Pp Sad Quotes

There should be painless progression, attended by life and peace....Mortals will some day assert their freedom in the name of Almighty God....Dropping their present beliefs, they will recognize harmony and as the spiritual reality and discord as the material unreality. Chapter VII pp. 224 and 228 Science and Health with Key to the Scriptures

Sadness such as mine is not depression; it can be blown away by an interesting conversation, a welcome telephone call, or a compelling idea for an essay or piece of fiction. It returns without evident cause, however obvious the cause of its banishment, and it belongs, I have come to suspect, to both youth and age, less frequently to the years between.[pp.177-178]

The sad truth is, John and I and the kids only took Route 66 once on our trips to Disneyland. Our family, like the rest of America, succumbed to the lure of faster highways, more direct routes, higher speed limits. We forgot about taking the slow way. It makes you wonder if something inside us knows that our lives are going to pass faster than we could ever realize. So we run around like chickens about to lose our heads. Which makes our little two- or three-week vacations with our families more important than ever... As for the time that elapsed between those vacations, that’s another thing altogether. It seems to have all passed breathlessly, like some extended whisper of days, months, years, decades. (pp.39-40)

But will anyone again look at that tree, read that poem, love a dog in quite my way? I am a particular and, despite the commonness of all people, a unique person in the way I perceive and think and appreciate, and I am sad that this particularity shall before too long be gone. This is not arrogance; it is the simple truth, known to anyone who has loved a person dead in the fullness of her life: what we miss is the particularity, that unique voice. [pp. 184-185]

In The Brothers Karamazov, Dostoevsky wrote, ‘If you were to destroy in mankind the belief in immortality, not only love but every living force maintaining the life of the world would at once be dried up. Moreover, nothing then would be immoral, everything would be permissible, even cannibalism.’ All of the Russian author’s great works revolve, in one way or another, around this idea: that a life without God is not worth living- and barely livable. He is right. And it is better for the unbeliever to confront the spiritual desolation of unbelief, and to really feel its emptiness and coldness, than for him to push those thoughts away while still remaining in his squalid state. We are told that despair- or depression, as we call it today- is a mental illness. But how can we call someone ill for being in despair when he has so many good reasons for that despair?....We do nothing for a despairing man by numbing his sadness while leaving him to his empty, miserable existence.” -pp. 72-3

In one sense we are all unique, absolutely one-of-a-kind individual creations; but in a much more profound way, each of us has come about as the result of a "long choosing." This is a phrase from writer Wendell Berry, whose book Remembering describes the main character, Andy Catlett’s, struggle with a sudden bout of amnesia. To those acquainted with Berry’s stories about Port William, Kentucky, Andy is a familiar figure, having grown up in the town’s rich web of family and neighborhood relationships. His disorientation begins during a cross-country plane trip to a scientific conference, where he is caught up in the security lines and body searches now a familiar part of the post-9/11 reality. In this world every stranger in an airport terminal is a potential enemy, someone to be kept at a safe distance. Somehow Andy makes it back to his home in rural Kentucky, but he is rough shape. He has literally forgotten who he is, and wanders about town looking for clues. His memories—and his sense of self—return only when in a confused dream state he sees his ancestors, walking together in an endless line. To Andy they are a "long dance of men and women behind, most of whom he never knew, . . . who, choosing one another, chose him.” In other words Andy Catlett is not a self-made man living in an isolated blip of a town, but he and his home are the sum of hundreds of courtships and conceptions, choices and chances, errors and hopes. We like to imagine that we are unique, absolutely unprecedented. But here is the truth: not just the tilt of our noses or the color of our bodies, but far more intimate characteristics–the shape of our feet or an inner tendency towards joy or sadness–have belonged to other people before we came along to inherit them. We came about because they decided to marry one person and not the other, to have six children instead of three, to move to a city instead of staying on the farm. It is remarkable to think of someone walking down the streets of sixteenth-century Amsterdam with my fingers and kneecaps, my tendency toward melancholy and my aptitude for music. We live within a web of holy obligation. We are connected to people of the world today, and to other invisible people: the unknown number of generations yet to be born. One of the most important things we can do, in the way we care for the earth and in the way we care for our local church life, is to recognize their potential presence. (pp.117-118)

J. R. R. Tolkien’s famous essay, “On Fairy-Stories,” in Tree and Leaf (New York: HarperCollins, 2001), pp. 1–82. The consolation . . . the joy of the happy ending . . . the sudden joyous ‘turn’ . . . this joy which . . . stories can produce supremely well, is not essentially ‘escapist’ nor ‘fugitive.’ . . . It is a sudden and miraculous grace: never to be counted on to recur. It does not deny the existence of dyscatastrophe, of sorrow and failure. Indeed, the possibility of these is necessary to the joy of deliverance. Rather, it denies (in the face of much evidence, if you will) universal final defeat, and thus is evangelium, giving a fleeting glimpse of Joy, Joy beyond the walls of the world, poignant as grief. It is the mark of a good story, of the higher or more complete kind, that however wild its events, however fantastic or terrible the adventures, it can give . . . when the ‘turn’ comes, a catch of the breath, a beat and lifting of the heart, near to (or indeed accompanied by) tears, as keen as that given by any form of literary art, and having a peculiar quality. In . . . the ‘turn’ . . . we get a piercing glimpse of joy, and heart’s desire, that for a moment passes outside the frame, rends indeed the very web of story, and lets a gleam come through.” Tolkien, “On Fairy-Stories,” pp. 68–69. Later Tolkien argues that the ultimate story—the gospel—is the essence of all other stories with the joy-giving happy ending. “This ‘joy’ . . . merits more consideration. The peculiar quality of the ‘joy’ in a successful Fantasy can . . . be explained as a sudden glimpse of an underlying . . . Reality. . . . The Gospels contain . . . a story of a larger kind which embraces all the essence of fairy-stories. They contain . . . the greatest and most complete conceivable eucatastrophe. But this story has entered history and the primary world. . . . The Birth of Christ is the eucatastrophe of Man’s history. The Resurrection is the eucatastrophe of the story of the Incarnation. This story ends in joy. . . . There is no tale ever told that men would rather find was true, and none which so many skeptical men have accepted as true on its own merits. For the Art of it has the supremely convincing tone of Primary Art, that is, of Creation. To reject it leads either to sadness or to wrath. . . . [T]his story is supreme; and it is true. Art has been verified. God is Lord, of angels, and of men—and of elves. Legend and History have met and fused.” Tolkien, “On Fairy-Stories,” pp. 71–73.

In his nightly prayers Samuel asked only that he be made to understand why he was here. What to do. He had no doubt that there was some greater design, but he fell into a deep sadness as he knew he could not understand this design. It made him feel shallow. A ship holed in some vital strakes and sunk to the gunnels and adrift. He was lonely and from time to time he felt the intensity of this loneliness, the strange questing feeling that comes from abandonment, that were he to keep on searching about in his mind and memory he would find someone or something to comfort him. The Holy Spirit was hidden in the vast plains and would not come to him even though he asked and asked again. It was because he was no longer a servant to his fellow men but an authority. A man with authority who must apply that power. Jiles, Paulette. The Color of Lightning: A Novel (pp. 287-288). HarperCollins e-books. Kindle Edition.

Only 13.7 percent of churches in America are multiethnic. This means 86.3 percent churches are homogenous. And here's is more to be sad about: churches are ten times more segregated that the neighborhoods they are in and twenty times more segregated that the nearby school." pp. 15-16

There’s a great mystery in that cemetery, even deeper than the painful or tragic events that populated it. Inside its stone walls are the citizens of my town: they built the stores and mapped out the roads, put up electric lights, founded the hospital, and organized the public library. A few probably lived in my home at one time. They have made my life possible in more ways than I can count, yet we are entire strangers. . . . I do not take these silent neighbors for granted either. Sometimes, when all of the library staff have gone home, the lights are off, and I’m working alone at my desk, I think about them . . . . But most of the time, my feeling is more sadness than fear. It is hard to think about people who have lived full and eventful lives, only to end up as a faded name on a monument; it is even harder to realize that this will eventually happen to me and to all the people I love. My library shelves are full of forgotten books written by unknown people. It is an amazing fact, one that I sometimes contemplate with awe, that all of these books are connections with people now on the other side of mystery, surviving only as a name on a tattered binding. That’s one reason why I sometimes pause and say their names out loud, just to give the universe a chance to hear an old and beloved combination of words one more time. (pp. 100-101)

In one sense we are all unique, absolutely one-of-a-kind individual creations; but in a much more profound way, each of us has come about as the result of a "long choosing." This is a phrase from writer Wendell Berry, whose book Remembering describes the main character, Andy Catlett’s, struggle with a sudden bout of amnesia. To those acquainted with Berry’s stories about Port William, Kentucky, Andy is a familiar figure, having grown up in the town’s rich web of family and neighborhood relationships. His disorientation begins during a cross-country plane trip to a scientific conference, where he is caught up in the security lines and body searches now a familiar part of the post-9/11 reality. In this world every stranger in an airport terminal is a potential enemy, someone to be kept at a safe distance. Somehow Andy makes it back to his home in rural Kentucky, but he is rough shape. He has literally forgotten who he is, and wanders about town looking for clues. His memories—and his sense of self—return only when in a confused dream state he sees his ancestors, walking together in an endless line. To Andy they are a "long dance of men and women behind, most of whom he never knew, . . . who, choosing one another, chose him.” In other words Andy Catlett is not a self-made man living in an isolated blip of a town, but he and his home are the sum of hundreds of courtships and conceptions, choices and chances, errors and hopes. We like to imagine that we are unique, absolutely unprecedented. But here is the truth: not just the tilt of our noses or the color of our bodies, but far more intimate characteristics–the shape of our feet or an inner tendency towards joy or sadness–have belonged to other people before we came along to inherit them. We came about because they decided to marry one person and not the other, to have six children instead of three, to move to a city instead of staying on the farm. It is remarkable to think of someone walking down the streets of sixteenth-century Amsterdam with my fingers and kneecaps, my tendency toward melancholy and my aptitude for music. We live within a web of holy obligation. We are connected to people of the world today, and to other invisible people: the unknown number of generations yet to be born. One of the most important things we can do, in the way we care for the earth and in the way we care for our local church life, is to recognize their potential presence. (pp.117-118)

But the Gosnell horror show, as utterly tragic as it was, represents one specific instance of abortion policy. From a broader legal perspective, the question facing any society is whether the rule of law should presume in favor of life. History is filled with sad and sorry examples of legal rules presuming against life, from the Dred Scott decision that barbarically justified treating African-American slaves as ‘property’ and not as humans, to the Nazi propoganda dehumanizing Jews that helped give rise to the genocidal murder of the Holocaust -pp. 95, 96

The campaign-finance limits help incumbents and substantially hurt unknown challengers...An abject willingness to strip away the free speech rights of American citizens has become an explicit litmus test for judicial appointments from today’s radicalized Democrats. And, as a constitutional matter, on the Supreme Court, when it comes to either protecting or destroying our fundamental protections for political speech-- the very heart and soul of our representative democracy-- we are, sadly, only one vote away. -pp. 134, 137