New Slippers Quotes

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This is my life, I thought...I have excised the cancer from my past, cut it out; I have crossed the high plains, descended into the desert, traversed oceans, and planted my feet in new soil; I have been the apprentice, paid my dues, and have just become master of my ship. But when I look down, why do I see the ancient, tarred, mud-stained slippers that I buried at the start of the journey still stuck to my feet?
Abraham Verghese (Cutting for Stone)
When she faced the noise, she found the mayor’s wife in a brand-new bathrobe and slippers. On the breast pocket of the robe sat an embroidered swastika. Propaganda even reached the bathroom.
Markus Zusak (The Book Thief)
Then [Badger] fetched them dressing-gowns and slippers, and himself bathed the Mole's shin with warm water and mended the cut with sticking-plaster till the whole thing was just as good as new, if not better.
Kenneth Grahame (The Wind in the Willows)
strong is she who knows when she needs to lay her battles down to rest.  strong is she who knows the difference between quitting  & self-preservation.  every full moon is a reminder of what has come full circle  & must be released.  every new moon is a chance to start anew.  —cherish your every phase.
Amanda Lovelace (Break Your Glass Slippers (You Are Your Own Fairy Tale, #1))
For Daisy was young and her artificial world was redolent of orchids and pleasant, cheerful snobbery and orchestras which set the rhythm of the year, summing up the sadness and suggestiveness of life in new tunes. All night the saxophones wailed the hopeless comment o the 'Beale Street Blues' while a hundred pairs of golden and silver slippers shuffled the shiny dust. At the grey tea hour there were always rooms that throbbed incessantly with this low, sweet fever, while fresh faces drifted here and there like rose petals blown by the sad horns around the floor.
F. Scott Fitzgerald (The Great Gatsby)
I got out of the car and slammed its door. How matter-of-fact, how square that slam sounded in the void of the sunless day! Woof, commented the dog perfunctorily. I pressed the bell button, it vibrated through my whole system. Personne. Je resonne. Repersonne. From what depth this re-nonsense? Woof, said the dog. A rush and a shuffle, and woosh-woosh went the door. Couple of inches taller. Pink-rimmed glasses. New, heaped-up hairdo, new ears. How simple! The moment, the death that I had kept conjuring up for three years was as simple as a bit of dry wood. She was frankly and hugely pregnant. Her head looked smaller (only two seconds had passed really, but let me give them as much wooden duration as life can stand), and her pale-freckled cheeks were hollowed, and her bare shins and arms had lost all their tan, so that the little hairs showed. She wore a brown, sleeveless felt dress and sloppy felt slippers. 'We-e-ell!' she exhaled after a pause with all the emphasis of wonder and welcome. 'Husband at home?' I croaked, fist in pocket. I could not kill her, of course, as some have thought. You see I loved her. It was love at first sight, at last sight, at ever and ever sight.
Vladimir Nabokov
Mrs. Pott's beady black eyes narrowed,"Do you know how many glass slippers I have to stitch when I get home? There's a Mad Hatter serenading a toaster as we speak. There could be mayhem wreaking havoc all over the love in New Gotham, granted what thankless ingrates you are. But here I am! I've taken a chance on you..
Sophie Avett ('Twas the Darkest Night (Darkest Hour Saga, #1) (New Gotham Fairy Tale))
This is my life, I thought...I have exised the cancer from my past, cut it out; I have crossed the high plains, descended into the desert, traversed oceans, and planted my feet in new soil; I have been the apprentice, paid my dues, and have just become master of my ship. But when I look down, why do I see the ancient, tarred, mudstained slippers that I buried at the start of the journey still stuck to my feet?
Abraham Verghese (Cutting for Stone)
In the morning it shuffles, unhurried, across the wet fields in its black slippers, in its coal-colored coat with the white stripe like a river running down its spine
Mary Oliver (New and Selected Poems, Volume One)
When someone close to you is dying, you can begin to feel wary of their everyday belongings. You've heard horror stories about sorting through 'their things' in the weeks afterwards. You look with mounting unease at your mother's dressing gown, her slippers, her purse hanging, uncharacteristically unemployed, on the bathroom hook...
Laurence Scott (Picnic Comma Lightning: In Search of a New Reality)
Being perfectly turned out, from kid slippers to lace parasol, including pearl-embroidered petticoats and the third new pair of gloves that day, was the exclusive province of the American woman. More, it was her patriotic duty. The daughters of dukes could indulge in loose-waisted “pre-Raphaelite” dresses, but Americans had to look like aristocrats.
Carol Wallace (To Marry an English Lord)
This is my life, I thought, as my taxi slogged through heavy traffic and inched through the tunnel to Logan Airport. I have excised the cancer from my past, cut it out; I have crossed the high plains, descended into the desert, traversed oceans, and planted my feet in new soil; I have been the apprentice, paid my dues, and just become the master of my ship. But when I look down, why do I see the ancient, tarred, mud-stained slippers that I buried at the start of the journey still stuck to my feet?
Abraham Verghese (Cutting for Stone)
While dragging herself up she had to hang onto the rail. Her twisted progress was that of a cripple. Once on the open deck she felt the solid impact of the black night, and the mobility of the accidental home she was about to leave. Although Lucette had never died before—no, dived before, Violet—from such a height, in such a disorder of shadows and snaking reflections, she went with hardly a splash through the wave that humped to welcome her. That perfect end was spoiled by her instinctively surfacing in an immediate sweep — instead of surrendering under water to her drugged lassitude as she had planned to do on her last night ashore if it ever did come to this. The silly girl had not rehearsed the technique of suicide as, say, free-fall parachutists do every day in the element of another chapter. Owing to the tumultuous swell and her not being sure which way to peer through the spray and the darkness and her own tentaclinging hair—t,a,c,l—she could not make out the lights of the liner, an easily imagined many-eyed bulk mightily receding in heartless triumph. Now I’ve lost my next note. Got it. The sky was also heartless and dark, and her body, her head,and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness, in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes—telling them to pass it on and on in a trick-crystal regression—that what death amounted to was only a more complete assortment of the infinite fractions of solitude. She did not see her whole life flash before her as we all were afraid she might have done; the red rubber of a favorite doll remained safely decomposed among the myosotes of an un-analyzable brook; but she did see a few odds and ends as she swam like a dilettante Tobakoff in a circle of brief panic and merciful torpor. She saw a pair of new vairfurred bedroom slippers, which Brigitte had forgotten to pack; she saw Van wiping his mouth before answering, and then, still withholding the answer, throwing his napkin on the table as they both got up; and she saw a girl with long black hair quickly bend in passing to clap her hands over a dackel in a half-tom wreath. A brilliantly illumined motorboat was launched from the not-too-distant ship with Van and the swimming coach and the oilskin-hooded Toby among the would-be saviors; but by that time a lot of sea had rolled by and Lucette was too tired to wait. Then the night was filled with the rattle of an old but still strong helicopter. Its diligent beam could spot only the dark head of Van, who, having been propelled out of the boat when it shied from its own sudden shadow, kept bobbing and bawling the drowned girl’s name in the black, foam-veined, complicated waters.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
First of all, he knows I don’t drink. Second, he knows I was born in New York and that if there’s one thing I can’t stand it’s atmosphere. Third, he knows I live about seventy goddam blocks from the Village. And fourth, I told him three times I was in my pajamas and slippers.
J.D. Salinger (Franny and Zooey)
Mrs. Potts beady black eyes narrowed,"Do you know how many glass slippers I have to stitch when I get home? There's a Mad Hatter serenading a toaster as we speak. There could be mayhem wreaking havoc all over the love in New Gotham, granted what thankless ingrates you are. But here I am!
Sophie Avett ('Twas the Darkest Night (Darkest Hour Saga, #1) (New Gotham Fairy Tale))
Long Distance II Though my mother was already two years dead Dad kept her slippers warming by the gas, put hot water bottles her side of the bed and still went to renew her transport pass. You couldn’t just drop in. You had to phone. He’d put you off an hour to give him time to clear away her things and look alone as though his still raw love were such a crime. He couldn’t risk my blight of disbelief though sure that very soon he’d hear her key scrape in the rusted lock and end his grief. He knew she’d just popped out to get the tea. I believe life ends with death, and that is all. You haven’t both gone shopping; just the same, in my new black leather phone book there’s your name and the disconnected number I still call.
Tony Harrison (Selected Poems)
Nice slippers,” Davin grinned. They were green and furry. “Thanks.” I shrugged and looked him over, half expecting to see a new injury. “So what’s up?” He had one hand behind his back.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
And, of course, there was Marjorie Harvey, who besides having a fairylike face and a dazzling, bewildering tongue was already justly celebrated for having turned five cart-wheels in succession during the last pump-and-slipper dance at New Haven. Warren, who had grown up across the street from Marjorie, had long been "crazy about her." Sometimes she seemed to reciprocate his feeling with a faint gratitude, but she had tried him by her infallible test and informed him gravely that she did not love him. Her test was that when she was away from him she forgot him and had affairs with other boys.
F. Scott Fitzgerald (Bernice Bobs Her Hair)
Come on. We've just time to find you a doll before the shops close.' Rose sat up directly. 'But the ribbon broke on my right slipper and Mrs. Stella said I can't go outside until I have new shoes.' ... He stood, and she looked up at him. She did not hold out her arms, but it seemed he was expected to pick her up. 'Didn't you announce that you don't like to be carried?' 'I make exceptions when I am ill shod.' The child stared back at Thorn as if there was nothing odd about her speech. He gathered her up into his arms and remarked, 'At least you smell better now.' He glanced down in time to see cool gray eyes narrow. 'So do you,' she said. Thorn stared down at her. Had she? Yes, she had. 'That was not a polite comment,' he told her. She looked off, into the corner of the bedchamber, but her implication was obvious: *he* had been impolite to point out her former odor.
Eloisa James (Three Weeks With Lady X (Desperate Duchesses, #7; Desperate Duchesses by the Numbers, #1))
There used to be a rubbish heap under the great tree in Dhoby Ghaut with a sarabat stall parked next to it. It was a low, sprawling rubbish heap made up of the usual things—refuse from dustbins, paper, old tins and slippers and leaves from the tree above. Then one day, people forgot about it. They found a new dumping place and the old rubbish heap settled low on the ground. Time passed and its contents became warm and rich and fertile and people living in the area would take away potfuls of it to plant flowers in. Somehow, a rose cutting, slim as a cheeping chicken’s leg and almost brown, appeared on the rubbish heap one day.
Gregory Nalpon (The Wayang at Eight Milestone: Stories & Essays)
I know you,” he added, helping to arrange the blanket over my shoulders. “You won’t drop the subject until I agree to check on your cousin, so I’ll do it. But only under one condition.” “John,” I said, whirling around to clutch his arm again. “Don’t get too excited,” he warned. “You haven’t heard the condition.” “Oh,” I said, eagerly. “Whatever it is, I’ll do it. Thank you. Alex has never had a very good life-his mother ran away when he was a baby, and his dad spent most of his life in jail…But, John, what is all this?” I swept my free hand out to indicate the people remaining on the dock, waiting for the boat John had said was arriving soon. I’d noticed some of them had blankets like the one he’d wrapped around me. “A new customer service initiative?” John looked surprised at my change of topic…then uncomfortable. He stooped to reach for the driftwood Typhon had dashed up to drop at his feet. “I don’t know what you mean,” he said, stiffly. “You’re giving blankets away to keep them warm while they wait. When did this start happening?” “You mentioned some things when you were here the last time….” He avoided meeting my gaze by tossing the stick for his dog. “They stayed with me.” My eyes widened. “Things I said?” “About how I should treat the people who end up here.” He paused at the approach of a wave-though it was yards off-and made quite a production of moving me, and my delicate slippers, out of its path. “So I decided to make a few changes.” It felt as if one of the kind of flowers I liked-a wild daisy, perhaps-had suddenly blossomed inside my heart. “Oh, John,” I said, and rose onto my toes to kiss his cheek. He looked more than a little surprised by the kiss. I thought I might actually have seen some color come into his cheeks. “What was that for?” he asked. “Henry said nothing was the same after I left. I assumed he meant everything was much worse. I couldn’t imagine it was the opposite, that things were better.” John’s discomfort at having been caught doing something kind-instead of reckless or violet-was sweet. “Henry talks too much,” he muttered. “But I’m glad you like it. Not that it hasn’t been a lot of added work. I’ll admit it’s cut down on the complaints, though, and even the fighting amongst our rowdier passengers. So you were right. Your suggestions helped.” I beamed up at him. Keeper of the dead. That’s how Mr. Smith, the cemetery sexton, had referred to John once, and that’s what he was. Although the title “protector of the dead” seemed more applicable. It was totally silly how much hope I was filled with by the fact that he’d remembered something I’d said so long ago-like maybe this whole consort thing might work out after all. I gasped a moment later when there was a sudden rush of white feathers, and the bird he’d given me emerged from the grizzly gray fog seeming to engulf the whole beach, plopping down onto the sand beside us with a disgruntled little humph. “Oh, Hope,” I said, dashing tears of laughter from my eyes. Apparently I had only to feel the emotion, and she showed up. “I’m sorry. I didn’t mean to leave you behind. It was his fault, you know.” I pointed at John. The bird ignored us both, poking around in the flotsam washed ashore by the waves, looking, as always, for something to eat. “Her name is Hope?” John asked, the corners of his mouth beginning to tug upwards. “No.” I bristled, thinking he was making fun of me. Then I realized I’d been caught. “Well, all right…so what if it is? I’m not going to name her after some depressing aspect of the Underworld like you do all your pets. I looked up the name Alastor. That was the name of one of the death horses that drew Hades’s chariot. And Typhon?” I glanced at the dog, cavorting in and out of the waves, seemingly oblivious of the cold. “I can only imagine, but I’m sure it means something equally unpleasant.
Meg Cabot (Underworld (Abandon, #2))
example of one of the big differences between Kristy and me. I was wearing a very short pink cotton dress, white tights, and black ballet slippers. I had swept all of my hair way over to one side, where it was held in place with a piece of pink cloth that matched the dress. Only one ear showed, and in it I had put my big palm tree earring. (Kristy was not wearing any jewelry.)
Ann M. Martin (Claudia and the New Girl (The Baby-sitters Club, #12))
Deep down, Story Easton knew what would happen if she attempted to off herself—she would fail It was a matter of probability. This was not a new thing, failure. She was, had always been, a failure of fairy-tale proportion. Quitting wasn’t Story’s problem. She had tried, really tried, lots of things during different stages of her life—Girl Scours, the viola, gardening, Tommy Andres from senior year American Lit—but zero cookie sales, four broken strings, two withered azalea bushes, and one uniquely humiliating breakup later, Story still had not tasted success, and with a shriveled-up writing career as her latest disappointment, she realized no magic slippers or fairy dust was going to rescue her from her Anti-Midas Touch. No Happily Ever After was coming. So she had learned to find a certain comfort in failure. In addition to her own screw-ups, others’ mistakes became cozy blankets to cuddle, and she snuggled up to famous failures like most people embrace triumph. The Battle of Little Bighorn—a thing of beauty. The Bay of Pigs—delicious debacle. The Y2K Bug—gorgeously disappointing fuck-up. Geraldo’s anti-climactic Al Capone exhumation—oops! Jaws III—heaven on film. Tattooed eyeliner—eyelids everywhere, revolting. Really revolting. Fat-free potato chips—good Lord, makes anyone feel successful.
Elizabeth Leiknes (The Understory)
The rhododendron, growing every minute somewhere in Alpine meadows, are far happier than we, for they know neither love, nor hate, nor the Perillo slipper system, and they don't even die, since all nature, excepting man, is one undying, indestructible whole. If one tree somewhere in the forest perishes from old age, before dying, it gives the wind so many seeds, and so many new trees grow up around it on the land, near and far, that the wold tree, especially the rhododendron doesn't mind dying. [...] Only man minds and feels bitter, and burdened as he is with egotistical pity for himself.
Sasha Sokolov (A School for Fools (English and Russian Edition))
I got back from the University late in the afternoon, had a quick swim, ate my dinner, and bolted off to the Stanton house to see Adam. I saw him sitting out on the galley reading a book (Gibbon, I remember) in the long twilight. And I saw Anne. I was sitting in the swing with Adam, when she came out the door. I looked at her and knew that it had been a thousand years since I had last seen her back at Christmas when she had been back at the Landing on vacation from Miss Pound's School. She certainly was not now a little girl wearing round-toed, black patent-leather, flat-heeled slippers held on by a one-button strap and white socks held up by a dab of soap. She was wearing a white linen dress, cut very straight, and the straightness of the cut and the stiffness of the linen did nothing in the world but suggest by a kind of teasing paradox the curves and softnesses sheathed by the cloth. She had her hair in a knot on the nape of her neck, and a little white ribbon around her head, and she was smiling at me with a smile which I had known all my life but which was entirely new, and saying, 'Hello, Jack,' while I held her strong narrow hand in mine and knew that summer had come.
Robert Penn Warren
Cabal. Cabal. Cabal. I summon you to me. Now." Simi and Kody exchanged a look that said he was as crazy as he suddenly felt when nothing happened. Great, Dad. I can look stupid on my own. Didn't really need you to help out on that front. That was his thought until he heard a curse and something slammed into him, knocking him against the wall. Nick shoved his attacker away, then froze as he looked into a pair of familiar, startled brown eyes. Now this was the giant badass-tough demon that Nick was used to. "Malphas?" Tense and braced to fight, Caleb turned around slowly, surveying every aspect of his new surroundings. He paused as he faced Kody and Simi. "Where the heck am I? And how did I get here?" Kody pointed to Nick. "Apparently, Nick summoned you." "Nick?" Caleb glanced right past Nick and kept searching the room with his gaze. "Our Nick? Where is the little booger?" She gestured even more exaggeratedly at Nick's position. "Right there." Caleb's jaw went slack as he faced him."Nick?" "Caleb?" The word had barely left his lips before Caleb grabbed him into a bear hug and held him tight. Which was extremely awkward and gross. Completely weirded out by it, Nick tried to disentangle himself from the demon. It wasn't like Caleb to show any emotion toward him other than irritation or frustration. Sometimes anger. "Stop C! If you're going to hug me like this, you got to buy me dinner first, boy. And it's got to be someplace nice, like Antoine's or Brennan's. I ain't easy or cheap." Laughing, Caleb stepped back and narrowed his eyes on Nick as he held him by his arms. "Dude . . . did you lose a bet with a sorcerer or something?" Nick gave him a droll smirk. "Don't taunt me now that I know your real name. I'm told I can do some damage to you with that. Make you fetch my slippers and stuff.
Sherrilyn Kenyon (Illusion (Chronicles of Nick, #5))
In Europe my family left their toes, but to Ellis Island they brought a dream. The old American dream. Work hard, save your money, be decent, and success you're bound to have. A business of your own. A house. Nice food on the table, carpets, curtains. Maybe two weeks in December in Miami Beach. Only if you're my family you swim with your slippers on. Okay. I grew up with that dream. But these artists you're describing, the self-promoting crybabies what are intentionally being scholckmeisters and gonifs, they dream the new American dream. And the new one is to achieve wealth and recognition without having the burden of intelligence, talent, sacrifice, or the human values what are universal.
Tom Robbins (Skinny Legs and All)
We’ve got the guest room all set up.” He gives me a fond look before saying, “Lara Jean put in a new pair of slippers and a robe for you, Ravi.” Before Ravi can reply, Margot says, “Oh, that’s so nice. But actually, I think Ravi’s just going to stay with me in my room.” It’s as if Margot has dropped a stink bomb in the middle of our living room. Kitty and I are looking at each other with huge OMG eyes; Daddy just looks stunned and at a complete loss for words. When I made up the guest room for Ravi, folded a set of towels for him on the side of the bed, and put out the robe and slippers, it never occurred to me that he’d be staying in Margot’s room. Clearly, the thought never occurred to Daddy either. Daddy’s face is growing redder by the second. “Oh, um…I don’t know if…” Margot purses her lips nervously as she waits for Daddy to finish his sentence. We’re all waiting, but he can’t seem to figure out what to say next. His eyes dart over to Ms. Rothschild for help, and she puts her hand on the small of his back in support. Poor Ravi looks supremely uncomfortable. My first thought was that he was a Ravenclaw like Margot; now I’m thinking he’s a Hufflepuff like me. In a soft voice he says, “I truly don’t mind staying in the guest room. I’d hate to make things awkward.” Daddy starts to answer him, but Margot gets there first. “No, it’s totally fine,” she assures Ravi. “Let’s go get the rest of our stuff out of the car.” The second they leave, Kitty and I turn to each other. At the same time we say, “Oh my God.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store. Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches. I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet. "Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?" We. There is no we. I know it.He knows it.And it bugs me that he tries to pretend otherwise. The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more. Acting like we won't really end long before our passports are stamped RETURN. And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce. "Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!" I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?" I gape.Surely he's joking. "Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return. Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life. Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna." Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.
Alyson Noel (Fated (Soul Seekers, #1))
Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
per hour. Handbrake knew that he could keep up with the best of them. Ambassadors might look old-fashioned and slow, but the latest models had Japanese engines. But he soon learned to keep it under seventy. Time and again, as his competitors raced up behind him and made their impatience known by the use of their horns and flashing high beams, he grudgingly gave way, pulling into the slow lane among the trucks, tractors and bullock carts. Soon, the lush mustard and sugarcane fields of Haryana gave way to the scrub and desert of Rajasthan. Four hours later, they reached the rocky hills surrounding the Pink City, passing in the shadow of the Amber Fort with its soaring ramparts and towering gatehouse. The road led past the Jal Mahal palace, beached on a sandy lake bed, into Jaipur’s ancient quarter. It was almost noon and the bazaars along the city’s crenellated walls were stirring into life. Beneath faded, dusty awnings, cobblers crouched, sewing sequins and gold thread onto leather slippers with curled-up toes. Spice merchants sat surrounded by heaps of lal mirch, haldi and ground jeera, their colours as clean and sharp as new watercolor paints. Sweets sellers lit the gas under blackened woks of oil and prepared sticky jalebis. Lassi vendors chipped away at great blocks of ice delivered by camel cart. In front of a few of the shops, small boys, who by law should have been at school, swept the pavements, sprinkling them with water to keep down the dust. One dragged a doormat into the road where the wheels of passing vehicles ran over it, doing the job of carpet beaters. Handbrake honked his way through the light traffic as they neared the Ajmeri Gate, watching the faces that passed by his window: skinny bicycle rickshaw drivers, straining against the weight of fat aunties; wild-eyed Rajasthani men with long handlebar moustaches and sun-baked faces almost as bright as their turbans; sinewy peasant women wearing gold nose rings and red glass bangles on their arms; a couple of pink-faced goras straining under their backpacks; a naked sadhu, his body half covered in ash like a caveman. Handbrake turned into the old British Civil Lines, where the roads were wide and straight and the houses and gardens were set well apart. Ajay Kasliwal’s residence was number
Tarquin Hall (The Case of the Missing Servant (Vish Puri, #1))
He opened his eyes then, white fire flaring hotly within them. “Send me home, Legna,” he commanded her, his voice hoarse with suppressed emotion. She moved her head in affirmation even as she leaned toward him to catch his mouth once more in a brief, territorial kiss, her teeth scoring his bottom lip as she broke away. It was an incidental wound, one he could heal in the blink of an eye. But he wouldn’t erase her mark on him, and they both knew it. Finally, she stepped back, closed her eyes, and concentrated on picturing his home in her thoughts. She had been in his parlor dozens of times as a guest, always accompanied by Noah. His library, his kitchen, even the grounds of the isolated estate were well known to her. She could have sent him to any of those locations. But as she began to focus, her mind’s eye was filled with the image of a dark, elegant room she had never seen before. Hand-carved ebony-paneled walls soared up into a vast ceiling, enormous windows of intricate stained glass spilled colored light over the entire room as if a multitude of rainbows had taken up residence. It all centered around an enormous bed, the coverlet’s color indistinguishable under the blanket of colorful dawn sunlight that streamed into the room. She could feel the sun’s warmth, ready and waiting to cocoon any weary occupant who thrived on sleeping in the heat of the muted daylight sun. It was a beautiful room, and she knew without a doubt that it was Gideon’s bedroom and that he had shared the image of it with her. If she sent him there, it would be the first time she had ever teleported someone to a place she had not first seen for herself. The ability to take images of places from others’ minds for teleporting purposes was an advanced Elder ability. “You can do it,” he encouraged her softly, all of his thoughts and his will completely full of his belief in that statement. Legna kept his gaze for one last long moment, and with a flick of a wrist sent him from the room with a soft pop of moving air. She exhaled in wonder, everything inside of her knowing without a doubt that he had appeared in his bedroom, safe and sound, that very next second. Legna turned to look at her own bed and wondered how she would ever be able to sleep. Nelissuna . . . go to bed. I will help you sleep. Gideon’s voice washed through her, warming her, comforting her in a way she hadn’t thought possible. This was the connection that Jacob and Isabella shared. For the rest of the time both of them lived, each would be privy to the other’s innermost thoughts. She realized that because he was the more powerful, it was quite possible he would be able to master parts of himself, probably even hide things from her awareness and keep them private—at least, until she learned how to work her new ability with better skill. After all, she was a Demon of the Mind. It was part of her innate state of being to figure the workings of their complex minds. She removed her slippers and pushed the sleeves of her dress from her shoulders so that it sheeted off her in one smooth whisper of fabric. She closed her eyes, avoiding looking in the mirror or at herself, very aware of Gideon’s eyes behind her own. His masculine laughter vibrated through her, setting her skin to tingle. So, you are both shy and bold . . . he said with amusement as she quickly slid beneath her covers. You are a source of contradictions and surprises, Legna. My world has begun anew. As if living for over a millennium is not long enough? she asked him. On the contrary. Without you, it was far, far too long. Go to sleep, Nelissuna. And a moment after she received the thought, her eyes slid closed with a weight she could not have contradicted even if she had wanted to. Her last thought, as she drifted off, was that she had to make a point of telling Isabella that she might have been wrong about what it meant to have another to share one’s mind with.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
But there is a time that descends upon the world when you least expect it, something like the mouth of a wolf which breathes over forests and sometimes upon the head of a person of some importance, blowing out their dreams, erasing the paths which, until then, promised a sure future - and Mușa had left the house exactly during such a time. It was summer, and from behind the butcher’s the unsettling smell of crushed meat and bones was rising.  She skirted the mound which still stands high even today in the middle of the slum and proceeded on to the market.  And what a sight unfolded before her! The sky was sighing sleepily, and from under it one could hear the jingling of beads that evoked an earlier time. Mușa took lazy steps, dragging her slippers, enjoying the feeling of stepping over tiny stones that she could feel through new soles, listening to the vulgar happiness of glass and the cossetted whispers of round pearls. She rummaged through the bracelets and rings, she perused the amber jewelry, and in the end she stopped in front of a shop selling dessert accessories: silver teaspoons, coffee cups and crystal glasses, jam plates made of fragrant wood and particularly low tables, painstakingly inlaid or painted with women half-hidden in veils. Everything lost its allure however after glimpsed the the merchant selling them, a dark-skinned man, in whose eyes smoldered desires without hope – perfidious shoots, like sprigs of hemlock.  Without taking his eyes off her, the merchant offered her a silver ibric, and in its reflections, bleached by the summer sun, swam the tiny fish of temptation. (Homeric)
Doina Ruști
Try as she might, Annabelle could think of no subtle way to ask him. After grappling silently with a variety of phrases, she finally settled for a blunt question. “Were you responsible for the boots?” His expression gave nothing away. “Boots? I’m afraid I don’t take your meaning, Miss Peyton. Are you speaking in metaphor, or are we talking about actual footwear?” “Ankle boots,” Annabelle said, staring at him with open suspicion. “A new pair that was left inside the door of my room yesterday.” “Delighted as I am to discuss any part of your wardrobe, Miss Peyton, I’m afraid I know nothing about a pair of boots. However, I am relieved that you have managed to acquire some. Unless, of course, you wished to continue acting as a strolling buffet to the wildlife of Hampshire.” Annabelle regarded him for a long moment. Despite his denial, there was something lurking behind his neutral facade…some playful spark in his eyes…“Then you deny having given the boots to me?” “Most emphatically I deny it.” “But I wonder…if some one wished to have a pair of boots made up for a lady without her knowledge…how would he be able to learn the precise size of her feet?” “That would be a relatively simple task…” he mused. “I imagine that some enterprising person would simply ask a housemaid to trace the soles of the lady’s discarded slippers. Then he could take the pattern to the local cobbler. And make it worth the cobbler’s while to delay his other work in favor of crafting the new shoes immediately.” “That is quite a lot of trouble for someone to go through,” Annabelle murmured. Hunt’s gaze was lit with sudden mischief. “Rather less trouble than having to haul an injured woman up three flights of stairs every time she goes out walking in her slippers.” Annabelle realized that he would never admit to giving her the boots—which would allow her to keep them, but would also ensure that she would never be able to thank him. And she knew he had—she could see it in his face.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
SENSORY AVOIDERS – SENSORY DEFENSIVENESS “And have I not told you that what you mistake for madness is but over-acuteness of the senses?” -Edgar Allen Poe, The Tell-Tale Heart (1843) Imagine a day inside Jenny’s skin. The morning alarm goes off and she startles, her heart races, her body tightens, her breathing quickens.  Her husband turns to get out of bed, grazing her foot, and she cringes, her bodily rhythms speed up another notch and her body tightens further. He sees that she seems annoyed about something and affectionately strokes her cheek. She bristles and, when he turns around, rubs where he touched her. She slowly arises to get out of bed, as she feels a bit dizzy, and quickly puts on her soft cotton house slippers, as the feel of the carpet makes her recoil, and walks into the bathroom. The bright lights her husband has left turned on assault her. Her eyes squint painfully. She quickly turns off the lights and turns on a small lamp on the sink counter. Her already overloaded system gets further destabilized. She starts to brush her teeth but the toothbrush is new and the bristles tickle her uncomfortably. She leans over to spit out the toothpaste and feels a sudden loss of balance and a surge of panic engulfs her. She steadies herself and turns on the shower. The soft spray of water from the showerhead feels like pelts of hail hitting her body. Her already stressed system is accelerating fast into overload. And her morning has only just begun!  She still has to figure out what clothes to put on, as most textures annoy her and feel uncomfortable on her body. She has to figure out what to eat for breakfast, as anything soft, mushy, or creamy repulses her. Worst of all, she has to figure out how to face the world outside that, for her, is like maneuvering through a sensory minefield. Jenny is an avoider or what is commonly known as sensory defensive (SD), a common mimicker of anxiety and panic. The sensory defensive feel too much, too soon and for too long, and experience the world as too loud, too bright, too fast and too tight, becoming easily distressed by everyday sensation
Sharon Heller (Uptight & Off Center: How Sensory Processing Disorder Throws Adults off Balance & How to Create Stability)
Growing up in NYC,The broken sidewalks, graffiti filled subways, and humid Laundromats, did not offer solace. I found solace in the strings of my violin, in my ballet slippers at the studio, and while gazing at frescoes in the halls of the Metropolitan Museum of Art. It was always in the Arts that my soul was replenished.
Susan Anne Russell
Flashing over the images were motivational messages: “Your feet are your foundation. Wake them up! Make them strong! Connect with the ground… . Natural technology allows natural motion… . Power to your feet.” Across the sole of a bare foot is scrawled “Performance Starts Here.” Then comes the grand finale: as “Tiptoe Through the Tulips” crescendos in the background, we cut back to those Kenyans, whose bare feet are now sporting some kind of thin little shoe. It’s the new Nike Free, a swooshed slipper even thinner than the old Cortez. And its slogan? “Run Barefoot.
Christopher McDougall (Born to Run: The hidden tribe, the ultra-runners, and the greatest race the world has never seen)
I was a dog in my former life, a very good dog, and, thus, I was promoted to a human being. I liked being a dog. I worked for a poor farmer guarding and herding his sheep. Wolves and coyotes tried to get past me almost every night, and not once did I lose a sheep. the farmer rewarded me with good food, food from his table. He may have been poor, but he ate well. and his children played with me, when they weren’t in school or working in the field. I had all the love any dog could hope for. When I got old, they got a new dog, and I trained him in the tricks of the trade. He quickly learned, and the farmer brought me into the house to live with them. I brought the farmer his slippers in the morning, as he was getting old, too. I was dying slowly, a little bit at a time. The farmer knew this and would bring the new dog in to visit me from time to time. The new dog would entertain me with his flips and flops and nuzzles. And then one morning I just didn’t get up. They gave me a fine burial down by the stream under a shade tree. That was the end of my being a dog. Sometimes I miss it so I sit by the window and cry. I live in a high-rise that looks out at a bunch of other high-rises. At my job I work in a cubicle and barely speak to anyone all day. This is my reward for being a good dog. The human wolves don’t even see me. They fear me not.
James Tate
I turned at this new voice, a female voice with a deep country twang. My mouth dropped open at what I saw. Dolly Parton, or a fair impersonation of her, was standing in the doorway. Big blonde hair, tiny body, enormous knockers, wearing a pink negligee set, complete with marabou feathers, even on the high-heeled slippers she wore. I realized she wasn’t Dolly because she had to be my age, or maybe a year or two older.
Kristen Ashley (Rock Chick Rescue (Rock Chick, #2))
I take one step and my heel catches on a cobble. I barely manage to stop myself before I face plant. Oh God. These shoes! What if it’s the shoes? That’s exactly what happened before. Maybe I could buy a new pair of shoes and wear them, and maybe that would fix everything. I turn around and look up and down the walk. It’s not like I’ll find a Prada shop. But they obviously make shoes somewhere, right? I stalk past several stores, peering in the windows. Someone makes shoes. They have to. “Rebecca?” Emily’s voice calls after me as I pass another shop. The shoes will fix everything. I’ll put on some of those weird slipper-style things and once I walk out of the shop, I’ll be back in London. The Prada heels are just cursed or something. I pass another store. This one has little teacups in the window. This is ridiculous. Don’t girls like shoes here? Oh. Wait. Even if I find a shoe store, how am I supposed to pay for the shoes? Maybe I don’t need the shoes, per se. Maybe I just need to take these stupid ones off. I unbuckle the straps over my foot, pick up the heel, and fling one shoe down the walkway. Liberated, I pull the other heel off and fling it down with its mate. Now what? Should I fall over? On purpose? That’s how it worked before. I had to knock my head on the sidewalk. I eye the big cobbles beneath my bare toes. They look so hard. What if I have a real concussion? Last year, Mike Lange, star quarterback, had to sit out two games because he had a concussion. We lost both games because of it, but supposedly if he got another one within a couple weeks of the first, his brain could swell and he’d get brain damage. Which doesn’t really sound that fun. Emily clears her throat. I chew on my lip and look down the walkway at my shoes. What am I, crazy? I just flung four-hundred-dollar pumps down the street.
Mandy Hubbard (Prada & Prejudice)
My hair, always pale, is now flossy white and very, very long. It is fine too, finer it seems with each passing day. It is my one vanity- Lord knows I haven't much else to be vain about. Not any more. It has been with me a long time- since 1989, this present crop. I am fortunate indeed that Sylvia is happy to brush it for me, oh so gently; to plait it, day in, day out. It is above and beyond her job description and I am very grateful. I must remember to tell her so. I missed my chance this morning, I was too excited. When Sylvia brought my juice I could barely drink it. The thread of nervous energy that had infused me all week had overnight become a knot. She helped me into a new peach dress- the one Ruth bought me for Christmas- and exchanged my slippers for the pair of outside shoes usually left to languish in my wardrobe. The leather was firm and Sylvia had to push to make them fit, but such price respectability. I am too old to learn new ways and cannot abide the tendency of the younger residents to wear their slippers out. Face paint restored some life to my cheeks, but I was careful not to let Sylvia overdo it. I am wary of looking like an undertaker's mannequin. It doesn't take much rouge to tip the balance: the rest of me is so pale, so small. With some effort I draped the gold locket around my neck, its nineteenth-century elegance incongruous against my utilitarian clothing. I straightened it, wondering at my daring, wondering what Ruth would say when she saw.
Kate Morton (The House at Riverton)
Some esoteric notions remind me of the Wizard of Oz, and advice akin to telling Dorothy to tap her ruby slippers together three times while repeating the magic mantra is told with a straight face. A few years ago there was an Australian psychic who made great claims about a monumental change on the Earth; aliens in spaceships would reveal themselves and aid us all. She gave a date. This did not happen … and she was surprised, dismayed, and embarrassed. To her credit, she admitted she was wrong, and apologized. She retreated from public view. Prophecies can be disappointing. William Miller, founder of the Christian Millerite movement, predicted that Jesus would come on 21 March 1843. A very large number of followers accepted his prophecy. When Jesus did not return, Miller then predicted a new date - 22 Oct 1844. Many Christian followers sold their property and possessions, quit their jobs and prepared themselves for the second coming. When this too failed to happen, this was called 'The Great Disappointment.' Astrologers were somewhat amused, for this was some mischief, and profound lessons, connected to Neptune, which was discovered around the same time. Look back at the origins of the Jehovah's Witnesses and you will read that their founders made their own predictions. Jesus would return, invisible, in 1874 – and that 1914 would mark the end of a 2520-year period called 'the Gentile Times.' Unfortunately that prophesied date, 1914, was the beginning of the First World War. A few years ago the Christian preacher Harold Camping of Family Radio had predicted the rapture & the end of the world in 2011. Also to his credit he apologized in 2012. Prophecies are tricky, like some humans.
Stephen Poplin (Inner Journeys, Cosmic Sojourns: Life transforming stories, adventures and messages from a spiritual hypnotherapist's casebook)
The New England wilderness March 1, 1704 Temperature 10 degrees And then a creek, so fast-flowing that even in this wicked cold it had not frozen. The Indians stood in ice water up to their thighs, handing the small children across, but the adults had to wade. Wet clothing froze to the body. In this wind, at this temperature, that could spell death. Should you fall in and get entirely wet, could you even get back on your feet in the force of that current? Would not your heart stop and your lungs fill? The adults dithered fearfully along the ice-rimmed rocks. Lord, thought Mercy, wishing for solid English shoes instead of Indian slippers, I have to get myself over, I can’t let Daniel fall in; Ruth needs help, she hasn’t thrown anything today because she’s so tired she can hardly put one foot in front of another. Joanna can’t see and Eliza is still only half here. When her turn came, however, the Indians lifted Daniel from her arms and passed him safely to the other side. Mercy took a deep breath, steeling herself to enter the frigid water, but Tannhahorens lifted her as if she weighed nothing and set her ashore, dry and safe. “Thank you, Tannhahorens,” she said. They handed Ruth over as well, but Ruth did not thank them. “How could you?” she said to Mercy as the march went on. “How could you thank that man for anything? He killed your family.
Caroline B. Cooney (The Ransom of Mercy Carter)
Matching Doll Pajamas by Leveret, Inc Does your girl love holding on to her favorite doll at night? Now surprise her with this Together ForeverMatching Girl And Doll Pajama Set. Your girl will enjoy the shared fashion between herself and her best friend. This girl and doll pajama set comes with a full-size outfit for your little one and an 18" set for the doll. Shop the best assortment of matching pajamas and sleepwear sets for girls and their dolls New collections for every season! Sets include a matching doll outfit Great fashion and great fun! Leveret Matching Girl & Doll 2 Piece Pajamas 100% Cotton. These pajama style pants and shirt are made from a comfortable cotton with hearts of red and pink all over it. Girls' Pajamas and Nightgowns with Matching 18 Inch Doll Sleepwear, Sizes 4-16: Leveret.com. Matching Girl & Doll Nightgown Set makes playtime and bedtime even more special. It comes with a printed nightgown for her and one for her 18" doll in the same design. The ruffle trim and lively colors will make this set a favorite. Find great deals on leveret for matching doll pajamas. They are trimmed with white satin and floral embroidery, button in the front and have matching little white satin slippers topped with purple pom-poms.
Leveret
With tinny drumbeats, the rain pounds the roof My teary eyes compete They can't keep up Breathe Let it go Breathe The vice on my chest tightens its razoring grip I gasp No relief If only tears could soothe the pain Then, I would look upon the tidal waves against these walls without fear Crush and roll me, I'd plead, Mold my body anew But with these tears come no healing, Just death, slow and determined This old girl, this old woman, this old soul lives here inside A tortoise outgrowing this hare's body This youthful skin encasing a crumbling frame I smooth the matted web of curls off my sweaty neck And roll my eyes at the clock How slowly the time squeaks by here in this room, In this comfortless bed I abandon the warmth from under my blanket tower and shiver The draft rattles my spine One by one, striking my vertebrae Like a spoon chiming empty wine glasses, Hitting the same fragile note till my neck shakes the chill away I swipe along the naked floor with a toe for the slippers beneath the bed Plush fabric caresses my feet Stand! Get up With both hands, Gravity jerks me back down Ugh! This cursed bed! No more, I want no more of it I try again My legs quiver in search of my former strength Come on, old girl, Come on, old woman, Come on, old soul, Don't quit now The floor shakes beneath me, Hoping I trip and fall To the living room window, I trudge My joints grind like gravel under tires More pain no amount of tears can soothe away Pinching the embroidered curtain between my knuckles, I find solace in the gloom The wind humming against the window, Makes the house creak and groan Years ago, the cold numbed my pain But can it numb me again, This wretched body and fractured soul? Outside I venture with chants fluttering my lips, Desperate solemn pleas For comfort, For mercy For ease, For health I open the plush throw spiraled around my shoulders And tiptoe around the porch's rain-soaked boards The chilly air moves through me like Death on a mission, My body, an empty gorge with no barriers to stop him, No flesh or bone My highest and lowest extremities grow numb But my feeble knees and crippling bones turn half-stone, half-bone Half-alive, half-dead No better, just worse The merciless wind freezes my tears My chin tumbles in despair I cover myself and sniffle Earth’s scent funnels up my nose: Decay with traces of life in its perfume The treetops and their slender branches sway, Defying the bitter gusts As I turn to seek shelter, the last browned leaf breaks away It drifts, it floats At the weary tree’s feet, it makes its bed alongside the others Like a pile of corpses, they lie Furled and crinkled with age No one mourns their death Or hurries to honor the fallen with thoughtful burials No rage-filled cries echo their protests at the paws trampling their fragile bodies, Or at the desecration by the animals seeking morning relief And new boundaries to mark Soon, the stark canopy stretching over the pitiful sight Will replace them with vibrant buds and leaves Until the wasting season again returns For now, more misery will barricade my bones as winter creeps in Unless Death meets me first to end it
Jalynn Gray-Wells (Broken Hearts of Queens (Lost in Love Book 1))
The Covered Toe Slipper is a great change and new addition to the slipper Styles. It is made of Soft Polyester and comes in many colors. The Flexible Sole is a Rubber Mix with treading for traction. Imprinting can be a 1-4 Spot colors or a Full Color All Over Imprint.
diecutflipflops
Adverts •   Which celebrity would you use to advertise a campaign to bring back the use of typewriters? •   If you had to advertise a new type of denim jeans only via the medium of the radio, how would you do it? •   How could you entice people over the age of seventy to join the smartphone revolution? •   How would you advertise a “manly” form of dental floss to males in their twenties? •   How could slippers
Kim Chamberlain (Conversation Starters: 1,000 Creative Ways to Talk to Anyone about Anything)
dead is what I’ll be if I can’t find that shoe. I’ll be pulverised like plasticine by Greasy Guillim if I have to go to school in my Reeboks again. Not that I can find my Reeboks either - I think they’ve decided to hide out and party with the rest of my footwear, but where? That is the question. My eyes are drawn to the shoebox in the corner, even as I struggle to avoid the elephant in the room. Well it’s not actually an elephant. Who’d have an elephant in their room? No, it’s a panda. But not just one panda – two! Two pandas I’ll be forced to wear on my feet, if I can’t come up with an alternative pretty quick. They’re still brand new, and that’s the way they’ll remain if I’ve anything to do with it. I know Granny Paddy’s old, but that’s no excuse for furry animal slippers at my age.
Jenny O'Brien (Boy Brainy (Dai Monday #1))
I'd strutted past his ground-floor grotto a gazillion times, but one day, my nosy nature nudged me to take a peek. Holy hoarders. The place was stuffed to the rafters with ancient artifacts and dust-bunny colonies, all carefully curated over eons. A skinny pathway, barely lit, snaked through the clutter, kind of like Dorothy's obstacle course to Oz. Except here, not even a desperate Dorothy would be clicking her ruby slippers, chanting, "There's no place like home." -Kim Lee ‘The Big Apple Took a Bite Off Me’ Now on Amazon Books and Kindle
Kim Lee
Gerty crushed what remained of her cigarette beneath her foot, melting the no-longer-pink plastic on the sole of the no-longer-pink slipper, and embraced the girl for a moment. She would know that it was time for new slippers when someday a cigarette burned right through.
Jean-Luke Swanepoel (The Thing About Alice)
This attitude — that the inner guru is enough — is often adopted by those whose intellectual orientation is slightly nihilistic or who are from very controlling, high- achieving families and resent the idea of yet another powerful person breathing down their necks. Then there are others who like to be led. Even when it comes to mundane issues, they don’t trust their own judgment or inner voice. They can barely go to the grocery store without being full of doubt. They also tend to be a little bit lazy, asking the guru for advice on every little thing that pops into their heads. These types of people have to learn to trust themselves and rely less on the outer guru. They might find that the more they trust the inner and secret gurus, the more they rely on and love the outer guru. Ultimately, the question of whether the inner guru is enough for you is irrelevant if your spiritual aim is to attain enlightenment. But there is an easy way to find the answer. If you can overcome any and all external circumstances, then maybe you don’t need the outer guru, because by then all appearance and experience arise as the guru anyway. On the other hand, if a practitioner is not able to control circumstances and situations, then all kinds of mind training are necessary. Therefore, one needs to be led, to be poked, to be spoon-fed. To find out whether or not you are controlled by circumstances and situations, there are myriad things you can do, such as skip lunch. If you are a man, wear a bra and walk around in public. If you are a woman, go to a fancy party in your bedroom slippers. If you are married, see if you can tolerate someone pinching your spouse’s bottom. See if you are swayed by praise, criticism, being ignored, or being showered with attention. If you get agitated, embarrassed, or infuriated, then more than likely you are still under the spell of the conditions of habit and culture. You are still a victim of causes and conditions. When a loved one dies or the life you are trying to build collapses, it’s likely that your understanding of the inner and secret gurus will not ease the pain. Nor will your understanding of “form is emptiness and emptiness is form” provide solace. In this case, you need to insert a new cause to counter these conditions. Because your understanding of the inner and secret gurus is only intellectual, you cannot call upon them. This is where the outer, physical, reachable guru is necessary. As long as you dwell in a realm where externally existing friends and lovers are necessary, as long as you are bothered by externally existing obstacles like passions and moral judgments, you need a guru. Basically, as long as you have a dualistic mind, don’t kid yourself by thinking that an inner guru is enough. When you reach a point where you can actually communicate with your inner guru, you will have little or no more dualism. You will no longer be repelled by or attracted to an outer guru. Therefore, the outer guru is necessary until you at least have the gist of the inner and secret gurus. When you realize the inner and secret gurus, you won’t even be able to find the outer guru anymore.
Dzongsar Khyentse Rinpoche
The garden awoke in spring, glorious. Rhubarb, bellwort, bloodroot, blue squill; violets carpeted the earth, and in the woods, trilliums, twayblade, cowslips, cress, lady's slipper, wild iris, wild ginger, wild pussy willows, wild, wild everything. Robert Trout and his fiancée, Lavender, walked often there, and by the river. Her mother's old haunts. All of it a wonder to Robert, for his constant travels over the past years had begun to render most landscapes an indistinct blur. He'd not attended closely to the earth's springtime bounties; there was never time. Now he was like a boy, exclaiming over each tender sprout, each clump of new moss, and "Look, here's one with a thousand tiny white stars." Lavender told him the names of the many early blooms. And their meanings. It was her school of flowers, she quipped. "And here is one named especially for you, Robert---a trout lily. For us." They stopped. She showed him its lovely mottled leaves, creamy belled petals. "And see," she continued, "how it bows its head, as if too bashful to reveal its face. And like we humans, these beauties sleep at night and open themselves in morning's light.
Jeanette Lynes (The Apothecary's Garden)
Amy tugged Edouard across the courtyard towards the carriage. A great deal of tugging was required; Edouard eyed the filth on the cobbles with extreme distaste, mincing in Amy’s wake with all the care of a young lady in new-white slippers on a rainy day. Richard grinned at the sight. Everyone knew that Edouard de Balcourt had servants run ahead of him to lay wooden planks across the streets so he wouldn’t get his fine shoes and stockings dirty. But Amy was a force not to be gainsaid.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
The Franks’ decision to go into hiding was not, however, an unusual one. Of the Jews living in Holland between 1942 and 1943, twenty thousand and perhaps as many as thirty thousand—the estimates vary widely—saw going into hiding as their only alternative to deportation. “We are quite used to the idea of people in hiding, or ‘underground,’ as in bygone days one was used to Daddy’s bedroom slippers warming in front of the fire,” Anne noted (Jan. 28, 1944; vers. B/C). But the way the Franks went into hiding was by no means typical. Most families separated, with the parents entrusting their children to the care of organized resistance groups. They drummed new family names into the chilren’s heads, names that didn’t sound Jewish, and arranged for them to live with people who—at least to the children—were utter strangers. The adults sought out other refugees. Most married couples had to separate. Very few of those who went into hiding could rely on the kind of loyal, well-organized team of helpers the Franks had, selfless people whom they had known for years and who not only provided them with essentials but also stood by them as friends, even bringing them gifts on their birthdays and holidays.
Melissa Müller (Anne Frank : The Biography)
L. Frank Baum’s book The Wonderful Wizard of Oz, which appeared in 1900, is often held to be a parable for the Populist campaign of William Jennings Bryan, who twice ran for president on the Free Silver platform—vowing to replace the gold standard with a bimetallic system that would allow the free creation of silver money alongside gold.22 As with the Greenbackers, one of the main constituencies for the movement was debtors: particularly, Midwestern farm families such as Dorothy’s, who had been facing a massive wave of foreclosures during the severe recession of the 1890s. According to the Populist reading, the Wicked Witches of the East and West represent the East and West Coast bankers (promoters of and benefactors from the tight money supply), the Scarecrow represented the farmers (who didn’t have the brains to avoid the debt trap), the Tin Woodsman was the industrial proletariat (who didn’t have the heart to act in solidarity with the farmers), the Cowardly Lion represented the political class (who didn’t have the courage to intervene). The yellow brick road, silver slippers, emerald city, and hapless Wizard presumably speak for themselves.23 “Oz” is of course the standard abbreviation for “ounce.”24 As an attempt to create a new myth, Baum’s story was remarkably effective. As political propaganda, less so.
David Graeber (Debt: The First 5,000 Years)