Nebula Quotes

For a star to be born, there is one thing that must happen: a gaseous nebula must collapse. So collapse. Crumble. This is not your destruction. This is your birth.

Without language, thought is a vague, uncharted nebula.

So I guess you could say Neel owes me a few favors, except that so many favors have passed between us now that they are no longer distinguishable as individual acts, just a bright haze of loyalty. Our friendship is a nebula.

His eyes are blue, and blue eyes up close are a celestial phenomenon: nebulae as seen through telescopes, the light of unnamed stars diffused through dusts and elements and endlessness. Layers of light. Blue eyes are starlight.

Whenever I start thinking of my love for a person, I am in the habit of immediately drawing radii from my love - from my heart, from the tender nucleus of a personal matter- to monstrously remote points of the universe. Something impels me to measure the consciousness of my love against such unimaginable and incalculable things as the behaviour of nebulae (whose very remoteness seems a form of insanity), the dreadful pitfalls of eternity, the unknowledgeable beyond the unknown, the helplessness, the cold, the sickening involutions and interpenetrations of space and time.

The gentle pulsing and flickering of stars and nebulae made a kind of music, a sweet easy mesh of whispered tones and sighing harmonies that held him in its force like the earth [holding] the moon.

Captain John Sheridan: I wish I had your faith in the universe. I just don't see it. Delenn: Then I will tell you a great secret, Captain. Perhaps the greatest of them all. The molecules of your body are the same molecules that make up this station , and the nebula outside, that burn inside the stars themselves. We are starstuff. We are the universe made manifest, trying to figure itself out. And as we have both learned, sometimes the universe requires a change of perspective.

Atheists loved to use that term to describe some shadowy force that somehow controlled human destiny, but what the hell did they think the universe was? Did they think the stars and nebulae took an interest in their doings, and if they really meant God, why couldn’t they just say so?

Delenn: "The molecules of your body are the same molecules that make up this station, and the nebula outside, that burn inside the stars themselves. We are starstuff.

Algebra applies to the clouds, the radiance of the star benefits the rose--no thinker would dare to say that the perfume of the hawthorn is useless to the constellations. Who could ever calculate the path of a molecule? How do we know that the creations of worlds are not determined by falling grains of sand? Who can understand the reciprocal ebb and flow of the infinitely great and the infinitely small, the echoing of causes in the abyss of being and the avalanches of creation? A mite has value; the small is great, the great is small. All is balanced in necessity; frightening vision for the mind. There are marvelous relations between beings and things, in this inexhaustible whole, from sun to grub, there is no scorn, each needs the other. Light does not carry terrestrial perfumes into the azure depths without knowing what it does with them; night distributes the stellar essence to the sleeping plants. Every bird that flies has the thread of the infinite in its claw. Germination includes the hatching of a meteor and the tap of a swallow's beak breaking the egg, and it guides the birth of the earthworm, and the advent of Socrates. Where the telescope ends, the microscope begins. Which of the two has a greater view? Choose. A bit of mold is a pleiad of flowers; a nebula is an anthill of stars. The same promiscuity, and still more wonderful, between the things of the intellect and material things. Elements and principles are mingled, combined, espoused, multiplied one by another, to the point that the material world, and the moral world are brought into the same light. Phenomena are perpetually folded back on themselves. In the vast cosmic changes, universal life comes and goes in unknown quantities, rolling everything up in the invisible mystery of the emanations, using everything, losing no dream from any single sleep, sowing a microscopic animal here, crumbling a star there, oscillating and gyrating, making a force of light, and an element of thought, disseminated and indivisible dissolving all, that geometric point, the self; reducing everything to the soul-atom; making everything blossom into God; entangling from the highest to the lowest, all activities in the obscurity of a dizzying mechanism, linking the flight of an insect to the movement of the earth, subordinating--who knows, if only by the identity of the law--the evolutions of the comet in the firmament to the circling of the protozoa in the drop of water. A machine made of mind. Enormous gearing, whose first motor is the gnat, and whose last is the zodiac.

It is useless to dream of revolution through content, useless to dream of a revelation through form, because the medium and the real are now in a single nebula whose truth is indecipherable.

The Stars. Jared slept beneath them, uneasy in the rustling leaves. From the battlements Finn gazed up at them, seeing the impossible distances between galaxies and nebulae, and thinking they were not as wide as the distances between people. In the study Claudia sensed them, in the sparks and crackles on the screen. In the prison, Attia dreamt of them, She sat curled on the hard chair, Rix repacking his hidden pockets obsessively with coins and glass discs and hidden handkerchiefs. A single spark flickered deep in the coin Keiro spun and caught, spun and caught.

Good feelings are fragile, with me love doesn’t last. Love for a man doesn’t last, not even love for a child, it soon gets a hole in it. You look in the hole and you see the nebula of good intentions mixed up with the nebula of bad.

The history of astronomy is a history of receding horizons.

Sage thinks that I hate Amara on the principle that she's a lying double-crossers, but I hate her because I can relate to her. I'm the one tossed into the Black Nebula. I'm the one lost, in a life, a world, a universe that is no longer mine.

Science is the one human activity that is truly progressive. The body of positive knowledge is transmitted from generation to generation.

​Nila had fixed me. She’d helped me escape my purgatory. She’d been the nebula of perfection. The freedom of flying with no wings. Granting wind to a kite with untethered strings.

And somewhat as in blind night, on a mild sea, a sailor may be made aware of an iceberg, fanged and mortal, bearing invisibly near, by the unwarned charm of its breath, nothingness now revealed itself: that permanent night upon which the stars in their expiring generations are less than the glinting of gnats, and nebulae, more trivial than winter breath; that darkness in which eternity lies bent and pale, a dead snake in a jar, and infinity is the sparkling of a wren blown out to sea; that inconceivable chasm of invulnerable silence in which cataclysms of galaxies rave mute as amber.

We could talk about totally different things. Like the seasons of the year, for example, or even the star-filled sky of these summer nights: I'm interested in stars and nebulas. Maybe you are, too?

Q: The Continuum didn't think you had it in you, Jean-Luc. But I knew you did...We wanted to see if you had the ability to expand your mind and your horizons. And for one brief moment, you did. Picard: When I realized the paradox. Q: Exactly. For that one fraction of a second, you were open to options you had never considered. That is the exploration that awaits you. Not mapping stars and studying nebula, but charting the unknown possibilities of existence.

O.K. I'm running out of appetite. Let this swirl— a bit like Crab Nebula— do for now.

Did you know that the center of a Protostar (the star in the middle of a nebula) is called a Nuclear Furnace? So you can call that the star's "heart." The heart of a star is a furnace. Not much unlike the human heart.

As I pulled into the parking lot, I reflected that odds were that not a lot of clandestine meetings involving mystical assassination, theft of arcane power, and the balance of power in the realms of the supernatural had taken place in a Wal-Mart Super Center. But then again, maybe they had. Hell, for all I knew, the Mole Men used the changing rooms as a place to discuss plans for world domination with the Psychic Jellyfish from Planet X and the Disembodied Brains-in-a-Jar from the Klaatuu Nebula. I know I wouldn't have looked for them there.

The tallest slugger touched my forehead, and I ignited like a sparkler on the Fourth of July. Shards of dazzling light rippled under my skin. I was the constellation Grus. The Trifid Nebula. I was the Big Bang, expanding endlessly through time and space forever. "I thought I was dying. That I was going to expire on a cold slab, trapped inside an UFO, my body filled with every light that had ever existed. I couldn't imagine a better way to die.

The level of matter in the universe has been constant since the Big Bang. In all the aeons we have lost nothing, we have gained nothing - not a speck, not a grain, not a breath. The universe is simply a sealed, twisting kaleidoscope that has reordered itself a trillion trillion trillion times over. Each baby, then, is a unique collision - a cocktail, a remix - of all that has come before: made from molecules of Napoleon and stardust and comets and whale tooth; colloidal mercury and Cleopatra’s breath: and with the same darkness that is between the stars between, and inside, our own atoms. When you know this, you suddenly see the crowded top deck of the bus, in the rain, as a miracle: this collection of people is by way of a starburst constellation. Families are bright, irregular-shaped nebulae. Finding a person you love is like galaxies colliding. We are all peculiar, unrepeatable, perambulating micro-universes - we have never been before and we will never be again. Oh God, the sheer exuberant, unlikely face of our existences. The honour of being alive. They will never be able to make you again. Don’t you dare waste a second of it thinking something better will happen when it ends. Don’t you dare.

Okay. What if we went with something cool and space-y, like… Team Nebula?” “You realize that would technically make us Team Swirling-Cloud-of-Gas, right?” Biana asked, earning a choked laugh from Grady.

If there is any intelligence guiding this universe, philosophy wishes to know and understand it and reverently work with it; if there is none, philosophy wishes to know that also, and face it without fear. If the stars are but transient coagulations of haphazard nebulae, if life is a colloidal accident, impersonally permanent and individually fleeting, if man is only a compound of chemicals, destined to disintegrate and utterly disappear, if the creative ecstasy of art, and the gentle wisdom of the sage, and the willing martyrdom of saints are but bright incidents in the protoplasmic pullulation of the earth, and death is the answer to every problem and the destiny of every soul--then philosophy will face that too, and try to find within that narrowed circle some significance and nobility for man.

Observations always involve theory.

With increasing distance, our knowledge fades, and fades rapidly. Eventually, we reach the dim boundary—the utmost limits of our telescopes. There, we measure shadows, and we search among ghostly errors of measurement for landmarks that are scarcely more substantial. The search will continue. Not until the empirical resources are exhausted, need we pass on to the dreamy realms of speculation.

The symbol of a drama, a symphony, or a dance is useful to correct a certain absurdity which may arise if we talk too much of God planning and creating the world for good and then being frustrated by the free will of the creatures. This may raise the ridiculous idea that the Fall to God by surprise and upset His plan, or else – more ridiculous still – that God planned the whole thing for conditions which, He well knew, were never going to be realized. In fact, of course, God saw the crucifixion in the act of creating the first nebulae. The world is a dance in which good, descending from God, is disturbed by evil arising from the creatures, and the resulting conflict is resolved by God's own assumption of the suffering nature which evil produces.

[...] as Kurt Vonnegut pointed out [...] the literary novel has become extraordinarily privatistic of late. It's as if the big issues (Does God exist? from whence springs decency? what sort of species is Homo Sapiens?) were either settled or not worth discusssing, and serious writers should therefore confine themselves to their various ethnic heritages and interpersonal relationships.

On his back, Robert must have had time to see something beautiful, and not just the ugliness of a city street at the end of life. Even with the tremendous pain in his badly gutted belly he would have looked up beyond the fire escapes and the windows with their glittery trees and television glows, to the sky about the rooftops. A sky shimmery with the possibilities of the death; lights exaggerated, the heavens peeled back- a swirling haze of nebulae and comets - in some distant place, intimations of the new beginning into which he would soon journey

At 19, I read a sentence that re-terraformed my head: “The level of matter in the universe has been constant since the Big Bang.” In all the aeons we have lost nothing, we have gained nothing - not a speck, not a grain, not a breath. The universe is simply a sealed, twisting kaleidoscope that has reordered itself a trillion trillion trillion times over. Each baby, then, is a unique collision - a cocktail, a remix - of all that has come before: made from molecules of Napoleon and stardust and comets and whale tooth; colloidal mercury and Cleopatra’s breath: and with the same darkness that is between the stars between, and inside, our own atoms. When you know this, you suddenly see the crowded top deck of the bus, in the rain, as a miracle: this collection of people is by way of a starburst constellation. Families are bright, irregular-shaped nebulae. Finding a person you love is like galaxies colliding. We are all peculiar, unrepeatable, perambulating micro-universes - we have never been before and we will never be again. Oh God, the sheer exuberant, unlikely face of our existences. The honour of being alive. They will never be able to make you again. Don’t you dare waste a second of it thinking something better will happen when it ends. Don’t you dare

He should always wear jeans because they make him look hotter than a nebula. Black suits him too. It hugs to his muscular vales and swells, turning temptation into sexy man therapy.

The cosmic perspective comes from the frontiers of science, yet it is not solely the provenance of the scientist. It belongs to everyone. The cosmic perspective is humble. The cosmic perspective is spiritual, even redemptive, but not religious. The cosmic perspective enables us to grasp, in the same thought, the large and the small. The cosmic perspective opens our minds to extraordinary ideas but does not leave them so open that our brains spill out, making us susceptible to believing anything we're told. The cosmic perspective opens our eyes to the universe, not as a benevolent cradle designed to nurture life but as a cold, lonely, hazardous place, forcing us to reassess the value of all humans to one another. The cosmic perspective shows Earth to be a mote. But it's a precious mote and, for the moment, it's the only home we have. The cosmic perspective finds beauty in the images of planets, moons, stars, and nebulae, but also celebrates the laws of physics that shape them. The cosmic perspective enables us to see beyond our circumstances, allowing us to transcend the primal search for food, shelter, and a mate. The cosmic perspective reminds us that in space, where there is no air, a flag will not wave, an indication that perhaps flag-waving and space exploration do not mix. The cosmic perspective not only embraces our genetic kinship with all life on Earth but also values our chemical kinship with any yet-to-be discovered life in the universe, as well as our atomic kinship with the universe itself.

But economical Mother Nature was always repeating herself, on such vastly different scales as the swirl of milk stirred into coffee, the cloud lanes of a cyclonic storm, the arms of a spiral nebula.

Why is it that the look of another person looking at you is different from everything else in the Cosmos? That is to say, looking at lions or tigers or Saturn or the Ring Nebula or at an owl or at another person from the side is one thing, but finding yourself looking in the eyes of another person looking at you is something else. And why is it that one can look at a lion or a planet or an owl or at someone's finger as long as one pleases, but looking into the eyes of another person is, if prolonged past a second, a perilous affair?

Our Sun is not Earth’s true “mother.” Although many peoples of Earth have worshipped the Sun as a god that gave birth to Earth, this is only partially correct. Although Earth was originally created from the Sun (as part of the ecliptic plane of debris and dust that circulated around the Sun 4.5 billion years ago), our Sun is barely hot enough to fuse hydrogen to helium. This means that our true “mother” sun was actually an unnamed star or collection of stars that died billions of years ago in a supernova, which then seeded nearby nebulae with the higher elements beyond iron that make up our body. Literally, our bodies are made of stardust, from stars that died billions of years ago.

The earth-self observing the Cosmos and trying to understand the Cosmos by scientific principles from which its self is excluded is, beyond doubt, the strangest phenomenon in all of the Cosmos, far stranger than the Ring Nebula in Lyra. It, the self, is in fact the only alien in the entire Cosmos.

But it does seem like I’m always the one who has to speak up and tell everyone how I’m different. I have to find a way to help them understand me, even though I don’t really understand them either. Having a gender? Why? Feeling like your body and who you are inside line up all the time? How? Identifying with other folks of your assigned gender as a kid, when I identified with things like extra-fluffy cumulus clouds and nebulas? What does that even feel like? I get nervous trying to explain myself sometimes. I get tired. I grow sharp edges where I didn’t think I had any. And I definitely get to the point where I just want to bury myself in baking and not deal with any of it.

The dark sky. A hundred million stars. More stars than I’ve ever seen before. My eyes let me see farther, but they don’t show me the one thing I want to see. I would trade all the stars in the universe if I could just have him back again. Wind whistles through the trees nearby. Birdsong weaves in and out of the sound. The hybrids emerge from the communication building, heads tilted to the sky. And then we see the end. Godspeed’s engine was nuclear; who knows what fueled the biological weapons. But they explode together. In space, they don’t make the familiar mushroom cloud. They don’t make the boom! of an exploding bomb. There is, against the dark sky, a brief flash of light. It is filled with colors, like a nebula or the aurora borealis, bursting like a popped bubble. Nothing else—no sound of an explosion, no tremors in the earth, no smell of smoke. Not here, on the surface of the planet. Nothing else to signify Elder’s death. Just light. And then it’s gone. And then he’s gone.

When the sound and wholesome nature of man acts as an entirety, when he feels himself in the world as in a grand, beautiful, worthy and worthwhile whole, when this harmonious comfort affords him a pure, untrammeled delight: then the universe, if it could be sensible of itself, would shout for joy at having attained its goal and wonder at the pinnacle of its own essence and evolution. For what end is served by all the expenditure of suns and planets and moons, of stars and Milky Ways, of comets and nebula, of worlds evolving and passing away, if at last a happy man does not involuntarily rejoice in his existence?

Lost in the Cosmos: The Last Self-Help Book or How you can survive in the Cosmos about which you know more and more while knowing less and less about yourself, this despite 10,000 self-help books, 100,000 psychotherapists, and 100 million fundamentalist Christians or Why is it that of all the billions and billions of strange objects in the Cosmos - novas, quasars, pulsars, black holes - you are beyond doubt the strangest or Why is it possible to learn more in ten minutes about the Crab Nebula in Taurus, which is 6,000 light-years away, than you presently know about yourself, even though you've been stuck with yourself all your life

The abandoned stars were hers for the many rich hours os sparkling winter nights, and, unattended, she took them in like lovers. She felt that she looked out, not up, into the spacious universe, she knew the names of every bright star and all the constellations, and (although she could not see them) she was familiar with the vast billowing nebulae in which one filament of a wild and shaken mane carried in its trail a hundred million worlds. In a delirium of comets, suns, and pulsating stars, she let her eyes fill with the humming, crackling, hissing light of the galaxy's edge, a perpetual twilight, a gray dawn in one of heaven's many galleries.

What did that word mean to me? Earth? I thought of the great bustling cities where I would wander and lose myself, and I thought of them as I had thought of the ocean on the second or third night, when I had wanted to throw myself upon the dark waves. I shall immerse myself among men. I shall be silent and attentive, an appreciative companion. There will be many acquaintances, friends, women—and perhaps even a wife. For a while, I shall have to make a conscious effort to smile, nod, stand and perform the thousands of little gestures which constitute life on Earth, and then those gestures will become reflexes again. I shall find new interests and occupations; and I shall not give myself completely to them, as I shall never again give myself completely to anything or anybody. Perhaps at night I shall stare up at the dark nebula that cuts off the light of the twin suns, and remember everything, even what I am thinking now. With a condescending, slightly rueful smile I shall remember my follies and my hopes.

Daydream, which is to thought as the nebula is to the star, borders on sleep, and is concerned with it as its frontier. An atmosphere inhabited by living transparencies: there's a beginning of the unknown. But beyond it the Possible opens out, immense. Other beings, other facts, are there. No supernaturalism, only the occult continuation of infinite nature. . . . Sleep is in contact with the Possible, which we also call the improbable. The world of the night is a world. Night, as night, is a universe. . . . The dark things of the unknown world become neighbors of man, whether by true communication or by a visionary enlargement of the distances of the abyss . . . and the sleeper, not quite seeing, not quite unconscious, glimpses the strange animalities, weird vegetations, terrible or radiant pallors, ghosts, masks, figures, hydras, confusions, moonless moonlights, obscure unmakings of miracle, growths and vanishings within a murky depth, shapes floating in shadow, the whole mystery which we call Dreaming, and which is nothing other than the approach of an invisible reality. The dream is the aquarium of Night.

In those years, that marvelous mess of constellations, nebulae, interstellar gaps and all the rest of the awesome show provoked in me an indescribable sense of nausea, of utter panic, as if I were hanging from earth upside down on the brink of infinite space, with terrestrial gravity still holding me by the heels but about to release me any moment

After several moments, the darkness stirred. Beyond its obsidian surface, she could see the glimmer of stars and stellar flares of red fire burning through the darkness. Frozen clusters of water and gas swam across the current like astral fish with streaming tails of icy dust, and blooms of russet-colored nebulae drifted through the depths like jellyfish.

For a star to be born, there is one thing that must happen: a gaseous nebula must collapse. So collapse. Crumble. This is not your destruction. This is your birth.

Remain in the eternal nebula, there, in the polyessence of a sweet nonbeing.

Far below the Silver City, the universe glitters and glistens, like a child's toy; from this vantage point, galaxies cool and gleam like multicolored jewels, distant nebulae flicker and pulse.

We are just as wise as the gods we created and just as clueless as the insects we smack down from our walls. We are just as insignificant as the dirt we walk on and just as marvelous as the cosmic nebulas that float above us. We are part of the whole of nature, cluelessly embedded in everything.

Why do we so dread to think of our species as a species? Can it be that we are afraid of what we may find? That human self-love would suffer too much and that the image of God might prove to be a mask? This could be only partly true, for if we could cease to wear the image of a kindly, bearded, interstellar dictator, we might find ourselves true images of his kingdom, our eves the nebulae, and universes in our cells.

Or maybe it's her look of mockery, reminding me of that day last summer when I finally realized that people weren't nice. That no one was nice. That everyone lied, and that my heart was just a token, and this the universe was the one in the Black Nebula. The hopeless, terrible universe. The one no one wants to be in.

…Our nebula?" "Didn't you say you would make one last time?" "Kim Dokja's Company?" "I'll quit right away if it is really named that." Yoo Joonghyuk turned his head away with a frown. I felt pleasantly surprised.

Like what she felt when she looked at the Lagoon Nebula. Or imagined galaxies gathered into dusters and superclusters, bigger and bigger, until size lost any meaning and she felt herself falling. She was falling now. She couldn't see anything except his eyes. And those eyes were strange, prismlike, changing colour like a star seen through heavy atmosphere. Now blue, now gold, now violet. Oh, take this away. Please, I don't want it.

There’s something almost magical dancing around us, like I’m inside a cloud nebula and we’re creating our own star. I think he feels it too. Maybe it’s just wishful thinking, but I see twinkling in his eyes, like he’s looking at something special, like the vast, sparkling sky that hosts planets and stars. But he’s just looking at me.

How do we know that the creation of worlds is not determined by the fall of grains of sand? Who knows the reciprocal ebb and flow of the infinitely great and the infinitely little, the reverberations of causes in the precipices of being, and the avalanches of creation? The tiniest worm is of importance; the great is little, the little is great; everything is balanced in necessity; alarming vision for the mind. There are marvelous relations between beings and things; in that inexhaustible whole, from the sun to the grub, nothing despise the other; all have need of each other. The light does not bear away terrestrial perfumes into the azure depths, without knowing what it is doing; the night distributes stellar essences to the sleeping flowers. All birds that fly have round their the thread of the infinite. Germination is complicated with the bursting forth of a meteor and with the peck of a swallow cracking its egg, and it places on one level the birth of an earthworm and the advent of Socrates. Where telescopes end, the microscopes begin. Which of the two possesses the larger field of vision? Choose. A bit of mould is a pleiad of flowers; a nebula is an ant hill of stars.

L’aventure vous attend!

Sometimes you can’t be who you want

Sage thinks I hate Princess Amara on the principle that she’s a lying double-crosser, but I hate her because I can relate to her. I’m the one tossed into the Black Nebula. I’m the one lost, in a life, a world, a universe that is no longer mine.

Onward and away from the self, until the lat substantial particle of the soul be stretched to infinity. In her panic-stricken flight she seemed to bear the whole world in her womb. We were being driven out of the confines of the universe towards a nebula which no instrument could visualize. We were being rushed to a pause so still, so prolonged, that death by comparison seems a mad witches' revel.

I would have loved to live in a world of women and men gaily in collusion with green leaves, stalks, building mineral cities, transparent domes, little huts of woven grass each with its own pattern— a conspiracy to coexist with the Crab Nebula, the exploding universe, the Mind—

He was looking at Mr. Nancy, an old black man with a pencil moustache, in his check sports jacket and his lemon yellow gloves, riding a carousel lion as it rose and lowered, high in the air; and, at the same time, in the same place, he saw a jeweled spider as high as a horse, its eyes an emerald nebula, strutting, staring down at him; and simultaneously he was looking at an extraordinarily tall man with teak colored skin and three sets of arms, wearing a flowing ostrich-feather headdress, his face painted with red stripes, riding an irritated golden lion, two of his six hands holding on tightly to the beast’s mane; and he was also seeing a young black boy, dressed in rags, his left foot all swollen and crawling with black flies; and last of all, and behind all these things, Shadow was looking at a tiny brown spider, hiding under a withered ochre leaf. Shadow saw all these things, and he knew they were the same thing.

I don’t look stoned?” My heart began to pound. The classic aim of a pothead is always to look perfectly straight—and if possible operate complicated machinery—while immense shrieking nebulae are coming asunder in his brain. To fail at this—to be found out—carries a mysterious burden of anxiety and shame. “How are my eyes?

The science of mathematics applies to the clouds; the radiance of starlight nourishes the rose; no thinker will dare say that the scent of hawthorn is valueless to the constellations... The cheese-mite has its worth; the smallest is large and the largest is small... Light does not carry the scents of earth into the upper air without knowing what it is doing with them; darkness confers the essence of the stars upon the sleeping flowers... Where the telescope ends the microscope begins, and which has the wider vision? You may choose. A patch of mould is a galaxy of blossom; a nebula is an antheap of stars. There is the same affinity, if still more inconceivable, between the things of the mind and material things.

I think that the event which, more than anything else, led me to the search for ways of making more powerful radio telescopes, was the recognition, in 1952, that the intense source in the constellation of Cygnus was a distant galaxy—1000 million light years away. This discovery showed that some galaxies were capable of producing radio emission about a million times more intense than that from our own Galaxy or the Andromeda nebula, and the mechanisms responsible were quite unknown. ... [T]he possibilities were so exciting even in 1952 that my colleagues and I set about the task of designing instruments capable of extending the observations to weaker and weaker sources, and of exploring their internal structure.

WITH ALL, COOPERATION. FOR ALL, RESPECT. ABOVE ALL, HONOR.

Kita selalu bisa memutuskan apakah ingin mengenang seseorang dari sisi baik atau buruk

I spoke of disintegrating, dissolving into your surroundings. About atoms coming undone from each other, and being freed from yourself. She was free. She was free to float upward. There was nothing to stop her. She was floating up through the roof of the car, through the atmosphere, through the stratosphere, into the stars. Into outer space. Her atoms were intermingling with stardust. She was floating up here because this was where she belonged. Her atoms were weaving like thread into the fabric of the universe. Together, they formed a tapestry - a great, infinite tapestry - of stars and nebulae, of death and darkness, of life and creation. Swirling together. Endless. She was the universe. And the universe accepted her.

There was a nebula there, an explosion of dust and light, the fiery corpse of an ancient giant. Within the gaseous folds slept clusters of unborn stars, shining softly. She took inventory of her body. She felt her breath, her blood, the ties binding it together. Every piece, down to the last atom, had been made out here, flung through the open in a moment of violence, until they had swirled round and round, churning, and coalescing, becoming heavy, weighing each other down, but not any more. The pieces were floating free now. They had returned home.

Begin morning run,” I said to Max. “Bifrost track.” The virtual gym vanished. Now I was standing on a semitransparent running track, a curved looping ribbon suspended in a starry nebula. Giant ringed planets and multicolored moons were suspended in space all around me. The running track stretched out ahead of me, rising, falling, and occasionally spiraling into a helix.

We are always completely, and therefore equally, known to God. That is our destiny whether we like it or not. But though this knowledge never varies, the quality of our being known can….Ordinarily, to be known by God is to be, for this purpose, in the category of things. We are, like earthworms, cabbages, and nebulae, objects of Divine knowledge, But when we (a) become aware of this fact--the present fact, not the generalization--and (b) assent with all our will to be known, then we treat ourselves, in relation to God, not as things but as persons. We have unveiled. Not that any veil could have baffled his sight. The change is in us. The passive changes to the active. Instead of merely being known, we show, we tell, we offer ourselves to view.

With what meditations did Bloom accompany his demonstration to his companion of various constellations? Meditations of evolution increasingly vaster: of the moon invisible in incipient lunation, approaching perigee: of the infinite lattiginous scintillating uncondensed milky way, discernible by daylight by an observer placed at the lower end of a cylindrical vertical shaft 5000 ft deep sunk from the surface towards the centre of the earth: of Sirius (alpha in Canis Maior) 10 lightyears (57,000,000,000,000 miles) distant and in volume 900 times the dimension of our planet: of Arcturus: of the precession of equinoxes: of Orion with belt and sextuple sun theta and nebula in which 100 of our solar systems could be contained: of moribund and of nascent new stars such as Nova in 1901: of our system plunging towards the constellation of Hercules: of the parallax or parallactic drift of socalled fixed stars, in reality evermoving wanderers from immeasurably remote eons to infinitely remote futures in comparison with which the years, threescore and ten, of allotted human life formed a parenthesis of infinitesimal brevity.

Some things fall apart so that other things can fall together. This is the nature of life. We can view it from our short-term perspective or we can trust the long-term process of creation. Nothing new can come about without including pieces of something that once was. A nebula explodes scattering its debris across the universe. It appears as if something has gone wrong, but this is how new worlds are created.

No amount of standing on hilltops on dark nights and surveying the heavens could prepare a man for the actuality of space travel, because the earthbound observer saw only the the stars, not what separated them. They glittered in his vision, filling his eyes, and he had no choice but to assign them a position of importance in the cosmic scheme. The space traveler saw things differently. He was made aware that the universe consisted of emptiness, that the suns and nebulae were almost an irrelevancy, that the stars were nothing more than a whiff of gas diffusing into infinity. And sooner or later that knowledge began to hurt.

In my mind's eye I can still see the first night flight I made in Argentina. It was pitch-dark. Yet in the black void, I could see the lights of man shining down below on the plains, like faintly luminous earthbound stars. Each star was a beacon signaling the presence of a human mind. Here a man was meditating on human happiness, perhaps, or on justice or peace. Lost among this flock of stars was the star of some solitary shepherd. There, perhaps, a man was in communication with the heavens, as he labored over his calculations of the nebula of Andromeda. And there, a pair of lovers. These fires were burning all over the countryside, and each of them, aven the most humble, had to be fed. The fire of the poet, of the teacher, of the carpenter. But among all these living fires, how many closed windows there were, how many dead stars, fires that gave off no light for lack of nourishment.

He shuffles atoms and jet of light, remotest nebulae, drips of water, prick-points of sensation, slime-oozings and cosmic bulks, all mixed with pearls of faith, love of woman, imagined dignities, frightened surmises, and pompous arrogances, and of the stuff builds himself an immortality to startle the heavens and baffle the immensities. He squirms on his dunghill, and like a child lost in the dark among goblins, calls to the gods that he is their younger brother, a prisoner of the quick that is destined to be as free as they - monuments of egotism reared by the epiphenomena; dreams and the dust of dreams, that vanish when the dreamer vanishes and are no more when he is not.

Thus the media are producers not of socialization, but of exactly the opposite, of the implosion of the social in the masses. And this is only the macroscopic extension of the implosion of meaning at the microscopic level of the sign. This implosion should be analyzed according to McLuhan’s formula, the medium is the message, the consequences of which have yet to be exhausted. This means that all contents of meaning are absorbed in the only dominant form of the medium. Only the medium can make an event—whatever the contents, whether they are conformist or subversive. A serious problem for all counterinformation, pirate radios, antimedia, etc. But there is something even more serious, which McLuhan himself did not see. Because beyond this neutralization of all content, one could still expect to manipulate the medium in its form and to transform the real by using the impact of the medium as form. If all the content is wiped out, there is perhaps still a subversive, revolutionary use value of the medium as such. That is—and this is where McLuhan’s formula leads, pushed to its limit—there is not only an implosion of the message in the medium, there is, in the same movement, the implosion of the medium itself in the real, the implosion of the medium and of the real in a sort of hyperreal nebula, in which even the definition and distinct action of the medium can no longer be determined.

Let us take a limited example and compare the war machine and the state apparatus in the context of the theory of games. Let us take chess and Go, from the standpoint of game pieces, the relations between the pieces and the space involved. Chess is a game of the State, or of the court: the emperor of China played it. Chess pieces are coded; they have an internal nature and intrinsic properties from which their movements, situations, and confrontations derive. They have qualities; a knight remains a knight, a pawn a pawn, a bishop a bishop. Each is like a subject of the statement endowed with relative power, and these relative powers combine in a subject of enunciation, that is, the chess player or the game’s form of interiority. Go pieces, I contrast, are pellets, disks, simple arithmetic units, and have only an anonymous, collective, or third-person function: “It” makes a move. “It” could be a man, a woman, a louse, an elephant. Go pieces are elements of a nonsubjectified machine assemblage with no intrinsic properties, only situational ones. Thus the relations are very different in the two cases. Within their milieu of interiority, chess pieces entertain biunivocal relations with one another, and with the adversary’s pieces: their functioning is structural. One the other hand, a Go piece has only a milieu of exteriority, or extrinsic relations with nebulas or constellations, according to which it fulfills functions of insertion or situation, such as bordering, encircling, shattering. All by itself, a Go piece can destroy an entire constellation synchronically; a chess piece cannot (or can do so diachronically only). Chess is indeed a war, but an institutionalized, regulated, coded war with a front, a rear, battles. But what is proper to Go is war without battle lines, with neither confrontation nor retreat, without battles even: pure strategy, whereas chess is a semiology. Finally, the space is not at all the same: in chess, it is a question of arranging a closed space for oneself, thus going from one point to another, of occupying the maximum number of squares with the minimum number of pieces. In Go, it is a question of arraying oneself in an open space, of holding space, of maintaining the possibility of springing up at any point: the movement is not from one point to another, but becomes perpetual, without aim or destination, without departure or arrival. The “smooth” space of Go, as against the “striated” space of chess. The nomos of Go against the State of chess, nomos against polis. The difference is that chess codes and decodes space, whereas Go proceeds altogether differently, territorializing and deterritorializing it (make the outside a territory in space; consolidate that territory by the construction of a second, adjacent territory; deterritorialize the enemy by shattering his territory from within; deterritorialize oneself by renouncing, by going elsewhere…) Another justice, another movement, another space-time.

If you read no other work of what’s known as “cyberpunk” (which looks at the ever-thinner line between humans and machines), at least read the novel that began it all: William Gibson’s Neuromancer, which won every major science fiction award (the Nebula, the Hugo, and the Philip K. Dick award) in 1984, the year it was published. Gibson introduced words (including “cyberpunk” itself), themes, and a dystopic vision of the future that have been liberally reworked in the writings of many other authors.

The cortex craves for information, but it can longer contain and creatively process it all. How can a body subjectively and simultaneous grasp both nanoseconds and nebulae? THE CORTEX THAT CANNOT COPE RESORTS TO SPECIALIZATION. Specialization, once a maneuver methodically to collect information, now is a manifestation of information overloads. The role of information has changed. Once justified as a means of comprehending the world, it now generates a conflicting and contradictory, fleeting and fragmentation field of disconnected and undigested data. INFORMATION IS RADIATION. The most significant planetary pressure is no longer the gravitational pull, but the information thrust. The psycho-social flowering of the human species has withered. We are in the twilight of our cerebral fantasies. The symbol has lost all power. The accumulation of information has lost all purpose. Memory results in mimicry. Reflection will not suffice. THE BODY MUST BURST FROM ITS BIOLOGICAL, CULTURAL, AND PLANETARY CONTAINMENT.

Is this flesh of yours you? Or is it an extraneous something possessed by you? Your body—what is it? A machine for converting stimuli into reactions. Stimuli and reactions are remembered. They constitute experience. Then you are in your consciousness these experiences. You are at any moment what you are thinking at that moment. Your I is both subject and object; it predicates things of itself and is the things predicated. The thinker is the thought, the knower is what is known, the possessor is the things possessed. "After all, as you know well, man is a flux of states of consciousness, a flow of passing thoughts, each thought of self another self, a myriad thoughts, a myriad selves, a continual becoming but never being, a will-of-the-wisp flitting of ghosts in ghostland. But this, man will not accept of himself. He refuses to accept his own passing. He will not pass. He will live again if he has to die to do it. "He shuffles atoms and jets of light, remotest nebulae, drips of water, prick-points of sensation, slime-oozings and cosmic bulks, all mixed with pearls of faith, love of woman, imagined dignities, frightened surmises, and pompous arrogances, and of the stuff builds himself an immortality to startle the heavens and baffle the immensities. He squirms on his dunghill, and like a child lost in the dark among goblins, calls to the gods that he is their younger brother, a prisoner of the quick that is destined to be as free as they—monuments of egotism reared by the epiphenomena; dreams and the dust of dreams, that vanish when the dreamer vanishes and are no more when he is not.

On a clear night the naked eye can see about 4,500 stars, so the astronomers say. The telescope of even a small observatory makes nearly 2,000,000 stars visible, and a modern reflecting telescope brings the light from thousands of millions more to the viewer—specks of light in the Milky Way. But in the colossal dimensions of the cosmos our stellar system is only a tiny part of an incomparably larger stellar system—of a cluster of Milky Ways, one might say, containing some twenty galaxies within a radius of 1,500,000 light-years (1 light-year=the distance traveled by light in a year, i.e., 186,000 × 60 × 60 × 24 × 365 miles). And even this vast number of stars is small in comparison with the many thousands of spiral nebulae disclosed by the electronic telescope. Disclosed to the present day, I should emphasize, for research of this kind is only just beginning.

One of the most striking results of modern investigation has been the way in which several different and quite independent lines of evidence indicate that a very great event occurred about two thousand million years ago. The radio-active evidence for the age of meteorites; and the estimated time for the tidal evolution of the Moon's orbit (though this is much rougher), all agree in their testimony, and, what is far more important, the red-shift in the nebulae indicates that this date is fundamental, not merely in the history of our system, but in that of the material universe as a whole.

The whole glittering nebula of shapes was framed by midnight colors—black, bruised blue, indigo, all textured into intricacy by clouds and the reachless vaults between them. Here, darkness was not simple; it hinted at structures and meanings, hidden activity and watchful eyes. Beacons flickered, miles away, then disappeared behind fog banks. Half-glimpsed ropes twisted and contorted their way up, down, and to every side, synapses reaching to contact the outlier towns and factories of Sere’s hinterland. One or two of those ropes, if you followed them far enough, would emerge into sunlight at other nations’ borders.

The soul which fathoms every league of the celestial arc--knows, as a mariner the sea, the distant latitudes where comets flame, and worlds career, and constellations shake their awful clusters--wanders amid the spectral nebula, and makes suns and systems to be but glittering beads upon the aspiring thread of its induction, cannot perish. There is a future life. In a universe so spherical and whole as this, reason argues that its own incompleteness and capacity for more are suggestive--are prophetical. Under-shadows and cross-lights of mystery, these filmy depths of present being, shudder in sympathy with something beyond.

What Gaal was waiting for after the disappointment of the Jump was that first sight of Trantor. He haunted the View-room. The steel shutter-lids were rolled back at announced times and he was always there, watching the hard brilliance of the stars, enjoying the incredible hazy swarm of a star cluster, like a giant conglomeration of fireflies caught in mid-motion and stilled forever. At one time there was the cold, blue-white smoke of a gaseous nebula within five light years of the ship, spreading over the window like distant milk, filling the room with an icy tinge, and disappearing out of sight two hours later, after another Jump.

Rosemary turned away from her ship, away from her companion, turned out to face the void. There was a nebula there, an explosion of dust and light, the fiery corpse of an ancient giant. Within the gaseous folds slept clusters of unborn stars, shining softly. She took inventory of her body. She felt her breath, her blood, the ties binding it all together. Every piece, down to the last atom, had been made out here, flung through the open in a moment of violence, until they had swirled round and round, churning and coalescing, becoming heavy, weighing each other down. But not anymore. The pieces were floating free now. They had returned home. She was exactly where she was supposed to be.

On other and practical grounds we see that the theory of eternal progression is untenable, for destruction is the goal of everything earthly. All our struggles and hopes and fears and joys, what will they lead to? We shall all end in death. Nothing is so certain as this. Where, then, is this motion in a straight line - this infinite progression? It is only going out to a distance, and coming back to the centre from which it started. See how, from nebulae, the sun, moon, and stars are produced; then they dissolve and go back to nebulae. The same is being done everywhere. The plant takes material from the earth, dissolves, and gives it back. Every form in this world is taken out of surrounding atoms and goes back to these atoms.

Not one of those worlds will be identical to Earth. A few will be hospitable; most will appear hostile. Many will be achingly beautiful. In some worlds there will be many suns in the daytime sky, many moons in the heavens at night, or great particle ring systems soaring from horizon to horizon. Some moons will be so close that their planet will loom high in the heavens, covering half the sky. And some worlds will look out onto a vast gaseous nebula, the remains of an ordinary star that once was and is no longer. In all those skies, rich in distant and exotic constellations, there will be a faint yellow star—perhaps barely seen by the naked eye, perhaps visible only through the telescope—the home star of the fleet of interstellar transports exploring this tiny region of the great Milky Way Galaxy. The themes of space and time are, as we have seen, intertwined. Worlds and stars, like people, are born, live and die. The lifetime of a human being is measured in decades; the lifetime of the Sun is a hundred million times longer. Compared to a star, we are like mayflies, fleeting ephemeral creatures who live out their whole lives in the course of a single day. From the point of view of a mayfly, human beings are stolid, boring, almost entirely immovable, offering hardly a hint that they ever do anything. From the point of view of a star, a human being is a tiny flash, one of billions of brief lives flickering tenuously on the surface of a strangely cold, anomalously solid, exotically remote sphere of silicate and iron. In all those other worlds in space there are events in progress, occurrences that will determine their futures. And on our small planet, this moment in history is a historical branch point as profound as the confrontation of the Ionian scientists with the mystics 2,500 years ago. What we do with our world in this time will propagate down through the centuries and powerfully determine the destiny of our descendants and their fate, if any, among the stars.

If we are part of nature, then we are synonymous with it at the metaphysical level, every bit as much as the first all-but-inorganic animalcules that ever formed a chain of themselves in the blow hole of a primordial sea vent. There is no magic rod that comes down three hundred thousand years ago and divides our essence from the material world that produced us. This means that we cannot speak in essential terms of nature—neither of its brutality nor of its beauty—and hope to say anything true, if what we say isn’t true of ourselves. The importance of that proposition becomes clear only when it’s reversed: What’s true of us is true of nature. If we are conscious, as our species seems to have become, then nature is conscious. Nature became conscious in us, perhaps in order to observe itself. It may be holding us out and turning us around like a crab does its eyeball. Whatever the reason, that thing out there, with the black holes and the nebulae and whatnot, is conscious. One cannot look in the mirror and rationally deny this. It experiences love and desire, or thinks it does. The idea is enough to render the Judeo-Christian cosmos sort of quaint. As far as Rafinesque was concerned, it was just hard science. That part is mysterious. “She lives her life not as men or birds,” said Rafinesque, “but as a world.

The two friends went on and on toward the sierra, at times keeping the highway, at times. deviating from it. Whenever they passed through a town or a hamlet, the slow peal of bells tolling the death-knell announced to our hero that the Angel of Death was not losing his time; that his arm reached to every part of the world, and that, though Gil felt it now weighing upon his breast like a mountain of ice, none the less did it scatter ruin and desolation over the entire surface of the earth. As they went, the Angel of Death related many strange and wonderful things to his protege. The foe of history, he took pleasure in scoffing at its pretended utility, in disproof of which he narrated many facts as they had actually occurred, and not as they are recorded on monuments and in chronicles. The abysses of the past opened before the entranced imagination of Gil Gil, revealing to him facts of transcendent importance concerning the fate of man and of empires, disclosing to him the great mystery of the origin of life and the no less great and terrible mystery of the end to which we, wrongly called mortals, are progressing, and causing him, finally, to comprehend, by the light of this sublime philosophy, the laws which preside at the evolution of cosmic matter, and its various manifestations in those ephemeral and transitory forms which are called minerals, plants,animals, stars, constellations, nebula, and worlds. ("The Friend Of The Death")

Mountains, a moment’s earth-waves rising and hollowing; the earth too’s an ephemerid; the stars— Short-lived as grass the stars quicken in the nebula and dry in their summer, they spiral Blind up space, scattered black seeds of a future; nothing lives long, the whole sky’s Recurrences tick the seconds of the hours of the ages of the gulf before birth, and the gulf After death is like dated: to labor eighty years in a notch of eternity is nothing too tiresome, Enormous repose after, enormous repose before, the flash of activity. Surely you never have dreamed the incredible depths were prologue and epilogue merely To the surface play in the sun, the instant of life, what is called life? I fancy That silence is the thing, this noise a found word for it; interjection, a jump of the breath at that silence; Stars burn, grass grows, men breathe: as a man finding treasure says “Ah!” but the treasure’s the essence: Before the man spoke it was there, and after he has spoken he gathers it, inexhaustible treasure.

La Nebuleuse is a poem of lovely & deep perspective, where, symboloized by artless beings, are seen the successive generations of men following each other uncomprehendingly, almost undiscerningly, so different are their souls, & always summed up, to the moment of their decline, by the child, the future, the “nebula”, whose birth, finally confirmed, brings death. Under its morning clearness, to the faded smiles of aged stars. And, the vision ended, it is urged that this morrow, which is becoming today, will be altogether likes its dead brothers, & that in short there is nothing new in the spectacle which amuses the dead years leaning… But this “nothingness” has no importance for the human atoms that form & determine it; it is the delightful newness that we breathe & of which we live. The new! The new! And let each intelligence, though short-lived, affirm his will to exist, & to be dissimilar to all antecedent or surrounding manifestations, & let each nebula aspire to the character of a star whose light shall be distinct & clear among other lights.

And now at last the Earth was dead. The final pitiful survivor had perished. All the teeming billions; the slow aeons; the empires and civilizations of mankind were summed up in this poor twisted form—and how titanically meaningless it had all been! Now indeed had come an end and climax to all the efforts of humanity—how monstrous and incredible a climax in the eyes of those poor complacent fools in the prosperous days! Not ever again would the planet know the thunderous tramping of human millions—or even the crawling of lizards and the buzz of insects, for they, too, had gone. Now was come the reign of sapless branches and endless fields of tough grasses. Earth, like its cold, imperturbable moon, was given over to silence and blackness forever. The stars whirled on; the whole careless plan would continue for infinities unknown. This trivial end of a negligible episode mattered not to distant nebulae or to suns newborn, flourishing, and dying. The race of man, too puny and momentary to have a real function or purpose, was as if it had never existed. To such a conclusion the aeons of its farcically toilsome evolution had led.

Finally, the medium is the message not only signifies the end of the message, but also the end of the medium. There are no more media in the literal sense of the word (I'm speaking particularly of electronic mass media) - that is, of a mediating power between one reality and another, between one state of the real and another. Neither in content, nor in form. Strictly, this is what implosion signifies. The absorption of one pole into another, the short-circuiting between poles of every differential system of meaning, the erasure of distinct terms and oppositions, including that of the medium and of the real - thus the impossibility of any mediation, of any dialectical intervention between the two or from one to the other. Circularity of all media effects. Hence the impossibility of meaning in the literal sense of a unilateral vector that goes from one pole to another. One must envisage this critical but original situation at its very limit: it is the only one left us. It is useless to dream of revolution through content, useless to dream of a revelation through form, because the medium and the real are now in a single nebula whose truth is indecipherable.

Long before I believed Theology to be true I had already decided that the popular scientific picture at any rate was false. One absolutely central inconsistency ruins it; it is the one we touched on a fortnight ago.3 The whole picture professes to depend on inferences from observed facts. Unless inference is valid, the whole picture disappears. Unless we can be sure that reality in the remotest nebula or the remotest part obeys the thought laws of the human scientist here and now in his laboratory—in other words, unless Reason is an absolute—all is in ruins. Yet those who ask me to believe this world picture also ask me to believe that Reason is simply the unforeseen and unintended by-product of mindless matter at one stage of its endless and aimless becoming. Here is flat contradiction. They ask me at the same moment to accept a conclusion and to discredit the only testimony on which that conclusion can be based. The difficulty is to me a fatal one; and the fact that when you put it to many scientists, far from having an answer, they seem not even to understand what the difficulty is, assures me that I have not found a mare’s nest but detected a radical disease in their whole mode of thought from the very beginning. The man who has once understood the situation is compelled henceforth to regard the scientific cosmology as being, in principle, a myth; though no doubt a great many true particulars have been worked into it.4

The cosmic perspective comes from the frontiers of science, yet it is not solely the provenance of the scientist. It belongs to everyone. The cosmic perspective is humble. The cosmic perspective is spiritual—even redemptive—but not religious. The cosmic perspective enables us to grasp, in the same thought, the large and the small. The cosmic perspective opens our minds to extraordinary ideas but does not leave them so open that our brains spill out, making us susceptible to believing anything we’re told. The cosmic perspective opens our eyes to the universe, not as a benevolent cradle designed to nurture life but as a cold, lonely, hazardous place, forcing us to reassess the value of all humans to one another. The cosmic perspective shows Earth to be a mote. But it’s a precious mote and, for the moment, it’s the only home we have. The cosmic perspective finds beauty in the images of planets, moons, stars, and nebulae, but also celebrates the laws of physics that shape them. The cosmic perspective enables us to see beyond our circumstances, allowing us to transcend the primal search for food, shelter, and a mate. The cosmic perspective reminds us that in space, where there is no air, a flag will not wave—an indication that perhaps flag-waving and space exploration do not mix. The cosmic perspective not only embraces our genetic kinship with all life on Earth but also values our chemical kinship with any yet-to-be discovered life in the universe, as well as our atomic kinship with the universe itself.

The cosmic perspective flows from fundamental knowledge. But it’s more than about what you know. It’s also about having the wisdom and insight to apply that knowledge to assessing our place in the universe. And its attributes are clear: The cosmic perspective comes from the frontiers of science, yet it is not solely the provenance of the scientist. It belongs to everyone. The cosmic perspective is humble. The cosmic perspective is spiritual—even redemptive—but not religious. The cosmic perspective enables us to grasp, in the same thought, the large and the small. The cosmic perspective opens our minds to extraordinary ideas but does not leave them so open that our brains spill out, making us susceptible to believing anything we’re told. The cosmic perspective opens our eyes to the universe, not as a benevolent cradle designed to nurture life but as a cold, lonely, hazardous place, forcing us to reassess the value of all humans to one another. The cosmic perspective shows Earth to be a mote. But it’s a precious mote and, for the moment, it’s the only home we have. The cosmic perspective finds beauty in the images of planets, moons, stars, and nebulae, but also celebrates the laws of physics that shape them. The cosmic perspective enables us to see beyond our circumstances, allowing us to transcend the primal search for food, shelter, and a mate. The cosmic perspective reminds us that in space, where there is no air, a flag will not wave—an indication that perhaps flag-waving and space exploration do not mix. The cosmic perspective not only embraces our genetic kinship with all life on Earth but also values our chemical kinship with any yet-to-be discovered life in the universe, as well as our atomic kinship with the universe itself.