Niche Love Quotes

He has achieved success who has lived well, laughed often, and loved much; Who has enjoyed the trust of pure women, the respect of intelligent men and the love of little children; Who has filled his niche and accomplished his task; Who has never lacked appreciation of Earth's beauty or failed to express it; Who has left the world better than he found it, Whether an improved poppy, a perfect poem, or a rescued soul; Who has always looked for the best in others and given them the best he had; Whose life was an inspiration; Whose memory a benediction.

Christianity is not about building an absolutely secure little niche in the world where you can live with your perfect little wife and your perfect little children in your beautiful little house where you have no gays or minority groups anywhere near you. Christianity is about learning to love like Jesus loved and Jesus loved the poor and Jesus loved the broken.

Men love women who are courageous for it means they can go all the way with him in his pursuit of his good dreams and intentions.

Dare to be different. Represent your maker well and you will forever abide in the beautiful embrace of his loving arms.

You should look for your niche: all those people who will love your product because their needs and your product benefits match. we should try to reach a stage where our potential customer base is just perfect in size for us - not too big and not too little.

Ladies, get confident about yourselves, build up your self-worth and esteem, love yourself and be proud of your achievements and your man will adore you for life.

A woman can tolerate delays knowing they are not denials; she is diligent, and composed. She is not easily irritated like love; she endures all things, beans all things and can be stretched to any limit.

We are given these niches, small worlds of our own populated by only a handful, where we feel understood. Our bubble worlds bump into innumerable others daily, but there is so little cause to allow their integrity to be breached.

Ladies, get confident bout yourselves, build up your self-worth and esteem, love yourself and be proud of your achievements and your man will adore you for life.

I wrote Dreams of My Mothers because it reveals deep insight into a topic - cross boarder, cross racial adoption - that rarely gets much attention from any quarter, because it represents such a niche subset of our society, but contains within it nearly all the most deeply felt – and held – human themes, passions, values, insecurities, and judgments. And loves.

Is it love to worship a saint in heaven, whom you dare not touch, who hovers above you like a cloud, which floats away from you even as you gaze? To love is to feel one being in the world at one with us, our equal in sin as well as in virtue. To love, for us men, is to clasp one woman with our arms, feeling that she lives and breathes just as we do, suffers as we do, thinks with us, loves with us, and, above all, sins with us. Your mock saint who stands in a niche is not a woman if she have not suffered, still less a woman if she have not sinned. Fall at the feet of your idol an you wish, but drag her down to your level after that- the only level she should ever reach, that of your heart.

Is there a problem?” “Yes. Several. Global warming, systemic racism, the overpopulation of ecological niches, the unnecessary American remake of Swedish romantic horror masterpiece Let the Right One In—

Our life-purpose is to co-create light vibration, in the niche where your passion and enjoyment is vibrating, bringing your high uplifting energy to others!

Find your niche and occupy it.

That's . . . because I am pathetic. In life as in film, find your niche and work it.

There are many standards to measure if a person was successful including did they fill a niche role in society, invent something useful, attain professional distinction, or achieve great wealth. A person might also judge someone a success in life if they laughed frequently, were kind to children and animals, and were truthful, loved by their family, and respected by their friends.

He has achieved success who has lived well, laughed often, and loved much, who has enjoyed the trust of pure women, the respect of intelligent men, and the love of little children, who has filled his niche and accomplished his task, who has left the world better than he found it, whether by an improved poppy, a perfect poem, or a rescued soul, who has never lacked appreciation of Earth’s beauty or failed to express it, who has always looked for the best in others and given them the best he had, whose life was an inspiration, whose memory a benediction. —BESSIE ANDERSON STANLEY

zrozumiał ostatecznie coś, co sam o tym nie wiedząc, wielokrotnie przeczuwał: że można jednocześnie i z równym bólem kochać wiele kobiet, żadnej z nich nie zdradzając. (...) ,,Serce ma więcej pokoi niż mój k*****ki hotel".

It doesn't sound fine. Is there a problem?" "Yes. Several. Global warming, systemic racism, the overpopulation of ecological niches, the unnecessary American remake of Swedish romantic horror masterpiece Let the Right One In -

The surprise lay in the third niche of the high altar, on the side where the Gospels were kept. The stone shattered at the first blow of the pickax, and a stream of living hair the intense color of copper spilled out of the crypt.

2020 will go down in history for many things. Some of us may have found our niche, some may have loved and some of us may have also lost but 2020 came to also remind us why we should always show love and appreciation to the people around us while we still have the chance.

He thought, in your most secret dreams you cut a niche for yourself, and it is finished early, and then you wait for someone to come along to fill it—but to fill it exactly, every cut, curve, hollow and plane of it. And people do come along, and one covers up the niche, and another rattles around inside it, and another is so surrounded by fog that for the longest time you don’t know if she fits or not; but each of them hits you with a tremendous impact. And then one comes along and slips in so quietly that you don’t know when it happened, and fits so well you almost can’t feel anything at all. And that is it. “What are you thinking about?” she asked him. He told her, immediately and fully. She nodded as if he had been talking about cats or cathedrals or cam-shafts, or anything else beautiful and complex. She said, “That’s right. It isn’t all there, of course. It isn’t even enough. But everything else isn’t enough without it.” “What is ‘everything else’?

I have written various words, verbs, adjectives, and adverbs, and bits of dismantled sentences, fragments of expressions and descriptions and all kinds of tentative combinations. Every now and again I pick up one these particles, these molecules of texts, hold it up to the light and examine it carefully, turn it in various directions, lean forward and rub or polish it, hold it up to the light again, rub it again slightly, then lean forward and fit it into the texture of the cloth I am weaving. Then I stare at it from different angles, still not entirely satisfied, and take it out again and replace it with another word, or try to fit it into another niche in the same sentence, then remove, file it down a tiny bit more, and try to fit it in again, perhaps at a slightly different angle. Or deploy it differently. Perhaps farther down the sentence. Or at the beginning of the next one. Or should I cut it off and make it into a one-word sentence on its own? I stand up. Walk around the room. Return to the desk. Stare at it for a few moments or longer, cross out the whole sentence or tear up the whole page. I give up in despair. I curse myself aloud and curse writing in general and the language as a whole, despite which I sit down and start putting the whole thing together all over again. [p.268]

Said by whom? Said to whom? Not by a mind to a mind, but by a being who has body and language to a being who has body and language, each drawing the other by invisible threads like those who hold the marionettes-making the other speak, think, and become what he is but never would have been by himself. Thus things are said and are thought by a Speech and by a Thought which we do not have but which has us. There is said to be a wall between us and others, but it is a wall we build together, each putting his stone in the niche left by the other. Even reason's labors presuppose such infinite conversations. All those we have loved, detested, known, or simply glimpsed speak through our voice.

Let your eyes get used to light. Don't miss your own splendor! Don't stay in the batlike mind that loves complexity and doubt, the unlit niches. Bats seek those to live in, because there a bat's accomplishments seem greater than they are. He can impress as he confuses you with cave ramifications. Little by little accustom yourself to your own light,

And so it turned out that Ove became a night cleaner instead. And if this hadn't happened, he would never have come off his shift that morning and caught sight of her. With those red shoes and the gold brooch and all her burnished brown hair. And that laughter of hers, which, for the rest of his life, would make him feel as if someone was running around barefoot on the inside of his breast.

And 'twill be when you understand that your idol has feet of clay that you'll learn the real lesson of love," said Blakeney earnestly. "Is it love to worship a saint in heaven, whom you dare not touch, who hovers above you like a cloud, which floats away from you even as you gaze? To love is to feel one being in the world at one with us, our equal in sin as well as in virtue. To love, for us men, is to clasp one woman with our arms, feeling that she lives and breathes just as we do, suffers as we do, thinks with us, loves with us, and, above all, sins with us. Your mock saint who stands in a niche is not a woman if she has not suffered, still less a woman if she has not sinned. Fall at the feet of your idol if you wish, but drag her down to your level after that-- the only level she should ever reach, that of your heart.

Love is Heaven on a Hinge Memory enfolds upon her's sovereignty of sleep; her beauty manifests not as pleasing proportion but as an arcane assemblage of Ming porcelain, clues pieced together to reveal the numinous Yin within. Tangrams of facile shapes recollect into priceless chinoiserie excavated with a toothbrush beneath the clay noses of a thousand entombed sentinels. She reposes within my niche, an ingenuous vase, her dreams fulcromed by my lever. My right arm, her nocturnal tiara, diademed in jewels of sweat, perfumed in muskiness and ferment, heralded in the dulcet wail of snores. Beneath the bay window of her oneiric realm frogs belch Chopin's Impromptus, chanticleers trumpet Hayden cicadas chirp Mozart's Elvira Madigan. Under the mask of night my niche becomes her royal box at the Viennese Opera: concertinas of Chinese silk, the empyreal music of limns, the fateful reprise of heaven on a hinge.

I ten, kdo nemá děti, dává dál, a to skrze nalezení svého poslání a skrze lásku, kterou šíří v tomto případě ne na vlastní děti, ale na "všechny děti". Mnoho spirituálních učitelů a několik moudrých žen, které znám, zůstalo bezdětných. U všech jsem zažil proudění neobyčejné lásky ke všem tvorům, neboť - jak to vyjádřil jeden z nich - "když ego ustoupí trochu do pozadí, stáváš se branou, kterou to božské proudí do světa, aby v lidech vyvolalo pohnutí, které mění člověka.

I know he has a bad nature,' said Catherine: 'he's your son. Bu I'm glad I've a better, to forgive it; and I know he loves me, and for that reason I love him. Mr. Heathcliff, you have nobody to love you; and, however miserable you make us, we shall still have the revenge of thinking that your cruelty arises from your greater misery! You are miserable, are you not? Lonely, like the devil, and envious like him? Nobody loves you--nobody will cry for you when you die! I wouldn't be you!

I know he has a bad nature,' said Catherine: 'he's your son. Bu I'm glad I've a better, to forgive it; and I know he loves me, and for that reason I love him. Mr. Heathcliff, you have nobody to love you; and, however miserable you make us, we shall still have the revenge of thinking that your cruelty arises from your greater misery! You are miserable, are you not? Lonely, like the devil, and envious like him? Nobody loves you--nobody will cry for you when you die! I wouldn't be you!

I know he has a bad nature,' said Catherine: 'he's your son. But I'm glad I've a better, to forgive it; and I know he loves me, and for that reason I love him. Mr. Heathcliff, you have nobody to love you; and, however miserable you make us, we shall still have the revenge of thinking that your cruelty arises from your greater misery! You are miserable, are you not? Lonely, like the devil, and envious like him? Nobody loves you--nobody will cry for you when you die! I wouldn't be you!

With a combination of proper lighting and climate control he managed to achieve a different ecological niche in each gallery. In the African section, where the imbrications of Augustine, Mafouz and Okri lay decomposing, he grew sorghum and Dioscorea yams. In the Chinese gallery where the Tao Te Ching and countless Confucian annotations moldered, he grew rice, crab apples and barley. Over the poems of Neruda and Borges himself, he grew potatoes. Each plant in this new Eden he lovingly tainted with the virus of civilization - from the short story "Resurrection

After I left finance, I started attending some of the fashionable conferences attended by pre-rich and post-rich technology people and the new category of technology intellectuals. I was initially exhilarated to see them wearing no ties, as, living among tie-wearing abhorrent bankers, I had developed the illusion that anyone who doesn’t wear a tie was not an empty suit. But these conferences, while colorful and slick with computerized images and fancy animations, felt depressing. I knew I did not belong. It was not just their additive approach to the future (failure to subtract the fragile rather than add to destiny). It was not entirely their blindness by uncompromising neomania. It took a while for me to realize the reason: a profound lack of elegance. Technothinkers tend to have an “engineering mind”—to put it less politely, they have autistic tendencies. While they don’t usually wear ties, these types tend, of course, to exhibit all the textbook characteristics of nerdiness—mostly lack of charm, interest in objects instead of persons, causing them to neglect their looks. They love precision at the expense of applicability. And they typically share an absence of literary culture. This absence of literary culture is actually a marker of future blindness because it is usually accompanied by a denigration of history, a byproduct of unconditional neomania. Outside of the niche and isolated genre of science fiction, literature is about the past. We do not learn physics or biology from medieval textbooks, but we still read Homer, Plato, or the very modern Shakespeare. We cannot talk about sculpture without knowledge of the works of Phidias, Michelangelo, or the great Canova. These are in the past, not in the future. Just by setting foot into a museum, the aesthetically minded person is connecting with the elders. Whether overtly or not, he will tend to acquire and respect historical knowledge, even if it is to reject it. And the past—properly handled, as we will see in the next section—is a much better teacher about the properties of the future than the present. To understand the future, you do not need technoautistic jargon, obsession with “killer apps,” these sort of things. You just need the following: some respect for the past, some curiosity about the historical record, a hunger for the wisdom of the elders, and a grasp of the notion of “heuristics,” these often unwritten rules of thumb that are so determining of survival. In other words, you will be forced to give weight to things that have been around, things that have survived.

Like Alan, Jep turned his life around after overcoming the struggles of alcohol and drugs. He came to work for Duck Commander and found his niche as a videographer. He films the footage for our Duckmen videos and works with Willie on the Buck Commander videos. Jep is with us on nearly every hunt, filming the action from a distance. He knows exactly what we’re looking for in the videos and films it, downloads it, edits it, and sends it to the duplicator, who produces and distributes our DVDs. Having worked with the crew of Duck Dynasty over the last few years, I’ve noticed that most people who work in the film industry are a little bit weird. And Jep, my youngest son, is a little strange. It’s his personality-he’s easygoing, likable, and a lot more reserved than his brothers. But he’s the only one who will come up to me and give me a bear hug. He’ll just walk up and say, “Daddy, I need a hug.” The good news for Jep is that as far as the Duck Commander crowd goes, one thing is for sure: weirdos are in! We covet weirdos; they can do things we can’t because they’re so strange. You have to have two or three weirdos in your company to make it work. It’s truly been a blessing to watch Jep grow and mature and become a loving husband and father. He and his wife, Jessica, have four beautiful children.

Throne of my lonely niche, my wealth, my love, my moonlight. My most sincere friend, my confidant, my very existence, my Sultan, my one and only love. The most beautiful among the beautiful… My springtime, my merry faced love, my daytime, my sweetheart, laughing leaf… My plants, my sweet, my rose, the one only who does not distress me in this world… My Constantinople, my Caraman, the earth of my Anatolia My Badakhshan, my Baghdad and Khorasan My woman of the beautiful hair, my love of the slanted brow, my love of eyes full of mischief… I’ll sing your praises always I, lover of the tormented heart, Muhibbi of the eyes full of tears, I am happy.

Throne of my lonely niche, my wealth, my love, my moonlight. My most sincere friend, my confidant, my very existence, my Sultan, my one and only love. The most beautiful among the beautiful… My springtime, my merry faced love, my daytime, my sweetheart, laughing leaf… My plants, my sweet, my rose, the one only who does not distress me in this world… My Constantinople, my Caraman, the earth of my Anatolia My Badakhshan, my Baghdad and Khorasan My woman of the beautiful hair, my love of the slanted brow, my love of eyes full of mischief… I’ll sing your praises always I, lover of the tormented heart, Muhibbi of the eyes full of tears, I am happy.

Depois desta crise Maurice tornou-se um homem. Até aqui - se for possível avaliar o ser humano - ele não merecera o afecto de ninguém, pois era convencional e mesquinho, traiçoeiro para com os outros porque para consigo próprio. Agora tinha para oferecer o maior dos dons. O idealismo e a violência que atravessaram a sua adolescência reuniram-se por fim, transformando-se em amor. Talvez ninguém quisesse esse amor, mas ele não podia envergonhar-se dele, porque era «ele», nem corpo nem alma, nem corpo e alma, «ele» a funcionar através de ambos. Sofria ainda, mas chegara algures uma sensação de vitória. A dor mostrara-lhe um nicho, atrás dos juízos do mundo, para onde podia retirar-se. ------------------------------------------------- P.71, MAURICE, E.M. FORSTER After this crisis Maurice became a man. Hitherto — if human beings can be estimated — he had not been worth anyone's affection, but conventional, petty, treacherous to others, because to himself. Now he had the highest gift to offer. The idealism and the brutality that ran through boyhood had joined at last, and twined into love. No one might want such love, but he could not feel ashamed of it, because it was "he," neither body or soul, nor body and soul, but "he" working through both. He still suffered, yet a sense of triumph had come elsewhere. Pain had shown him a niche behind the world's judgements, whither he could withdraw.

Little Moments that bloom in Christmas hue. How beautiful the night shines in the hue of dreams, as if lulling along a distant breeze, wrapped in a cold warmth of a solitary winter's eve! To me, Christmas is always about a bunch of happy moments, simple yet ornate in a colour of joy, something that connects our hearts to all that is pure and pristine, all that is beautifully simple and soulfully happy. And if we look closely, we can find those moments, every day in our regular lives, from sipping on our early morning coffee to munching on our midnight snack, from taking a moment to gaze at the sunset to simply sitting silent listening to our soul, beautiful unfiltered unadulterated moments that often go unnoticed yet remain forever warmed up in the cold embrace of our heart, frozen in a niche of a dream called Life. After all, Life is a beautiful dream. La vie est un beau rêve Stay in Love.

Men sitting doubled up in the upper bunks smoked short pipes, swinging bare brown feet above the heads of those who, sprawling below on sea-chests, listened, smiling stupidly or scornfully. Over the white rims of berths stuck out heads with blinking eyes; but the bodies were lost in the gloom of those places, that resembled narrow niches for coffins in a white-washed and lighted mortuary. Voices buzzed louder. Archie, with compressed lips, drew himself in, seemed to shrink into a smaller space, and sewed steadily, industrious and dumb. Belfast shrieked like an inspired Dervish: — ‘... So I seez to him, boys, seez I, “Beggin’ yer pardon, sorr,” seez I to that second mate of that steamer — “beggin’ your-r-r pardon, sorr, the Board of Trade must ‘ave been drunk when they granted you your certificate!” “What do you say, you — !” seez he, comin’ at me like a mad bull... all in his white clothes; and I up with my tarpot and capsizes it all over his blamed lovely face and his lovely jacket... “Take that!” seez I. “I am a sailor, anyhow, you nosing, skipper-licking, useless, sooperfloos bridge-stanchion, you! That’s the kind of man I am!” shouts I... You should have seed him skip, boys! Drowned, blind with

In fact, if I really think about it, what I loved best in my daughters was what seemed alien to me. In them—I felt—I liked most the features that came from their father, even after our marriage stormily ended. Or those which went back to ancestors of whom I knew nothing. Or those which seemed, in the combining of organisms, an ingenious invention of chance. It seemed to me, in other words, that the closer I felt to them, the less responsibility I bore for their bodies. But that alien closeness was rare. Their troubles, their griefs, their conflicts returned to impose themselves, continuously, and I was bitter, I felt a sense of guilt. I was always, in some way, the origin of their sufferings, and the outlet. only of obvious resemblances but of secret ones, those we become aware of later, the aura of bodies, the aura that stuns like a strong liquor. Barely perceptible tones of voice. A small gesture, a way of batting the eyelashes, a smile-sneer. The walk, the shoulder that leans slightly to the left, a graceful swinging of the arms. The impalpable mixture of tiny movements that, combined in a certain way, make Bianca seductive, Marta not, or vice versa, and so cause pride, pain. Or hatred, because the mother’s power always seems to be that she gives unfairly, beginning in the living niche of the womb.

In My Prayer. My silent niche. You incarnate in my prayer. Dawn is all dancing like a rainbow in your smile. Anxious to uncover dreams after morning. The desire to arrange sparkly beads in your hair. Reduce heartbeat, please at the tips of your fingers. I will pray together with night just to keep remembering you. A never ending memory to always say your name. Silence that leads to longing for the rising of light. Horizon knocked on all the gates, which grabbed a reprehensible body, who hesitated to stop at the tip of the tongue. Lips murmuring, stringing questions hung at the end of time. The self that is always broken and dishonest, who is kufr and who is infidel. All beings submit to the most holy feet. Let silence accept everything that is magical. Although the reflection of the moon's face is filled with wounds with lies in our mouths, betrayed by lust and unstoppable desires. May you soon incarnate so that a million flowers bloom in the heart of the most cursory. The eyes are altered, betraying a million flashes of light from the darkest night. The most beautiful gems are buried in mud puddles. Even though the sky is still dark. Heavy rain that is redder than all blood. Which surpassed the fangs of the old snake. The endless cycle of the sun throws puzzles about the mysteries of the universe that are never answered. The beginning of all this sorrow in myself. If only you please, transform into a butterfly in my prayer tonight. A pair of wings that burned like a fire of longing in my heart. Who suddenly fidgeted and flew into your eyes. Then descend on the branch of the Khuldi tree, before breaking into my tears. Suppose tonight, in my prayer, you incarnate like a thunderous storm. Like the sound of noisy thunder. The footsteps stepped hurriedly on the foggy road. Infiltrate the gaps of our thoughts and feelings. Shackle our arms, knees and breath. If only, in my prayer tonight you will be transformed into murky tears. Who trembled, even though it would patiently take care of my sadness. The pain that somehow healed my soul. Beliefs that keep mysteries for my deepest secrets, which you endlessly hum, in order to be a comfort for my sad life. My dear. Lady of my heart. My love. My soul. Bless me with all your generosity. With your mercy, with your endless love. With your infinite anger.

You don’t how those holy-moly webpages pop-up at the first SERPs and why your pages cry in the corner You have no know-how of detailed keyword research and how to target long tail keywords that can rank according to your niche You don’t understand a shred of how this Google thing works and what does it Penguin, Alligator, Frog updates mean and how Google crawls down the codes to index the content at those shiny first SERPs You know the basic Search Engine Optimization but don’t get what the hell are these backlinks and how to get them (What is web 2.0 by the way?) You don’t grasp the idea of Topic Cluster and how to build a fantastically linked internal colony on your website or blog that not only helps you rank your specific keywords but the whole related content on your web You don’t know how to create delicious content that can feed both Google and readers Heading, Alt-images, meta-descriptions, taglines and keyword management, sitemap monitoring and whole techy stuff scares you You know the SEO but want to consults with some best SEO service providers for better results

The best defense against affective realism is curiosity. I tell my students to be particularly mindful when you love or hate something you read. These feelings probably mean that the ideas you've read are firmly in your affective niche, so keep an open mind about them. Your affect is not evidence that the science is good or bad. The biologist Stuart Firesteip in his lovely book Ignorance encourages curiosity as a way to learn about the world. Try to become comfortable with uncertainty, he suggests, finding pleasure in mystery, and being mindful enough to cultivate doubt.

I am, and that is all I know at times, My being shaped by forces known and not. But whereas words are made to bend to rhymes, My feet are bound to steps that I have wrought. I feel myself expanding into this Beautiful niche I could not see before But I always sensed-and now I cannot miss Myself: I am unlimited and more Is opening to me, the more I open To this sweet fear, like falling from a cloud, My heart's inertia clear and calm, unspoken But heard. It says to me: "You are allowed." And I am free at last to feel this way To take this step: to wonder, love and stray.

Bless those people, for they are a part of my faith’s firmness. Bless the stories my foster mother read to me, the stories of mine she later listened to, her thin blond hair hanging down a single sheet. The house, old and shingled, with niches and culverts I loved to crawl in, where the rain pinged on a leaky roof and out in the puddled yard a beautiful German shepherd, who licked my face and offered me his paw, barked and played in the water. Bless the night there, the hallway light they left on for me, burning a soft yellow wedge that I turned into a wing, a woman, an entire army of angels who, I learned to imagine, knew just how to sing me to sleep.

I recently heard of a real estate professional who LOVES to cook. So, her niche market? Foodies. She attends local restaurant events and cooking classes and turns strangers into friends and clients. Her closing gift to new homeowners? A recipe box. Then she sends new recipe postcards every month to tuck inside. Isn’t that a smart way to stay connected in a meaningful way?

You see when a man knows he will be old, he is afraid: when he becomes old, he cares for nothing—love does not count, only comfort; honor does not count, only cheating for a niche.

K group is so strongly attuned to its environment, its members are more environmentally plastic: more has to be learnt and less is simply instinctive. Hence, K-strategists have longer childhoods. They are more environmentally sensitive than r-strategists; ‘culture’ – rather than instinct – is more central to their lives (Sng et al., 2017).   As the group becomes more K, its niche becomes more specific, because the harsher and more predictable the ecology is the more specifically adapted you must be to survive. In an easy ecology you can forage for food all year round, but in a harsh one you must specialize, innovating very specific techniques and systems to catch the (relatively rare) sources of food. This means that the different components of K end up being less strongly inter-correlated, because selection favours the highly environmentally specific.

How do I stand out in a field that is so competitive? How do I find people who will love my work? How do I get my paintings in front of more buyers? The answer to all of these questions is the same; and that is, to establish a niche. When we focus in one area, and we consistently work on it, we get better and better at it. Eventually, we become the go-to person in that niche. We become KNOWN for our work. Once we are known for it, people will come to us for it. See how that works?

Niche means you do ONE specific thing or work in ONE specific category.

She refuses to look at La Conquistadora, the wooden statue of the Blessed Mother tucked high and snug in an opulent niche in her chapel to the left of the altar. The conquistadors brought her from Spain, hauled her around with them like a lucky charm as they invaded the peoples of the New World, and she served as a placid, unmoved witness to the violence they wrought. No wonder the Spaniards loved her so: O Conquistadora, Our Lady of the Rosary, Blessed Mother, Adoring Mother, Our Mother of Excuses and Turning a Blind Eye, Our Lady of Willful Ignorance and Boys Will Be Boys, Our Lady of Endless, Long-Suffering Hope.

The world doesn't need more people confining themselves into ever-shrinking containers of what's acceptable, pulling their raw edges in tighter to take up less space. People have these strange rules they create for each other, where they feel everyone must think and feel and act the same way they do. It's scary, letting your freak flag fly, letting the vibrant colors of your soul show in a world that encourages gray conformity. And when you do, some people will absolutely mock you. They will question you and dismiss you and discourage you and even berate and belittle you, your choices somehow a threat to their life even when they in no way affect it. But some other people, the ones who have niches in their soul that align with yours, won't. Those people will see the streaks of color, those unfurled edges of your personality, and it will encourage them to show and embrace their own. And little by little, this world will become a more beautiful and colorful place, one filled with people running after their dreams, alive with possibility and no longer afraid.

To be continually in communion with God does not mean thinking about God in contrast to thinking about other things, nor does it mean spending time with God instead of spending time with other people. As soon as we begin to divide off our thoughts into thoughts about God and thoughts about other things like people and events, we separate God from our daily life. At that point God is allocated to a pious little niche in some corner of our lives where we only think pious thoughts and experience pious feelings. Although it is important and even indispensable for our spiritual lives to set apart time for God and God alone, our prayer can only become unceasing communion when all our thoughts—beautiful or ugly, high or low, proud or shameful, sorrowful or joyful—can be thought in the presence of the One who dwells in us and surrounds us. By trying to do this, our unceasing thinking is converted into unceasing prayer moving us from a self-centered monologue to a God-centered dialogue. To do this we want to try to convert our thoughts into conversation. The main question, therefore, is not so much what we think, but to whom we present our thoughts, because to pray unceasingly means to think and live in the presence of Love.

Holding each other, the rain cooling their bodies, they laughed like children. “I expected steam this time,” Jacques said, crushing her to him. “Can you do that?” Shea fit the back of her head into the niche of his sternum. One hand idly slid over the heavy muscles of his chest. “Make us so hot we turn the rain to steam?” He grinned boyishly down at her, for the first time so carefree that he forgot for a moment the torment he had suffered. She made him invincible. She made him vulnerable. Most of all, she made him alive. “No, really— what they did, those others. They were like fog or mist. Can you really do that?” Shea persisted. “I mean, you said you could, but I thought maybe you were delusional.” His eyebrows shot up. “Delusional?” Jacques flashed a cocky grin, held out his arm, and watched as fur rippled along the length of it, as the fingers curved and extended into claws. He had to make a grab for Shea as she scrambled away from him, her eyes enormous. Jacques was careful not to hurt her with his strength. “Stop laughing at me, you brute. That’s not exactly normal.” A slow smile was beginning to curve her soft mouth. She couldn’t help but be happy for the innocent joy he found in each piece of information that came to him, each new memory of his gifts. “It is normal for us, love. We can shape-shift whenever we like.” She made a face. “You mean all those hideous stories are true? Rats and bats and slimy worm things?” “Now, why would I want to be a slimy worm thing?” He was openly laughing. The sound startled him; he couldn’t remember laughing aloud. “Very funny, Jacques. I’m so glad you find this amusing.

Once they gave me an Emerson quote about success, reading it aloud, flattering me by saying that it seemed to have been written about me. “Successful people live well, laugh often, and love much. They’ve filled a niche and accomplished tasks so as to leave the world better than they found it, while looking for the best in others and giving the best they have.

Motivated by my research and examples such as Feynman, I decided that focusing my attention on a bottom-up understanding of my own field’s most difficult results would be a good first step toward revitalizing my career capital stores. To initiate these efforts, I chose a paper that was well cited in my research niche, but that was also considered obtuse and hard to follow. The paper focused on only a single result—the analysis of an algorithm that offers the best-known solution to a well-known problem. Many people have cited this result, but few have understood the details that support it. I decided that mastering this notorious paper would prove a perfect introduction to my new regime of self-enforced deliberate practice. Here

I am never one to judge others; I am so eccentric myself that I have no right to cast aspersions. A person may or may not like a thing, and I have little to say other than I love it too or how could you dare not like it please die promptly, but I leave everyone to find their own niches in time. We are all avid about certain things; I happen to rave over many subjects, all of which have a place in the Kingdom of Nerdonia, and whenever I hear someone unjustly disparage a thing I consider sacred, I lay it down that the person is either mistaken or a dunderwhelp, the latter being the likeliest of the two. There is a great difference between knowledge accompanied by bias and ignorance accompanied by gallantry, and while all tastes may be what they are, there are bare necessities that will immediately define a character and relationship, these things usually being how many Monty Python lines one knows and whether or not they know what Iocaine is. The strength of lasting friendships rests on whether one can sing the theme to Neverending Story.

Pardis Sabeti thought small by focusing patiently for years on a narrow niche (the genetics of diseases in Africa), but then acting big once she acquired enough capital to identify a mission (using computational genetics to help understand and fight ancient diseases). Sarah and Jane, by contrast, reversed this order. They started by thinking big, looking for a world-changing mission, but without capital they could only match this big thinking with small, ineffectual acts. The art of mission, we can conclude, asks us to suppress the most grandiose of our work instincts and instead adopt the patience—the style of patience observed with Pardis Sabeti—required to get this ordering correct.

Well, when we’re looking at political processes and we think about classically political left, kind of perspectives that have more to do with the orientation of the collective and the whole and political right that have more to do with the individual and sovereignty. On the right, do we want people who are more self-responsible, who are more sovereign, and who are more empowered? And do we want to give more power to people who are doing a better job? All of that makes perfect sense. Left perspective. Do we want to create situations that actually influence the individuals in the situations to do better – social systems, education, healthcare? Does the environment affect the individual? You can really think of it as: does the environment affect the individual while understanding evolutionary theory that individuals are really formed by their environment? Of course. With humans that are niche creators do the individuals affect their environment? Of course. If you hold either of those as the only perspective, obviously, you’re just missing so much which is that the individual is affecting the whole. The whole, is in turn affecting the individuals, and how do we create systems that have virtuous cycles between empowering individuals and creating better social systems that have the effect of creating humans that are not dependent on the social systems, but that are more sovereign and can in turn create better social systems? And whether we’re thinking about a political issue like that, or we’re looking at a psychological issue like the orientation of being and enjoying reality as is and accepting ourselves and others as is, and doing and becoming which is adding to life, adding to ourselves, seeking to improve ourselves, how do we hold these together? They don’t just have to be held as a paradox or holding one or flip-flopping. There’s a way that when understanding how they related to each other – so in that example - if I understand the nature of a person as a noun that is static then it seems like accepting them the way they are unconditionally, removes the basis for growth. But if I understand that the person is a dynamic process, that they’re actually a verb, that intrinsic to what they are in the moment is desire and impulse to grow and become. And like that, loving someone unconditionally involves wanting for them their own self-actualization and there’s no dichotomy between accepting someone, ourselves, as is, or the world, and seeking to help it grow, advance, and express. So it’s a very simple process of saying the ability to take multiple perspectives, to see the partial truth in them, and then to be able to seam them together into something that isn’t a perspective. It’s a trans-perspective capacity to hold the relationship between many perspectives in a way that can inform our choice-making is fundamental to navigating reality.

Je skvělé naučit se nebát se pocitů - tuto dovednost si musíte vypěstovat. Všichni máme v mozku jakýsi počítač a nikdo neví, jak komu funguje. Stejně cenné je zjistit, kdo jsme. Naším vykoupením je odpuštění. Vykoupením je moudré poznání, že bychom nikdy neměli být závislí na druhých a hledat v nich své štěstí. Nikoho nemůžeme zachránit, můžeme ho pouze milovat.

Did you really need me to tell you what you really want is happiness? I’m afraid so, because your entire life, you and everyone else have been urged to turn the question of “What do I want?” into “How am I going to get there?”! And thereby, we’ve come to believe we don’t even know what we want, when we actually do, thinking instead that we have to answer the question of “How?” with a sexy-cool career that will thrill us and make all else possible. We even sheepishly think we’re already supposed to be rocking this sexy-cool vocation, except we don’t know what it is yet! Paralysis. You’ve always known what you wanted, “Happiness!” but you’ve been taught it’s something you have to achieve, doing what you love, instead of being shown it’s about loving what you do and seeing where it leads. Neither have we been taught we can feel happiness now, for no reason. And given that most of our “achieving” in life comes from our careers, it’s been implied that to be successful (happy), we have to make wise choices, find our sacred, birth-destined niche, invoke divine intervention, perform clutch plays, get a little lucky, and shed copious amounts of blood, sweat, and tears. Talk about pressure—we’ve carried the weight of the world on our shoulders! Why? Because we’ve confused the means with the end; the hows for our dreams!

The results are consistent with the worldview divide. The fluid reported that they love rap and hip-hop, along with a remarkable range of other favorites that include both widely popular genres (such as pop, rock, and classic rock) and a lot of niche interests. For example, a smattering of people identified world music, Korean pop, and electronic dance music, all of which have their roots outside the United States, as their favorites.

In a drama or a movie, love is a formation; in the heart, love is a beat of the heart; the creation can be in the niche, not a heartbeat.

The proliferation of social media has significantly impacted the industry. Families now have a platform to share these treasured photographs with friends and loved ones, expanding the reach and impact of baby photography. The ability to connect with other parents and share the joy of parenthood through social media has also contributed to the growth of this niche. These photographs are more than just decorative pieces; they become a source of pride and a lasting symbol of the love and joy a baby brings. They play a pivotal role in documenting a child's growth and development, creating a visual timeline of milestones, from the first coo to the first step. Hyderabad baby photoshoot are not merely photography sessions but celebrations of the purest moments of life. They capture the fragile beauty of a new life, the wonder and love of parenthood, and the universal experience of the early days of a baby.

The book, The Holy Longing, resulted from that conversation. And Eric Major’s instincts were correct; there was a crying niche for that kind of book. The book found a huge audience, inside of all Christian denominations. But while The Holy Longing is a solid book, one that offers a certain basic foundation in Christian spirituality, it remains precisely that, a foundational book, a needed Spirituality 101 course, but not a graduate or final course. The Holy Longing is a book that is intended to help us “get our lives together,” to help us achieve an essential discipleship. But where do we go from there? What lies beyond the essentials, the basics? Where do we go once some of the basic questions in our lives have been answered, or at least brought to enough peace that our focus can shift away from ourselves to others? Where do we go once the basic questions in our lives are no longer the restless questions of youthful insecurity and loneliness? “Who am I?” “Who loves me?” “How will my life turn out?” Where do we go once the basic questions in life become: “How can I give my life away more purely, and more meaningfully?” “How do I live beyond my own heartaches, headaches, and obsessions so as to help make other peoples’ lives more meaningful?” The intent of this book is to try to address exactly those questions: How can we live less self-centered, more mature lives? What constitutes deep maturity and how do we reach that place? And, not unimportantly, what constitutes a more adult, Christian discipleship? What constitutes a truly mature following of Jesus? This book will try to answer those questions. It will try to be true to what its subtitle promises: A Vision for a Deeper Human and Christian Maturity.

There have been glimpses of alternative romance narratives—not only in niche genres or in programs with small but dedicated followings, but also in Hollywood blockbusters and primetime television—that represent an empowered version of womanhood that still finds room for intimacy, even if it is a struggle. These alternative romance narratives offer sites of potential resistance, transformation, and agency. They show us examples where feminist-friendly heterosexual intimacies are being advanced and even celebrated, where pockets of popular culture are replacing the feminist man-hating stereotype with a feminist man-loving ideal—whether the love is romantic or not—that portrays female relationships with men in ways that avoid or question the old caricatures. (6)

To every soul, you are special. Once in a while, I like to speak to you, yes to you, that which peeps through a twinkle or a tear, that which hears the vision and sees the hymn of the stars, that which resides in the deepest niche of our heart, that which shines through our mind, that which is beyond consciousness yet shaping it with the fine chords of human life. I like to congratulate you, for being there, fuelling that body which often gets tired of walking a long path, through a forest of fire. I like to caress you, for binding that mind and heart that often finds itself in a pit of gusty turbulence, sometimes losing sometimes winning that camouflaged victory of this ocean of illusion. I like to look at you through that eye of prideful faith that which leads one to jump off a cliff only to open those wings of love and light. I like to hear you, from the numb screams marring the dungeons of reality to the polished words that cross your lips each time this world shows up on your doorstep. I like to feel you, with all your vulnerabilities for they are the reason you are here in this voyage of earthly life. I like to speak to you, to every soul, for each of you have a story, a special story that is written by Him, a painting, a special painting that is coloured by Him, for you dear soul, is a flicker of love and light, of Him. So to every soul, you are special.

I just love being around the animals. I enjoy their company, which probably sounds crazy, but I do. I particularly love their smell." "So do I," she said. "It's one of the great smells, actually, and traces of it are used in perfumes. It's called an animalic note." "Gosh," said Chum, "I wouldn't mind some of that. What's it called- Eau de Nag?" "Well, it's more of a hint deep inside a very complex blend of different smells, although one niche company does make a perfume called Stable.

He felt her open to him, her mind and heart and soul, softly feminine, exquisitely woman, all his. Her pleasure matched his own beat for beat, shudder for shudder. He had to hold her to keep himself on his feet, and they collapsed together into the soaked vegetation. Holding each other, the rain cooling their bodies, they laughed like children. “I expected steam this time,” Jacques said, crushing her to him. “Can you do that?” Shea fit the back of her head into the niche of his sternum. One hand idly slid over the heavy muscles of his chest. “Make us so hot we turn the rain to steam?” He grinned boyishly down at her, for the first time so carefree that he forgot for a moment the torment he had suffered. She made him invincible. She made him vulnerable. Most of all, she made him alive. “No, really--what they did, those others. They were like fog or mist. Can you really do that?” Shea persisted. “I mean, you said you could, but I thought maybe you were delusional.” His eyebrows shot up. “Delusional?” Jacques flashed a cocky grin, held out his arm, and watched as fur rippled along the length of it, as the fingers curved and extended into claws. He had to make a grab for Shea as she scrambled away from him, her eyes enormous. Jacques was careful not to hurt her with his strength. “Stop laughing at me, you brute. That’s not exactly normal.” A slow smile was beginning to curve her soft mouth. She couldn’t help but be happy for the innocent joy he found in each piece of information that came to him, each new memory of his gifts. “It is normal for us, love. We can shape-shift whenever we like.” She made a face. “You mean all those hideous stories are true? Rats and bats and slimy worm things?” “Now, why would I want to be a slimy worm thing?” He was openly laughing. The sound startled him; he couldn’t remember laughing aloud. “Very funny, Jacques. I’m so glad you find this amusing. Those people actually formed themselves out of fog, like something in a movie.” She gave a punch to his arm for emphasis. “Explain it.” “Shape-shifting is easy once you are strong. When I said we run with the wolf, I meant it literally. We run with the pack. We can fly with the owl and become the air.

God placed within the heart the knowledge of Him, and so the heart became lit by God’s Light. By this light He gave the heart eyes to see. Then God spoke in a parable and said, “Compared to a niche wherein is a lamp.” The lamp of the Divine Light is in the hearts of those who believe in the Oneness of God. – Al-Hakim at-Tirmidhi

Under Two Windows" I. AUBADE The dawn is here—and the long night through I have never seen thy face, Though my feet have worn the patient grass at the gate of thy dwelling-place. While the white moon sailed till, red in the west, it found the far world edge, No leaflet stirred of the leaves that climb to garland thy window ledge. Yet the vine had quivered from root to tip, and opened its flowers again, If only the low moon's light had glanced on a moving casement pane. Warm was the wind that entered in where the barrier stood ajar, And the curtain shook with its gentle breath, white as young lilies are; But there came no hand all the slow night through to draw the folds aside, (I longed as the moon and the vine-leaves longed!) or to set the casement wide. Three times in a low-hung nest there dreamed his five sweet notes a bird, And thrice my heart leaped up at the sound I thought thou hadst surely heard. But now that thy praise is caroled aloud by a thousand throats awake, Shall I watch from afar and silently, as under the moon, for thy sake? Nay—bold in the sun I speak thy name, I too, and I wait no more Thy hand, thy face, in the window niche, but thy kiss at the open door! II. NOCTURNE My darling, come!—The wings of the dark have wafted the sunset away, And there's room for much in a summer night, but no room for delay. A still moon looketh down from the sky, and a wavering moon looks up From every hollow in the green hills that holds a pool in its cup. The woodland borders are wreathed with bloom—elder, viburnum, rose; The young trees yearn on the breast of the wind that sighs of love as it goes. The small stars drown in the moon-washed blue but the greater ones abide, With Vega high in the midmost place, Altair not far aside. The glades are dusk, and soft the grass, where the flower of the elder gleams, Mist-white, moth-like, a spirit awake in the dark of forest dreams. Arcturus beckons into the east, Antares toward the south, That sendeth a zephyr sweet with thyme to seek for thy sweeter mouth. Shall the blossom wake, the star look down, all night and have naught to see? Shall the reeds that sing by the wind-brushed pool say nothing of thee and me? —My darling comes! My arms are content, my feet are guiding her way; There is room for much in a summer night, but no room for delay! Petry. (November 1912)

Monastery Nights I like to think about the monastery as I’m falling asleep, so that it comes and goes in my mind like a screen saver. I conjure the lake of the zendo, rows of dark boats still unless someone coughs or otherwise ripples the calm. I can hear the four AM slipperiness of sleeping bags as people turn over in their bunks. The ancient bells. When I was first falling in love with Zen, I burned incense called Kyonishiki, “Kyoto Autumn Leaves,” made by the Shoyeido Incense Company, Kyoto, Japan. To me it smelled like earnestness and ether, and I tried to imagine a consciousness ignorant of me. I just now lit a stick of it. I had to run downstairs for some rice to hold it upright in its bowl, which had been empty for a while, a raku bowl with two fingerprints in the clay. It calls up the monastery gate, the massive door demanding I recommit myself in the moments of both its opening and its closing, its weight now mine, I wanted to know what I was, and thought I could find the truth where the floor hurts the knee. I understand no one I consider to be religious. I have no idea what’s meant when someone says they’ve been intimate with a higher power. I seem to have been born without a god receptor. I have fervor but seem to lack even the basic instincts of the many seekers, mostly men, I knew in the monastery, sitting zazen all night, wearing their robes to near-rags boy-stitched back together with unmatched thread, smoothed over their laps and tucked under, unmoving in the long silence, the field of grain ripening, heavy tasseled, field of sentient beings turned toward candles, flowers, the Buddha gleaming like a vivid little sports car from his niche. What is the mind that precedes any sense we could possibly have of ourselves, the mind of self-ignorance? I thought that the divestiture of self could be likened to the divestiture of words, but I was wrong. It’s not the same work. One’s a transparency and one’s an emptiness. Kyonishiki.... Today I’m painting what Mom calls no-colors, grays and browns, evergreens: what’s left of the woods when autumn’s come and gone. And though he died, Dad’s here, still forgetting he’s no longer married to Annie, that his own mother is dead, that he no longer owns a car. I told them not to make any trouble or I’d send them both home. Surprise half inch of snow. What good are words? And what about birches in moonlight, Russell handing me the year’s first chanterelle— Shouldn’t God feel like that? I aspire to “a self-forgetful, perfectly useless concentration,” as Elizabeth Bishop put it. So who shall I say I am? I’m a prism, an expressive temporary sentience, a pinecone falling. I can hear my teacher saying, No. That misses it. Buddha goes on sitting through the century, leaving me alone in the front hall, which has just been cleaned and smells of pine.

According to Johnson’s theory, Sarah would have been better served by first mastering a promising niche—a task that may take years—and only then turning her attention to seeking a mission.

Rodolphe Salis was a tall, red-headed bohemian with a coppery beard and boundless charisma. He had tried and failed to make a success of several different careers, including painting decorations for a building in Calcutta. But by 1881 he was listless and creatively frustrated, uncertain where his niche might lie. More pressingly, he was desperate to secure a steady income. But then he had the ingenious idea to turn the studio which he rented, a disused post office on the resolutely working-class Boulevard de Rochechouart, into a cabaret with a quirky, artistic bent. He was not the first to attempt such a venture: La Grande Pinte on the Avenue Trudaine had been uniting artists and writers to discuss and give spontaneous performances for several years. But Salis was determined that his initiative would be different – and better. A fortuitous meeting ensured that it was. Poet Émile Goudeau was the founder of the alternative literary group the Hydropathes (‘water-haters’ – meaning that they preferred wine or beer). After meeting Goudeau in the Latin Quarter and attending a few of the group’s gatherings, Salis became convinced that a more deliberate form of entertainment than had been offered at La Grande Pinte would create a venue that was truly innovative – and profitable. The Hydropathe members needed a new meeting place, and so Salis persuaded Goudeau to rally his comrades and convince them to relocate from the Latin Quarter to his new cabaret artistique. They would be able to drink, smoke, talk and showcase their talents and their wit. Targeting an established group like the Hydropathes was a stroke of genius on Salis’s part. Baptising his cabaret Le Chat Noir after the eponymous feline of Edgar Allan Poe’s story, he made certain that his ready-made clientele were not disappointed. Everything about the ambience and the decor reflected Salis’s unconventional, anti-establishment approach, an ethos which the Hydropathes shared. A seemingly elongated room with low ceilings was divided in two by a curtain. The front section was larger and housed a bar for standard customers. But the back part of the room (referred to as ‘L’Institut’) was reserved exclusively for artists. Fiercely proud of his locality, Salis was adamant that he could make Montmartre glorious. ‘What is Montmartre?’ Salis famously asked. ‘Nothing. What should it be? Everything!’ Accordingly, Salis invited artists from the area to decorate the venue. Adolphe Léon Willette painted stained-glass panels for the windows, while Théophile-Alexandre Steinlen created posters. And all around, a disorientating mishmash of antiques and bric-a-brac gave the place a higgledy-piggledy feel. There was Louis XIII furniture, tapestries and armour alongside rusty swords; there were stags’ heads and wooden statues nestled beside coats of arms. It was weird, it was wonderful and it was utterly bizarre – the customers loved it.

I must congratulate you on your new restaurant, Mr. Baker. I hear it's doing very well. And you are looking quite well. Much better than the last time I saw you." Chris's mouth tightens as he takes her hand, clamping down a little harder than is necessary. "Thank you. I hear your play is going to be quite something. Seems you've found your niche, playing a woman destroying her own family. I wish you well with it." She smiles in a way that suggests she'd love to do him violence.

Are you one of those people who thinks hip-hop belongs to Black people?” I ask. “Of course it does.” He smooths the humor from his expression. “We made it. It’s ours in the same way jazz and the blues and R&B are ours. We innovated, making sound where there was no sound before. The very roots of hip-hop are in West Africa from centuries ago. But we share our shit all the time, so you’re welcome.” I lift a brow at his ethno-arrogance, but he throws his head back laughing at me, maybe at himself. “Art, specifically music, is a living thing,” he says. “It isn’t just absorbed by the people who hear it, but it absorbs them. So, we shared hip-hop with the world, and it isn’t just ours anymore. The Beastie Boys heard it. Eminem heard it. Whoever heard it fell in love with it, added to it, and became a part of it.” “And that’s a good thing?” “Mostly. If that hadn’t happened, if we hadn’t shared it and someone other than us loved it, it’d still be niche. Underground. Now it’s global, but that wouldn’t have happened if it hadn’t gone main- stream. Mainstream means more opportunities, so I’m all for white, Asian, Hispanic. We need everybody buying hip-hop, because ultimately, it’s about that green.

Czasem lepiej jest zostawić pewne rzeczy w spokoju, pewne sprawy nie powinny w ogóle być osądzane czy rozstrzygane i nie powinniśmy rościć sobie do tego prawa. Ponieważ nie jest szczęściem POSIADANIE rzeczy, lecz BYCIE częścią nich.

I cannot always distinguish reality from the madness. There is only you, my love, to keep me sane. If you choose to desert me, I fear for myself and any who dare to come near.” Shea blinked back tears, found his wrist with trembling fingers, the lightest contact, a connection between them. “We make such a perfect pair, Jacques. At least one of us should be stable, don’t you think?” He brought her hand to the warmth of his mouth. “You came for me, from thousands of miles away. You came for me.” She managed a smile. “A few years late.” Something eased in the vicinity of his heart. He knew there was no escape for either of them. He might not understand fully, but he knew he had bound them irrevocably together for all time. “Is there not a saying, ‘Better late than never’?” His thumb feathered over her wrist, found her pulse. Her mind was calmer now, more accepting of their union. She rested her head in the niche of his sternum. “I feel so terrible that I didn’t listen to my dreams. If only…” His hand covered her mouth, stopping her words. “You saved my sanity. You came for me. That is all that matters. Now we have to find our way together.

Mumbai is the shahar of dreams to which thousands flock every year. Its beauty and glory are both enchanting and enticing. It’s a city of fortunes, a city of poverty, a city of hope, a city of pain, a city of success, a city of loss, a city of stories, a city of games, a city of fate, a city of destiny, a city of love and a city of heartbreak. Changes occur in Mumbai minute by minute, mile by mile and inch by inch. Some dreams gain flight, while others burn in despair. Mumbai is a city that never sleeps. It is always abuzz. Its inhabitants are multilingual and of different faiths. Some come to Mumbai in search of their passion, while others come in search of an identity. The shahar’s glamor, fashion and film stars attract people from all over India. The ameer, the gareeb, all come to Mumbai to search for their niche with the umeed of making it big someday. Hence, the hustle and bustle of the city makes its inhabitants feel both unimportant and significant simultaneously.

Sometime it's so hard to act strong , Iss dil ko bhi behlaana padta hai na, Chahe vo khud se khud ki baatein ho ya kisi ke yaadein , Phir se sawal yahi , Kya Ek aur saal barbaad kr diya , That's what I'm thinking tonight Unlike last year Ab toh khud se guftgu krne mein Dar sa lgta hai , Kahi un unjalon ko pta na lg jae , Ki Ye andhere se drta hai , Drta hai apni baatein kehne mein, Drta hai khawab bunnay mein , Drta hai umdein lgaane se, Hn kyu na daru jab log mein se mera me farq khoj lete hai, Yahan toh kamiyon ka pahaad hai , Jiske niche vo nadiyan meri maazi mera haal dikha rahi Anshu kyu na bahe jab glti bhi khud ki Kya he bolu! Mere lafzoon se kya he talaash karoge wazood mera , Mein itna likh nahi paata jita mehsoos krta hoon, Hn ab Ajib toh hu aaj bhi utna he aur wahi na thik se hsna aata, na rona na baatein krni aati ,na koi talent ,na sakal Bs hai kuch toh vo badi badi baatein Kitna bhi juth bol lu lekin sach yahi hai na ki mein khud se khud ko barbaad kr rha , Bahut kuch socha tha krne ko ,Ab agle saal kiya jaega ! Kisi ke pass nargis -e- sahir ho toh batana , Dil laagne aur behlaane mein kitna farq hota hai , Kitna farq hota hai ankhein nam aur rone mein , Kitna farq hota hai pasand aur mohabbat mein , Kitn farq hota hai dil laagne mein aur behlaane mein, Kitna farq hota hai uss akhir aur pehle khat mein, Farq toh hoga , But In 2024, I realize that my mistakes are opportunities for growth.Acceptance helps me strengthen my friendships, and I want to sincerely apologize for any hurt I may have caused, Bss un chutiyon ke alwa kisi ko kya pta Love you mfs In the end kisi ye Mein aur meri khamoshi Likhu kitna bhi mn kahan bharne wala Aakhir mein jab umdein phir se khud se laagni hai