Needles Inspiring Quotes

Music has always been a matter of Energy to me, a question of Fuel. Sentimental people call it Inspiration, but what they really mean is Fuel. I have always needed Fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio.

Because I know you, Percy Jackson. In many ways, you are impulsive, but when it comes to your friends, you are as constant as a compass needle. You are unswervingly loyal, and you inspire loyalty. You are the glue that will unite the seven.

Finding happiness should not be seen as finding a needle in a haystack. Happiness is within. Each day is a blessing that brings an abundance of happiness. Therefore, finding happiness should be like finding a gift in a stack of gifts.

The pattern's laid out on the bed With dozens of colors of thread But you've got the needle I guess that's the point in the end

Quiet descended on her, calm, content, as her needle, drawing the silk smoothly to its gentle pause, collected the green folds together and attached them, very lightly, to the belt. So on a summer’s day waves collect, overbalance, and fall; collect and fall; and the whole world seems to be saying “that is all” more and more ponderously, until even the heart in the body which lies in the sun on the beach says too, That is all. Fear no more, says the heart. Fear no more, says the heart, committing its burden to some sea, which sighs collectively for all sorrows, and renews, begins, collects, lets fall. And the body alone listens to the passing bee; the wave breaking; the dog barking, far away barking and barking.

It's easier for a rich man to ride that camel through the eye of a needle directly into the Kingdom of Heaven, than for some of us to give up our cell phone.

Success in such a war as this comes only through men sewn to a single purpose, funnelled to a single spear thrust rather than a thousand needle-pricks.

Take the needle off the record that keeps playing the same song. A full range of potential is headed your way with new discoveries that are going to take you places you only dreamt of.

The trouble with being inspired to perform the impossible was that the inspiration gave you no clues to the practical means.

Being booed off stage is just an applause from ghosts!

Because I know you, Percy Jackson. In many ways, you are impulsive, but when it comes to your friends, you are as constant as a compass needle. You are unswervingly loyal, and you inspire loyalty. You are the glue that will unite the seven.” “Great,” Percy said. “I always wanted to be glue.” Juno laced her crooked fingers.

If you wish to find a needle in a haystack, light a match.

That was the way mauma had lived her whole life. She used to say, you got to figure out which end of the needle you’re gon be, the one that’s fastened to the thread or the end that pierces the cloth.

That McCarthy, he thought, is a damn good shop foreman. He has the knack of needling a man, getting him to put out his best efforts, to do his utmost in spite of himself. He's a natural leader; he almost inspired me, for a moment, there.

It’s said that the Buddha’s enlightenment is great than that of a traveler setting out, in the same proportion as the heavens are bigger than what can be seen of them through the eye of a needle. But in both cases, what you see is the sky.

For some young artists, it can take a bit of time to discover which tools (which medium, or genre, or career pathway) will truly suit them best. For me, although many different art forms attract me, the tools that I find most natural and comfortable are language and oil paint; I've also learned that as someone with a limited number of spoons it's best to keep my toolbox clean and simple. My husband, by contrast, thrives with a toolbox absolutely crowded to bursting, working with language, voice, musical instruments, puppets, masks animated on a theater stage, computer and video imagery, and half a dozen other things besides, no one of these tools more important than the others, and all somehow working together. For other artists, the tools at hand might be needles and thread; or a jeweller's torch; or a rack of cooking spices; or the time to shape a young child's day.... To me, it's all art, inside the studio and out. At least it is if we approach our lives that way.

When the magnet does not attract the needle, the fault lies in the dirt that covers up the needle.

All languages that derive fromLatin form the word 'compassion' by combining the prefix meaning 'with' (com-) and the root meaning 'suffering' (Late Latin, passio). In other languages- Czech, Polish, German, and Swedish, for instance- this word is translated by a noun formed of an equivalent prefixcombined with the word that means 'feeling' (Czech, sou-cit; Polish, wsspół-czucie; German, Mit-gefühl; Swedish, medkänsla). In languages that derive from Latin, 'compassion' means: we cannot look on coolly as others suffer; or, we sympathize with those who suffer. Another word with approximately the same meaning, 'pity' (French, pitié; Italian, pietà; etc.), connotes a certain condescension towards the sufferer. 'To take pity on a woman' means that we are better off than she, that we stoop to her level, lower ourselves. That is why the word 'compassion' generally inspires suspicion; it designates what is considered an inferior, second-rate sentiment that has little to do with love. To love someone out of compassion means not really to love. In languages that form the word 'compassion' not from the root 'suffering' but from the root 'feeling', the word is used in approximately the same way, but to contend that it designates a bad or inferior sentiment is difficult. The secret strength of its etymology floods the word with another light and gives it a broader meaning: to have compassion (co-feeling) means not only to be able to live with the other's misfortune but also to feel with him any emotion- joy, anxiety, happiness, pain. This kind of compassion (in the sense of soucit, współczucie, Mitgefühl, medkänsla) therefore signifies the maximal capacity of affective imagination, the art of emotional telepathy. In the hierarchy of sentiments, then, it is supreme. By revealing to Tomas her dream about jabbing needles under her fingernails, Tereza unwittingly revealed that she had gone through his desk. If Tereza had been any other woman, Tomas would never have spoken to her again. Aware of that, Tereza said to him, 'Throw me out!' But instead of throwing her out, he seized her and kissed the tips of her fingers, because at that moment he himself felt the pain under her fingernails as surely as if the nerves of her fingers led straight to his own brain. Anyone who has failed to benefit from the the Devil's gift of compassion (co-feeling) will condemn Tereza coldly for her deed, because privacy is sacred and drawers containing intimate correspondence are not to be opened. But because compassion was Tomas's fate (or curse), he felt that he himself had knelt before the open desk drawer, unable to tear his eyes from Sabina's letter. He understood Tereza, and not only was he incapable of being angry with her, he loved her all the more.

Kestrel, seeking to change the subject, asked about something that Arin had said. It had been like a needle in a dark part of her mind, stitching invisible patterns. “Did the Herrani enjoy trading with Valorians before the war?” “Oh, yes. Your people always had gold for Herrani goods. Valoria was our biggest buyer of exports.” “But did we have a reputation for something else? Besides being rich and savage, with no manners.” Enai took a sip of tea, peering at Kestrel over the cup’s rim. Kestrel grew uncomfortable, and hoped Enai wouldn’t ask what inspired these questions. But the woman only said, “You were known for your beauty. Of course, that was before the war.” “Yes,” said Kestrel softly. “Of course.

Phil Needle stood in the parking lot, suddenly grasping that this was so, that nothing is lost in a world utterly mapped, that nothing is rogue with everything cross-pollinated, as the shouts on the beach lured him across the street to the sand.

Tané had watched a woman in Cape Hisan embroidering a robe once. The needle dipping in and out, drawing the thread behind it, colors blooming on the silk. Inspired by the memory, Tané had imagined the power in the jewel as a needle, the water as the thread, and herself as a seamster of the sea. Slowly, the waves had leaned toward her and wrapped themselves around her legs.

The only thing he was sorry for was slamming the door and perhaps raising his voice to the woman who'd been like a mother to him since the passing of his parents. Perhaps she hadn't really deserved his reaction, but he was, justifiably, weary of their meddling and hearing about his father's will. Apparently no suitable maiden was going to appear on his doorstep. He seemed to be looking for a needle in a haystack.

You cannot look into a cradle and read the secret message traced by a divine hand and wrapped up in that bit of clay, and more than you can see the North Star in the magnetic needle. God has loaded the needle of that young life so it will point to the star which presides over poetry, art, law, medicine, or whatever your own pet calling is, until you have wasted years precious life, yet, when once free, the needle flies back to its own star.

Everything about the whimsical inn inspired curiosity instead of fear. In a third-floor bathing room, Evangeline found the most delightful copper tub, reminiscent of the clock in the hall. It had lovely jewelled handles and a faucet that could pout out different-coloured waters in a variety of scents: Pink honeysuckle. Lavender rose. Green pine needle. Silver rain. She'd mixed the rain and honeysuckle, and now she smelled like a sweet and stormy day.

Georgia closed her eyes and concentrated on the sensations of the island--- the bracing, spicy scent of evergreen needles, the briny creaminess of an oyster still in its shell, the chewy, viscous luxury of Star's honey on the comb, the light acidity of a local cider. And then she cooked what she felt, that sense of wonder, the lightness and clean sea salt air. A sprinkle of salt, the crispness of fresh vegetables, the unctuous luxury of good olive oil.

Too often, artists who think it was “inspiration” or “pain” that fueled their art and create an image around that—instead of hard work and sincere hustle—will eventually find themselves at the bottom of a bottle or on the wrong end of a needle. The same goes for us, whatever we do. Instead of pretending that we are living some great story, we must remain focused on the execution—and on executing with excellence. We must shun the false crown and continue working on what got us here. Because that’s the only thing that will keep us here.

*Have humility. Learn from everyone you can. Even if it’s just one takeaway. *Be grateful for the many lessons you get, and realize that everything is a lesson. *Only be around people you love and who inspire you. *Life is a billion times smaller than the point of a needle. Don’t waste it doing things you were told to do. Do the things you love to do. *Health is the most important thing, else your body today won’t let you enjoy tomorrow. *Every day, be creative. Creativity is a muscle. *You’re going to make mistakes, but 80% is always good enough. Keep learning the next thing. *Life will constantly hit you until you are senseless. Don’t forget these are lessons.

Be fearless. Be tenacious. Go after what you want. Be a leader. Take control. Don't like how things are managed? Change the status quo. Be a disruptor. Galvanize, inspire, lead, get results. Stand resolute in the face of critics, detractors, naysayers. Their no is your yes. Make a difference. Change the narrative. Be a monumental success and a paradigm for forward, sometimes unorthodox, always creative thinking. This is what makes you a trailblazer, a standard bearer and history maker!! Oh, unless you are a powerful, black woman (or simply a WOMAN)with a voice that moves the needle. Then, you are a troublemaker, angry, stupid, menopausal, looking for attention? Women don't owe anyone an apology or explanation for being everything those part of an unevolved faction of society believes is only reserved for men. Work with us and be great, or get out of our way so we can continue what we started a lifetime ago. Proud of you Stacey Abrams and of all women who refuse to be relegated to a status of mediocrity. "Still, I rise!

Toward an Organic Philosophy SPRING, COAST RANGE The glow of my campfire is dark red and flameless, The circle of white ash widens around it. I get up and walk off in the moonlight and each time I look back the red is deeper and the light smaller. Scorpio rises late with Mars caught in his claw; The moon has come before them, the light Like a choir of children in the young laurel trees. It is April; the shad, the hot headed fish, Climbs the rivers; there is trillium in the damp canyons; The foetid adder’s tongue lolls by the waterfall. There was a farm at this campsite once, it is almost gone now. There were sheep here after the farm, and fire Long ago burned the redwoods out of the gulch, The Douglas fir off the ridge; today the soil Is stony and incoherent, the small stones lie flat And plate the surface like scales. Twenty years ago the spreading gully Toppled the big oak over onto the house. Now there is nothing left but the foundations Hidden in poison oak, and above on the ridge, Six lonely, ominous fenceposts; The redwood beams of the barn make a footbridge Over the deep waterless creek bed; The hills are covered with wild oats Dry and white by midsummer. I walk in the random survivals of the orchard. In a patch of moonlight a mole Shakes his tunnel like an angry vein; Orion walks waist deep in the fog coming in from the ocean; Leo crouches under the zenith. There are tiny hard fruits already on the plum trees. The purity of the apple blossoms is incredible. As the wind dies down their fragrance Clusters around them like thick smoke. All the day they roared with bees, in the moonlight They are silent and immaculate. SPRING, SIERRA NEVADA Once more golden Scorpio glows over the col Above Deadman Canyon, orderly and brilliant, Like an inspiration in the brain of Archimedes. I have seen its light over the warm sea, Over the coconut beaches, phosphorescent and pulsing; And the living light in the water Shivering away from the swimming hand, Creeping against the lips, filling the floating hair. Here where the glaciers have been and the snow stays late, The stone is clean as light, the light steady as stone. The relationship of stone, ice and stars is systematic and enduring: Novelty emerges after centuries, a rock spalls from the cliffs, The glacier contracts and turns grayer, The stream cuts new sinuosities in the meadow, The sun moves through space and the earth with it, The stars change places. The snow has lasted longer this year, Than anyone can remember. The lowest meadow is a lake, The next two are snowfields, the pass is covered with snow, Only the steepest rocks are bare. Between the pass And the last meadow the snowfield gapes for a hundred feet, In a narrow blue chasm through which a waterfall drops, Spangled with sunset at the top, black and muscular Where it disappears again in the snow. The world is filled with hidden running water That pounds in the ears like ether; The granite needles rise from the snow, pale as steel; Above the copper mine the cliff is blood red, The white snow breaks at the edge of it; The sky comes close to my eyes like the blue eyes Of someone kissed in sleep. I descend to camp, To the young, sticky, wrinkled aspen leaves, To the first violets and wild cyclamen, And cook supper in the blue twilight. All night deer pass over the snow on sharp hooves, In the darkness their cold muzzles find the new grass At the edge of the snow.

I am a haystack in a needle of time.

Everything about the whimsical inn inspired curiosity instead of fear. In a third-floor bathing room, Evangeline found the most delightful copper tub, reminiscent of the clock in the hall. It had lovely jewelled handles and a faucet that could pour out different-coloured waters in a variety of scents: Pink honeysuckle. Lavender rose. Green pine needle. Silver rain. She'd mixed the rain and honeysuckle, and now she smelled like a sweet and stormy day.

Desire is an odd thing. As soon as it is sated, it transmutes. If we receive the golden thread, we desire the golden needle.

Sewing is an enjoyable hobby that allows you to be creative and make a variety of items for yourself and others. At Clothingus.com, we offer a range of resources to help you learn how to sew, including easy projects and information about different sewing tools and their uses. Here are some interesting facts about sewing and related materials that may inspire you to try this useful craft: Cotton fabric can last for up to 100 years with proper care. In fact, cotton fabric has been found in many archaeological sites, indicating its longevity. Women's buttons are typically sewn onto the left side of a garment due to historical reasons. In the past, buttons were expensive, and only wealthy women with domestic help could afford them. To make it easier for the help to button up the garments, they were placed on the left side. Zippers were invented in 1893 and were initially used only on shoes and boots to make them easier to put on. Over time, they gained popularity and were used on other garments as well. The term "calico" refers to a type of cotton print that originated in the city of Calcutta, India. These hand-woven printed fabrics were made in the late 18th century and were named after the city. Buttons on sleeves were introduced by Napoleon Bonaparte. He wanted to prevent his soldiers from wiping their noses on their sleeves, so he ordered buttons to be sewn onto the ends of the sleeves. Sewing is believed to be one of the first skills that Homo sapiens learned. Archaeologists have found evidence of people sewing together fur, hide, skin, and bark for clothing dating back to 25,000 years ago. Early sewing needles were made of bone and ivory, with metal needles being developed later in human history. By the 20th century, more than 4000 different types of sewing machines had been invented. However, only those that made sewing simple, fun, and easy survived over time. If you're interested in learning more about sewing, visit Clothingus.com for lessons and projects that can help you build a solid foundation in this skill. Whether you're a beginner or have some experience, we have something for you. Visit Clothingus.com now.

Shirt" The back, the yoke, the yardage. Lapped seams, The nearly invisible stitches along the collar Turned in a sweatshop by Koreans or Malaysians Gossiping over tea and noodles on their break Or talking money or politics while one fitted This armpiece with its overseam to the band Of cuff I button at my wrist. The presser, the cutter, The wringer, the mangle. The needle, the union, The treadle, the bobbin. The code. The infamous blaze At the Triangle Factory in nineteen-eleven. One hundred and forty-six died in the flames On the ninth floor, no hydrants, no fire escapes— The witness in a building across the street Who watched how a young man helped a girl to step Up to the windowsill, then held her out Away from the masonry wall and let her drop. And then another. As if he were helping them up To enter a streetcar, and not eternity. A third before he dropped her put her arms Around his neck and kissed him. Then he held Her into space, and dropped her. Almost at once He stepped to the sill himself, his jacket flared And fluttered up from his shirt as he came down, Air filling up the legs of his gray trousers— Like Hart Crane’s Bedlamite, “shrill shirt ballooning.” Wonderful how the pattern matches perfectly Across the placket and over the twin bar-tacked Corners of both pockets, like a strict rhyme Or a major chord. Prints, plaids, checks, Houndstooth, Tattersall, Madras. The clan tartans Invented by mill-owners inspired by the hoax of Ossian, To control their savage Scottish workers, tamed By a fabricated heraldry: MacGregor, Bailey, MacMartin. The kilt, devised for workers To wear among the dusty clattering looms. Weavers, carders, spinners. The loader, The docker, the navvy. The planter, the picker, the sorter Sweating at her machine in a litter of cotton As slaves in calico headrags sweated in fields: George Herbert, your descendant is a Black Lady in South Carolina, her name is Irma And she inspected my shirt. Its color and fit And feel and its clean smell have satisfied Both her and me. We have culled its cost and quality Down to the buttons of simulated bone, The buttonholes, the sizing, the facing, the characters Printed in black on neckband and tail. The shape, The label, the labor, the color, the shade. The shirt.

The effect of this fear is not only to make us avoid actions that are positively sinful, but even those that may lead us into evil or endanger our virtue. These words of Job, "I feared all my works, knowing that thou didst not spare the offender" (Job 9:28), testify how deeply this sentiment was imprinted in his soul.   If we are penetrated with this salutary fear it will be manifest in our bearing when we enter God's house, and particularly in the presence of the Blessed Sacrament. We shall beware of irreverently talking or gazing about us as it we were unconscious of the dread Majesty in whose temple we are.   The love of God, as we have already said, is the first source of this fear. Servile fear, however, which is the fear, not of a son, but of a slave, is, in a measure, profitable, for it introduces filial fear as the needle introduces the thread. But we shall strengthen and confirm this sentiment of holy fear by reflecting upon the incomprehensible majesty of God, the severity of His judgments, the rigor of His justice, the multitude of our sins, and particularly our resistance to divine inspirations.

The cochlea of all mammals matches the spiraling design of a seashell, while the shape of our outer ears echoes the curled-up embryos of humans and many other animals-a feature utilized by acupuncturists who treat ailments in various body parts by pinning needles into the location on the ear that corresponds to those body parts.

A sister is nagging and needling, whispers and whisperings, bribery and thumpings, borrowings, breakings, kisses and cuddlings, lendings, surprises, defendings and comfortings, welcoming home.

Cal opens a drawer, pulls out a sketch pad and charcoal and sets them down on a drafting table. 'Let's draw.' I smile the way I did as a child when receiving a fresh box of 64 Crayola crayons, unabashedly showing all my teeth. I remember how much I used to love to draw, and I wonder why I don't do it anymore. I write, I guess. I draw with words, but when I see Cal's pad and charcoal, I'm overwhelmed with the feeling that it's not the same. I use my words, my artist's charcoal to describe what I'm thinking. He draws with an imperfect fluidity, pausing only occasionally to shade the drawing with his thumb or brush the paper with the back of his hands. He listens and nods and doesn't interrupt. And when I'm done speaking he looks at the drawing, and his eyes get really big. Slowly, he turns his pad around for me to see. My heart stops and then starts. 'Yes,' I say. It's perfect. Alive with added detail and beautiful Inuit soulfulness I couldn't have even imagined sitting outside in my car. My fear is gone. There's a tingling in my skin, like I can feel the thousand needle pricks to come. I am alive.

When GOD drops needles and pins along ur path in LIFE, dont stay away, instead pick them up and collect them, they were designed to be STRONG!

Your life is now a train moving swiftly down the tracks you are laying, but most of the time, you are moving too fast and barely putting down tracks in front of you. The reality that must be faced is that you will never arrive at your desired destination if you don’t set your long-term goals, plan your required outcomes, and define the station for your train to reach. I call this setting your lighthouse, the guiding light you need in your life to connect all the elements I’ve discussed and set long-term goals you can spend every day chasing after and moving the needle toward

Mammon is the hump that prevents the camel from passing through the eye of the needle.

[Dream that lead to real-life invention] A man was in a jungle surrounded by saages. They were coming menacingly close to him, their spears rising, then descending. Each spear had a hole in the tip. When he awoke he saw this dream as the answer to a problem that had him stymied: how to design a sewing machine. He could make the needle rise and descend, but not sew - until his dream told him to put the hole at the tip. The man was Elias Howe, who invented the first practical sewing machine.

He wept gray tears in his anguish. All the crossings he traversed across have dissipated into nothing. His psyche is a vessel of brittleness. Throughout his tear-filled eyes, the crow's feather swirls; finding himself lost in a labyrinth, searching for a way to free himself from his scars. Through his misdeeds, he creates more mysteries and mazes. Each piece of bread that he steps upon is covered with thorns, needles; barbed wire, hooks; and every sharp point from his own mistakes, making him feel the consequences of his own indulging indulgence. For him, the only truths he can uncover are those that reside inside of him, and the Demon inside him does not want him to uncover them. By looking into his own mirror, he can see his nemesis before his eyes, the affliction that keeps him from the true meaning of his existence: himself and the subconscious he is governed by. The battle is between him and himself. From within, the rabbit is perishing, he is trying to figure out how to escape. When the Almighty has switched off the illumination of his radiance in the rabbit's life, there’s no paradise when Hades keeps on existing. Revelation misled him into believing he could be redeemed as he is unwell in discomfort, so he must resolve this conflict alone to find his healing. In retrospect, the previous entryway has been sealed. Through this journey of our missteps; restoration can be attained. Rehabilitating ourselves requires dismantling the demons within us to reach redemption. We must frolic like this rabbit lost in our own personal awareness, for we are all enmeshed in the maze of our own consciousness.

There is no art so important as that of thread and needle…it’s taking what’s rended and making it whole.

suggest they add more limitations. This is one of the easiest ways to inspire creativity, and it can be done in any learning environment. I find that limiting materials and obvious solutions forces my students to find more creative solutions.

When I focused on small daily actions tied to the larger vision, I felt invigorated and inspired, and I moved the needle. When I focused on the end result and the massive vision I’d created, I felt depleted and uninspired, and suffered from paralysis by analysis.

The meal begins the way all kaiseki meals begin, with hassun, a mixed plate of small bites- fish and vegetables, usually- used to set the tone for the feast to come. In a bowl of pine needles and fallen leaves he hides smoky slices of bonito topped with slow-cooked seaweed, gingko nuts grilled until just tender, a summer roll packed with foraged herbs, and juicy wedges of persimmon dressed with ground sesame and sansho flowers. Autumn resonates in every bite. While the rice simmers away, the meal marches forward: sashimi decorated with a thicket of mountain vegetables and wildflowers; a thick slab of Kyoto-style mackerel sushi, fermented for a year, with the big, heady funk of a washed cheese; mountain fruit blanketed in white miso and speckled with black sesame and bee larvae.

Vivienne [Westwood] and Malcolm [McLaren] use clothes to shock, irritate and provoke a reaction but also to inspire change. Mohair jumpers, knitted on big needles, so loosely that you can see all the way through them, T-shirts slashed and written on by hand, seams and labels on the outside, showing the construction of the piece; these attitudes are reflected in the music we make. It’s ok not to be perfect, to show the workings of your life and your mind in your songs and your clothes. And everything you do in life is meaningful on a political level. That’s why we’re all merciless about each other’s failings and why sloppiness is derided.

Rosebush by Maisie Aletha Smikle I am a flower I am a thorn I am beautiful I am ugly I can make you happy I can make you sad I can make you smile I can make you cry A rosebush I am With aromatic titillating fragrances Scented to warm the heart And stimulate the senses Like a coat of many colors I come Adorned with needle sharp thorns Designed to prick and puncture For natural therapeutic acupuncture My thorns the Master carried on His head That pricked Him sore till He bled A crown of rosebuds was withheld A crown of thorns was used instead Lovely beautiful prickly rosebush Designed by God the Father With thorns to make its stalks complete Without which the rosebush would be incomplete If one desires a rosebush Be prepared for the thorns For a rose is not a rose Without its prickly thorns The rosebush endowed With its attributes intricately woven Has proven not to deceive But to intrigue mesmerize and hypnotize

My paper is a bed for wounded souls. My pen is a needle for fixing the wounds. And my words are the healing medicine.

The moon does not shine solely from the sky.

As Miliann Kang and Katherine Jones argue in their article, ‘Why do people get tattoos?’, rather than simply being acquired as acts of defiance and sublimated aggression, many tattooed people regard their tattoos as expressions of distinctly unique aspects of themselves, and that tattoos have manifold inspirations that transcend mere provocation or membership of subcultural rebellious groups. As such, [t]he tattoo speaks to the ongoing, complex need for humans to express themselves through the appearance of their bodies. The tattooed body serves as a canvas to record the struggles between conformity and resistance, power and victimization, individualism and membership. (2007, p. 47) Alternatively, tattoos may have no immediate signification beyond the desire for the skin to be marked by the tattooist’s needle, as Christine Braunberger observes, ‘One does not become immanently “knowable” by virtue of being tattooed. Tattoos can be as inexplicable to the selves who wear them as they are to their viewers. Skin cannot so easily speak for the self that inhabits it’ (2000, p. 3).

The most positive of changes comes from people who plant trees whose shade they'll never sit under. you won't stay here forever; the Raven made that pretty clear. So, you'll make something here. Maybe you'll make a house, or a road, or a mine, or a pick, a sewing needle, a loom, a cart, a . You'll make your change, probably only able to guess at the impact it will actually have. You all say today how small things can have great consequences. You'll pour some of yourself into what you make, leaving behind something and gaining even more. When you're done, you'll either be ready to go into the beyond, or be eager to head back into life and experience more.

The most positive of changes comes from people who plant trees whose shade they'll never sit under. You won't stay here forever; the Raven made that pretty clear. So, you'll make something here. Maybe you'll make a house, or a road, or a mine, or a pick, a sewing needle, a loom, a cart, a something. You'll make your change, probably only able to guess at the impact it will actually have. You all saw today how small things can have great consequences. You'll pour some of yourself into what you make, leaving behind something and gaining even more. When you're done, you'll either be ready to go into the beyond, or be eager to head back into life and experience more.

Let morning peek through the chinks, bringing the valley to life. Let no heart sense the needles of torment. Let the night melt away. Let dew gather on the flowers of memories. Let the pain die down in the music of the winds. To those who have lost the ones they held close, let dawn show the face.