“
May I see you again?" he asked. There was an endearing nervousness in his voice.
I smiled. "Sure."
"Tomorrow?" he asked.
"Patience, grasshopper," I counseled. "You don't want to seem overeager.
"Right, that's why I said tomorrow," he said. "I want to see you again tonight. But I'm willing to wait all night and much of tomorrow." I rolled my eyes. "I'm serious," he said.
"You don't even know me," I said. I grabbed the book from the center console. "How about I call you when I finish this?"
"But you don't even have my phone number," he said.
"I strongly suspect you wrote it in this book."
He broke out into that goofy smile. "And you say we don't know each other.
”
”
John Green (The Fault in Our Stars)
“
Grover was sniffing the wind, looking nervous. He fished out his acorns and threw them into the sand, then played his pipes. They rearranged themselves in a pattern that made no sense to me, but Grover looked concerned.
"That's us," he said. "Those five nuts right there."
"Which one is me?" I asked.
"The little deformed one," Zoe suggested.
"Oh, shut up.
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
One of the symptoms of an approaching nervous breakdown is the belief that one’s work is terribly important.
”
”
Bertrand Russell (The Conquest of Happiness)
“
Dance you guys!" Thalia ordered. "You look stupid just standing there."
I looked nervously at Annabeth, then at the groups of girls who were roaming the gym.
"Well?" Annabeth asked.
"Um, who should I ask?"
She punched me in the gut. "Me, Seaweed Brain."
"Oh. Oh right.
”
”
Rick Riordan
“
I'm calm," Rachel insisted. "Every time I'm around you, some monsters attack us. What's to be nervous about?"
"Look," I said. "I'm sorry about the band room. I hope they didn't kick you our or anything."
"Nah. They asked me a lot of questions about you. I played dumb."
"Was it hard?" Annabeth asked.
”
”
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
“
And quit baring your fangs at me. It's making me nervous."
"Good," Simon said. "if you want to know why, it's because you smell like blood."
"It's my cologne. Eau de Recent Injury." Jace raised his left hand.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
A man of my acquaintance once wrote a poem called "The Road Less Traveled", describing a journey he took through the woods along a path most travelers never used. The poet found that the road less traveled was peaceful but quite lonely, and he was probably a bit nervous as he went along, because if anything happened on the road less traveled, the other travelers would be on the road more frequently traveled and so couldn't hear him as he cried for help. Sure enough, that poet is dead.
”
”
Lemony Snicket (The Slippery Slope (A Series of Unfortunate Events, #10))
“
If I didn't think, I'd be much happier; if I didn't have any sex organs, I wouldn't waver on the brink of nervous emotion and tears all the time.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
Is this Clarissa Fray?" The voice on the other end of the phone sounded familiar, though not immediately identifiable.
Clary twirled the phone cord nervously around her finger. "Yeees?"
"Hi, I'm one of the knife-carrying hooligans you met last night in Pandemonium? I"m afraid I made a bad impression and was hoping you'd give me a chance to make it up to-"
"SIMON!" Clary held the phone away from her ear as he cracked up laughing. "That is so not funny!"
"Sure it is. You just don't see the humor."
"Jerk." Clary sighed, leaning up against the wall.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Not only will you sleep with me, but you will say 'please.'"
I stared at him, shocked.
The smile widened. "You will say 'please' before and 'thank you' after."
Nervous laughter bubbled up. "You've gone insane. All that peroxide in your hair finally did your brain in, Goldilocks.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
Your worst enemy, he reflected, was your own nervous system. At any moment the tension inside you was liable to translate itself into some visible symptom.
”
”
George Orwell (1984)
“
Wait." Clary was suddenly nervous. "The melted metal-it could be, like, toxic or something."
Maia snorted. "I'm from New Jersey. I born in toxic sludge.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Before I die, I want to be somebody’s favorite hiding place, the place they can put everything they know they need to survive, every secret, every solitude, every nervous prayer, and be absolutely certain I will keep it safe. I will keep it safe.
”
”
Andrea Gibson
“
What if we promoted, like, Adidas shoes?’ Percy wondered. ‘Would that make Nike mad enough to show up?" Leo smiled nervously. Maybe he and Percy did share something else – a stupid sense of humour. "Yeah, I bet that would totally be against her sponsorship deal. THOSE ARE NOT THE OFFICIAL SHOES OF THE OLYMPICS! YOU WILL DIE NOW!
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
I was glad I wasn't in love, that I wasn't happy with the world. I like being at odds with everything. People in love often become edgy, dangerous. They lose their sense of perspective. They lose their sense of humor. They become nervous, psychotic bores. They even become killers.
”
”
Charles Bukowski (Women)
“
My heart pounds against my chest. Not because I'm nervous. Not even because I want her worse that I've ever wanted her before. It's pounding against my chest because I realize I've never been so sure about the rest of my life than I am in this moment. This girl is the rest of my life.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
This time Magnus answered it, his voice booming through the tiny entryway. "WHO DARES DISTURB MY REST?"
Jace looked almost nervous. "Jace Wayland. Remember? I'm from the Clave."
"Oh, yes." Magnus seemed to have perked up. "Are you the one with the blue eyes?"
"He means Alec," Clary said helpfully.
"No. My eyes are usually described as golden," Jace told the intercom. "And luminous."
"Oh, you're that one." Magnus sounded disappointed. If Clary hadn't been so upset, she would have laughed. "I suppose you'd better come up.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Aslan is a lion- the Lion, the great Lion." "Ooh" said Susan. "I'd thought he was a man. Is he-quite safe? I shall feel rather nervous about meeting a lion"..."Safe?" said Mr Beaver ..."Who said anything about safe? 'Course he isn't safe. But he's good. He's the King, I tell you.
”
”
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
“
Whenever I'm sad I'm going to die, or so nervous I can't sleep, or in love with somebody I won't be seeing for a week, I slump down just so far and then I say: 'I'll go take a hot bath.
”
”
Sylvia Plath (The Bell Jar)
“
I wish I wrote the way I thought
Obsessively
Incessantly
With maddening hunger
I’d write to the point of suffocation
I’d write myself into nervous breakdowns
Manuscripts spiralling out like tentacles into abysmal nothing
And I’d write about you
a lot more
than I should
”
”
Benedict Smith
“
I'm going to kill David Lapinski!" America announced, shaking snow out of her hair as she approached.
"Direct hit!" Shepley laughed. America shot him a warning glare and his laugh turned into a nervous chuckle. "I mean... what an asshole.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Something was wrong with Luke," Annabeth muttered, poking at the fire with her knife. "Did you notice the way he was acting?"
"He looked pretty pleased to me," I said. "Like he'd spent a nice day torturing heroes."
"That's not true! There was something wrong with him. He looked...nervous. He told his monsters to spare me. He wanted to tell me something."
"Probably, 'Hi, Annabeth! Sit here with me and watch while I tear your friends apart. It'll be fun!
”
”
Rick Riordan
“
It is a long way to Ireland, Janet, and I am sorry to send my little friend on such weary travels: but if I can't do better, how is it to be helped? Are you anything akin to me, do you think, Jane?"
I could risk no sort of answer by this time: my heart was still.
"Because, he said, "I sometimes have a queer feeling with regard to you - especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame. And if that boisterous channel, and two hundred miles or so of land some broad between us, I am afraid that cord of communion will be snapt; and then I've a nervous notion I should take to bleeding inwardly. As for you, - you'd forget me.
”
”
Charlotte Brontë (Jane Eyre)
“
So do you remember this place?"
"Hard to forget." he snorted. "This is where you tried to kill me. You were so nervous, you kept blushing. Never had someone try to stake me who blushed so much.
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
There is no such thing as inner peace. There is only nervousness and death.
”
”
Fran Lebowitz (Metropolitan Life)
“
Are you asking me to undress, Tris?'
A nervous laugh gurgles from my throat. 'Only ... partially
”
”
Veronica Roth
“
True, nervous, very, very dreadfully nervous I had been and am, but why will say that I am mad?! The disease had sharpened my senses, not destroyed, not dulled them. Above all was the sense of hearing acute.
”
”
Edgar Allan Poe (The Tell-Tale Heart and Other Writings)
“
If you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead. Nothing's off limits. But the endless possibility of the genre is a trap. It's easy to get distracted by the glittering props available to you and forget what you're supposed to be doing: telling a good story. Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be.
”
”
Patrick Rothfuss
“
I have a foreboding of an America in my children's or grandchildren's time -- when the United States is a service and information economy; when nearly all the manufacturing industries have slipped away to other countries; when awesome technological powers are in the hands of a very few, and no one representing the public interest can even grasp the issues; when the people have lost the ability to set their own agendas or knowledgeably question those in authority; when, clutching our crystals and nervously consulting our horoscopes, our critical faculties in decline, unable to distinguish between what feels good and what's true, we slide, almost without noticing, back into superstition and darkness...
The dumbing down of American is most evident in the slow decay of substantive content in the enormously influential media, the 30 second sound bites (now down to 10 seconds or less), lowest common denominator programming, credulous presentations on pseudoscience and superstition, but especially a kind of celebration of ignorance
”
”
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
“
Hey, he's awesome. A little unstable, but awesome. We got along great." Adrian opened the door to the building we were seeking. "And he's a badass in his way too. I mean, any other guy who wore scarves like that? He'd be laughed out of this school. Not Abe. He'd beat someone almost as badly as you would. In fact..." Adrian's voice turned nervous. I gave him a surprised look.
"In fact what?"
"Well...Abe said he liked me. But he also made it clear what he'd do to me if I ever hurt you or did anything bad." Adrian grimaced. "In fact, he described what he'd do in very graphic detail. Then, just like that, he switched to some random, happy topic. I like the guy, but he's scary.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
I kept waiting for that loneliness and nervousness to make me want to go back. But it never did.
”
”
John Green (Paper Towns)
“
No, I got it,” he said. His voice was weird.
“Really?” I felt a nervous thrill in my stomach. “What was it?”
Jamie hesitated before he spoke. Then he said, “Marashaw.
”
”
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
“
There are betrayals in war that are childlike compared with our human betrayals during peace. The new lovers enter the habits of the other. Things are smashed, revealed in a new light. This is done with nervous or tender sentences, although the heart is an organ of fire.
”
”
Michael Ondaatje (The English Patient)
“
I liked the feeling of love,' [Jonas] confessed. He glanced nervously at the speaker on the wall, reassuring himself that no one was listening. 'I wish we still had that,' he whispered. 'Of course,' he added quickly, 'I do understand that it wouldn't work very well. And that it's much better to be organized the way we are now. I can see that it was a dangerous way to live.'
...'Still,' he said slowly, almost to himself, 'I did like the light they made. And the warmth.
”
”
Lois Lowry (The Giver (The Giver, #1))
“
Do you love me?' I asked her. She smiled. 'Yes.' 'Do you want me to be happy?' as I asked her this I felt my heart beginning to race. 'Of course I do.' 'Will you do something for me then?' She looked away, sadness crossing her features. 'I don't know if I can anymore.' she said. 'but if you could, would you?' I cannot adequately describe the intensity of what I was feeling at that moment. Love, anger, sadness, hope, and fear, whirling together sharpened by the nervousness I was feeling. Jamie looked at me curiously and my breaths became shallower. Suddenly I knew that I'd never felt as strongly for another person as I did at that moment. As I returned her gaze, this simple realization made me wish for the millionth time that I could make all this go away. Had it been possible, I would have traded my life for hers. I wanted to tell her my thoughts, but the sound of her voice suddenly silenced the emotions inside me. 'yes' she finally said, her voice weak yet somehow still full of promise. 'I would.' Finally getting control of myself I kissed her again, then brought my hand to her face, gently running my fingers over her cheek. I marveled at the softness of her skin, the gentleness I saw in her eyes. even now she was perfect. My throat began to tighten again, but as I said, I knew what I had to do. Since I had to accept that it was not within my power to cure her, what I wanted to do was give her something that she'd wanted. It was what my heart had been telling me to do all along. Jamie, I understood then, had already given me the answer I'd been searching for, the answer my heart needed to find. She'd told me outside Mr. Jenkins office, the night we'd asked him about doing the play. I smiled softly, and she returned my affection with a slight squeeze of my hand, as if trusting me in what I was about to do. Encouraged, I leaned closer and took a deep breath. When I exhaled, these were the words that flowed with my breath. 'Will you marry me?
”
”
Nicholas Sparks (A Walk to Remember)
“
It was so weird, because usually I was totally nervous talking to guys. But Eli was different. He made me want to say more, not less. Which was maybe not a good thing.
”
”
Sarah Dessen (Along for the Ride)
“
For me there is something primitively soothing about this music, and it went straight to my nervous system, making me feel ten feet tall.
”
”
Eric Clapton
“
A well adjusted person is one who makes the same mistake twice without getting nervous.
”
”
Alexander Hamilton
“
Every intelligent being, whether it breathes or not, coughs nervously at some time in its life.
”
”
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
“
Nervous means you want to play. Scared means you don't want to play.
”
”
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
“
Girls think they’re only allowed to wear dresses on formal occasions, but I like a woman who says, you know, I’m going over to see a boy who is having a nervous breakdown, a boy whose connection to the sense of sight itself is tenuous, and gosh dang it, I am going to wear a dress for him.
”
”
John Green (The Fault in Our Stars)
“
Sir, I think you need to read this,’ he said, nervously handing over the mainframe’s dissertation of its own wellbeing.
”
”
A.R. Merrydew (Our Blue Orange (Godfrey Davis, #1))
“
There must be quite a few things a hot bath won't cure, but I don't know many of them. Whenever I'm sad I'm going to die, or so nervous I can't sleep, or in love with somebody I won't be seeing for a week, I slump down just so far and then I say: "I'll go take a hot bath.
”
”
Sylvia Plath (The Bell Jar)
“
We look for the Secret - the Philosopher's Stone, the Elixir of the Wise, Supreme Enlightenment, 'God' or whatever...and all the time it is carrying us about...It is the human nervous system itself.
”
”
Robert Anton Wilson (Cosmic Trigger - Volume I: Final Secret of the Illuminati)
“
Wolf, are you asking me to be ... your alpha female?"
He hesitated.
Scarlet couldn't help it - she burst into laughter. "Oh - I'm sorry. That was mean. I know I shouldn't tease you about this."
Still grinning, she made to retract her hand, but he was suddenly gripping it, refusing to relinquish the touch. "You just look so scared, like I'm going to disappear any minute. We're stuck on a spaceship, Wolf. I'm not going anywhere."
His lips twitched, his nervousness beginning to ease away, though his hand stayed tense over hers.
"Alpha female," he murmured. "I sort of like that."
Beaming, Scarlet gave a mild shrug. "It could grow on me.
”
”
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
“
Hurt is a part of life. To be honest, I think hurt is a part of happiness, that our definition of happiness has gotten very narrow lately, very nervous, a little afraid of this brawling, fabulous, unpredictable world.
”
”
Julian Gough (Juno & Juliet)
“
But I've never even been to Olympus! Zeus is crazy!"
Chiron and Grover glanced nervously at the sky. The clouds didn't seem to be parting around us, as Grover had promised. They were rolling straight over our valley, sealing us in like a coffin lid.
Er, Percy ...?" Grover said. "We don't use the c-word to describe the Lord of the Sky.
”
”
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
“
If you're born in a cubicle and grow up in a corridor, and work in a cell, and vacation in a crowded sun-room, then coming up into the open with nothing but sky over you might just give you a nervous breakdown.
”
”
Isaac Asimov (Foundation (Foundation, #1))
“
Butch repositioned the Sox cap, and as his wrist passed by his nose, he got another whiff of himself. "Ah, V. . . listen, there is something a little weird going down on me."
"What?"
"I smell like men's cologne."
"Good for you. Females dig that kind of thing."
"Vishous, I smell like Obsession for Men, only I'm not WEARING any, you feel me?"
There was silence on the line. Then, "Humans don't bond."
"Oh, really. You want to tell that to my central nervous system and my sweat glands? They'd appreciate the news flash, I'm sure.
”
”
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
“
Como un angel," I whisper.
"Is our game over?" she asks nervously.
"It's definitely over, querida. 'Cause what we're gonna do next is no game.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
The way you seem nervous
makes me think you don’t know that I’m in love with you.
”
”
Christina Lauren (Beautiful Stranger (Beautiful Bastard, #2))
“
You think I’m perfect?”
He didn’t look away. Didn’t look bashful or even nervous. Just stared at her, like she’d asked him if Luna orbited the Earth. Then he leaned over and brushed a kiss against her forehead.
“Just sort of,” he said. “You know. On a good day.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
The problem is, there is absolutely nothing "fun" about falling in love. Nope. Mostly it just makes you feel sick and crazy and anxious and nervous that it's going to end miserably and ruin your whole life. And guess what: Then it does.
”
”
Jess Rothenberg (The Catastrophic History of You and Me)
“
If it makes you feel any better, you’re not as bad as Keith. He was here earlier today and was so nervous, he literally kept looking over his shoulder.” Lee paused thoughtfully. “I think it might have been because Adrian kept laughing like a mad scientist at those old black-and-white movies he was watching.
”
”
Richelle Mead (Bloodlines (Bloodlines, #1))
“
Kindness. The only possible method when dealing with a living creature. You'll get nowhere with an animal if you use terror, no matter what its level of development may be. That I have maintained, do maintain and always will maintain. People who think you can use terror are quite wrong. No, no, terror is useless, whatever its colour – white, red or even brown! Terror completely paralyses the nervous system.
”
”
Mikhail Bulgakov (Heart of a Dog)
“
Because now people use the phrase OCD to describe minor personality quirks. "Oooh, I like my pens in a line, I'm so OCD."
NO YOU'RE FUCKING NOT.
"Oh my God, I was so nervous about that presentation, I literally had a panic attack."
NO YOU FUCKING DIDN'T.
"I'm so hormonal today. I just feel totally bipolar."
SHUT UP, YOU IGNORANT BUMFACE.
”
”
Holly Bourne (Am I Normal Yet? (The Spinster Club, #1))
“
I loved him.
I couldn't pinpoint what made me so certain, but I knew it then, as surely as I knew my name or the color of the sky or any fact written in a book.
Could he feel it, too?
Maxon broke the kiss and looked at me. "You're so pretty when you are a mess."
I laughed nervously. "Thank you. For that and for the rain and for not giving up."
He ran his fingers along my cheek and nose and chin. "You're worth it. I don't think that you get that. You're worth it to me.
”
”
Kiera Cass (The One (The Selection, #3))
“
The reality is that the lives of the smallest patients are in our hands, and their clinical condition can change in an instant. No matter how many times you are involved in situations such as this, the physical stress and anxiety as well as the emotional and psychological effects of being immersed in that environment are dramatic and lasting on the human body, mind, and central nervous system. These effects are severe, and I firmly believe that they are cumulative over your lifetime.
”
”
Dean Mafako (Burned Out)
“
Nervous states of the worst sort control me without pause. Everything that is not literature bores me and I hate it. I lack all aptitude for family life except, at best, as an observer. I have no family feeling and visitors make me almost feel as though I were maliciously being attacked.
”
”
Franz Kafka (Diaries, 1910-1923)
“
Finally, Cinder gulped. "I'm sorry I had to --" She gestured at the unconscious wedding coordinator, then waved her hand like shaking it off. "But she'll be fine, I swear. Maybe a little nauseous when she comes to, but otherwise...And your android...Nainsi, right? I had to disable her. And her backup processor. But any mechanic can return her to defaults in about six seconds, so..." She rubbed anxiously at her wrist. "Oh, and we ran into your captain of the guard in the hallway, and a few other guards, and I may have scared him and he's, um, unconscious. Also. But, really, they'll all be fine. I swear." Her lips twitched into a brief, nervous smile. "Um...hello, again. By the way.
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
I feel unspeakably lonely. And I feel - drained. It is a blank state of mind and soul I cannot describe to you as I think it would not make any difference. Also it is a very private feeling I have - that of melting into a perpetual nervous breakdown. I am often questioning myself what I further want to do, who I further wish to be; which parts of me, exactly, are still functioning properly. No answers, darling. At all.
”
”
Anne Sexton (Anne Sexton: A Self-Portrait in Letters)
“
Goodfellow?” Glitch stared at Puck nervously. “Robin Goodfellow?”
“Oh, look at that, he’s heard of me. My fame grows.” Puck snorted and leaped off the roof. In midair, he became a giant black raven, who swooped toward us with a raucous cry before dropping into the circle as Puck in an explosion of feathers. “Ta-daaaaaaaaaa.
”
”
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
“
Leo smiled nervously. Maybe he and Percy did share something else – a stupid sense of humour.
‘Yeah, I bet that would totally be against her sponsorship deal. THOSE ARE NOT THE OFFICIAL SHOES OF THE OLYMPICS! YOU WILL DIE NOW!’
Hazel rolled her eyes. ‘You’re both impossible.’
Behind Leo, a thunderous voice shook the ruins: ‘YOU WILL DIE NOW!
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
”
”
Emily St. John Mandel (Station Eleven)
“
You should have asked her first, Trav," America said, shaking her head and covering her mouth with her fingers.
"Asked her what? If I could get a tattoo?" he frowned, turning to me. "I love you. I want everyone to know I'm yours.
I shifted nervously. "That's permanent, Travis."
"So are we," he said, touching my cheek.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Roar leaned across the table and smiled at her seductively, his dark hair falling into his eyes. 'When you say everything happens in the Realms, do you mean everything?'
Aria laughed nervously.'Yes. Especially that.There are no risks in the Realms.'
Roar's smile widened. 'You simply think it and it happens? And it
actually feels real?'
'Why are we talking about this?'
'I need a Smarteye,' he said.
”
”
Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
“
Lately I've been thinking about who I want to love, and how I want to love, and why I want to love the way I want to love, and what I need to learn to love that way, and how I need to become to become the kind of love I want to be. And when I break it all down, when I whittle it into a single breath, it essentially comes out like this: before I die, I want to be somebody's favorite hiding place, the place they can put everything they need to survive, every secret, every solitude, every nervous prayer, and be absolutely certain I will keep it safe. I will keep it safe.
”
”
Andrea Gibson
“
This felt like the way you get nervous right before something exciting happens-the moment when you're balanced on the top of the roller coaster, the hush before the surprise party, the second after the diving board but before the water, when you can close your eyes and imagine, for just a second, that you're flying. The feeling that good things were coming, almost here, any moment now.
”
”
Morgan Matson (Since You've Been Gone)
“
O Deep Thought computer," he said, "the task we have designed you to perform is this. We want you to tell us...." he paused, "The Answer."
"The Answer?" said Deep Thought. "The Answer to what?"
"Life!" urged Fook.
"The Universe!" said Lunkwill.
"Everything!" they said in chorus.
Deep Thought paused for a moment's reflection.
"Tricky," he said finally.
"But can you do it?"
Again, a significant pause.
"Yes," said Deep Thought, "I can do it."
"There is an answer?" said Fook with breathless excitement.
"Yes," said Deep Thought. "Life, the Universe, and Everything. There is an answer. But, I'll have to think about it."
...
Fook glanced impatiently at his watch.
“How long?” he said.
“Seven and a half million years,” said Deep Thought.
Lunkwill and Fook blinked at each other.
“Seven and a half million years...!” they cried in chorus.
“Yes,” declaimed Deep Thought, “I said I’d have to think about it, didn’t I?"
[Seven and a half million years later.... Fook and Lunkwill are long gone, but their descendents continue what they started]
"We are the ones who will hear," said Phouchg, "the answer to the great question of Life....!"
"The Universe...!" said Loonquawl.
"And Everything...!"
"Shhh," said Loonquawl with a slight gesture. "I think Deep Thought is preparing to speak!"
There was a moment's expectant pause while panels slowly came to life on the front of the console. Lights flashed on and off experimentally and settled down into a businesslike pattern. A soft low hum came from the communication channel.
"Good Morning," said Deep Thought at last.
"Er..good morning, O Deep Thought" said Loonquawl nervously, "do you have...er, that is..."
"An Answer for you?" interrupted Deep Thought majestically. "Yes, I have."
The two men shivered with expectancy. Their waiting had not been in vain.
"There really is one?" breathed Phouchg.
"There really is one," confirmed Deep Thought.
"To Everything? To the great Question of Life, the Universe and everything?"
"Yes."
Both of the men had been trained for this moment, their lives had been a preparation for it, they had been selected at birth as those who would witness the answer, but even so they found themselves gasping and squirming like excited children.
"And you're ready to give it to us?" urged Loonsuawl.
"I am."
"Now?"
"Now," said Deep Thought.
They both licked their dry lips.
"Though I don't think," added Deep Thought. "that you're going to like it."
"Doesn't matter!" said Phouchg. "We must know it! Now!"
"Now?" inquired Deep Thought.
"Yes! Now..."
"All right," said the computer, and settled into silence again. The two men fidgeted. The tension was unbearable.
"You're really not going to like it," observed Deep Thought.
"Tell us!"
"All right," said Deep Thought. "The Answer to the Great Question..."
"Yes..!"
"Of Life, the Universe and Everything..." said Deep Thought.
"Yes...!"
"Is..." said Deep Thought, and paused.
"Yes...!"
"Is..."
"Yes...!!!...?"
"Forty-two," said Deep Thought, with infinite majesty and calm.
”
”
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
“
The second I encounter his erection, my jaw drops.
“Oh my God, are you kidding me?”
He looks startled. “What’s wrong?”
“Are you taking human growth hormones or something? I snatch my hand back, fighting another rush of nervousness. “There’s no way that huge man monster is fitting inside me!”
Garrett’s head abruptly drops in the crook of his arm as a shudder racks his body. At first I think he’s pissed off. Or maybe even crying. It takes several seconds before I realize what’s happening. He’s laughing.
Scratch that – he’s in hysterics.
”
”
Elle Kennedy (The Deal (Off-Campus, #1))
“
The mayor finishes the dreary Treaty of Treason and motions for Peeta and me to shake hands. His are as solid and warm as those loaves of bread. Peeta looks me right in the eye and gives my hand what I think is meant to be a reassuring squeeze. Maybe it's just a nervous spasm.
We turn back the crowd as the anthem of Panem plays.
Oh well, I think. There will be twenty-four of us. Odds are someone else will kill him before I do.
Of course, the odds have not been very dependable of late.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
The bar staff and croupiers all wore black with the same green triangle logo emblazoned on their shirts, and contact lenses which made their eyes shine an eerie, vibrant green. The bar optics glowed with the same green light, the intensity of which was linked to the music. As the bartender walked away to fetch the drinks, a breakdown in the techno track commenced and the bottles began to palpitate. The bartender's eyes glowed with a hallucinatory felinity that made Mangle feel nervous.
”
”
R.D. Ronald (The Zombie Room)
“
Reading isn’t important because it helps to get you a job. It’s important because it gives you room to exist beyond the reality you’re given. It is how humans merge. How minds connect. Dreams. Empathy. Understanding. Escape. Reading is love in action.
”
”
Matt Haig (Notes on a Nervous Planet)
“
Marry me,' he whispers.
I stare at him, disbelief and joy colliding. And it's the look in his eyes —the hopeful, terrified look in his eyes— that nearly kills me. I'm suddenly crying.
I clasp my hands over my face. A sob escapes my mouth. Gently, he pries my hands away from my face.
'Ella?' he says, his words barely a whisper.
I'm still crying when I throw my arms around his neck, still crying when he says, a little nervously—
'Sweetheart, I really need to know if this means yes or no—'
'Yes,' I cry, slightly hysterical. 'Yes, yes to everything with you. Yes to forever with you. Yes.
”
”
Tahereh Mafi (Defy Me (Shatter Me, #5))
“
The blood vessels in Nora’s face are widening and her skin is warming,” Patch said. “She knows she’s being evaluated. She likes the attention, but she’s not sure how to handle it.”
“I am not blushing.”
“She’s nervous,” Patch said. “She’s stroking her arm to draw attention away from her face and down to her figure, or maybe her skin. Both are strong selling points.
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
Grover Underwood of the satyrs!" Dionysus called.
Grover came forward nervously.
"Oh, stop chewing your shirt," Dionysus chided. "Honestly, I'm not going to blast you. For your bravery and sacrifice, blah, blah, blah, and since we have an unfortunate vacancy, the gods have seen fit to name you a member of the Council of Cloven Elders."
Grover collapsed on the spot.
"Oh, wonderful," Dionysus sighed, as several naiads came forward to help Grover. "Well, when he wakes up, someone tell him that he will no longer be an outcast, and that all satyrs, naiads, and other spirits of nature will henceforth treat him as a lord of the Wild, with all rights, privileges, and honors, blah, blah, blah. Now please, drag him off before he wakes up and starts groveling."
"FOOOOOD," Grover moaned, as the nature spirits carried him away.
I figured he'd be okay. He would wake up as a lord of the Wild with a bunch of beautiful naiads taking care of him. Life could be worse.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
The first sentence of the truth is always the hardest. Each of us had a first sentence, and most of us found the strength to say it out loud to someone who deserved to hear it. What we hoped, and what we found, was that the second sentence of the truth is always easier than the first, and the third sentence is even easier than that. Suddenly you are speaking the truth in paragraphs, in pages. The fear, the nervousness, is still there, but it is joined by a new confidence. All along, you've used the first sentence as a lock. But now you find that it's the key.
”
”
David Levithan (Two Boys Kissing)
“
He began to trace a pattern on the table with the nail of his thumb. "She kept saying she wanted to keep things exactly the way they were, and that she wished she could stop everything from changing. She got really nervous, like, talking about the future. She once told me that she could see herself now, and she could also see the kind of life she wanted to have - kids, husband, suburbs, you know - but she couldn't figure out how to get from point A to point B.
”
”
Jodi Picoult (The Pact)
“
Now tequila may be the favored beverage of outlaws but that doesn't mean it gives them preferential treatment. In fact, tequila probably has betrayed as many outlaws as has the central nervous system and dissatisfied wives. Tequila, scorpion honey, harsh dew of the doglands, essence of Aztec, crema de cacti; tequila, oily and thermal like the sun in solution; tequila, liquid geometry of passion; Tequila, the buzzard god who copulates in midair with the ascending souls of dying virgins; tequila, firebug in the house of good taste; O tequila, savage water of sorcery, what confusion and mischief your sly, rebellious drops do generate!
”
”
Tom Robbins (Still Life with Woodpecker)
“
I had this feeling suddenly. I get this feeling a lot, but I don’t know if there’s one word for it. It’s not nervous or sad or even lonely. It’s all of that, and then a bit more. The feeling is I don’t belong here. I don’t know how I got here, and I don’t know how long I can stay before everyone else realizes that I am an impostor. I am a fraud. I’ve gotten this feeling nearly everywhere I have ever been in my life. There’s nothing you can do about it except drink some water and hope that it subsides. Or you can leave.
”
”
Leila Sales (This Song Will Save Your Life)
“
There will be other lives.
There will be other lives for nervous boys with sweaty palms, for bittersweet fumblings in the backseats of cars, for caps and gowns in royal blue and crimson, for mothers clasping pretty pearl necklaces around daughters' unlined necks, for your full name read aloud in an auditorium, for brand-new suitcases transporting you to strange new people in strange new lands.
And there will be other lives for unpaid debts, for one-night stands, for Prague and Paris, for painful shoes with pointy toes, for indecision and revisions.
And there will be other lives for fathers walking daughters down aisles.
And there will be other lives for sweet babies with skin like milk.
And there will be other lives for a man you don't recognize, for a face in a mirror that is no longer yours, for the funerals of intimates, for shrinking, for teeth that fall out, for hair on your chin, for forgetting everything. Everything.
Oh, there are so many lives. How we wish we could live them concurrently instead of one by one by one. We could select the best pieces of each, stringing them together like a strand of pearls. But that's not how it works. A human's life is a beautiful mess.
”
”
Gabrielle Zevin (Elsewhere)
“
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . .
History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened.
My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . .
There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . .
And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . .
So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.
”
”
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
“
You can approach the act of writing with nervousness, excitement, hopefulness, or even despair--the sense that you can never completely put on the page what's in your mind and heart. You can come to the act with your fists clenched and your eyes narrowed, ready to kick ass and take down names. You can come to it because you want a girl to marry you or because you want to change the world. Come to it any way but lightly. Let me say it again: you must not come lightly to the blank page.
”
”
Stephen King
“
Years after the war, after marriages, children, divorces, books, he came to Paris with his wife. He phoned her. It's me. She recognized him at once from the voice. He said, I just wanted to hear your voice. She said, it's me, hello. He was nervous, afraid, as before. His voice suddenly trembled. And with the trembling, suddenly, she heard again the voice of China. He knew she'd begun writing books, he'd heard about it through her mother whom he'd met again in Saigon. And about her younger brother, and he'd been grieved for her. Then he didn't know what to say. And then he told her. Told her that it was as before, that he still loved her, he could never stop loving her, that he'd love her until death.
”
”
Marguerite Duras (The Lover)
“
If you lack the iron and the fuzz to take control of your own life, if you insist on leaving your fate to the gods, then the gods will repay your weakness by having a grin or two at your expense. Should you fail to pilot your own ship, don't be surprised at what inappropriate port you find yourself docked. The dull and prosaic will be granted adventures that will dice their central nervous systems like an onion, romantic dreamers will end up in the rope yard. You may protest that it is too much to ask of an uneducated fifteen-year-old girl that she defy her family, her society, her weighty cultural and religious heritage in order to pursue a dream that she doesn't really understand. Of course it is asking too much. The price of self-destiny is never cheap, and in certain situations it is unthinkable. But to achieve the marvelous, it is precisely the unthinkable that must be thought.
”
”
Tom Robbins (Jitterbug Perfume)
“
He froze. “I . . .” Then, as he searched my face with wonder, he slid from his seat and down to one knee. “My sweet, lovely Anna. I love you . . . and I want to marry you. But only if you want to. Do you? I mean, will you? Marry me?”
Be still my heart. His proposal was so adorably awkward that I had to laugh, sliding out of my chair so I could face him on my knees, too. I grabbed his face and kissed him for saying exactly what I needed to hear. We kissed once, twice, three times before he pulled back.
“Does it always take this long for someone to answer? It’s making me bloody nervous.”
I looked into his eyes. “Yes, Kai. I’ll marry you.
”
”
Wendy Higgins (Sweet Reckoning (Sweet, #3))
“
Adieu," he said, "this is goodbye. I'll never forget you, never."
She stood silent. He looked at her and saw her eyes full of tears. He turned away.
At this moment she wasn't ashamed of loving him, because her physical desire had gone and all she felt towards him now was pity and a profound, almost maternal tenderness. She forced herself to smile. "Like the Chinese mother who sent her son off to war telling him to be careful 'because war has its dangers,' I'm asking you, if you have any feelings for me, to be as careful as possible with your life."
Because it is precious to you?" he asked nervously.
Yes. Because it is precious to me.
”
”
Irène Némirovsky (Suite Francaise)
“
1) Work on one thing at a time until finished.
2) Start no more new books, add no more new material to "Black Spring."
3) Don't be nervous. Work calmly, joyously, recklessly on whatever is in hand.
4) Work according to Program and not according to mood. Stop at the appointed time!
5) When you can't create you can work.
6) Cement a little every day, rather than add new fertilizers.
7) Keep human! See people, go places, drink if you feel like it.
8) Don't be a draught-horse! Work with pleasure only.
9) Discard the Program when you feel like it—but go back to it next day. Concentrate. Narrow down. Exclude.
10) Forget the books you want to write. Think only of the book you are writing.
11) Write first and always. Painting, music, friends, cinema, all these come afterwards.
”
”
Henry Miller
“
I love you. I love the way you rub the scar on the back of your hand when you're nervous. I love the way you make a sword into a living part of your body. I love the way you burn your eyes into me, as if you're seeing me fresh every time. I love the black streak in you that wants to kill the world, and the soft streak that is sorry afterward. I love the way you laugh, as if you're surprised that you can laugh at all. I love the way you kiss my breath away. I love the way you breathe and speak and smile. I love the way you take the air out of my lungs when you hold me. I love the way you make a dance out of death. I love the confusion I see in your eyes when you realize you are happy. I love every muscle and bone in your body, every twist and bend in your soul.
”
”
Kate Quinn (Mistress of Rome (The Empress of Rome, #1))
“
Once, very long ago, Time fell in love with Fate. This, as you might imagine, proved problematic. Their romance disrupted the flow of time. It tangled the strings of fortune into knots. The stars watched from the heavens nervously, worrying what might occur. What might happen to the days and nights were time to suffer a broken heart? What catastrophes might result if the same fate awaited Fate itself? The stars conspired and separated the two. For a while they breathed easier in the heavens. Time continued to flow as it always had, or perhaps imperceptibly slower. Fate weaved together the paths that were meant to intertwine, though perhaps a string was missed here and there. But eventually, Fate and Time found each other again. In the heavens, the stars sighed, twinkling and fretting. They asked the Moon her advice. The Moon in turn called upon the parliament of owls to decide how best to proceed. The parliament of owls convened to discuss the matter amongst themselves night after night. They argued and debated while the world slept around them, and the world continued to turn, unaware that such important matters were under discussion while it slumbered. The parliament of owls came to the logical conclusion that if the problem was in the combination, one of the elements should be removed. They chose to keep the one they felt more important. The parliament of owls told their decision to the stars and the stars agreed. The Moon did not, but on this night she was dark and could not offer her opinion. So it was decided, and Fate was pulled apart. Ripped into pieces by beaks and claws. Fate’s screams echoed through the deepest corners and the highest heavens but no one dared to intervene save for a small brave mouse who snuck into the fray, creeping unnoticed through the blood and bone and feathers, and took Fate’s heart and kept it safe. When the furor died down there was nothing else left of Fate. The owl who consumed Fate’s eyes gained great site, greater site then any that had been granted to a mortal creature before. The Parliament crowned him the Owl King. In the heavens the stars sparkled with relief but the moon was full of sorrow. And so time goes as it should and events that were once fated to happen are left instead to chance, and Chance never falls in love with anything for long. But the world is strange and endings are not truly endings no matter how the stars might wish it so. Occasionally Fate can pull itself together again. And Time is always waiting.
”
”
Erin Morgenstern (The Starless Sea)
“
It’s important to keep up appearances with books,” I explained. “Image goes a long way in this business.”
He dared a look over at me, still nervous but steadily recovering his composure. “I go more for content.”
"Really?” I repositioned slightly so that we were touching again, the soft flannel of his shirt brushing my bare skin. “Because I could have sworn a moment ago you were pretty caught up in outside appearance.”
His eyes shifted down again, but I could see a smile curving his lips. “Well. Some things are so striking, they can’t help but draw attention to themselves.”
"And doesn’t that make you curious about what’s inside?”
"Mostly it makes me want to get you some advanced copies.”
Advanced copies? What did he—?
"Seth? Seth, where—ah, there you are.” Paige turned down our aisle, Doug following behind. She brightened when she saw me, and I felt my stomach sink out of me and hit the floor with a thud as I put two and two together. No. No. It couldn’t be—
"Ah, Georgina. I see you’ve already met Seth Mortensen.
”
”
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
“
I miss the way he used to kiss my shoulder whenever it was bare and he was nearby. I miss how he cleared his throat before he took a sip of water and scratched his left arm with his right hand when he was nervous. I miss how he tucked my hair behind my ear when it came loose and took my temperature when I was sick or when he was bored. I miss his glasses on my nightstand. I miss watching him take Sunday afternoon naps on my couch, with the newspaper resting on his stomach like a blanket. How his hands stayed clasped, fingers intertwined, while he slept. I miss the cadence of his speech and the stupidity of his puns. I miss playing doctor when we made love, and even when we didn't. I miss his smell, like fresh laundry and honey (because of his shampoo) at his place. Fresh laundry and coconut (because of my shampoo) at mine. I miss that he used to force me to listen to French rap and would sing along in a horrible accent. I miss that he always said "I love you" when he hung up the phone with his sister, never shy or embarassed, regardless of who else was around. I miss that his ideal Friday night included a DVD, eating Chinese food right out of the carton, and cuddling on top of my duvet cover. I miss that he reread books from his childhood and then from mine. I miss that he was the only man that I have ever farted on, and with, freely. I miss that he understood that the holidays were hard for me and that he wanted me to never feel lonely.
”
”
Julie Buxbaum (The Opposite of Love)
“
Look at this!" he shouted "look at it! what has that one-woman force of chaos done to these spells?"
Sophie and Michael whirled round and looked at Howl. His hair was wet, but, apart from that, neither of them could see that it looked any different.
"If you mean me-" Sophie began.
"I do mean you! Look!" Howl shrieked. He sat down with a thump on the three-legged stool and jabbed at his wet head with his fingers. "Look. Survey. Inspect. My hair is ruined! I look like a pan of bacon and eggs!"
Michael and Sophie bent nervously over Howl's head. it seemed the usual flaxen color right down to the roots. The only difference might have been a slight, very slight, trace of red. Sophie found that agreeable. It reminded her a little of the color her own hair should have been.
"I think it's nice," she said.
"Nice!" screamed Howl. "You would! You did it on purpose. You couldn't rest until you made me miserable too. Look at it! It's ginger! I shall have to hide until it's grown out!" He spread his arms out passionately. "Dispair!" he yelled. "Anguish! Horror!
”
”
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
“
The Romans move east from New York. They advance in your camp, and nothing can slow them down.
"Nothing can slow them down," Leo mused. "I wonder..."
"What?" Jason asked.
Leo looked at the dwarfs. "I'll make you a deal."
Akmon's eyes lit up. "Thirty percent?"
"We'll leave you all the treasure," Leo said, "except the stuff that belongs to us, and the astrolabe, and this book, which we'll take back to the dude in Venice."
"But he'll destroy us!" Passolos wailed.
"We won't say where we got it," Leo promised. "And we won't kill you. We'll let you go free."
"Uh, Leo...?" Jason asked nervously.
Akmon squealed in delight. "I knew you were as smart at Hercules! I will call you Black Bottom, the Sequel!"
"You, no thanks," Leo said. "But in return for us sparing your lives, you have to do something for us. I'm going to send you somewhere to steal from some people, harass them, make life hard for them any way you can. You have to follow my directions exactly. You have to swear on the River Styx."
"We swear!" Passalos said. "Stealing from people is our specialty!"
"I love harassment!" Akmon agreed. "Where are we going?"
Leo grinned. "Ever heard of New York?
”
”
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
“
Usually, when we think of power, we think of external power. And we think of powerful people as those who have made it in the world. A powerful woman isn’t necessarily someone who has money, but we think of her as someone with a boldness or a spark that makes her manifest in a dramatic way. When we think of a powerful man, we think of his ability to manifest abundance, usually money, in the world.
Most people say that a powerful woman does best with a powerful man, that she needs someone who understands the bigness of her situation, a man who can meet her at the same or even greater level of power in the world.
Now this is true, if power is defined as material abundance. A woman often faces cultural prejudice when she makes more money than a man, as does he. A woman who defines power by worldly standards can rarely feel totally relaxed in the arms of a man who doesn’t have it.
If power is seen as an internal matter, then the situation changes drastically. Internal power has less to do with money and worldly position, and more to do than with emotional expansiveness, spirituality and conscious living…
I used to think I needed a powerful man, someone who could protect me from the harshness and evils of the world. What I have come to realize is that…the powerful man I was looking for would be foremost, someone who supported me in keeping myself on track spiritually, and in so maintaining clarity within myself, that life would present fewer problems. When it did get rough, he would help me forgive.
I no longer wanted somebody who would say to me, “Don’t worry honey, if they’re mean to you I’ll beat them up or buy them out.” Instead, I want someone who prays and meditates with me regularly so that fewer monsters from the outer world disturb me, and who when they do, helps me look within my own consciousness for answers, instead of looking to false power to combat false power.
There’s a big difference between a gentle man and a weak man. Weak men make us nervous. Gentle men make us calm.
”
”
Marianne Williamson
“
In response to threat and injury, animals, including humans, execute biologically based, non-conscious action patterns that prepare them to meet the threat and defend themselves. The very structure of trauma, including activation, dissociation and freezing are based on the evolution of survival behaviors. When threatened or injured, all animals draw from a "library" of possible responses. We orient, dodge, duck, stiffen, brace, retract, fight, flee, freeze, collapse, etc. All of these coordinated responses are somatically based- they are things that the body does to protect and defend itself. It is when these orienting and defending responses are overwhelmed that we see trauma.
The bodies of traumatized people portray "snapshots" of their unsuccessful attempts to defend themselves in the face of threat and injury. Trauma is a highly activated incomplete biological response to threat, frozen in time. For example, when we prepare to fight or to flee, muscles throughout our entire body are tensed in specific patterns of high energy readiness. When we are unable to complete the appropriate actions, we fail to discharge the tremendous energy generated by our survival preparations. This energy becomes fixed in specific patterns of neuromuscular readiness. The person then stays in a state of acute and then chronic arousal and dysfunction in the central nervous system. Traumatized people are not suffering from a disease in the normal sense of the word- they have become stuck in an aroused state. It is difficult if not impossible to function normally under these circumstances.
”
”
Peter A. Levine
“
I draw a line down the middle of a chalkboard, sketching a male symbol on one side and a female symbol on the other. Then I ask just the men: What steps do you guys take, on a daily basis, to prevent yourselves from being sexually assaulted? At first there is a kind of awkward silence as the men try to figure out if they've been asked a trick question. The silence gives way to a smattering of nervous laughter. Occasionally, a young a guy will raise his hand and say, 'I stay out of prison.' This is typically followed by another moment of laughter, before someone finally raises his hand and soberly states, 'Nothing. I don't think about it.' Then I ask women the same question. What steps do you take on a daily basis to prevent yourselves from being sexually assaulted? Women throughout the audience immediately start raising their hands. As the men sit in stunned silence, the women recount safety precautions they take as part of their daily routine. Here are some of their answers: Hold my keys as a potential weapon. Look in the back seat of the car before getting in. Carry a cell phone. Don't go jogging at night. Lock all the windows when I sleep, even on hot summer nights. Be careful not to drink too much. Don't put my drink down and come back to it; make sure I see it being poured. Own a big dog. Carry Mace or pepper spray. Have an unlisted phone number. Have a man's voice on my answering machine. Park in well-lit areas. Don't use parking garages. Don't get on elevators with only one man, or with a group of men. Vary my route home from work. Watch what I wear. Don't use highway rest areas. Use a home alarm system. Don't wear headphones when jogging. Avoid forests or wooded areas, even in the daytime. Don't take a first-floor apartment. Go out in groups. Own a firearm. Meet men on first dates in public places. Make sure to have a car or cab fare. Don't make eye contact with men on the street. Make assertive eye contact with men on the street.
”
”
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help)
“
Once there was a boy,” said Jace.
Clary interrupted immediately. “A Shadowhunter boy?”
“Of course.” For a moment a bleak amusement colored his voice. Then it was gone. “When the boy was six years old, his father gave him a falcon to train. Falcons are raptors – killing birds, his father told him, the Shadowhunters of the sky.
“The falcon didn’t like the boy, and the boy didn’t like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn’t know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to tame. But the boy tried, because his father told him to make the falcon obedient, and he wanted to please his father.
“He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was meant to be easier to tame. He learned the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was meant to keep the falcon blind, but he couldn’t bring himself to do it – instead he tried to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. Hee fed it from his hand, and at first it would not eat. Later it ate so savagely that its beak cut the skin of his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if the bird had to consume his blood to make that happen.
“He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like likght. When it learned to circle and come to his wrist, he neary shouted with delight Sometimes the bird would hope to his shoulder and put its beak in his hair. He knew his falcon loved him, and when he was certain it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud.
“Instead his father took the bird, now tame and trusting, in his hands and broke its neck. ‘I told you to make it obedient,’ his father said, and dropped the falcon’s lifeless body to the ground. ‘Instead, you taught it to love you. Falcons are not meant to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.’
“Later, when his father left him, the boy cried over his pet, until eventually his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he’d learned: that to love is to destroy, and that to be loved is to be the one destroyed.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
An incomplete list:
No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by.
No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert states. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars.
No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite.
No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position – but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked.
No more countries, all borders unmanned.
No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space.
No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
”
”
Emily St. John Mandel (Station Eleven)
“
Once upon a time there was a king who had three beautiful daughters.
No, no, wait.
Once upon a time there were three bears who lived in a wee house in the woods.
Once upon a time there were three soldiers, tramping together down the road after the war.
Once upon a time there were three little pigs.
Once upon a time there were three brothers.
No, this is it. This is the variation I want.
Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts.
Bounce, effort, and snark.
Contemplation and enthusiasm. Ambition and strong coffee.
Sugar, curiosity, and rain.
And yet, there was a witch.
There's always a witch.
This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening.
The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short.
The next boy was studious and open hearted. Though it's true, he was an outsider.
And the girl was witty, Generous, and ethical. Though it's true, she felt powerless.
The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic.
She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them.
She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it.
She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think.
Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so.
What she did instead was cursed them.
"When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame."
The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches.
There, surely, they would be safe.
There, Surely, the witch would never find them.
But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting.
The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories.
Then she gave them a box of matches.
The children were entranced, for nearly sixteen they have never seen fire.
Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen.
Go on, she said, the flames will cleanse your souls.
Go on, she said, for you are independent thinkers.
Go on, she said. What is this life we lead, if you did not take action?
And they listened.
They took the matches from her and they struck them. The witch watched their beauty burn,
Their bounce,
Their intelligence,
Their wit,
Their open hearts,
Their charm,
Their dreams for the future.
She watched it all disappear in smoke.
”
”
E. Lockhart (We Were Liars)