New Sandals Quotes

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And after that until the end, there was no relief from being a girl with chores that she wasn’t being paid for, a girl with no new sandals and a friend who wasn’t a friend but a mistress, and a family that wasn’t but people who owned her and ordered her about, and nothing at all but her pretty breasts and her round bottom and her misbehaving hair to help her feel any different.
Ru Freeman (A Disobedient Girl)
I kept saying her name and she would ask What? and I’d say her name again. I’m not afraid of how this sounds to you. I’m not embarrassed now. But if you could understand, had I—can you see why there’s no way I could let her just go away after this? Why I felt this apical sadness and fear at the thought of her getting her bag and sandals and New Age blanket and leaving and laughing when I clutched her hem and begged her not to leave and said I loved her and closing the door gently and going off barefoot down the hall and never seeing her again? Why it didn’t matter if she was fluffy or not terribly bright? Nothing else mattered. She had all my attention. I’d fallen in love with her. I believed she could save me. I know how this sounds, trust me. I know your type and I know what you’re bound to ask. Ask it now. This is your chance. I felt she could save me I said. Ask me now. Say it. I stand here naked before you. Judge me, you chilly cunt. You dyke, you bitch, cooze, cunt, slut, gash. Happy now? All borne out? Be happy. I don’t care. I knew she could. I knew I loved. End of story.
David Foster Wallace (Brief Interviews with Hideous Men)
I noted that he had a new type of sandal to go with his clothes—they had a special strap circling the big toe, and another for the rest of the toes. Around the soles, gilded lotuses were painted directly on the leather.
Margaret George (The Memoirs of Cleopatra)
Ohhhhh." A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed. She's not thinking such a thought! Not her. She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath. "Oh! Ohhhhh." It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch. "Ohhhhhh." Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.
Joyce Carol Oates (Blonde)
Every Holy Saturday, the Church waits as it were beside the tomb, meditating on Christ's death while awaiting the announcement of his resurrection. Like John, we can take Mary into our homes and ponder with her the last words of Christ. Like her, we can rest in a place between anguish and joy, waiting in quiet hope. We can pray the Divine Office, which parts the veil to show us Christ defeating death and releasing sinners from captivity. The King is not dead; he rests from his work. A new day will come. His Cross is not defeat; it is victory!
Sarah Christmyer (Walk in Her Sandals: Experiencing Christ's Passion through the Eyes of Women)
Then I knelt heedfully upright and mentally prayed as we'd been instructed to do, some scared and scientific part of me assaying myself for chemical reactions or a sudden infusion of wisdom while fancying Christ now sitting dismally in my scoundrel soul, my oh so many sins pooling like sewer water at his sandaled feet. But soon I saw that I was still me; there would be no howls of objection, no immediate correction or condemnation, no hint that I was under new management, just the calming sense that whoever I was was fine with Jesus. It was a grace I hadn't imagined.
Ron Hansen (A Stay Against Confusion: Essays on Faith and Fiction)
a delicate young girl plucking flowers Just now Dawn in golden sandals But you yourself, Kalliope I myself once wove garlands.
Sappho (Sappho: A New Translation (Reissue))
Do not get any gold or silver or copper to take with you in your belts— 10no bag for the journey or extra shirt or sandals or a staff, for the worker is worth his keep.
Anonymous (Holy Bible: NIV, New International Version)
Her mental list of items she’d need from her apartment was growing. There were things a girl just couldn’t live without, so Keegan would have to get them when he retrieved Muffin. “I need another purse. Can you get me my Prada knockoff? It’s in my closet on the shelf. Pink. It’s pink. I got it from a vendor in Manhattan. Jeez he was a tough negotiator, but it was worth the haggling. It’s soooo cute.” Keegan sighed, raspy and long. “Okay.” “Oh! And my nail polish. I have two new bottles in the bathroom under the sink in one of those cute organizer baskets, you know? Like the ones you get at Bed Bath and Beyond? God, I love those. Anyway, I need Retro Red and Winsome Wisteria.” Another sigh followed, and then a nod of consent. “My moisturizer. I never go anywhere, not even overnight, without my moisturizer. Not that I ever really go anywhere, but anyway I need it, or my skin will dehydrate and it could just be ugly. Top left side of my medicine cabinet.” “Er, okay.” “My shoes. I can’t be without shoes. Let’s see. I need my tennis shoes and my white sandals, because I don’t think there’s much hope for these, wouldn’t you say?” Marty looked up at him and saw impatience written all over his face. “And my laptop. I can’t check on my clients without my laptop, and they need me. Plus, there’s that no-good bitch Linda Fisher. I have to watch that she’s not stealing my accounts. Do you have all of that?” He gave her that stern look again. The one that made her insides skedaddle around even if it was meant in reproach. “I’m going too far, huh?” His smile was crooked. “Just a smidge.
Dakota Cassidy (The Accidental Werewolf (Accidentally Paranormal #1))
First semester, I learned that Jack Rogers sandals, so revered in college, screamed, “My small liberal arts school will always be the center of the universe!” I’d found a new axis, so into the trash went my gold, silver, and white pairs.
Jessica Knoll (Luckiest Girl Alive)
I was wearing a colorful, short cover-up over a royal blue bikini. I had on gold strappy sandals and I looked cute-as-fuck. Did I, however, look like I was about to go yachting with New York City’s upper elite? No. I probably would have fit in better at the Jersey Shore between Snooki and JWoww.
R.S. Grey (The Allure of Julian Lefray (The Allure, #1))
Before I opened my computer in the parking lot today, I relived one of my favorite memories. It's the one with Woody and me sitting on the steps of the Metropolitan Museum after it's closed. We're watching people parade out of the museum in summer shorts and sandals. The trees to the south are planted in parallel lines. The water in the fountain shoots up with a mist that almost reaches the steps we sit on. We look at silver-haired ladies in red-and-white-print dresses. We separate the mice from the men, the tourists from the New Yorkers, the Upper East Siders from the West Siders. The hot-pretzel vendor sells us a wad of dough in knots with clumps of salt stuck on top. We make our usual remarks about the crazies and wonder what it would be like to live in a penthouse apartment on Fifth Avenue overlooking the Met. We laugh and say the same things we always say. We hold hands and keep sitting, just sitting, as the sun beings to set. It's a perfect afternoon.
Diane Keaton (Then Again)
John answered all of them by saying, “I baptize you with water; but one who is more powerful than I is coming; I am not worthy to untie the thong of his sandals. He will baptize you with [27] the Holy Spirit and fire. 17 His winnowing fork is in his hand, to clear his threshing floor and to gather the wheat into his granary; but the chaff he will burn with unquenchable fire.
Anonymous (The Holy Bible: New Revised Standard Version with the Apocrypha)
Just then, a tinkling, and the flock of black and gray aristocratic goats rounded the wall of the corral with the little leprechaun of a blue-eyed milkman, in patched faded dungarees, rope sandals, and sombrero; he looked happy and pleasant; let us come into corral; new world; his world. Goats at home in bare, neat yard, drank out of water pails; black and white spotted kid. Two goats butted; one rising on hillock as if strung up from neck, poised, hung, butting down on other; playing.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
We walk the streets of Fuzhou at night, in the one summer when I come back. Streetlights send our elongated shadows tumbling ahead of us, across the neon-tinged storefronts and buzzing lamps. Everyone comes out, the old men in wife-beaters and plastic sandals, the teenagers in fake American Eagle. Senior citizen ladies roll out before bedtime in pajama pants printed with SpongeBob or fake Chanel logos. There is a Mickey D's and a KFC, street dumpling stands, bootleg shops, karaoke bars. Everything is open late, midnight or even later. There are places to get a full-body massage, an eight ball, a happy ending. If you stay on these streets long enough, it's possible you could get everything you want, have ever wanted. Because I disremember everything, because I watch a lot of China travel shows when I am alone at night in New York, because TV mixes with my dreams mixes with my memories, we walk along the concourse that runs alongside the river even though there is no river, we turn down boulevards punctuated by palm-tree clusters even though those belong in Singapore, we smoke cigarettes openly even though it's unseemly for women, especially in my family, to smoke in public. But the feeling, the feeling of being in Fuzhou at night, remains the same.
Ling Ma (Severance)
A President J.G., F.C. who said he wasn’t going to stand here and ask us to make some tough choices because he was standing here promising he was going to make them for us. Who asked us simply to sit back and enjoy the show. Who handled wild applause from camouflage-fatigue- and sandal-and-poncho-clad C.U.S.P.s with the unabashed grace of a real pro. Who had black hair and silver sideburns, just like his big-headed puppet, and the dusty brick-colored tan seen only among those without homes and those whose homes had a Dermalatix Hypospectral personal sterilization booth. Who declared that neither Tax & Spend nor Cut & Borrow comprised the ticket into a whole new millennial era (here more puzzlement among the Inaugural audience, which Mario represents by having the tiny finger-puppets turn rigidly toward each other and then away and then toward). Who alluded to ripe and available Novel Sources of Revenue just waiting out there, unexploited, not seen by his predecessors because of the trees (?). Who foresaw budgetary adipose trimmed with a really big knife. The Johnny Gentle who stressed above all—simultaneously pleaded for and promised—an end to atomized Americans’ fractious blaming of one another for our terrible 151 internal troubles. Here bobs and smiles from both wealthily green-masked puppets and homeless puppets in rags and mismatched shoes and with used surgical masks, all made by E.T.A.’s fourth- and fifth-grade crafts class, under the supervision of Ms. Heath, of match-sticks and Popsicle-stick shards and pool-table felt with sequins for eyes and painted fingernail-parings for smiles/frowns, under their masks. The Johnny Gentle, Chief Executive who pounds a rubber-gloved fist on the podium so hard it knocks the Seal askew and declares that Dammit there just must be some people besides each other of us to blame. To unite in opposition to. And he promises to eat light and sleep very little until he finds them—in the Ukraine, or the Teutons, or the wacko Latins. Or—pausing with that one arm up and head down in the climactic Vegas way—closer to right below our nose. He swears he’ll find us some cohesion-renewing Other. And then make some tough choices. Alludes to a whole new North America for a crazy post-millennial world.
David Foster Wallace (Infinite Jest)
The beatest characters in the country swarmed on the sidewalks—all of it under those soft Southern California stars that are lost in the brown halo of the huge desert encampment LA really is. You could smell tea, weed, I mean marijuana, floating in the air, together with the chili beans and beer. That grand wild sound of bop floated from beer parlors; it mixed medleys with every kind of cowboy and boogie woogie in the American night. Everybody looked like Hassel. Wild Negroes with bop caps and goatees came laughing by; then longhaired brokendown hipsters straight off Route 66 from New York; then old desert rats, carrying packs and heading for a park bench at the Plaza; then Methodist ministers with raveled sleeves, and an occasional Nature Boy saint in beard and sandals.
Jack Kerouac (On the Road)
To me it seems that man has the fortune of gods, whoever sits beside you and close, who listens to you sweetly speaking and laughing temptingly. My heart flutters in my breast whenever I quickly glance at you – I can say nothing, my tongue is broken. A delicate fire runs under my skin, my eyes see nothing, my ears roar, cold sweat rushes down me, trembling seizes me, I am greener than grass. To myself I seem needing but little to die. Yet all must be endured, since . . . [The Muses] granted me honor by the gift of their works. Golden-crowned Aphrodite, may I draw this lot . . . Stars around the fair moon hide away their radiant form whenever in fullness she lights the earth . . . you, either Cyprus, Paphos, or Palermo I yearn and I desire. in the dripping of my pain May winds and anguish take him who condemns . . . You scorch us Iridescent sandals covered her feet, fine Lydian work. To you I [sacrifice] on the altar a white goat. and I will leave for you For you beautiful women my mind never changes. Their hearts grew cold and their wings fell slack. . . . stirs up quietude . . . trouble in mind . . . sits down . . . Come now, my friends, . . . for day is nigh.
Sappho (Sappho: A New Translation (Reissue))
Theseus Within the Labyrinth pt.2 But nobody like Theseus likes a smart girl, always telling him to dress warmly and eat plenty of fiber. She was one of those people who are never in doubt. Had he sharpened his sword, tied his sandals? Without her, of course, he would have never escaped the labyrinth. Why hadn’t he thought of that trick with the ball of yarn? But as he looked down at her sleeping form, this woman who was already carrying his child, maybe he thought of their future together, how she would correctly foretell the mystery or banality behind each locked door. So probably he shook his head and said, Give me a dumb girl any day, and crept back to his ship and sailed away. Of course Ariadne was revenged. She would have told him to change the sails, to take down the black ones, put up the white. She would have reminded him that his father, the king of Athens, was waiting on a high cliff scanning the Aegean for Theseus’s returning ship, white for victory, black for defeat. She would have said how his father would see the black sails, how the grief for the supposed death of his one son would destroy him. But Theseus and his men had brought out the wine and were cruising a calm sea in a small boat filled to the brim with ex-virgins. Who could have blamed him? Until he heard the distant scream and his head shot up to see the black sails and he knew. The girls disappeared, the ship grew quiet except for the lap-lap of the water. Staring toward the spot where his father had tumbled headfirst into the Aegean, Theseus understood he would always be a stupid man with a thick stick, scratching his forehead long after the big event. But think, does he change his mind, turn back the ship, hunt up Ariadne and beg her pardon? Far better to be stupid by himself than smart because she’d been tugging on his arm; better to live in the eternal present with a boatload of ex-virgins than in that dark land of consequences promised by Ariadne, better to live like any one of us, thinking to outwit the darkness, but knowing it will catch us, that we will be surprised like the Minotaur on his couch when the door slams back and the hired gun of our personal destruction bursts upon us, upsetting the good times and scaring the girls. Better to be ignorant, to go into the future as into a long tunnel, without ball of yarn or clear direction, to tiptoe forward like any fool or saint or hero, jumpy, full of second thoughts, and bravely unprepared.
Stephen Dobyns (Velocities: New and Selected Poems, 1966-1992)
SERVANT. Have mercy upon your servant, my queen! QUEEN. The assembly is over and my servants are all gone. Why do you come at this late hour? SERVANT. When you have finished with others, that is my time. I come to ask what remains for your last servant to do. QUEEN. What can you expect when it is too late? SERVANT. Make me the gardener of your flower garden. QUEEN. What folly is this? SERVANT. I will give up my other work. I will throw my swords and lances down in the dust. Do not send me to distant courts; do not bid me undertake new conquests. But make me the gardener of your flower garden. QUEEN. What will your duties be? SERVANT. The service of your idle days. I will keep fresh the grassy path where you walk in the morning, where your feet will be greeted with praise at every step by the flowers eager for death. I will swing you in a swing among the branches of the saptaparna, where the early evening moon will struggle to kiss your skirt through the leaves. I will replenish with scented oil the lamp that burns by your bedside, and decorate your footstool with sandal and saffron paste in wondrous designs. QUEEN. What will you have for your reward? SERVANT. To be allowed to hold your little fists like tender lotus-buds and slip flower chains over your wrists; to tinge the soles of your feet with the red juice of ashoka petals and kiss away the speck of dust that may chance to linger there. QUEEN. Your prayers are granted, my servant, you will be the gardener of my flower garden.
Rabindranath Tagore (The Gardener)
A child kicked me. “What the fuck?” I said, looking down and seeing a young Chinese girl with a vinyl Hello Kitty knapsack. She laughed, and then she kicked me again, harder. I looked at her parents, but they both had dead, distant faces. The resigned expressions of older parents who had accidentally had a child, late in life. No doubt their little girl had kicked them both senseless, and now they were oblivious. But I was not oblivious. And I was not amused. “Stop that,” I said, leaning down and speaking into the top of her head. “Don’t kick.” She kicked again. The little fucker. I bent down. “Do you speak English?” I asked, sweetly. I smiled. “Do you speak English, you little cutie pie?” She nodded, gave a little giggle, and then stepped on my toes, which were exposed through the straps of my sandals. I immediately stopped smiling and narrowed my eyes. I whispered, “You kick me one more time you little cocksucker, and once we get on the boat, I’ll push your mother into the ocean, and she’ll die. And then I’ll hurt your daddy. And then I’ll be your new daddy, and I’ll take you home with me.” She moved quickly to the other side of her parents, where she kept a wary, silent eye on me. “Next time people ask if we’re ever going to have kids, I think I’ll tell them this little story,” Dennis said. “What?” I said, indignant. “She’s a horrible, spoiled little bitch.” “She’s just a little girl,” he said. I laughed. “Little girl, my ass. She’s a little Chinese dragon.” Dennis rolled his eyes, and we finally boarded the glass-bottom boat.
Augusten Burroughs (Magical Thinking)
It is no surprise, then, that the earth deities of the Old Religion were demonized or co-opted. A typical task for Greek heroes was to rid the civilized world of those “earth-born bogeys.” The Gorgon Medusa, whose gaze turned men to stone, became an obvious target. Nevertheless, on the periphery of the Greek world, there is evidence that She was venerated in her ancient powers. During the 6th century BCE on the island of Corfu, an eight-foot-high full-bodied sculpture of Medusa was placed at the highest point on the pediment of the temple of Artemis. This Medusa is not raging, but is radiant in her full potency. Snakes with open jaws extend from each side of her head and two copulating serpents encircle her waist, carrying the potential for both death and new life. She wears winged sandals, her great wings are fully extended, sheltering her two children, and her bent-knee posture suggests that she is flying. All shamanic dimensions are Hers—the Great Above, the Great Below, the Primordial Waters, and the entire expanse of the Earth. She is flanked by great felines, just as the Phrygian Mountain Goddess Cybele and the seated Ancestral Mother from Çatalhöyük before her.'' ''The establishment of the Greek patriarchal world shifted the previous cultural valence from the egalitarian continuity of the Old Religion to the extreme imposition of male dominance and the cult of the hero. Under this new world order, all challenges to male hegemonic systems were to be crushed. As the classicist Eva Keuls emphasizes, “the suppression of women, the military expansionism and the harshness in the conduct of civic affairs all sprang from a common aggressive impulse.” That impulse was the expression of “male supremacy and the cult of power and violence.
Joan Marler (Re-visioning Medusa: from Monster to Divine Wisdom)
Between 1970 and 1971, the feminist movement made significant strides. In 1970, the Equal Rights Amendment was forced out of the House Judiciary Committee, where it had been stuck since 1948; the following year, it passed in the House of Representatives. In response to a sit-in led by Susan Brownmiller, Ladies' Home Journal published a feminist supplement on issues of concern to women. Time featured Sexual Politics author Kate Millett on its cover, and Ms., a feminist monthly, debuted as an insert in New York magazine. Even twelve members of a group with which Barbie had much in common—Transworld Airlines stewardesses—rose up, filing a multimillion-dollar sex discrimination suit against the airline. Surprisingly, Barbie didn't ignore these events as she had the Vietnam War; she responded. Her 1970 "Living" incarnation had jointed ankles, permitting her feet to flatten out. If one views the doll as a stylized fertility icon, Barbie's arched feet are a source of strength; but if one views her as a literal representation of a modern woman—an equally valid interpretation— her arched feet are a hindrance. Historically, men have hobbled women to prevent them from running away. Women of Old China had their feet bound in childhood; Arab women wore sandals on stilts; Palestinian women were secured at the ankles with chains to which bells were attached; Japanese women were wound up in heavy kimonos; and Western women were hampered by long, restrictive skirts and precarious heels. Given this precedent, Barbie's flattened feet were revolutionary. Mattel did not, however, promote them that way. Her feet were just one more "poseable" element of her "poseable" body. It was almost poignant. Barbie was at last able to march with her sisters; but her sisters misunderstood her and pushed her away.
M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
Everything has already been caught, until my death, in an icefloe of being: my trembling when a piece of rough trade asks me to brown him (I discover that his desire is his trembling) during a Carnival night; at twilight, the view from a sand dune of Arab warriors surrendering to French generals; the back of my hand placed on a soldier's basket, but especially the sly way in which the soldier looked at it; suddenly I see the ocean between two houses in Biarritz; I am escaping from the reformatory, taking tiny steps, frightened not at the idea of being caught but of being the prey of freedom; straddling the enormous prick of a blond legionnaire, I am carried twenty yards along the ramparts; not the handsome football player, nor his foot, nor his shoe, but the ball, then ceasing to be the ball and becoming the “kick-off,” and I cease being that to become the idea that goes from the foot to the ball; in a cell, unknown thieves call me Jean; when at night I walk barefoot in my sandals across fields of snow at the Austrian border, I shall not flinch, but then, I say to myself, this painful moment must concur with the beauty of my life, I refuse to let this moment and all the others be waste matter; using their suffering, I project myself to the mind's heaven. Some negroes are giving me food on the Bordeaux docks; a distinguished poet raises my hands to his forehead; a German soldier is killed in the Russian snows and his brother writes to inform me; a boy from Toulouse helps me ransack the rooms of the commissioned and non-commissioned officers of my regiment in Brest: he dies in prison; I am talking of someone–and while doing so, the time to smell roses, to hear one evening in prison the gang bound for the penal colony singing, to fall in love with a white-gloved acrobat–dead since the beginning of time, that is, fixed, for I refuse to live for any other end than the very one which I found to contain the first misfortune: that my life must be a legend, in other words, legible, and the reading of it must give birth to a certain new emotion which I call poetry. I am no longer anything, only a pretext.
Jean Genet (The Thief's Journal)
This dramatic wine has the burnish of torched sienna, that hint of Tuscan chickens, perhaps even pullets, that gamey, feathery aroma; a dishy first impression of guppies spawning and bracken roasting in the Castilian sun, and the high wind blowing from offshore when a garbage scow has recently run aground, not exactly fresh passion fruit, but passion fruit after it has been chewed by a horse that's just run through a heathery dale, you know, sort of sopping wet fetlocks and old dogs; and the finish, oh, just a portrait of nasturtium, or shuttlecocks dipped in quince jelly, or the stench on a fox's muzzle after he's eaten a number of small rodents or the ice caked in a refrigerator in a Paris apartment, or like new sandals, especially if the feet in them have been soaked in a bromide solution” and revisiting the nose is all rotty mulch sluicing out of a bilge pipe in a fetid stream of sweetly blooming hawthorn in a flighty perfume of freshly starched uniforms of a flight attendant in the first-class cabin in a manly swill of gassy medicinal opaline mordant porcine gratuitous acetate begonia-laden air freshener or like the fannings from a fire of souchong tea or like…Somebody make him stop! Just one more thing: Am I the only one who finds this wine a bit hirsute?
Terry Theise (Reading between the Wines, With a New Preface)
Earlier, when Jesus sent out the 72 disciples, he spoke of “a money bag, sack, and sandals.” Now he speaks of “a money bag, sack, and sword.” He is speaking symbolically, referring to a new time of persecution. The disciples miss the point, take him literally, and produce two swords. His response amounts to: “Enough of that.” We’re sometimes taught to be quick with the sword, and we’ve all got our own “swords” – glaring daggers at someone, making cutting remarks. Throughout this Lent, I’ll watch Jesus face some “swords:” Mockery, manhandling, torture. The early Christians applied a passage from Isaiah to him: He was led like a sheep to the slaughter and as a lamb before its shearer is silent, so he opened not his mouth. (Is 53:7) How did he do that? How could I do that? Ask him.
Ken Untener (The Little Black Book for 2015: Six-Minute Meditations on the Passion According to Luke)
We coordinated train rides and met halfway between Boston and Manhattan, in New London, Connecticut. Annabeth was there before me, standing on the platform in jeans and sandals and a long-sleeved purple shirt with a laurel-wreath design and the letters SPQR: UNR.
Rick Riordan (Magnus Chase: The Complete Series #1-3)
Slaves trimmed their hair, carried their towels, fed their pets, repaired their sandals, played music at their dinner parties and instructed their children in history and maths. At the same time, in terms of legal theory these slaves were classified as captive foreigners who, conquered in battle, had forfeited rights of any kind. As a result, the Roman jurist was free to rape, torture, mutilate or kill any of them at any time and in any way he had a mind to, without the matter being considered anything other than a private affair. (Only under the reign of Tiberius were any restrictions imposed on what a master could do to a slave, and what this meant was simply that permission from a local magistrate had to be obtained before a slave could be ripped apart by wild animals; other forms of execution could still be imposed at the owner’s whim.) On the one hand, freedom and liberty were private affairs; on the other, private life was marked by the absolute power of the patriarch over conquered people who were considered his private property.
David Graeber (The Dawn of Everything: A New History of Humanity)
Jesus is just one among many folktales claiming resurrection from the dead or people taken to heaven. Such tales abound in various ancient cultures; examples include tales concerning Osiris, Romulus, and Asclepius (Carrier 2009, pp. 87–88). In the Buddhist tradition the sixth-century monk Bodhidharma was said to have been seen carrying his sandals and walking home after he died and was buried, and when his disciples opened up his grave the body was supposed to be missing. Additionally, there are various similarities (virgin birth, resurrection, etc.) between the stories of Jesus and the deities of other religions such as Mitra, Krishna, etc., even though these religions affirm different theologies from Christianity.
Andrew Loke (Investigating the Resurrection of Jesus Christ: A New Transdisciplinary Approach (Routledge New Critical Thinking in Religion, Theology and Biblical Studies))
Mother wants to sell the amethyst ring Father brought back from America, where he trained in the navy before I was born. She wants to buy needles and thread, fabric and sandals from the camp's black market. I have never seen her without this purple rock. I can't fall asleep unless I twist the ring and count circles. Brother Quang says, NO! What's the point of new shirts and sandals if you lose the last tangible remnant of love? I don't understand what he said but I agree.
Thanhhà Lại (Inside Out & Back Again)
Our annual year-end bash was a tradition as sturdy as our conviction that socks and sandals were a fashion faux pas. From fashion outlaws, we became accepted as fashion forward style icons. -Kim Lee ‘The Big Apple Took a Bite Off Me’ Now on Amazon Books and Kindle
Kim Lee (The Big Apple Took a Bite Off Me: A funny memoir of a SoHo-living foreigner who survived NYC)
including a toga and sandals.
Dan Jones (Powers and Thrones: A New History of the Middle Ages)
Here I was, lying on a sidewalk in historical New Orleans, with my boobs hanging out of my dress, my hair coming down, my sandals on my arm, and a large tiger licking my face.
Charlaine Harris (Definitely Dead (Sookie Stackhouse, #6))
11‘I baptise you withb water for repentance. But after me comes one who is more powerful than I, whose sandals I am not worthy to carry. He will baptise you withb the Holy Spirit and fire. 12His winnowing fork is in his hand, and he will clear his threshing-floor, gathering his wheat into the barn and burning up the chaff with unquenchable fire.
Anonymous (NIV Bible: The Gospels)
They took turns stepping over a pile of cracked leather purses to get to the women’s department. Kate wrinkled her nose at the donated shoes—sandals, flats, boots—all in dull shades. She preferred her shoes new, of course, and always with at least a two-inch heel to compensate for her height. Joely sorted through a long row of tops. Her face brightened when she discovered a floral-patterned blouse. “These colors remind me of the lilacs I’m painting for my new client. She’s a heart surgeon and appears to have everything—an amazing career, a house decorated with antique furniture, a Jaguar in the garage. . . .” She held the material
Karen Lenfestey (A Sister's Promise (Sisters Series, #1))
Mother wants to sell the amethyst ring Father brought back from America, She wants to buy needles and thread, fabric and sandals from the camp's black market. Brother Quang says, NO! What's the point of new shirts and sandals if you lose the last tangible remnant of love?
Thanhhà Lại (Inside Out & Back Again)
A rich landlord had a rather spendthrift son who had no value for money. After the landlord’s death, the son spent away all of his father’s fortune. Then realising his relatives would not support him, the son decided to leave the city. What remained of his father’s legacy was one very expensive shawl, which the son used to cover himself with. After suffering unbearable hunger pangs, for the first time he realised he needed to earn his livelihood. He took up work as a labourer. He didn’t even own a pair of sandals so when he received his meagre pay he bought a cheap pair. He put on his sandals and stepped out of the shop. The wet and muddy street instantly covered his new sandals with muck which he began to wipe away using his father’s shawl. A man asked, ‘Are you foolish to clean these cheap sandals with that expensive shawl?’ The son looked up calmly and said, ‘The shawl my father earned. These sandals I earned!
R. Palpandian (Siddhas - Masters of Nature)
Smiling prettily when all you want to do is plunge your freshly manicured hand into someone’s chest and rip their heart to tatters is hard work, but it pays well. I should know - I’ve been ignoring my homicidal instincts for decades. I may be pent up but at least I can buy myself a new pair of Valentino sandals to take the edge off when I need to.
Shannon Drawe (Beautifully Executed (Sin City Supernaturals, 1.5))
INEZ THREET, CLERK, WALTON’S FIVE AND DIME, BENTONVILLE: “I guess Mr. Walton just had a personality that drew people in. He would yell at you from a block away, you know. He would just yell at everybody he saw, and that’s the reason so many liked him and did business in the store. It was like he brought in business by his being so friendly. “He was always thinking up new things to try in the store. I remember one time he made a trip to New York, and he came back a few days later and said, ‘Come here, I want to show you something. This is going to be the item of the year.’ I went over and looked at a bin full of—I think they called them zori sandals—they call them thongs now. And I just laughed and said, ‘No way will those things sell. They’ll just blister your toes.’ Well, he took them and tied them together in pairs and dumped them all on a table at the end of an aisle for nineteen cents a pair. And they just sold like you wouldn’t believe. I have never seen an item sell as fast, one after another, just piles of them. Everybody in town had a pair.” Right
Sam Walton (Sam Walton: Made In America)
the time I got back to my room, I had thoroughly envisioned every wretched scenario imaginable . . . only to find a new, neatly folded tunic lying on the lid of my trunk. Beside the tunic, there was a broad crimson leather belt that cinched tight with fine bronze buckles, and a pair of red-dyed leather sandals that laced all the way up to the knee. There was also a lamp—a fine new oil lamp to replace the dim little lump of tallow candle that sat in a clay dish on my windowsill. I remembered the lamp the Lanista had lowered into the grave of the gladiatrix Ismene, and a shiver ran up my spine. I had been chosen to swear the oath. The lamp would light my cell until the day I won my freedom. Or died.
Lesley Livingston (The Valiant (The Valiant, #1))
The back-and-forth ancient lull of the tide. The cry of seagulls passing overhead. The smell of salt and fish carried on the warm breeze. With each step along the old wooden planks of the pier, tiny grains of sand that hitchhiked from the beach below are pulverized under our heels. Sand that traveled millions of miles over billions of years across shifting continents and churning oceans, surviving plate tectonics, erosion, and sedimentary deposition is crushed by our new sandals. The cosmos can be cruel.
Sarah Ockler (Twenty Boy Summer)
We suggest our new brothers and sisters who are somewhat freaky in dress, hair, and general appearance to ask the Lord in prayer for a balance. We do feel that beads, bells, and various astrological signs, along with the "no bra" philosophy of the Hip scene should be forsaken. We do not believe that a shave and haircut make a Christian any more than long hair and sandals.
David Hoyt
Somewhere someone's uncle or father, a man wearing sandals and khaki shorts who says "back in my day" far too often, is on the grill. He is watching the food like he's afraid it'll change its mind about being a meal and decide to run off when no one's looking. The kids are playing a game that they made up themselves and changing the rules every five minutes. Their smiles are so big, you can fit history inside of them and still have room for right now and the future. The adults hate all the new music, but still want the teenagers to teach them the dances. The cupid Shuffle is common ground and the wobble is a peace treaty signed by both generations. There are no rallies today, no blood on this street, no hashtags here, but there is barbecue, potato salad and greens. The only tears you will see is when someone lifts the foil and all the mac and cheese is finished.
Rudy Francisco (Helium (Button Poetry))
The drinking became a little more of a problem when I went to university. My parents had never been particularly present while I was growing up, so one might presume if I was going to go off the rails, why not do it at home, but I saved it for when I went away. I was enough of a disappointment to my father. I didn’t need to give him yet another excuse to help me understand I was not the daughter he wanted. My mother had left her native America when she fell in love with my dad while working for a year as an au pair in Gerrards Cross. She seemed happy when I was very young, then spent most of my teenage years in what I have always thought must have been, albeit undiagnosed a deep, and possibly clinical, depression. I can understand why. What I couldn’t understand is how she ever ended up with my father in the first place. He was handsome, and I suppose he must have been charming when they were young, but he was so damned difficult, I used to think, even when I was young, that we’d all be much happier if they got a divorce. I would sit with friends who would be in floods of tears because their mother had just found out their father had been having an affair, or their parents had decided they hated each other, or whatever the myriad of reasons are that drive people apart, and these friends would be crying at the terrible fear of their families breaking up, and all I could think was: I wish my parents would get divorced. It seemed to me that if ever there were two people on the planet who should not have been together, it was my parents. My mother is laid-back, funny, kind. She’s comfortable in her skin and has the easy laugh you expect from all Americans. She was brought up in New York, but her parents died very young, after which she went to live with her Aunt Judith. I never knew Aunt Judith, but everything about those days sounds idyllic, especially her summers in Nantucket. You look at pictures of my mum from those days and she was in flowing, hippie-ish clothes, always smiling. She had long, silky hair, and she looked happy and free. In sharp contrast to the pictures of her with my dad, even in those early days, when they were newlyweds, supposedly the happiest time of a relationship. He insisted she wear buttoned-up suits, or twinsets and pearls. Her hair was elaborately coiffed. I remember the heated rollers she kept in the bathroom, twisting her hair up every morning, spraying it into tight submission, slicking lipstick on her lips, her feet sliding into Roger Vivier pumps. If my father was away, she left her hair long and loose, wrapping a scarf around her head. She’d wear long gypsy skirts with espadrilles or sandals. I loved her like that most of all. I used to think it was her clothing that changed her personality,
Jane Green (Cat and Jemima J)
The lift door was opened for him on the first floor by Rosetta, who was wearing a white apron over a black dress. Wound around her head like a mouse’s tail was a blonde plait. Her hands and feet were too large and her legs massive, the calf muscles showing through artificial silk stockings that shone as if a snail had left a layer of slime across them. She gave the new arrival the once-over and held out her hand to take his hat. Clara, the senior employee, appeared at the door; she always assisted Marta during the first few days of a show, and she came in, cards and pencils in hand. She too was dressed in black silk and walked in wearing shiny silver leather sandals with cork soles and heels over ten centimetres high. She said nothing, but her look, lips pursed, rendered her face a picture of perplexity.
Augusto De Angelis (The Mystery of the Three Orchids)
And He said, A certain man had two sons. 12 And the younger of them said to the father, Father, give me directly the share of the estate which falls to me. And he distributed to them his wealth. 13 And not many days afterward the younger son, having put all his resources into one lump sum, left his own country to go to a far away place. And there he squandered his resources, living an abandoned, dissolute life. 14 And having squandered all, there came a mighty famine in that country, and he himself began to be in want. 15 And having proceeded, he forced himself upon one of the citizens of that country who was unwilling to hire him and only took him after persistent entreaty. And he sent him into his fields to be feeding hogs. 16 And he was longing to fill his stomach with some of the carob-pods which the hogs were eating. And no one was giving to him. 17 And, having come to his senses, he said, How many employees of my father have more bread than they can eat, and, as for myself, I am perishing here with hunger. 18 Having pulled up stakes, I shall go on my way to my father and I shall say to him, Father, I sinned against heaven and in your sight. 19 No longer am I worthy to be called a son of yours. Make me at once as one of your employees. 20 And having put things in readiness for his journey, he went to his own father. And while he was yet a long distance away, his father saw him and was moved with compassion, and having run, he fell on his neck and tenderly kissed him again and again. 21 And the son said to him, Father, I sinned against heaven and in your sight. No longer am I worthy to be called your son. 22 But the father said to his slaves, Quick. Bring out at once a festive stately robe, one of the best quality, and put it on him. And put at once a ring on his hand and sandals on his feet. 23 And be bringing the calf, that one which we have been fattening for just such an occasion of rejoicing as this. Slaughter it at once, and, having eaten, let us be merry, 24 because this son of mine was dead and has been restored to a correct life. He was lost and has been found. And they began to be merry. 25
Kenneth S. Wuest (The New Testament: An Expanded Translation)
Until this night, this awful night, he’d had a little joke about himself. He didn’t know who he was, or where he’d come from, but he knew what he liked. And what he liked was all around him-the flower stands on the corners, the big steel and glass buildings filled with milky evening light, the trees, of course, the grass beneath his feet. And the telephones-it didn’t matter. He liked to figure them out, master them, then crush them into tiny hard multicolored balls which he could then juggle or toss through plate glass windows when nobody was about. He liked piano music, the motion pictures, and the poems he found in books. He also liked the automobiles that burnt oil from the earth like lamps. And the great jet planes that flew on the same scientific principles, above the clouds. He always stopped and listened to the people laughing and talking up there when one of the people laughing and talking up there when one of the planes flew overhead. Driving was an extraordinary pleasure. In a silver Mercedes-Benz, he had sped on smooth empty roads from Rome to Florence to Venice in one night. He also liked television-the entire electric process of it, with tiny bits of lights. How soothing it was to have the company of the television, the intimacy with so many artfully painted faces speaking to you in friendship from the glowing screen. The rock and roll, he liked that too. He liked the music. He liked the Vampire Lestat singing “Requiem for the Marquise”. He didn’t pay attention to the words much. It was the melancholy and the dark undertone of drums and cymbals. Made him want to dance. He liked the giant yellow machines that dug into the earth late at night in the big cities with men in uniforms, crawling all over them; he liked the double-decker buses of London, and the people-the clever mortals everywhere-he liked, too, of course. He liked walking in Damascus during the evening, and seeing in sudden flashes of disconnected memory the city of the ancients. Romans, Greeks, Persians, Egyptians in these streets. He liked the libraries where he could find photographs of ancient monuments in big smooth good-smelling books. He took his own photographs of the new cities around him and sometimes he could put images on those pictures which came from his thoughts. For example, in his photograph of Rome there were Roman people in tunics and sandals superimposed upon the modern versions in their thick ungraceful clothes. Oh, yes, much to like around him always-the violin music of Bartók, little girls in snow white dresses coming out of the church at midnight having sung at the Christmas mass. He liked the blood of his victims too, of course. That went without saying. It was no part of his little joke. Death was not funny to him. He stalked his prey in silence; he didn’t want to know his victims. All a mortal had to do was speak to him and he was turned away. Not proper, as he saw it, to talk to these sweet, soft-eyed things and then gobble their blood, break their bones and lick the marrow, squeeze their limbs to dripping pulp. And that was the way he feasted now, so violently. He felt no great need for blood anymore; but he wanted it. And the desire overpowered him in all its ravening purity, quite apart from the thirst. He could have feasted upon three or four mortals a night.
Anne Rice (The Queen of the Damned (The Vampire Chronicles, #3))
Hemp Marijuana’s sober cousin is out to redeem its dreary sandal-wearing reputation. Requiring no pesticides, very little water and comparatively small amounts of land to grow, there’s no doubt as to hemp’s environmental credentials – but its style kudos is looking up too. New, refined production means the days of rough hessian textures are over, and there are countless brands using it to make clothes that are more hip, less hippie. Inhale at leisure.
Lauren Bravo (How To Break Up With Fast Fashion: A guilt-free guide to changing the way you shop – for good)
As the Model S fever gripped Silicon Valley, I visited Ford’s small research and development lab in Palo Alto. The head of the lab at the time was a ponytailed, sandal-wearing engineer named T. J. Giuli, who felt very jealous of Tesla. Inside of every Ford were dozens of computing systems made by different companies that all had to speak to each other and work as one. It was a mess of complexity that had evolved over time, and simplifying the situation would prove near impossible at this point, especially for a company like Ford, which needed to pump out hundreds of thousands of cars per year and could not afford to stop and reboot. Tesla, by contrast, got to start from scratch and make its own software the focus of the Model S. Giuli would have loved the same opportunity. “Software is in many ways the heart of the new vehicle experience,” he said. “From the powertrain to the warning chimes in the car, you’re using software to create an expressive and pleasing environment. The level of integration that the software has into the rest of the Model S is really impressive. Tesla is a benchmark for what we do here.” Not long after this chat, Giuli left Ford to become an engineer at a stealth start-up. There
Ashlee Vance (Elon Musk: How the Billionaire CEO of SpaceX and Tesla is Shaping our Future)
My brand new sandals are a little stiff, and I think they'll give me blisters. But I love them, so I'll probably wear them out. With cautious feet, we move forward. Today is the first step of our new lives.
Inio Asano (Solanin (Solanin, #1-2))
It is moving to think of her once more baking the kind of cakes she knew boys like; once more patching and darning, and sewing buckles on sandals; once more talking of the things that interested the boy and being a companion to his thought. And how fitting it was that the companion of John's thought should be Our Lady. For John's was the mind of crystal in which all the fires of love reflected, and Mary's was the mind of the girl who sang the Magnificat.
Caryll Houselander (The Reed of God: A New Edition of a Spiritual Classic)
She’s a gold digger. I know she is,” she says through sniffles. “Well . . .” I taper off. I don’t know what to say here. Is this even appropriate? My ex-boyfriend’s mother—an ex whom, until very (very) recently, I was pining over—is now venting to me about his new fiancée. Awkward is probably the most appropriate word to describe it. “You know she doesn’t love him. You saw her! Why would that pencil-thin witch be interested in my son? I mean, don’t get me wrong, I think Adam is handsome, of course. But not handsome enough for that slut-looking-supermodel. I pictured my Adam with someone more plain, you know? Like you.” She gestures over to me. Ouch. And here I was thinking my tailored, black shorts paired with a white button-down shirt, and the most amazing Kenneth Cole platform sandals, looked more than plain. Silly me.
Becky Monson (Speak Now: or Forever Hold Your Peace)
The day after his coming-of-age ritual, still wearing his yellow prayer cord, Milo showed up at his parents' breakfast table and said, "Good-bye. I'm going off into the world to seek knowledge. God knows I won't find it here." "Smart move, kiddo," said his father, and sent him on his way with some bread and a new pair of sandals.
Michael Poore (Reincarnation Blues)
I was glad there was another me. I had a better chance of surviving childhood. The other me inside my head shared the fear and anxiety and kept me in check. Without the soft voice constantly reminding me of who of us would be dead, I am sure I could have become a natural-born killer. When other girls’ thoughts were of new dresses and summer sandals, I thought about murder and already had a list. Daddy and the blue devils were at the top of it.
Jan Fink (Licking The Salt Block)
Many coders were young and coming out of the already antiauthoritarian counterculture of the ’60s. When you put these kids in charge of important machines that their managers didn’t understand, it was a recipe for insolence—or, as Brandon noted, employees who were “excessively independent.” The average programmer, Brandon continued, was “often egocentric, slightly neurotic, and he borders upon a limited schizophrenia. The incidence of beards, sandals, and other symptoms of rugged individualism or nonconformity are notably greater among this demographic group.
Clive Thompson (Coders: The Making of a New Tribe and the Remaking of the World)
Oh, she says gravely, when a bell chimes or a phone rings, we simply take the opportunity to switch off and abandon all our plans and emotions - all our thoughts about other people and ourselves. Abandon all our human perceptions? I ask indignantly. In that case, what’s left for us? No, she says with a shake of the head, I only mean our conception of the world. I like the way she pronounces the word ‘conception’ in her Dutch accent, as if it were hot and she might burn her lips on it. I wish I could speak a foreign language as fluently as you do, I tell her. Please say ‘conception’ again. Explain it to me. What’s the difference between my perceptions and my conceptions? Resolutely, she makes for a cafe beneath some plane trees whose leaves are casting decorative shadows on the white tablecloths. She sits down and regards me sceptically, as if gauging whether I’m bright enough to merit an answer. Most of the time, she says, we form an opinion about things without really perceiving them. She points to an elderly woman waddling across the square laden down with plastic bags. For instance, she goes on, I look at that woman and I think, How bow-legged she is, and that skirt! A ghastly colour and far too short for her. No one should wear short skirts at that age. Are my own legs still good enough for short skirts? I used to have a blue skirt myself. Where is it, I wonder? I wish I was wearing that blue skirt myself. Where is it, I wonder? I wish I was wearing that blue skirt right now. But if I looked like that woman there... She props her head on her hands and regard me with a twinkle in her eye. I laugh. I haven’t really ‘perceived’ the woman, she says, I’ve merely pondered on skirts and legs and the ageing process. I’m a prisoner of my own ideas - my conceptions, in other words. See what I mean? I say yes, but I’d say yes to a whole host of things when she looks at me that way. A waitress of Franka’s age takes our order. She’s wearing a white crocheted sweater over her enormous breasts and a white apron tightly knotted around her prominent little tummy. Her platform-soled sandals, which are reminiscent of hoofs, give her a clumsy, foal-like appearance. Now it’s your turn, says Antje. French teenager, I say. Probably bullied into passing up an apprenticeship and working in her parents’ cafe. Dreams of being a beautician. No, Antje protests, that won’t do. You must say what’s really going through your head. I hesitate. Come on, do. I sigh. Please, she says. OK, but I take no responsibility for my thoughts. Deal! Sexy little mam’selle, I say. Great boobs, probably an easy lay, wouldn’t refuse a few francs for a new sweater. She’d be bound to feel good and holler Maintenant, viens! That song of Jane Birkin’s, haven’t heard it for years. I wonder what Jane Birkin’s doing these days. She used to be the woman of my dreams. Still, I’m sure that girl doesn’t like German men, and besides, I could easily be her father, I’ve got a daughter her age. I wonder what my daughter’s doing at this moment... I dry up. Phew, I say. Sorry, that was my head, not me. Antje nods contentedly. She leans back so her plaits dangle over the back of the chair. Nothing torments us worse than our heads, she says, closing her eyes. You’ve got to hand it to the Buddhists, they’ve got the knack of switching off. It’s simply wonderful.
Doris Dörrie (Where Do We Go From Here?)
I told the girls they could have new sandals. I was brokering a peace agreement.
Sharon Bala (The Boat People)
Nevertheless they all insisted upon calling me Moscarda still, although the name Moscarda surely held for everyone a different signification than before; and it seems to me they might have spared that poor nobody of a pauper, as he stood there smilingly in his wooden sandals and his sky-blue blouse, the pain of having to turn around once again at the sound of that name, as if it really belonged to him. No name. No memory today of yesterday's name; of today's name tomorrow. If the name is the thing, if a name in us is the concept of everything that is situated without us, if without a name there is no concept, and the thing remains blindly indistinct and undefined within us, very well, then let man take that name which I once bore and engrave it as an epitaph on the brow of that pictured me that they beheld; let them leave it there in peace, and let them not speak of it again. For a name is no more than that, an epitaph. Something befitting the dead. One who has reached a conclusion. I am alive, and I reach no conclusion. Life knows no conclusion. Nor does it know anything of names. This tree, tremulous breathing of new leaves. I am this tree. Tree, cloud; tomorrow, book or breeze; the book I read, the breeze I drink in. Living wholly without, a vagabond.
Luigi Pirandello (One, No One, and One Hundred Thousand)