Nice Representation Quotes

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Sensitivity readers are readers who provide cultural consulting and critiques on manuscripts for a fee. Say, for example, a white author writes a book that involves a Black character. The publisher might then hire a Black sensitivity reader to check whether the textual representations are consciously, or unconsciously, racist. They’ve gotten more and more popular in the past few years, as more and more white authors have been criticized for employing racist tropes and stereotypes. It’s a nice way to avoid getting dragged on Twitter, though sometimes it backfires—I’ve heard horror stories of at least two writers who were forced to withdraw their books from publication because of a single subjective opinion.
R.F. Kuang (Yellowface)
The problem is that INTPs are not nearly as nice as the nice guy persona suggests. Their extraverted side is more of a social façade than a true representation of their inner selves. It therefore seems appropriate that INTPs, as well as their partners, take an honest look at who the INTP really is (and is not). Generally speaking, INTPs are not social butterflies with strong interests in the lives of others. They are more like lone wolves, fiercely independent and absorbed in their own thoughts and affairs.
A.J. Drenth (The INTP: Personality, Careers, Relationships, & the Quest for Truth and Meaning)
Now, you’ve probably caught on more quickly than Painter did here. You might be thinking at this point of the old adage that says having heroes is not worth it. There are variations on it all around the cosmere. Cynical takes that encourage you never to look up to someone, lest by turning your eyes toward the sky you leave your gut open for a nice stabbing. I disagree. Hope is a grand thing, and having heroes is essential to human aspiration. That is part of why I tell these stories. That said, you do need to learn to separate the story—and what it has done to you—from the individual who prompted it. Art—and all stories are art, even the ones about real people—is about what it does to you. The true hero is the one in your mind, the representation of an ideal that makes you a better person. The individual who inspired it, well, they’re like the book on the table or the art on the wall. A vessel. A syringe full of transformational aspiration. Don’t force people to live up to your dreams of who they might be. And if you’re ever in the situation in which Painter found himself, where your ideals are crumbling, don’t do what he did. Don’t make it slow. Walk away and patch the wound instead of giving the knife time to twist inside.
Brandon Sanderson (Yumi and the Nightmare Painter)
Like any place in Reality, the Street is subject to development. Developers can build their own small streets feeding off of the main one. They can build buildings, parks, signs, as well as things that do not exist in Reality, such as vast hovering overhead light shows, special neighborhoods where the rules of three-dimensional spacetime are ignored, and free-combat zones where people can go to hunt and kill each other. The only difference is that since the Street does not really exist -- it's just a computer-graphics protocol written down on a piece of paper somewhere -- none of these things is being physically built. They are, rather, pieces of software, made available to the public over the worldwide fiber-optics network. When Hiro goes into the Metaverse and looks down the Street and sees buildings and electric signs stretching off into the darkness, disappearing over the curve of the globe, he is actually staring at the graphic representations -- the user interfaces -- of a myriad different pieces of software that have been engineered by major corporations. In order to place these things on the Street, they have had to get approval from the Global Multimedia Protocol Group, have had to buy frontage on the Street, get zoning approval, obtain permits, bribe inspectors, the whole bit. The money these corporations pay to build things on the Street all goes into a trust fund owned and operated by the GMPG, which pays for developing and expanding the machinery that enables the Street to exist. Hiro has a house in a neighborhood just off the busiest part of the Street. it is a very old neighborhood by Street standards. About ten years ago, when the Street protocol was first written, Hiro and some of his buddies pooled their money and bought one of the first development licenses, created a little neighborhood of hackers. At the time, it was just a little patchwork of light amid a vast blackness. Back then, the Street was just a necklace of streetlights around a black ball in space. Since then, the neighborhood hasn't changed much, but the Street has. By getting in on it early, Hiro's buddies got a head start on the whole business. Some of them even got very rich off of it. That's why Hiro has a nice big house in the Metaverse but has to share a 20-by- 30 in Reality. Real estate acumen does not always extend across universes.
Neal Stephenson (Snow Crash)
There it is, forming behind us: The Fat Blue Phalanx. All the smug self-satisfied maleness you can drink, and free refills at the station house. It's all I can see in cops, that patriarchal bullshit that will never yield to a contract of mutual respect. That grunting fuck-obsessed inability to deobjectify you and treat you as a person, it’s a subclass of male that will never, ever change, no matter what. There they are with their uniforms and their discipline, an abstract and codified representation of all the construction workers who ever whistled at you and there you were, too polite to pee in their toolboxes in retaliation, too polite to challenge them, walking away red-faced because the worst part of it is that you were wondering whether they were really whistling like they’d whistle at Caprice or if they were just being sarcastic and were even now laughing at you with your short skinny legs and flat ass. Besides you’re not supposed to let it get to you. You’re supposed to have a sense of humour: they do. See them waving their cocks at each other and farting? You aren’t allowed to break the rules of their society which say that you are a cold uptight lesbian bitch if you don’t like their hohoho aggressive male ways so just hold your head high from your position of moral superiority and go home and tell your boyfriend (if you have one, which I don’t) who if you’re lucky will offer to go beat them up knowing you won’t take him up on it because you know perfectly well he’d probably get his ass kicked, most of the boys you know are highly ass-kickable because they’ve been brought up nicely. They were brought up in the luxury of knowing the money power of the military-industrial complex would protect them from the dirt and the grime of uneducated testosterone. its thanx to our weak boyfriends that we have cops at all, surrogate cock and balls to maintain ‘order’, whatever that is. Or was. And where does it really leave you as a prisoner of the suburbs? Fuming over some tiny incident that the aggressors have already forgotten about, but you have the sinking feeling you've just sniffed the true underbelly and the aroma was not what you get in Calvin Klein ads. Scratch 'n' sniff, scratch 'n' sniff, peel the onion... will you ever get down to the reality of what this place is about? And I know I shouldn't brand individual cops with the big blue brush but in my mind these guys are a symbol of the whole iron-cage Boy system that makes me always a victim, no matter what I do, it's a cage I can't escape. I'm the little princess. They dominate, they aggress, they protect.
Tricia Sullivan (Maul)
I thought it was the kind of bar my guy [Rebus] would drink in,” said Rankin. “Very unaffected, very unpretentious, basic, stripped back. Almost like a private club. Everybody knows everybody else. . . . The kind of Edinburgh I was writing about was this secret Edinburgh that tourists never saw, the stuff that was happening just below the surface, and I thought [Oxford Bar] a nice representation of that.
Anthony Bourdain (World Travel: An Irreverent Guide)
If you think about it, that is surprising, since – these days at least – a bank is in essence nothing more than a lot of people and a collection of legal contracts represented on some very complex computer systems. Put simplistically, banks are just people and computers; all the rest is nice to have but not essential. If that statement surprises you, consider this: virtually all the money you get paid, save or spend is not physical in any sense whatsoever but is merely an abstract representation in ones and zeros on some bank’s computer system somewhere.
Kevin Rodgers (Why Aren't They Shouting?: A Banker’s Tale of Change, Computers and Perpetual Crisis)
But not here,” she added. “Let’s take a walk around the block.” Myron nodded and they rose. Before they reached the door, his cell phone rang. Myron snatched it up with a speed that would have made Wyatt Earp step back. He put the phone to his ear and cleared his throat. “MB SportsReps,” he said, silky-smooth, professional-like. “This is Myron Bolitar speaking.” “Nice phone voice,” Esperanza said. “You sound like Billy Dee ordering two Colt 45s.” Esperanza Diaz was his longtime assistant and now sports-agent partner at MB SportsReps (M for Myron, the B for Bolitar—for those keeping score). “I was hoping you were Lamar,” he said. “He hasn’t called yet?” “Nope.” He could almost see Esperanza frown. “We’re in deep doo-doo here,” she said. “We’re not in deep doo-doo. We’re just sucking a little wind, that’s all.” “Sucking a little wind,” Esperanza repeated. “Like Pavarotti running the Boston Marathon.” “Good one,” Myron said. “Thanks.” Lamar Richardson was a power-hitting Golden Glove shortstop who’d just become a free agent—“free agent” being a phrase agents whisper in the same way a mufti might whisper “Praise Allah.” Lamar was shopping for new representation and had whittled his final list down to three agencies: two supersized conglomerates with enough office space to house a Price Club and the aforementioned pimple-on-the-buttocks but oh-so-personal MB SportsReps. Go, pimple-butt! Myron watched his mother standing by the door. He switched ears and said, “Anything else?” “You’ll never guess who called,” Esperanza said. “Elle and Claudia demanding another ménage à trois?” “Oooo, close.” She
Harlan Coben (Darkest Fear (Myron Bolitar, #7))
I can’t mix skating and whatever we are. I like you, which pains me greatly to say out loud, but you’ve wormed your way in and made me enjoy spending time with you. I’m nice to you now. It’s a true representation of how far I’ve fallen. A disaster, some people would say.
Hannah Grace (Icebreaker)
Getting to fifty-fifty is incredibly complex and nuanced, requiring many detailed solutions that will take decades to fully play out. To accelerate the process, change needs to start at the top. Like Stewart Butterfield, CEOs need to make hiring and retaining women an explicit priority. In addition, here is the bare minimum of what we can do at an individual and a systemic level: First of all, people, be nice to each other. Treat one another with respect and dignity, including those of the opposite sex.That should be pretty simple. Don’t enable assholes. Stop making excuses for bad behavior, or ignoring it. CEOs must embrace and champion the need to reach a fair representation of gender within their companies, and develop a comprehensive plan to get there. Be long-term focused, not short-term. It may take three weeks to find a white man for the job, but three months to find a woman. Those three months could save three years of playing catch-up in the future. Invest in not just diversity but inclusion. Even if your company is small, everything counts. And take the time to educate your employees about why this is important. Companies need to appoint more women to their boards. And boards need to hold company leadership to account to get to fifty-fifty in their employee ranks, starting with company executives. Venture capital firms need to hire more women partners, and limited partners should pressure them to do so and, at the very least, ask them what their plans around diversity are. Investors, both men and women, need to start funding more women and diverse teams, period. LPs need to fund more women VCs, who can establish new firms with new cultural norms. Stop funding partnerships that look and act the same. Most important, stop blaming everybody else for the problem or pretending that it is too hard for us to solve. It’s time to look in the mirror. This is an industry, after all, that prides itself on disruption and revolutionary new ways of thinking. Let’s put that spirit of innovation and embrace of radical change to good use. Seeing a more inclusive workforce in Silicon Valley will encourage more girls and women studying computer science now.
Emily Chang (Brotopia: Breaking Up the Boys' Club of Silicon Valley)