Nib Quotes

Ninety percent of all problems are caused by people being assholes.” “What causes the other ten percent?” asked Kizzy. “Natural disasters,” said Nib.

Her pen had a heart inside, and the nib was a wound in a vein. She stained the page with herself.

All the boys were grown up and done for by this time; so it is scarcely worth while saying anything more about them. You may see the twins and Nibs and Curly any day going to an office, each carrying a little bag and an umbrella. Michael is an engine driver. Slightly married a lady of title, and so he became a lord. You see that judge in a wig coming out at the iron door? That used to be Tootles. The bearded man who doesn't know any story to tell his children was once John.

I kissed her," he explained, aggrieved. "Mmm, yes, I had the dubious pleasure of witnessing that, ah-hem, overly public occurrence." Lyall sharpened his pen nib, using a small copper blade that ejected from the end of his glassicals. "Well! Why hasn't she done anything about it?" the Alpha wanted to know. "You mean like whack you upside the noggin with that deadly parasol of hers? I would be cautious in that area if I were you.

I prefer the pen. There is something elemental about the glide and flow of nib and ink on paper.

Temptation was the color white. It was black ink, quivering at the point of a pen's nib.

All remember about my mother," Nibs told them, "is that she often said to my father, 'Oh, how I wish I had a cheque-book of my own!' I don't know what a cheque-book is, but I should just love to give my mother one.

I don't even want to think about all those dishes," Donny said. "Hey, now that I believe in demons and magic spells, who's going to tell me about little dish elves that come and clean your kitchen while you nap?" "There is a class of fairy called Nibs that will do it. But they come with their own set of issues. It's never worth the hassle of summoning them," Varnie answered. "I was totally kidding, but..." Donny eyed him suspiciously. "Wait, are you punking me? There really is no such thing as Nibs, is there?" Varnie smiled noncommitally. "Ame, is there sucha thing as Nibs?" Amelia bit her lip to keep from laughing. "I've never heard of them, but that doesn't mean they don't exist." "Amnesia boy?" I held up my hand. "Yeah, sorry. Amnesia." "You guys suck." She pouted.

Red wrote too much too fast. Her pen had a heart inside, and the nib was a wound in a vein. She stained the page with herself. She sometimes forgets what she wrote, save that it was true, and the writing hurt. But butterfly wings break when touched. Red knows her own weaknesses as well as anyone. She presses too hard, breaks what she would embrace, tears what she would touch to her teeth.

How did society ever function without you, little Sharpies? Your nibs have the precise amount of give to create a line quality with character, yet not so much character as to be smushy. Thank you, little pens.

I feel as if I can think only when I see the words flowing from the nib of my quill, that my thoughts make sense only when they are black ink on cream paper. I love the sensation of a thought in my head and the vision of the word on the page.

Writers, in essence, are professional word tamers; if the words walking down the lines were living creatures, they would surely fear and hate the pen’s nib as tamed animals do the raised whip.

Doomed to practice it day after day, even to the extent of dipping his nib in orange juice to make the words invisible, he has fallen in love with secrecy.

After the noise and jostle of the journey, there was something soothing about the crackle of paper, the smell of ink, and the soft scratching of nibs and brushes.

Ninety percent of all problems are caused by people being assholes.” “What causes the other ten percent?” asked Kizzy. “Natural disasters,” said Nib.

... your writer of intensities must have very black ink, and a very big pen, with a very blunt nib.

When I am with you…’ He dips the quill, determined, ‘my soul is more than content. It is rendered…’ He forces the nib forwards. ‘… in a state of miraculous Completion.

Happy the man...with a natural gift for practising the right one [art] from the start-- poetry, say, or fishing; whose nights are dreamless; whose deep-sunk panoramas rise and pass like daylight through the rod's eye or the nib's eye.

All I remember about my mother," Nibs told them, "is that she often said to Father, 'Oh, how I wish I had a checkbook of my own!' I don't know what a checkbook is, but I should just love to give my mother one.

I cannot wait for her to stop being a teenager.” “I can,” Nib said. “Do you know how impossible it’s going to be to boss her around when she’s twenty?

She comes when classes are to start, She gathers up last midnight’s clutter – burnt cigarettes, a rusted pen nib

Her pen had a heart inside, and the nib was a wound in a vein. She stained the page with herself. She sometimes forgets what she wrote, save that it was true, and the writing hurt.

After a long while he sat upright with great effort, exhaled a sigh and reached for a clean sheet of lined paper, smoothing it out on the desk. He unscrewed the lid of his fountain pen, laid it perpendicular to his paper, and began to write. Often he compared his writing to white water. He had only to leap in to be dragged away on its rapids, thrown this way and that with his own will rendered impotent. While writing he found the words came from the muscles in his hands, the feel of the shaft of his pen, the locked joint of his elbow. the scratching noise of the nib marking paper and, underneath all that, some coordinating impulse in his guts. Certainly not from his mind.

Hold fast To the law Of the last Cold tome, Where the earth Of the truth Lies thick On the page, And the loam Of faith In the ink Long fled From the drone Of the nib Flows on Through the breath Of the bone Reborn In a dawn Of doom Where blooms The rose For the winds The child For the tomb The thrush For the hush Of song, The corn For the scythe And the thorn In wait For the heart Till the last Of the first Depart, And the least Of the past Is dust And the dust Is lost. Hold fast!

But the point is, when the writer turns to address the reader, he or she must not only speak to me—naively dazzled and wholly enchanted by the complexities of the trickery, and thus all but incapable of any criticism, so that, indeed, he can claim, if he likes, priestly contact with the greater powers that, hurled at him by the muse, travel the parsecs from the Universe’s furthest shoals, cleaving stars on the way, to shatter the specific moment and sizzle his brains in their pan, rattle his teeth in their sockets, make his muscles howl against his bones, and to galvanize his pen so the ink bubbles and blisters on the nib (nor would I hear her claim to such as other than a metaphor for the most profound truths of skill, craft, or mathematical and historical conjuration)—but she or he must also speak to my student, for whom it was an okay story, with just so much description.

Chronicler wiped the nib of his pen clean, “It’s not really my place to comment on the story,” he said placidly. “If you say you saw a dragon…” He shrugged. Kvothe gave him a profoundly disappointed look. “This from the author of The Mating Habits of the Common Draccus? This from Devan Lochees, the great debunker?” “This from Devan Lochees who agreed not to interrupt or change a single word of the story he is recording.” Chronicler lay his pen down and massaged his hand. “Because those were the only conditions under which he could get access to a story he very much desired.

Take it for all in all, a representative gathering of Twing life and thought. The Nibs were whispering in a pleased manner to each other, the Lower Middles were sitting up very straight, as if they'd been bleached, and the Tough Eggs whiled away the time by cracking nuts and exchanging low rustic wheezes.

How can someone who's stood by you your whole life – who helped you empty the contents of the kitchen bin onto the floor when you were seventeen because you accidentally threw away a piece of hash the size of a cocoa nib, or who accompanied you, when she was eighty years old, to the Southbank Cinema on Mother's Day to watch hardcore gay and lesbian sex films because no one else would go with you (ditto a Sparks concert at the Royal Festival Hall) – how can that person, who you've been through so much with and who is now lying in front of you with snow-white hair, pale-grey eyes, soft pink skin and worry lines, not be beautiful?

He went to the board to write lots of Greek symbols and calculus equations. The course had started with cute little things like how people choose between tea and biscuits. It had moved on to scary equations that would dominate exams. The class took mad notes. Kanyashree wrote so hard I could feel the seismic vibrations from her pen's nib.

Her pen had a heart inside , and the nib was a wound in Vein .

From school desks with inkwells and scratchy nibs on paper to sweaty finger prints on a tablet... technology progression yes... style?

your pen sticks upright by the nib in the carpet. If there were a cat to swing or a wife to murder now would be the time. So

like to know exactly what it is I’m dipping my nib into, as it were.

Dang nib it,

Red wrote too much too fast. Her pen had a heart inside, and the nib was a wound in a vein. She stained the page with herself.

Textas. I like the Tombow brand the best as they have a long brush on one end and a mid-sized nib on the other end.

He ran his finger over the wood. His nails would not do. A knife would have been ideal, but he’d never carried one. At last, he pulled a fountain pen from his pocket and pressed the tip into the knob. The wood gave purchase. He scratched hard several times to make the cross visible – his fingers ached, and the nib was irreversibly ruined – but at last he left his mark.

The quill swirled and lunged over the page, in a slow but relentless three steps forward, two steps back sort of process and finally came to a full stop in a tiny pool of its own ink. Then, Louis Phelypeaux, First Compte de Pontchartrain, raised the nib, let it hover for an instant, as if gathering his forces, and hurled it backwards along the sentence, tiptoeing over “i’s” and slashing through “t’s” and “x’s” nearly tripping over an umlaut, building speed and confidence while veering through a slalom course of acute and grave accents, pirouetting through cedillas and carving vicious snap-turns through circumflexes. It was like watching the world’s greatest fencing master dispatch twenty opponents with a single continuous series of maneuvers.

Because people are assholes,” said Bear, dutifully keeping his head down. “Ninety percent of all problems are caused by people being assholes.” “What causes the other ten percent?” asked Kizzy. “Natural disasters,” said Nib.

Many an otherwise dull book which I had to read have I enjoyed in this way, with a fine-nibbed pen in my hand: one is making something all the time and a book so read acquires the charm of a toy without losing that of a book.

— If love wants you; if you’ve been melted down to stars, you will love with lungs and gills, with warm blood and cold. With feathers and scales. Under the hot gloom of the forest canopy you’ll want to breathe with the spiral calls of birds, while your lashing tail still gropes for the waes. You’ll try to haul your weight from simple sea to gravity of land. Caught by the tide, in the snail-slip of your own path, for moments suffocating in both water and air. If love wants you, suddently your past is obsolete science. Old maps, disproved theories, a diorama. The moment our bodies are set to spring open. The immanence that reassembles matter passes through us then disperses into time and place: the spasm of fur stroked upright; shocked electrons. The mother who hears her child crying upstairs and suddenly feels her dress wet with milk. Among black branches, oyster-coloured fog tongues every corner of loneliness we never knew before we were loved there, the places left fallow when we’re born, waiting for experience to find its way into us. The night crossing, on deck in the dark car. On the beach wehre night reshaped your face. In the lava fields, carbon turned to carpet, moss like velvet spread over splintered forms. The instant spray freezes in air above the falls, a gasp of ice. We rise, hearing our names called home through salmon-blue dusk, the royal moon an escutcheon on the shield of sky. The current that passes through us, radio waves, electric lick. The billions of photons that pass through film emulsion every second, the single submicroscopic crystal struck that becomes the phograph. We look and suddenly the world looks back. A jagged tube of ions pins us to the sky. — But if, like starlings, we continue to navigate by the rear-view mirror of the moon; if we continue to reach both for salt and for the sweet white nibs of grass growing closest to earth; if, in the autumn bog red with sedge we’re also driving through the canyon at night, all around us the hidden glow of limestone erased by darkness; if still we sish we’d waited for morning, we will know ourselves nowhere. Not in the mirrors of waves or in the corrading stream, not in the wavering glass of an apartment building, not in the looming light of night lobbies or on the rainy deck. Not in the autumn kitchen or in the motel where we watched meteors from our bed while your slow film, the shutter open, turned stars to rain. We will become indigestible. Afraid of choking on fur and armour, animals will refuse the divided longings in our foreing blue flesh. — In your hands, all you’ve lost, all you’ve touched. In the angle of your head, every vow and broken vow. In your skin, every time you were disregarded, every time you were received. Sundered, drowsed. A seeded field, mossy cleft, tidal pool, milky stem. The branch that’s released when the bird lifts or lands. In a summer kitchen. On a white winter morning, sunlight across the bed.

There are certain things you love putting into your mouth—Nibs, Good & Plentys, dry-roasted peanuts, lima beans cooked not too soft—and the rest is more or less disagreeable mush, or meat that gives the teeth too tough a fight and if you think about it almost makes you gag.

He was one of those men who can both get money and keep it. He must have been a millionaire. He kept accounts. He introduced a post-office atmosphere into his shady dealings. Not a stamp, not a pen-nib escaped him, and he would stay up half the night to figure out what had happened to a mislaid farthing. You cannot conceive the caution and the meanness of that man! He would have made a Syrian pawn-broker appear like Diamond Jim Brady. But he had brains, and also nerve. At the same time, he was as smooth as glycerine. He looked like an octopus — he had a dirtyish pallor, no shape, evil eyes, and a beak. In shaking hands with him, you felt that six or seven other hands were investigating your pockets while a dozen eyes watched you. He was feared. He made money out of everything. But he was still unknown to the police.

I think of the note I found, of the press of his nibbed pen hard enough to send flecks of ink spattering as he wrote my name. Hard enough to dig through the page, maybe to scar the desk beneath. If that's what he did to the paper, I shudder to think what he wants to do to me.

The thing that he was about to do was to open a diary. This was not illegal (nothing was illegal, since there were no longer any laws), but if detected it was reasonably certain that it would be punished by death, or at least by twenty-five years in a forced-labour camp. Winston fitted a nib into the penholder and sucked it to get the grease off. The pen was an archaic instrument, seldom used even for signatures, and he had procured one, furtively and with some difficulty, simply because of a feeling that the beautiful creamy paper deserved to be written on with

Which story are you going to tell us tonight, Mother?" Tootless asked. "One that is very close to my heart," Red said. "It's called 'Beautiful and Brilliant Little Blue Riding Hood'." Just hearing the title made the Lost Boys excitedly clap. "Is it a good story, Mum? Slightly asked. "It's the best story you'll ever hear," Red said. "Does Little Blue die in the end like Cinderella, Snow White, Sleeping Beauty, and Rapunzel?" Curly asked. "I just want to know before I get attached." "Those were such sad stories," Nibs said, and shook his head. "I can't believe poor Cinderella slipped while running down the stairs at midnight, or that Snow White choked on the poisoned apple, or when Sleeping Beauty awoke, she discovered the spindle had given her a staph infection." "Poor, poor princesses," the Lost twins sniffled. "Well, these stories are supposed to teach us valuable lessons," Red said. "Never run down stairs, always chew your food, and see a doctor if your skin is punctured by rusty metal." "Is there a lesson in the story of 'Beautiful and Brilliant Little Blue Riding Hood'?" Slightly asked. "You'll have to wait to find out," she teased.

Then there are the scores of notebooks, their contents calling — confession, revelation, endless variations of the same paragraph — and piles of napkins scrawled with incomprehensible rants. Dried-out ink bottles, encrusted nibs, cartridges for pens long gone, mechanical pencils emptied of lead. Writer's debris.

It was a sanguinary [cheerful] affair, and especially interesting as showing one of Peter's peculiarities, which was that in the middle of a fight he would suddenly change sides. At the Gulch, when victory was still in the balance, sometimes leaning this way and sometimes that, he called out, "I'm redskin to-day; what are you, Tootles?" And Tootles answered, "Redskin; what are you, Nibs?" and Nibs said, "Redskin; what are you Twin?" and so on; and they were all redskins; and of course this would have ended the fight had not the real redskins fascinated by Peter's methods, agreed to be lost boys for that once, and so at it they all went again, more fiercely than ever.

Think about it, Nick, we know each other. Better than anyone in the world now.’ It was true that I’d had this feeling too, in the past month, when I wasn’t wishing Amy harm. It would come to me at strange moments – in the middle of the night, up to take a piss, or in the morning pouring a bowl of cereal – I’d detect a nib of admiration, and more than that, fondness for my wife, right in the middle of me, right in the gut. To know exactly what I wanted to hear in those notes, to woo me back to her, even to predict all my wrong moves ... the woman knew me cold. Better than anyone in the world, she knew me. All this time I’d thought we were strangers, and it turned out we knew each other intuitively, in our bones, in our blood. It was kind of romantic. Catastrophically romantic.

The question “Which beer do you want, Mary?” went down at the end. When she puts her nose to a glass, though, something switches on. She sits straighter and her words come out faster, lit by interest and focus. “It smells like a campfire to me also. Smokey, like wood, charred wood. Like a cedar chest, like a cigar, tobacco, dark things, smoking jackets.” She sips from the glass. “Now I’m getting the chocolate in the mouth. Caramel, cocoa nibs . . .

Even today, chocolate is made by fermenting the beans for several days to allow richer and more complex flavors to emerge. They are then dried, roasted, and cracked open so that the nibs—the meaty part of the bean—can be extracted. The nibs are ground into a powder or paste that, along with a little sugar, becomes dark chocolate. If milk is added, it becomes milk chocolate. And if the fat, called cacao butter, is extracted by itself and mixed with sugar, that is white chocolate.

The one truth she had, a truth she was now proud of and pleased with, a truth she had not only come to terms with but welcomed openly, with every fiery molecule of her being. A truth that she scribbles hastily but firmly, pressing deep into the paper with the nib, in capital letters, in the first-person tense. A truth that was the beginning and seed of everything possible. A former curse and a present blessing. Three simple words containing the power and potential of a multiverse. I AM ALIVE.

He was the most astonishing contradiction of components I’d ever encountered. Shy yet fiercely communicative when putting an idea into your head. Vocally astringent regarding his own abilities but not to the point that he couldn’t produce—he was as prolific an artist (yes, an artist, and I never use the term, especially regarding people I like) I’ve ever seen. But I could feel it. Everything he sketched, penciled, inked, made—was a payment, one he could scarcely afford; as if it physically hurt him to put pencil to paper. Yet that only seemed to spur him on, to live far beyond his means. He was unable not to. For Sketch, to draw was to breath, and so the air became lead—silvery in the right light, dark soot in the wrong; heavy, slick and malleable—into shapes he brought together in glorious orchestration, with a child’s eye and a rocket scientist’s precision, all fortified by a furious melancholy, a quiet engine of sourceless shame and humility. When it came to another’s work, he longed to praise it but then couldn’t resist critiquing it all within an inch of its life, analyzing deficiencies with uncontrollable abandon and laser accuracy. He was sharp as his Radio 914 pen nibs, and as pointed. And then he’d apologize. Oh, he would apologize: Oh my GOD, forgive me, please don’t hate me, I’m SORRY, don’t listen to me, why am I saying things, what do I know, I don’t know anything, why do you listen to me you should just tell me to shut UP, I’m awful, forgive me, you hate me, don’t you? Tell the truth. Please don’t hate me. Please don’t. Please.

We do not lack devices for measuring these miserable days of ours, in which it should be our pleasure that they be not frittered away without leaving behind any memory of ourselves in the mind of men.”46 He began scribbling the same phrase over and over again, every time he needed to try a new pen nib or to fritter away a moment: “Tell me if anything was ever done . . . Tell me . . . Tell me.”47 And at one point he jotted a cry of anguish: “While I thought that I was learning how to live, I have been learning how to die.

AFTER DINNER, WITH A GREAT FLOURISH, my friend Andrew brought out a lovely leather box. “Open it,” he said, proudly, “and tell me what you think.” I opened the box. Inside was a gleaming stainless-steel set of old mechanical drawing instruments: dividers, compasses, extension arms for the compasses, an assortment of points, lead holders, and pens that could be fitted onto the dividers and compasses. All that was missing was the T square, the triangles, and the table. And the ink, the black India ink. “Lovely,” I said. “Those were the good old days, when we drew by hand, not by computer.” Our eyes misted as we fondled the metal pieces. “But you know,” I went on, “I hated it. My tools always slipped, the point moved before I could finish the circle, and the India ink—ugh, the India ink—it always blotted before I could finish a diagram. Ruined it! I used to curse and scream at it. I once spilled the whole bottle all over the drawing, my books, and the table. India ink doesn’t wash off. I hated it. Hated it!” “Yeah,” said Andrew, laughing, “you’re right. I forgot how much I hated it. Worst of all was too much ink on the nibs! But the instruments are nice, aren’t they?” “Very nice,” I said, “as long as we don’t have to use them.

I maybe many things to many people; but for me I am a writer; always have been and always will be. I may not contribute to great literatures, but my contribution to writing would be always there; etched in the minds of the people whose lives I have touched with words. Only a writer can understand what it means to a writer to not be able to be one. To have the nib of pen broken ... like a death sentence .. Or a life imprisonment in one's own mind without an outlet to thoughts. I would give up things I love the most if that's the choice I am given to be able to be what I really want to be - A writer. (C) Arti Honrao

It is a glorious thing, to be able to write with pen on paper instead of nail or hook into oak, to feel one's words flowing so smoothly from instrument to surface, without the barriers of friction or poor leverage, and yet its own subtle tactile pleasures as the nib scratches tiny channels into the sheet. And here, unlike in his cabin, here he feels no division between his mind and his hand, no errors in translation or static in the transmission: the words appearing on the page are the ones he has intended to put there, the images match the scenes in his mind, the sensations the very ones that warm his chest, prickle his scalp, push against his eyes.

It was a sanguinary affair, and especially interesting as showing one of Peter's peculiarities, which was that in the middle of a fight he would suddenly change sides. At the Gulch, when victory was still in the balance, sometimes leaning this way and sometimes that, he called out, "I'm redskin to-day; what are you, Tootles?" And Tootles answered, "Redskin; what are you, Nibs?" and Nibs said, "Redskin; what are you Twin?" and so on; and they were all redskins; and of course this would have ended the fight had not the real redskins fascinated by Peter's methods, agreed to be lost boys for that once, and so at it they all went again, more fiercely than ever.

He sat down and picked up a pen. He looked at the photograph of him and his brother just after they’d joined up, and words that had so long evaded his mouth now gathered at the nib of his pen, and he wrote down everything he felt and everything he could see. He wrote to Peace once a week between their courting, and what he couldn’t get down on paper that first week he continued into the second week, then the third. He wrote sitting on a harbour bench, he wrote at the tiller of his boat. Peace got to know her fisherman through his letters. And when they met up she made him read them out loud, so that the words that had gathered at the nib of his pen found their rightful place upon his tongue. 47

To enjoy a book like [Froissart’s Chronicles] thoroughly I find I have to treat it as a sort of hobby and set about it seriously. I begin by making a map on one of the end leafs: then I put in a genealogical tree or two. Then I put a running headline at the top of each page: finally I index at the end all the passages I have for any reason underlined. I often wonder — considering how people enjoy themselves developing photos or making scrapbooks — why so few people make a hobby of their reading in this way. Many an otherwise dull book which I had to read have I enjoyed in this way, with a fine-nibbed pen in my hand: one is making something all the time and a book so read acquires the charm of a toy without losing that of a book.

So she stopped trying to think about what to write and, in sheer exasperation, just put down the first thing that came to her, the thing that she felt inside her like a defiant silent roar that could overpower any external destruction. The one truth she had, a truth she was now proud of and pleased with, a truth she had not only come to terms with but welcomed openly, with every fiery molecule of her being. A truth that she scribbled hastily but firmly, pressing deep into the paper with the nib, in capital letters, in the first-person present tense. A truth that was the beginning and seed of everything possible. A former curse and a present blessing. Three simple words containing the power and potential of a multiverse. I AM ALIVE.

I have a fine desk but I prefer to work from my bed, as if I’m a convalescent in a Robert Louis Stevenson poem. An optimistic zombie propped by pillows, producing pages of somnambulistic ­fruit—not quite ripe or overripe. Occasionally I write directly into my small laptop, sheepishly glancing over to the shelf where my typewriter with its antiquated ribbon sits next to an obsolete Brother word processor. A nagging allegiance prevents me from scrapping either of them. Then there are the scores of notebooks, their contents ­calling—confession, revelation, endless variations of the same ­paragraph—and piles of napkins scrawled with incomprehensible rants. Dried-out ink bottles, encrusted nibs, cartridges for pens long gone, mechanical pencils emptied of lead. Writer’s debris.

I have spent a vexing half-hour scrapping with Fräulein Engel over the pen nib, which I swear I did not bend on purpose the first time. It is true that it spared me having to continue for a good long while but it did not move things along for that harpy to straighten it out against my teeth when I could have easily done it myself against the table. It is also true that it was stupid of me to bend it out of shape again, on purpose, the second she handed it back to me. Then she had to show me SEVERAL TIMES how, when she was at school, the nurse would use a pen nib to make a pinprick for a blood test. I don’t know why I bent the stupid thing again. It is so easy to wind Miss Engel up. She always wins; but only because my ankles are tied to my chair. Well, and also because at the end of every argument she reminds me of the deal I made with a certain officer of the Gestapo, and I collapse.

On Floriography This poem explores the ancient practice of floriography, the coded language of flowers, as a way to express human love through the use of fragrance, colors, and vivid symbolism. By elucidating the phenomenon of florescence alongside the art of floral arrangement, the poem encourages readers to extract poetry and beauty out of a dystopic world. If you often find yourself at a loss for words or don’t know what to say to those you love, just extract poetry out of poverty, this dystopia of civilization rendered fragrant, blossoming onto star-blue fields of loosestrife, heady spools of spike lavender, of edible clover beckoning to say without bruising a jot of dog’s tooth violet, a nib of larkspur notes, or the day’s perfumed reports of indigo in the gloaming— what to say to those whom you love in this world? Use floriography, or as the flower-sellers put it, Say it with flowers. —Indigo, larkspur, star-blue, my dear.

Do you remember the mangoes?" she asked. She thought she was whispering but the scratching of the pen nib stopped. "You must remember them." She could hear him push the chair away from his desk, slowly stand and then lean against the wall. The floorboards creaked. "The mangoes?" she asked again. She could hear him breathing. He cleared his throat and then, quietly, said, "They were sweet, were they not?" "It was a sweetness more intense than anything I have ever known." And then the room fell quiet. The two sat listening to the familiar sound of each other's breath. Without words, there was comfort: a sonata, tone poem of silence and knowing. After a time, Escoffier said, "The Hindus believe that mangoes are a true sign that perfection is attainable." She thought of the mangoes with their smooth marbled skin, the carmine and field grass green of them, and then the flesh itself, that vivid orange, and then, each bite, the juice sliding down her arm.

A BATH   Sitting in the bath with her I carefully remove the paint from her shoulders to her elbows, creating the kind of memory that I will never forget. She takes her turn removing as much paint from off me as she can. The entire bar of soap is slowly reduced to a nib successfully loosening all of the paint from our wet bodies. The colors and suds slip through my hands and fingers as I move across the canvas of her slender physique. The vibrant colors eventually become more muddied as they blend together, sliding off of her and down into the drain. Gripping at her body has never felt so natural––almost sculptural like, gliding across the smoothness of the human medium that captivates me so. She too takes the initiative of making sure that I am washed clean as she feels for me and any dirty thing left clinging to me. Her hands slip passed the ridges of my rib as if to remember, the way that moisture catches between the shapes that mark a turtles back. Her eyes now watch me the way that nature studies her curious guest who seeks for himself the origin of his creation.

The farther back the bed, the older the child looked. The last few didn’t even look like children anymore, but petite senior citizens. Their faces were wrinkled and their hair was gray. “These must be the missing children!” Red gasped. “What’s happening to them?” Tootles asked. Red noticed that the walls were lined with empty coffins. She covered her mouth, and her eyes filled with tears. “Morina is draining their youth and beauty to make potions!” Red said. “She’s a monster!” Red and the Lost Boys stared around at the cursed children in disbelief. They wanted to free them from whatever enchantment was draining their life force, but they didn’t know how. They were too afraid to touch any of them. “Why are there empty beds?” Nibs asked. “Because they died,” said a voice that didn’t belong to Red or the Lost Boys. They looked around the basement to see where it was coming from. Propped up in the corner of the basement was a tall mirror with a silver frame, and to Red’s horror, Froggy was standing inside of it. “Charlie!” Red yelled, and ran to it. She placed both of her hands on the glass and Froggy put his webbed hands against hers. “Our dad’s a giant frog?” Nibs asked. “Hooray, our dad’s a frog!” “Red, who are these children?” Froggy asked. “And why are they calling me Dad?” “These are the Lost Boys of Neverland. I’ve adopted them for the time being—it’s a long story,” Red said. “Charlie, what are you doing inside a mirror?” “Morina put me in here so I would have to watch the children,” Froggy said sadly. “So how do we get you out?” Red asked. Froggy shook his head. “Magic mirrors are irreversible, my darling” he said. “I’m trapped just like the Evil Queen’s lover, but since the wishing spell doesn’t exist anymore, I’ll most likely be in here… forever.” Red fell to her knees and shook her head. She thought her heart was broken before, but it had shattered into so many pieces now, it might never heal again. “No…,” she whispered. “No, no, no…” Froggy became emotional at the sight of her. “I am so sorry, my love,” he cried. “You must take these children and leave before Morina gets back.” “I can’t leave you…,” Red cried. “There’s nothing we can do.” Froggy wept. “Morina wanted to separate us, and I’m afraid she has for good. The

To Jacob, bleeding into the ground, in the midst of an endless war, that goal seemed more distant than ever, hopeless, even impossible. And still, had he been able, he would have fought on, died not just once but a thousand times, not for the country as it was, but for the noble, sacred objective upon which it had been founded—liberty and justice for all. Whatever the cost, the Union must hold together. So much hung in the balance, so very much. Not only the hope and valor of those who had gone before, but the freedom, perhaps the very existence, of those yet to be born. In solidarity, the United States could be a force for good in a hungry, desperate world. Torn asunder, it would be ineffectual, two bickering factions, bound to divide into still smaller and weaker fragments over time, too busy posturing and rattling sabers to meet the demands of a fragile future or to stand in the way of new tyrannies, certain to arise. We hold these truths to be self-evident, that all men are created equal... That belief, inspiring as it was, had chafed the consciences of thinking people since it flowed from the nib of Thomas Jefferson’s pen, as well it should have.

Once a renowned skirt-chaser, now an exceptionally devoted husband, St. Vincent knew as much about these matters as any man alive. When Cam had asked glumly if a decrease in physical urges was something that naturally occurred as a man approached his thirties, St. Vincent had choked on his drink. “Good God, no,” the viscount had said, coughing slightly as a swallow of brandy seared his throat. They had been in the manager’s office of the club, going over account books in the early hours of the morning. St. Vincent was a handsome man with wheat-colored hair and pale blue eyes. Some claimed he had the most perfect form and features of any man alive. The looks of a saint, the soul of a scoundrel. “If I may ask, what kind of women have you been taking to bed?” “What do you mean, what kind?” Cam had asked warily. “Beautiful or plain?” “Beautiful, I suppose.” “Well, there’s your problem,” St. Vincent said in a matter-of-fact tone. “Plain women are far more enjoyable. There’s no better aphrodisiac than gratitude.” “Yet you married a beautiful woman.” A slow smile had curved St. Vincent’s lips. “Wives are a different case altogether. They require a great deal of effort, but the rewards are substantial. I highly recommend wives. Especially one’s own.” Cam had stared at his employer with annoyance, reflecting that serious conversation with St. Vincent was often hampered by the viscount’s fondness for turning it into an exercise of wit. “If I understand you, my lord,” he said curtly, “your recommendation for a lack of desire is to start seducing unattractive women?” Picking up a silver pen holder, St. Vincent deftly fitted a nib into the end and made a project of dipping it precisely into an ink bottle. “Rohan, I’m doing my best to understand your problem. However, a lack of desire is something I’ve never experienced. I’d have to be on my deathbed before I stopped wanting—no, never mind, I was on my deathbed in the not-too-distant past, and even then I had the devil’s own itch for my wife.” “Congratulations,” Cam muttered, abandoning any hope of prying an earnest answer out of the man. “Let’s attend to the account books. There are more important matters to discuss than sexual habits.” St. Vincent scratched out a figure and set the pen back on its stand. “No, I insist on discussing sexual habits. It’s so much more entertaining than work.

There’s no efficient way to kill yourself with a dressmaker’s pin (I wouldn’t call contracting gangrene an efficient way to kill yourself) – I puzzled over it for a long time, seeing as they’d left the pins there, but it’s just not possible. Useful for picking locks though. I so loved the burglary lessons we got when we were training. Didn’t so much enjoy the bleak aftermath of my unsuccessful attempt to put them to use – very good at picking locks but not so good at getting out of the building. Our prison cells are only hotel bedrooms, but we are guarded like royalty. And also, there are dogs. After that episode with the pins, they had a good go at making sure I wouldn’t be able to walk if I did manage to get out – don’t know where you pick up the skills for disabling a person without actually breaking her legs, Nazi School of Assault and Battery? Like everything else it wasn’t permanent damage, nothing left this week but the bruises, and they check me carefully now for stray bits of metal. I got caught yesterday trying to hide a pen nib in my hair (I didn’t have a plan for it, but you never know). Oh – often I forget I am not writing this for myself, and then it’s too late to scratch it out. The evil Engel always snatches everything away from me and raises an alarm if she sees me trying to retract anything. Yesterday I tried ripping off the bottom of the page and eating it, but she got to it first. (It was when I realised I had thoughtlessly mentioned the factory at Swinley. It is refreshing sometimes to fight with her. She has the advantage of freedom, but I am a lot more imaginative. Also I am willing to use my teeth which she is squeamish about.) Where was I? Hauptsturmführer von Linden has taken away everything I wrote yesterday. It is your own fault, you cold and soulless Jerry bastard, if I repeat myself.

If the end of the world could be localized in a precise spot, it would be the meteorological observatory of Pëtkwo: a corrugated-iron roof that rests on four somewhat shaky poles and houses, lined up on a shelf, some recording barometers, hygrometers, and thermographs, with their rolls of lined paper, which turn with a slow clockwork ticking against an oscillating nib. The vane of an anemometer at the top of a tall antenna and the squat funnel of a pluviometer complete the fragile equipment of the observatory, which, isolated on the edge of an escarpment in the municipal garden, against the pearl-gray sky, uniform and motionless, seems a trap for cyclones, a lure set there to attract waterspouts from the remote tropical oceans, offering itself already as the ideal relict of the fury of the hurricanes.

But everything else appealed too, all the paraphernalia that went with making marks on paper: fresh exercise books full of lined pages just waiting to be filled, botany books with one page lined and one page blank, project books with blank pages throughout, sketchbooks for drawing, rulers, paste, scissors, fountain pens, nibs, ink, lead pencils, erasers. They were best when new, of course, when everything lay ahead of them, and before any mistakes and erasures had occurred. Which is no doubt why I loved them, because they were promise made manifest.

Inside the bag are a couple dozen hazelnut cookies and a small plastic bag filled with what looks like mouse droppings. I open the package and drop a couple onto my tongue. They taste a little like chocolate, deeply flavored, thick, and somewhat bitter. But the aftertaste is something entirely different, sweeter, fuller, and much more complex, something you couldn't have predicted from their first gustatory impression.

Do try it on,” Cassandra urged. Despite Kathleen’s refusal, the girls insisted on draping it over her shoulders, just to see how it looked. “How beautiful,” Helen said, beaming. It was the most luxurious fabric she had ever felt, the fleece soft and cushiony. Kathleen ran her hand across the rich hues, and sighed. “I suppose I can’t ruin it with aniline dye,” she muttered. “But I’m going to tell him that I did.” “You’re going to lie?” Cassandra asked, her eyes wide. “That’s not setting a very good example for us.” “He must be discouraged from sending unsuitable gifts,” Kathleen said. “It’s not his fault if he doesn’t know any better,” Pandora pointed out. “He knows the rules,” Kathleen said darkly. “And he enjoys breaking them.” My Lord, It was very kind of you to send the lovely gift which is very useful now that the weather has turned. I am pleased to relate that the cashmere absorbed an application of black dye quite evenly so that it is now appropriate for mourning. Thank you for your thoughtfulness. Lady Trenear “You dyed it?” Devon asked aloud, setting the note on his desk with mixture of amusement and irritation. Reaching for a silver penholder, he inserted a fresh nib and pulled a sheet of writing paper from a nearby stack. That morning he had already written a half-dozen missives to lawyers, his banker, and contractors, and had hired an outside agent to analyze the estate’s finances. He grimaced at the sight of his ink-stained fingers. The lemon-and-salt paste his valet had given him wouldn’t entirely remove the smudges. He was tired of writing, and even more so of numbers, and Kathleen’s letter was a welcome distraction. The challenge could not go unanswered.

My Lord, It was very kind of you to send the lovely gift which is very useful now that the weather has turned. I am pleased to relate that the cashmere absorbed an application of black dye quite evenly so that it is now appropriate for mourning. Thank you for your thoughtfulness. Lady Trenear “You dyed it?” Devon asked aloud, setting the note on his desk with mixture of amusement and irritation. Reaching for a silver penholder, he inserted a fresh nib and pulled a sheet of writing paper from a nearby stack. That morning he had already written a half-dozen missives to lawyers, his banker, and contractors, and had hired an outside agent to analyze the estate’s finances. He grimaced at the sight of his ink-stained fingers. The lemon-and-salt paste his valet had given him wouldn’t entirely remove the smudges. He was tired of writing, and even more so of numbers, and Kathleen’s letter was a welcome distraction. The challenge could not go unanswered. Staring down at the letter with a faint smile, Deon pondered the best way to annoy her. Dipping the pen nib into the inkwell, he wrote, Madam, I am delighted to learn that you find the shawl useful in these cooler days of autumn. On that subject, I am writing to inform you of my recent decision to donate all the black curtains that currently shroud the windows at Eversby Priory to a London charitable organization. Although you will regrettably no longer have use of the cloth, it will be made into winter coats for the poor, which I am sure you will agree is a far nobler purpose. I am confident in your ability to find other ways of making the atmosphere at Eversby Priory appropriately grim and cheerless. If I do not receive the curtains promptly, I will take it to mean that you are eager for my assistance, in which case I will be delighted to oblige you by coming to Hampshire at once. Trenear Kathleen’s reply was delivered a week later, along with massive crates containing the black curtains.

To some people mishaps never come singly. Shells vanished from the desk of Commander Richardson, but in their place arrived two Free Balloon Barrage detonators. Richardson soon forgot his unnerving experience, and a month later he was again speaking on the phone — this time to Captain Long at the Ordnance Board when he prodded one of the detonators with his pen-nib. There was a deafening explosion, and as Richardson staggered into the outer room clutching a wounded hand the phlegmatic Swan picked up the receiver. “Would you mind calling back a little later, sir?” he said. “Commander Richardson has just shot himself, but I don’t think it’s anything more serious than usual.

It is Ian’s regular smoothie. Some raspberries, a fistful of spinach, Icelandic yogurt (Finnish, if they are out of Icelandic), spirulina, wheatgrass, acerola cherry powder, chlorella, kelp, acai extract, cocoa nibs, zinc, beetroot essence, chia seeds, mango zest, and ginger. It is his own invention, and he calls it Keep It Simple.

His eyes stay on me, but he keeps fearfully glancing at the approaching clouds. There is no comfort in his voice, only panic. I think of the last storm I created when Peter was focused on me and held me until it was all over. It was as if we were the only two people on the island. He knew exactly what to do; he was confident he could calm me down. Even without his magic, the calmness in him was enough. He was grounded when I was out of control, and ur acted as my anchor when I needed it most. Now with Nibs, I feel like a freak of nature because he is too scared to even touch me.

She looked at me as if I’d asked her to go and pluck another quill from the goose and sharpen its nib. A few

Her pen had a heart inside, and the nib was a wound in a vein.

Dina hummed to herself as she pulled out an empty jam jar from a busy cupboard. It was still labeled "Apricot Jam" from the batch her mum had made for her last year--- jam that tasted like bottled sunshine. There wasn't an exact science to the magic, but Dina often found that the best tea blends were ones she put into secondhand jars, ones that had been full of delicious, wonderful things. She clipped her curls out of her face and headed into the pantry. The walls were lined floor-to-ceiling with all manner of jars and boxes, all individually labeled in Dina's messy handwriting. She kept her spices together, along with other baking essentials like fish vanilla, cake flour, and a tin that was labeled "Eye of Newt" but actually contained nutmeg. Her tea selection had several shelves dedicated to it. Aside from the specialty blends she made for the shop, Dina kept a collection of tea and tisane ingredients, which she could mix into more personal blends at a moment's notice. Dina never felt more in her element as a kitchen witch than when she was looking through her pantry. Scott's tea blend needed to be something that encapsulated his energies yet also helped him in some way. A tea to drink in the middle of a long work day, Dina decided. She twirled a curl around her finger as she focused. She hadn't met any of his fellow curators yet, but from what Scott had told her they could be a bit of a handful. So the kind of tea that would help him get through a long meeting. Something to sharpen a tired mind. Dina knew just the thing for it. She scooped up several jars and laid them out on the counter before her. Black tea--- a full-bodied assam, cacao nibs, dried ginger and... it was missing something. Dina stepped back into the pantry and surveyed her shelves with her hands on her hips. She knew that this would need one more ingredient to be perfect for Scott. Lion's mane mushroom? Perhaps a little too earthy. Clove? Too heavy. It would overpower the other flavors. As her eyes skirted over the rows of jars, she spotted it. A small glass jar with a dark red powder in it. Dried beetroot! Perfect! Energizing yet slightly sweet and smooth, and it would make Scott look like he was drinking some kind of red-velvet-themed drink. Which was also his favorite cake flavor.

Eldrith Jhondar, seated at a lapis-inlaid table beneath a hanging on one white-plastered wall, was making careful notes from a tattered manuscript; sometimes she absently cleaned the nib of her pen on the sleeve of her dark wool dress. Marillin

There was little conversation between them, just an oddly companionable silence. “What time is it?” Daisy would ask every now and then, and he would produce a pocket watch. Mildly intrigued by the jangle of objects in his coat pocket, Daisy demanded to see what was inside it. “You’ll be disappointed,” Swift said as he unearthed the collection of items. He dumped the lot into her lap while Daisy sorted through it all. “You’re worse than a ferret,” she said with a grin. There was the folding knife and the fishing line, a few loose coins, a pen nib, the pair of spectacles, a little tin of soap— Bowman’s, of course— and a slip of folded waxed paper containing willowbark powder. Holding the paper between thumb and forefinger, Daisy asked, “Do you have headaches, Mr. Swift?” “No. But your father does whenever he gets bad news. And I’m usually the one who delivers it.” Daisy laughed and picked up a tiny silver match case from the pile in her lap. “Why matches? I thought you didn’t smoke.” “One never knows when a fire will be needed.” Daisy held up a paper of straight pins and raised her brows questioningly. “I use them to attach documents,” he explained. “But they’ve been useful on other occasions.” She let a teasing note enter her voice. “Is there any emergency for which you are not prepared, Mr. Swift?” “Miss Bowman, if I had enough pockets I could save the world.

Did I hear that right? Edgewood's its own little fiefdom now?" She pressed the heels of her hands into her eyes and let the car's acceleration comfort her. "Uh. Yeah. And Crow's Neck, too, I guess." "And you're its queen." "Oh God no, don't call me that." "Yes, Your Highness." "Chaz." "Yes. Your Ladyship? Oh, no, wait. Your Nibs?" He glanced over at her. "Get it? Because vampires nibble on people? Ow, don't hit the driver!

Ingredients 2 cups frozen cherries 1 frozen banana 2 tablespoons cacao powder 2 tablespoons chia seeds 2 tablespoons cacao nibs 1 leaf dinosaur kale 1 cup apple juice 1 cup filtered water

THE QUILL SWIRLED and lunged over the page in a slow but relentless three-steps-forward, two-steps-back sort of process, and finally came to a full stop in a tiny pool of its own ink. Then Louis Phélypéaux, first comte de Pontchartrain, raised the nib; let it hover for an instant, as if gathering his forces; and hurled it backwards along the sentence, tiptoeing over i’s, slashing through t’s and x’s, nearly tripping over an umlaut, building speed and confidence while veering through a slalom-course of acute and grave accents, pirouetting though cedillas and carving vicious snap-turns through circumflexes. It was like watching the world’s greatest fencing-master dispatch twenty opponents with a single continuous series of maneuvers.

Never interrupt an author when he or she is ‘in the zone’, else you’ll understand the real meaning of ‘writer’s nib’.

I write into an old book that smells of dust and whose pages are floppy with damp. Sometimes the ink splodges onto the paper, other times it will barely leave the nib of my pen.

Why can’t people just stick with bullets and energy bursts and be happy about it?” “Because people are assholes,” said Bear, dutifully keeping his head down. “Ninety percent of all problems are caused by people being assholes.” “What causes the other ten percent?” asked Kizzy. “Natural disasters,” said Nib. The

Autobiography, we know, is flawed from the moment the nib of the pen touches the parchment.

The thing that he was about to do was to open a diary. This was not illegal (nothing was illegal, since there were no longer any laws), but if detected it was reasonably certain that it would be punished by death, or at least by twenty-five years in a forced-labour camp. Winston fitted a nib into the penholder and sucked it to get the grease off. The pen was an archaic instrument, seldom used even for signatures, and he had procured one, furtively and with some difficulty, simply because of a feeling that the beautiful creamy paper deserved to be written on with a real nib instead of being scratched with an ink-pencil. Actually he was not used to writing by hand. Apart from very short notes, it was usual to dictate everything into the speak-write which was of course impossible for his present purpose. He dipped the pen into the ink and then faltered for just a second. A tremor had gone through his bowels. To mark the paper was the decisive act. In small clumsy letters he wrote:

The thing that he was about to do was to open a diary. This was not illegal (nothing was illegal, since there were no longer any laws), but if detected it was reasonably certain that it would be punished by death, or at least by twenty-five years in a forced-labour camp. Winston fitted a nib into the penholder and sucked it to get the grease off. The pen was an archaic instrument, seldom used even for signatures, and he had procured one, furtively and with some difficulty, simply because of a feeling that the beautiful creamy paper deserved to be written on with a real nib instead of being scratched with an ink-pencil. Actually he was not used to writing by hand. Apart from very short notes, it was usual to dictate everything into the speak-write which was of course impossible for his present purpose. He dipped the pen into the ink and then faltered for just a second. A tremor had gone through his bowels. To mark the paper was the decisive act. In small clumsy letters he wrote: April 4th, 1984.

The gift of phrase was instantaneous to him in him, and that must partly account for his huge output; but there was a plentitude of mind as well as a swiftness of phrase to help him; he never put a nib wrong.

The gift of phrase was instantaneous in him, and that must partly account for his huge output; but there was a plentitude of mind as well as a swiftness of phrase to help him; he never put a nib wrong.

Well,” he said. “The troublesome two.” “Troublesome to whom?” asked Andrew. “Us at the Yard. Though I’ll admit you’ve given a certain amount of trouble to a few yobbos, too.” “I should say we have,” said Sara. “You wouldn’t have solved half the cases you have if it wasn’t for us. Where’s Wyatt?” “He’ll be along. He was on his way here when the commissioner sent for him. So he sent me over to tell you why he was late and that he’d be here when he could.” “Something up?” asked Andrew. “There’s always something up at the Yard. What do you think we do all day, sit around figuring form for the races?” “I know you do most of the time. But I meant something important. There must be if the commissioner sent for Wyatt.” “How do you know he didn’t want to ask him who his tailor is?” “He probably asked him that a long time ago,” said Sara. “Come on, Sergeant. Tell us.” “I will not. That’s how the trouble always starts. Someone tells you three words about a case, and the next thing we know you’re in it up to your sit-me-downs.” “All right,” said Andrew. “Just tell us if it’s animal, vegetable or mineral.” “I’ll tell you nothing. I’ll tell Frank here,” he said to the waiter who had reappeared, “what his nibs is having for lunch. And by the time it gets here, he’ll be here. A steak and kidney pie for the inspector, Frank.” “And a pint of your best bitter, of course.” “Of course.” Sara and Andrew decided to have steak and kidney pie, too, and Tucker proved to be as good a prophet in this as he was in most things, for about the time the waiter reappeared with their order, Wyatt came hurrying in. “Sorry I’m late. You explained?” he asked Tucker. “I did.” “I left a note on your desk. Take care of it as soon as you can.” “Aren’t you having lunch with us?” Sara asked Tucker. “Someone has to hold the fort,” said the sergeant. “I’ll grab a bite at the pub, but I suspect I’ll be seeing the two of you again sometime soon.” And giving them an exaggerated salute, he left.

Dang nib it,” said Leroy. He stopped and took off his hat.

You shouldn't listen to me. I only know half as much as I pretend to." "Well, in that case, I suppose can listen to you half the time." A small smile played at the corner of her lips. "But not about arsenic." His grin stretched, beckoning hers, and— damn, there it was again, that spark, that small absorbing heat, as though their mirrored smiles were kindling. The whisky burn once again stirred him, and he knew by the answering flare in her hazel eyes, she saw it happen. He cleared his throat, absently running his hand along his newly smooth jaw. “You shaved, I see.” Her eyes followed his fingers. “Yes.” She lowered her eyes and found a fresh page in her journal. “I’m partial to it, you know.” “The poison? Or the beard?” “Ah.” She pressed her thumb to the nib of her pen. “What fun would it be if I told you?

The first thing I did as your husband was to “sit you down,” like the old folks say. You were wasting your time and your talents doing temp work. You wanted to sew, so I made it happen. No strings. That was my love letter to say, “I got this. Make your art. Rest yourself. Whatever you need to do.” But now all I have is this paper and this raggedy ink pen. It’s a ballpoint, but they take away the casing so you just have the nib and this plastic tube of ink. I’m looking at it, thinking, This is all I have to be a husband with? But here I am trying. Love, Roy

The thing that he was about to do was to open a diary. This was not illegal (nothing was illegal, since there were no longer any laws), but if detected it was reasonably certain that it would be punished by death, or at least by twenty-five years in a forced-labor camp. Winston fitted a nib into the penholder and sucked it to get the grease off.

Red wrote too much too fast. Her pen had a heart inside, and the nib was a wound in a vein. She stained the page with herself. She sometimes forgets what she wrote, save that it was true, and the writing hurt.