Nick Valentine Quotes

We've searched our database for all the quotes and captions related to Nick Valentine. Here they are! All 10 of them:

I fell in love with you on Valentine’s day, Emilie, but I need more than just seven minutes.
Lynn Painter (The Do-Over)
I love you, Nick Stark... It won't count tomorrow and it'll be like I never said it, but on this Valentine's Day, I fell in love with you.
Lynn Painter (The Do-Over)
It was Valentine's Day and I had spent the day in bed with my life partner, Ketel One. The two of us watched a romance movie marathon on TBS Superstation that made me wonder how people who write romantic comedies can sleep at night. At some point during almost every romantic comedy, the female lead suddenly trips and falls, stumbling helplessly over something ridiculous like a leaf, and then some Matthew McConaughey type either whips around the corner just in the nick of time to save her or is clumsily pulled down along with her. That event predictably leads to the magical moment of their first kiss. Please. I fall all-the-time. You know who comes and gets me? The bouncer. Then, within the two hour time frame of the movie, the couple meet, fall in love, fall out of love, break up, and then just before the end of the movie, they happen to bump into each other by "coincidence" somewhere absolutely absurd, like by the river. This never happens in real life. The last time I bumped into an ex-boyfriend was at three o'clock in the morning at Rite Aid. I was ringing up Gas-X and corn removers.
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
I love you, Nick Stark.” I blinked fast and was surprised by how emotional I felt. My throat was tight as I said, “It won’t count tomorrow and it’ll be like I never said it, but on this Valentine’s Day, I fell in love with you.
Lynn Painter (The Do-Over)
Do we need to talk about my kissing you a year ago? I’ve behaved myself for two weeks, Ellen, and hope by action I have reassured you where words would not.” Silence or the summer evening equivalent of it, with crickets chirping, the occasional squeal of a passing bat, and the breeze riffling through the woods nearby. “Ellen?” Val withdrew his hand, which Ellen had been holding for some minutes, and slid his arm around her waist, urging her closer. “A woman gone silent unnerves a man. Talk to me, sweetheart. I would not offend you, but neither will I fare well continuing the pretense we are strangers.” He felt the tension in her, the stiffness against his side, and regretted it. In the past two weeks, he’d all but convinced himself he was recalling a dream of her not a real kiss, and then he’d catch her smiling at Day and Phil or joking with Darius, and the clench in his vitals would assure him that kiss had been very, very real. At least for him. For him, that kiss had been a work of sheer art. “My husband seldom used my name. I was my dear, or my lady, or occasionally, dear wife. I was not Ellen, and I was most assuredly not his sweetheart. And to you I am the next thing to a stranger.” Val’s left hand, the one she’d just held for such long, lovely moments between her own, drifted up to trace slow patterns on her back. “We’re strangers who kissed. Passionately, if memory serves.” “But on only one occasion and that nearly a year ago.” “Should I have written? I did not think to see you again, nor you me, I’m guessing.” Now he wished he’d written, though it would hardly have been proper, even to a widow. That hand Valentine considered so damaged continued its easy caresses on Ellen’s back, intent on stealing the starch from her spine and the resolve from her best intentions. And she must have liked his touch, because the longer he stroked his hand over her back, the more she relaxed and leaned against him. “I did not think to see you again,” Ellen admitted. “It would have been much easier had you kept to your place in my memory and imagination. But here you are.” “Here we are.” Haunting a woman’s imagination had to be a good thing for a man whose own dreams had turned to nightmares. “Sitting on the porch in the moonlight, trying to sort out a single kiss from months ago.” “I shouldn’t have kissed you,” Ellen said, her head coming to rest on Val’s shoulder as if the weight of truth were a wearying thing. “But I’m lonely and sometimes a little desperate, and it seemed safe, to steal a kiss from a handsome stranger.” “It was safe,” Val assured her, seeing the matter from her perspective. In the year since he’d seen Ellen FitzEngle, he’d hardly been celibate. He wasn’t a profligate Philistine, but neither was he a monk. There had been an older maid in Nick’s household, some professional ladies up in York, the rare trip upstairs at David’s brothel, and the frequent occasion of self-gratification. But he surmised Ellen, despite the privileges of widowhood, had not been kissed or cuddled or swived or flirted with in all those days and weeks and months. “And now?” Ellen pressed. “You show up on my porch after dark and think perhaps it’s still safe, and here I am, doing not one thing to dissuade you.” “You are safe with me, Ellen.” He punctuated the sentiment with a kiss to her temple then rested his cheek where his lips had been. “I am a gentleman, if nothing else. I might try to steal a kiss, but you can stop me with a word from even that at any time. The question is, how safe do you want to be?” “Shame
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Come along.” Nick took her arm when they left the box, and with his superior height, navigated her deftly through the crowds. “Where are we going?” Ellen asked, for she did not recognize the path they were traveling. “To meet your fate, my lady,” Nick said, but his eyes were sparkling, and Ellen didn’t realize the significance of his comment until she was being tugged backstage toward a growing buzz of voices. “The green room is this way”—Nick steered her along—“but for you, we will refer to it as the throne room. Ladies and gentlemen…” Nick bellowed as he gently pushed Ellen into a crowded, well-lit room. “Make way for the artist’s muse and for a large fellow bent on reaching that punch bowl.” Applause burst forth, and the crowd parted, leaving Ellen staring across the room at Valentine where he stood, a glass in his hand, still in his formal attire. He’d never looked so handsome to her, or so tired and happy and uncertain. He set the glass down and held out his left hand to her. “My Ellen,” he said, as if introducing her. She tried to make her steps dignified before all these strangers, but then she was walking very quickly, then, hang it, she pelted the rest of the distance right into his arms, holding on to him with every ounce of her strength. She did not leave his side when the duke and duchess were announced or when his various siblings and friends came to congratulate him. She was still right by his side when the duke approached. “Well.” Moreland smiled at his youngest son. “Suppose I was mistaken, then.” “Your Grace?” Ellen heard surprise in Val’s voice, and pleasure. “I kept trying to haze you off in a different direction, afraid the peasants wouldn’t appreciate you for the virtuoso you are.” The duke sipped his drink, gaze roving the crowd until it lit on his wife standing beside Westhaven. “I was worrying for nothing all those years. Of course they’re going to love you—you are my son, after all.” “I am that,” Val said softly, catching his father’s eye. “I always will be.” “I think you’re going to be somebody’s husband too, eh, lad?” The duke winked very boldly at Ellen then sauntered off, having delivered a parting shot worthy of the ducal reputation. “My papa is hell-bent on grandchildren. I hope you are not offended?” Ellen shook her head. “Of course not, but Valentine, we do need to talk.” “We do.” He signaled to Nick, where that worthy fellow stood guarding the punch bowl. Nick nodded imperceptibly in response and called some inane insult over the crowd to Westhaven, who quipped something equally pithy right back to the amusement of all onlookers, while Val and Ellen slipped out the door. By the light of a single tallow candle, he led Ellen to a deserted practice room. He set the candle on the floor before tugging her down beside him on the piano bench. “I can’t marry you,” Ellen said, wanting to make sure the words were said before she lost her resolve. “Hear me out,” Val replied quietly. “I think you’ll change your mind. I hope and pray you’ll change your mind, or all my talent, all my music, all my art means nothing.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Country life agrees with a man.” Nick slung an arm around Val’s shoulders. “So does a certain aspect of nature best enjoyed on blankets by the side of streams.” “What?” Val stopped and glared at his friend. “St. Just and Axel both saw you on Saturday, enjoying the shade with your Ellen,” Nick said, grinning. “What a lusty little beast you are, Val. I am pleased to think I’ve set a good example for you.” “Blazing hell.” Val dropped his eyes, a reluctant smile blooming. “I suppose I ought to be grateful they didn’t come running over the hill, bellowing for the watch.” “Suppose you should, but really, I think there’s a lot to be said for the healing power of some friendly, uncomplicated swiving.” “You think there’s a lot to be said for any kind of swiving.” “I do.” Nick’s expression was dead serious. “More to the point, you were overdue, Valentine, and not just for some romping.” “Maybe.” Val resumed walking, and Nick dropped his arm. “I was, probably. But one doesn’t always find what one needs when one needs it.” “One doesn’t, but you’re doing a fine job improvising.” Val glanced at him, seeking hidden meaning in Nick’s use of a musical term, but Nick’s handsome face was schooled to innocence. By
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
So it wasn’t all Indians, pilfered brandy, and erotica?” “Not lately. The point I wanted to make, however, is I do not want to be—I most assuredly do not want to be—Moreland’s youngest pup while I am among my neighbors here.” “You’re a mighty strapping pup, but you are his son.” “I could be the size of your dear brother-in-law, Nick Haddonfield,” Val retorted, a note of exasperation in his voice, “and I would still be Moreland’s youngest pup, and not just to the doddering old titles His Grace battles with in the Lords. You try being the youngest of five boys and blessed with a name like Valentine. It wears on one.” Darius
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Her cell phone buzzed loudly in her purse. She saw that it was Christian and answered. “You couldn’t at least send me a metrosexual to work with?” he asked. She grinned at that. “How did the shopping go with Nick?” “We survived. That’s about all I can say. You should’ve seen his expression when he saw the colors of the ties I’d pulled to go with the suit. He told me that where he comes from, men don’t do boysenberry. I shudder to think such a place exists.” “Boysenberry? You are lucky you survived. Thanks, Christian. I appreciate your help.” Jordan made a mental note to send him a bottle of wine from the store. “Feel free to send me all the suit-buying customers you want. And I think you’ll be pleased with the results.” His tone turned sly. “Happy Valentine’s Day, Jordan. I have a feeling it’s going to be a good one for you.” Right, she thought as she hung up the phone. Because Nick was her date. And of course any woman spending Valentine’s Day with a date who looked like Nick was guaranteed a night of endless great sex. Hot, scruffy-jawed, throw-me-down-on-the-table, mindblowing sex. Probably with dirty words. Perhaps not a horrible way to spend Valentine’s Day, she conceded. But it wasn’t in the cards for her
Julie James (A Lot like Love (FBI/US Attorney, #2))
Micah snorted. “Yes. But I’m a growing boy. I’m always hungry.” “You’re twenty-six years old. I think you’ve grown all you’re going to,” Nick said with a chuckle. Micah walked over to the stove and looked down into the pot of stew Nick was stirring. “There’s a part of me that always grows when I’m close to you, sir.” Nick’s chuckles turned to a laugh. “You’re incorrigible!
Lex Valentine (Subs for Lunch (Souls in Bondage, #2.5))