Neighbours Soap Quotes

We've searched our database for all the quotes and captions related to Neighbours Soap. Here they are! All 5 of them:

All the little man on the witness stand had that made him any better than his nearest neighbours was that, if scrubbed with lye soap in very hot water, his skin was white.
Harper Lee (To Kill a Mockingbird)
Having sex with your neighbour is not a good idea. Not under any circumstances, nothing good will come of it. It’s a cliché. It’s a soap opera. It’s a bad made for TV movie.
Helen Argiro (Tales of Sex & Suburban Lunacy)
Neighbours bring food with death and flowers with sickness and little things in between. Boo was our neighbour. He gave us two soap dolls, a broken watch and chain, a pair of good luck pennies, and our lives.
Harper Lee (To Kill a Mockingbird)
her flesh was fat and white, when it had melted I added a bottle of cologne, and after a long time on the boil I was able to make some most acceptable creamy soap. I gave bars to neighbours and acquaintances. The cakes, too, were better: that woman was really sweet.
F. Amos Hurt (Leonarda Cianciulli: The Soap-Maker of Correggio: Serial Killer Chronicles #1)
Time for Sebastian was never 1914 or 1920 or 1936—it was always year 1. Newspaper headlines, political theories, fashionable ideas meant to him no more than the loquacious printed notice (in three languages, with mistakes in at least two) on the wrapper of some soap or toothpaste. The lather might be thick and the notice convincing—but that was an end of it. He could perfectly well understand sensitive and intelligent thinkers not being able to sleep because of an earthquake in China; but, being what he was, he could not understand why these same people did not feel exactly the same spasm of rebellious grief when thinking of some similar calamity that had happened as many years ago as there were miles to China. Time and space were to him measures of the same eternity, so that the very idea of his reacting in any special “modern” way to what Mr. Goodman calls “the atmosphere of postwar Europe” is utterly preposterous. He was intermittently happy and uncomfortable in the world into which he came, just as a traveller may be exhilarated by visions of his voyage and be almost simultaneously sea-sick. Whatever age Sebastian might have been born in, he would have been equally amused and unhappy, joyful and apprehensive, as a child at a pantomime now and then thinking of to-morrow’s dentist. And the reason of his discomfort was not that he was moral in an immoral age, or immoral in a moral one, neither was it the cramped feeling of his youth not blowing naturally enough in a world which was too rapid a succession of funerals and fireworks; it was simply his becoming aware that the rhythm of his inner being was so much richer than that of other souls. Even then, just at the close of his Cambridge period, and perhaps earlier too, he knew that his slightest thought or sensation had always at least one more dimension than those of his neighbours. He might have boasted of this had there been anything lurid in his nature. As there was not, it only remained for him to feel the awkwardness of being a crystal among glass, a sphere among circles (but all this was nothing when compared to what he experienced as he finally settled down to his literary task).
Vladimir Nabokov (The Real Life of Sebastian Knight)