Nineteen Quotes

We've searched our database for all the quotes and captions related to Nineteen. Here they are! All 100 of them:

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The scar had not pained Harry for nineteen years. All was well.
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J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
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If you gave someone your heart and they died, did they take it with them? Did you spend the rest of forever with a hole inside you that couldn't be filled?
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Jodi Picoult (Nineteen Minutes (Platinum Fiction Series))
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You don't need water to feel like you're drowning, do you?
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Jodi Picoult (Nineteen Minutes)
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I enjoy talking to you. Your mind appeals to me. It resembles my own mind except that you happen to be insane.
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George Orwell (1984)
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A mathematical formula for happiness:Reality divided by Expectations.There were two ways to be happy:improve your reality or lower your expectations.
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Jodi Picoult (Nineteen Minutes)
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A man can sleep around, no questions asked, but if a woman makes nineteen or twenty mistakes she's a tramp.
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Joan Rivers
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In nineteen minutes, you can mow the front lawn; color your hair; watch a third of a hockey game. In nineteen minutes, you can bake scones or get a tooth filled by a dentist; you can fold laundry for a family of five. In nineteen minutes, you can stop the world; or you can just jump off it.
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Jodi Picoult (Nineteen Minutes)
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Something still exists as long as there's someone around to remember it.
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Jodi Picoult (Nineteen Minutes)
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Look," Percy continued, "I know I'm new here. I know you guys don't like to mention the massacre in the nineteen eighties-" "He mentioned it!" one of the ghosts whimpered.
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Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
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If you spent your life concentrating on what everyone else thought of you, would you forget who you really were? What if the face you showed the world turned out to be a mask... with nothing beneath it?
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Jodi Picoult (Nineteen Minutes)
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Everyone thinks you make mistakes when you're young. But I don't think we make any fewer when we're grown up.
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Jodi Picoult (Nineteen Minutes)
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Can you hate someone for what they have done, but still love them for whom they had been?
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Jodi Picoult (Nineteen Minutes)
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So much of the language of love was like that: you devoured someone with your eyes, you drank in the sight of him, you swallowed him whole. Love was substance, broken down and beating through your bloodstream.
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Jodi Picoult (Nineteen Minutes)
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When you begin a journey of revenge, start by digging two graves: one for your enemy, and one for yourself.
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Jodi Picoult (Nineteen Minutes)
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There are two ways to be happy: improve your reality, or lower your expectations.
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Jodi Picoult (Nineteen Minutes)
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No one expects Will Herondale to live past nineteen, and no one will be sorry to see him go, either -" That was too much for Tessa. Without thinking about it she burst out indignantly, "What a thing to say!" Gabriel, interrupted midrant, looked as shocked as if one of the tapestries had suddenly started talking. "Pardon me?" "You heard me. Telling someone you wouldn't be sorry if they died! It's inexcusable!" She took hold of Will by the sleeve. "Come along, Will. This - this person - obviously isn't worth wasting your time on." Will looked hugely entertained. "So true." ... Tessa frowned at Gabriel. "I think you owe Will an apology." "I," said Gabriel, "would rather have my entrails yanked out and tied in a knot in front of my own eyes than apologize to such a worm." "Goodness," said Jem mildly. "You can't mean that. Not the Will being a worm part, of course. The bit about the entrails. That sounds dreadful.
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Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
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Annual income twenty pounds, annual expenditure nineteen nineteen and six , result happiness. Annual income twenty pounds, annual expenditure twenty pounds ought and six, result misery
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Charles Dickens (David Copperfield)
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that is what abuse is: knowing you are going to get salt but still hoping for sugar for nineteen years. Β  -
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Amanda Lovelace (The Princess Saves Herself in this One)
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There were two ways to be happy: improve your reality, or lower your expectations
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Jodi Picoult (Nineteen Minutes)
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But will you miss me? More importantly - will I miss you? Does either one of us really want to hear the answer to that question?
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Jodi Picoult (Nineteen Minutes)
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I know how difficult it can be when the image you've had of something doesn't match its reality; when the friend beside you turns into a monster.
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Jodi Picoult (Nineteen Minutes)
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Love [is] supposed to move mountains, to make the world go round, to be all you need, but it [falls] apart at the deatils. It [can't] save a single person.
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Jodi Picoult (Nineteen Minutes)
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I saw the years of my life spaced along a road in the form of telephone poles threaded together by wires. I counted one, two, three... nineteen telephone poles, and then the wires dangled into space, and try as I would, I couldn't see a single pole beyond the nineteenth.
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Sylvia Plath (The Bell Jar)
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Rincewind could scream for mercy in nineteen languages, and just scream in another forty-four.
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Terry Pratchett (Interesting Times: The Play)
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Happiness is what you choose to remember.
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Jodi Picoult (Nineteen Minutes)
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Lie to yourself until it's true.
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Jodi Picoult (Nineteen Minutes)
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You might have to lose control before you could find out what you'd been missing.
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Jodi Picoult (Nineteen Minutes)
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Why one man rather than another? It was odd. You find yourself involved with a fellow for life just because he was the one that you met when you were nineteen.
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Simone de Beauvoir
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If we don't change the direction we are headed, we will end up where we are going.
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Jodi Picoult (Nineteen Minutes)
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If you spent your life concentrating on what everyone else thought of you, would you forget who you really were?
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Jodi Picoult (Nineteen Minutes)
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When you don't fit in, you become superhuman. You can feel everyone else's eyes on you, stuck like Velcro. You can hear a whisper about you from a mile away. You can disappear, even when it looks like you're still standing right there. You can scream, and nobody hears a sound. You become the mutant who fell into the vat of acid, the Joker who can't remove his mask, the bionic man who's missing all his limbs and none of his heart. You are the thing that used to be normal, but that was so long ago, you can't even remember what it was like.
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Jodi Picoult (Nineteen Minutes)
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Kiss eight hundred and nineteen was the kiss that changed it all. The kiss that proved that a long-haired brooding boy from Norway and a quirky girl from the Deep South could find a love to rival the greats.
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Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
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It's not very easy to grow up into a woman. We are always taught, almost bombarded, with ideals of what we should be at every age in our lives: "This is what you should wear at age twenty", "That is what you must act like at age twenty-five", "This is what you should be doing when you are seventeen." But amidst all the many voices that bark all these orders and set all of these ideals for girls today, there lacks the voice of assurance. There is no comfort and assurance. I want to be able to say, that there are four things admirable for a woman to be, at any age! Whether you are four or forty-four or nineteen! It's always wonderful to be elegant, it's always fashionable to have grace, it's always glamorous to be brave, and it's always important to own a delectable perfume! Yes, wearing a beautiful fragrance is in style at any age!
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C. JoyBell C.
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Do you know how there are moments when the world moves so slowly you can feel your bones shifting, your mind tumbling? When you think that no matter what happens to you for the rest of your life, you will remember every last detail of that one minute forever?
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Jodi Picoult (Nineteen Minutes)
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If you were drifting with a thousand other people, could you really still say you were lost?
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Jodi Picoult (Nineteen Minutes)
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One person's trauma is another's loss of innocence.
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Jodi Picoult (Nineteen Minutes)
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My full name's Ed Kennedy. I'm nineteen. I'm an underage cab driver. I'm typical of many of the young men you see in this suburban outpost of the city -- not a whole lot of prospects or possibility. That aside, I read more books than I should, and I'm decidedly crap at sex and doing my taxes. Nice to meet you.
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Markus Zusak (I Am the Messenger)
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There's difference between being dead and dying. We're all dying. Some of us die for ninety years, and some of us die for nineteen. But each morning everyone on this planet wakes up one day closer to their death. Everyone. So living and dying are actually different words for the same thing, if you think about it.
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Robyn Schneider (Extraordinary Means)
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She felt a cage coming down around her; too late she realized that he had her trapped by the heart. And like any unwilling animal that was well and truly caught, she could escape only by leaving a piece of herself behind.
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Jodi Picoult (Nineteen Minutes)
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But then again, maybe bad things happen because it’s the only way we can keep remembering what good is supposed to look like.
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Jodi Picoult (Nineteen Minutes)
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I heard someone once say that the years from fifteen to nineteen are the best years in a girl's life.
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L.M. Montgomery (Rilla of Ingleside (Anne of Green Gables, #8))
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Of the twenty-two civilizations that have appeared in history, nineteen of them collapsed when they reached the moral state the United States is in now.
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Arnold J. Toynbee
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That educated didn’t mean smart. He had a point. Nothing in my education or knowledge of the future had helped me to escape. Yet in a few years an illiterate runaway named Harriet Tubman would make nineteen trips into this country and lead three hundred fugitives to freedom.
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Octavia E. Butler (Kindred)
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What she hadn't realized was that sometimes when your vision was that sharp and true, it could cut you. That only if you'd felt such fullness could you really understand the ache of being empty.
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Jodi Picoult (Nineteen Minutes)
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Hardly anybody ever writes anything nice about introverts. Extroverts rule. This is rather odd when you realise that about nineteen writers out of twenty are introverts. We are been taught to be ashamed of not being 'outgoing'. But a writer's job is ingoing.
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Ursula K. Le Guin
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This worked out perfectly for me in college, because what nineteen-year-old Virginia boy doesn't want a wide-hipped, sarcastic Greek girl with short hair that's permed on top? What's that you say? None of them want that? You are correct.
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Tina Fey (Bossypants)
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It happened in New York, April 10th, nineteen years ago. Even my hand balks at the date. I had to push to write it down, just to keep the pen moving on the paper. It used to be a perfectly ordinary day, but now it sticks up on the calendar like a rusty nail.
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Donna Tartt (The Goldfinch)
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He wanted to go running home to Mommy, what can I say? Of course, it's hard for me to believe that anyone would choose to step out of the FAYZ. I mean, where else do you get to eat rats, use your backyard for a toilet, and live in fear for nineteen different kinds of scary?" -Howard
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Michael Grant (Lies (Gone, #3))
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In my view, nineteen pounds of old books are at least nineteen times as delicious as one pound of fresh caviar.
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Anne Fadiman (Ex Libris: Confessions of a Common Reader)
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To be truly popular, it has to look like something you are, when in reality, it's what you make yourself.
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Jodi Picoult (Nineteen Minutes)
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The reason I don’t worry about society is, nineteen people knocked down two buildings and killed thousands. Hundreds of people ran into those buildings to save them. I’ll take those odds every f*cking day.
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Jon Stewart
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What’s the difference between spending your life trying to be invisible, or pretending to be the person you think everyone wants you to be? Either way, you’re faking.
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Jodi Picoult (Nineteen Minutes)
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And that was the greatest heartbreak of all- no matter how spectacular we want our children to be, no matter how perfect we pretend they are, they are bound to disappoint. As it turns out, kids are more like us than we think: damaged, through and through.
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Jodi Picoult (Nineteen Minutes)
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Her life was a series of zigzags. At nineteen, she was anxious.
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Patricia Highsmith (The Price of Salt, or Carol)
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I'm nineteen years old," he clarifies. "I'm a fairly impressive specimen for my age, I know.
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Tahereh Mafi (Shatter Me (Shatter Me, #1))
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Jules wants me to tell you that it's a shame you have to fall for someone as boring as myself. He wishes he could take my place and show you how well an older man can treat a lady." He talked back to the air. "Yeah, right, buddy. What are you, like twenty-seven years older than me? Well, at the moment we're both nineteen, so back off.
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Amy Plum (Die for Me (Revenants, #1))
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The years nineteen and twenty are a crucial stage in the maturation of character, and if you allow yourself to become warped when you're that age, it will cause you pain when you're older.
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Haruki Murakami (Norwegian Wood)
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You can’t undo something that’s happened; you can’t take back a word that’s already been said out loud.
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Jodi Picoult (Nineteen Minutes)
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Anthony grinned at her, knowing that would probably infuriate her all the more. "My eyes have been a-wandering, as you put it, for the last nineteen years. Give them a rest, Roslynn. They settled on you and don't want to move on.
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Johanna Lindsey (Tender Rebel (Malory-Anderson Family, #2))
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There are so few people given us to love. I want to tell my daughters this, that each time you fall in love it is important, even at nineteen. Especially at nineteen. And if you can, at nineteen, count the people you love on one hand, you will not, at forty, have run out of fingers on the other. There are so few people given us to love and they all stick.
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Anne Enright (The Gathering)
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Help me out here, Jeremy," she said pleadingly. He gave her a look. "Why should I do that?" "Because once, nineteen years ago, you were wrong about him, too." Jeremy stared at her stoically. After a long pause, his face broke into a smile. "Aw, hell, you crazy kid, you knew I was gonna let you inβ€”I'm a sucker for this stuff.
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Julie James (Just the Sexiest Man Alive)
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She stared at Peter, and she realized that in that one moment, when she hadn't been thinking, she knew exactly what he'd felt as he moved through the school with his backpack and his guns. Every kid in this school played a role: jock, brain, beauty, freak. All Peter had done was what they all secretly dreamed of: be someone, even for just nineteen minutes, who nobody else was allowed to judge.
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Jodi Picoult (Nineteen Minutes)
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I don't know what you think of me. And you certainly would never picture us together. But probably peanut butter was just peanut butter for a long time, before someone ever thought of pairing it with jelly. And there was salt, but it started to taste better when there was pepper. And what's the point of butter without bread? (Why are all these examples of FOODS?!!?!?!?!?!?!) Anyway by myself I'm nothing special. But with you I could be.
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Jodi Picoult (Nineteen Minutes)
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Meg's high-heeled slippers were dreadfully tight, and hurt her, though she would not own it; and Jo's nineteen hair-pins all seemed stuck straight into her head, which was not exactly comfortable; but, dear me, let us be elegant or die.
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Louisa May Alcott (Little Women)
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Once the world was pulled out from beneath your feet, did you ever get to stand on firm ground again?
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Jodi Picoult (Nineteen Minutes)
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The terrorists-those nineteen people, with hundreds or maybe thousands behind them-did the worst thing you can possibly imagine. But tens of millions people did the right thing...On 9/11, all the hatred and murder could not compare with the weight of love, of bravery, of caring.
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David Levithan (Love Is the Higher Law)
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for 100,000 (dollars), you [can] flatten a house with a wrecking ball. Imagine how much less it [takes] to destroy something than it [does] to build it in the first place.
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Jodi Picoult (Nineteen Minutes)
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Fuck You Poem #45 Fuck you in slang and conventional English. Fuck you in lost and neglected lingoes. Fuck you hungry and sated; faded, pock marked, and defaced. Fuck you with orange rind, fennel and anchovy paste. Fuck you with rosemary and thyme, and fried green olives on the side. Fuck you humidly and icily. Fuck you farsightedly and blindly. Fuck you nude and draped in stolen finery. Fuck you while cells divide wildly and birds trill. Thank you for barring me from his bedside while he was ill. Fuck you puce and chartreuse. Fuck you postmodern and prehistoric. Fuck you under the influence of opiun, codeine, laudanum, and paregoric. Fuck every real and imagined country you fancied yourself princess of. Fuck you on feast days and fast days, below and above. Fuck you sleepless and shaking for nineteen nights running. Fuck you ugly and fuck you stunning. Fuck you shipwrecked on the barren island of your bed. Fuck you marching in lockstep in the ranks of the dead. Fuck you at low and high tide. And fuck you astride anyone who has the bad luck to fuck you, in dank hallways, bathrooms, or kitchens. Fuck you in gasps and whispered benedictions. And fuck these curses, however heartfelt and true, that bind me, till I forgive you, to you.
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Amy Gerstler (Ghost Girl)
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Taylor: β€œShow me your craftiness. I’ll give you one question.” Jeremy: β€œI’m a big believer in first impressions,” he finally said. β€œTell me what your first thought was when Jason walked into the courtroom.” Taylor: β€œI vowed to hate him forever.” Jeremy: β€œThat’s exactly what I said nineteen years ago, five minutes after he first walked into our dorm room.” .... Jason : β€œDid I miss something?” Taylor: β€œYou’re a bit older than I thought, Jason Andrews.” Jason glanced quickly at Jeremy, who held up his hands innocently. Jeremy: β€œI swear, she forced it out of me.
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Julie James (Just the Sexiest Man Alive)
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When I was nineteen, pureness was the great issue. Instead of the world being divided up into Catholics and Protestants or Republicans and Democrats or white men and black men or even men and women, I saw the world divided into people who had slept with somebody and people who hadn’t, and this seemed the only really significant difference between one person and another.
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Sylvia Plath (The Bell Jar)
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Or. I hate that word. It’s two letters long and stuffed to the gills with reasonable doubt.
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Jodi Picoult (Nineteen Minutes)
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if there isn’t a them, there can’t be an us.
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Jodi Picoult (Nineteen Minutes)
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Laurent stopped. Damen could see the moment when Laurent decided to continue. It was deliberate, his eyes meeting Damen's, his tone subtly changed. 'Damianos of Akielos was commanding troops at seventeen. At nineteen, he rode onto the field, cut a path through our finest men, and took my brother's life. They say--they said--he was the best fighter in Akielos. I thought, if I was going to kill someone like that, I would have to be very, very good.
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C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
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Isn't it amazing how, when you strip away everything, people are so much alike?
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Jodi Picoult (Nineteen Minutes)
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If you asked twenty good men to-day what they thought the highest of the virtues, nineteen of them would reply, Unselfishness. But if you asked almost any of the great Christians of old he would have replied, Love - You see what has happened? A negative term has been substituted for a positive, and this is of more than philological importance. The negative ideal of Unselfishness carries with it the suggestion not primarily of securing good things for others, but of going without them ourselves, as if our abstinence and not their happiness was the important point.
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C.S. Lewis (The Weight of Glory)
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From time to time, I open a newspaper. Things seem to be proceeding at a dizzying rate. We are dancing not on the edge of a volcano, but on the wooden seat of a latrine, and it seems to me more than a touch rotten. Soon society will go plummeting down and drown in nineteen centuries of shit. There’ll be quite a lot of shouting. (1850)
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Gustave Flaubert
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Whether or not belive in Fate comes down to one thing: who you blame when something goes wrong. Do you think it's your fault - that if you'd tried better, worked harder, it wouldn't have happened? Or do you just chalk it up to circumstance? I know poeple who'll hear about the people who died, and will say that it was God's will. I know people who'll say it was bad luck. And then there's my personal favorite: They were just in the wrong place at hte wrong time. Then again, you could say the same thing about me, couldn't you?
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Jodi Picoult (Nineteen Minutes)
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They ask, how could this happen here? Well. How could it not happen here?
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Jodi Picoult (Nineteen Minutes)
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what made you happy once might not make you happy now.
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Jodi Picoult (Nineteen Minutes)
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Death. The only thing inevitable in life. People don't like to talk about death because it makes them sad. They don't want to imagine how life will go on without them, all the people they love will briefly grieve but continue to breathe. They don't want to imagine how life will go on without them, Their children will still grow Get married Get old.. They don't want to imagine how life will continue to go on without them Their material things will be sold Their medical files stamped "closed" Their name becoming a memory to everyone they know. They don't want to imagine how life will go on without them, so instead of accepting it head on, they avoid the subject all together, hoping and praying it will somehow... pass them by. Forget about them, moving on to the next one in line. no, they didn't want to imagine how life would continue to go on.... without them. But death didn't forget. Instead they were met head-on by death, disguised as an 18-wheeler behind a cloud of fog. No. Death didn't forget about them. If only they had been prepared, accepted the inevitable, laid out their plans, understood that it wasn't just their lives at hand. I may have legally been considered an adult at the age of nineteen, but still i felt very much all of just nineteen. Unprepared and overwhelmed to suddenly have the entire life of a seven-year-old in my realm. Death. The only thing inevitable in life. -Will
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Colleen Hoover (Slammed (Slammed, #1))
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There was a difference between people looking at you because they wanted to be like you, and people looking at you because your misfortune brought them one rung higher.
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Jodi Picoult (Nineteen Minutes)
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Everyone knew that if you divided reality by expectation, you got a happiness quotient. But when you invert the equation - expectation divided by reality - you didn't get the opposite of happiness. What you got, Lewis realized, was hope.
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Jodi Picoult (Nineteen Minutes)
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what do you do when you build yourselfβ€”only to realize you built yourself with the wrong things? You rip it up and start again. That is the work of your teenage yearsβ€”to build up and tear down and build up again, over and over, endlessly, like speeded-up film of cities during boom times and wars. To be fearless, and endless, in your reinventionsβ€”to keep twisting on nineteen, going bust, and dealing in again, and again. Invent, invent, invent.
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Caitlin Moran (How to Build a Girl)
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Where is the library?” β€œTurn right, proceed thirty-four paces, turn right again, twelve paces, then through door on the right, thirty-five paces, through archway on right another eleven paces, turn right one last time, fifteen paces, enter the door on the right.” Mappo stared at Iskaral Pust. The High Priest shifted nervously. β€œOr,” the Trell said, eyes narrowed, β€œturn left, nineteen paces.” β€œAye,” Iskaral muttered.
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Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
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I've always been a quitter. I quit the Boy Scouts, the glee club, the marching band. Gave up my paper route, turned my back on the church, stuffed the basketball team. I dropped out of college, sidestepped the army with a 4-F on the grounds of mental instability, went back to school, made a go of it, entered a Ph.D. program in nineteenth-century British literature, sat in the front row, took notes assiduously, bought a pair of horn-rims, and quit on the eve of my comprehensive exams. I got married, separated, divorced. Quit smoking, quit jogging, quit eating red meat. I quit jobs: digging graves, pumping gas, selling insurance, showing pornographic films in an art theater in Boston. When I was nineteen I made frantic love to a pinch-faced, sack-bosomed girl I'd known from high school. She got pregnant. I quit town.
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T. Coraghessan Boyle
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Junction nineteen! Una, she came off at Junction nineteen! You've added an hour to your journey before you even started. Come on, let's get you a drink. How's your love life, anyway?" Oh GOD. Why can't married people understand that this is no longer a polite question to ask? We wouldn't rush up to THEM and roar, "How's your marriage going? Still having sex?" Everyone knows that dating in your thirties is not the happy-go-lucky free-for-it-all it was when you were twenty-two and that the honest answer is more likely to be, "Actually, last night my married lover appeared wearing suspenders and a darling little Angora crop-top, told me he was gay/a sex addict/a narcotic addict/a commitment phobic and beat me up with a dildo," than, "Super, thanks.
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Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
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It can’t be said enough. Don’t concern yourself with fashion; stick to simple pieces that flatter your body type. By nineteen, I had found my look. Oversize T-shirts, bike shorts, and wrestling shoes. To prevent the silhouette from being too baggy, I would cinch it at the waist with my fanny pack. I was pretty sure I would wear this look forever. The shirts allowed me to express myself with cool sayings like β€œThere’s No Crying in Baseball” and β€œUniversitΓ€t Heidelberg,” the bike shorts showed off my muscular legs, and the fanny pack held all my trolley tokens. I was nailing it on a daily basis. Find something like this for yourself as soon as possible.
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Tina Fey (Bossypants)
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The first question she was asked was What do you do? as if that were enough to define you. Nobody ever asked you who you really were, because that changed. You might be a judge or a mother or a dreamer. You might be a loner or a visionary or a pessimist. You might be the victim, and you might be the bully. You could be the parent, and also the child. You might wond one day and heal the next.
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Jodi Picoult (Nineteen Minutes)
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Combat and rape, the public and private forms of organized social violence, are primarily experiences of adolescent and early adult life. The United States Army enlists young men at seventeen; the average age of the Vietnam combat soldier was nineteen. In many other countries boys are conscripted for military service while barely in their teens. Similarly, the period of highest risk for rape is in late adolescence. Half of all victims are aged twenty or younger at the time they are raped; three-quarters are between the ages of thirteen and twenty-six. The period of greatest psychological vulnerability is also in reality the period of greatest traumatic exposure, for both young men and young women. Rape and combat might thus be considered complementary social rites of initiation into the coercive violence at the foundation of adult society. They are the paradigmatic forms of trauma for women and men.
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Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror)
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When feeling came back, in a storm of color and force and sensation, the most you could do was hold on to the person beside you and hope you could weather it. Alex closed her eyes and expected the worst-but it wasn't a bad thing; it was just a different thing. A messier one, more complicated one. She hesitated, and then she kissed Patrick back, willing to concede that you might have to lose control before you could find what you'd been missing.
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Jodi Picoult (Nineteen Minutes)
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And then I stand in front of God's Throne squinting up at His blazing glory and He says, 'You had your opportunities, boy. But did you listen? No. You went on heedlesly reading that garbagey magazine with pictures of naked girls in it. How juvenile! I gave geese more sense than that.' Please, God. I'm only fourteen years old. A teenager. Have mercy. Be loving. I was,' says God. 'For eons. And look at what it got me. You.' God turns in disgust, just the way Daddy does. 'Sorry, but I'm the Creator. I take it personally. There are slugs and bugs and night-crawlers I feel better about having created - I mean, there are sparrows - I've got my eye on one right now. Is that sparrow consumed with lust? No. He mates in the spring and that's the end of it. Consider the lilies. Do they think about lily tits all the time? No. They look not and they lust not, and yet I say unto you that you will never be half as attractive as they. Therefore, I say unto you, think not about peckers and boobs and all that nonsense and your Heavenly Father will see that you meet a good woman and marry her, just as I do for the sparrow and walleye - yea verily, even the night-crawler and the eelpout. But I've told you this over and over for nineteen centuries. And now, verily, it's too late. Time's up, buster. Lights out! Game's over!
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Garrison Keillor
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Her eyes were of different colors, the left as brown as autumn, the right as gray as Atlantic wind. Both seemed alive with questions that would never be voiced, as if no words yet existed with which to frame them. She was nineteen years old, or thereabouts; her exact age was unknown. Her face was as fresh as an apple and as delicate as blossom, but a marked depression in the bones beneath her left eye gave her features a disturbing asymmetry. Her mouth never curved into a smile. God, it seemed, had withheld that possibility, as surely as from a blind man the power of sight. He had withheld much else. Amparo was touchedβ€”by genius, by madness, by the Devil, or by a conspiracy of all these and more. She took no sacraments and appeared incapable of prayer. She had a horror of clocks and mirrors. By her own account she spoke with Angels and could hear the thoughts of animals and trees. She was passionately kind to all living things. She was a beam of starlight trapped in flesh and awaiting only the moment when it would continue on its journey into forever.” (p.33)
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Tim Willocks (The Religion (Tannhauser, #1))
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Beside the watch was a pearl bracelet she always wore. She never took it off. Will had given it to her when they had been married thirty years, smiling as fastened it on. He had had gray in his hair them, she knew, though she had never really seen it. As if her love had given him his own shape-shifting ability, no matter how much time had passed, when she looked at him, she always saw the wild, black-haired boy she had fallen in love with. It still seemed incredible to her sometimes that they had managed to grow old together, herself and Will Herondale, whom Gabriel Lightwood had once said would not live to be older than nineteen. They had been good friends with the Lightwoods too, through all those years. Of course Will could hardly not be friends with the man who was married to his sister. Both Cecily and Gabriel had seen Will on the day he dies, as had Sophie, though Gideon had himself passed away several years before.
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Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
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I think a persons life is supposed to be like a DVD. You can see the version everyone else sees, or you can choose the directors cut-the way he wanted you to see it, before everything else got in the way. There are menus, probably, so that you can start at the good spots and not have to relive the bad ones. You can measure your life by the number of scenes you’ve survived, or the minutes you’ve been stuck there. Probably, though, life is more like one of those dumb video surveillance tapes. Grainy, no matter how hard you stare at it. And looped: the same thing, over and over.
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Jodi Picoult (Nineteen Minutes)
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THOMASINA: ....the enemy who burned the great library of Alexandria without so much as a fine for all that is overdue. Oh, Septimus! -- can you bear it? All the lost plays of the Athenians! Two hundred at least by Aeschylus, Sophocles, Euripides -- thousands of poems -- Aristotle's own library!....How can we sleep for grief? SEPTIMUS: By counting our stock. Seven plays from Aeschylus, seven from Sophocles, nineteen from Euripides, my lady! You should no more grieve for the rest than for a buckle lost from your first shoe, or for your lesson book which will be lost when you are old. We shed as we pick up, like travellers who must carry everything in their arms, and what we let fall will be picked up by those behind. The procession is very long and life is very short. We die on the march. But there is nothing outside the march so nothing can be lost to it. The missing plays of Sophocles will turn up piece by piece, or be written again in another language. Ancient cures for diseases will reveal themselves once more. Mathematical discoveries glimpsed and lost to view will have their time again. You do not suppose, my lady, that if all of Archimedes had been hiding in the great library of Alexandria, we would be at a loss for a corkscrew?
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Tom Stoppard (Arcadia)
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Were these boys in their right minds? Here were two boys with good intellect, one eighteen and one nineteen. They had all the prospects that life could hold out for any of the young; one a graduate of Chicago and another of Ann Arbor; one who had passed his examination for the Harvard Law School and was about to take a trip in Europe,--another who had passed at Ann Arbor, the youngest in his class, with three thousand dollars in the bank. Boys who never knew what it was to want a dollar; boys who could reach any position that was to boys of that kind to reach; boys of distinguished and honorable families, families of wealth and position, with all the world before them. And they gave it all up for nothing, for nothing! They took a little companion of one of them, on a crowded street, and killed him, for nothing, and sacrificed everything that could be of value in human life upon the crazy scheme of a couple of immature lads. Now, your Honor, you have been a boy; I have been a boy. And we have known other boys. The best way to understand somebody else is to put yourself in his place. Is it within the realm of your imagination that a boy who was right, with all the prospects of life before him, who could choose what he wanted, without the slightest reason in the world would lure a young companion to his death, and take his place in the shadow of the gallows? ...No one who has the process of reasoning could doubt that a boy who would do that is not right. How insane they are I care not, whether medically or legally. They did not reason; they could not reason; they committed the most foolish, most unprovoked, most purposeless, most causeless act that any two boys ever committed, and they put themselves where the rope is dangling above their heads.... Why did they kill little Bobby Franks? Not for money, not for spite; not for hate. They killed him as they might kill a spider or a fly, for the experience. They killed him because they were made that way. Because somewhere in the infinite processes that go to the making up of the boy or the man something slipped, and those unfortunate lads sit here hated, despised, outcasts, with the community shouting for their blood. . . . I know, Your Honor, that every atom of life in all this universe is bound up together. I know that a pebble cannot be thrown into the ocean without disturbing every drop of water in the sea. I know that every life is inextricably mixed and woven with every other life. I know that every influence, conscious and unconscious, acts and reacts on every living organism, and that no one can fix the blame. I know that all life is a series of infinite chances, which sometimes result one way and sometimes another. I have not the infinite wisdom that can fathom it, neither has any other human brain
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Clarence Darrow (Attorney for the Damned: Clarence Darrow in the Courtroom)
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Long before it was known to me as a place where my ancestry was even remotely involved, the idea of a state for Jews (or a Jewish state; not quite the same thing, as I failed at first to see) had been 'sold' to me as an essentially secular and democratic one. The idea was a haven for the persecuted and the survivors, a democracy in a region where the idea was poorly understood, and a place whereβ€”as Philip Roth had put it in a one-handed novel that I read when I was about nineteenβ€”even the traffic cops and soldiers were Jews. This, like the other emphases of that novel, I could grasp. Indeed, my first visit was sponsored by a group in London called the Friends of Israel. They offered to pay my expenses, that is, if on my return I would come and speak to one of their meetings. I still haven't submitted that expenses claim. The misgivings I had were of two types, both of them ineradicable. The first and the simplest was the encounter with everyday injustice: by all means the traffic cops were Jews but so, it turned out, were the colonists and ethnic cleansers and even the torturers. It was Jewish leftist friends who insisted that I go and see towns and villages under occupation, and sit down with Palestinian Arabs who were living under house arrestβ€”if they were luckyβ€”or who were squatting in the ruins of their demolished homes if they were less fortunate. In Ramallah I spent the day with the beguiling Raimonda Tawil, confined to her home for committing no known crime save that of expressing her opinions. (For some reason, what I most remember is a sudden exclamation from her very restrained and respectable husband, a manager of the local bank: 'I would prefer living under a Bedouin muktar to another day of Israeli rule!' He had obviously spent some time thinking about the most revolting possible Arab alternative.) In Jerusalem I visited the Tutungi family, who could produce title deeds going back generations but who were being evicted from their apartment in the old city to make way for an expansion of the Jewish quarter. Jerusalem: that place of blood since remote antiquity. Jerusalem, over which the British and French and Russians had fought a foul war in the Crimea, and in the mid-nineteenth century, on the matter of which Christian Church could command the keys to some 'holy sepulcher.' Jerusalem, where the anti-Semite Balfour had tried to bribe the Jews with the territory of another people in order to seduce them from Bolshevism and continue the diplomacy of the Great War. Jerusalem: that pest-house in whose environs all zealots hope that an even greater and final war can be provoked. It certainly made a warped appeal to my sense of history.
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Christopher Hitchens (Hitch 22: A Memoir)
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When I was little, I used to pour salt on slugs. I liked watching them dissolve before my eyes. Cruelty is always sort of fun until you realize that something’s getting hurt. It would be one thing to be a loser if it meant that no one paid attention to you, but in school, it means you’re actively sought out. You’re the slug, and they’re holding all the salt. And they haven’t developed a conscience. There’s a word we learned in social studies: schadenfreude. It’s when you enjoy watching someone else suffer. The real question though, is why? I think part of it is self preservation. And part of it is because a group always feels more like a group when it’s banded together against an enemy. It doesn’t matter if that enemy has never done anything to hurt you-you just have to pretend you hate someone even more than you hate yourself. You know why salt works on slugs? Because it dissolved in the water that’s part of a slug’s skin, so the water on the inside its body starts to flow out. They slug dehydrates. This works with snails, too. And with leeches. And with people like me. With any creature, really, too thin-skinned to stand up for itself.
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Jodi Picoult (Nineteen Minutes)
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Exactly one month after he was convicted, when the lights were dimmed and the detention officers made a final sweep of the catwalk, Peter reached down and tugged off his right sock. He turned on his side in the lower bunk, so that he was facing the wall. He fed the sock into his mouth, stuffing it as far back as it would go. When it got hard to breathe, he fell into a dream. He was still eighteen, but it was the first day of kindergarten. He was carrying his backpack and his Superman lunch box. The orange school bus pulled up and, with a sigh, split open its gaping jaws. Peter climbed the steps and faced the back of the bus, but this time, he was the only student on it. He walked down the aisle to the very end, near the emergency exit. He put his lunch box down beside him and glanced out the rear window. It was so bright he thought the sun itself must be chasing them down the highway. 'Almost there,' a voice said, and Peter turned around to look at the driver. But just as there had been no passengers, there was no one at the wheel. Here was the amazing thing: in his dream, Peter wasn't scared. He knew, somehow, that he was headed exactly where he'd wanted to go.
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Jodi Picoult (Nineteen Minutes)
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Ladies and Gentlemen, I'd planned to speak to you tonight to report on the state of the Union, but the events of earlier today have led me to change those plans. Today is a day for mourning and remembering. Nancy and I are pained to the core by the tragedy of the shuttle Challenger. We know we share this pain with all of the people of our country. This is truly a national loss. Nineteen years ago, almost to the day, we lost three astronauts in a terrible accident on the ground. But we've never lost an astronaut in flight. We've never had a tragedy like this. And perhaps we've forgotten the courage it took for the crew of the shuttle. But they, the Challenger Seven, were aware of the dangers, but overcame them and did their jobs brilliantly. We mourn seven heroes: Michael Smith, Dick Scobee, Judith Resnik, Ronald McNair, Ellison Onizuka, Gregory Jarvis, and Christa McAuliffe. We mourn their loss as a nation together. For the families of the seven, we cannot bear, as you do, the full impact of this tragedy. But we feel the loss, and we're thinking about you so very much. Your loved ones were daring and brave, and they had that special grace, that special spirit that says, "Give me a challenge, and I'll meet it with joy." They had a hunger to explore the universe and discover its truths. They wished to serve, and they did. They served all of us. We've grown used to wonders in this century. It's hard to dazzle us. But for twenty-five years the United States space program has been doing just that. We've grown used to the idea of space, and, perhaps we forget that we've only just begun. We're still pioneers. They, the members of the Challenger crew, were pioneers. And I want to say something to the schoolchildren of America who were watching the live coverage of the shuttle's take-off. I know it's hard to understand, but sometimes painful things like this happen. It's all part of the process of exploration and discovery. It's all part of taking a chance and expanding man's horizons. The future doesn't belong to the fainthearted; it belongs to the brave. The Challenger crew was pulling us into the future, and we'll continue to follow them. I've always had great faith in and respect for our space program. And what happened today does nothing to diminish it. We don't hide our space program. We don't keep secrets and cover things up. We do it all up front and in public. That's the way freedom is, and we wouldn't change it for a minute. We'll continue our quest in space. There will be more shuttle flights and more shuttle crews and, yes, more volunteers, more civilians, more teachers in space. Nothing ends here; our hopes and our journeys continue. I want to add that I wish I could talk to every man and woman who works for NASA, or who worked on this mission and tell them: "Your dedication and professionalism have moved and impressed us for decades. And we know of your anguish. We share it." There's a coincidence today. On this day three hundred and ninety years ago, the great explorer Sir Francis Drake died aboard ship off the coast of Panama. In his lifetime the great frontiers were the oceans, and a historian later said, "He lived by the sea, died on it, and was buried in it." Well, today, we can say of the Challenger crew: Their dedication was, like Drake's, complete. The crew of the space shuttle Challenger honored us by the manner in which they lived their lives. We will never forget them, nor the last time we saw them, this morning, as they prepared for their journey and waved goodbye and "slipped the surly bonds of earth" to "touch the face of God." Thank you.
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Ronald Reagan