Nile Red Quotes

And this is the east shore?" Sadie asked. "You said something about that in London--my grandparents living on the east shore." Amos smiled. "Yes. Very good, Sadie. In ancient times, the east bank of the Nile was always the side of the living, the side where the sun rises. The dead were buried west of the river. It was considered bad luck, even dangerous, to live there. The tradition is still strong among... our people." Our people?" I asked, but Sadie muscled in with another question. So you can't live in Manhattan?" she asked. Amos's brow furrowed as he looked across at the Empire State Building. "Manhattan has other problems. Other gods. It's best we stay separate.

Those old hypocrites. They talk about killing witches but the Good Book’s full of magic. Turning the Nile to blood and parting the Red Sea. What’s that if it’s not good old-fashioned magic? Want a little water into wine? No trouble! How about raising the dead man Lazarus? Just say the word!

No, dear. As usual, modern folk have it backward. Black is the color of good soil, like the soil of the Nile. You can grow food in black soil. Food is good. Therefore black is good. Red is the color of desert sand. Nothing grows in the desert. Therefore red is evil.

I’m guessing this isn’t the Mississippi,” I said. “The River of Night,” Bloodstained Blade hummed. “It is every river and no river—the shadow of the Mississippi, the Nile, the Thames. It flows throughout the Duat, with many branches and tributaries.” “Clears that right up,” I muttered.

For one day as I leant over a gate that led into a field, the rhythm stopped: the rhymes and the hummings, the nonsense and the poetry. A space was cleared in my mind. I saw through the thick leaves of habit. Leaning over the gate I regretted so much litter, so much unaccomplishment and separation, for one cannot cross London to see a friend, life being so full of engagements; nor take a ship to India and see a naked man spearing a fish in blue water. I said life had been imperfect, an unfinished phrase. It had been impossible for me, taking snuff as I do from any bagman met in a train, to keep coherency—that sense of the generations, of women carrying red pitchers to the Nile, of the nightingale who sings among conquests and migrations. It had been too vast an undertaking, I said, and how can I go on lifting my foot perpetually to climb the stair? I addressed myself as one would speak to a companion with whom one is voyaging to the North Pole.

Nothing good was withheld from me, even moral guidance was provided as my uncle read to me nightly out of a King James red-letter edition Bible. “Them’s the Good Lord’s words in red,” he would say reverently. These lessons installed in me a sense of moral propriety and spiritual obligation that I would later misconstrue to my own detriment. The strength of character I gleaned from them would enable me to survive myself and all lesser foes.

He: "I mean, are you happy and are you fully alive?" I laughed: ''As you can see, you wove witty jokes into the lecture to please your listeners. You heaped up learned expressions to impress them. You were restless and hasty, as if still compelled to snatch up all knowledge. You are not in yourself" Although these words at first seemed laughable to me, they still made an impression on me, and reluctantly I had to / credit the old man, since he was right. Then he said: "Dear Ammonius, I have delightful tidings for you: God has become flesh in his son and has brought us all salvation." ""What are you saying," I called, "you probably mean Osiris, who shall appear in the mortal body?" "No," he replied, "this man lived in Judea and was born from a virgin." I laughed and answered: "I already know about this; a Jewish trader has brought tidings of our virgin queen to Judea, whose image appears on the walls of one of our temples, and reported it as a fairy tale." "No," the old man insisted, "he was the Son of God." "Then you mean Horus the son of Osiris, don't you?" I answered. "No,hewasnotHorus,butarealman,andhewashung from a cross." "Oh, but this must be Seth, surely; whose punishments our old ones have often described." But the old man stood by his conviction and said: "He died and rose up on the third day." "Well, then he must be Osiris," I replied impatiently. "No," he cried, "he is called Jesus the anointed one." ''Ah, you really mean this Jewish God, whom the poor honor at the harbor, and whose unclean mysteries they celebrate in cellars." "He was a man and yet the Son of God," said the old man staring at me intently. "That's nonsense, dear old man," I said, and showed him to the door. But like an echo from distant rock faces the words returned to me: a man and yet the Son of God. It seemed significant to me, and this phrase was what brought me to Christianity. I: "But don't you think that Christianity could ultimately be a transformation ofyour Egyptian teachings?" A: "If you say that our old teachings were less adequate expressions of Christianity, then I'm more likely to agree with you." I: "Yes, but do you then assume that the history of religions is aimed at a final goal?" A: "My father once bought a black slave at the market from the region of the source of the Nile. He came from a country that had heard ofneither Osiris nor the other Gods; he told me many things in a more simple language that said the same as we believed about Osiris and the other Gods. I learned to understand that those uneducated Negroes unknowingly already possessed most of what the religions of the cultured peoples had developed into complete doctrines. Those able to read that language correctly could thus recognize in it not only the pagan doctrines but also the doctrine of Jesus. And it's with this that I now occupy myself I read the gospels and seek their meaning which is yet to come.We know their meaning as it lies before us, but not their hidden meaning which points to the future. It's erroneous to believe that religions differ in their innermost essence. Strictly speaking, it's always one and the same religion. Every subsequent form of religion is the meaning of the antecedent." I: "Have you found out the meaning which is yet to come?" A: "No, not yet; it's very difficult, but I hope I'll succeed. Sometimes it seems to me that I need the stimulation of others, but I realize that those are temptations of Satan." I: "Don't you believe that you'd succeed ifyou were nearer men?" A: "maybeyoureright." He looks at me suddenly as if doubtful and suspicious. "But, I love the desert, do you understand? This yellow, sun-glowing desert. Here you can see the countenance of the sun every day; you are alone, you can see glorious Helios-no, that is - pagan-what's wrong with me? I'm confused-you are Satan- I recognize you-give way; adversary!" He jumps up incensed and wants to lunge at me. But I am far away in the twentieth century.

Show me." He looks at her, his eyes darker than the air. "If you draw me a map I think I'll understand better." "Do you have paper?" She looks over the empty sweep of the car's interior. "I don't have anything to write with." He holds up his hands, side to side as if they were hinged. "That's okay. You can just use my hands." She smiles, a little confused. He leans forward and the streetlight gives him yellow-brown cat eyes. A car rolling down the street toward them fills the interior with light, then an aftermath of prickling black waves. "All right." She takes his hands, runs her finger along one edge. "Is this what you mean? Like, if the ocean was here on the side and these knuckles are mountains and here on the back it's Santa Monica, Beverly Hills, West L.A., West Hollywood, and X marks the spot." She traces her fingertips over the backs of his hands, her other hand pressing into the soft pads of his palm. "This is where we are- X." "Right now? In this car?" He leans back; his eyes are black marble, dark lamps. She holds his gaze a moment, hears a rush of pulse in her ears like ocean surf. Her breath goes high and tight and shallow; she hopes he can't see her clearly in the car- her translucent skin so vulnerable to the slightest emotion. He turns her hands over, palms up, and says, "Now you." He draws one finger down one side of her palm and says, "This is the Tigris River Valley. In this section there's the desert, and in this point it's plains. The Euphrates runs along there. This is Baghdad here. And here is Tahrir Square." He touches the center of her palm. "At the foot of the Jumhurriya Bridge. The center of everything. All the main streets run out from this spot. In this direction and that direction, there are wide busy sidewalks and apartments piled up on top of shops, men in business suits, women with strollers, street vendors selling kabobs, eggs, fruit drinks. There's the man with his cart who sold me rolls sprinkled with thyme and sesame every morning and then saluted me like a soldier. And there's this one street...." He holds her palm cradled in one hand and traces his finger up along the inside of her arm to the inner crease of her elbow, then up to her shoulder. Everywhere he touches her it feels like it must be glowing, as if he were drawing warm butter all over her skin. "It just goes and goes, all the way from Baghdad to Paris." He circles her shoulder. "And here"- he touches the inner crease of her elbow-"is the home of the Nile crocodile with the beautiful speaking voice. And here"- his fingers return to her shoulder, dip along their clavicle-"is the dangerous singing forest." "The dangerous singing forest?" she whispers. He frowns and looks thoughtful. "Or is that in Madagascar?" His hand slips behind her neck and he inches toward her on the seat. "There's a savanna. Chameleons like emeralds and limes and saffron and rubies. Red cinnamon trees filled with lemurs." "I've always wanted to see Madagascar," she murmurs: his breath is on her face. Their foreheads touch. His hand rises to her face and she can feel that he's trembling and she realizes that she's trembling too. "I'll take you," he whispers.

Gideon and Garza had hoped to find passage on a Nile River cruiser to Aswan, but at this late date everything was booked. So they’d done the next best thing and reserved a stateroom with two double beds on a small cruise ship making a circuit of the Red Sea.

But I tell you this—if you try and saddle Fleetwood with this business you’ll have me to deal with.” “And who exactly are you?” asked Poirot sweetly. Mr. Ferguson got rather red.

Mr. Hayes stood close to me, his wavy hair tousled, the color a mix of brown and red, as if unsure of what it wanted to be. Much like the man himself.

Your smiles lies, I can see it in your eyes

You are the explosion of carnations in a dark room. Or the unexpected scent of pine miles from the woods of Maine. You are a full moon that gives midnight it's meaning. And the explanation of water For all living things. You are a compass, a sapphire, a bookmark. A rare coin, a smooth stone, a marble. You are an old lore, a small shell, a saved silver dollar. You are a fine quartz, a feathered quill, and a fob from a favorite watch. You are a valentine tattered and loved and reread a hundred times. You are a medal found in the drawer of a once sung hero. You are honey, and cinnamon and West Indies spices, lost from the boat that was once Marco Polo's. You are a pressed rose, a pearl ring, and a red perfume bottle found near the Nile. You are an old soul from an ancient place a thousand years, and centuries and millenniums ago. And you have traveled all this way just so I could love you. I do.

Sir Graham was in his best uniform. The one that had never seen sea service, but was reserved for only the most honored of occasions, the gold buttons and lace and epaulets blindingly bright in the sun, the medal of the Nile around his neck, the broad red sash of knighthood across his right shoulder. His hands were clasped behind his back; a sailor he was, even here, and he was smiling, his eyes radiant with love as he caught sight of her and watched her move slowly down the path, toward him.

In ancient times, the east bank of the Nile was always the side of the living, the side where the sun rises. The dead were buried west of the river. It was considered bad luck, even dangerous, to live there.

War Ain’t Peace (The Sonnet) Hudson, Thames, Nile and Sindhu, All are now red with the blood of the innocent. Who is to blame for such catastrophe, Everybody who accepts arms race as upliftment. Suited savages have seduced them to believe, That bigger the military greater the pride. It’s necessary for politicians to sell nationalism, Or else their loyal subjects will all get untied. Acts of national security only breed insecurity, Which forces people to seek comfort in weapons. True, lasting stability and serenity of a nation, Comes only from a universal desire for union. Let the politicians sell war in the name of peace. Why must the citizens buy it like rats chasing cheese!

On the evening before the Battle of the Pyramids, Napoleon and a few of his officers were riding past a pyramid. A man wrapped in a red cloak stepped out of the pyramid and motioned to Napoleon to come forth. Napoleon obliged, telling his officers to wait outside as he stepped into the pyramid with this red-mantled stranger. After an hour of uneasiness, the officers were ready to enter and ensure Napoleon’s safety, but Napoleon stepped out of the pyramid. With a satisfied smile, he demanded they prepare for battle with the Egyptians. The officers were confused, given his previous reluctance, but they followed his orders, leading to their victory in the Battle of the Pyramids. The Great Pyramid of Giza The year after his invasion, Napoleon returned to Egypt, to the Great Pyramid of Giza. After discovering the Rosetta Stone—an ancient stone that helped scientists to understand how to read hieroglyphics—Napoleon began to believe that the pyramids held great mystique and spirituality. He spent the night inside the Great Pyramid of Giza, inside the king’s chamber that was about 32 feet long and 16 feet wide. For seven hours, he sat in the dark room, not emerging until sunrise. However, when he stepped out of the pyramid, his face was pale. Visibly shaken and terrified, he refused to tell anyone what he’d experienced, saying, “If I told you the truth, you would not believe me.” Even years later, when one of Napoleon’s men asked about the experience, Napoleon considered telling him but then decided against it, saying, “No, never mind” (Shkuro, 2019, para. 2). Considering Napoleon admired Alexander the Great, who had also spent the night in the king’s chambers and had an experience, some believe he may have been trying to claim a piece of Alexander’s legacy in that respect. He’s even been said to have created stories about himself that aligned with Alexander. Though, even his officers said he was clearly disturbed by whatever he saw.

Crack had killed and taken televisions and watches and homes. As Slip Rock drove through Brooklyn, everyone waving and feeling the jealous burn of his ride knew crack had bought it. Crack had filled his pockets with cash and put the heavy gold chain around his neck. Crack had bought him a gun and let him rent the apartment above his mother’s where there was always a woman or two—fine as the ones on Yo! MTV Raps. Crack had paid for his fresh Caesar haircut and the do-rag and the Murray’s Nu Nile Aubrey figured he used at night to make the waves he sported beneath his Kangol.

Egypt is a green ribbon along the river edging the dark red desolation of the desert. It is a proverb, and one of vast antiquity, that it is created by the mysterious bounty and almost sinister benevolence of the Nile.

In order to understand why modern scholars chose to divide history into longer periods of dynastic rule, it is necessary to understand the geography of Egypt’s ruled dominions. The river that defined and dictated much of ancient people’s lives and ideologies, the Nile, runs from south to north, with a sprawling delta in the north and more barren land to the south. This distinction is the reason for one of the most confusing aspects of Egyptian history, as the “Upper Kingdom” was in the south and the “Lower Kingdom” was in the north.[6] These “Two Lands” were represented by two distinct crowns – the “Red Crown” for the Lower Kingdom and the “White Crown” for the “Upper Kingdom” – each worn by their distinct rulers and worn as a “Double Crown” when both kingdoms were unified. It was during the “intermediate” periods that the country was divided into the two kingdoms, and these periods were often marked by political turmoil and a distinct drop in cultural production, such as art and architecture. From as early as the Early Dynastic Period, the country was divided into smaller dominions along the river that modern scholars call “Nomes”.