Nine Lives Quotes

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Think you have nine lives, do you? I saved you once.... don't make me save you again.
Erin Hunter (Moonrise (Warriors: The New Prophecy, #2))
The most unfair thing about life is the way it ends. I mean, life is tough. It takes up a lot of your time. What do you get at the end of it? A Death! What’s that, a bonus? I think the life cycle is all backwards. You should die first, get it out of the way. Then you live in an old age home. You get kicked out when you’re too young, you get a gold watch, you go to work. You work forty years until you’re young enough to enjoy your retirement. You do drugs, alcohol, you party, you get ready for high school. You go to grade school, you become a kid, you play, you have no responsibilities, you become a little baby, you go back into the womb, you spend your last nine months floating …and you finish off as an orgasm.
George Carlin
There is but one truly serious philosophical problem and that is suicide. Judging whether life is or is not worth living amounts to answering the fundamental question of philosophy. All the rest — whether or not the world has three dimensions, whether the mind has nine or twelve categories — comes afterwards. These are games; one must first answer.
Albert Camus
In an old house in Paris that was covered with vines Lived twelve little girls in two straight lines In two straight lines they broke their bread And brushed their teeth and went to bed. They left the house at half past nine In two straight lines in rain or shine- The smallest one was Madeline.
Ludwig Bemelmans (Madeline)
One of the most striking differences between a cat and a lie is that a cat has only nine lives.
Mark Twain
If I had my life to live over... Someone asked me the other day if I had my life to live over would I change anything. My answer was no, but then I thought about it and changed my mind. If I had my life to live over again I would have waxed less and listened more. Instead of wishing away nine months of pregnancy and complaining about the shadow over my feet, I'd have cherished every minute of it and realized that the wonderment growing inside me was to be my only chance in life to assist God in a miracle. I would never have insisted the car windows be rolled up on a summer day because my hair had just been teased and sprayed. I would have invited friends over to dinner even if the carpet was stained and the sofa faded. I would have eaten popcorn in the "good" living room and worried less about the dirt when you lit the fireplace. I would have taken the time to listen to my grandfather ramble about his youth. I would have burnt the pink candle that was sculptured like a rose before it melted while being stored. I would have sat cross-legged on the lawn with my children and never worried about grass stains. I would have cried and laughed less while watching television ... and more while watching real life. I would have shared more of the responsibility carried by my husband which I took for granted. I would have eaten less cottage cheese and more ice cream. I would have gone to bed when I was sick, instead of pretending the Earth would go into a holding pattern if I weren't there for a day. I would never have bought ANYTHING just because it was practical/wouldn't show soil/ guaranteed to last a lifetime. When my child kissed me impetuously, I would never have said, "Later. Now, go get washed up for dinner." There would have been more I love yous ... more I'm sorrys ... more I'm listenings ... but mostly, given another shot at life, I would seize every minute of it ... look at it and really see it ... try it on ... live it ... exhaust it ... and never give that minute back until there was nothing left of it.
Erma Bombeck (Eat Less Cottage Cheese And More Ice Cream Thoughts On Life From Erma Bombeck)
Affection is responsible for nine-tenths of whatever solid and durable happiness there is in our natural lives.
C.S. Lewis (The Four Loves)
The moments that define lives aren't always obvious. They don't scream LEDGE, and nine times out of ten there's no rope to duck under, no line to cross, no blood pact, no official letter on fancy paper. They aren't always protracted, heavy with meaning. Between one sip and the next, Victor made the biggest mistake of his life, and it was made of nothing more than one line. Three small words. "I'll go first.
V.E. Schwab (Vicious (Villains, #1))
I got so schooled this year. By a nine year old. He taught me that it's okay to live life a little backwards.
Colleen Hoover (Slammed (Slammed, #1))
Emerson, I am trying to live, as you said we must, the examined life. But there are days I wish there was less in my head to examine, not to speak of the busy heart.
Mary Oliver (Red Bird)
Alexander, you broke my heart. But for carrying me on your back, for pulling my dying sled, for giving me your last bread, for the body you destroyed for me, for the son you have given me, for the twenty-nine days we lived like Red Birds of Paradise, for all our Naples sands and Napa wines, for all the days you have been my first and last breath, for Orbeli- I will forgive you.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
And let’s face it people, no one is ever honest with you about child birth. Not even your mother.       “It’s a pain you forget all about once you have that sweet little baby in your arms.”     Bullshit.   I CALL BULLSHIT.   Any friend, cousin, or nosey-ass stranger in the grocery store that tells you it’s not that bad is a lying sack of shit.   Your vagina is roughly the size of the girth of a penis.   It has to stretch and open andturn into a giant bat cave so the life-sucking human you’ve been growing for nine months can angrily claw its way out.   Who in their right mind would do that willingly?   You’re just walking along one day and think to yourself, “You know, I think it’s time I turn my vagina into an Arby’s Beef and Cheddar (minus the cheddar) and saddle myself down for a minimum of eighteen years to someone who will suck the soul and the will to live right out of my body so I’m a shell of the person I used to be and can’t get laid even if I pay for it.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
To wait. In our lives we know joy, anger, sorrow, and a hundred other emotions, but these emotions all together occupy a bare one percent of our time. The remaining ninety-nine percent is just living in waiting. I wait in momentary expectation, feeling as though my breasts are being crushed, for the sound in the corridor of the footsteps of happiness. Empty. Oh, life is too painful, the reality that confirms the universal belief that it is best not to be born.
Osamu Dazai (The Setting Sun (New Directions Book))
The Lake Isle of Innisfree I will arise and go now, and go to Innisfree, And a small cabin build there, of clay and wattles made; Nine bean-rows will I have there, a hive for the honey-bee, And live alone in the bee-loud glade. And I shall have some peace there, for peace comes dropping slow, Dropping from the veils of the morning to where the cricket sings; There midnight’s all a glimmer, and noon a purple glow, And evening full of the linnet’s wings. I will arise and go now, for always night and day I hear lake water lapping with low sounds by the shore; While I stand on the roadway, or on the pavements grey, I hear it in the deep heart’s core.
W.B. Yeats (The Collected Poems of W.B. Yeats)
The moments that define lives aren't always obvious. They don't always scream LEDGE, and nine times out of ten there's no rope to duck under, no line to cross, no blood pact, no official letter on fancy paper. They aren't always protracted, heavy with meaning.
V.E. Schwab (Vicious (Villains, #1))
Tiny-perhaps." Rovender kept his eyes fixed on the rings. "Insignificant-never, Eva Nine. No living thing is insignificant.
Tony DiTerlizzi (The Search for WondLa (The Search for WondLa, #1))
I mean it's very hard to meditate and live a spiritual life in America. People think you're a freak if you try to.
J.D. Salinger (Nine Stories)
I’m like a cat. I swear I have nine lives
Jennifer L. Armentrout (Deity (Covenant, #3))
You asked me how old I am. I was born roughly nine centuries ago. I’ve lived for more than three hundred thousand days. And you made this one my favorite one of all." -Uilleam MacRieve ~
Kresley Cole (MacRieve (Immortals After Dark, #13))
Even then, at nine years old, I wanted to live inside her body. I wanted to melt into her bones - THAT kind of love.
Tim O'Brien (The Things They Carried)
In our lives we know joy, anger, sorrow, and a hundred other emotions, but these emotions altogether occupy a bare one per cent of our time. The remaining ninety-nine per cent is just living in waiting.
Osamu Dazai (The Setting Sun (New Directions Book))
Linda was nine then, as I was, but we were in love...it had all the shadings and complexities of mature adult love and maybe more, because there were not yet words for it, and because it was not yet fixed to comparisons or chronologies or the ways by which adults measure such things...I just loved her. Even then, at nine years old, I wanted to live inside her body. I wanted to melt into her bones -- that kind of love.
Tim O'Brien (The Things They Carried)
In the town live witches nine: three in worsted, three in rags, and three in velvet fine...
Celia Rees (Witch Child (Witch Child, #1))
A woman hath nine lives like a cat.
John B. Heywood (The Proverbs of John Heywood. Being the "Proverbes" of That Author Printed 1546)
We have become ninety-nine percent money mad. The method of living at home modestly and within our income, laying a little by systematically for the proverbial rainy day which is due to come, can almost be listed among the lost arts.
George Washington Carver
I've never doubted that you should be our leader. I've always believed that, ever since Firestar took you to the Skyrock to receive your nine lives. I challenged you, yes, so I could be sure of your conviction that you were doing the right thing. What SkyClan needs more than anything else is a leader who has faith in herself. Because only then could other cats have faith in her, too.
Erin Hunter
Flying daggers don't kill people, Chloe thought, leaping sidewise at the last minute to avoid one, grabbing the pedestrian rail. People kill people.
Celia Thomson (The Fallen (The Nine Lives of Chloe King, #1))
Why should we live with such hurry and waste of life? We are determined to be starved before we are hungry. Men say that a stitch in time saves nine, and so they take a thousand stitches today to save nine tomorrow.
Henry David Thoreau (Walden)
Coffee leads to cigarettes leads to cocaine and crystal methamphetamine.
Celia Thomson (The Fallen (The Nine Lives of Chloe King, #1))
Your generation has no sense of responsibility to a group, a calling higher than your own. You treat random friends like family and family like strangers. You want to dither your life away, pursuing one pleasure after another. That is not a path; that is a waste of life.
Liz Braswell (The Nine Lives of Chloe King (The Nine Lives of Chloe King, #1-3))
Nine out of ten introverts agree: The telephone is the tool of the devil.
Sophia Dembling (The Introvert's Way: Living a Quiet Life in a Noisy World (Perigee Book))
I got schooled this year. By everyone. By my little brother... by The Avett Brothers... by my mother, my best friend, my teacher, my father, and by a boy. a boy that I'm seriously, deeply, madly, incredibly, and undeniably in love with... I got so schooled this year. By a nine-year-old. He taught me that it's okay to live life a little backwards. And how to laugh At what you would think is un-laughable. I got schooled this year By a Band! They taught me how to find that feeling of feeling again. They taught me how to decide what to be And go be it. I got schooled this year. By a cancer patient. She taught me so much. She's still teaching me so much. She taught me to question. To never regret. She taught me to push my boundaries, Because that's what they're there for. She told me to find a balance between head and heart And then she taught me how... I got schooled this year By a Foster Kid She taught me to respect the hand that I was dealt. And to be grateful I was even dealt a hand. She taught me that family Doesn't have to be blood. Sometimes your family are your friends. I got schooled this year By my teacher He taught me That the points are not the point, The point is poetry... I got schooled this year By my father. He taught me that hero's aren't always invincible And that the magic is within me.. I got schooled this year by a Boy. a boy that I'm seriously, deeply, madly, incredibly, and undeniably in love with. And he taught me the most important thing of all... To put the emphasis On life.
Colleen Hoover
Fall down eight times, stand up nine. For me, this saying is less about the dead paving the way for future generations than it is for the women of Jeju. We suffer and suffer and suffer, but we also keep getting up. We keep living. You would not be here if you weren't brave. Now you need to be braver still.
Lisa See (The Island of Sea Women)
Stop entertaining two faced people. You know the ones who have split personalities and untrustworthy habits. Nine times out of ten if they telling you stuff about another person, they're going to tell your business to other people. If they say, "You know I heard........." More than likely it's in their character to share false information. Beware of your box, circle, square! Whatever you want to call it.
Amaka Imani Nkosazana (Sweet Destiny)
No one talked about it, but somehow they all ended up in Neil and Matt's room. Matt and Aaron shoved the couch out of the way, and the girls showed up a minute later with blankets. The living room wasn't meant to sleep nine bodies but somehow they made a workable nest out of it. Foxes came and went as they grabbed pillows and changed into pajamas. For a moment, though, Neil and Matt were alone. Matt gave Neil's shoulder a careful squeeze.
Nora Sakavic (The King's Men (All for the Game, #3))
At the beginning of a game, there are no variations. There is only one way to set up a board. There are nine million variations after the first six moves. And after eight moves there are two hundred and eighty-eight billion different positions. And those possibilities keep growing. There are more possible ways to play a game of chess than the amount of atoms in the observable universe. So it gets very messy. And there is no right way to play; there are many ways. In chess, as in life, possibility is the basis of everything. Every hope, every dream, every regret, every moment of living.
Matt Haig (The Midnight Library)
Well, life isn't a cakewalk, is it?! Eighty-nine percent of the world's most valuable art was created by men living in rat-infested flats. You think Velásquez wore Adidas? You think he enjoyed the luxuries of central heating and twenty-four-hour pizza delivery?!
Marisha Pessl
Merda! Her lace panties had snagged on his ring, the signet ring he'd inherited from his father, Giacomo Casanova. His father had seduced hundred of women without any problems whatsoever, and he was having trouble with just one. This was the real reason he never used the Casanova name. He could never live up to his father's reputation. The old man was probably laughing in his grave. Nine circles of hell," Jack muttered. Hell?" Lara asked. "I thought I was the Holy Land." You're paradise. Unfortunately, I am stuck there." Her eyes widened. "Stuck?" Normally, I would love being stuck to your lovely bum, but it would look odd if we go sightseeing with my hand under your skirt. Especially in the basilica." She glanced down. "How can you be stuck?" My ring. It's caught in the lace. See?" He moved his hand down her hip, dragging her undies down a few inches. Okay, stop." She bit her lip, frowning, then suddenly giggled. "I can't believe this has happened." I assure you, as much as I had hoped to get your clothes off, this was not part of my original plan." She snorted. "No problem. Just rip yourself loose." Are you sure?" It will destroy you undies." She narrowed her eyes with a seductuve look. "Rip it." Very well." He jerked his hand away, but the panties came with him. He yanked his hand back and forth, but the lacy, latex material simply stretched with him. "Santo cielo, they are indestructible." Lara laughed. He continued to wage battle, but to no avail. "They could use this material to build spaceships.
Kerrelyn Sparks (Secret Life of a Vampire (Love at Stake, #6))
One, he used to be Pack so he knows how dangerous this kind of killing on our territory is, that we can’tand won’tleave town. Two, he hates Clay. Three, he hates Jeremy. Four, he hates all of uswith the exception of our dear Elena, who, conveniently, wasn’t at Stonehaven to be affected by the mess, which I’m sure Daniel knew. Five, he really hates Clay. Sixoh, wait, other handsix, he’s a murderous cannibalizing bastard. Seven, did I mention he chose to strike when Elena wasn’t around? Eight, if he caused enough havoc, Elena might be in the market for a new partner. Nine, he really, really, REALLY hates Clay. Ten, he’s sworn undying revenge against the entire Pack, particularly those two members who happen to be currently living at Stonehaven. I’m out of fingers here, buddy. How many more reasons do you need?
Kelley Armstrong
That's the way it is: life includes a lot of empty space. We are one-tenth living tissue, nine-tenths water; life is one-tenth Here and Now, nine-tenths a history lesson. For most of the time the Here and Now is neither now nor here.
Graham Swift (Waterland)
you create your brain from the input you get.
Ray Kurzweil (Transcend: Nine Steps to Living Well Forever)
What shows up in our lives is a direct reflection of our inner thoughts and emotions.
Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
You could make mistakes when you lived together because you knew you'd wake up the next morning with another chance.
Ariel Sabar (Heart of the City: Nine Stories of Love and Serendipity on the Streets of New York)
I can't cohabitate with rodents." She pauses. That's a lie. I've lived with Loren for nine months, but I draw the line right here.
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
Nearly one million people lived in Soweto. Ninety-nine point nine percent of them were black—and then there was me. I was famous in my neighborhood just because of the color of my skin. I was so unique people would give directions using me as a landmark. “The house on Makhalima Street. At the corner you’ll see a light-skinned boy. Take a right there.” Whenever
Trevor Noah (Born a Crime: Stories from a South African Childhood)
A long time ago, I opened a book, and this is what I found inside: a whole new world. It isn't the world I live in, although sometimes it looks a lot like it. Sometimes, though, it feels closest to my world when it doesn't look like it at all. That world is enormous, yet it all fits inside an everyday object. I don't have to keep everything I find there, but what I choose to take with me is more precious than anything I own, and there is always more where that came from. The world I found was inside a book, and then that world turned out to be made of even more books, each of which led to yet another world. It goes on forever and ever. At nine I thought I must get to Narnia or die. It would be a long time before I understood that I was already there.
Laura Miller (The Magician's Book: A Skeptic's Adventures in Narnia)
Of the four billion life forms which have existed on this planet, three billion, nine hundred and sixty million are now extinct. We don't know why. Some by wanton extinction, some through natural catastrophe, some destroyed by meteorites and asteroids. In the light of these mass extinctions it really does seem unreasonable to suppose that Homo sapiens should be exempt. Our species will have been one of the shortest-lived of all, a mere blink, you may say, in the eye of time.
P.D. James (The Children of Men)
Ninety-nine per cent of traditional English literature concerns people who never have to worry about money at all. We always seem to be watching or reading about emotional crises among folk who live in a world of great fortune both in matters of luck and money; stories and fantasies about rock stars and film stars, sporting millionaires and models; jet-setting members of the aristocracy and international financiers.
James Kelman
Patriarchy’s influence often lives in the minds of women who were raised in a certain way and who aspire to a certain type of greatness — as one half of a powerful, leading couple. They act from behind the scenes, from behind a husband, because their goals and dreams, their stature in the world, is achieved most effectively through the influence of men — or so they believe. Without their husbands, they seem to doubt that they can fully express themselves. The motives of women in power political couples may be foreign to women in private life, but we should consider that the women who hold or aspire to great power have unique pressures and uncompromising standards. Does that compromise make sense when the couple can do so much good in the world, accomplish their political and policy goals, and build a platform and legacy for their children and grandchildren? Political women struggle with these questions.
Anne Michaud (Why They Stay: Sex Scandals, Deals, and Hidden Agendas of Nine Political Wives)
What the hell does it all mean anyhow? Nothing. Zero. Zilch. Nothing comes to anything. And yet, there's no shortage of idiots to babble. Not me. I have a vision. I'm discussing you. Your friends. Your coworkers. Your newspapers. The TV. Everybody's happy to talk. Full of misinformation. Morality, science, religion, politics, sports, love, your portfolio, your children, health. Christ, if I have to eat nine servings of fruits and vegetables a day to live, I don't wanna live. I hate goddamn fruits and vegetables. And your omega 3's, and the treadmill, and the cardiogram, and the mammogram, and the pelvic sonogram, and oh my god the-the-the colonoscopy, and with it all the day still comes where they put you in a box, and its on to the next generation of idiots, who'll also tell you all about life and define for you what's appropriate. My father committed suicide because the morning newspapers depressed him. And could you blame him? With the horror, and corruption, and ignorance, and poverty, and genocide, and AIDS, and global warming, and terrorism, and-and the family value morons, and the gun morons. "The horror," Kurtz said at the end of Heart of Darkness, "the horror." Lucky Kurtz didn't have the Times delivered in the jungle. Ugh... then he'd see some horror. But what do you do? You read about some massacre in Darfur or some school bus gets blown up, and you go "Oh my God, the horror," and then you turn the page and finish your eggs from the free range chickens. Because what can you do. It's overwhelming!
Woody Allen
Listen, now, you're going to die, Ray-mond K. K. K. Hessel, tonight. You might die in one second or in one hour, you decide. So lie to me. Tell me the first thing off the top of your head. Make something up. I don't give a shit. I have a gun. Finally, you were listening and coming out of the little tragedy in your head. Fill in the blank. What does Raymond Hessel want to be when he grows up? Go home, you said you just wanted to go home, please. No shit, I said. But after that, how did you want to spend your life? If you could do anything in the world. Make something up. You didn't know. Then you're dead right now, I said. I said, now turn your head. Death to commence in ten, in nine, in eight. A vet, you said. You want to be a vet, a veterinarian. You could be in school working your ass off, Raymond Hessel, or you could be dead. You choose. I stuffed your wallet into the back of your jeans. So you really wanted to be an animal doctor. I took the saltwater muzzle of the gun off one cheek and pressed it against another. Is that what you've always wanted to be, Dr. Raymond K. K. K. K. Hessel, a veterinarian?... So, I said, go back to school. If you wake up tomorrow morning, you find a way to get back into school. I have your license. I know who you are. I know where you live. I'm keeping your license, and I'm going to check on you, mister Raymond K. Hessel. In three months, and then six months, and then a year, and if you aren't back in school on your way to being a veterinarian, you will be dead... Raymond K. K. Hessel, your dinner is going to taste better than any meal you've ever eaten, and tomorrow will be the most beautiful day of your life.
Chuck Palahniuk (Fight Club)
Somehow, it was hotter then: a black dog suffered on a summer's day; bony mules hitched to Hoover carts flicked flies in the sweltering shade of the live oaks on the square. Men's stiff collars wilted by nine in the morning. Ladies bathed before noon, after their three o'clock naps, and by nightfall were like soft teacakes with frostings of sweat and sweet talcum.
Harper Lee (To Kill a Mockingbird)
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
You are my queen. I’ve spent nine centuries seeking the mortal who would free this court, who would save my best friend’s son, who would save the lives of the rest of the girls who were not you. I’d die before I’d allow harm to you.” He bowed his head.
Melissa Marr (Darkest Mercy (Wicked Lovely, #5))
Lou Ellen and the Hecate kids have been putting up magic barriers, and the whole Hermes cabin has been lining the hills with traps and snares and all kinds of nice surprises for the Romans!" Jake Mason frowned. "Most of which you stole from Bunker Nine and the Hephaestus cabin." Clarisse grumbled in agreement. "They even stole the land mines from around the Ares cabin. How do you steal live land mines?
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Larry’s such a liar--- He tells outrageous lies. He says he’s ninety-nine years old Instead of only five. He says he lives up on the moon, He says that he once flew. He says he’s really six feet four Instead of three feet two. He says he has a billion dollars ‘Stead of just a dime. He says he rode a dinosaur Back in some distant time. He says his mother is the moon Who taught him magic spells. He says his father is the wind That rings the morning bells. He says he can take stones and rocks And turn them into gold. He says he can take burnin’ fire And turn it freezin’ cold. He said he’d send me seven elves To help me with my chores. But Larry’s such a liar--- He only sent me four.
Shel Silverstein
Most people live their lives laying prostrate before a false god, waiting for a cue to rise. There are no cues, only decisions. Shall I have dessert? Shall I have the best of the wine? Shall I love the person next to me? They can all be brought to your table. Rise, I say, rise and look within to the truth, to the light, and tell it your decision.
Lawren Leo (Love's Shadow: Nine Crooked Paths)
The nine other students pack up their things and leave the classroom to carry on with their lives, to practices and rehearsals and club meetings. I leave the room, too, but I'm not part of them. They're the same, but I'm changed. I'm unhuman now. Unthetered. While they walk across campus, earthbound and ordinary, I soar, trailing a maple-red comet tail. I'm no longer myself; I am no one. I'm a red balloon caught in the boughts of a tree. I'm nothing at all.
Kate Elizabeth Russell (My Dark Vanessa)
Concerning trees and leaves... there's a real power here. It is amazing that trees can turn gravel and bitter salts into these soft-lipped lobes, as if I were to bite down on a granite slab and start to swell, bud and flower. Every year a given tree creates absolutely from scratch ninety-nine percent of its living parts. Water lifting up tree trunks can climb one hundred and fifty feet an hour; in full summer a tree can, and does, heave a ton of water every day. A big elm in a single season might make as many as six million leaves, wholly intricate, without budging an inch; I couldn't make one. A tree stands there, accumulating deadwood, mute and rigid as an obelisk, but secretly it seethes, it splits, sucks and stretches; it heaves up tons and hurls them out in a green, fringed fling. No person taps this free power; the dynamo in the tulip tree pumps out even more tulip tree, and it runs on rain and air.
Annie Dillard
God is the comic shepherd who gets more of a kick out of that one lost sheep once he finds it again than out of the ninety and nine who had the good sense not to get lost in the first place. God is the eccentric host who, when the country-club crowd all turned out to have other things more important to do than come live it up with him, goes out into the skid rows and soup kitchens and charity wards and brings home a freak show. The man with no legs who sells shoelaces at the corner. The old woman in the moth-eaten fur coat who makes her daily rounds of the garbage cans. The old wino with his pint in a brown paper bag. The pusher, the whore, the village idiot who stands at the blinker light waving his hand as the cars go by. They are seated at the damask-laid table in the great hall. The candles are all lit and the champagne glasses filled. At a sign from the host, the musicians in their gallery strike up "Amazing Grace.
Frederick Buechner (Telling the Truth: The Gospel as Tragedy, Comedy, and Fairy Tale)
Say the planet is born at midnight and it runs for one day. First there is nothing. Two hours are lost to lava and meteors. Life doesn’t show up until three or four a.m. Even then, it’s just the barest self-copying bits and pieces. From dawn to late morning—a million million years of branching—nothing more exists than lean and simple cells. Then there is everything. Something wild happens, not long after noon. One kind of simple cell enslaves a couple of others. Nuclei get membranes. Cells evolve organelles. What was once a solo campsite grows into a town. The day is two-thirds done when animals and plants part ways. And still life is only single cells. Dusk falls before compound life takes hold. Every large living thing is a latecomer, showing up after dark. Nine p.m. brings jellyfish and worms. Later that hour comes the breakout—backbones, cartilage, an explosion of body forms. From one instant to the next, countless new stems and twigs in the spreading crown burst open and run. Plants make it up on land just before ten. Then insects, who instantly take to the air. Moments later, tetrapods crawl up from the tidal muck, carrying around on their skin and in their guts whole worlds of earlier creatures. By eleven, dinosaurs have shot their bolt, leaving the mammals and birds in charge for an hour. Somewhere in that last sixty minutes, high up in the phylogenetic canopy, life grows aware. Creatures start to speculate. Animals start teaching their children about the past and the future. Animals learn to hold rituals. Anatomically modern man shows up four seconds before midnight. The first cave paintings appear three seconds later. And in a thousandth of a click of the second hand, life solves the mystery of DNA and starts to map the tree of life itself. By midnight, most of the globe is converted to row crops for the care and feeding of one species. And that’s when the tree of life becomes something else again. That’s when the giant trunk starts to teeter.
Richard Powers (The Overstory)
Look, this boy's been kicked around all his life. You know-living in a slum, his mother dead since he was nine. He spent a year and a half in an orphanage while his father served a jail term for forgery. That's not a very good head start. He's had a pretty terrible sixteen years. I think maybe we owe him a few words. That's all.
Reginald Rose (Twelve Angry Men)
I'd live with loneliness a long time. That was something which was always there... one learns to keep it at bay, there are times when one even enjoys it - but there are also times when a desperate self-sufficiency doesn't quite suffice, and then the search for the anodyne begins... the radio, the dog, the shampoo, the stockings-to-wash, the tin soldier...
Mary Stewart (Nine Coaches Waiting)
As of this writing, I am twenty-five years old. I have been alive for 307 months. Nine of those months were pretty terrible. But 298 of those months have been very good. I have been happy. I have been very blessed. Who knows how many more months I have to live? But even if I died tomorrow, nine out of 307 seems like pretty good odds.
Elizabeth Smart (My Story)
The other nine, decent, hard-working, ordinarily intelligent and honest men, did not know before 1933 that Nazism was evil. They did not know between 1933 and 1945 that it was evil. And they do not know it now. None of them ever knew, or now knows, Nazism as we knew and know it; and they lived under it, served it, and, indeed, made it. As
Milton Sanford Mayer (They Thought They Were Free: The Germans, 1933-45)
I like to play chess. I moved to a small town, and nobody played chess there, but one guy challenged me to checkers. I always thought it was kind of a simple game, but I accepted. And he beat me nine or ten games in a row. That’s sort of like living in a small town. It’s a simpler game, but it’s played to a higher level.
Peter Hessler
You know what I was thinking about on my way home? How different my life would be if you’d made that gash a little deeper. Or how different yours would be if I’d vaulted myself off a roof nine years ago. Do you ever think about things like that? Like, if either you or I wouldn’t have made it, where would the other one be right now? It was something I thought about all the time: how death changes every remaining moment for those still living.
Tiffanie DeBartolo (How to Kill a Rock Star)
I don’t know whether you have ever seen a map of a person’s mind. Doctors sometimes draw maps of other parts of you, and your own map can become intensely interesting, but catch them trying to draw a map of a child’s mind, which is not only confused, but keeps going round all the time. There are zigzag lines on it, just like your temperature on a card, and these are probably roads on the island, for the Neverland is always more or less an island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with sex elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose. It would be an easy map if that were all, but there is also first day at school, religion, fathers, the round pond, needle-work, murders, hangings, verbs that take the dative, chocolate-pudding day, getting into braces, say ninety-nine threepence for pulling out your tooth yourself, and so on, and either these are part of the island or they are another map showing through, and it is all rather confusing, especially as nothing will stand still. Of course the Neverlands vary a good deal. John’s, for instance, had a lagoon with flamingos flying over it at which John was shooting, while Michael, who was very small, had a flamingo with lagoons flying over it. John lived in a boat turned upside down on the sands, Michael in a wigwam, Wendy in a house of leaves deftly sewn together. John had no friends, Michael had friends at night, Wendy had a pet wolf forsaken by its parents...
J.M. Barrie (Peter Pan)
Yes, I was a twenty-nine year old woman who lived with her mother. One who didn’t do drugs, party, or have sex. I read books, drank the occasional beer on a hot afternoon, and did the Times crossword puzzle on Sunday afternoons. I hadn’t attended college, I wasn’t particularly gorgeous, and I often forgot to shave my legs. On the upside, I could cook some mean dumplings and bring myself to orgasm within five minutes. Not at the same time, mind you. I wasn’t that talented.
Alessandra Torre (Hollywood Dirt (Hollywood Dirt, #1))
If I've learned anything in twenty-nine years, it's that every human being you see in the course of a day has a problem that's sucking up at least 70 percent of his or her radar. My gift - bad choice of words - is that I can look at you, him, her, them, whoever, and tell right away what is keeping them awake at night: money; feelings of insignificance; overwhelming boredom; evil children; job troubles; or perhaps death, in one of its many costumes, perched in the wings. What surprises me about humanity is that in the end such a narrow range of plights defines our moral lives.
Douglas Coupland (Hey Nostradamus!)
Sometimes you go a long time having fooled yourself into thinking that you're as grown-up as you'll ever be, or that you're more mature than the rest of the world thinks you are, and you live in this state of constant self-assurance, and for a while nothing can upset you from this pedestal you've built for yourself, because you imagine yourself to be so capable. And then somebody does something that takes a golf club to your ego, and suddenly you're nine years old again, pieced together from humiliation and gawky youthfulness and childlike ideas like, Somebody please tell me what to do, nobody taught me how to handle this, God, just look at all the things I still don't understand, and you can't muster up the presence of mind to do anything but stand there, stare, silent, sorry.
Riley Redgate (Seven Ways We Lie)
All this to say: I am forty-three years old. I may yet live another forty. What do I do with those years? How do I fill them without Lexy? When I come to tell the story of my life, there will be a line, creased and blurred and soft with age, where she stops. If I win the lottery, if I father a child, if I lose the use of my legs, it will be after she has finished knowing me. "When I get to Heaven", my grandmother used to say, widowed at thirty-nine, "your grandfather won't even recognize me.
Carolyn Parkhurst (The Dogs of Babel)
Maycomb was an old town, but it was a tired old town when I first knew it. In rainy weather the streets turned to red slop; grass grew on the sidewalks, the courthouse sagged in the square. Somehow, it was hotter then: a black dog suffered on a summer’s day; bony mules hitched to Hoover carts flicked flied in the sweltering shade of the live oaks on the square. Men’s stiff collars wilted by nine in the morning. Ladies bathed before noon, after their three-o’clock naps, and by night fall were like soft teacakes with frostings of sweat and sweet talcum People moved slowly then. They ambled across the square, shuffled in and out of the stores around it, took their time about everything. A day was twenty-four hours long but seemed longer. There was no hurry, for there was nowhere to go, nothing to buy and no money to buy it with, noting to see outside the boundaries of Maycomb County. But it was a time of vague optimism for some of the people: Maycomb County had recently been told that it had nothing to fear but fear itself.
Harper Lee (To Kill a Mockingbird)
-A Word On Statistics- Out of every hundred people, those who always know better: fifty-two. Unsure of every step: almost all the rest. Ready to help, if it doesn't take long: forty-nine. Always good, because they cannot be otherwise: fourwell, maybe five. Able to admire without envy: eighteen. Led to error by youth (which passes): sixty, plus or minus. Those not to be messed with: four-and-forty. Living in constant fear of someone or something: seventy-seven. Capable of happiness: twenty-some-odd at most. Harmless alone, turning savage in crowds: more than half, for sure. Cruel when forced by circumstances: it's better not to know, not even approximately. Wise in hindsight: not many more than wise in foresight. Getting nothing out of life except things: thirty (though I would like to be wrong). Balled up in pain and without a flashlight in the dark: eighty-three, sooner or later. Those who are just: quite a few, thirty-five. But if it takes effort to understand: three. Worthy of empathy: ninety-nine. Mortal: one hundred out of one hundred a figure that has never varied yet.
Wisława Szymborska
I’m not interested in Bob Marley telling me to ‘lively up’ myself. The only music that satisfies me is Nine Inch Nails and Trent Reznor’s voice crying through industrial rhytms. In the August evenings, I lie on my bed with earphones, letting his laments roll through me like unrepentant thunderstorms. I envy the courage that carries his voice into the world. He doesn’t berate himself for pain and anger; he howls. And this delights me, even though I feel ashamed when my own rage comes to the surface. My anger doesn’t signify courage; it’s just more confirmation that I’m bad.
Kiera Van Gelder (The Buddha and the Borderline: My Recovery from Borderline Personality Disorder through Dialectical Behavior Therapy, Buddhism, and Online Dating)
Haven't you noticed, too, on the part of nearly everyone you know, a growing rebellion against the present? And an increasing longing for the past? I have. Never before in all my long life have I heard so many people wish that they lived 'at the turn of the century,' or 'when life was simpler,' or 'worth living,' or 'when you could bring children into the world and count on the future,' or simply 'in the good old days.' People didn't talk that way when I was young! The present was a glorious time! But they talk that way now. For the first time in man's history, man is desperate to escape the present. Our newsstands are jammed with escape literature, the very name of which is significant. Entire magazines are devoted to fantastic stories of escape - to other times, past and future, to other worlds and planets - escape to anywhere but here and now. Even our larger magazines, book publishers and Hollywood are beginning to meet the rising demand for this kind of escape. Yes, there is a craving in the world like a thirst, a terrible mass pressure that you can almost feel, of millions of minds struggling against the barriers of time. I am utterly convinced that this terrible mass pressure of millions of minds is already, slightly but definitely, affecting time itself. In the moments when this happens - when the almost universal longing to escape is greatest - my incidents occur. Man is disturbing the clock of time, and I am afraid it will break. When it does, I leave to your imagination the last few hours of madness that will be left to us; all the countless moments that now make up our lives suddenly ripped apart and chaotically tangled in time. Well, I have lived most of my life; I can be robbed of only a few more years. But it seems too bad - this universal craving to escape what could be a rich, productive, happy world. We live on a planet well able to provide a decent life for every soul on it, which is all ninety-nine of a hundred human beings ask. Why in the world can't we have it? ("I'm Scared")
Jack Finney (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
Why would Shinyun be after Tessa?” Magnus said. Jem looked at him in surprise. “Well—because she’s an eldest curse, of course. Like you.” Magnus blinked. “You mean, because she’s the daughter of a Prince of Hell? Like me?” “No. It’s more than that. Tessa went to the Labyrinth not just to hide but to research. Eldest curses are not just children of Princes of Hell. They’re the oldest living children of those princes. There can only be nine of them alive at any one time, and I know of only two. And I’m talking to one of them and married to the other.
Cassandra Clare (The Lost Book of the White (The Eldest Curses, #2))
Blue must be worn for protection. Moonstones were useful in connecting with the living, topaz to contact the dead. Copper, sacred to Venus, will call a man to you, and black tourmaline will eliminate jealousy. When it came to love, you must always be careful. If you dropped something belonging to the man you loved into a candle flame, then added pine needles and marigold flowers, he would arrive on your doorstep by morning, so you would do well to be certain you wanted him there. The most basic and reliable love potion was made from anise, rosemary, honey, and cloves boiled for nine hours on the back burner of the old stove. It had always cost $9.99 and was therefore called Love Potion Number Nine, which worked best on the ninth hour of the ninth day of the ninth month.
Alice Hoffman (The Rules of Magic (Practical Magic, #0.2))
I have walked in Death to the very precipice of the Ninth Gate," Abhorsen said quietly. "I know the secrets and horrors of the Nine Precincts. I do not know what lies beyond, but everything that lives must go there, in the proper time. That is the rule that governs our work as the Abhorsen, but it also governs us. You are the fifty-third Abhorsen, Sabriel. I have not taught you as well as I should—let this be my final lesson. Everyone and everything has a time to die.
Garth Nix (Sabriel (Abhorsen, #1))
O you, who in some pretty boat, Eager to listen, have been following Behind my ship, that singing sails along Turn back to look again upon your own shores; Tempt not the deep, lest unawares, In losing me, you yourselves might be lost. The sea I sail has never yet been passed; Minerva breathes, and pilots me Apollo, And Muses nine point out to me the Bears. You other few who have neck uplifted Betimes to the bread of angels upon Which one lives and does not grow sated, Well may you launch your vessel Upon the deep sea.
Dante Alighieri (Paradiso (The Divine Comedy, #3))
At some point you have to set aside snobbery and what you think is culture and recognize that any random episode of Friends is probably better, more uplifting for the human spirit, than ninety-nine percent of the poetry or drama or fiction or history every published. Think of that. Of course yes, Tolstoy and of course yes Keats and blah blah and yes indeed of course yes. But we're living in an age that has a tremendous richness of invention. And some of the most inventive people get no recognition at all. They get tons of money but not recognition as artists. Which is probably much healthier for them and better for their art.
Nicholson Baker (The Anthologist (The Paul Chowder Chronicles #1))
In addition to conformity as a way to relieve the anxiety springing from separateness, another factor of contemporary life must be considered: the role of the work routine and the pleasure routine. Man becomes a 'nine to fiver', he is part of the labour force, or the bureaucratic force of clerks and managers. He has little initiative, his tasks are prescribed by the organisation of the work; there is even little difference between those high up on the ladder and those on the bottom. They all perform tasks prescribed by the whole structure of the organisation, at a prescribed speed, and in a prescribed manner. Even the feelings are prescribed: cheerfulness, tolerance, reliability, ambition, and an ability to get along with everybody without friction. Fun is routinised in similar, although not quite as drastic ways. Books are selected by the book clubs, movies by the film and theatre owners and the advertising slogans paid for by them; the rest is also uniform: the Sunday ride in the car, the television session, the card game, the social parties. From birth to death, from Monday to Monday, from morning to evening - all activities are routinised, and prefabricated. How should a man caught up in this net of routine not forget that he is a man, a unique individual, one who is given only this one chance of living, with hopes and disappointments, with sorrow and fear, with the longing for love and the dread of the nothing and separateness?
Erich Fromm (The Art of Loving)
His Facebook post is pure Jamie: Hi all. I feel like a heel doing this over Facebook, but I can’t reach everyone by tomorrow. You’re all going to discuss me on Sunday, anyway. And in case you think my account was hacked, it wasn’t. As proof I’ll confess that I’m the one who broke Mom’s Christmas tree angel when I was seven. It was death by baseball, but I swear she didn’t suffer. Anyway, I have to catch you up on a few developments. I’ve taken the coaching job in Toronto, and I’ve declined my spot in Detroit. This feels like the right career move, but there’s something else. I’m living with my boyfriend (that was not a typo.) His name is Wes, and we met at Lake Placid about nine years ago. In case you were lacking something to talk about over dinner, I’ve fixed that problem. Love you all. Jamie
Sarina Bowen (Him (Him, #1))
Old Deuteronomy's lived a long time; He's a Cat who has lived many lives in succession. He was famous in proverb and famous in rhyme A long while before Queen Victoria's accession. Old Deuteronomy's buried nine wives And more – I am tempted to say, ninety-nine; And his numerous progeny prospers and thrives And the village is proud of him in his decline. At the sight of that placid and bland physiognomy, When he sits in the sun on the vicarage wall, The Oldest Inhabitant croaks: "Well, of all … Things … Can it be … really! … No! … Yes! … Ho! hi! Oh, my eye! My mind may be wandering, but I confess I believe it is Old Deuteronomy!" Old Deuteronomy sits in the street, He sits in the High Street on market day; The bullocks may bellow, the sheep they may bleat, But the dogs and the herdsman will turn them away. The cars and the lorries run over the kerb, And the villagers put up a notice: ROAD CLOSED — So that nothing untoward may chance to disturb Deuteronomy's rest when he feels so disposed Or when he's engaged in domestic economy: And the Oldest Inhabitant croaks: "Well of all … Things … Can it be … really! … No! … Yes! … Ho! hi! Oh, my eye! My sight's unreliable, but I can guess That the cause of the trouble is Old Deuteronomy!
T.S. Eliot (Old Possum's Book of Practical Cats)
Recently I interviewed a psychopath. This is always a humbling experience because it teaches over and over how much of human motivation and experience is outside my narrow range. Despite the psychopath's lack of conscience and lack of empathy for others, he is inevitably better at fooling people than any other type of offender. I suppose conscience just slows you down. A child convicted molester, this particular one made friends with a correctional officer who invited him to live in his home after he was released - despite the fact the officer had a nine-year-old daughter. The officer and his wife were so taken with the offender that, after the offender lived with them for a few months, they initiated adoption proceedings- adoption for a man almost their age. Of course, he was a child molester living in the same house as a child. Not surprisingly, he molested the daughter the entire time he lived there. [...] What these experiences taught have me is that even when people are warned of a previously founded case of even a conviction, they still routinely underestimate the pathology with which they are dealing.
Anna C. Salter (Predators: Pedophiles, Rapists, and Other Sex Offenders)
[Adapted and condensed Valedictorian speech:] I'm going to ask that you seriously consider modeling your life, not in the manner of the Dalai Lama or Jesus - though I'm sure they're helpful - but something a bit more hands-on, Carassius auratus auratus, commonly known as the domestic goldfish. People make fun of the goldfish. People don't think twice about swallowing it. Jonas Ornata III, Princeton class of '42, appears in the Guinness Book of World Records for swallowing the greatest number of goldfish in a fifteen-minute interval, a cruel total of thirty-nine. In his defense, though, I don't think Jonas understood the glory of the goldfish, that they have magnificent lessons to teach us. If you live like a goldfish, you can survive the harshest, most thwarting of circumstances. You can live through hardships that make your cohorts - the guppy, the neon tetra - go belly-up at the first sign of trouble. There was an infamous incident described in a journal published by the Goldfish Society of America - a sadistic five-year-old girl threw hers to the carpet, stepped on it, not once but twice - luckily she'd done it on a shag carpet and thus her heel didn't quite come down fully on the fish. After thirty harrowing seconds she tossed it back into its tank. It went on to live another forty-seven years. They can live in ice-covered ponds in the dead of winter. Bowls that haven't seen soap in a year. And they don't die from neglect, not immediately. They hold on for three, sometimes four months if they're abandoned. If you live like a goldfish, you adapt, not across hundreds of thousands of years like most species, having to go through the red tape of natural selection, but within mere months, weeks even. You give them a little tank? They give you a little body. Big tank? Big body. Indoor. Outdoor. Fish tanks, bowls. Cloudy water, clear water. Social or alone. The most incredible thing about goldfish, however, is their memory. Everyone pities them for only remembering their last three seconds, but in fact, to be so forcibly tied to the present - it's a gift. They are free. No moping over missteps, slip-ups, faux pas or disturbing childhoods. No inner demons. Their closets are light filled and skeleton free. And what could be more exhilarating than seeing the world for the very first time, in all of its beauty, almost thirty thousand times a day? How glorious to know that your Golden Age wasn't forty years ago when you still had all you hair, but only three seconds ago, and thus, very possibly it's still going on, this very moment." I counted three Mississippis in my head, though I might have rushed it, being nervous. "And this moment, too." Another three seconds. "And this moment, too." Another. "And this moment, too.
Marisha Pessl
Look at that," he said. "How the ink bleeds." He loved the way it looked, to write on a thick pillow of the pad, the way the thicker width of paper underneath was softer and allowed for a more cushiony interface between pen and surface, which meant more time the two would be in contact for any given point, allowing the fiber of the paper to pull, through capillary action, more ink from the pen, more ink, which meant more evenness of ink, a thicker, more even line, a line with character, with solidity. The pad, all those ninety-nine sheets underneath him, the hundred, the even number, ten to the second power, the exponent, the clean block of planes, the space-time, really, represented by that pad, all of the possible drawings, graphs, curves, relationships, all of the answers, questions, mysteries, all of the problems solvable in that space, in those sheets, in those squares.
Charles Yu (How to Live Safely in a Science Fictional Universe)
We may see a Creature with forty-nine heads Who lives in the desolate snow, And whenever he catches a cold (which he dreads) He has forty-nine noses to blow. 'We may see the venomous Pink-Spotted Scrunch Who can chew up a man with one bite. It likes to eat five of them roasted for lunch And eighteen for its supper at night. 'We may see a Dragon, and nobody knows That we won't see a Unicorn there. We may see a terrible Monster with toes Growing out of the tufts of his hair. 'We may see the sweet little Biddy-Bright Hen So playful, so kind and well-bred; And such beautiful eggs! You just boil them and then They explode and they blow off your head. 'A Gnu and a Gnocerous surely you'll see And that gnormous and gnorrible Gnat Whose sting when it stings you goes in at the knee And comes out through the top of your hat. 'We may even get lost and be frozen by frost. We may die in an earthquake or tremor. Or nastier still, we may even be tossed On the horns of a furious Dilemma. 'But who cares! Let us go from this horrible hill! Let us roll! Let us bowl! Let us plunge! Let's go rolling and bowling and spinning until We're away from old Spiker and Sponge!
Roald Dahl (James and the Giant Peach)
Turn that worthless lawn into a beautiful garden of food whose seeds are stories sown, whose foods are living origins. Grow a garden on the flat roof of your apartment building, raise bees on the roof of your garage, grow onions in the iris bed, plant fruit and nut trees that bear, don't plant 'ornamentals', and for God's sake don't complain about the ripe fruit staining your carpet and your driveway; rip out the carpet, trade food to someone who raises sheep for wool, learn to weave carpets that can be washed, tear out your driveway, plant the nine kinds of sacred berries of your ancestors, raise chickens and feed them from your garden, use your fruit in the grandest of ways, grow grapevines, make dolmas, wine, invite your fascist neighbors over to feast, get to know their ancestral grief that made them prefer a narrow mind, start gardening together, turn both your griefs into food; instead of converting them, convert their garage into a wine, root, honey, and cheese cellar--who knows, peace might break out, but if not you still have all that beautiful food to feed the rest and the sense of humor the Holy gave you to know you're not worthless because you can feed both the people and the Holy with your two little able fists.
Martin Prechtel (The Unlikely Peace at Cuchumaquic: The Parallel Lives of People as Plants: Keeping the Seeds Alive)
We called them the Nine-to-Fivers. They lived in accordance with nature, waking and sleeping with the cycle of the sun. Mealtimes, business hours, the world conformed to their schedule. The best markets, the A-list concerts, the street fairs, the banner festivities were on Saturdays and Sundays. They sold out movies, art openings, ceramics classes. They had evenings to waste. The watched the Super Bowl, they watched the Oscars, they made reservations for dinner because they ate dinner at a normal time. They brunched, ruthlessly, and read the Sunday Times on Sundays. They moved in crowds that reinforced their citizenship: crowded museums, crowded subways, crowded bars, the city teeming with extras for the movie they starred in. They were dining, shopping, consuming, unwinding, expanding while we were working, diminishing, being absorbed into their scenery. That is why we -- the Industry People -- got so greedy when the Nine-to-Fivers went to bed.
Stephanie Danler (Sweetbitter)
Earthborn animals do this thing, inside their brains—a sort of firing-off of synapses, controlled insanity. While they’re asleep. The part of their brain that records sight or sound, it’s firing off every hour or two while they sleep; even when all the sights and sounds are complete random nonsense, their brains just keep on trying to assemble it into something sensible. They try to make stories out of it. It’s complete random nonsense with no possible correlation to the real world, and yet they turn it into these crazy stories. And then they forget them. All that work, coming up with these stories, and when they wake up they forget almost all of them. But when they do remember, then they try to make stories about those crazy stories, trying to fit them into their real lives. …They change what their stories mean. They transform things so that the same memory can mean a thousand different things. Even from their dreams, sometimes they make up out of that randomness something that illuminates everything. …Even if the vast majority of them are wrong, even if ninety-nine of every hundred is stupid and wrong, out of those thousands of ideas that still leaves them with a hundred good ones. That’s how they make up for being so stupid and having such short lives and small memories.
Orson Scott Card (Xenocide (Ender's Saga, #3))
The Stain That Conner left on our lives will not vanish as easily. I don’t care about Mom and her birds. Their estimation of my brother doesn’t bother me at all. Neither do I worry about Dad and what his lobbyist buddies think. His political clout has not diminished. As twins go, Conner and I don’t share a deep affection, but we do have a nine-months-in-the-same-womb connection. Not to mention a crowd of mutual friends. God, I’ll never forget going to school the day after that ugly scene. The plan was to sever the gossip grapevine from the start with an obvious explanation— accident. Mom’s orders were clear. Conner’s reputation was to be protected at all costs. When I arrived, the rumors had already started, thanks to our neighbor, Bobby Duvall. Conner Sykes got hurt. Conner Sykes was shot. Conner Sykes is in the hospital. Is Conner Sykes, like, dead? I fielded every single question with the agreed fabrication. But eventually, I was forced to concede that, though his wounds would heal, he was not coming back to school right away. Conner Sykes wasn’t dead. But he wasn’t exactly “okay.
Ellen Hopkins (Perfect (Impulse, #2))
Dear Daniel, How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"? Lily Charlotte, NC Dear Lily, The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this. And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does." You think about them all the time. Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall. Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain. Love, Daniel Handler
Daniel Handler
Commala-come-come There’s a young man with a gun. Young man lost his honey When she took it on the run. Commala-come-one! She took it on the run! Left her baby lonely But he baby ain’t done. Commala-come-coo The wind’ll blow ya through. Ya gotta go where ka’s wind blows ya Cause there’s nothin else to do. Commala-come-two! Nothin else to do! Gotta go where ka’s wind blows ya Cause there’s nothin else to do. Commala-come-key Can you tell me what ya see? Is it ghosts or just the mirror That makes ya wanna flee? Commala-come-three! I beg ya, tell me! Is it ghosts or just your darker self That makes ya wanna flee? Commala-come-ko Whatcha doin at my do’? If ya doan tell me now, my friend I’ll lay ya on de flo’. Commala-come-fo’! I can lay ya low! The things I’ve do to such as you You never wanna know. Commala-gin-jive Ain’t it grand to be alive? To look out on Discordia When the Demon Moon arrives. Commala-come-five! Even when the shadows rise! To see the world and walk the world Makes ya glad to be alive. Commala-mox-nix! You’re in a nasty fix! To take a hand in traitor’s glove Is to grasp a sheaf of sticks! Commala-come-six! Nothing there but thorns and sticks! When your find your hand in traitor’s glove You’re in a nasty fix. Commala-loaf-leaven! They go to hell or up to heaven! The the guns are shot and the fires hot, You got to poke em in the oven. Commala-come-seven! Salt and yow’ for leaven! Heat em up and knock em down And poke em in the oven. Commala-ka-kate You’re in the hands of fate. No matter if it’s real or not, The hour groweth late. Commala-come-eight! The hour groweth late! No matter what shade ya cast You’re in the hands of fate. Commala-me-mine You have to walk the line. When you finally get the thing you need It makes you feel so fine. Commala-come-nine! It makes ya feel fine! But if you’d have the thing you need You have to walk the line. Commala-come-ken It’s the other one again. You may know her name and face But that don’t make her your friend. Commala-come-ten! She is not your friend! If you let her get too close She’ll cut you up again! Commala-come-call We hail the one who made us all, Who made the men and made the maids, Who made the great and small. Commala-come-call! He made us great and small! And yet how great the hand of fate That rules us one and all. Commala-come-ki, There’s a time to live and one to die. With your back against the final wall Ya gotta let the bullets fly. Commala-come-ki! Let the bullets fly! Don’t ‘ee mourn for me, my lads When it comes my day to die. Commala-come-kass! The child has come at last! Sing your song, O sing it well, The child has come to pass. Commala-come-kass, The worst has come to pass. The Tower trembles on its ground; The child has come at last. Commala-come-come, The battle’s now begun! And all the foes of men and rose Rise with the setting sun.
Stephen King (Song of Susannah (The Dark Tower, #6))
How long does a mouse live?" "Ah," she said. "I've been waiting for you to ask me that." There was a silence. She sat there smoking away and gazing at the fire. "Well," I said. "How long do we live, us mice?" "I have been reading about mice," she said. "I have been trying to find out everything I can about them." "Go on then, Grandmamma. Why don't you tell me?" "If you really want to know," she said, "I'm afraid a mouse doesn't live for a very long time." "How long?" I asked. "Well, an ordinary mouse only lives for about three years," she said. "But you are not an ordinary mouse. You are a mouse-person, and that is a very different matter." "How different?" I asked. "How long does a mouse-person live, Grandmamma?" "Longer," she said. "Much longer." "A mouse-person will almost certainly live for three times as long as an ordinary mouse," my grandmother said. "About nine years." "Good!" I cried. "That's great! It's the best news I've ever had!" "Why do you say that?" she asked, surprised. "Because I would never want to live longer than you," I said. "I couldn't stand being looked after by anybody else." There was a short silence. She had a way of fondling me behind the ears with the tip of one finger. It felt lovely. "How old are you, Grandmamma?" I asked. "I'm eighty-six," she said. "Will you live another eight or nine years?" "I might," she said. "With a bit of luck." "You've got to," I said. "Because by then I'll be a very old mouse and you'll be a very old grandmother and soon after that we'll both die together." "That would be perfect," she said.
Roald Dahl (The Witches)
I am not my uncle. I am not my father, but I do subscribe to the twenty rules he taught me from the cradle. One, if you’re afraid to fight, then you’ll never win. Two, in times of tragedy and turmoil, you’ll learn who your true friends are. Treasure them because they are few and far between. Three, know your enemies, and never become your own worst one. Four, be grateful for those enemies. They will keep you honest and ever striving to better yourself. Five, listen to all good advice, but never substitute someone else’s judgment for your own. Six, all men and women lie. But never lie to yourself. Seven, many will flatter you. Befriend the ones who don’t, for they will remind you that you’re human and not infallible. Eight, never fear the truth. It’s the lies that will destroy you. Nine, your worst decisions will always be those that are made out of fear. Think all matters through with a clear head. Ten, your mistakes won’t define you, but your memories, good and bad, will. Eleven, be grateful for your mistakes as they will tell you who and what you’re not. Twelve, don’t be afraid to examine the past, it’s how you learn what you don’t want to do again. Thirteen, there’s a lot to be said for not knowing better. Fourteen, all men die. Not everyone lives. Fifteen, on your deathbed, your greatest regrets will be what you didn’t do. Sixteen, don’t be afraid to love. Yes, it’s a weakness that can be used against you. But it’s also a source of the greatest strength you will ever know. Seventeen, the past is history written in stone that can’t be altered. The future is transitory and never guaranteed. Today is the only thing you can change for certain. Have the courage to do so and make the most of it because it could be all you’ll ever have. Eighteen, you can be in a crowd, surrounded by people, and still be lonely. Nineteen, love all, regardless of what they do. Trust only those you have to. Harm none until they harm you. And twenty… Never be afraid to kill or destroy your enemies. They won’t hesitate to kill or destroy you.” - Darling Cruel
Sherrilyn Kenyon
Where's my sister?" "She's setting up the island we found tonight." Galen shakes his head. "You slithering eel. You might have told me what you were up to." Toraf laughs. "Oh sure. 'Hey, Galen, I need to borrow Emma for a few minutes so I can kiss her, okay?' Didn't see that going over very well." "You think your surprise attack went over better?" Toraf shrugs. "I'm satisfied." "I could have killed you today." "Yeah." "Don't ever do that again." "Wasn't planning on it. Thought it was real sweet of you to defend your sister's honor. Very brotherly." Toraf snickers. "Shut up." "I'm just saying." Galen runs a hand through his hair. "I only saw Emma. I forgot all about Rayna." "I know, idiot. That's why I let you hit me fifty-eight times. That's what I would do if someone kissed Rayna." "Fifty-nine times." "Don't get carried away, minnow. By the way, was Emma boiling mad or just a little heated? Should I keep my distance for a while?" Galen snorts. "She laughed so hard I thought she'd pass out. I'm the one in trouble." "Shocker. What'd you do?" "The usual." Hiding his feelings. Blurting out the wrong thing. Acting like a territorial bull shark. Toraf shakes his head. "She won't put up with that forever. She already thinks you only want to change her so she can become another of your royal subjects." "She said that?" Galen scowls. "I don't know what's worse. Letting her think that, or telling her the truth about why I'm helping her to change." "In my opinion, there's nothing to tell her unless she can actually change. And so far, she can't." "You don't think she's one of us?" Toraf shrugs. "Her skin wrinkles. It's kind of gross. Maybe she's some sort of superhuman. You know, like Batman." Galen laughs. "How do you know about Batman?" "I saw him on that black square in your living room. He can do all sorts of things other humans can't do. Maybe Emma is like him." "Batman isn't real. He's just a human acting like that so other humans will watch him." "Looked real to me." "They're good at making it look real. Some humans spend their whole lives making something that isn't real look like something that is." "Humans are creepier than I thought. Why pretend to be something you're not?" Galen nods. To take over a kingdom, maybe? "Actually, that reminds me. Grom needs you." Toraf groans. "Can it wait? Rayna's getting all cozy on our island right about now." "Seriously. I don't want to know." Toraf grins. "Right. Sorry. But you can see my point, right? I mean, if Emma were waiting for you-" "Emma wouldn't be waiting for me. I wouldn't have left." "Rayna made me. You've never hit me that hard before. She wants us to get along. Plus, there's something I need to tell you, but I didn't exactly get a change to." "What?" "Yesterday when we were practicing in front of your house, I sensed someone. Someone I don't know. I made Emma get out of the water while I went to investigate." "And she listened to you?" Toraf nods. "Turns out, you're the only one she disobeys.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
...when President Clinton, on the anniversary of his election, spoke in the church in Tennessee where Martin Luther King, Jr., had delivered his last sermon. Inspired by the place and the occasion, he made one of the most eloquent speeches of his presidency. What would King have said, he asked, had he lived to see this day? "He would say, I did not live and die to see the American family destroyed. I did not live and die to see thirteen-year-old boys get automatic weapons and gun down nine-year-olds just for the kick of it. I did not live and die to see young people destroy their lives with drugs and then build fortunes destroying the lives of others. This is not what I came here to do. I fought for freedom, he would say, but not for the freedom of people to kill each other with reckless abandon; not for the freedom of children to have children and the fathers of the children walk away from them and abandon them as if they don't amount to anything. I fought for people to have the right to work, but not have whole communities and people abandoned. This is not what I lived and died for." After describing what his administration was doing to curb drugs and violence, the President concluded that the government alone could not do the job. The problem was caused by "the breakdown of the family, the community and the disappearance of jobs," and unless we "reach deep inside to the values, the spirit, the soul and the truth of human nature, none of the other things we seek to do will ever take us where we need to go.
Gertrude Himmelfarb (The De-moralization Of Society: From Victorian Virtues to Modern Values)
and if a rainy morning deprived them of other enjoyments, they were still resolute in meeting in defiance of wet and dirt, and shut themselves up, to read novels together. Yes, novels; for I will not adopt that ungenerous and impolitic custom so common with novel–writers, of degrading by their contemptuous censure the very performances, to the number of which they are themselves adding — joining with their greatest enemies in bestowing the harshest epithets on such works, and scarcely ever permitting them to be read by their own heroine, who, if she accidentally take up a novel, is sure to turn over its insipid pages with disgust. Alas! If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard? I cannot approve of it. Let us leave it to the reviewers to abuse such effusions of fancy at their leisure, and over every new novel to talk in threadbare strains of the trash with which the press now groans. Let us not desert one another; we are an injured body. Although our productions have afforded more extensive and unaffected pleasure than those of any other literary corporation in the world, no species of composition has been so much decried. From pride, ignorance, or fashion, our foes are almost as many as our readers. And while the abilities of the nine–hundredth abridger of the History of England, or of the man who collects and publishes in a volume some dozen lines of Milton, Pope, and Prior, with a paper from the Spectator, and a chapter from Sterne, are eulogized by a thousand pens — there seems almost a general wish of decrying the capacity and undervaluing the labour of the novelist, and of slighting the performances which have only genius, wit, and taste to recommend them. “I am no novel–reader — I seldom look into novels — Do not imagine that I often read novels — It is really very well for a novel.” Such is the common cant. “And what are you reading, Miss — ?” “Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best–chosen language. Now, had the same young lady been engaged with a volume of the Spectator, instead of such a work, how proudly would she have produced the book, and told its name; though the chances must be against her being occupied by any part of that voluminous publication, of which either the matter or manner would not disgust a young person of taste: the substance of its papers so often consisting in the statement of improbable circumstances, unnatural characters, and topics of conversation which no longer concern anyone living; and their language, too, frequently so coarse as to give no very favourable idea of the age that could endure it.
Jane Austen (Northanger Abbey)
New Rule: Not everything in America has to make a profit. If conservatives get to call universal health care "socialized medicine," I get to call private, for-profit health care "soulless vampire bastards making money off human pain." Now, I know what you're thinking: "But, Bill, the profit motive is what sustains capitalism." Yes, and our sex drive is what sustains the human species, but we don't try to fuck everything. It wasn't that long ago when a kid in America broke his leg, his parents took him to the local Catholic hospital, the nun stuck a thermometer in his ass, the doctor slapped some plaster on his ankle, and you were done. The bill was $1.50; plus, you got to keep the thermometer. But like everything else that's good and noble in life, some bean counter decided that hospitals could be big business, so now they're not hospitals anymore; they're Jiffy Lubes with bedpans. The more people who get sick, and stay sick, the higher their profit margins, which is why they're always pushing the Jell-O. Did you know that the United States is ranked fiftieth in the world in life expectancy? And the forty-nine loser countries were they live longer than us? Oh, it's hardly worth it, they may live longer, but they live shackled to the tyranny of nonprofit health care. Here in America, you're not coughing up blood, little Bobby, you're coughing up freedom. The problem with President Obama's health-care plan isn't socialism. It's capitalism. When did the profit motive become the only reason to do anything? When did that become the new patriotism? Ask not what you could do for your country, ask what's in it for Blue Cross Blue Shield. And it's not just medicine--prisons also used to be a nonprofit business, and for good reason--who the hell wants to own a prison? By definition, you're going to have trouble with the tenants. It's not a coincidence that we outsourced running prisons to private corporations and then the number of prisoners in America skyrocketed. There used to be some things we just didn't do for money. Did you know, for example, there was a time when being called a "war profiteer" was a bad thing? FDR said he didn't want World War II to create one millionaire, but I'm guessing Iraq has made more than a few executives at Halliburton into millionaires. Halliburton sold soldiers soda for $7.50 a can. They were honoring 9/11 by charging like 7-Eleven. Which is wrong. We're Americans; we don't fight wars for money. We fight them for oil. And my final example of the profit motive screwing something up that used to be good when it was nonprofit: TV news. I heard all the news anchors this week talk about how much better the news coverage was back in Cronkite's day. And I thought, "Gee, if only you were in a position to do something about it.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)