Nice Weather Quotes

We've searched our database for all the quotes and captions related to Nice Weather. Here they are! All 100 of them:

Admit it. You aren’t like them. You’re not even close. You may occasionally dress yourself up as one of them, watch the same mindless television shows as they do, maybe even eat the same fast food sometimes. But it seems that the more you try to fit in, the more you feel like an outsider, watching the “normal people” as they go about their automatic existences. For every time you say club passwords like “Have a nice day” and “Weather’s awful today, eh?”, you yearn inside to say forbidden things like “Tell me something that makes you cry” or “What do you think deja vu is for?”. Face it, you even want to talk to that girl in the elevator. But what if that girl in the elevator (and the balding man who walks past your cubicle at work) are thinking the same thing? Who knows what you might learn from taking a chance on conversation with a stranger? Everyone carries a piece of the puzzle. Nobody comes into your life by mere coincidence. Trust your instincts. Do the unexpected. Find the others…
Timothy Leary
May I suggest that you all read? And often. Believe me, it's nice to have something to talk about other than the weather and the Queen's health. Your mind is not a cage. It's a garden. And it requires cultivating.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
IT WASN’T A DARK AND STORMY NIGHT. It should have been, but that’s the weather for you. For every mad scientist who’s had a convenient thunderstorm just on the night his Great Work is finished and lying on the slab, there have been dozens who’ve sat around aimlessly under the peaceful stars while Igor clocks up the overtime.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
We are accustomed to live in hopes of good weather, a good harvest, a nice love-affair, hopes of becoming rich or getting the office of chief of police, but I've never noticed anyone hoping to get wiser. We say to ourselves: it'll be better under a new tsar, and in two hundred years it'll still be better, and nobody tries to make this good time come tomorrow. On the whole, life gets more and more complex every day and moves on its own sweet will, and people get more and more stupid, and get isolated from life in ever-increasing numbers.
Anton Chekhov
When you lose someone you love, it’s hard to imagine that you’ll ever feel better. That, one day, you’ll manage to be in a good mood simply because the weather is nice or the barista at the coffee shop on the corner remembered your order. But it does happen. If you’re patient and you work at it.
Taylor Jenkins Reid (One True Loves)
When the weather's nice, my parents go out quite frequently and stick a bunch of flowers on old Allie's grave. I went with them a couple of times, but I cut it out. In the first place, I don't enjoy seeing him in that crazy cemetery. Surrounded by dead guys and tombstones and all. It wasn't too bad when the sun was out, but twice—twice—we were there when it started to rain. It was awful. It rained on his lousy tombstone, and it rained on the grass on his stomach. It rained all over the place. All the visitors that were visiting the cemetery started running like hell over to their cars. That's what nearly drove me crazy. All the visitors could get in their cars and turn on their radios and all and then go someplace nice for dinner—everybody except Allie. I couldn't stand it. I know it's only his body and all that's in the cemetery, and his soul's in Heaven and all that crap, but I couldn't stand it anyway. I just wished he wasn't there.
J.D. Salinger (The Catcher in the Rye)
Riden is up in the rigging, fiddling with the sails. He’s barefoot, shirtless, and he’s gone a few days without shaving. Holy hell. I’m staring. I know it, but I can’t seem to stop. “I could get used to warm weather,” Niridia says from next to me. “Won’t exactly make everyone smell nice, but the view is vastly improved.” I should have a clever response, but all I can manage is “Aye.
Tricia Levenseller (Daughter of the Siren Queen (Daughter of the Pirate King, #2))
There are cities that get by on their good looks, offer climate and scenery, views of mountains or oceans, rockbound or with palm trees; and there are cities like Detroit that have to work for a living, whose reason for being might be geographical but whose growth is based on industry, jobs. Detroit has its natural attractions: lakes all over the place, an abundance of trees and four distinct seasons for those who like variety in their weather, everything but hurricanes and earth-quakes. But it’s never been the kind of city people visit and fall in love with because of its charm or think, gee, wouldn’t this be a nice place to live.
Elmore Leonard
I detest nice weather. Everyone feels compelled to do things out of doors.
Gail Carriger (Imprudence (The Custard Protocol, #2))
And she laughed, and said she understood, and then off she drifted in that nice way she has. Responsive to the light, I would call it. The type of person who is that little bit more akin to the weather than most people, more obviously made of the same atoms as the earth than most people these days seem to be. Which explains Lanny.
Max Porter (Lanny)
Arthur, you mustn’t feel that I am rude when I say this. You must remember that I have been away in strange and desert places, sometimes quite alone, sometimes in a boat with nobody but God and the whistling sea. Do you know, since I have been back with people, I have felt I was going mad? Not from the sea, but from the people. All my gains are slipping away, with the people round me. A lot of the things which you and Jenny say, even, seem to me to be needless: strange noises: empty. You know what I mean, ‘How are you?’ — ‘Do sit down.’— ‘What nice weather we are having!’ What does it matter? People talk far too much. Where I have been, and where Galahad is, it is a waste of time to have ‘manners.’ Manners are only needed between people, to keep their empty affairs in working order. Manners makyth man, you know, not God. So you can understand how Galahad may have seemed inhuman, and mannerless, and so on, to the people who were buzzing and clacking about him. He was far away in his spirit, living on desert islands, in silence, with eternity.
T.H. White (The Once and Future King (The Once and Future King, #1-4))
Rafe hadn’t been around women much, but since he’d gotten married to one of the little critters, he’d noticed they seemed to have to say out loud every thought in their head. Including stuff everybody already knew. It’d snowed. Today it was real nice. It was called weather. What was there to talk about?
Mary Connealy (Over the Edge (Kincaid Brides, #3))
Well," I ask, leaning over him, "do you wish to stay?" "I do." "And why is that, Cole?" I say, tipping toward him so that our noses nearly brush. "Well," he says with a smile, "the weather's quite nice.
V.E. Schwab (The Near Witch (The Near Witch, #1))
I'm a good girl. I'm a nice girl. I'm a straight-A, strait-laced, good daughter, good career girl, and I never stole anybody's boyfriend and I never ran out on a girlfriend, and I put up with my parents' shit and brother's shit and I'm not a girl anyhow, I'm over forty fucking years old, and I'm good at my job and I'm great with kids and I held my mother's hand when she died,after four years of holding her hand while she was dying, and I speak to my father ever day on the telephone -- every day, mind you, and what kind of weather do you have on your side of the river, because here it's pretty gray and a big muggy too? It was supposed to say "Great Artist" on my tombstone, but if I died right now it would say "Such a good teacher/daughter/friend" instead; and what I really want to shout, and want in big letters on that grave, too, is FUCK YOU ALL.
Claire Messud (The Woman Upstairs)
There are so many things we can’t do anything about if we think about generalities. Things won’t go well because there is a huge gap between the generalities and the particulars. If we see generalities from the top of a mountain or from a plane, we feel it’s hopeless, but if we go down, there is a nice road running about fifty meters, we feel this is a nice road, and if the weather is fine and shining, we feel we can go on… Since the people in the community are cleaning up the river in my neighborhood, I join them when I have the time. A human can often be satisfied with the particulars. That’s what I like best these days.
Hayao Miyazaki
always thought of myself as a loving person. But she was right. I had been a fair-weather friend. As long as she was happy and nice, I loved back. But if she was unhappy or upset, I would feel blamed and then argue or distance myself
John Gray
It’s hard to convince people that catastrophic weather changes are coming on a nice day.
Mary Robinette Kowal (The Calculating Stars (Lady Astronaut Universe, #1))
His knowledge of country lore was a little hazy, but he felt fairly sure that if the cows lay down, it meant rain. If they were standing it would probably be fine. These cows were taking it in turns to execute slow and solemn somersaults; and Tyler wondered what it presaged for the weather.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
No one ever remembered a nice day. But no one ever forget the feel of paralyzed fish, the thud of walnut-sized hail against a horse's flank, or the way a superheated wind could turn your eyes to burlap.
Erik Larson (Isaac's Storm: A Man, a Time, and the Deadliest Hurricane in History)
The weather this morning was so-so: dullish, but warm, a boiled-milk sky, with skin- but if you pushed it aside with a teaspoon, the sun was really nice, so I wore my white trousers.
Vladimir Nabokov (Letters to Vera)
Miss Moore speaks slowly, deliberately. "I know because I read." She pulls back and stands, hands on hips, offering us a challenge. "May I suggest that you all read? And often. Believe me, it's nice to have something to talk about other than the weather and the Queen's health. Your mind is not a cage. It's a garden. And it requires cultivating.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
Back in her childhood she used to have holy feelings, knifelike flashes that laid the earth open like a blue watermelon, when the sun came down to her like an elevator she was sure she could step inside and be lifted up, up, past all bad luck, past every skipped thirteenth floor in every building human beings had ever built. She would have these holy days and walk home from school and think, After this I will be able to be nice to my mother, but she never ever was. After this I will be able to talk only about what matters, life and death and what comes after, but she still went on about the weather.
Patricia Lockwood (No One Is Talking About This)
In really nice weather I have to lie down like a complaint or a huge glass bottle in the field.
Lisa Fishman (The Happiness Experiment (The New Series, 18))
When you lose someone you love, it's hard to imagine that you'll ever feel better. That, one day, you'll manage to be in a good mood simply because the weather is nice or the barista at the coffee shop on the corner remembered your order. But it does happen. If you're patient and you work at it.
Taylor Jenkins Reid (One True Loves)
One night when I got in from work a bit late, 'cause it was really nice weather and everyone wants to take the punts out when it's sunny, I found Larry just sitting on the sofa staring at a blank TV screen. At first I thought maybe he'd forgotten to turn it on, but then I thought, no, Larry's not stupid. He'd have noticed.
J.L. Merrow (Muscling Through)
Does rough weather choose men over women? Does the sun beat on men, leaving women nice and cool?' Nyawira asked rather sharply. 'Women bear the brunt of poverty. What choices does a woman have in life, especially in times of misery? She can marry or live with a man. She can bear children and bring them up, and be abused by her man. Have you read Buchi Emecheta of Nigeria, Joys of Motherhood? Tsitsi Dangarembga of Zimbabwe, say, Nervous Conditions? Miriama Ba of Senegal, So Long A Letter? Three women from different parts of Africa, giving words to similar thoughts about the condition of women in Africa.' 'I am not much of a reader of fiction,' Kamiti said. 'Especially novels by African women. In India such books are hard to find.' 'Surely even in India there are women writers? Indian women writers?' Nyawira pressed. 'Arundhati Roy, for instance, The God of Small Things? Meena Alexander, Fault Lines? Susie Tharu. Read Women Writing in India. Or her other book, We Were Making History, about women in the struggle!' 'I have sampled the epics of Indian literature,' Kamiti said, trying to redeem himself. 'Mahabharata, Ramayana, and mostly Bhagavad Gita. There are a few others, what they call Purana, Rig-Veda, Upanishads … Not that I read everything, but …' 'I am sure that those epics and Puranas, even the Gita, were all written by men,' Nyawira said. 'The same men who invented the caste system. When will you learn to listen to the voices of women?
Ngũgĩ wa Thiong'o (Wizard of the Crow)
I wish I could keep a scrap of fog in my pocket for whenever the weather got oppressively nice.
Jessica Miller (Elizabeth and Zenobia: The Walls of Witheringe House)
JOHN: You said “Good day.” I think that it is a nice day today. CAROL: Is it? JOHN: Yes, I think it is. CAROL: And why is that important? JOHN: Because it is the essence of all human communication. I say something conventional, you respond, and the information we exchange is not about the “weather,” but that we both agree to converse. In effect, we agree that we are both human.
David Mamet (Oleanna)
Jack Frost hibernates from March to November, dreaming snowflake designs to share in December. With glittering breath, snowstorms, and blue blizzards, lakes made of crystal, he’s an icy wizard! People assume winter will be harsh, cold, and cruel and that Jack must be a wicked, cold-weather ghoul. But he’s truly an artist, known as Bringer of Ice, and although his heart is cold, he’s really quite nice.
Claudine Carmel (Lucy Lick-Me-Not and the Greedy Gubbins: A Christmas Story)
The weather is nice outside, but it's cloudy in my heart.
Mika Yamamori (ひるなかの流星 4 [Hirunaka no Ryuusei 4])
Adams chuckled. “The evenings are always nice. The Weather boys don’t let it rain until later on, when everyone’s asleep.
Clifford D. Simak (Time and Again)
Your mistakes and missteps will reinforce people's unflattering ideas about you, and your good deeds will be explained away by nice weather,
Penny Reid (Totally Folked (Good Folk: Modern Folktales, #1))
We´re supposed to have suck nice weather. Excuse me, dick nice weather. :) -Blue
Becky Albertalli (Simon vs. the Homo Sapiens Agenda (Simonverse, #1))
~A Comparison of Seasons~ Snow's unforgiving power causes some men to wish for spring's flower. Some might hate snow's bitter chill, but you love it at your own will. I see snow as something fun, but others might still long for summer's sun. You and I hate summer's heat, but we still love the warmth of a fire on our feet. Spring has jays whose virtuous songs are nice, but winter's lonely echoes are earth's frigged vice. I enjoy spring's life, yet I still love winter's seemingly harsh sorrow; sometimes I can't get out of the house, so I worry about tomorrow. I love the sight of snow and I treasure the sight of summer's river which swiftly flows. Also, winter can be cold, but we can look forward to seeing spring's life and joy unfold.
Seth D.
How angry am I? You don't want to know. Nobody wants to know about that. I'm a good girl, I'm a nice girl, I'm a straight-A, strait-laced, good daughter, good career girl, and I never stole anybody's boyfriend and I never ran out on a girlfriend, and I put up with my parents' shit and my brother's shit, and I'm not a girl anyhow, I'm over forty fucking years old, and I'm good at my job and I'm great with kids and I held my mother's hand when she died, after four years of holding her hand while she was dying, and I speak to my father every day on the telephone -- every day, mind you, and what kind of weather do you have on your side of the river, because here it's pretty gray and a bit muggy too? It was supposed to say "Great Artist" on my tombstone, but if I died right now it would say "such a good teacher/daughter/friend" instead; and what I really want to shout, and want in big letters on that grave, too, is FUCK YOU ALL.
Claire Messud (The Woman Upstairs)
Mab didn’t know what to make of such letters. How could a man who talked like his vocabulary was as rationed as his meat be so verbose in print? Not just verbose, but funny, wry, moody, tender . . . yet she wasn’t sure she understood him any better. Nothing he wrote ever touched on himself, but an envelope still winged from London nearly every other day. What was she supposed to write back? That the new billet was very nice, that the new landlady was very nice, that the weather was very nice? She couldn’t say anything about her work and didn’t have her husband’s knack for spinning pages about daily trifles. Trying to carry on a conversation with Francis seemed destined to be one-sided—but whereas he was the silent one in person, by letter, she felt like the mute.
Kate Quinn (The Rose Code)
Even if the weather’s nice I don’t feel nice It seems like the weather’s mocking me I fall into a situation where I can’t deal with the anger and I struggle The world apart from me is running fine You’re living well It’s not fair, this isn’t fair I feel like people walking past me think I’m pitiful I can’t do anything right
Hyuna (Métropolitain)
Oxford was as drenched in Dixie as we were, just about as Southern a town as you would ever hope to find, which generally was a good thing, because that meant that the weather was nice, except when it was hot enough to fry pork chops on the pavement, and the food was delicious, though it would thicken the walls of your arteries and kill you deader than Stonewall Jackson, and the people were big hearted and friendly, though it was not the hardest place in the world to get murdered for having bad manners. Even our main crop could kill you.
Timothy B. Tyson (Blood Done Sign My Name: A True Story)
Is that what you called benevolence? With Sensei, his benevolent nature seemed to originate from his sense of fair-mindedness. It wasn’t about being kind to me; rather, it was born from a teacherly attitude of being willing to listen to my opinion without prejudice. I found this considerably more wonderful than him just being nice to me.
Hiromi Kawakami (Strange Weather in Tokyo)
Beautiful day out there,” I said, perching on the stool and crossing my legs. “It’s autumn, Sunday, great weather, and crowded everywhere you go. Relaxing indoors like this is the best thing you can do on such a nice day. It’s exhausting to get into those crowds. And the air is bad. I mostly do laundry on Sundays—wash the stuff in the morning, hang it out on the roof of my dorm, take it in before the sun goes down, do a good job of ironing it. I don’t mind ironing at all. There’s a special satisfaction in making wrinkled things smooth. And I’m pretty good at it, too. Of course, I was lousy at it at first. I put creases in everything. After a month of practice, though, I knew what I was doing. So Sunday is my day for laundry and ironing. I couldn’t do it today, of course. Too bad: wasted a perfect laundry day.
Haruki Murakami (Norwegian Wood)
I'm going. A lot is possible. The weather's nice, Captain. Look: such a beautiful, solid, rough sky -you'd almost feel like pounding a block of wood into it and hanging yourself on it. Only because of the hyphen between yes and no? Is no to blame for yes, or yes for no? I'll have to think about that.
Georg Büchner (Woyzeck)
I was working from home at the time and sometimes indulged in a little wander around my yard, a hard reset before I got back to work. Today, however, I had ignored the nice weather and instead put my head on my desk, forehead pressed to the Formica and arms covering my skull. I had joked with one of my yoga-loving co-workers that I was developing a series of poses that we could do at our desks. A head-in-hands slump over galleys called "Drudge's Hunch". The arms overhead seated stretch called "Fluorescent Salutation". The hand out position used to catch the fire door so it didn't slam and bother everyone. That was "Worrier's Pose". My current pose was called "Nuclear Fallout".
Kory Stamper (Word by Word: The Secret Life of Dictionaries)
It should feel good to ride a bike on a nice day.
A.D. Aliwat (In Limbo)
Jane hoped that it had all turned out okay for the woman in the end, and that she’d been nice and dead and buried before she realized what her way of life had done to her planet.
Bruce Sterling (Heavy Weather)
Weather is a kind of Rorschach test. We see in it what we need to see, or what we feel is missing from our lives.
Richard Mabey (Turned Out Nice Again: Living with the Weather)
from the terrace. When the weather was cold they danced upstairs in the ballroom, but when it was nice
Ann Patchett (The Dutch House)
People walked past Margarita Nokilaevna. Some man gave the well-dressed woman a sidelong glace, attracted by her beauty and her solitude. He coughed and sat down at the end of the same bench that Margarita Nikolaevana was sitting on. Plucking up his courage, he began: 'Definitely nice weather today. . .' But Margarita gave him such a dark look that he got up and left.
Mikhail Bulgakov (Master and Margarita: Translated from the Russian)
Teetering on the brink of relapse and the edge of insanity. I can't fuck or fight my way out of these feelings, so that's a bitch, but the weather is nice. More cream for your coffee, Edna?
Helen Knott (Becoming a Matriarch: A Memoir)
Poems 1959-2009_ I turn into the man they photograph. I think I'll ask him for his autograph. He's older than I am and more distinguished. The beauty of the boy has been extinguished. He smiles a lot and then not. Hauteur is the new hot. He tilts his nose up and looks imperious. He wants to make sure he looks serious. He smiles at the photographer but not The camera. He thinks cold is the look that's hot. You know the poems. It's an experience. The way that Shylock is a Shakespearience. A Jew found frozen on the mountain at the howling summit, Immortally preserved singing to the dying planet from it.
Frederick Seidel (Nice Weather)
I still remember the look on your face Lit through the darkness at 1:58 The words that you whispered for just us to know You told me you loved me So why did you go away? So I'll watch your life in pictures like I used to watch you sleep And I feel you forget me like I used to feel you breathe And I'll keep up with our old friends just to ask them how you are Hope it's nice where you are And I hope the sun shines and it's a beautiful day And something reminds you you wish you had stayed You can plan for a change in the weather and time But I never planned on you changing your mind So I'll go Sit on the floor wearing your clothes All that I know is I don't know How to be something you miss Never thought we'd have a last kiss Never imagined we'd end like this Your name, forever the name on my lips Just like our last kiss
EJR
One ancient retired Air Force nurse does nothing but screams 'Help!' for hours at a time from a second-story window. Not six weeks ago, a huge stole HELP WANTED sign was found attached right below the retired shrieking nurse's window. Unit #5, kittycorner across the little street from Ennet House, is for catatonics and various vegetablish, fetal-positioned mental patients. It is, understandably, a pretty quiet place. But in nice weather, when its more portable inmates are carried out and placed in the front lawn to take the air, standing there propped-up and staring, they present a tableau it took Gately some time to get used to. A couple newer residents got discharged late in Gately's treatment for tossing firecrackers into the crowd of catatonics on the lawn to see if they could get them to jump around or display affect.
David Foster Wallace (Infinite Jest)
When you lose someone you love, it's hard to imagine that you'll ever feel better. That, one day, you'll manage to be in a good mood simply because the weather is nice or the barista at the coffee shop on the corner remembered your order.
Taylor Jenkins Reid (One True Loves)
When you lose someone you love, it’s hard to imagine that you’ll ever feel better. That, one day, you’ll manage to be in a good mood simply because the weather is nice or the barista at the coffee shop on the corner remembered your order.
Taylor Jenkins Reid (One True Loves)
Look I'm standing naked before you Don't you want more then my sex I can scream as loud as your last one But I can't claim innocence Oh God Could it be the weather Oh God Why am I here If love Isn't forever And it's not the weather Hand me my leather I could just pretend that you love me The night would lose all sense of fear But why do I need you to love me When you can't Hold what I hold dear Oh God Could it be the weather Oh God Why am I here If love Isn't forever And it's not the weather Hand me my leather I almost ran over an angel He had a nice big fat cigar "In a sense" he said "You're alone here So if you jump you best jump far" Oh God Could it be the weather Oh God Why am I here If love Isn't forever And it's not the weather Hand me my leather
Tori Amos
When you lose someone you love, it’s hard to imagine that you’ll ever feel better. That, one day, you’ll manage to be in a good mood simply because the weather is nice or the barista at the coffee shop on the corner remembered your order. But it does happen.
Taylor Jenkins Reid (One True Loves)
Let me see your arm, please, Lenzi,” Alden requested after Spook leapt onto the front passenger seat. I held it out, and he pushed up the sleeve of my sweater. He winced. “That’s a lot of threat to fit on one tiny arm. Good thing Smith writes small.” “If that’s a joke, it’s not funny. Tell me it doesn’t need stitches.” I groaned. “Nope. Just antiseptic, holy water, and time to heal.” Maddi looked over Alden’s shoulder. “Aw, that’s nothing. Remember the time he—” Alden cut her off with a glare. “Nice weather we’re having,” Maddi said as she strode to her truck.
Mary Lindsey (Shattered Souls (Souls, #1))
When I was young and had never tasted grief, I loved to climb towers. I loved to climb towers to write elegant poems about my grief. But now that I have tasted the utmost dregs of grief, I somehow cannot mention it. I somehow cannot mention it. Instead I say, "What nice brisk autumn weather.
Xin Qiji 辛棄疾 (1140-1207)
When you lose someone you love, it's hard to imagine that you'll ever feel better. That, one day, you'll manage to be in a good mood simply because the weather is nice or the barista at the coffee shop on the corner remembered your order. But it does happen. If you're patient and you work at it
Taylor Jenkins Reid (One True Loves)
When you lose someone you love, it’s hard to imagine that you’ll ever feel better. That, one day, you’ll manage to be in a good mood simply because the weather is nice or the barista at the coffee shop on the corner remembered your order. But it does happen. If you’re patient and you work at it.
Taylor Jenkins Reid (One True Loves)
Instead, I think we should aspire to be kind. To be kind is to be generous, fair, honest, helpful, altruistic, gracious, tolerant, understanding, humble, giving, vulnerable, magnanimous, service-driven. To be nice is to smile a lot and be chatty with random strangers. Nice is talking about the weather. Kind is caring about whether someone has an umbrella in case it rains.
Luvvie Ajayi Jones (Professional Troublemaker: The Fear-Fighter Manual)
It’s . . . nice outside today.” It’s not that it isn’t. It is, in fact, really nice. Unseasonably warm. It’s because the Earth is dying, of course. Rising global average temperatures are associated with widespread fluctuations in weather patterns, and that’s why we’re still wearing lightweight jackets, even though it’s late November in D.C. and Christmas trees have been popping up for weeks now.
Ali Hazelwood (Under One Roof (The STEMinist Novellas, #1))
At first it had no name. It was the thing itself, the vivid thing. It was his friend. On windy days it danced, demented, waving wild arms, or in the silence of evening drowsed and dreamed, swaying in the blue, goldeny air. Even at night it did not go away. Wrapped in his truckle bed, he could hear it stirring darkly outside in the dark, all the long night long. There were others, nearer to him, more vivid still than this, that came and went, talking, but they were wholly familiar, almost a part of himself, while it, steadfast and aloof, belonged to the mysterious outside, to the wind and the weather and the goldeny blue air. It was a part of the world, and yet it was his friend. Look, Nicolas, look! See the big tree! Tree. That was its name. And also: the linden. They were nice words. He had known them a long time before he knew what they meant. They did not mean themselves, they were nothing in themselves, they meant the dancing singing thing outside. In wind, in silence, at night, in the changing air, it changed and yet it was changelessly the tree, the linden tree. That was strange. The wind blew on the day that he left, and everything waved and waved. The linden tree waved. Goodbye!
John Banville (Doctor Copernicus (The Revolutions Trilogy #1))
The story always starts in the same way when people ask me the simple, yet most difficult question to answer: “where are you from?” I often wonder why of all questions people start with this one that has become the hardest for me and countless other exiled people to answer. The question is especially hard when asked in crowded and fast-paced places, or during quick encounters which make a short answer inadequate and a long one potentially uncalled for…I thought to myself: why is it that the first thing people want to know about me is where I am from? If they only knew where I am from, they would perhaps know that where I am from—Iraq—happens to also be the deepest wound on the geography of my body and soul, and so they would tread gently on my wound by not asking that question in the first place. Is there something in my eyes, something written on my forehead, something in my looks, or some marks inscribed on my other body parts that immediately tell people that I am from a place that lost itself and lost me to exile on a cold, dark, and sad winter night? Why don’t these strangers just start with the more common and safer usual remarks about the weather being nice, dreadful, or whatever? Of all questions, “where are you from,” is the most delicate and complicated for people who have lost their home and all the things they loved.
Louis Yako
Can’t think why you don’t make an offer for the leech,” said Robert. One of the features of Perpignan was a leech in a bottle in the window of a chemist’s shop, with a typewritten notice saying: IF THE LEECH GOES UP IN THE BOTTLE, THE WEATHER WILL BE FAIR IF THE LEECH GOES DOWN—STORMY. “It might be nice,” said Linda, “but I can’t somehow imagine her getting very fond of one—too busy fussing about the weather all day, up and down, up and down—no time for human relationships.
Nancy Mitford (The Pursuit of Love (Radlett and Montdore, #1))
Gee, Mr. Davis, I can’t remember much about that time. I think it was about Italian writers and about Mr. Ford. Mr. Joyce couldn’t stand Mr. Ford. Mr. Pound had gotten on his nerves, too. ‘Ezra’s mad, Hudson,’ he said to papa. I can remember that because I thought mad meant mad like a mad dog and I remember sitting there and watching Mr. Joyce’s face, it was sort of red with awfully smooth skin, cold weather skin, and his glasses that had one lens even thicker than the other, and thinking of Mr. Pound with his red hair and his pointed beard and his nice eyes, with white stuff sort of like lather dripping out of his mouth. I thought it was terrible Mr. Pound was mad and I hoped we wouldn’t run into him. Then Mr. Joyce said, ‘Of course Ford’s been mad for years,’ and I saw Mr. Ford with his big, pale, funny face and his pale eyes and his mouth with the teeth loose in it and always about half open and that awful lather dripping down his jaws too.
Ernest Hemingway (Islands in the Stream)
If a model did anything too obviously bizarre—flooded the Sahara or tripled interest rates—the programmers would revise the equations to bring the output back in line with expectation. In practice, econometric models proved dismally blind to what the future would bring, but many people who should have known better acted as though they believed in the results. Forecasts of economic growth or unemployment were put forward with an implied precision of two or three decimal places. Governments and financial institutions paid for such predictions and acted on them, perhaps out of necessity or for want of anything better. Presumably they knew that such variables as “consumer optimism” were not as nicely measurable as “humidity” and that the perfect differential equations had not yet been written for the movement of politics and fashion. But few realized how fragile was the very process of modeling flows on computers, even when the data was reasonably trustworthy and the laws were purely physical, as in weather forecasting.
James Gleick (Chaos: Making a New Science)
Ohio is a scale model of the entire country, jammed into 43,000 square miles. Cleveland views itself as the intellectual East (its citizens believe they have a rivalry with Boston and unironically classify the banks of Lake Erie as the North Coast). Cincinnati is the actual South (they fly Confederate flags and eat weird food). Dayton is the Midwest. Toledo is Pittsburgh, before Pittsburgh was nice. Columbus is a low-altitude Denver, minus the New World Order airport. Ohio experiences all possible US weather, sometimes simultaneously.
Chuck Klosterman (But What If We're Wrong? Thinking About the Present As If It Were the Past)
And so it seems that, as a reader collaborates with an author to envision the story being told in a novel, so all of us collaborate with some author unknown to imagine what occurs in our world as it is and as it will become. In that case, to at least some extent, to a degree we cannot know, we possess the power to weave the lives that will bring us happiness if we’re wise enough to be nice, but not so nice that we’re foolish, and if we realize that our free will and creativity should be used with humility rather than to acquire power to oppress others.
Dean Koontz (The Bad Weather Friend)
In my world, we don't have the time or the energy to bullshit about our feelings or worry about anyone else's. When I've found myself in professional situations, I'm driven nearly to distraction by how much fucking effort is wasted making sure we all feel nice and fuzzy and comfortable. I don't get that; it's not part of work to me. And it keeps me from getting ahead. If someone asks me my opinion on something, I simply give it. I don't bother spending five minutes talking about the weather and how lovely your shirt is first. I figure nobody's getting paid to win the office nice competition.
Linda Tirado (Hand to Mouth: Living in Bootstrap America)
Would it change her? Back in her childhood she used to have holy feelings, knifelike flashes that laid the earth open like a blue watermelon, when the sun came down to her like an elevator she was sure she could step inside and be lifted up, up, past all bad luck, past every skipped thirteenth floor in every building human beings had ever built. She would have these holy days and walk home from school and think, After this I will be able to be nice to my mother, but she never ever was. After this I will be able to talk only about what matters, life and death and what comes after, but still she went on about the weather.
Patricia Lockwood (No One Is Talking About This)
She pottered round now, a tall vague woman in her early fifties, with a long pale face and brown eyes which her daughter Deirdre had inherited. As she pottered she murmured to herself, ‘large knives, small knives, pudding spoons, will they need forks too? Oh, large forks, serving spoons, mats, glasses, well two glasses in case Deirdre and Malcolm want to drink beer, Rhoda probably won’t … and now, wash the lettuce …’ It was nice when the warm weather came and they could have salads for supper, she thought, though why it was nice she didn’t really know. Washing a lettuce and cutting up the things to go with it was really almost as much trouble as cooking a hot meal, and she herself had never got over an old-fashioned dislike of eating raw green leaves. When her husband had been alive they had always had a hot meal in the evenings, winter and summer alike. He needed it after a day in the City. But now he was gone and Rhoda had been living with them for nearly ten years now and everyone said how nice it was for them both, to have each other, though of course she had the children too. Malcolm was a good solid young man, very much like his father, reliable and, although of course she never admitted it, a little dull. He did not seem to mind about the hot meal in the evenings. But Deirdre was different, clever and moody, rather like she herself had been at the same age, before marriage to a good dull man and life in a suburb had steadied her.
Barbara Pym (Less Than Angels)
Though Mrs Moore wheezed and sputtered and was prone to the bad chest, though her skin looked like linoleum, the features of her face scrunching together to escape the smoke, it was the weather was the culprit. She held the record for ash-balancing. She would work with a burning cigarette held out ballerina-style in one hand, a tower of ash she didn’t need to look at building nicely while she dusted, or performed a slow-motion version of same, the dust in no danger, until the tower was certain to fall, and at the last moment, as though it were a smoking extension of herself, she would bring the cigarette to her small mouth and suck like the damned. She would draw on the cigarette and the smoke-coloured dashes of her eyebrows would float up and leave no doubt that from ashes to ashes was her destiny, and not such a bad one at that.
Niall Williams (This Is Happiness)
sunshine made the whole place look different. The high, deep, blue sky arched over Misselthwaite as well as over the moor, and she kept lifting her face and looking up into it, trying to imagine what it would be like to lie down on one of the little snow-white clouds and float about. She went into the first kitchen-garden and found Ben Weatherstaff working there with two other gardeners. The change in the weather seemed to have done him good. He spoke to her of his own accord. “Springtime’s comin’,” he said. “Cannot tha’ smell it?” Mary sniffed and thought she could. “I smell something nice and fresh and damp,” she said. “That’s th’ good rich earth,” he answered, digging away. “It’s in a good humor makin’ ready to grow things. It’s glad when plantin’ time comes. It’s dull in th’ winter when it’s got nowt to do. In th’ flower gardens out there things will be stirrin’ down below in th’ dark. Th’ sun’s warmin’ ’em. You’ll see bits o’ green spikes stickin’ out o’ th’ black earth after a bit.” “What will they be?” asked Mary. “Crocuses an’ snowdrops an’ daffydowndillys. Has tha’ never seen them?” “No. Everything is hot, and wet, and green after the rains in India,” said Mary. “And I think things grow up in a night.” “These won’t grow up in a night,” said Weatherstaff. “Tha’ll have to wait for ’em. They’ll poke up a bit higher here, an’ push out a spike more there, an’ uncurl a leaf this day an’ another that. You watch ’em.” “I am going to,” answered Mary. Very soon she heard the soft rustling flight of wings again and she knew at once that the robin had come again. He was very pert and lively, and hopped about so close to her feet, and put his head on one side and looked at her so slyly that she asked Ben Weatherstaff a question. “Do you think he remembers me?” she said. “Remembers thee!” said Weatherstaff indignantly. “He knows every cabbage stump in th’ gardens, let alone th’ people. He’s never seen a little wench here before, an’ he’s bent on findin’ out all about thee. Tha’s no need to try to hide anything from him.” “Are
Frances Hodgson Burnett (The Secret Garden)
Meet people properly: It all starts with the introduction. Exchange contact information. Make sure you can pronounce everyone’s names. Find things you have in common: You can almost always find something in common with another person, and from there, it’s much easier to address issues where you have differences. Sports cut across boundaries of race and wealth. And if nothing else, we all have the weather in common. Try for optimal meeting conditions: Make sure no one is hungry, cold or tired. Meet over a meal if you can; food softens a meeting. That’s why they “do lunch” in Hollywood. Let everyone talk: Don’t finish someone’s sentences. And talking louder or faster doesn’t make your idea any better. Check egos at the door: When you discuss ideas, label them and write them down. The label should be descriptive of the idea, not the originator: “the bridge story” not “Jane’s story.” Praise each other: Find something nice to say, even if it’s a stretch. The worst ideas can have silver linings if you look hard enough. Phrase alternatives as questions: Instead of “I think we should do A, not B,” try “What if we did A, instead of B?” That allows people to offer comments rather than defend one choice. At
Randy Pausch (The Last Lecture)
Stormy lived more life in one night than most people do their whole lives. She was a force of nature. She taught me that love--” My eyes well up and I start over. “Stormy taught me that love is about making brave choices every day. That’s what Stormy did. She always picked love; she always picked adventure. To her they were one and the same. And now she’s off on a new adventure, and we wish her well.” From his seat on the couch, John wipes his eyes with his sleeve. I give Janette a nod, and she gets up and presses play on the stereo, and “Stormy Weather” fills the room. “Don’t know why there’s no sun up in the sky…” After, John shoulders his way over to me, holding two plastic cups of fruit punch. Ruefully he says, “I’m sure she’d tell us to spike it, but…” He hands me a cup, and we clink. “To Edith Sinclair McClaren Sheehan, better known as Stormy.” “Stormy’s real name was Edith? It’s so serious. It sounds like someone who wears wool skirts and heavy stockings, and drinks chamomile tea at night. Stormy drank cocktails!” John laughs. “I know, right?” “So then where did the name Stormy come from? Why not Edie?” “Who knows?” John says, a wry smile on his lips. “She’d have loved your speech.” He gives me a warm, appreciative sort of look. “You’re such a nice girl, Lara Jean.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
It's weird not being in our subculture of two any more. There was Jen's culture, her little habits and ways of doing things; the collection of stuff she'd already learnt she loved before we met me. Chorizo and Jonathan Franken and long walks and the Eagles (her dad). Seeing the Christmas lights. Taylor Swift, frying pans in the dishwasher, the works absolutely, arsewipe, heaven. Tracy Chapman and prawn jalfrezi and Muriel Spark and HP sauce in bacon sandwiches. And then there was my culture. Steve Martin and Aston Villa and New York and E.T. Chicken bhuna, strange-looking cats and always having squash or cans of soft drinks in the house. The Cure. Pink Floyd. Kanye West, friend eggs, ten hours' sleep, ketchup in bacon sandwiches. Never missing dental check-ups. Sister Sledge (my mum). Watching TV even if the weather is nice. Cadbury's Caramel. John and Paul and George and Ringo. And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. The instinct never goes - look at my fire engine, look at my vinyl collection. Look at all these things I've chosen to represent who I am. It was fun to find out about each other's self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drink from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Barmade Manhattans (much better). Otis Redding's "Cigarettes and Coffee" (our song). Discovering a new song we both loved and listening to it over and over again until we couldn't listen to it any more. Period dramas on a Sunday night. That one perfect vibrator that finished her off in seconds when we were in a rush. Gravy. David Hockney. Truffle crisps. Can you believe it? I still can't believe it. A smell indisputably reminiscent of bums. On a crisp. And yet we couldn't get enough of them together - stuffing them in our gobs, her hand on my chest, me trying not to get crumbs in her hair as we watched Sense and Sensibility (1995). But I'm not a member of that club anymore. No one is. It's been disbanded, dissolved, the domain is no longer valid. So what do I do with all its stuff? Where so I put it all? Where do I take all my new discoveries now I'm no longer a tribe of two? And if I start a new sub-genre of love with someone else, am I allowed to bring in all the things I loved from the last one? Or would that be weird? Why do I find this so hard?
Dolly Alderton (Good Material)
What does one wear to a ranch early in the morning? I wondered. I was stumped. I had enough good sense, thank God, to know my spiked black boots--the same boots I’d worn on basically every date with Marlboro Man thus far--were out of the question. I wouldn’t want them to get dirty, and besides that, people might look at me funny. I had a good selection of jeans, yes, but would I go for the dark, straight-leg Anne Kleins? Or the faded, boot-cut Gaps with contrast stitching? And what on earth would I wear on top? This could get dicey. I had a couple of nice, wholesome sweater sets, but the weather was turning warmer and the style didn’t exactly scream “ranch” to me. Then there was the long, flax-colored linen tunic from Banana Republic--one I loved to pair with a chunky turquoise necklace and sandals. But that was more Texas Evening Barbecue than Oklahoma Early-Morning Cattle Gathering. Then there were the myriad wild prints with sparkles and stones and other obnoxious adornments. But the last thing I wanted to do was spook the cattle and cause a stampede. I’d seen it happen in City Slickers when Billy Crystal fired up his cordless coffee grinder, and the results weren’t the least bit pretty. I considered cancelling. I had absolutely nothing to wear. Every pair of shoes I owned was black, except for a bright yellow pair of pumps I’d bought on a whim in Westwood one California day. Those wouldn’t exactly work, either. And I didn’t own a single shirt that wouldn’t loudly broadcast *CLUELESS CITY GIRL!* *CLUELESS CITY GIRL!* *CLUELESS CITY GIRL!* I wanted to crawl under my covers and hide.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
some older people who need to sit down, Barb. We can’t put chairs out. I don’t want them to get too comfy or we’ll never get rid of them.’ ‘Oh, you’re being ridiculous.’ Henry is thinking that this is a fine time to call him ridiculous. He never wanted the stupid vigil. In bed last night they had another spit-whispered row about it. We could have it at the front of the house, Barbara had said when the vicar called by. Henry had quite explicitly said he would not support anything churchy – anything that would feel like a memorial service. But the vicar had said the idea of a vigil was exactly the opposite. That the community would like to show that they have not given up. That they continue to support the family. To pray for Anna’s safe return. Barbara was delighted and it was all agreed. A small event at the house. People would walk from the village, or park on the industrial estate and walk up the drive. ‘This was your idea, Barbara.’ ‘The vicar’s, actually. People just want to show support. That is what this is about.’ ‘This is ghoulish, Barb. That’s what this is.’ He moves the tractor across the yard again, depositing two more bales of straw alongside the others. ‘There. That should be enough.’ Henry looks across at his wife and is struck by the familiar contradiction. Wondering how on earth they got here. Not just since Anna disappeared, but across the twenty-two years of their marriage. He wonders if all marriages end up like this. Or if he is simply a bad man. For as Barbara sweeps her hair behind her ear and tilts up her chin, Henry can still see the full lips, perfect teeth and high cheekbones that once made him feel so very differently. It’s a pendulum that still confuses him, makes him wish he could rewind. To go back to the Young Farmers’ ball, when she smelled so divine and everything seemed so easy and hopeful. And he is wishing, yes, that he could go back and have another run. Make a better job of it. All of it. Then he closes his eyes. The echo again of Anna’s voice next to him in the car. You disgust me, Dad. He wants the voice to stop. To be quiet. Wants to rewind yet again. To when Anna was little and loved him, collected posies on Primrose Lane. To when he was her hero and she wanted to race him back to the house for tea. Barbara is now looking across the yard to the brazier. ‘You’re going to light a fire, Henry?’ ‘It will be cold. Yes.’ ‘Thank you. I’m doing soup in mugs, too.’ A pause then. ‘You really think this is a mistake, Henry? I didn’t realise it would upset you quite so much. I’m sorry.’ ‘It’s OK, Barbara. Let’s just make the best of it now.’ He slams the tractor into reverse and moves it out of the yard and back into its position inside the barn. There, in the semi-darkness, his heartbeat finally begins to settle and he sits very still on the tractor, needing the quiet, the stillness. It was their reserve position, to have the vigil under cover in this barn, if the weather was bad. But it has been a fine day. Cold but with a clear, bright sky, so they will stay out of doors. Yes. Henry rather hopes the cold will drive everyone home sooner, soup or no soup. And now he thinks he will sit here for a while longer, actually. Yes. It’s nice here alone in the barn. He finds
Teresa Driscoll (I Am Watching You)
(from Lady of the Lake) The western waves of ebbing day Rolled o’er the glen their level way; Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow Within the dark ravines below, Where twined the path in shadow hid, Round many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle; Round many an insulated mass, The native bulwarks of the pass, Huge as the tower which builders vain Presumptuous piled on Shinar’s plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set With cupola or minaret, Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare, Nor lacked they many a banner fair; For, from their shivered brows displayed, Far o’er the unfathomable glade, All twinkling with the dewdrop sheen, The brier-rose fell in streamers green, And creeping shrubs, of thousand dyes, Waved in the west-wind’s summer sighs. Boon nature scattered, free and wild, Each plant or flower, the mountain’s child. Here eglantine embalmed the air, Hawthorn and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and night-shade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain The weather-beaten crags retain. With boughs that quaked at every breath, Gray birch and aspen wept beneath; Aloft, the ash and warrior oak Cast anchor in the rifted rock; And, higher yet, the pine-tree hung His shattered trunk, and frequent flung, Where seemed the cliffs to meet on high, His boughs athwart the narrowed sky. Highest of all, where white peaks glanced, Where glist’ning streamers waved and danced, The wanderer’s eye could barely view The summer heaven’s delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. Onward, amid the copse ’gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck’s brood to swim. Lost for a space, through thickets veering, But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace; And farther as the hunter strayed, Still broader sweep its channels made. The shaggy mounds no longer stood, Emerging from entangled wood, But, wave-encircled, seemed to float, Like castle girdled with its moat; Yet broader floods extending still Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. And now, to issue from the glen, No pathway meets the wanderer’s ken, Unless he climb, with footing nice A far projecting precipice. The broom’s tough roots his ladder made, The hazel saplings lent their aid; And thus an airy point he won, Where, gleaming with the setting sun, One burnished sheet of living gold, Loch Katrine lay beneath him rolled, In all her length far winding lay, With promontory, creek, and bay, And islands that, empurpled bright, Floated amid the livelier light, And mountains, that like giants stand, To sentinel enchanted land. High on the south, huge Benvenue Down to the lake in masses threw Crags, knolls, and mountains, confusedly hurled, The fragments of an earlier world; A wildering forest feathered o’er His ruined sides and summit hoar, While on the north, through middle air, Ben-an heaved high his forehead bare.
Walter Scott
I don’t know if I’ve mentioned this to you before, but a few years ago, I started keeping a diary, which I called ‘the life book’. I began with the idea of writing one short entry each day, just a line or two, describing something good. I suppose by ‘good’ I must have meant something that made me happy or brought me pleasure. I went back to look at it the other day, and the early entries are all from that autumn, almost six years ago now. Dry upturned sycamore leaves scuttling like claws along the South Circular Road. The artificial buttered taste of popcorn in the cinema. Pale-yellow sky in the evening, Thomas Street draped in mist. Things like that. I didn’t miss a day through all of September, October, November that year. I could always think of something nice, and sometimes I would even do things for the purpose of putting them in the book, like taking a bath or going for a walk. At the time I felt like I was just absorbing life, and at the end of the day I never had to strain to think of anything good I had seen or heard. It just came to me, and even the words came, because my only aim was to get the image down clearly and simply so that I would later remember how it felt. And reading those entries now, I do remember what I felt, or at least what I saw and heard and noticed. Walking around, even on a bad day, I would see things—I mean just the things that were in front of me. People’s faces, the weather, traffic. The smell of petrol from the garage, the feeling of being rained on, completely ordinary things. And in that way even the bad days were good, because I felt them and remembered feeling them. There was something delicate about living like that—like I was an instrument and the world touched me and reverberated inside me.
Sally Rooney (Beautiful World, Where Are You)
office into a sauna. She dropped her purse and keys on the credenza right inside the door and flipped the light switch. Nothing happened. The electricity had already gone out. The only light in the house came from the glowing embers of scrub oak and mesquite logs in the fireplace. She held her hands out to warm them, and the rest of the rush from the drive down the slick, winding roads bottomed out, leaving her tired and sleepy. She rubbed her eyes and vowed she would not cry. Didn’t Grand remember that the day she came home from the gallery showings was special? Sage had never cut down a Christmas tree all by herself. She and Grand always went out into the canyon and hauled a nice big cedar back to the house the day after the showing. Then they carried boxes of ornaments and lights from the bunkhouse and decorated the tree, popped the tops on a couple of beers, and sat in the rocking chairs and watched the lights flicker on and off. She went to the kitchen and opened the refrigerator, but it was pitch-black inside. She fumbled around and there wasn’t even a beer in there. She finally located a gallon jar of milk and carried it to the cabinet, poured a glass full, and downed it without coming up for air. It took some fancy maneuvering to get the jar back inside the refrigerator, but she managed and flipped the light switch as she was leaving. “Dammit! Bloody dammit!” she said a second time using the British accent from the man who’d paid top dollar for one of her paintings. One good thing about the blizzard was if that crazy cowboy who thought he was buying the Rockin’ C could see this weather, he’d change his mind in a hurry. As soon as she and Grand got done talking, she’d personally send him an email telling him that the deal had fallen through. But he’d have to wait until they got electricity back to even get that much. Sage had lived in the house all of her twenty-six years and
Carolyn Brown (Mistletoe Cowboy (Spikes & Spurs, #5))
This extreme situation in which all data is processed and all decisions are made by a single central processor is called communism. In a communist economy, people allegedly work according to their abilities, and receive according to their needs. In other words, the government takes 100 per cent of your profits, decides what you need and then supplies these needs. Though no country ever realised this scheme in its extreme form, the Soviet Union and its satellites came as close as they could. They abandoned the principle of distributed data processing, and switched to a model of centralised data processing. All information from throughout the Soviet Union flowed to a single location in Moscow, where all the important decisions were made. Producers and consumers could not communicate directly, and had to obey government orders. For instance, the Soviet economics ministry might decide that the price of bread in all shops should be exactly two roubles and four kopeks, that a particular kolkhoz in the Odessa oblast should switch from growing wheat to raising chickens, and that the Red October bakery in Moscow should produce 3.5 million loaves of bread per day, and not a single loaf more. Meanwhile the Soviet science ministry forced all Soviet biotech laboratories to adopt the theories of Trofim Lysenko – the infamous head of the Lenin Academy for Agricultural Sciences. Lysenko rejected the dominant genetic theories of his day. He insisted that if an organism acquired some new trait during its lifetime, this quality could pass directly to its descendants. This idea flew in the face of Darwinian orthodoxy, but it dovetailed nicely with communist educational principles. It implied that if you could train wheat plants to withstand cold weather, their progenies will also be cold-resistant. Lysenko accordingly sent billions of counter-revolutionary wheat plants to be re-educated in Siberia – and the Soviet Union was soon forced to import more and more flour from the United States.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Economists have long known that sunshine is good for stockmarkets, perhaps because nice weather makes people more optimistic.
Anonymous
I'm sorry." "Sorry? For what?" He straightened and moved a bit closer, sounding honestly puzzled. "I am not much of a conversationalist, I'm afraid. I am not used to - to any of this. You must find this terribly..." "Terribly what?" "Boring." She faced him squarely then, for she refused to shy away from difficulties. He let out a short bark of laughter. "Boring? My dear Miss Bainbridge, boring is definitely something you are not." "I don't know how you can say that," she retorted somewhat crossly. "There is really no need for you to be polite. I haven't said any of the things I should. I have been blunt and no doubt impolite. I have never danced before with any man I haven't known since I could toddle. And now I cannot even come up with the most commonplace remark." His chuckle was low and warm [...]. "Oh, you know what I mean." Really the man was maddening. "You shouldn't laugh at someone who is admitting their grievous social ineptitude." "What else should I do?" His teeth glinted in the darkness. "Let me assure you that I have danced with a great many girls whom I have not known since childhood. And I have heard a great many commonplace remarks. It is, quite frankly, a relief to enjoy the quiet and cool of the garden without hearing that the weather is quite nice this evening or that the breeze is most refreshing or that the party is so enjoyable.
Candace Camp (A Winter Scandal (Legend of St. Dwynwen, #1))
Joe Lelyveld told me just now that Gandhi and Mussolini Actually met. What an extraordinary thought.
Frederick Seidel (Nice Weather: Poems)
In the middle of the everyday conversation between mother and daughter, Lillia suddenly remembered something. “Wait! You said you’re going to be doing test flights for twenty days straight!” “Yeah. Maybe even longer, depending on the weather.” “Then… does that mean you’re gonna stay there the whole time, Mom?” Allison nodded. “It’s not an ordinary base, honey. I can’t tell you the details, but it’s a little far from the Capital District. I can’t commute there every day.” “Th-then—” Lillia glared at the boy in the apron drinking tea next to her. Then, she pointed at him. “Then I have to stay with Treize the whole time? Here, just the two of us?” “I guess so.” Allison replied nonchalantly. Lillia raised her voice again. “No way! With this sorry guy?!” “Now, now, be nice, Lillia. And what’s wrong with Treize? He’s a good cook and an excellent housekeeper. You have no idea how much I appreciate all his help.” Lillia nodded, sullenly agreeing. But she quickly shot back. “But still! You want a teenaged guy and a teenaged girl to live in a house together, just the two of them? As a mother, aren’t you worried? What if we have an accident or something?” Treize quietly sipped his tea. “Don’t worry, Treize is a gentleman.” “How can you be so sure?” “Because I’m good friends with Treize’s father, who is a gentleman.” Treize quietly sipped his tea. Lillia shot him a glance, then replied dubiously. “Still…” Allison gave a loving smile. “It’ll be fine as long as you don’t force yourself on Treize.” “Why would I?!” “For example, when he’s asleep and defenseless.” “Are you out of your mind, Mom?! I would not!” Treize quietly sipped his tea.
Keiichi Sigsawa (リリアとトレイズ I そして二人は旅行に行った <上>)
The lights went out in the dining room and Owen entered the kitchen, stopping several feet away. She leaned on her hands, her head bent nearly to her chest. She could only see his feet and legs. “Claire, you’re exhausted. Why didn’t you just go up to bed?” “The meds kicked in. Too tired to move.” Unexpected and exciting, he plucked her right off the counter and settled her in his arms and against his broad, hard chest. Too tired to make a fuss and exert her independence, she gave in to something else entirely and snuggled closer, nestling her face in his neck and settling her head on his strong shoulder. His chest rumbled with a laugh. “You’re like a contented cat, snuggling in for the night.” “Deep down, I’m fine on my own. The meds have made me mushy and weak.” “Not weak. After the night you’ve had, you just need a hug.” He squeezed her to his chest. She tried to hide the wince of pain, but he felt her stiffen in his arms. “Sorry, overstepped.” They reached the top of the stairs, and he stopped. “No, you didn’t. I didn’t realize how banged up I got. I feel like I got hit by a car,” she joked. “The meds are helping out considerably. My room’s on the right.” Owen walked down the hall and entered her room, stopping just inside and looking around. “Wow. It’s like another house in here.” “I moved in over a year ago, but I spent all my time opening the shop and running it. A couple of months ago, I started on the house. I spend so much time at the shop, the most time I spend here is sleeping, so I redid the master bedroom first. I’ve upgraded the bathroom, but I still need to add the finishing touches.” “You added the flower pots on the back patio with the lounge and table set.” “I like to drink my coffee out there in the morning when the weather is nice.” “You spend a lot of time working, so spending the morning outside is relaxing.” “Yes. Sounds like the same is true for you, too.” He nodded. “I spend most evenings outside reading over briefs and preparing for court. I take care of the horses and barn cats. It gets me out of my head.” “You can put me down now.” “I knew you’d say that.” She laughed, and he set her on her bed. -Owen & Claire
Jennifer Ryan (Falling for Owen (The McBrides, #2))
For the farsighted, the folks in the know, life is a deer park, where gentle breezes and fragrant grape leaves keep you company, complete with afternoon foot-soakings, peaceful snoozes, fine hounds and desirable wenches, the hell with all care; a long life, a nice pipe from time to time, mellow dinners: that's the way to spend life, life that digs your grave even now, steadfastly, like the ever-burrowing mole. To want nothing, and ask only for peace and quiet. Hope for nothing besides fair weather on the morrow. Trust no one, believe no one, think no extraordinary thoughts, just live, live, and love; fall asleep, and wake up healthy... Wear comfy slippers and pass the night in a feather bed. Live out a happy and long old age, the best part of life. To get an honest night's sleep, and then a snooze after lunch, let out a few whoops, fight and make up.
Gyula Krúdy
Rooms For Rent Atlanta That Cater To Your Personal Growth Are you looking for just the right room to rent? Maybe you have the resources you need to find it yourself. After all, this is the age of the search engine, and plenty of information is available to anyone who seriously looks for it. There is a wide variety of choice, so you can concentrate only on those homes that might potentially be for you. There are plenty of advantages to occupying rooms for rent atlanta. You save a lot of money paying only part of the expenses you would normally pay for when you have a house of your own. This is because you only have to pay your share of the rent, water, electricity and heat bills. But there are disadvantages to house share too. Conflicts can arise when you live in house that is not yours, especially if you rent a room in a house where the other residents are from a different background than yours. Having a nice place to stay can even help your physical health, and it surely affects your mental health. You may find a place also that comes with furniture already in it. This would allow you to get by with spending less on not only the furniture but the transportation too. Sometimes you can actually save money finding rooms for rent atlanta in the country. This depends on how often you plan to visit the city. If you have a job you can do from home, or if you are retired and collecting benefits, then there is no real reason for you to pay the extra money to live in the city. Of course there are many choices you need to make while you are searching for a room. Some people just do not enjoy living alone. Renting an entire apartment to oneself can, indeed, be a lonely experience. For those who want an easy opportunity to socialize, then, renting a room is a great option. It is little wonder that so many houses on campuses around the country are full of young students renting rooms - its partly for convenience, and definitely partly for the chance to be among others their own age. Renting a room provides the chance to be among one’s peers. There are many more benefits, but perhaps the biggest and best is the advantage of not being locked into something for life. Room rentals can be very appealing, and they can complement the kind of lifestyle you want and deserve. If you want to find the spirit or soul of a city, move right in with its inhabitants. You may benefit socially by taking a couple of classes at the local college. You might try looking for rooms for rent atlanta where there are games, indoor or outdoor. This is a great way to meet people and get started in your new life. Depending on the weather, you might want a pool or access to a gym or tennis courts. Maybe you are attracted to the kind of community that has stunning architecture and green trees and plants. There may be a certain type of street design that appeals to you.
Ration
I had always thought of myself as a loving person. But she was right. I had been a fair-weather friend. As long as she was happy and nice, I loved back. But if she was unhappy or upset, I would feel blamed and then argue or distance myself.
John Gray (Men Are from Mars, Women Are from Venus: The Classic Guide to Understanding the Opposite Sex)
On Monday mornings in nice weather, Diana would ask, “Where did you go this weekend, Mrs. Robertson?” She knew we made frequent trips outside London. Other English friends would tell us about their favorite spots, but Diana was not forthcoming with travel suggestions. At the time, I assumed that she might not have seen as much of England and Scotland as we did during that year. Diana enjoyed our enthusiasm for her country--its natural beauty, its stately homes and castles, its history. She must have smiled inside when I would tell her of my pleasure in the architecture, paintings, and furniture I saw in England’s famous mansions. She’d grown up in one! And she would always ask, “How did Patrick enjoy…Warwick Castle or Canterbury Cathedral or Dartmoor?” Patrick was a very good-natured sightseer. In return, I would ask, “And how was your weekend?”, leaving it up to her to say as little or as much as she chose. I would not have asked specifically, “What did you do last weekend?” She would answer politely and briefly, “Fine,” or “Lovely,” maybe mentioning that she’d been out in the country. Of course, I didn’t know “the country” meant a huge estate that had been in the family for centuries. Diana was unfailingly polite but sparing of any details. She considered her personal life just that, personal. She was careful never to give us a clue about her background. If she did not volunteer information, something in her manner told me I should not intrude. She may not have even been aware of this perception I had. I viewed her understated manner as appealing and discreet, not as off-putting or unfriendly. Clearly, Diana did not want us to know who she was. We may possibly have been the only people Diana ever knew who had no idea who she was. We welcomed her into our home and trusted her with our child for what she was. This may have been one reason she stayed in touch with us over the years.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
shelter and uphill. I wasn’t ready for that. Left at 8:30 this morning and pulled in at 3:30. I wish I had a hiking companion. It was nice hiking with Mary. I suspect I’ll be at this site alone, after spending last night with over twenty people.   Other than the pack weight, the weather makes one the biggest of the
Chuck Aldridge (Peace, Love, and Confessions from the Appalachian Trail)
Right about that time we had a big surprise from Granny. It was close to Christmas, the weather was nice, and I was outside, following Willie and his buddies around while they played football in the yard. Then we heard some gunshots nearby. Pop! Pop! Pop! It took a while for the noise to get our attention, but after a few more shots, we began to pay attention. It was Granny, out in front of her house, holding a .22 rifle. As I watched, she pointed it at our house and squeezed the trigger again. Pop! Pop! “She’s shooting at the Christmas lights,” someone yelled. I started laughing, not believing what I was seeing. We all ran up to the house, shouting, “Granny is shooting at the lights!” I was good and excited; I thought she was just having fun. But Dad took it much more seriously. He immediately burst out of the house and marched straight up to his mother. “Ma, you’re gonna give me this gun right now,” he said. “My kids are playing out here.” My dad’s serious expression scared me, and I realized she wasn’t just playing; something was wrong. Granny was on meds, and they helped, but as I got older, I heard more stories about the crazy things she had done when her manic depression got the best of her.
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
So handsome, I always think,” whispered the Duchess to Mr. Parker; “just exactly like William Morris, with that bush of hair and beard and those exciting eyes looking out of it—so splendid, these dear men always devoted to something or other—not but what I think socialism is a mistake—of course it works with all those nice people, so good and happy in art linen and the weather always perfect—Morris, I mean, you know—but so difficult in real life.
Dorothy L. Sayers (The Lord Peter Wimsey Mysteries: Whose Body? / Clouds of Witness, / Unnatural Death)
You take the baby out every day no matter the weather and you walk around the neighborhood for one hour... Look around at the trees, at the nice even sidewalks, wave to your neighbors and think of what a lucky girl you are, what a lucky baby she is... Francis is a good man. Repeat it to yourself again and again. Go into the shops, tell them your name and that you just moved here, everybody loves a new baby. Lena felt the temptation to cry.
Mary Beth Keane (Ask Again, Yes)
Positano hotel into the GPS, and they drove away on schedule. They left the city and got onto the autostrada, headed south. The weather was sunny and warm, and traffic moved freely. “Where do you live in New York?” Stone asked. “I have a loft in SoHo. I live and work there. Do you know the area?” “Sort of. I get a nosebleed if I go below Forty-second Street, so I don’t hang out downtown.” “Where do you live?” “In Turtle Bay. Do you know it?” “I once went to see Katharine Hepburn there,” she said. “I was supposed to paint her for Vanity Fair, but she didn’t like my preliminary sketches, and they replaced me with Annie Leibovitz. Ms. Hepburn preferred photographs. Nice neighborhood, though.” “Ms. Hepburn was a neighbor, sort of. I didn’t know her, but I saw her
Stuart Woods (Foreign Affairs (Stone Barrington, #35))
The sun’s high, humidity’s low, the air clean and crisp; the few clouds are pure white and fluffy in the azure September sky; the temperature’s in the low-mid seventies with a cool breeze coming off the water, and it’s impossible to get mad about anything.
A.D. Aliwat (In Limbo)
Different regions evoke different images in the minds of high school students, often depending on where they grew up. In the age of cyberspace, college is still synonymous with a quaint New England town featuring the traditional red brick, white columns, and ivy all around. That enduring mental picture combines with the seemingly inborn cultural snobbery of the East Coast to produce millions of students who think that civilization ends at the western edge of Pennsylvania—if not the Hudson River. For Midwesterners, the situation is just the opposite: a century-old cultural inferiority complex. Many applicants from those states will do anything to get the heck out, even though there are more good colleges per capita in states like Iowa, Minnesota, and Ohio than anywhere else in the nation. The West Coast fades in and out as a trendy place for college, depending on earthquakes, the regional economy, and the overcrowding and tuition increases that plague the University of California system. Among those seeking warmer weather, the South has become a popular place, especially since Southerners themselves are more likely to stay close to home. Collective perceptions of the various regions have some practical consequences. First, most of the elite schools in the Northeast are more selective than ever. In addition, a lot of mediocre schools in the Northeast, notably Boston, are being deluged with applicants simply because they are lucky enough to be in a hot location. In the Midwest, many equally good or superior schools are much less difficult to get into, especially the fine liberal arts colleges in Ohio. In the South, the booming popularity of some schools is out of proportion to their quality. The weather may be nice and the football top-notch, but students who come from far away should be prepared for culture shock.
Fiske Guide To Colleges (Fiske Guide to Colleges 2005)
There is something bittersweet about letting go; about parting from anyone or anything that holds memory. But it is Spring. The weather is nice outside tonight. I put my writing utensils away for the rest of the season and take back up the old practices of the Forest-Sitting Religion.
Frank LaRue Owen (The School of Soft Attention)
Husserl had picked up this idea from his old teacher Franz Brentano, in Vienna days. In a fleeting paragraph of his book Psychology from an Empirical Standpoint, Brentano proposed that we approach the mind in terms of its ‘intentions’ — a misleading word, which sounds like it means deliberate purposes. Instead it meant a general reaching or stretching, from the Latin root in-tend, meaning to stretch towards or into something. For Brentano, this reaching towards objects is what our minds do all the time. Our thoughts are invariably of or about something, he wrote: in love, something is loved, in hatred, something is hated, in judgement, something is affirmed or denied. Even when I imagine an object that isn’t there, my mental structure is still one of ‘about-ness’ or ‘of-ness’. If I dream that a white rabbit runs past me checking its pocket watch, I am dreaming of my fantastical dream-rabbit. If I gaze up at the ceiling trying to make sense of the structure of consciousness, I am thinking about the structure of consciousness. Except in deepest sleep, my mind is always engaged in this aboutness: it has ‘intentionality’. Having taken the germ of this from Brentano, Husserl made it central to his whole philosophy. Just try it: if you attempt to sit for two minutes and think about nothing, you will probably get an inkling of why intentionality is so fundamental to human existence. The mind races around like a foraging squirrel in a park, grabbing in turn at a flashing phone screen, a distant mark on the wall, a clink of cups, a cloud that resembles a whale, a memory of something a friend said yesterday, a twinge in a knee, a pressing deadline, a vague expectation of nice weather later, a tick of the clock. Some Eastern meditation techniques aim to still this scurrying creature, but the extreme difficulty of this shows how unnatural it is to be mentally inert. Left to itself, the mind reaches out in all directions as long as it is awake — and even carries on doing it in the dreaming phase of its sleep. Understood in this way, the mind hardly is anything at all: it is its aboutness. This makes the human mind (and possibly some animal minds) different from any other naturally occurring entity. Nothing else can be as thoroughly about or of things as the mind is: even a book only reveals what it’s ‘about’ to someone who picks it up and peruses it, and is otherwise merely a storage device. But a mind that is experiencing nothing, imagining nothing, or speculating about nothing can hardly be said to be a mind at all.
Sarah Bakewell (At the Existentialist Café: Freedom, Being, and Apricot Cocktails with Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, Martin Heidegger, Maurice Merleau-Ponty and Others)