burned and glowed and her heat warmed him to the depths of his soul. "Oh, Matthew," she said on a long sigh, opening herself wider to his hand. "Matthew..." He loved the way she no longer hesitated over his name. He loved the way she moved restlessly under his seeking fingers as if she wanted more. Perhaps at last she wanted him. He rained kisses down her ribs and over her belly and across her thighs. Then he used his hands to nudge her legs further apart. The flushed, plump folds of her sex were as beautiful as any flower. More beautiful. As with any flower, his impulse was to bury his face in it, to inhale its essence.
Anna Campbell (Untouched)
For one, mad instant, she thought he planned to kiss her, but instead, he ducked under her chin and nuzzled against her shoulder at the site where her pulse pounded so furiously. A shiver of excitement tore through her, and she swallowed a baffled squeal that could have been either delight or indignation. His lips were heated and soft, and he tenderly kissed against her nape then, to her astonishment, he licked across her skin. She jumped then twirled away, only to end up facing the mirror, with him behind her, and she assessed the two of them, evaluating the differences: his tall to her short, bronzed to fair, brawn to lean. Boldly, he settled his hands on her hips and snuggled her backside against him, and she was assailed by an array of unique anatomical impressions. As though she'd been searching for this man all her life and had finally found him, she ignited with sensation, every pore alert and animated, and her nipples tightened painfully, poking at the towel. The knave immediately noticed how they'd peaked. "I can't wait to have my mouth on you." The declaration kindled cryptic messages, and restlessly, she scrambled to flee---from the unusual fleshly perturbation and from him---but because of their positions, he merely nestled her close and flexed against her. His groin stroked across her bottom in a manner she'd never presumed a man might attempt with a woman. There was a solid ridge along his abdomen that dug into her buttocks, and her traitorous body reacted by squirming to get nearer to it. He appreciated her participation and gripped her firmly, flexing again.
Cheryl Holt (Total Surrender)
Kate cradled his face between her hands, drinking him in with her mouth while her beauty and her sheer, sweet innocence enveloped him in an almost holy fire. As his hands began to wander over all the soft enticements of her body, she undulated under his palms in seductive invitation. Her breasts swelled beneath his roaming touch. He chafed her erect nipples with his thumbs, but soon could not resist their tautened allure. He dragged his lips away from hers and moved lower to pay homage. He sampled each with a deep, slow, savoring kiss. Her chest heaved as she lay back on her elbows, watching him, and enjoying his attentions. With her breast in his mouth, his hand was free to discover and to claim new territory. And he had a very clear idea of where he wanted to go. His hand inched down her stomach, teasing her as he neared her mound of Venus. His fingers drew playful circles at the bottom of her belly; he made sure she was dying for his touch before he deigned to give it to her. When she groaned with kittenish frustration, her hips rising impatiently to meet his cupped hand, he introduced himself to her mound with a deft caress. Ah, but when his fingertips pressed deeper, he nearly lost his mind. She was dripping for him, anointing his hand with her yearning nectar. She let out an urgent sigh of pleasure and dropped her head back as he began to finger her. His pulse slammed in his arteries, for she was as ready for love as any woman he had ever bedded, her breathless motions urging on his explorations. So wet. It was at about that moment that her unexpected wantonness enslaved him, heart and mind, body and soul. Her silken moans transported him to a throbbing frenzy. He had never wanted anyone with such a deep and elemental need.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
A woman decides to have a facelift for her 50th birthday. She spends $15,000 and feels pretty good about the results. On her way home, she stops at a news stand to buy a newspaper. Before leaving, she says to the clerk, "I hope you don’t mind my asking, but how old do you think I am?" "About 32," is the reply. "Nope! I’m exactly 50," the woman says happily. A little while later she goes into McDonald’s and asks the counter girl the very same question. The girl replies, "I’d guess about 29." The woman replies with a big smile, "Nope, I’m 50." Now she’s feeling really good about herself. She stops in a drug store on her way down the street. She goes up to the counter to get some mints and asks the clerk this burning question. The clerk responds, "Oh, I’d say 30." Again she proudly responds, "I’m 50, but thank you!" While waiting for the bus to go home, she asks an old man waiting next to her the same question. He replies, "I’m 78 and my eyesight is going. Although, when I was young, there was a sure-fire way to tell how old a woman was. If you permit me to put my hands under your bra, then, and only then can I tell you EXACTLY how old you are." They wait in silence on the empty street until her curiosity gets the best of her. She finally blurts out, "What the hell, go ahead." He slips both of his hands under her blouse and begins to feel around very slowly and carefully. He bounces and weighs each breast and he gently pinches each nipple. He pushes her breasts together and rubs them against each other. After a couple of minutes of this, she says, "Okay, okay...How old am I?" He completes one last squeeze of her breasts, removes his hands, and says, " Ma dam, you are 50." Stunned and amazed, the woman says, "That was incredible, how could you tell?" The old man says, "Promise you won’t get mad?" "I promise I won’t," she says. "I was behind you in McDonald’s.
Adam Smith (Funny Jokes: Ultimate LoL Edition (Jokes, Dirty Jokes, Funny Anecdotes, Best jokes, Jokes for Adults) (Comedy Central Book 1))
Tom often met Winterborne for a quick lunch at one of the cook shops or chop houses between their respective offices. It was on one of these occasions that Winterborne revealed West Ravenel had just become engaged to marry Phoebe, Lady Clare, a young widow with two small sons, Justin and Stephen. “I suspected he would,” Tom said, pleased by the revelation. “I went to Jenner’s Club with him the night before last, and she was all he wanted to talk about.” “I heard about that,” Winterborne commented. “It seems you and Ravenel encountered a bit of trouble.” Tom rolled his eyes. “Lady Clare’s former suitor came to the table with a pistol in hand. It wasn’t nearly as interesting as it sounds. He was soon disarmed and hauled off by a night porter.” He leaned back in his seat as the barmaid set plates of chilled crab salad and celery in front of them. “But before that happened, Ravenel was rambling on about Lady Clare, and how he wasn’t good enough for her because of his disreputable past, and how he was worried about setting a bad example for her children.” Winterborne’s black eyes were keen with interest. “What did you say?” Tom shrugged. “The match is to his advantage, and what else matters? Lady Clare is wealthy, beautiful, and the daughter of a duke. As for her sons … no matter what example you set, children insist on turning out how they will.” Tom took a swallow of ale before continuing. “Scruples always complicate a decision unnecessarily. They’re like those extra body parts none of us need.” Winterborne paused in the act of lifting a forkful of dressed crab to his lips. “What extra body parts?” “Things like the appendix. Male nipples. The external ears.” “I need my ears.” “Only the inner parts. The outer ear structure is superfluous in humans.” Winterborne looked sardonic. “I need them to hold up my hat.” Tom grinned and shrugged, conceding the point. “In any case, Ravenel has managed to win the hand of a fine woman. Good for him.” They lifted their glasses and clinked them in a toast.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Carolina walked over to the private deck and turned on the Jacuzzi, the bubbles starting to bounce in the water. Enrique followed her and brushed his hand through the water. "That looks nice, but I don't have a swimsuit." "Neither do I," she said with a smile. She held his gaze as her sundress fell to her toes. She was standing there in nothing but the new bra and panties and heels he'd purchased at the store. The yellow lace barely covered her nipples, and the thong accentuated her perfect ass. Enrique wanted to fuck her against the hot tub until she screamed his name. But again, he reminded himself that he needed to go slow. "You sure? I can run down to the gift shop and buy us swimsuits." She shook her head. "No, Enrique. I just don't want to hold back anymore, I want you." She unhooked her bra and took off her panties, revealing dark curls between her legs. The sight of this beautiful naked woman caused his cock to spring to attention. She carefully slipped out of her shoes, stepped into the tub, and sat down. He'd assumed she would be shy, but apparently that girl was gone. Well then! Enrique stripped down, his cock at full attention. Her mouth opened at the sight of his naked body. He grinned and then slipped into the bubbles and sat next to her. Enrique was about to kiss her when she straddled his thighs. "Are you sure you want to do this?" he asked. She kissed him. "I'm sure." "Carolina... you're so beautiful." He kissed her neck, and she tossed back her hair. His cock was pressed up against her soft belly. He so desperately wanted to be inside of her. Her hands rubbed all over his body, and she hesitantly touched his throbbing cock underwater. Her delicate fingers felt incredible with the current from the jets. Her nipples were glistening from the water, and he sucked on one. She moaned as he touched her pussy, sliding a finger inside of her while thumbing her clit. God, she was tight. "Enrique. That feels so good." He smirked. "You haven't seen anything yet." He lifted her to sit on the edge of the tub, spreading her legs as he knelt on the seat inside. She shook her head and closed her legs. "Oh, I don't know if I'll like that." He laughed. "Yeah, you will." She bit her lower lip. "Do you like doing it?" "Babe, I've been dying to eat your pussy since I met you." Her jaw dropped and her cheeks seemed redder, but maybe that was from the heat of the spa. "Enrique! That mouth!" He grinned. "My dirty mouth speaks the truth. Now spread your legs and relax." She cautiously opened her legs.
Alana Albertson (Kiss Me, Mi Amor (Love & Tacos, #2))
Her hands found the button of his jeans, and then glided his zipper down. She wasted no time in seizing his cock with her hand, stroking him up and down as he pulled down his pants, then his boxers. He stopped her only so he could sheathe himself. And when he looked back up, she'd removed her robe, which fell around her in waves like drizzled icing. As he did, she began to guide his cock to her entrance, stroking her clit with the tip of him. He was already so fucking hard, and he hadn't even sunk into her yet. "Ready?" she breathed into his ear. He nodded, and his hands found her hips. His fingertips dug into her as he eased himself inside her, so slowly he could barely breathe, and they both moaned as she cradled him with her pussy. She braced her hands against the table as he slid further, burying himself deep inside her. Fuck. How did Nina feel so good? They both paused, him filling her. She stretched and tightened against him. He hadn't even begun to fuck her the way he planned to, but she already felt better than anything he could've imagined. He rocked into her, hitting her core deeper, and her head rolled back as a moan escaped. She fit around him in such a silky way that he already knew he'd want every waking moment to be inside her. She moved back and forth on his dick, his hands steadying her hips. He wanted to make sure that every time he pumped into her, she felt all of him. He was going to delve into her so deeply that she'd have no other choice but to come all over him. He needed to feel her heat pulsing against him. Her breathing quickened, and she said, "I need you." All he wanted was to hear this woman moan so loudly that he'd be able to hear it whenever he closed his eyes. So when he slid his cock back inside her, he made sure to push until he was all the way in. She arched her back in response, and he slowly pulled out, then pumped back in. Their moans, their thighs meeting and the slap of his balls against her ass were the only sounds in the room. He reached toward her heavy breasts and pinched one nipple tightly as he continued to fill her. "I'm..." She couldn't get the words out, but he knew what she was trying to say. She was going to come. He moved the hand that pinched her nipple down to her clit and gently rubbed. "I'm almost there," she said. He grunted in approval and pushed into her slower, bringing his length almost fully out, then plunging back in. She tightened around him. As her groans reached a crescendo, he knew he was going to erupt as well. He thrust hard and deep until his aching cock came.
Erin La Rosa (For Butter or Worse (The Hollywood Series #1))
Raphael pulled out a paperback and handed it to me. The cover, done back in the time when computer-aided imagine manipulation had risen to the level of art, featured an impossibly handsome man, leaning forward, one foot in a huge black boot resting on the carcass of some monstrous sea creature. His hair flowed down to his shoulders in a mane of white gold, in stark contrast to his tanned skin and the rakish black patch hiding his left eye. His white, translucent shirt hung open, revealing abs of steel and a massive, perfectly carved chest graced by erect nipples. His muscled thighs strained the fabric of his pants, which were unbuttoned and sat loosely on his narrow hips, a touch of a strategically positioned shadow hinting at the world’s biggest boner. The cover proclaimed in loud golden letters: The Privateer’s Virgin Mistress, by Lorna Sterling. “Novel number four for Andrea’s collection?” I guessed. Raphael nodded and took the book from my hands. “I’ve got the other one Andrea wanted, too. Can you explain something to me?” Oh boy. “I can try.” He tapped the book on his leather-covered knee. “The pirate actually holds this chick’s brother for ransom, so she’ll sleep with him. These men, they aren’t real men. They’re pseudo-bad guys just waiting for the love of a ‘good’ woman.” “You actually read the books?” He gave me a chiding glance. “Of course I read the books. It’s all pirates and the women they steal, apparently so they can enjoy lots of sex and have somebody to run their lives.” Wow. He must’ve had to hide under his blanket with a flashlight so nobody would question his manliness. Either he really was in love with Andrea or he had a terminal case of lust. “These guys, they’re all bad and aggressive as shit, and everybody wets themselves when they walk by, and then they meet some girl and suddenly they’re not uber-alphas; they are just misunderstood little boys who want to talk about their feelings.” “Is there a point to this dissertation?” He faced me. “I can’t be that. If that’s what she wants, then I shouldn’t even bother.” I sighed. “Do you have a costume kink? French maid, nurse . . .” “Catholic school girl.” Bingo. “You wouldn’t mind Andrea wearing a Catholic school uniform, would you?” “No, I wouldn’t.” His eyes glazed over and he slipped off to some faraway place. I snapped my fingers. “Raphael! Focus.” He blinked at me. “I’m guessing—and this is just a wild stab in the dark—that Andrea might not mind if once in a while you dressed up as a pirate. But I wouldn’t advise holding her relatives for ransom nookie. She might shoot you in the head. Several times. With silver bullets.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
She did not answer. Or, rather, she answered by sliding long fingers across Kassad’s chest, ripping away the leather thongs which bound the rough vest. Her hands found his shirt. It was soaked with blood and ripped halfway down the front. The woman ripped it open the rest of the way. She moved against him now, her fingers and lips on his chest, hips already beginning to move. Her right hand found the cords to his trouser front, ripped them free. Kassad helped her pull off the rest of his clothes, removed hers with three fluid movements. She wore nothing under her shirt and coarse-cloth trousers. Kassad’s hand slid between her thighs, behind her, cupped her moving buttocks, pulled her closer, and slid to the moist roughness in front. She opened to him, her mouth closing on his. Somehow, with all of their motion and disrobing, their skin never lost contact. Kassad felt his own excitement rubbing against the cusp of her belly. She rolled above him then, her thighs astride his hips, her gaze still locked with his. Kassad had never been so excited. He gasped as her right hand went behind her, found him, guided him into her. When he opened his eyes again she was moving slowly, her head back, eyes closed. Kassad’s hands moved up her sides to cup her perfect breasts. Nipples hardened against his palms. They made love then. Kassad, at twenty-three standard years, had been in love once and had enjoyed sex many times. He thought he knew the way and the why of it. There was nothing in his experience to that moment which he could not have described with a phrase and a laugh to his squadmates in the hold of a troop transport With the calm, sure cynicism of a twenty-three-year-old veteran he was sure that he would never experience anything that could not be so described, so dismissed. He was wrong. He could never adequately share the sense of the next few minutes with anyone else. He would never try. They made love in a sudden shaft of late October light with a carpet of leaves and clothes beneath them and a film of blood and sweat oiling the sweet friction between them. Her green eyes stared down at Kassad, widening slightly when he began moving quickly, closing at the same second he closed his. They moved together then in the sudden tide of sensation as old and inevitable as the movement of worlds: pulses racing, flesh quickening with its own moist purposes, a further, final rising together, the world receding to nothing at all—and then, still joined by touch and heartbeat and the fading thrill of passion, allowing consciousness to slide back to separate flesh while the world flowed in through forgotten senses. They lay next to each other.
Dan Simmons (The Hyperion Cantos 4-Book Bundle: Hyperion, The Fall of Hyperion, Endymion, The Rise of Endymion)
When an ovulating woman offers herself to you, she's the choicest morsel on the planet. Her nipples are already sharp, her labia already swollen, her spine already undulating. Her skin is damp and she pants. If you touch the center of her forehead with your thumb she isn't thinking about her head—she isn't thinking at all, she's imagining, believing, willing your hand to lift and turn and curve, cup the back of her head. She's living in a reality where the hand will have no choice but to slide down that soft, flexing muscle valley of the spine to the flare of strong hips, where the other hand joins the first to hold both hip bones, immobilize them against the side of the counter, so that you can touch the base of her throat gently with your lips and she will whimper and writhe and let the muscles in her legs go, but she won't fall, because you have her. She'll be feeling this as though it's already happening, knowing absolutely that it will, because every cell is alive and crying out, Fill me, love me, cherish me, be tender, but, oh God, be sure. She wants you to want her. And when her pupils expand like that, as though you have dropped black ink into a saucer of cool blue water, and her head tips just a little, as though she's gone blind or has had a terrible shock or maybe just too much to drink, to her she is crying in a great voice, Fuck me, right here, right now against the kitchen counter, because I want you wrist-deep inside me. I hunger, I burn, I need. It doesn't matter if you are tired, or unsure, if your stomach is hard with dread at not being forgiven. If you allow yourself one moment's distraction—a microsecond's break in eye contact, a slight shift in weight—she knows, and that knowledge is a punch in the gut. She will back up a step and search your face, and she'll feel embarrassed—a fool or a whore—at offering so blatantly what you're not interested in, and her fine sense of being queen of the world will shiver and break like a glass shield hit by a mace, and fall around her in dust. Oh, it will still sparkle, because sex is magic, but she will be standing there naked, and you will be a monster, and the next time she feels her womb quiver and clench she'll hesitate, which will confuse you, even on a day when there is no dread, no uncertainty, and that singing sureness between you will dissolve and very slowly begin to sicken and die. The body knows. I listened to the deep message—but carefully, because at some point the deep message also must be a conscious message. Active, not just passive, agreement. I took her hand and guided the wok back down to the gas burner. Yes, her body still said, yes. I turned off the gas, but slowly, and now she reached for me.
Nicola Griffith (Always (Aud Torvingen #3))
Auto-Zoomar. Talbert knelt in the a tergo posture, his palms touching the wing-like shoulder blades of the young woman. A conceptual flight. At ten-second intervals the Polaroid projected a photograph on to the screen beside the bed. He watched the auto-zoom close in on the union of their thighs and hips. Details of the face and body of the film actress appeared on the screen, mimetized elements of the planetarium they had visited that morning. Soon the parallax would close, establishing the equivalent geometry of the sexual act with the junctions of this wall and ceiling. ‘Not in the Literal Sense.’Conscious of Catherine Austin’s nervous hips as she stood beside him, Dr Nathan studied the photograph of the young woman. ‘Karen Novotny,’ he read off the caption. ‘Dr Austin, may I assure you that the prognosis is hardly favourable for Miss Novotny. As far as Talbert is concerned the young woman is a mere modulus in his union with the film actress.’ With kindly eyes he looked up at Catherine Austin. ‘Surely it’s self-evident - Talbert’s intention is to have intercourse with Miss Taylor, though needless to say not in the literal sense of that term.’ Action Sequence. Hiding among the traffic in the near-side lane, Koester followed the white Pontiac along the highway. When they turned into the studio entrance he left his car among the pines and climbed through the perimeter fence. In the shooting stage Talbert was staring through a series of colour transparencies. Karen Novotny waited passively beside him, her hands held like limp birds. As they grappled he could feel the exploding musculature of Talbert’s shoulders. A flurry of heavy blows beat him to the floor. Vomiting through his bloodied lips, he saw Talbert run after the young woman as she darted towards the car. The Sex Kit.‘In a sense,’ Dr Nathan explained to Koester, ‘one may regard this as a kit, which Talbert has devised, entitled “Karen Novotny” - it might even be feasible to market it commercially. It contains the following items: (1) Pad of pubic hair, (2) a latex face mask, (3) six detachable mouths, (4) a set of smiles, (5) a pair of breasts, left nipple marked by a small ulcer, (6) a set of non-chafe orifices, (7) photo cut-outs of a number of narrative situations - the girl doing this and that, (8) a list of dialogue samples, of inane chatter, (9) a set of noise levels, (10) descriptive techniques for a variety of sex acts, (11) a torn anal detrusor muscle, (12) a glossary of idioms and catch phrases, (13) an analysis of odour traces (from various vents), mostly purines, etc., (14) a chart of body temperatures (axillary, buccal, rectal), (15) slides of vaginal smears, chiefly Ortho-Gynol jelly, (16) a set of blood pressures, systolic 120, diastolic 70 rising to 200/150 at onset of orgasm . . . ’ Deferring to Koester, Dr Nathan put down the typescript. ‘There are one or two other bits and pieces, but together the inventory is an adequate picture of a woman, who could easily be reconstituted from it. In fact, such a list may well be more stimulating than the real thing. Now that sex is becoming more and more a conceptual act, an intellectualization divorced from affect and physiology alike, one has to bear in mind the positive merits of the sexual perversions. Talbert’s library of cheap photo-pornography is in fact a vital literature, a kindling of the few taste buds left in the jaded palates of our so-called sexuality.
J.G. Ballard (The Atrocity Exhibition)
You want me to fuck you?” I leaned down, bringing her face to mine so our noses crushed together. I grabbed the front of her dress, twisting, tightening it against her skin until the fabric began pulling apart and tearing. “You want me to knock you up?” “Yes,” she breathed out. “Yes.” I dropped to the marble, resting my back against the vanity. “Ask nicely.” “Please.” “Nicer.” She crawled toward me on all fours, straddled my lap, and grabbed my hand, bringing it between her legs. Her fingers guided mine into her slick pussy, two of hers joining mine inside her warmth. My lips found her nipple, biting down through her dress. Together, we fucked her cunt down to our knuckles, curling until her walls pulsed. I watched our fingers disappear inside her. She arched her back, trying to accommodate as much of us as she could. Her lips drifted to the shell of my ear. “Please, please, please.” I tore my fingers out of her, ripped her dress down the middle, and captured both sides of her waist, sinking her onto my cock, down to the hilt. Her head fell forward. She bit my shoulder, drawing blood, her hips bucking. She was so tight it felt like I was fucking her ass. Her walls squeezed around me, milking my dick for cum. I let her ride my length until my impatience won over, and I pulled her off me, flipped her over, and lowered her on all fours. The marble was cold and hard against her knees. I love seeing that spoiled little brat take all of my cock, feeling the discomfort of it. My silver-spooned nymph. I entered her from behind. She drove back, meeting each of my thrusts. My fingers curled around her neck and steered her upward until her back plastered against my front. She craned her head around and captured my lips, slipping her tongue past my teeth. Her back arched, fingers dipping between her legs, searching for her clit. I smacked them away, then landed a palm on her ass. “Rom,” she whined. “I need to come.” “What you need is to be fucking grateful.” My blood brought my point home, covering every inch of her back, arms, and tits, matting her hair in clumps. I released her throat and pet the crown of her head, whispering praises into her ear. “Such a good girl.” Words I never thought I’d say. Especially to this particular girl, who was anything but good two hundred percent of the time. “If only you took directions so well when you’re not filled with my cock.” I reached around her and found her clit, rewarding her with a single flick. She cried out and fell forward, on her hands and knees again, pushing onto my cock. More crimson drops splattered onto her back. I’d reopened my wound, and fresh red painted her spine. I dipped a finger into it, then spelled my name across her back dimples. “Who owns your ass?” I growled. “You.” “Louder.” “You.” “Now crawl forward and show me your cunt from behind. I want to see if it’s worth my cum.” With a reluctant moan, she inched away from my cock, writhing about two feet away. She started to turn when I hissed, “I don’t want to see your face, Mrs. Costa. Just the cunt I stole from my enemy.” She spread her thighs apart, exposing her pussy. It dripped on my floor, her juices mixing with my blood, creating a pink puddle at her feet. I stroked my cock, coated with her wetness, scented by the wife I couldn’t get enough of. I grinned, the release tickling my shaft. “Embarrassed?” “No. Empty.” Fuck me sideways. How this woman would ever end up with a wuss like Madison, I had no idea. She would make meatballs out of him before the reception. (Chapter 55)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
You still want me?” she murmured, a seductive husk to her voice. Gods, this woman could do me in with a single question. My gaze drifted down to my very proud, very erect cock and back to her face. “I think you know I’ll always want you. But right now? I want you more than I want air.” Lust bloomed through our connection, nearly knocking me for a loop. “That’s good. You know, I almost touched myself in the shower without you,” she admitted, opening her towel and showing me her perfect skin. “Almost made myself come all over my fingers just thinking about you tied up out here.” She threw a leg over mine, straddling me, my cock mere inches from Heaven. But did Wren even graze my aching, leaking head? No. No, she did not. Instead, she held herself from me as she grazed her own skin, palming her breasts, plucking her already-tight nipples.    “Fuuuuccccckkkkk,” I groaned, shifting restlessly on the sheets, trying for just a brush of her sex against mine. The pleasure she was giving herself threaded through me—enough that I was ready to rip out of these cuffs and take her over my knee. Her hands traveled down her stomach, her fingers threading through her auburn curls. “Just like this,” she said. “But I thought you’d want to see me. And you want to, don’t you? Watch me fuck myself?” My mouth was as dry as the Sahara. “Yes,” I croaked. “I want to see everything.” She whimpered as she grazed her clit with her thumb, fucking that sweet pussy with her fingers, her delicious heat so far out of reach. “Let me taste you,” I ordered, the thread of command thick in my voice. Wren raised an eyebrow, not giving an inch. “Good boys say please, Nico. Everyone knows that.” “Please,” I whispered, needing her taste on my tongue. Needing it, craving it. If she was going to torture me this way, I wanted something, anything of hers. Wren’s smile widened as she crawled up my body, grazing her luscious tits up my belly and chest. I tried capturing a nipple in my mouth, but she kept it just out of reach. She straddled my chest, her wet, slick heat so close and so far—all at the same time. I wanted her to sit on my face, wanted to lap her up, and drink her down. Wanted her pleasure for my own. But instead of letting me taste her, she went back to work, milking herself of pleasure just out of reach. Her scent filled my nose so much I could almost savor her sweetness, and as her pleasure ramped up, it got thicker in the air. She let her hair down, the wet strands curling over her gorgeous tits as she writhed. She plucked at her nipples, making herself hiss in desire. “That’s it, beautiful,” I growled. “Make yourself come all over my chest. Fuck that gorgeous pussy.” My words must have done the trick because Wren went off like a bomb, her orgasm slamming into both of us, nearly taking me over with it. But she didn’t come to me, didn’t press her body against mine, and that’s when I decided I’d had about enough of this shit. A flick of my wrists later, and Wren was on her back in my bed, her eyes wide. I nearly hissed at her warm skin against mine, but I was too preoccupied with her surprise. It was fucking adorable. “Yo-you just broke out of… How did you… How strong are you?” Like a pair of steel cuffs were a match for any shifter, let alone an Alpha. “Sweetheart, I’m an Acosta Alpha, next in line to take my father’s place if he ever decides to step down. A shifter is strong. I am stronger. Now, you’ve had your fun. It’s my turn.” Her wide green-gold eyes flared as her mouth parted, and even though she’d just had an orgasm, Wren’s desire blazed through us. As reluctant as I was to move,
Annie Anderson (Magic and Mayhem: Arcane Souls World (The Wrong Witch Book 2))
You’re all I want, Jane.” As he stroked her, he used his other hand to brush hers away so he could unfasten his own trouser buttons. “The only woman I ever cared about.” “You’re the only man Iever cared about.” She undulated against his fingers, begging for him with her body. “Why do you think…I waited for you so long?” “Not long enough, apparently,” he muttered, “or you wouldn’t have gotten yourself engaged to Blakeborough.” He tugged at her nipple with his teeth, then relished her cry of pleasure. “I only…did it because I was…tired of waiting.” She arched against his mouth. “Because you clearly weren’t…coming back for me.” “I was sure you hated me.” At last he got his trousers open. “You acted like you hated me still.” “I did.” Her breath was unsteady. “But only because…you tore us apart.” He shifted her to sit astride him. “And now?” Flashing him a provocative smile he would never have dreamed she had in her repertoire, she unbuttoned his drawers. “Do I look like I hate you?” His cock, so hard he thought it might erupt right there and embarrass him, sprang free. “You look like…like…” He paused to take in her lovely face with its flushed cheeks, sparkling eyes, and lush lips. Then he swept his gaze down to her breasts with their brazen tips, displayed so enticingly above the boned corset and her undone shift. He then dropped his eyes to the smooth thighs emerging from beneath her bunched-up skirts. Shoving the fabric higher, he exposed her dewy thatch of curls, and a shudder of anticipation shook him. “You look like an angel.” She uttered a breathy laugh. “A wanton, more like.” Taking his cock in her hand, she stroked it so wonderfully that he groaned. “Would an angel do this?” His cock was a rod of iron. “Jane…” He covered her hand to stay it, but she ignored his attempt. “I love it when you can’t control yourself,” she whispered. “I love having you at my mercy. You have no idea…how much I enjoy seeing Dom the Almighty brought low.” He barely registered her words. What she was doing felt so good. So bloody damned good. If she stroked him much more… “I want to be inside you.” He gripped her wrist. “Please, Jane…” Her sensuous smile faltered. “You’ve never said ‘please’ to me before. Not in your whole life.” “Really?” Had he only ever issued orders? If so, no wonder she’d refused him last night. Perhaps it was time to show her she didn’t have to seduce him to gain control. That he could give up his control freely…to her, at least. “Then let me say it now. Please, Jane, make love to me. If you don’t mind.” She stared at him. “I…I don’t know what you mean.” He nodded to his cock, which looked downright ecstatic over the idea. “Get up on your knees and fit me inside you.” Realizing he’d just issued yet another order, he added, “Please. If you want.” Jane got that sultry look on her face again. Like the little seductress she was rapidly showing herself to be, she rose up and then came down on him. By degrees. Very slow degrees. He had trouble breathing. “Am I hurting you?” Her smile broadened as she shimmied down another inch. “Not really.” Stifling a curse, he clutched her arms. “You just…enjoy torturing me.” “Absolutely,” she said and moved his hands to cover her breasts. He was more than happy to oblige her unspoken request, happy to thumb her nipples and watch as her lovely mouth fell open and a moan of pure pleasure escaped her. His cock swelled, and he thrust up involuntarily. “Please…” he said hoarsely. “Please, Jane…” With a choked laugh, she sheathed herself on him. Then her eyes went wide. “Oh, that feels amazing.” “It would feel more amazing if you…would move,” he rasped, though the mere sensation of being buried inside her was making him insane. When she arched an eyebrow, he added, “Please.” “I could get to like this,” she said teasingly. “The begging.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Rowan coughed and spluttered on his gulp of beer. “I’ve never played with my pussy,” he said with an amused glint in his eye.” Her cheeks heated at his dirty language, but the tingles running under her skin made her aware of her reaction to being alone in the hotel room with Rowan, sitting on the big bed and playing silly games. “I’ve never touched a woman’s breasts beside my own.” “I’ve never given a blow job.” “I’ve never received a blow job,” she said, tilting the mini wine bottle to her mouth and realizing it was empty. “I’ve never played I never with a woman I love before,” he said, setting his beer can on the nightstand with a clink. “I’ve never kissed a man in a hotel room before.” She pressed forward onto her hands and knees to reach and kiss him. Their lips lingered for a long moment before she leaned back and waited for his next I never. “I’ve never removed a woman’s shirt in a hotel room.” Now it was his turn to lean forward and tug her sweater up over her head. She thought long and hard about her next words, knowing he would act on whatever she said. “I’ve never ordered a man to take off his shirt in a hotel room,” she said finally and watched happily as he removed his long sleeve navy cotton T–shirt. She’d never tire of seeing his smooth skin over hard pectorals. A narrow line of hair trailed down the center of his belly disappearing into jeans. She’d licked her way along that line yesterday and licked her lips now in anticipation of tasting him again. “I’ve never kissed a woman’s nipples in a hotel room,” he said. In a flash, her bra was flying through the air to land in a pile on the carpet in front of the window, and Rowan’s mouth was on her breasts. Sensation spiraled through her as she shuddered and her arousal built. She’d been on edge since their heated kisses in the car in the parking lot, and it didn’t take much for Rowan’s tongue to turn her into a shuddering, needy wanton. “I think this game has turned from I Never into Truth or Dare,” she said, clasping Rowan’s head to her chest. He pulled away from his decadent kisses to look her in the face. “Let’s do it. Dare me, Jill.” The look in his eye told her she might’ve taken on more than she could handle. Though she’d been an active participant in their lovemaking up to now, Rowan had taken the lead and guided her. She had the power here. The question was what to do with it. “I dare you to”—she licked her lips thoughtfully—“I dare you to get naked and lie on your back. Eyes closed,” she added. When all was as she wanted, she leaned over him and planted a kiss on his lips. Then she kissed her way down his body, stopping at all the best spots. His chin, where his unshaven beard scratched at her skin. His pectorals, one nipple, then another. His belly button. “You’re ticklish,” she observed. “Yeah.” Then she made her way lower to his erection, lying over his belly pointing at the chin. She freaking loved his body and how it reacted to her every touch. Being alone with him in the hotel room was even better. Here there were no echoes of footsteps in the hallway, no clock ticking signaling the end of their hour together, no narrow bed forcing them to get creative in their positions. They had a king–size bed and a whole night to explore. Kneeling at the side, she took him in her mouth, eliciting a moan. His musky taste filled her mouth, and she lovingly used her tongue to drive him wild. His hand found the crease of her jeans between her legs and explored her while she used her mouth on him. She parted her legs, giving him better access, and it was all she could do to concentrate on giving him pleasure when he was making her feel so good. She wanted to straddle him so bad. The temptation to stop the foreplay and ride this thing to completion was great, but she held off. “Are you ready for me?” Rowan asked. “You want my cock in you?” His eyes remained closed, and a smile lingered on his face.
Lynne Silver (Desperate Match (Coded for Love, #5))
You’re the only woman I’ve ever wanted.” He leans back and teases my nipple. “Now ride me until you believe it.
Nichole Greene (Under the Same Sky)
His weight lifted, and his hand reached between her thighs, stroking and opening her. She felt a nudge, an adjustment as he aligned himself, then steady pressure at her entrance. He was so hard, his flesh like steel, but he was gentle and controlled, taking his time. She gasped as her muscles gave way and the broad tip pushed inside, stretching her, keeping her open. He held still, his hands stroking her hips and bottom. All her nerves tingled and sparked in anticipation, knowing how good it was going to be. She pressed back against him, and he sheathed himself in a slow, wet plunge, all the way inside, deeper than she'd ever been filled before. He went in at just the right angle, pressing where she most wanted. Her body gripped him, or tried to, except the invasion was so thick, her muscles only fluttered and throbbed instead of clenching down. She felt almost as if she were at the brink of release. And to her astonishment... she was. She was about to tip over into a sea of mind-dissolving pleasure. "Wait," she heard Keir say through the clamor of her heartbeat. His hands were on her hips, keeping her close and tight. For some reason it aroused her intolerably, knowing he was trying to stop her from climaxing. She tried to drive herself back on the hard shaft inside her, unable to get enough of its even though she was stretched to the limit. Raising up on her forearms, she writhed and pushed desperately against him. Keir's husky laugh caressed her ears as he leaned over her. He held her hips snugly against his, allowing only a sense of motion, a subtle grinding that wasn't nearly enough. Very gently, he closed his teeth on the side of her neck and soothed it with his tongue. "Tell me how good it feels," he whispered. Merritt fought for the breath to reply. "It feels too good. I want to come... I want to spend... oh, please, Keir..." "Spend," he repeated, and smiled against her shoulder. "I like that word for it." He withdrew just an inch, and rolled his hips upward. "Aye, I want your pleasure. Spend it all on me." She sobbed and squirmed, able to feel the motion of him deep in her belly, but it wasn't enough. "Harder. Please." The rhythmic drives grew longer, more aggressive. "No one else could ever feel this good to me," he said. "No other woman in the world. Only you." He reached beneath her to cup the round weights of her breasts, and began to pinch and tug at her nipples. Not sharply but not softly, the little flashes of discomfort somehow magnifying her pleasure. His hand slid down her front and between her thighs, finding the taut peak of her sex. The gently massaging fingers, the steady pumping, set off an explosion of pleasure that spread to every part of her body and kept unfolding and renewing itself. The release was so powerful, it left her dazed and too weak to move. She was only vaguely aware of Keir's climax, the quiet growl he pressed against her skin, the rough shudders that ran though him.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
I’ve been a mess ever since. I love Christine. I’ve watched her grow up from pain in the ass teenage girl to pain in the ass young woman. I didn’t have feelings for her before, but now they’re unavoidable. And when she stands in front of me in a thin shirt with her nipples poking through the fabric, it’s hard to resist her.
Cora Kent (Dark Devotion (Blackmore University, #1.5))
I’m worried he’s going to think I’m jealous. A woman sent us a photo the other day with I LOVE CYRUS JONES written across her breasts. Cyrus glanced at it, said, “Let’s hope that’s not permanent ink,” and moved on to something else. But I stared and stared. Her breasts were not just slightly better than mine, they were better in every possible way. First of all, they were bigger, which meant they were inherently better. But they also seemed perkier on top of being bigger, which made it all so much worse, and her nipples seemed ludicrously well proportioned, like a perfect dinner setting for two. She smiled at the camera, her hands holding up her T-shirt, with the sort of smile only a woman with those breasts could possibly possess: light, smug, 100 percent confident that the person who was looking at her would have major trouble ever erasing the image of her tits from their mind.
Tahmima Anam (The Startup Wife)
She knew she should drop the subject, but something inside her wouldn't let go. She snapped her fingers, couldn't resist. "You could go as a moving man." "Damn, woman." He was on her before she had a chance to step back. He slid his big hands into her hair, none too gently. Held her still. "What's with you? I've asked you nicely to stop. Let up or I'll---" "What?" She moved beyond common sense. He kissed her. His punishment was sexual, unexpected, yet effective. He was all hotness, hardness, and sensual appeal. Sparked by anger, he bit her bottom lip. Sensation puckered her nipples. Her belly pulled tight. Her groin pressed his. Their thighs rubbed. The kiss lasted. She had no desire for it to end. His firm mouth softened. He slipped his tongue between her lips with sexy finesse. The man could kiss. He made her want him. Fully into him, she rose on tiptoe and clutched his biceps. His hands rubbed down her back, cupped her butt, and lifted her slightly, until they were sexually aligned.
Kate Angell (The Cottage on Pumpkin and Vine)
You listen to me, Holmes, and you listen good. I did not exit a child out of my body to just sit here and raise it without a best friend by my side. Do you understand what a postpartum woman goes through?” “Ehhh . . .” “Underneath this pretty pink blouse I’m wearing are raw nipples. Yeah . . . raw. They are chapped and have been sucked on and tugged on and brutalized to the point that I’m not sure I even have feeling in them anymore. And my stomach.” She clasps her hand to her stomach. “It is jiggly but not, but also . . . jiggly. Explain to me how that works? It’s as if when I got pregnant, an extra layer of skin was added but never fully attached to the underneath layer so it just moves around freely. And my feet . . . they fit in nothing,” she whispers in a scary tone, and I can feel the hairs on the back of my neck rise. “Nothing. All I can say is thank God for my generation creating the casual but professional look by incorporating sneakers with trousers because I wouldn’t have anything to wear on my feet if it weren’t for the fashion trends right now. And don’t get me started on the underwear I have to wear now.” She grips my jersey, coming in closer. “They are . . . enormous. I could wrap your head and Posey’s head together in one pair. So you can understand I need my best friend. Therefore, find your balls, man, because you are going to make my friend fall for you so fucking hard that she won’t know what to do with herself. Got it?
Meghan Quinn (He's Not My Type (The Vancouver Agitators, #4))
They might be armed to the teeth, but all it took was a woman’s nipples to scare the life out of these virgins.
C.N. Crawford (Hallowed Games (Hallowed Games, #1))
He deliberately studied the curves, the upward thrust of the nipples, the way they pushed against the stretched yarn of her sweater, before he raised his gaze. She didn’t feel he was being vulgar, improper. Instead, she felt wholly desired, a woman’s need, which the passage of time never diminished. She couldn’t deny the potency of it when it was offered by the right man.
Joey W. Hill (The Vampire Queen's Servant (Vampire Queen, #1))
Tilting Your Nipple
La Leche League International (The Womanly Art of Breastfeeding)
Some mums with flat nipples will even end up with “T-shirt nipples” after nursing. Though her breasts will change again once the woman stops nursing, they’ll never go back to what they were before. Small-breasted women who breastfeed longer than a year can become flat as pancakes; large-breasted women may experience sagging. Therefore, if a woman is concerned about her body image, it might not be best for her to breastfeed. She’s likely to hear that she’s “selfish” for making such a decision, but who are we to make her feel guilty and wrong?
Tracy Hogg (Secrets of the Baby Whisperer)
I’m not a loose woman,” she said firmly, without preamble, “and I won’t be your mistress, no matter how many boxes of chocolates you give me.” Caleb rested one hand on the gnarled trunk of the tree she leaned against and bent toward her. “That’s the last thing I think, Miss Chalmers,” he informed her. “That you’re a loose woman, I mean.” “Is it?” She blushed again. Fetchingly, he thought. “You’ve kissed me twice today, Major Halliday. And tonight at the table, you—you—” “I touched you,” Caleb said softly. “And you let me.” Lily sighed. “I don’t know what possessed me.” “I do,” came the easy reply. “You’re supposed to feel like that when the right man touches you, Lily. It’s natural.” She stared up at him. “It is?” Caleb nodded. “Not only that, but it gets better.” Lily swallowed. “It couldn’t.” “But it does,” Caleb argued gently. “One day soon, when you’re ready, I’ll show you.” “It seems to me that you expect rather a lot for a pound of chocolates,” Lily protested. Caleb laughed. “Rebel while you can,” he said. “Very soon things will be different.” She looked as though she didn’t believe her ears. “Of all the audacious, low-minded—” He ran his thumb along her jawline, delighting in her fury and her fire. Taming her was going to be pure joy. “Yes?” It took a mere brush of his lips to make her tilt her head back for his kiss. Caleb wondered if she was sophisticated enough to know how much he wanted her. He’d kissed her thoroughly when she finally placed both hands against his chest and pushed. “It’s hopeless,” she gasped out defiantly. “So stop trying to convince me!” Caleb smiled and allowed one of his hands to stray, ever so lightly, across her breast. He felt her nipple grow instantly taut against his knuckles. “I mean to have you, Lily Chalmers,” he warned, his voice barely more than a breath. “The time will come when you’ll stand at your window watching for me.” She gaped at him. “I see we understand each other,” he said, putting his hat back on and stepping back to see Lily better. She was like some delicate, exotic flower blooming in the moonlight. “Suppose I tell you that I never want to see you again?” she managed after a long time, her voice a breathless whisper. Caleb knew he looked a lot more confident than he felt. “You won’t,” he answered. “What makes you so sure?” “The kiss we just shared.” “You say and do the most outrageous things, Major Halliday.” He
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
I love you, Ellen Markham.” He kissed her cheek. “When are you going to tell me you love me?” “How can you be sure I do?” Val hiked a leg across her thighs. “First, you are sending me away. This is proof positive you love me, for you are trying to protect me from some sort of grave peril only you can perceive.” Ellen’s breathing hitched, and Val knew his guess had been right. Gratified by that success, he marched forward. “Second”—he slipped a hand over her breast—“you make love with me, Ellen. You hold nothing back, ever, and are so passionate I am nigh mindless with the pleasure of our intimacy.” He punctuated this sentiment by dipping his head and suckling gently on her nipple. She groaned and arched up toward him. “I make my point.” Val smiled in the dark and raised his head. “Third, there is the way I make love with you.” “And how is that?” She sounded more breathless than curious. Val shifted his body over hers. “As if I trust you. I know you are human, and you will do what you think best, but you do it with my interests in mind, Ellen. I don’t have to watch myself with you, because you love me, truly. I know it. It isn’t the way my siblings love me, though they are dear. It isn’t how my parents love me, which is more instinct than insight. It isn’t the way my friends love me, though they are both dear and insightful.” “So how is it?” Ellen asked, slipping her legs apart to cradle him intimately. “It’s the way I want and need to be loved,” Val said quietly, resting his weight against the soft, curving length of her. “It’s perfect.” “But I am sending you away,” Ellen reminded him, her fingers at his nape. Val levered up on his forearms and began to nudge lazily at her sex with his erection. “So you’re running out of time to tell me the things that matter, aren’t you?” If she was going to use words to answer, Val forestalled her reply by kissing her within an inch of her soul. Her response was made with her body, and to Val’s mind she told him, as emphatically as any woman ever told her man, she did, indeed, unequivocally love him. And always would. “What
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Tom grinned wide at the woman in Baltsaros’s arms, his fingers quickly undoing the buttons that held the flap up at the front of his pants, and wondered again whether the captain did this with all of his lovers. Sharing a woman with another was something that Tom had never considered before and, despite his preference for men, the thought of it made him horny as hell. The captain let out a low chuckle and then a soft hiss when the pretty young whore bit his nipple with a smile. As her tongue licked a wet trail across Baltsaros’s furry chest, Tom could see the woman’s hand working quickly below the waist of the captain’s pants. Tom’s heart thudded in his chest, and he crawled forward, intent on freeing the captain’s cock.
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
You do not spit when your sister may suffer my wrath. I should keep her, I think. She is a brave warrior, no?” Loretta’s heart caught. Fool! Her eyes flew to Amy. She should have shot the child while she had the chance. “Ah, but I have said she will go back to her mother, no? And you have said you are my woman.” Tightening his grip on her breast, he leaned forward and brought his mouth so close to her ear that shivers raced down her spine. “Your heart pounds, woman. It is a lie you speak? You will fight this Comanche when your sister is out of danger?” She knew he was testing her, daring her to resist him, glorying in the power he wielded. Knowing that gave her the strength to be still. She shook her head in reply, praying Comanches used the same gesture to say no. “It is a promise you make?” He rasped his thumb across her gown, teasing her nipple. The shock of feeling that spiraled from her breast to the hollow of her belly nearly took her breath. Keeping her face carefully blank, she nodded. “This Comanche thinks you lie.” With a shake of her head, Loretta lifted pleading eyes to his. Endless seconds passed as his fingertips followed the path of his thumb, each feather-light caress more shattering to her pride than the last. She clenched her teeth. His features blurred, and she realized she was looking at him through tears. Suddenly he began to laugh and dropped his hand to her ribs. “You do not lie so good, Yellow Hair. Your eyes make big talk against you. But that is okay. We have had this one moment together, no? And you did not spit.
Catherine Anderson (Comanche Moon (Comanche, #1))
In a voice that rasped with frustration as well as tender amusement, Hunter said, “You have such a great want for me that we must hurry, yes?” Her spine snapped taut, and she leaned her head back to look at him. He met her gaze with a lazy smile, trying not to think about how her nipples grazed his skin, how torturous it was to feel her hips pressing forward against him. Working one hand loose, he carefully brushed the tears from her cheeks. Giving a low chuckle, which he punctuated with a defeated sigh, he said, “Blue Eyes, we have many nights to lie with one another. Forever, yes? Until we die and rot.” “Until death do we part,” she amended. “Ah, yes, until death do we part.” He shrugged one shoulder. “A very long time, yes? If I strike such fear into your heart that we must be quick, it is wisdom to wait. It is enough that you will lie beside me. That I can put my hand upon you.” Her expression went from wary distrust to incredulity. “And do nothing?” Hunter shared her sentiments. It was the most boisa idea he had ever come up with. Never had he ached quite so sharply with wanting a woman. “You would like to do something? You say it and we will do it.” Hoping to make her feel less self-conscious about her nakedness, he tugged a fur over them and loosened his arm around her, allowing her some room to get comfortable. “Make a story for me, yes? About my Loh-rhett-ah when she was small like Blackbird.” She stared at him, clearly unable to believe he meant it. He forced a yawn, and from the look that crossed her small face, he knew he hadn’t been very convincing. “You’re not sleepy,” she accused. “Ka, no,” he admitted. “I make a lie, yes? To make you easy? My heart is laid upon the ground when you are afraid. Let us be glad, eh? Make me a story.” “Hunter, I don’t have a stitch of clothes on,” she squeaked. One of his dark eyebrows flicked upward. “You must have clothes to make stories?
Catherine Anderson (Comanche Moon (Comanche, #1))
Hunter!” She tried to shove the leather down. “Someone might come!” “No one comes.” Fascinated, he touched the rosy tip of her nipple with his dark fingers, watching it harden and thrust upward, begging for attention--attention he was more than willing to give it. Dipping his head, he flicked the tip of his tongue across the peak, then seized it with his teeth. She gasped and made fists in his hair. “Hunter?” “Hm?” He moved to the unkissed breast. “What is it you want, little one?” Her breath caught as his teeth closed on her. “I want to go.” With skillful determination, Hunter continued the exquisite torment until the tips of her nipples throbbed, swollen and hot, against the end of his tongue. “Hunter, please…” She moaned and drew him toward her, arching her hips against him. “Hunter…” He obliged her and at last took her into his mouth. She cried out at the sharp pull, and he gloried in the sound, in the knowledge that he could make her surrender to him. After tending each breast, he started to kiss her lips, but she held tight to his hair, pulling him back to her nipple, arching up to meet his mouth. With a pleased chuckle, Hunter fulfilled the silent request, savoring the sweet taste of her. Then he kissed her parted lips. Loretta opened her eyes and gazed up at her Comanche husband through a haze of longing. By degrees her pulse slowed, and her senses cleared. A tender smile curved his mouth. “My heart is heavy to say these words, Blue Eyes, but someone may come. My woman who is without shame must wait, eh?
Catherine Anderson (Comanche Moon (Comanche, #1))
I closed my eyes, laid my head back on the pillow, and savored my first moments alone with my child. Seconds later, the door to my room opened and my brother-in-law, Tim, walked in. He’d just finished working a huge load of cattle. Marlboro Man would have been, too, if I hadn’t gone into labor the night before. “Hey!” Tim said enthusiastically. “How’s it going?” I yanked the bedsheet far enough north to cover the baby’s head and my exposed breast; as much as I loved my new brother-in-law, I just couldn’t see myself being that open with him. He caught on immediately. “Oops--did I come at a bad time?” Tim asked, a deer caught in the headlights. “You just missed your brother,” I said. The baby’s lips fell off my nipple and she rooted around and tried to find it again. I tried to act like nothing was happening under the covers. “No kidding?” Tim asked, looking nervously around the room. “Oh, I should have called first.” “Come on in,” I said, sitting up in the bed as tall as I could. The epidural had definitely worn off. My bottom was beginning to throb. “How’s the baby?” he asked, wanting to look but unsure if he should look in her direction. “She’s great,” I answered, pulling the little one out from under the covers. I prayed I could get my nipple quickly tucked away without incident. Tim smiled as he regarded his new niece. “She’s so cute,” he said tenderly. “Can I hold her?” He reached out his arms like a child wanting to hold a puppy. “Sure,” I said, handing her over, my bottom stinging by now. All I could think about was getting in the shower and spraying it with the nozzle I’d noticed earlier in the day when the nurse escorted me to the bathroom. I’d started obsessing over it, in fact. The nozzle was all I could think about. Tim seemed as surprised at the baby’s gender as his brother had been. “I was shocked when I heard!” he said, looking at me with a smile. I laughed, imagining what Marlboro Man’s dad might be thinking. That the first grandchild in such a male-dominated ranching family turned out to be a girl was becoming more humorous to me each minute. This was going to be an adventure.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Loretta stared up at him, trying to assure herself that he was only bluffing. She had run away; now he meant to teach her a lesson. Once he felt vindicated, he would be the same sweet, gentle Hunter he had always been. She kept right on telling herself that until he crouched beside her and jerked up her overblouse to rudely expose her breasts. Her breath snagged as his fingers plucked the tip of one nipple into throbbing hardness. The moonlight played upon his face, revealing the taut anger in his expression. “Ah, yes, this is the way of it, eh? A heathen and his woman?” His face twisted in a sneer as he rolled her sensitive flesh between his finger and thumb, sending shocks of sensation shooting into her belly. “Hunter, the one who rapes and tortures? That is me.” Abandoning her breast, he rocked back on his heels and jerked up her skirt. “This is very good, Blue Eyes. The animal in me likes having you tied.” With that, he stretched out beside her. Even in her turmoil, Loretta heard an echo in every word he spoke. Looking into his eyes, she knew how deeply her leaving had hurt him.
Catherine Anderson (Comanche Moon (Comanche, #1))
Juliet stared at their reflection. One big hand lay flat against her belly, the other cupped and fondled her breast. Her nipples were a dark reddish-brown from the torment. She didn’t recognise the woman who stared back, her face all flushed, her mouth parted, her head fallen back against his chest having lost its capacity to support itself. “Juliet?” His urgent prompt dragged her gaze down, to where his finger pushed lower, disappearing entirely beneath her tights while his remaining fingers stayed firmly on the outside. It found the lacy edge of her underwear and stopped, brushing back and forth. “Just the one finger.” His voice was like gravel. “That’s all I need.” Juliet moaned and closed her eyes against the wickedly delicious thought of it— watching him get her off, with just one finger. That’s all I need. Fuck... Even his arrogance was sexy. She opened her eyes, thrilling at the sight of him pawing her, one hand on her breast the other down her pants. “Yes.” Her tongue flicked out to wet dry lips. “Hurry.” He smiled triumphantly, his nostrils flaring as his middle finger slipped under the barrier of her underwear. The waistband of her tights dragged lower, dipping in the middle, as he slid into the slick folds of her pussy. Juliet cried out at the delicious invasion, arching her back and curling her fingers into his neck. “Jesus Christ.” He pressed his face into her nape and groaned. It echoed down her spine and she shivered. “You’re so fucking wet.
Amy Andrews (Playing With Forever (Sydney Smoke Rugby, #4))
Why bother with me? Why not find yourself an Indian woman?” “It is you I want.” He brushed his knuckles along the hollow of her cheek. “Your skin is moonlight. I am dark like night next to you.” He slid his hand behind her neck and drew her toward him. “Sunshine in your hair, moonlight on your skin, this Comanche’s bright one, no?” “No,” she replied in a raw voice. “You will eat?” “No.” He bent to taste the flesh at the hollow of her throat, his lips silken, his teeth nipping lightly, his warm, moist mouth sending jolts through her. “Like ermine, mah-tao-yo. So soft. And sweet like flowers.” She wedged her fists between them, her knuckles knotted against the warm, solid planes of his chest. As she opened her eyes, the room spun. “Please--please, don’t. I’m not even sure what your real name is. Please don’t.” “Hunter,” he whispered next to her ear. “Hunter of the Wolf, Habbe Esa. Lie on your back, Blue Eyes. You are weak, eh? Lie on your back and close your eyes. Let me chase your fear away. With nothing to fear, there is no need to die, eh?” “No.” She tried to push him away. “No.” He slipped an arm under her knees and drew her down the bed onto her back. She propped herself up on her elbows, trying to evade his lips as they nibbled their way down her neck to her collarbone. And lower. Panic welled within her. She couldn’t fight him. Not when she trembled like this. Not when the world tipped sideways. He slid the tip of his tongue under the leather to trace wet circles on her chest--just above her breasts. Her nipples sprang taut, sensitized to the soft leather that grazed them when she oved. Never before had Loretta actually felt the blood drain from her face; she did now. Sucking in a draft of air, she tried to twist sideways, but his arm, roped with muscle and tensed against her, blocked her escape. As she shifted position, his lips found her ear and, in unison with his teeth and tongue, learned its texture, its taste, its shape, discovering with unerring accuracy the sensitive places. His warm breath made chills run over her.
Catherine Anderson (Comanche Moon (Comanche, #1))
Lie on your back and close your eyes. Let me chase your fear away. With nothing to fear, there is no need to die, eh?” “No.” She tried to push him away. “No.” He slipped an arm under her knees and drew her down the bed onto her back. She propped herself up on her elbows, trying to evade his lips as they nibbled their way down her neck to her collarbone. And lower. Panic welled within her. She couldn’t fight him. Not when she trembled like this. Not when the world tipped sideways. He slid the tip of his tongue under the leather to trace wet circles on her chest--just above her breasts. Her nipples sprang taut, sensitized to the soft leather that grazed them when she oved. Never before had Loretta actually felt the blood drain from her face; she did now. Sucking in a draft of air, she tried to twist sideways, but his arm, roped with muscle and tensed against her, blocked her escape. As she shifted position, his lips found her ear and, in unison with his teeth and tongue, learned its texture, its taste, its shape, discovering with unerring accuracy the sensitive places. His warm breath made chills run over her. “Habbe…” Her voice trailed off. She wanted desperately to distract him, but instead it was she who couldn’t seem to concentrate. “Your name, wha--what was it? Habbe what? What does it mean?” “Habbe Esa, Road to the Wolf, Hunter of the Wolf. My brother the wolf showed his face in my name dream.” “Y-your name dream?” She wriggled away and shoved the heel of her hand against his chin so she could sit up. “Wh-what’s a name dream?” His eyes gleamed down at her as he drew back his head. “A dream a man seeks when he becomes a warrior. In the dream, he learns his name. A woman has no need. She is named by others.” He dipped his head and captured her thumb between his teeth. Mesmerized, Loretta felt his tongue flick across her knuckles. Dear God, she was going to faint. And while she was unconscious, he would--he would…She felt herself tip sideways. His arm caught her from falling. He released her thumb. “Blue Eyes?” Loretta licked her bottom lip, trying desperately to right herself, to stay conscious. She couldn’t pass out--she just couldn’t. His face blurred. And his voice seemed distant. “Hah-ich-ka ein, where are you, Blue Eyes?” Loretta blinked, but it did no good. Was this how it felt to die? All floaty and distant from everything? Hah-ich-ka ein, where are you, Blue Eyes? She tried to answer. Couldn’t.
Catherine Anderson (Comanche Moon (Comanche, #1))
Steve toyed with the idea of sending his doodles to the artist’s agent. Perhaps this was his life’s calling and he’d make a fortune drawing breasts. He kind of liked the idea. Hiring women to pose for him, that sort of thing. With that thought in mind he sketched a couple of ideas. He drew a torso and gave the woman four breasts with multiple nipples. He was just warming to his subject when Hallie glanced over at what he was doing, gasped and grabbed the program away from him. Giving him a pinched-lip look, she promptly crumpled it up.
Debbie Macomber (This Matter of Marriage)
Know what would make me happy?” “If I buy a more manly brand of toilet paper?” “No. Well, yes. But we can talk about that when we’re not naked.” She draped her arm over his shoulders and ran her fingertips over the sweet spot at the back of his neck. “What should we talk about while we’re naked?” He groaned and rolled onto his back, but he took her with him so she was straddling his hips. “Let’s talk about how you look working in the sun, with your skin all shiny and a smear of dirt on your nose.” “Does me being all grubby and sweaty turn you on?” “Watching you work turns me on. You work hard and you’re not afraid to get your hands dirty. I like that in a woman.” “Flattery will get you—” she swiveled her hips, brushing over his erection and making him suck in a sharp breath “—everywhere.” He reached up and cupped her breasts, rubbing his thumbs over her nipples. “Don’t wanna be anywhere but here.” The man knew all the right words. He definitely had all the right moves. And he was a quick learner, so he already knew all the right ways to touch her to drive her out of her mind. He had a way of looking at her with those intense blue eyes that made her feel as though he’d been waiting his entire life just to make love to her. And, as long as she wasn’t stupid enough to imagine she could see forever in those eyes, she’d take it. He ran one fingertip down her forehead to the bridge of her nose. “You’re frowning. What are you thinking about?” She shoved the word forever out of her mind and ran her hands over his rippled abdomen. “I was wondering why you’re not inside me yet.” “Because you’re frowning at me. Gives me confidence issues.” Reaching between their bodies, she stroked the hard length of him. “Confidence is never an issue for you.” He grinned and flipped her onto her back. “I’m confident I can have you whimpering my name into your pillow in five minutes or less.” “I don’t know,” she said as his hand brushed over her stomach and kept going south. “I’m not an easy woman to please.” His mouth followed the trail his hand had marked against her skin. “I never could resist a challenge.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
Shona thought of another question. "What does a man expect of a woman? I would have no inkling what to do." Isobel waved a hand. "He will show you soon enough. Anyway, it will come to you as if 'twas something you'd always known. Accepting his kisses and kissing him back. Touching him. Men loved to be touched." "Where?" "Anywhere," Isobel snickered. "I remember one thing that surprised me the first time. Although I should have known considering how men are always staring down at my breasts." Shona felt her eyes widen again, then tried to hide her shock. "Men love to kiss and suckle nipples," Isobel whispered. "Heavens, you cannot be serious." Shona felt like the most naive person on earth at that moment. "Indeed, I am. That is why they're always gawking at women's breasts, even when they're covered my layers of clothing. They also like to fondle, squeeze, kiss and stroke them." Shona cleared her throat. She had never imagined such a thing.
Vonda Sinclair (My Daring Highlander (Highland Adventure, #4))
But I think you can tell that voice to shut the fuck up. I think you can learn to look at your sagging breasts and your belly and your wrinkles and those three nipple hairs that we're all secretly plucking and see a human instead of a meatsack designed to give someone else pleasure. I think that you can love your weirdest, ugliest self more deeply than you're supposedly allowed to, and demand that others either love her or fuck off. And I think that whatever you might lose by refusing to conform will always be less than the pieces of yourself you lose by pretending to be the woman you are not.
Megan Carpentier
You didn’t even look at me,” I protest. He sits up on his knees and lifts my leg up by his shoulder. He’s not looking at my body. “You have pink toenail polish, and you have a bit of stubble on your legs.” He grins. “You can use my razor if you want.” His hand slides up my calf, toward my knee, leaving a wake of goose bumps behind. “Your thighs are firm, and you have a generous flare to your hips.” His hand slips to the front of my panties, where he drags his thumb back and forth for a moment. “You have this tiny dusting of hair, here.” His thumb presses against my cleft, and I arch my back to press harder against him. He chuckles. His hands drift up my sides, lifting the shirt. He tugs it up, until it rests just beneath my breasts. He presses a kiss to my belly. My nipples are hard and standing tall. He licks his lips. “Your nipples are pink and puffy and perfect. And your breasts will fit in my hands.” He throws the shirt back down, groaning as he lies back down on top of me, rocking his length against me again. “I saw everything,” he says. “I was just trying to be a gentleman.” He laughs. “You thought I didn’t look.” He kisses the tip of my nose. “Silly woman,” he scolds. “You looked.” That’s all I can say. And it comes out as a croak. Thank God he can’t hear the quiver in my voice. “I looked,” he admits. “You were naked. And so fucking beautiful that I could barely breathe. Of course, I looked.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
In ancient times,' Quichotte said, in a last appeal to reason, 'when a woman was accused of witchcraft, the proofs were that she had a "familiar", usually a cat, plus a broomstick and a third nipple for the Devil to suck on. But almost all homes had cats and brooms and in those days many people's bodies had warts. Thus the mere accusation, witch!, was all that was required. The proof was in every home and on every woman's body and therefore all women so accused were automatically guilty.
Salman Rushdie (Quichotte)
Her white blouse is buttoned nearly all the way up, and she appears to be wearing a tight white tank top underneath it. But it’s wet in a really great place, and Miss Stiles appears to be wearing a very thin white bra underneath that tank top. He doesn’t know it yet, but I’m currently teaching my son a very important lesson in how to behave like a gentleman, even when you can see the outline of a beautiful woman’s erect nipple. “Did you spill water on your boob?” my son asks her. Or maybe not.
Kayley Loring (Troublemaker (Name in Lights, #3))
Droplets of blood stand out on the eyelids: you may weep blood. The blood runs from your eyes down your cheeks and refuses to coagulate. You may have a hemispherical stroke, in which one whole side of the body is paralyzed, which is invariably fatal in a case of Ebola. Even while the body’s internal organs are becoming plugged with coagulated blood, the blood that streams out of the body cannot clot; it resembles whey being squeezed out of curds. The blood has been stripped of its clotting factors. If you put the runny Ebola blood in a test tube and look at it, you see that the blood is destroyed. Its red cells are broken and dead. The blood looks as if it has been buzzed in an electric blender. Ebola kills a great deal of tissue while the host is still alive. It triggers a creeping, spotty necrosis that spreads through all the internal organs. The liver bulges up and turns yellow, begins to liquefy, and then it cracks apart. The cracks run across the liver and deep inside it, and the liver completely dies and goes putrid. The kidneys become jammed with blood clots and dead cells, and cease functioning. As the kidneys fail, the blood becomes toxic with urine. The spleen turns into a single huge, hard blood clot the size of a baseball. The intestines may fill up completely with blood. The lining of the gut dies and sloughs off into the bowels and is defecated along with large amounts of blood. In men, the testicles bloat up and turn black-and-blue, the semen goes hot with Ebola, and the nipples may bleed. In women, the labia turn blue, livid, and protrusive, and there may be massive vaginal bleeding. The virus is a catastrophe for a pregnant woman: the child is aborted spontaneously and is usually infected with Ebola virus, born with red eyes and a bloody nose. Ebola destroys the brain more thoroughly than does Marburg, and Ebola victims often go into epileptic convulsions during the final stage.
Richard Preston (The Hot Zone)
It wasn't me. Mrs Queenie Bligh, she wasn't even there. This woman was a beauty -- he couldn't get enough of her. He liked the downy softness of the blonde hairs on her legs. Her nipples were the pinkest he'd ever seen. Her throat -- he just had to kiss her throat. This woman was as sexy as any starlet on a silver screen. The zebra of their legs twined and untwined together on the bed. Her hands, pale as a ghost's, caressed every part of his nut-brown skin. She was so desirable he polished her with hot breath -- his tongue lapping between her legs like a cat with cream. It wasn't me. This woman watching his buttocks rise and fall sucked at every finger on his hand. She clawed his back and cried out until his mouth lowering down filled hers with his eager tongue. It wasn't me. This woman panted and thrust and bit. And when he rolled her over she yelped wickedly into the pillow. Mrs Queenie Bligh would never do such a thing. That one, Mrs Bligh, usually worked out what she could make for dinner during sexual relations with her husband. But this woman, if it hadn't been for the blackout, could have lit up London.
Andrea Levy (Small Island)