Manuscript Double Quotes

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The Blacks was a white foreigner’s idea of a people he did not understand. Genet had superimposed the meanness and cruelty of his own people onto a race he had never known, a race already nearly doubled over carrying the white man’s burden of greed and guilt, and which at the same time toted its own insufficiency. I threw the manuscript into a closet, finished with Genet and his narrow little conclusions. Max
Maya Angelou (The Heart Of A Woman)
The writer Lee Smith, who once had a New York copy editor query in the margin of her manuscript “Double-wide what?” tells a perfectly marvelous, spot-on story about Eudora Welty when she came to Hollins College, where Smith was a student. Welty read a short story in which one female character presents another with a marble cake. In the back of the audience Smith noted a group of leather-elbowed, goatee-sporting PhD candidates, all of whom were getting pretty excited. One started waving his hand as soon as she stopped reading and said, “Miz Welty, how did you come up with that powerful symbol of the marble cake, with the feminine and masculine, the yin and the yang, the Freudian and the Jungian all mixed together like that?” Smith reported that Welty looked at him from the lectern without saying anything for a while. Finally she replied mildly, “Well, you see, it’s a recipe that’s been in my family for some time.
Sally Mann (Hold Still: A Memoir with Photographs (LITTLE, BROWN A))
Odin’s wisdom is embodied in Hávamál (‘The Sayings of the High One’), a collection of anonymous Viking Age gnomic verses supposed to have been composed by Odin and preserved in a single thirteenth century Icelandic manuscript. Hávamál is not concerned with metaphysical questions, only with the kind of pragmatic common-sense wisdom valued by practical people. Cultivate friendships, never take hospitality for granted and repay gifts with gifts. Do not make enemies unnecessarily or pick foolish fights. On campaign, keep your weapons close to hand. Do not drink too much mead or ale, it robs a man of his wits. If you do not know what you are talking about, keep quiet: it is better to listen. Exercise caution in business and always beware of treachery and double dealing. Always deal honestly yourself except with your enemies: deceive them if you can. The advice is sometimes contradictory: Hávamál berates the coward who thinks he will live forever if he avoids fighting while also declaring that it is better to be a live dog than a dead lion.
John Haywood (Northmen: The Viking Saga, 793-1241 AD)
I don't understand," said Alif. "What does this have to do with The Thousand and One Days? It's not a holy book. Not even to the jinn. It's a bunch of fairy tales with double meanings that we can't figure out." "How dense and literal it is. I thought it had a much more sophisticated brain." "Your mother's dense." Alif said wearily. "My mother was an errant crest of sea foam. But that's neither here nor there. Stories are words, Alif, and words, like ذرة, sometimes represent much grander things. The humans who originally obtained the Alf Yeom thought they could derive immense power from it-thus, it was in their best interests to preserve these manuscripts the best way they knew how. That way, even if they never cracked the code themselves, the books would be vital and healthy for future generations, who might have more success.
G. Willow Wilson (Alif the Unseen)
Long-established totalitarian governments fear any kind of free expression. A sculpture can be a manifesto, a manuscripted adventure can double as a cry for rebellion.
Alan Dean Foster (Star Wars: Splinter of the Mind's Eye)
We should celebrate. And then we'll celebrate again when your second manuscript is finished." She shook her head again. "Then we should have a double celebration tonight. I already finished it." "You did?" "It's all I could think of these past months. Lord Lucifer and his annoying brooding. He wouldn't leave me alone." She giggled when he tackled her to the bed, rising over her. "I'm glad he tormented you as you tormented me.
Harper St. George (The Devil and the Heiress (The Gilded Age Heiresses, #2))
Part of her was afraid to open the report, fearing some sort of Jack Torrance manuscript: the same phrase repeated over and over again, single-spaced, double-sided.
Bentley Little (The Consultant)