“
We have become not a melting pot but a beautiful mosaic. Different people, different beliefs, different yearnings, different hopes, different dreams.
”
”
Jimmy Carter
“
I feel like I need to speak out, because if no one speaks out, if no one says, this is me, this is what I believe in, and this is why I'm different, and this is why that's okay, then what's the point? What's the point of living in this beautiful, great melting pot where everyone can dare be anything they want to be?
”
”
Sandhya Menon (When Dimple Met Rishi (Dimple and Rishi, #1))
“
We may not always be happy with the things we do. Talking it through properly with ourselves to get an answer to the missteps we make is essential. We might thus receive an explanation for our blunders. Instead of encaging our emotions, let us go down into the dark net of our subconscious and start transforming our inner world by uncluttering the melting pot of our sensibilities and tuning up our thinking patterns. This may be the start of a new day.
(“The infinite Wisdom of Meditation“)
”
”
Erik Pevernagie
“
Here is something that the psychologists have so far neglected: the love of ugliness for its own sake, the lust to make the world intolerable. Its habitat is the United States. Out of the melting pot emerges a race which hates beauty as it hates truth.
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”
H.L. Mencken
“
So, in "Melting Pot" the children (about a third of whom were kids of color) sang the line, "America was the new world and Europe was the old," in one stroke eradicating the narratives of indigenous persons for whom America was hardly new, and any nonwhite kids whose old worlds had been in Africa or Asia, not Europe.
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”
Tim Wise (White Like Me: Reflections on Race from a Privileged Son)
“
Some families are an odd melting pot of strangers with the occasional offering of obligation.
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Donna Lynn Hope
“
America is a melting pot, the people at the bottom get burned while all the scum floats to the top.
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”
Charlie King
“
If America is a melting-pot, then to me India is a thali, a selection of sumptuous dishes in different bowls. Each tastes different, and does not necessarily mix with the next, but they belong together on the same plate, and they complement each other in making the meal a satisfying repast.
”
”
Shashi Tharoor (Bookless in Baghdad: Reflections on Writing and Writers)
“
I am convinced that men hate each other because they fear each other. They fear each other because they don’t know each other, and they don’t know each other because they don’t communicate with each other, and they don’t communicate with each other because they are separated from each other
”
”
Martin Luther King Jr.
“
Very much. Very much a melting pot. You don’t draw lines anymore. There’s no such thing as ‘bloody this’ or ‘bloody that’. There’s no such thing anymore. We all Aussies. And the Aussies respect us as Aussies. I am accepted as an Australian and I feel like one too. - Ibolya Cabrero-Kovacs, Hungarian Freedom Fighter
”
”
Peter Brune (Suffering, Redemption and Triumph: The first wave of post-war Australian immigrants 1945-66)
“
We're this big melting pot, but someone turned up the heat too high, and the stew started to burn. Gangs, crime, fights, and fear are now a regular part of our local stew.
”
”
Neal Shusterman (Red Rider's Hood (Dark Fusion, #2))
“
I feel like I need to speak out, because if no one speaks out, if no one says, This is me, this is what I believe in, and this is why I’m different, and this is why that’s okay, then what’s the point? What’s the point of living in this beautiful, great melting pot where everyone can dare to be anything they want to be?
”
”
Sandhya Menon (When Dimple Met Rishi (Dimple and Rishi, #1))
“
You’re wrong about my father,” she said. “I know he’s difficult—but he loves me. And I love him.” “No,” said Ruth firmly. “At best, let’s call it a desire to be loved. At worst, it’s a pathological attachment to a narcissistic man: a melting pot of gratitude, fear, expectation, and dutiful obedience that has nothing to do with love in the true sense of the word. You don’t love him. Nor do you know or love yourself.
”
”
Alex Michaelides (The Maidens)
“
America’s not really a melting pot. It’s more like one of those divided metal plates with separate sections for starch, meat, and veggies.
”
”
Nicola Yoon (The Sun is Also a Star)
“
Pointing into the ice, she said, “See that potted plant on the desk in there?” I saw. Nodded. “It’s green now, preserved by the ice. But inside it’s dead. And the moment that ice melts, it’ll turn brown and wither into mush.” She locked eyes with me. “I’m like that plant.
”
”
Ransom Riggs (Hollow City (Miss Peregrine's Home for Peculiar Children, # 2))
“
Civil society’ completely displaces government and converts into a global, cosmopolitan melting pot;
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”
Alexander Dugin (The Fourth Political Theory)
“
That melting pot stuff was always more about what this country wanted to believe about itself than the way people really felt.
”
”
Wally Lamb
“
It is well known that involuntary migrants, no matter what pot they are thrown into, tend not to melt.
”
”
Anne Fadiman (The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures)
“
If the US is a human melting pot, then Eastern Europe is a scrap yard.
”
”
Péter Zilahy (The Last Window-Giraffe: A Picture Dictionary for the over Fives)
“
Below the mill the rivers merge. First they flow close beside each other, undecided, overawed by their longed-for intimacy, and then they fall into each other and get lost in one another. The river that flows out of this melting pot by the mill is no longer either the White or the Black, but it is powerful and effortlessly drives the mill wheel that grinds the grain for bread.
Primeval lies on both the White and Black rivers and also on the third one, formed out of their mutual desire. The river arising from their confluence below the mill is called The River, and it flows on calm and contented.
”
”
Olga Tokarczuk (Primeval and Other Times)
“
He looked at her defiantly, and she thought: and so one at a time we all become human—human werewolves, human dwarfs, human trolls …the melting pot melts in one direction only, and so we make progress.
”
”
Terry Pratchett
“
Queens, New York. The most ethnically diverse region not just in the United States, but on the entire planet... In Queens, you will find Korean kids who sound like black kids. Italians who sound like Puerto Ricans. Puerto Ricans who sound like Italians. Third-generation Irish who sound like old Jews. That's Queens. Not a melting pot, not even a tossed salad, but an all-you-can-eat, mix-and-match buffet.
”
”
Victor LaValle (The Devil in Silver)
“
To be American is to long for whatever our parents fled.
”
”
Colin Quinn (The Coloring Book: A Comedian Solves Race Relations in America)
“
Ankh-Morpork, the melting pot of the world, which occasionally runs foul of lumps that don't melt.
”
”
Terry Pratchett (Raising Steam (Discworld, #40; Moist von Lipwig, #3))
“
She waited with Billy Slick while Carrot went on the errand, and for something to say, she said, ‘Billy Slick doesn’t sound much like a goblin name?’
Billy made a face. ‘Too right! Granny calls me Of the Wind Regretfully Blown. What kind of name is that, I ask you? Who’s going to take you seriously with a name like that? This is modern times, right?’
He looked at her defiantly, and she thought: and so one at a time we all become human – human werewolves, human dwarfs, human trolls... the melting pot melts in one direction only, and so we make progress.
”
”
Terry Pratchett (Snuff (Discworld, #39; City Watch, #8))
“
Thank God for immigrants. They're the only ones who have any personality left. They still allow themselves emotions, judgments, and all those qualities that we are "evolving" past. I don't know what they're saying, but I can tell they're speaking honestly.
”
”
Colin Quinn (The Coloring Book: A Comedian Solves Race Relations in America)
“
Political language … is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind. One cannot change this all in a moment, but one can at least change one’s own habits, and from time to time one can even, if one jeers loudly enough, send some worn-out and useless phrase – some jackboot, Achilles’ heel, hotbed, melting pot, acid test, veritable inferno or other lump of verbal refuse – into the dustbin where it belongs.
”
”
George Orwell
“
These are very scary times for a lot of people who are just now realizing that America is not, and has never been, the melting-pot utopia that their parents and teachers told them it was. These are very scary times for those who are just now realizing how justifiably hurt, angry, and terrified so many people of color have been all along. These are very stressful times for people of color who have been fighting and yelling and trying to protect themselves from a world that doesn’t care, to suddenly be asked by those who’ve ignored them for so long, ‘What has been happening your entire life? Can you educate me?
”
”
Ijeoma Oluo (So You Want to Talk About Race)
“
Hawai’i has often been called a melting pot, but I think of it more as a “mixed plate”—a scoop of rice with gravy, a scoop of macaroni salad, a piece of mahi-mahi, and a side of kimchi. Many different tastes share the plate, but none of them loses its individual flavor, and together they make up a uniquely “local” cuisine. This is also, I believe, what America is at its best—a whole greater than the sum of its parts. I
”
”
Alan Brennert (Honolulu)
“
She preferred silence. So I do not know her and yet I know her. She was . . . (He touches the coffin) . . . not a person but a whole kind of person, the ones who crossed the ocean, who brought with us to America the villages of Russia and Lithuania—and how we struggled, and how we fought, for the family, for the Jewish home, so that you would not grow up here, in this strange place, in the melting pot where nothing melted.
”
”
Tony Kushner (Millennium Approaches (Angels in America, #1))
“
We have a bubbling successful melting pot in this country so long as the ingredients are essentially European.
”
”
Jared Taylor (Convergence of Catastrophes)
“
a melting pot. It’s more like one of those divided metal plates with separate sections for starch, meat, and veggies. I’m looking at him and he’s still not looking
”
”
Nicola Yoon (The Sun is Also a Star)
“
But this is not the fantastical land of liberty that people portray in stories. The melting pot does nothing but scald and blister right now.
”
”
Cat Winters (The Uninvited)
“
Assimilation and melting into the American pot has always been easier [for white people]. It's very hard for blackfolk to melt into the pot. When we melt into the pot we usually become charred crust at the bottom. We have to be able to persevere by different tactics and methods.
”
”
Chuck D. (Lyrics of a Rap Revolutionary, Vol. 1)
“
we did not simply live in two cultures, as celebrants of the great American melting pot imagined. Displaced people also lived in two time zones, the here and the there, the present and the past, being as we were reluctant time travelers. But while science fiction imagined time travelers as moving forward or backward in time, this timepiece demonstrated a different chronology. The open secret of the clock, naked for all to see, was that we were only going in circles.
”
”
Viet Thanh Nguyen (The Sympathizer)
“
I feel like I need to speak out, because if no one speaks out, if no one says, this is me, this is what I believe in, and this is why I’m different, and this is why that’s okay, then what’s the point? What’s the point of living in this beautiful, great melting pot where everyone can dare be anything they want to be?
”
”
Sandhya Menon (When Dimple Met Rishi (Dimple and Rishi, #1))
“
The snow on the high mountains is melting fast, and the streams are singing bank-full, swaying softly through the level meadows and bogs, quivering with sun-spangles, swirling in pot-holes, resting in deep pools, leaping, shouting in wild, exulting energy over rough boulder dams, joyful, beautiful in all their forms. No Sierra landscape that I have seen holds anything truly dead or dull, or any trace of what in manufactories is called rubbish or waste; everything is perfectly clean and pure and full of divine lessons. This quick, inevitable interest attaching to everything seems marvelous until the hand of God becomes visible; then it seems reasonable that what interests Him may well interest us. When we try to pick out anything by itself, we find it hitched to everything else in the universe.
”
”
John Muir
“
When these images clash—as in The Fascist octupus has sung its swan song, the jackboot is thrown into the melting pot—it can be taken as certain that the writer is not seeing a mental image of the objects he is naming; in other words he is not really thinking.
”
”
George Orwell (A Collection Of Essays: (Authorized Orwell Edition): A Mariner Books Classic (Harvest Book))
“
America in general is much more of a melting pot than anywhere in Europe, I think. Europe has a lot of different nationalities in each country, of course, but they never really seem to melt together. You can move to Germany, but you never really become a German. The same is very true of France, and I have been living there since the age of two. In America anyone can become a true American.
”
”
Jane L. Rosen (Nine Women, One Dress)
“
Hawai'i has often been called a melting pot, but I think of it more as a 'mixed plate'---a scoop of rice with gravy, a scoop of macaroni salad, a piece of mahi-mahi, and a side of kimchi. Many different tastes share the plate, but none of them lose their individual flavor, and together they make up a uniquely 'local' cuisine. This is also, I believe, what America is at its best---a whole greater than the sum of it's parts.
”
”
Alan Brennert (Honolulu)
“
Hidden Highlands was maybe a little richer but not that different from many of the other small, wealthy and scared enclaves nestled in the hills and valleys around Los Angeles. Walls and gates, guardhouses and private security forces were the secret ingredients of the so-called melting pot of southern California.
”
”
Michael Connelly (Trunk Music (Harry Bosch, #5; Harry Bosch Universe, #6))
“
I feel that for white America to understand the significance of the problem of the Negro will take a bigger and tougher America than any we have yet known. I feel that America's past is too shallow, her national character too superficially optimistic, her very morality too suffused with color hate for her to accomplish so vast and complex a task. Culturally the Negro represents a paradox: Though he is an organic part of the nation, he is excluded by the ride and direction of American culture. Frankly, it is felt to be right to exclude him, and it if felt to be wrong to admit him freely. Therefore if, within the confines of its present culture, the nation ever seeks to purge itself of its color hate, it will find itself at war with itself, convulsed by a spasm of emotional and moral confusion. If the nation ever finds itself examining its real relation to the Negro, it will find itself doing infinitely more than that; for the anti-Negro attitude of whites represents but a tiny part - though a symbolically significant one - of the moral attitude of the nation. Our too-young and too-new America, lusty because it is lonely, aggressive because it is afraid, insists upon seeing the world in terms of good and bad, the holy and the evil, the high and the low, the white and the black; our America is frightened of fact, of history, of processes, of necessity. It hugs the easy way of damning those whom it cannot understand, of excluding those who look different, and it salves its conscience with a self-draped cloak of righteousness. Am I damning my native land? No; for I, too, share these faults of character! And I really do not think that America, adolescent and cocksure, a stranger to suffering and travail, an enemy of passion and sacrifice, is ready to probe into its most fundamental beliefs.
”
”
Richard Wright (Black Boy)
“
Here, in this waiting room, one could see a cross section of them—the hoppers, the creepers, the crawlers, the wrigglers, and rollers that came from the many planets, from so many stars. Earth was the galactic melting pot, he thought, a place where beings from the thousand stars met and mingled to share their thoughts and cultures.
”
”
Clifford D. Simak (The Goblin Reservation)
“
It is the prerogative of night, when thoughts, like relentless waves, break on the impressionable sands of the mind. Questions, theories, and suppositions come crashing ashore, and just like waves, they disappear into the grains of the mind without a trace. In this sea of uncertainty, stormed by nocturnal nightmares, the mind slips in and out of consciousness. It is the melting pot where logic and fantasy combine until supposition becomes hypothesis and hypothesis morphs into unsubstantiated fact.
”
”
Luke Gracias (The Devil's Prayer)
“
Liberalism is the ideology at the center of conservative arguments against affirmative action and equal opportunity. By proposing that, all things being equal, everyone has the same opportunity to compete in the U.S. marketplace, success is determined by how hard someone works and not by their economic class, gender, sexuality, ethnicity, or race. Ethnic and racial identities are to be assimilated, lost, and erased through the celebrated "melting pot" of U.S. culture. Liberalism thus devalues the importance of communitarian experiences and social identities as determinants or barriers to individual success. Instead, it proposes that all individuals are fundamentally equal and that, regardless of their social identity, everyone can control his or her fate through hard work, learned skills, and acquired education- the foundational myth of a U.S. meritocracy.
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Isabel Molina-Guzman
“
We are accustomed to think of ourselves as an emancipated people; we say that we are democratic, liberty-loving, free of prejudices and hatred. This is the melting-pot, the seat of a great human experiment. Beautiful words, full of noble, idealistic sentiment. Actually we are a vulgar, pushing mob whose passions are easily mobilized by demagogues, newspaper men, religious quacks, agitators and such like. To call this a society of free peoples is blasphemous. What have we to offer the world beside the superabundant loot which we recklessly plunder from the earth under the maniacal delusion that this insane activity represents progress and enlightenment? The land of opportunity has become the land of senseless sweat and struggle. The goal of all our striving has long been forgotten. We no longer wish to succor the oppressed and homeless; there is no room in this great, empty land for those who, like our forefathers before us, now seek a place of refuge. Millions of men and women are, or were until very recently, on relief, condemned like guinea pigs to a life of forced idleness. The world meanwhile looks to us with a desperation such as it has never known before. Where is the democratic spirit? Where are the leaders?
”
”
Henry Miller (The Air-Conditioned Nightmare)
“
If you really want to know someone, you have to eat what he has eaten.
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Edward Lee (Buttermilk Graffiti: A Chef’s Journey to Discover America’s New Melting-Pot Cuisine)
“
They'd like to think I have melted in the pot. But I haven't, we haven't.
”
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Gloria E. Anzaldúa
“
That’s the trouble. We can’t cherry-pick the parts of our story we’d like to keep. Our lives are a melting pot of regrets, triumphs, sorrow and joy. You have to accept it all.
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Kathryn Hughes (The Memory Box)
“
The multicultural ‘melting pot’ destroys the earth’s myriad of unique cultures by depriving them of authority, assimilating them to the global fast-food anti-culture...
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Paul Christensen (The Heretic Emperor)
“
Life wasn't just any one thing. It was a combination... a melting pot of emotions, a mix of salty and sweet.
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Cambria Hebert (#Bae (Hashtag, #7))
“
Do not chase another human being. Instead chase your curiosity. Chase your development and your goals. Chase your passion. Strive to work for something bigger than yourself, and instead of trying to convince someone that you fit within their world, strive to build your own. Relationships are not melting pots. They are unions. You walk into them with your own visions, your own hunger, and when you are confident in that, when you allow for that to thrive within you, you never break yourself down to appease the pursuit. You simply exist, as you are, and when you meet someone who does as well, when you meet someone who chooses you within that, you thrive together, and that creates a dynamic that is ever growing and influential.
”
”
Bianca Sparacino (Seeds Planted in Concrete)
“
As we have seen before, cities are like mad scientists, creating their own crazy ecological concoctions by throwing all kinds of native and foreign elements into the urban melting pot.
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”
Menno Schilthuizen (Darwin Comes to Town: How the Urban Jungle Drives Evolution)
“
Vormurtos leaned on the frame with his arms crossed, and failed to move aside.
At Miles's polite, "Excuse us, please," Vormurtos pursed his lips in exaggerated irony.
"Why not? Everyone else has. It seems if you are Vorkosigan enough, you can even get away with murder."
Ekaterin stiffened unhappily. Miles hesitated a fractional moment, considering responses: explanation, outrage, protest? Argument in a hallway with a half-potted fool? No. I am Aral Vorkosigan's son, after all. Instead, he stared up unblinkingly, and breathed, "So if you truly believe that, why are you standing in my way?"
Vormurtos's inebriated sneer drained away, to be replaced by a belated wariness. With an effort at insouciance that he did not quite bring off, he unfolded himself, and opened his hand to wave the couple past. When Miles bared his teeth in an edged smile, he backed up an extra and involuntary step. Miles shifted Ekaterin to his other side and strode past without looking back.
Ekaterin glanced over her shoulder once, as they made their way down the corridor. In a tone of dispassionate observation, she murmured, "He's melted. You know, your sense of humor is going to get you into deep trouble someday."
"Belike," Miles sighed.
”
”
Lois McMaster Bujold (A Civil Campaign (Vorkosigan Saga, #12))
“
This is where I disagree with food critics whose mission is to judge only what is on the plate. The story such critics tell is about THEM, THEIR preferences, THEIR expectations, not the chef's. What they write may be necessary and relevant to dining culture, but it disconnects the food from its origins, its narrative, its roots. The plate of food has never been the be-all and end-all for me. Quite the opposite for me, good food is just the beginning of a trail that leads back to a person whose story is usually worth telling.
”
”
Edward Lee (Buttermilk Graffiti: A Chef’s Journey to Discover America’s New Melting-Pot Cuisine)
“
I think men get nervous when women start counting the number of female senators, and whites become edgy when they hear the next Supreme Court seat will probably go to a Latino. This isn't always because they object to sharing the spoils, by the way; it just reminds us that the melting pot may not be working, and we haven't yet achieved the ambiguous national dream of becoming a nation of indistinguishable beige atheists.
”
”
Dahlia Lithwick
“
Integration my undead ass. Did they teach you about the Great American Melting Pot in grade school?” she asked. “Some of us don’t like the idea of being melted down and blended into stew for the rest of you to devour.
”
”
Jim C. Hines (Revisionary (Magic Ex Libris, #4))
“
Toronto had become a cultural mosaic, a tapestry of hundreds of immigrant cultures that retained their language and traditions in distinct neighborhoods – as opposed to a melting pot, in which everyone became the same.
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”
Deborah Vadas Levison (THE CRATE: A Story Of War, A Murder, And Justice)
“
When the gold was half-melted and starting to run, Drogo reached into the flames, snatched out the pot. “Crown!” he roared. “Here. A crown for Cart King!” And upended the pot over the head of the man who had been her brother.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
Life is all about love. Everything — hate, lust, money, power, death, birth — it all stems from love. If life were put in a giant pot and boiled like a piece of chicken, all the fat would melt away, and what you’d be left with is love.
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J. Matthew Nespoli (Broken)
“
I now understand that acting like a white American wasn’t just a “When in Rome do as the Romans do” cultural sensibility, but a matter of survival. In policy after policy, act after act, the United States has reaffirmed its commitment to being a melting-pot society adhering to Anglo-Saxon standards, as opposed to a mosaic nation built on the diversity of multiple cultures.
”
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Debby Irving (Waking Up White: and Finding Myself in the Story of Race)
“
Communication between people of different nationalities enriches human society and makes it more colourful.. Imagine our Russian intellectuals, the kind, merry, perceptive old women in our villages, our elderly workers, our young lads, our little girls being free to enter the melting pot of ordinary human intercourse with the people of North and South America, of China, France, India, Britain and the Congo. What a rich variety of customs, fashion, cuisine and labour would then be revealed! what a wonderful human community would then come into being, emerging out of so many peculiarities of national characters and ways of life. And the beggarliness, blindness and inhumanity of narrow nationalism and hostility between states would be clearly demonstrated.
”
”
Vasily Grossman (An Armenian Sketchbook)
“
What's better- supply side economics a la John Keynes, or libertarian free markets a la Milton Friedman? Safety nets or bootstraps to build a just society? Big sticks or carrots to preserve international order? Federal or states' rights to guide the governed? Investing in education or employment to empower a citizenry? Seperation or integration of church and state? Multicultural melting pot or national identity? Revolution or evolution?
The only honest answer is "it depends." and we're not entirely sure.
”
”
Jamie Wheal (Recapture the Rapture: Rethinking God, Sex, and Death in a World That's Lost its Mind)
“
It’s not, because black people can never be American in the same way Italian and Irish people can. Black skin withstands the melting pot. I want to say . . .” He pauses. “I want to say that discrimination is the father of crime. I want to say that Alton Robinson’s tragedy was that he thought that through crime he could achieve some sort of equality, and that turned out to be a chimera. In the end he wasn’t killed because he got crossways with Paulie Ricca, who was Capone’s successor, but because he was black.
”
”
Stephen King (If It Bleeds)
“
America, it has been observed, is not really a melting pot. It is actually a huge potluck dinner, in which platters of roasted chicken beckon beside casseroles of pasta, mounds of tortillas, stew pots of gumbo, and skillets filled with pilafs of every imaginable color.
”
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Andrea Chesman (Mom's Best One-Dish Suppers: 101 Easy Homemade Favorites, as Comforting Now as They Were Then)
“
The notion that the intense and unprecedented mixture of ethnic and religious groups in American life was soon to blend into a homogeneous end product has outlived its usefulness, and also its credibility. . . .The point about the melting pot. . . is that it did not happen.
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”
David L. Sills (Social Science Quotations: Who Said What, When, and Where)
“
All of them, before their imprisonment in concentration camps, had been decent people in private life, many indeed highly respected citizens, who had never come up against the law, but were set apart only by their homosexual feelings. Al of these otherwise decent people had been assembled here, in this melting pot of disgrace and torment, for extermination through back-breaking labor, hunger, and torture. None of them were child molesters or had had sex with children or adolescents, as all of these had a green triangle. Were we with our pink triangle really outrageous criminals and "degenerates", a menace to society?
”
”
Heinz Heger (The Men with the Pink Triangle: The True Life-and-Death Story of Homosexuals in the Nazi Death Camps)
“
I ask the ladies what we lose with each generation. They seem to agree: usually language goes first, then memories of relatives and grandparents, then traditions, then longing for home, then a sense of identity. What do we have left? A wedding ritual, a few old photos? For me, what is left is our connection to food.
Our food traditions are the last thing we hold on to. They are not just recipes; they are a connection to the nameless ancestors who gave us our DNA. That's why our traditional foods are so important. The stories, the memories, the movements that have been performed for generations - without them, we lose our direction.
”
”
Edward Lee (Buttermilk Graffiti: A Chef’s Journey to Discover America’s New Melting-Pot Cuisine)
“
the best cooking is not about perfection, but rather the flawed process of how we aim for a desired flavor.
”
”
Edward Lee (Buttermilk Graffiti: A Chef's Journey to Discover America's New Melting-Pot Cuisine)
“
... neither the metaphor of ‘melting pot’ nor of ‘salad bowl’ can accurately explain Indian culture. My preferred metaphor is that of the Rain Forest. The ‘tropical rain forest’ characteristically has a number of layers, each with a variety of flora and fauna adapted for life in that particular layer. The layers include the uppermost ‘emergent’ layer that rises above to form the canopy of the forest, the ‘under-story’ and finally the ‘forest floor’, the foundational core. This emergent layer has its roots in the forest floor that is full of shrubs, vines and fungi... A ‘bird’s-eye view’ cannot reveal this rootedness, the underlying substratum, the under-stories and the forest floor.
If the metaphor of ‘tropical rain forest’ is applied to the Indus Valley Civilization, the citadels, the rulers, and the rich merchants with their maritime wealth, the urban structure and its finesse are comparable with the ‘emergent canopy’. Yet the bulk of the demography was at the root – the substratum, from which the mature urban cities emerged... The nature of its religion, the cultural practices, cockfights and bull-vaulting visually represent the ‘under-story’ of the IVC.
”
”
R. Balakrishnan (Journey of A Civilization: Indus to Vaigai)
“
El cinematógrafo es un arte esencialmente internacional y, como tal, muy representativo de nuestra época. Pero para ser digno de esa internacionalidad, un buen film se halla en la obligación de parecerse al país de que brota, de reflejar sus problemas, sus paisajes, sus costumbres, sus ciudades, su pasado, su presente. Hasta es su medio mejor y más seguro.
[…]
El cinematógrafo es nuestro medio de hacer de la tierra entera nuestro dominio, el inmenso parque, privado y público a la vez, en que cada uno de nosotros pasea sus curiosidades, sus ocios, sin más esfuerzo que el de sentarse en la platea (cierto es que en Estados Unidos y en Europa, hay que hacer antes cola, entretenimiento muy discutible)
[…]
La más voraz empresa cinematográfica se había establecido definitivamente en Hollywood. Hollywood se había convertido en el melting pot en que hervían los talentos llegados de los cuatro puntos cardinales. Con franceses, italianos, checos, alemanes, noruegos, mejicanos, etc., actores o metteurs en scene, fotógrafos o directores, Hollywood conseguía films americanos cien por ciento. […] Hollywood se apoderaba del tesoro internacional de talento y de belleza. (V.O., 1950)
”
”
Victoria Ocampo (Soledad Sonora)
“
Instead, as the crystal splinters entered Hornwrack's brain, he experienced two curious dreams of the Low City, coming so quickly one after the other that they seemed simultaneous. In the first, long shadows moved across the ceiling frescoes of the Bistro Californium, beneath which Lord Mooncarrot's clique awaited his return to make a fourth at dice. Footsteps sounded on the threshold. The women hooded their eyes and smiled, or else stifled a yawn, raising dove-grey gloves to their blue, phthisic lips. Viriconium, with all her narcissistic intimacies and equivocal invitations welcomed him again. He had hated that city, yet now it was his past and it was he had to regret...The second of these visions was of the Rue Sepile. It was dawn, in summer. Horse-chestnut flowers bobbed like white wax candles above the deserted pavements. An oblique light struck into the street - so that its long and normally profitless perspective seemed to lead straight into the heart of a younger, more ingenuous city - and fell across the fronts of the houses where he had once lived, warming up the rotten brick and imparting to it a not unpleasant pinkish colour. Up at the second-floor casement window a boy was busy with the bright red geraniums arranged along the outer still in lumpen terra-cotta pots. He looked down at Hornwrack and smiled. Before Hornwrack could speak he drew down the lower casement and turned away. The glass which no separated them reflected the morning sunlight in a silent explosion; and Hornwrack, dazzled mistaking the light for the smile, suddenly imagined an incandescence which would melt all those old streets!
Rue Sepile; the Avenue of Children; Margery Fry Court: all melted down! All the shabby dependencies of the Plaza of Unrealized Time! All slumped, sank into themselves, eroded away until nothing was left in his field of vision but an unbearable white sky above and the bright clustered points of the chestnut leaves below - and then only a depthless opacity, behind which he could detect the beat of his own blood, the vitreous humour of the eye. He imagined the old encrusted brick flowing, the glass cracking and melting from its frames even as they shrivelled awake, the sheds of paints flaring green and gold, the geraniums toppling in flames to nothing, not even white ash, under this weight of light! All had winked away like reflections in a jar of water glass, and only the medium remained, bright, viscid, vacant. He had a sense of the intolerable briefness of matter, its desperate signalling and touching, its fall; and simultaneously one of its unendurable durability
He thought, Something lies behind all the realities of the universe and is replacing them here, something less solid and more permanent. Then the world stopped haunting him forever.
”
”
M. John Harrison (Viriconium (Viriconium, #1-4))
“
This project, this entire process of discovery and adventure, is about trying to find my own America and where I belong in it. For someone like me, who traverses numerous cultures, the answer isn’t always obvious. Sometimes that means I wander through the bluegrass hills of Eastern Kentucky. Other times, I have to travel somewhere as foreign to me as a Nigerian café in Houston. Both get me to the same place.
”
”
Edward Lee (Buttermilk Graffiti: A Chef's Journey to Discover America's New Melting-Pot Cuisine)
“
I picked up the large lapel button richly worked in purple, green and yellow plastic. 'January 1997,' it announced, 'Day of Visionaries.' Beneath the slogan was a portrait of Dr Martin Luther King Jr. And next to him, sharing the billing as it were, was a same-size picture of our newly elected President. And below was the official logo of the inauguration committee. I’m sorry, but that’s too much. Much too much. I can tune out the Chief Executive when he drivels on about building a bridge to Newt Gingrich. I can be shaking a cocktail or grilling a lobster when he intones that 'nothing big ever came from being small.' I can be receiving a telephone call in a foreign language and still keep up with him when he says that the future lies before us, and the past behind, and that we must light the torch of knowledge from the fountain of wisdom (or whatever). As Orwell once remarked, after a point you stop noticing that you have said things like 'The jackboot is thrown into the melting pot,’ or 'The fascist octopus has sung its swansong.' Motor-mouth and automatic pilot and sheer flatulence and conceit supply their own mediocre, infinitely renewable energy. But this cheap, cheery little button turned the scale. It’s one thing to be bored, or subjected to boredom. It’s another to be insulted. This is a pot of piss flung in the face. What does it take to get people disgusted these days?
”
”
Christopher Hitchens
“
The story of your favorite foods is your culinary memoir, not a nameless collection of recipes. And that story will be part of the bigger story we all tell every time we turn on the gas and put on a pot to boil. It is the story of American food.
”
”
Edward Lee (Buttermilk Graffiti: A Chef’s Journey to Discover America’s New Melting-Pot Cuisine)
“
I had never seen this type of clock, carved from hardwood into the shape of our homeland (...) Some craftsman in exile had understood that this was exactly the timepiece his countrymen desired. We were displaced persons, but it was time more than space that defined us. While the distance to return to our lost country was far but finite, the number of years it would take to close that distance was potentially infinite. Thus, for displaced people, the first question was always about time: When can I return?
Refugee, exile, immigrant — whatever species of displaced human we were, we did not simply live in two cultures, as celebrants of the great American melting pot imagined. Displaced people also lived in two time zones, the here and the there, the present and the past, being as we were reluctant time-travelers. But while science fiction imagined time-travelers as moving forwards and backwards in time, this timepiece demonstrated a different chronology. The open secret of the clock, naked for all to see, was that we were only going in circles
”
”
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
“
You never told me how everyone liked the sirupskake."
"It was splendid!" she said, her smile returning. "Your fa- my husband asked that you bake another one soon for me to bring him."
Freya was always tripping over her words like that. Anna did the same thing herself. She chalked it up to wanting to say so much in a short amount of time. She was like a pot of melting chocolate: the words bubbled over.
"Did he like the candied oranges I placed on top?"
"Yes! He said he'd never seen it done that way before."
Anna shrugged. "I love to put my own spin on recipes. I like to be unique, if you haven't noticed."
"I have." Freya smiled. "I think my husband would enjoy meeting you. You and I have a similar joyful spirit, while he"- she sighed- "carries the weight of the world on his shoulders, I'm afraid. Much like my daughter."
Freya talked about her daughter a lot but unfortunately never brought her along for visits. From what Anna knew, the girl seemed whip smart and serious. Anna wished she could meet her so she could shake her up a bit. Everyone needed to let their hair down sometimes. Plus it would be nice to have a friend close to her own age.
”
”
Jen Calonita (Conceal, Don't Feel)
“
July"
The figs we ate wrapped in bacon.
The gelato we consumed greedily:
coconut milk, clove, fresh pear.
How we’d dump hot espresso on it
just to watch it melt, licking our spoons
clean. The potatoes fried in duck fat,
the salt we’d suck off our fingers,
the eggs we’d watch get beaten
’til they were a dizzying bright yellow,
how their edges crisped in the pan.
The pink salt blossom of prosciutto
we pulled apart with our hands, melted
on our eager tongues. The green herbs
with goat cheese, the aged brie paired
with a small pot of strawberry jam,
the final sour cherry we kept politely
pushing onto each other’s plate, saying,
No, you. But it’s so good. No, it’s yours.
How I finally put an end to it, plucked it
from the plate, and stuck it in my mouth.
How good it tasted: so sweet and so tart.
How good it felt: to want something and
pretend you don’t, and to get it anyway.
”
”
Cristin O'Keefe Aptowicz
“
The Lament of the Demobilised
“Four Years,” some say consolingly. “Oh well,
What’s that? You’re young. And then it must have been
A very fine experience for you!”
And they forget
How others stayed behind and just got on –
Got on the better since we were away.
And we came home and found
They had achieved, and men revered their names
But never mentioned ours;
And no one talked heroics now, and we
Must just go back and start again once more.
“You threw four years into the melting-pot –
Did you indeed!” these others cry. “Oh well,
The more fool you!”
And we’re beginning to agree with them.
”
”
Vera Brittain (Testament of Youth)
“
The Caucasus mountain range is probably the most variegated ethnological and linguistic area in the world. It is not a melting pot, as has been said, but a refuge area par excellence where small groups have maintained their identity throughout history. The descendants of the Mediaeval Alans, a Scythic Iranian people, live in the north Caucasus today and are called Ossetes. Iranian cultural influences were strong among the Armenians, Georgians and other peoples of the Caucasus and many times in history large parts of this area were under Persian rule. So it well deserves to be mentioned in a survey of Iran.
”
”
Richard N. Frye (The Heritage of Persia (Bibliotheca Iranica, Reprint Series, No. 1))
“
Many of its cities—particularly the smaller ones at the intersection of old and new imperial boundaries, such as Trieste, Sarajevo, Salonika, Cernovitz, Odessa or Vilna—were truly multicultural societies avant le mot, where Catholics, Orthodox, Muslims, Jews and others lived in familiar juxtaposition. We should not idealise this old Europe. What the Polish writer Tadeusz Borowski called ‘the incredible, almost comical melting-pot of peoples and nationalities sizzling dangerously in the very heart of Europe’ was periodically rent with riots, massacres and pogroms—but it was real, and it survived into living memory.
”
”
Tony Judt (Postwar: A History of Europe Since 1945)
“
The sole aim of a metaphor is to call up a visual image. When these images clash – as in The Fascist octopus has sung its swan song, the jackboot is thrown into the melting-pot – it can be taken as certain that the writer is not seeing a mental image of the objects he is naming; in other words he is not really thinking.
”
”
George Orwell (Politics and the English Language (Penguin Modern Classics))
“
I notice you have written about mussels a few times, but you only ever mention cooking clams. I recently learned a creative mussels recipe from a Frenchwoman I met on a voyage to the Far East. I am enclosing a packet of saffron from that voyage. It is my small way of thanking you for "Letters from the Island."
For steamed mussels, in a stockpot add a generous pinch of saffron, coarsely chopped garlic, and parsley to a half cup of melted butter. The red enamel pot you mentioned in your column about racing Dungeness crabs, the one with the pockmark from your niece's Red Ryder BB gun, will do perfectly. If you can't find fresh garlic, shallots can be substituted, but in my opinion, without fresh garlic the dish isn't worth making. The Frenchwoman told me the addition of a cup or so of white wine is considered standard for this broth, but she prefers vermouth. I agree with her. It gives the dish a crisp, botanical flavor, and I can save my Chablis for drinking with my meal.
”
”
Kim Fay (Love & Saffron)
“
Adding carbon dioxide, or any other greenhouse gas, to the atmosphere by, say, burning fossil fuels or leveling forests is, in the language of climate science, an anthropogenic forcing. Since preindustrial times, the concentration of CO2 in the atmosphere has risen by roughly a third, from 280 to 378 parts per million. During the same period, the concentration of methane has more than doubled, from .78 to 1.76 parts per million. Scientists measure forcings in terms of watts per square meter, or w/m2, by which they mean that a certain number of watts have been added (or, in the case of a negative forcing, like aerosols, subtracted) for every single square meter of the earth’s surface. The size of the greenhouse forcing is estimated, at this point, to be 2.5 w/m2. A miniature Christmas light gives off about four tenths of a watt of energy, mostly in the form of heat, so that, in effect (as Sophie supposedly explained to Connor), we have covered the earth with tiny bulbs, six for every square meter. These bulbs are burning twenty-four hours a day, seven days a week, year in and year out. If greenhouse gases were held constant at today’s levels, it is estimated that it would take several decades for the full impact of the forcing that is already in place to be felt. This is because raising the earth’s temperature involves not only warming the air and the surface of the land but also melting sea ice, liquefying glaciers, and, most significant, heating the oceans, all processes that require tremendous amounts of energy. (Imagine trying to thaw a gallon of ice cream or warm a pot of water using an Easy-Bake oven.) The delay that is built into the system is, in a certain sense, fortunate. It enables us, with the help of climate models, to foresee what is coming and therefore to prepare for it. But in another sense it is clearly disastrous, because it allows us to keep adding CO2 to the atmosphere while fobbing the impacts off on our children and grandchildren.
”
”
Elizabeth Kolbert (Field Notes from a Catastrophe)
“
My aunt Déméré was shocked. Her husband, my uncle Déméré, was one of the foremost important men in the foundry. He was a master melter, that is to say he prepared the mixture for the pots, and saw to it that the pots were filled with the right amount for the furnaces before the day’s melt, and never, since they had been married, had my aunt Déméré watched the potash being prepared by the flux-burner. “The first duty of a master’s wife is to have food ready for her husband between shifts,” she told my mother, “and then to attend to any women or children directly employed by her husband who may be sick. The work in the furnace house, or outside it, is nothing to do with
”
”
Daphne du Maurier (The Glass-Blowers)
“
Finally there would be total unity within the Federation, the first step toward people’s being at home on any planet instead of only one. The principle from the old United States, basically; it didn’t matter if you were raised in Vermont and lived in California. You were still home, still American. If your name was Baird or Yamamura or Kwame, you weren’t necessarily loyal to Scotland, Japan, or Ghana, but to America. A few decades of space travel, and the statement became “I’m a citizen of Earth,” and no matter the country. This ship was that kind of first step. Whether born on Earth or Epsillon Indii VI, you were a citizen of the Federation. The children on this colony Enterprise would visit the planets of the Federation and feel part of each, welcome upon all. This starship was the greatest, most visionary melting pot of all, this spacegoing colony. Unique. Hopeful. Risky.
”
”
Diane Carey (Ghost Ship (Star Trek: The Next Generation, #1))
“
Canadian official multiculturalism has developed through the 1970s and '80s, and has become in the '90s a major part of Canadian political discourse in Canada rather than in the United States, which is also a multi-ethnic country, may be due to the lack of an assimilationist discourse so pervasive in the U.S. The melting pot thesis has not been popular in Canada, where the notion of a social and cultural mosaic has had a greater influence among liberal critics. This mosaic approach has not been compensated with an integrative politics of antiracism or of class struggle which is sensitive to the racialization involved in Canadian class formation. The organized labour movement in Canada has repeatedly displayed anti-immigrant sentiments. For any inspiration for an antiracist theorization and practice of class struggle Canadians have looked to the United States or the Caribbean.
”
”
Himani Bannerji (The Dark Side of the Nation: Essays on Multiculturalism, Nationalism, and Gender)
“
Maybe someday I can find the pot of gold at the end of the rainbow, but will lack the strength to lift it anymore. Then, I will think to empty the coin from the pot, but will lack the genius to carry out the said act. Later, I will be approached by someone who will ask me about the story of the pot of gold. I will attempt to explain the story to them in the best way that I can.
The person might then ask me, “How much of it was true?” and to them I shall respond with a question.
“How much do you have believed of it to be of truth and be not farce?”
They will ponder over what has been asked of them. They will solemnly look first to the ground, and then to the sky, seeking the divine answer to disarm, or perhaps the answer to their own question. After much time spent rehearsing the question and answer in their head, they will have finally reached the answer.
“Half—half of it I believe were true.” They will say to me with complete confidence, and then that confidence will subside assertively into a question. Feeling flustered and unsure of themselves, with their face representing melting wax, they will again look to me for an answer.
“Half of it was true then,” I will reply to them with my assertiveness.
Puzzled and dumbfounded, the person will ask me, “How was half of it true then?”
I will reply to this person in a sincere attempt to gain their confidence and instill wisdom in them.
“I cannot tell you what is right or wrong, only what I think is right or wrong. If you believe that half were true, then half were true. If you believe that all of it lies in truth, then all of it were divinely true. If you find that it is absurd and could not share any truth, then there be no truth in the matter. It is your perception that has brought you to your conclusion, not mine. For clearly, if you are thinking about what be true and what be not true, then I have done my job in giving you something to think about, but I cannot think or decide for you.
”
”
Phil Volatile (My Mind's Abyss)
“
from Testimony"
Outside the night was cold, the snow was deep
on sill and sidewalk; but in our kitchen
it was bright and warm.
I smelt the damp clothes
as my mother lifted them from the basket,
the pungent smell of melting wax
as she rubbed it on the iron,
and the good lasting smell of meat and potatoes
in the black pot that simmered on the stove.
The stove was so hot it was turning red.
My mother lifted the lid of the pot
to stir the roast with a long wooden spoon:
Father would not be home for another hour.
I tugged at her skirts. Tell me a story!
Once upon a time (the best beginning!)
there was a rich woman, a baroness, and a poor woman, a beggar.
The poor woman came every day to beg and every day
the rich woman gave her a loaf of bread
until the rich woman was tired of it.
I will put poison in the next loaf, she thought,
to be rid of her.
The beggar woman thanked the baroness for that loaf and went to her hut,
but, as she was going through the fields,
she met the rich woman's son coming out of the forest.
"Hello, hello, beggar woman!" said the young baron,
"I have been away for three days hunting
and am very hungry.
I know you are coming from my mother's
and that she has given you a loaf of bread;
let me have it--she will give you another."
"Gladly, gladly," said the beggar woman,
and, without knowing it was poisoned, gave him the loaf.
But, as he went on, he thought, I am nearly home--
I will wait.
You may be sure that his mother was glad to see him,
and she told the maids to bring a cup of wine
and make his supper--quickly quickly!
"I met the beggar woman," he said,
"And was so hungry I asked for the loaf you gave her."
"Did you eat it, my son?" the baroness whispered.
"No, I knew you had something better for me
than this dry bread."
She threw it right into the fire,
and every day, after that, gave the beggar woman a loaf
and never again tried to poison her.
So, my son, if you try to harm others,
you may only harm yourself.
And, Mother, if you are a beggar, sooner or later,
there is poison in your bread.
”
”
Charles Reznikoff
“
It [the charcuterie] was almost on the corner of the Rue Pirouette and was a joy to behold. It was bright and inviting, with touches of brilliant colour standing out amidst white marble. The signboard, on which the name QUENU-GRADELLE glittered in fat gilt letter encircled by leaves and branches painted on a soft-hued background, was protected by a sheet of glass. On the two side panels of the shop front, similarly painted and under glass, were chubby little Cupids playing in the midst of boars' heads, pork chops, and strings of sausages; and these still lifes, adorned with scrolls and rosettes, had been designed in so pretty and tender a style that the raw meat lying there assumed the reddish tint of raspberry jam. Within this delightful frame, the window display was arranged. It was set out on a bed of fine shavings of blue paper; a few cleverly positioned fern leaves transformed some of the plates into bouquets of flowers fringed with foliage. There were vast quantities of rich, succulent things, things that melted in the mouth. Down below, quite close to the window, jars of rillettes were interspersed with pots of mustard. Above these were some boned hams, nicely rounded, golden with breadcrumbs, and adorned at the knuckles with green rosettes. Then came the larger dishes--stuffed Strasbourg tongues, with their red, varnished look, the colour of blood next to the pallor of the sausages and pigs' trotters; strings of black pudding coiled like harmless snakes; andouilles piled up in twos and bursting with health; saucissons in little silver copes that made them look like choristers; pies, hot from the oven, with little banner-like tickets stuck in them; big hams, and great cuts of veal and pork, whose jelly was as limpid as crystallized sugar. Towards the back were large tureens in which the meats and minces lay asleep in lakes of solidified fat. Strewn between the various plates and sishes, on the bed of blue shavings, were bottles of relish, sauce, and preserved truffles, pots of foie gras, and tins of sardines and tuna fish. A box of creamy cheeses and one full of snails stuffed with butter and parsley had been dropped in each corner. Finally, at the very top of the display, falling from a bar with sharp prongs, strings of sausages and saveloys hung down symmetrically like the cords and tassels of some opulent tapestry, while behind, threads of caul were stretched out like white lacework. There, on the highest tier of this temple of gluttony, amid the caul and between two bunches of purple gladioli, the alter display was crowned by a small, square fish tank with a little ornamental rockery, in which two goldfish swam in endless circles.
”
”
Émile Zola
“
One Whisper of the Beloved
Lovers share a sacred decree –
to seek the Beloved.
They roll head over heels,
rushing toward the Beautiful One
like a torrent of water
In truth, everyone is a shadow of the Beloved –
Our seeking is His seeking,
Our words are His words.
At times we flow toward the Beloved
like a dancing stream.
At times we are still water
held in His pitcher.
At times we boil in a pot
turning to vapor –
that is the job of the Beloved.
He breathes into my ear
until my soul
takes on His fragrance.
He is the soul of my soul –
How can I escape?
But why would any soul in this world
want to escape from the Beloved?
He will melt your pride
making you thin as a strand of hair,
Yet do not trade, even for both worlds,
One strand of His hair.
We search for Him here and there
while looking right at Him.
Sitting by His side we ask,
"O Beloved, where is the Beloved?"
Enough with such questions! –
Let silence take you to the core of life.
All your talk is worthless
When compared to one whisper
of the Beloved.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
RECIPE FOR MAKING WONKA-VITE Take a block of finest chocolate weighing one ton (or twenty sackfuls of broken chocolate, whichever is the easier). Place chocolate in very large cauldron and melt over red-hot furnace. When melted, lower the heat slightly so as not to burn the chocolate, but keep it boiling. Now add the following, in precisely the order given, stirring well all the time and allowing each item to dissolve before adding the next: THE HOOF OF A MANTICORE THE TRUNK (AND THE SUITCASE) OF AN ELEPHANT THE YOLKS OF THREE EGGS FROM A WHIFFLE-BIRD A WART FROM A WART-HOG THE HORN OF A COW (IT MUST BE A LOUD HORN) THE FRONT TAIL OF A COCKATRICE SIX OUNCES OF SPRUNGE FROM A YOUNG SLIMESCRAPER TWO HAIRS (AND ONE RABBIT) FROM THE HEAD OF A HIPPOCAMPUS THE BEAK OF A RED-BREASTED WILBATROSS A CORN FROM THE TOE OF A UNICORN THE FOUR TENTACLES OF A QUADROPUS THE HIP (AND THE PO AND THE POT) OF A HIPPOPOTAMUS THE SNOUT OF A PROGHOPPER A MOLE FROM A MOLE THE HIDE (AND THE SEEK) OF A SPOTTED WHANGDOODLE THE WHITES OF TWELVE EGGS FROM A TREE-SQUEAK THE THREE FEET OF A SNOZZ-WANGER (IF YOU CAN’T GET THREE FEET, ONE YARD WILL DO) THE SQUARE-ROOT OF A SOUTH AMERICAN ABACUS THE FANGS OF A VIPER (IT MUST BE A VINDSCREEN VIPER) THE CHEST (AND THE DRAWERS) OF A WILD GROUT When all the above are thoroughly dissolved, boil for a further twenty-seven days but do not stir. At the end of this time, all liquid will have evaporated and there will be left in the bottom of the cauldron only a hard brown lump about the size of a football. Break this open with a hammer and in the very centre of it you will find a small round pill. This pill is WONKA-VITE.
”
”
Roald Dahl (Charlie and the Great Glass Elevator (Charlie Bucket, #2))
“
listening to Mariana, and saying very little … one day Ruth finally interrupted. What she said was simple, direct, and devastating. Ruth suggested, as gently as she could, that Mariana was in denial about her father. That after everything she had heard, she had to question Mariana’s assessment of him as a loving parent. The man Ruth heard described sounded authoritarian, cold, emotionally unavailable, often critical and highly unkind—even cruel. None of these qualities had anything to do with love. “Love isn’t conditional,” Ruth said. “It’s not dependent on jumping through hoops to please someone—and always failing. You can’t love someone if you’re afraid of them, Mariana. I know it’s hard to hear. It’s a kind of blindness—but unless you wake up and see clearly, it will persist throughout your whole life, affecting how you see yourself, and others too.” Mariana shook her head. “You’re wrong about my father,” she said. “I know he’s difficult—but he loves me. And I love him.” “No,” said Ruth firmly. “At best, let’s call it a desire to be loved. At worst, it’s a pathological attachment to a narcissistic man: a melting pot of gratitude, fear, expectation
”
”
Alex Michaelides (The Maidens)
“
Much of doing and saying the right things in social situations comes from understanding the rules of the culture game. Our world is a melting pot of vastly different cultures. These cultures interact, live, and conduct business with each other according to very specific rules. There is no way around it, and it is a requirement to learn how to become emotionally intelligent across cultures. The secret to winning this culture game is to treat others how they want to be treated, not how you would want to be treated. The trick is identifying the different rules for each culture. To make matters even more complicated, the rules you should be watching for and mastering include the rules not only of ethnic culture but also of family and business culture. How do you go about mastering multiple sets of rules at once? The first step is to listen and watch even more and for a longer period of time than you would with people from your own culture. Collect multiple observations and think before you jump to conclusions. Consider yourself new in town, and before you open your mouth and insert your foot, observe other people’s interactions. Look for similarities and differences between how you would play the game versus how others are playing it. Next,
”
”
Travis Bradberry (Emotional Intelligence 2.0)
“
1 To prepare the squash, peel off the tough skin with a potato peeler. Cut the squash in half lengthwise with a sharp chef’s knife, then scoop out the seeds and goop. (You can save the seeds for a tasty snack later, if you like—see page 52.) 2 Next, slice off the stem and the very bottom of the squash and throw them away. Place each half of the squash flat side down on a cutting board. Chop each half into ½-inch slices, then cut each slice into cubes. 3 Melt the butter in a large pot over medium heat. Add the onion, bell pepper, and garlic and sauté until translucent, about 2 minutes. 4 Add the cubed squash, cumin, coriander, turmeric, and cayenne, and
”
”
Leanne Brown (Good and Cheap: Eat Well on $4/Day)
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Finally, Europe’s post-war history is a story shadowed by silences; by absence. The continent of Europe was once an intricate, interwoven tapestry of overlapping languages, religions, communities and nations. Many of its cities—particularly the smaller ones at the intersection of old and new imperial boundaries, such as Trieste, Sarajevo, Salonika, Cernovitz, Odessa or Vilna—were truly multicultural societies avant le mot, where Catholics, Orthodox, Muslims, Jews and others lived in familiar juxtaposition. We should not idealise this old Europe. What the Polish writer Tadeusz Borowski called ‘the incredible, almost comical melting-pot of peoples and nationalities sizzling dangerously in the very heart of Europe’ was periodically rent with riots, massacres and pogroms—but it was real, and it survived into living memory.
Between 1914 and 1945, however, that Europe was smashed into the dust. The tidier Europe that emerged, blinking, into the second half of the twentieth century had fewer loose ends. Thanks to war, occupation, boundary adjustments, expulsions and genocide, almost everybody now lived in their own country, among their own people. For forty years after World War Two Europeans in both halves of Europe lived in hermetic national enclaves where surviving religious or ethnic minorities the Jews in France, for example—represented a tiny percentage of the population at large and were thoroughly integrated into its cultural and political mainstream. Only Yugoslavia and the Soviet Union—an empire, not a country and anyway only part-European, as already noted—stood aside from this new, serially homogenous Europe.
But since the 1980s, and above all since the fall of the Soviet Union and the enlargement of the EU, Europe is facing a multicultural future. Between them refugees; guest-workers; the denizens of Europe’s former colonies drawn back to the imperial metropole by the prospect of jobs and freedom; and the voluntary and involuntary migrants from failed or repressive states at Europe’s expanded margins have turned London, Paris, Antwerp, Amsterdam, Berlin, Milan and a dozen other places into cosmopolitan world cities whether they like it or not.
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Tony Judt (Postwar: A History of Europe Since 1945)
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There is a good deal of the Nietzschean standpoint in this verse. It is the evolutionary and natural view. Of what use is it to perpetuate the misery of tuberculosis, and such diseases, as we now do? Nature's way is to weed out the weak. This is the most merciful way, too. At present all the strong are being damaged, and their progress hindered by the dead weight of the weak limbs and the missing limbs, the diseased limbs and the atrophied limbs. The Christians to the Lions!
Our humanitarianism, which is the syphilis of the mind, acts on the basis of the lie that the King must die. The King is beyond death; it is merely a pool where he dips for refreshment. We must therefore go back to Spartan ideas of education; and the worst enemies of humanity are those who wish, under the pretext of compassion, to continue its ills through the generations. The Christians to the Lions!
Let weak and wry productions go back into the melting-pot, as is done with flawed steel castings. Death will purge, reincarnation make whole, these errors and abortions. Nature herself may be trusted to do this, if only we will leave her alone. But what of those who, physically fitted to live, are tainted with rottenness of soul, cancerous with the sin-complex? For the third time I answer: The Christians to the Lions!
Hadit calls himself the Star, the Star being the Unit of the Macrocosm; and the Snake, the Snake being the symbol of Going or Love, the Dwarf-Soul, the Spermatozoon of all Life, as one may phrase it. The Sun, etc., are the external manifestations or Vestures of this Soul, as a Man is the Garment of an actual Spermatozoon, the Tree sprung of that Seed, with power to multiply and to perpetuate that particular Nature, though without necessary consciousness of what is happening.
(―New Comment on Liber AL vel Legis III:48)
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Aleister Crowley (Magical and Philosophical Commentaries on The Book of the Law)
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Visible over Madame’s shoulder was a clock, hanging on the wall between a flag and a poster. The poster was for a new brand of beer, featuring three bikini-clad young women sprouting breasts the size and shape of children’s balloons; the flag was of the defeated Republic of Vietnam, three bold red horizontal stripes on a vivid field of yellow. This was the flag, as the General had noted more than once to me, of the free Vietnamese people. I had seen the flag countless times before, and posters like that one often, but I had never seen this type of clock, carved from hardwood into the shape of our homeland. For this clock that was a country, and this country that was a clock, the minute and hour hands pivoted in the south, the numbers of the dial a halo around Saigon. Some craftsman in exile had understood that this was exactly the timepiece his refugee countrymen desired. We were displaced persons, but it was time more than space that defined us. While the distance to return to our lost country was far but finite, the number of years it would take to close that distance was potentially infinite. Thus, for displaced people, the first question was always about time: When can I return? Speaking of punctuality, I said to Madame, your clock is set to the wrong time. No, she said, rising to fetch the beer. It’s set to Saigon time. Of course it was. How could I not have seen it? Saigon time was fourteen hours off, although if one judged time by this clock, it was we who were fourteen hours off. Refugee, exile, immigrant—whatever species of displaced human we were, we did not simply live in two cultures, as celebrants of the great American melting pot imagined. Displaced people also lived in two time zones, the here and the there, the present and the past, being as we were reluctant time travelers. But while science fiction imagined time travelers as moving forward or backward in time, this timepiece demonstrated a different chronology. The open secret of the clock, naked for all to see, was that we were only going in circles.
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Viet Thanh Nguyen (The Sympathizer)
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Fish at breakfast is sometimes himono (semi-dried fish, intensely flavored and chewy, the Japanese equivalent of a breakfast of kippered herring or smoked salmon) and sometimes a small fillet of rich, well-salted broiled fish. Japanese cooks are expert at cutting and preparing fish with nothing but salt and high heat to produce deep flavor and a variety of textures: a little crispy over here, melting and juicy there. Some of this is technique and some is the result of a turbo-charged supply chain that scoops small, flavorful fish out of the ocean and deposits them on breakfast tables with only the briefest pause at Tsukiji fish market and a salt cure in the kitchen.
By now, I've finished my fish and am drinking miso soup. Where you find a bowl of rice, miso shiru is likely lurking somewhere nearby. It is most often just like the soup you've had at the beginning of a sushi meal in the West, with wakame seaweed and bits of tofu, but Iris and I were always excited when our soup bowls were filled with the shells of tiny shijimi clams. Clams and miso are one of those predestined culinary combos- what clams and chorizo are to Spain, clams and miso are to Japan. Shijimi clams are fingernail-sized, and they are eaten for the briny essence they release into the broth, not for what Mario Batali has called "the little bit of snot" in the shell. Miso-clam broth is among the most complex soup bases you'll ever taste, but it comes together in minutes, not the hours of simmering and skimming involved in making European stocks. As Tadashi Ono and Harris Salat explain in their book Japanese Hot Pots, this is because so many fermented Japanese ingredients are, in a sense, already "cooked" through beneficial bacterial and fungal actions.
Japanese food has a reputation for crossing the line from subtlety into blandness, but a good miso-clam soup is an umami bomb that begins with dashi made from kombu (kelp) and katsuobushi (bonito flakes) or niboshi (a school of tiny dried sardines), adds rich miso pressed through a strainer for smoothness, and is then enriched with the salty clam essence.
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Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
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Sinclair James - English Communication Language in Asia
Is English Language a Hindrance to Communication for Foreigners in Asia?
One of the hesitations of westerners in coming to Asia is the language barrier. True, Asia has been a melting pot of different aspects of life that in every country, there is a distinct characteristic and a culture which would seem odd to someone who grew up in an entirely different perspective. Language is one of the most flourishing uniqueness of Asian nations. Although their boundaries are emphasized by mere walls which can be broken down easily, the brand of each individual can still be determined on the language they use or most comfortable with. Communication may be a problem as it is an issue which neighboring countries also encounter on each other. Message relays or even simple gestures, if interpreted wrongly can cause conflicts. Indeed, the complaints are valid.
However, on the present day number of American and European visitors and the boost in tourism economies, language barriers seem to have been surpassed. Perhaps, the problem may not even exist at all.
According to English Language Proficiency Test (ELPT) and International English Language Testing System (IELTS), Asian countries are not altogether illiterate in speaking and understanding the universal language. If so, there are countries which can even speak English as fluent as any native can. Take for example the Philippines.
Once in Manila, the country’s capital, you will find thousands of individuals representing different nationalities. The center for business growth in the country, Business Process Outsourcing (BPO) has proven the literacy of the people in conversing using the international language.
Clients from abroad prefer Filipinos in dealing with customers concern since they can easily comprehend grasp and explain things in English. ELPT and IELTS did not even include the Philippines in the list of the top English speaking nations in Asia since they are already considered one of the best and most fluent in this field.
Other neighboring Asian countries also send their citizens to the Philippines to learn English. With a mixture of British and American English being used in everyday conversations, the Philippines has to be considered to be included in the top 5 most native English speakers.
You may even be surprised to meet a young child in Manila who has not gone to school or mingled with foreigners but can speak and understand English. Singapore, Indonesia, Malaysia and most Asian countries, if indeed all, can also easily understand and speak English.
It seems that the concern for miscommunication has completely no basis and remains a groundless issue. Maybe perhaps, those who say this just want to find a dumb excuse?
Read more at: SjTravels.com
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James Sinclair