Neat Sewing Quotes

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I need a little language such as lovers use, words of one syllable such as children speak when they come into the room and find their mother sewing and pick up some scrap of bright wool, a feather, or a shred of chintz. I need a howl; a cry. When the storm crosses the marsh and sweeps over me where I lie in the ditch unregarded I need no words. Nothing neat. Nothing that comes down with all its feet on the floor. None of those resonances and lovely echoes that break and chime from nerve to nerve in our breasts making wild music, false phrases. I have done with phrases.
Virginia Woolf (The Waves)
Why do you suppose the poets talk about hearts?' he asked me suddenly. 'When they discuss emotional damage? The tissue of hearts is tough as a shoe. Did you ever sew up a heart?' I shook my head. 'No, but I've watched. I know what you mean.' The walls of a heart are thick and strong, and the surgeons use heavy needles. It takes a good bit of strength, but it pulls together neatly. As much as anything it's like binding a book. The seat of human emotion should be the liver,' Doc Homer said. 'That would be an appropriate metaphor: we don't hold love in our hearts, we hold it in our livers.' I understood exactly. Once in ER I saw a woman who'd been stabbed everywhere, most severely in the liver. It's an organ with the consistency of layer upon layer of wet Kleenex. Every attempt at repair just opens new holes that tear and bleed. You try to close the wound with fresh wounds, and you try and you try and you don't give up until there's nothing left.
Barbara Kingsolver
Almanzo could see his feet, but of course Alice's were hidden under her skirts. Her hoops rounded out, and she had to pull them back and stoop to drop the seeds neatly into the furrow. Almanzo asked her if she didn't want to be a boy. She said yes, she did. Then she said no, she didn't. "Boys aren't pretty like girls, and they can't wear ribbons." "I don't care how pretty I be," Almanzo said. "And I wouldn't wear ribbons anyhow." "Well, I like to make butter and I like to patch quilts. And cook, and sew, and spin. Boys can't do that. But even if I be a girl, I can drop potatoes and sow carrots and drive horses as well as you can." "You can't whistle on a grass stem," Almanzo said.
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
People may be constrained in two basic ways: physically, by confining them in jails, mental hospitals, and so forth; and symbolically, by confining them in occupations, social roles, and so forth. Actually, confinement of the second type is more common and pervasive in the day-to-day conduct of society’s business; as a rule, only when the symbolic, or socially informal, confinement of conduct fails or proves inadequate, is recourse taken to physical, or socially formal, confinement…. When people perform their social roles properly – in other words, when social expectations are adequately met – their behavior is considered normal. Though obvious, this deserves emphasis: a waiter must wait on tables; a secretary must type; a father must earn a living; a mother must cook and sew and take care of her children. Classic systems of psychiatric nosology had nothing to say about these people, so long as they remained neatly imprisoned in their respective social cells; or, as we say about the Negroes, so long as they “knew their place.” But when such persons broke out of “jail” and asserted their liberty, they became of interest to the psychiatrist.
Thomas Szasz (Ideology and Insanity: Essays on the Psychiatric Dehumanization of Man)
When I closed the door Grandmother was already seated at her spinning wheel. Her foot was on the treadle but her eyes were thoughtfully on me. The spinner was beautifully carved of dark oak with leaves twining their way round and round the outer rim. It must have been very old, as the designs were too fanciful to have been made i the new England. She called to me and asked me if I could spin. I told her yes, well enough, but that I could sew better, which was a statement only half true. A camp surgeon would have a better hand with a cleaver to a limb than I with a needle on the cloth. She spun the wool through knotted fingers glistening with sheep's oil and wrapped the threads neatly around the bobbin. Gently probing, she teased out the story of our days in Billerica just as she teased out the fine thread from the mix and jumble of the coarse wool in her hands.
Kathleen Kent (The Heretic's Daughter)
If a woman wanted to live in peace and quiet and keep her house neat, without somebody tracking it up, and wanted to make preserves and potpourri of rose leaves, and sit by her window and sew a fine seam, why shouldn’t she? There were always enough who wanted to get married and carry on the race….If a woman liked to play with words and set them in patterns and make pictures with them, and was taking care of herself and bothering nobody, and enjoyed her life without a lot of bawling children around, why shouldn’t she?
Kate Bolick (Spinster: Making a Life of One's Own)
So when the displays were erected it came as something of a surprise to discover that the American section was an outpost of wizardry and wonder. Nearly all the American machines did things that the world earnestly wished machines to do—stamp out nails, cut stone, mold candles—but with a neatness, dispatch, and tireless reliability that left other nations blinking. Elias Howe’s sewing machine dazzled the ladies and held out the impossible promise that one of the great drudge pastimes of domestic life could actually be made exciting and fun. Cyrus McCormick displayed a reaper that could do the work of forty men—a claim so improbably bold that almost no one believed it until the reaper was taken out to a farm in the Home Counties and shown to do all that it promised it could. Most exciting of all was Samuel Colt’s repeat-action revolver, which was not only marvelously lethal but made from interchangeable parts, a method of manufacture so distinctive that it became known as “the American system.
Bill Bryson (At Home: A Short History of Private Life)
Red activities are extremely sedentary, such as lounging and watching TV, and burn just 0 to 50 calories per hour. Yellow activities generally have you up on your feet and puttering about. Activities such as standing and stretching while on the phone and chopping vegetables for dinner fall in this category. A few of the more energetic sitting activities, such as board games (e.g., Cranium), crafts, and sewing, also fall into yellow. They burn 50 to 100 calories per hour. Green activities have you on the move and include things such as mowing the lawn and playing with your kids. They burn 100 to 200 calories an hour.
James A. Levine (Move a Little, Lose a Lot: New N.E.A.T. Science Reveals How to Be Thinner, Happier, and Smarter)
If a woman wanted to live in peace and quiet and keep her house neat, without somebody tracking it up, and wanted to make preserves and potpourri of rose leaves, and sit by her window and sew a fine seam, why shouldn’t she?
Kate Bolick (Spinster: Making a Life of One's Own)
Accompanying this nineteen-year-old virgin to New York City were two large suitcases- one filled with my clothes, all folded neatly in tissue, and the other packed with fabrics, trimmings, and sewing supplies, so that I could make more clothes.
Elizabeth Gilbert (City of Girls)
Accompanying this nineteen-year-old virgin to New York City were two large suitcases- one filled with my clothes, all folded neatly in tissue, and the other packed with fabrics, trimmings, and sewing supplies, so that I could make more clothes (8).
Elizabeth Gilbert (City of Girls)
It was the furthest thing she could imagine from her mother’s life, where sewing a neat hem was a laudable accomplishment and removing beet stains from a blouse was cause for celebration. Instead she would blunt pain and stanch bleeding and set bones. She would save lives. Yet in the end it happened just as her mother predicted: she met a man.
Celeste Ng (Everything I Never Told You)
The children hadn't any Mamma. She had died when Phil was a baby, four years before my story began. Katy could remember her pretty well; to the rest she was but a sad, sweet name, spoken on Sunday, and at prayer-times, or when Papa was especially gentle and solemn. In place of this Mamma, whom they recollected so dimly, there was Aunt Izzie, Papa's sister, who came to take care of them when Mamma went away on that long journey, from which, for so many months, the little ones kept hoping she might return. Aunt Izzie was a small woman, sharp-faced and thin, rather old-looking, and very neat and particular about everything. She meant to be kind to the children, but they puzzled her much, because they were not a bit like herself when she was a child. Aunt Izzie had been a gentle, tidy little thing, who loved to sit as Curly Locks did, sewing long seams in the parlor, and to have her head patted by older people, and be told that she was a good girl; whereas Katy tore her dress every day, hated sewing, and didn't care a button about being called "good," while Clover and Elsie shied off like restless ponies when any one tried to pat their heads. It was very perplexing to Aunt Izzie, and she found it hard to quite forgive the children for being so "unaccountable," and so little like the good boys and girls in Sunday-school memoirs, who were the young people she liked best, and understood most about.
Susan Coolidge (What Katy Did)
Out Of The Watercolored Window, When You Look by When from the watercolored window idly you look Each is but and clear to see, not steep: So does the neat print in an actual book Marching as if to true conclusion, reap The illimitable blue immensely overhead, The night of the living and the day of the dead. I drive in an auto all night long to reach The apple which has sewed the sunlight up: My simple self is nothing but the speech Pleading for the overflow of that great cup, The darkened body, the mind still as a frieze: All else is merely means as complex as disease!
Delmore Schwartz