β
See, the world is full of things more powerful than us. But if you know how to catch a ride, you can go places,
β
β
Neal Stephenson (Snow Crash)
β
Arguing with anonymous strangers on the Internet is a sucker's game because they almost always turn out to beβor to be indistinguishable fromβself-righteous sixteen-year-olds possessing infinite amounts of free time.
β
β
Neal Stephenson (Cryptonomicon)
β
The difference between stupid and intelligent people β and this is true whether or not they are well-educated β is that intelligent people can handle subtlety.
β
β
Neal Stephenson (The Diamond Age: Or, a Young Lady's Illustrated Primer)
β
Until a man is twenty-five, he still thinks, every so often, that under the right circumstances he could be the baddest motherfucker in the world. If I moved to a martial-arts monastery in China and studied real hard for ten years. If my family was wiped out by Colombian drug dealers and I swore myself to revenge. If I got a fatal disease, had one year to live, and devoted it to wiping out street crime. If I just dropped out and devoted my life to being bad.
β
β
Neal Stephenson
β
She's a woman, you're a dude. You're not supposed to understand her. That's not what she's after.... She doesn't want you to understand her. She knows that's impossible. She just wants you to understand yourself. Everything else is negotiable.
β
β
Neal Stephenson (Snow Crash)
β
When you are wrestling for possession of a sword, the man with the handle always wins.
β
β
Neal Stephenson (Snow Crash)
β
Ninety-nine percent of everything that goes on in most Christian churches has nothing whatsoever to do with the actual religion. Intelligent people all notice this sooner or later, and they conclude that the entire one hundred percent is bullshit, which is why atheism is connected with being intelligent in people's minds.
β
β
Neal Stephenson (Snow Crash)
β
To condense fact from the vapor of nuance.
β
β
Neal Stephenson (Snow Crash)
β
Our opponent is an alien starship packed with atomic bombs," I said. "We have a protractor.
β
β
Neal Stephenson (Anathem)
β
I just saved your fucking life, Mom. . . . You could at least offer me an Oreo.
β
β
Neal Stephenson (Snow Crash)
β
Show some fucking adaptability!
β
β
Neal Stephenson (Cryptonomicon.)
β
It was, of course, nothing more than sexism, the especially virulent type espoused by male techies who sincerely believe that they are too smart to be sexists.
β
β
Neal Stephenson (Snow Crash)
β
Nothing is more important than that you see and love the beauty that is right in front of you, or else you will have no defense against the ugliness that will hem you in and come at you in so many ways.
β
β
Neal Stephenson (Anathem)
β
I don't even want you to nod, that's how much you annoy me. Just freeze and shut up.
β
β
Neal Stephenson (Snow Crash)
β
Whenever serious and competent people need to get things done in the real world, all considerations of tradition and protocol fly out the window.
β
β
Neal Stephenson (Quicksilver (The Baroque Cycle, #1))
β
This is America. People do whatever the fuck they feel like doing, you got a problem with that? Because they have a right to. And because they have guns and no one can fucking stop them.
β
β
Neal Stephenson (Snow Crash)
β
Boredom is a mask frustration wears.
β
β
Neal Stephenson (Anathem)
β
Well, all information looks like noise until you break the code.
β
β
Neal Stephenson (Snow Crash)
β
Did you win your sword fight?"
"Of course I won the fucking sword fight," Hiro says. "I'm the greatest sword fighter in the world."
"And you wrote the software."
"Yeah. That, too," Hiro says.
β
β
Neal Stephenson (Snow Crash)
β
That we occasionally violate our own stated moral code does not imply that we are insincere in espousing that code.
β
β
Neal Stephenson (The Diamond Age: Or, a Young Lady's Illustrated Primer)
β
This Snow Crash thing--is it a virus, a drug, or a religion?β
Juanita shrugs. βWhat's the difference?
β
β
Neal Stephenson (Snow Crash)
β
The full cosmos consists of the physical stuff and consciousness. Take away consciousness and it's only dust; add consciousness and you get things, ideas, and time.
β
β
Neal Stephenson (Anathem)
β
Talent was not rare; the ability to survive having it was.
β
β
Neal Stephenson (Quicksilver (The Baroque Cycle, #1))
β
This made him a grad student, and grad students existed not to learn things but to relieve the tenured faculty members of tiresome burdens such as educating people and doing research.
β
β
Neal Stephenson (Cryptonomicon)
β
Most countries are static, all they need to do is keep having babies. But America's like this big old clanking smoking machine that just lumbers across the landscape scooping up and eating everything in sight.
β
β
Neal Stephenson (Snow Crash)
β
Shit, if I took time out to have an opinion about everything, I wouldn't get any work done.
β
β
Neal Stephenson (Snow Crash)
β
It is what you don't expect... that most needs looking for.
β
β
Neal Stephenson (Anathem)
β
Ask a Soviet engineer to design a pair of shoes and heβll come up with something that looks like the boxes that the shoes came in; ask him to make something that will massacre Germans, and he turns into Thomas Fucking Edison.
β
β
Neal Stephenson (Cryptonomicon)
β
I always tend to assume there's an infinite amount of money out there."
There might as well be, "Arsibalt said, "but most of it gets spent on pornography, sugar water and bombs. There is only so much that can be scraped together for particle accelerators.
β
β
Neal Stephenson (Anathem)
β
The best way to know someone is to have a conversation with them.
β
β
Neal Stephenson (Cryptonomicon)
β
When the Deliverator puts the hammer down, shit happens.
β
β
Neal Stephenson (Snow Crash)
β
THE MOON BLEW UP WITHOUT WARNING AND FOR NO APPARENT reason.
β
β
Neal Stephenson (Seveneves)
β
Nell," the Constable continued, indicating through his tone of voice that the lesson was concluding, "the difference between ignorant and educated people is that the latter know more facts. But that has nothing to do with whether they are stupid or intelligent. The difference between stupid and intelligent peopleβand this is true whether or not they are well-educatedβis that intelligent people can handle subtlety. They are not baffled by ambiguous or even contradictory situationsβin fact, they expect them and are apt to become suspicious when things seem overly straightforward.
β
β
Neal Stephenson (The Diamond Age: Or, a Young Lady's Illustrated Primer)
β
That's funny because if anyone actually did prove the existence of God we'd just tell him 'nice proof, Fraa Bly' and start believing in God.
β
β
Neal Stephenson (Anathem)
β
He turns off the techno-shit in his goggles. All it does is confuse him; he stands there reading statistics about his own death even as it's happening to him. Very post-modern.
β
β
Neal Stephenson (Snow Crash)
β
Gold is the corpse of value...
β
β
Neal Stephenson (Cryptonomicon)
β
And it happened all the time that the compromise between two perfectly rational alternatives was something that made no sense at all.
β
β
Neal Stephenson (Anathem)
β
Like every other creature on the face of the earth, Godfrey was, by birthright, a stupendous badass, albeit in the somewhat narrow technical sense that he could trace his ancestry back up a long line of slightly less highly evolved stupendous badasses to that first self-replicating gizmo---which, given the number and variety of its descendants, might justifiably be described as the most stupendous badass of all time. Everyone and everything that wasn't a stupendous badass was dead.
β
β
Neal Stephenson (Cryptonomicon)
β
We are all susceptible to the pull of viral ideas. Like mass hysteria. Or a tune that gets into your head that you keep humming all day until you spread it to someone else. Jokes. Urban legends. Crackpot religions. Marxism. No matter how smart we get, there is always this deep irrational part that makes us potential hosts for self-replicating information.
β
β
Neal Stephenson (Snow Crash)
β
Our opponent is an alien starship packed with atomic bomc,' I said. 'We have a protractor.'
Okay, I'll go home and see if I can scrounge up a ruler and a piece of string.
β
β
Neal Stephenson (Anathem)
β
I beg your pardon?" Robson says.
One thing Waterhouse likes about these Brits is that when they don't know what the hell you're talking about, they are at least open to the possibility that it might be their fault.
β
β
Neal Stephenson (Cryptonomicon)
β
They knew many things but had no idea why. And strangely this made them more, rather than less, certain that they were right.
β
β
Neal Stephenson (Anathem)
β
She looked at me like I was crazy. Most of my lovers do, and that's partly why they love me, and partly why they leave
β
β
Neal Stephenson
β
Men who believe that they are accomplishing something by speaking speak in a different way from men who believe that speaking is a waste of time.
β
β
Neal Stephenson (Cryptonomicon)
β
Technically, of course, he was right. Socially, he was annoying us.
β
β
Neal Stephenson (Anathem)
β
Jack the sound barrier. Bring the noise.
β
β
Neal Stephenson (Snow Crash)
β
All people have religions. It's like we have religion receptors built into our brain cells, or something, and we'll latch onto anything that'll fill that niche for us.
β
β
Neal Stephenson (Snow Crash)
β
Supposing that originally there was nothing but one creator, how could ordinary binary sexual relations come into being?
β
β
Neal Stephenson (Snow Crash)
β
But I have to warn you that this is the wordββpoliticsββthat nerds use whenever they feel impatient about the human realities of an organization.
β
β
Neal Stephenson (Seveneves)
β
Besides, interesting things happen along bordersβtransitionsβnot in the middle where everything is the same.
β
β
Neal Stephenson (Snow Crash)
β
Most of the brain's work is done while the brain's owner is ostensibly thinking about something else, so sometimes you have to deliberately find something else to think and talk about.
β
β
Neal Stephenson (Cryptonomicon)
β
Which path do you intend to take, Nell?' said the Constable, sounding very interested. 'Conformity or rebellion?'
Neither one. Both ways are simple-minded - they are only for people who cannot cope with contradiction and ambiguity.
β
β
Neal Stephenson (The Diamond Age: Or, a Young Lady's Illustrated Primer)
β
Because, Jack, you volunteered to be taken down into eternal torment in place of her. This is the absolute minimum (unless I'm mistaken) that any female requires from her man.
β
β
Neal Stephenson (Quicksilver (The Baroque Cycle, #1))
β
any event largely organized by elementary school teachers was likely to come off extremely well from a logistical and crowd-control standpoint.
β
β
Neal Stephenson (Seveneves)
β
Ideology is a virus.
β
β
Neal Stephenson (Snow Crash)
β
The sight of the bare katana inspires everyone to a practically Nipponese level of politeness
β
β
Neal Stephenson (Snow Crash)
β
It is early in November of 1942 and a simply unbelievable amount of shit is going on, all at once, everywhere.
β
β
Neal Stephenson (Cryptonomicon)
β
Let's set the existence-of-God issue aside for a later volume, and just stipulate that in some way, self-replicating organisms came into existence on this planet and immediately began trying to get rid of each other, either by spamming their environments with rough copies of themselves, or by more direct means which hardly need to be belabored. Most of them failed, and their genetic legacy was erased from the universe forever, but a few found some way to survive and to propagate.
β
β
Neal Stephenson (Cryptonomicon)
β
This is one of the two great labyrinths into which human minds are drawn: the question of free will versus predestination.
β
β
Neal Stephenson (Quicksilver (The Baroque Cycle, #1))
β
Until a man is twenty-five, he still thinks, every so often, that under the right circumstances he could be the baddest motherfucker in the world.
β
β
Neal Stephenson (Snow Crash)
β
Itβs, like, one of them drug dealer boats,β Vic says, looking through his magic sight. βFive guys on it. Headed our way.β He fires another round. βCorrection. Four guys on it.β Boom. βCorrection, theyβre not headed our way anymore.β Boom. A fireball erupts from the ocean two hundred feet away. βCorrection. No boat.
β
β
Neal Stephenson (Snow Crash)
β
The difference between stupid and intelligent people -- and this is true whether or not they are well-educated -- is that intelligent people can handle subtlety. They are not baffled by ambigous or even contradictory situations -- in fact, they expect them and are apt to become suspicious when things seem overly straightforward.
β
β
Neal Stephenson (The Diamond Age: Or, a Young Lady's Illustrated Primer)
β
The human race might be about to disappear, but not before putting on a two-year frenzy of recreational sex.
β
β
Neal Stephenson (Seveneves)
β
Ronald Reagan has a stack of three-by-five cards in his lap. He skids up a new one: "What advice do you, as the youngest American fighting man ever to win both the Navy Cross and the Silver Star, have for any young marines on their way to Guadalcanal?"
Shaftoe doesn't have to think very long. The memories are still as fresh as last night's eleventh nighmare: ten plucky Nips in Suicide Charge!
"Just kill the one with the sword first."
"Ah," Reagan says, raising his waxed and penciled eyebrows, and cocking his pompadour in Shaftoe's direction. "Smarrrt--you target them because they're the officers, right?"
"No, fuckhead!" Shaftoe yells. "You kill 'em because they've got fucking swords! You ever had anyone running at you waving a fucking sword?
β
β
Neal Stephenson (Cryptonomicon)
β
There's only four things we do better than anyone else:
music
movies
microcode (software)
high-speed pizza delivery
β
β
Neal Stephenson
β
Fighting isnβt about knowing how. Itβs about deciding to.
β
β
Neal Stephenson (Seveneves)
β
As it turned out, imagining the fate of seven billion people was far less emotionally affecting than imagining the fate of one.
β
β
Neal Stephenson (Seveneves)
β
the difference between poets and mystics . . . The mystic nails a symbol to one meaning that was true for a moment but soon becomes false. The poet, on the other hand, sees that truth while it's true but understands that symbols are always in flux and that their meanings are fleeting.
β
β
Neal Stephenson (Anathem)
β
CosaNostra Pizza doesn't have any competition. Competition goes against the Mafia ethic.
β
β
Neal Stephenson (Snow Crash)
β
Software development, like professional sports, has a way of making thirty-year-old men feel decrepit.
β
β
Neal Stephenson (Snow Crash)
β
If you've put yourself in a position where someone has to see you in order for you to be safe - to see you, and to give a fuck - you've already blown it.
β
β
Neal Stephenson (Zodiac)
β
If you did enough traveling, you'd never feel at home anywhere.
β
β
Neal Stephenson (Snow Crash)
β
... when I saw any of those kinds of beauty I knew I was alive, and not just in the sense that when I hit my thumb with a hammer I knew I was alive, but rather in the sense that I was partaking of something--something was passing through me that it was in my nature to be a part of.
β
β
Neal Stephenson (Anathem)
β
...class is more than income - it has to do with knowing where you stand in a web of social relationships.
β
β
Neal Stephenson (Snow Crash)
β
..this is just like life must be for about 99 percent of the people in the world. You're in this place. There's other people all around you, but they don't understand you and you don't understand them, but people do a lot of pointless babbling anyway. In order to stay alive, you have to spend all day every day doing stupid meaningless work. And the only way to get out of it is to quit, cut loose, take a flyer, and go off into the wicked world, where you will be swallowed up and never heard from again.
β
β
Neal Stephenson (Snow Crash)
β
...But they had, perversely, been living among people who were peering into the wrong end of the telescope, or something, and who had convinced themselves that the opposite was true - that the world had once been a splendid, orderly place...and that everything had been slowly, relentlessly falling apart ever since.
β
β
Neal Stephenson (Quicksilver (The Baroque Cycle, #1))
β
Enoch...why are you here?
Why has my spirit been incarnated into a physical bodi in this world generally? Or specifically, why am I here in a Swedish forest, standing on the wreck of a mysterious German rocket plane while a homosexual German sobs over the cremated remains of his Italian lover?
β
β
Neal Stephenson (Cryptonomicon)
β
The franchise and the virus work on the same principle, what thrives in one place will thrive in another. You just have to find a sufficiently virulent business plan, condense it into a three-ring binder β its DNA β Xerox it, and embed it in the fertile line of a well-traveled highway, preferably one with a left turn lane. Then the growth will expand until it runs up against its property lines.
β
β
Neal Stephenson (Snow Crash)
β
You should be a billionaire, Randy.
Thank god you're not."
"Why do you say that?"
"Oh, because then you'd be a highly intelligent man who never has to make difficult choices - who never has to exert his mind. It is a state much worse than being a moron.
β
β
Neal Stephenson (Cryptonomicon)
β
We're not hunter-gatherers anymore. We're all living like patients in the intensive care unit of a hospital. What keeps us alive isn't bravery, or athleticism, or any of those other skills that were valuable in a caveman society. It's our ability to master complex technological skills. It is our ability to be nerds. We need to breed nerds.
β
β
Neal Stephenson (Seveneves)
β
He had some measure of the infuriating trait that causes a young man to be a nonconformist for its own sake and found that the surest way to shock most people, in those days, was to believe that some kinds of behavior were bad and others good, and that it was reasonable to live one's life accordingly.
β
β
Neal Stephenson (The Diamond Age: Or, a Young Lady's Illustrated Primer)
β
The GPS unit became almost equally obstreperous, though, over Richardβs unauthorized route change, until they finally passed over some invisible cybernetic watershed between two possible ways of getting to their destination, and it changed its fickle little mind and began calmly telling him which way to proceed as if this had been its idea all along.
β
β
Neal Stephenson (Reamde)
β
Old Earthers had focused their intelligence on the small and the soft, not the big and the hard, and built a civilization that was puny and crumbling where physical infrastructure was concerned, but astonishingly sophisticated when it came to networked communications and software.
β
β
Neal Stephenson (Seveneves)
β
We ignore the blackness of outer space and pay attention to the stars, especially if they seem to order themselves into constellations. βCommon as the airβ meant something worthless, but Hackworth knew that every breath of air that Fiona drew, lying in her little bed at night, just a silver flow in the moonlight, was used by her body to make skin and hair and bones. The air became Fiona, and deservingβno, demandingβof love. Ordering matter was the sole endeavor of Life, whether it was a jumble of self-replicating molecules in the primordial ocean, or a steam-powered English mill turning weeds into clothing, or Fiona lying in her bed turning air into Fiona.
β
β
Neal Stephenson (The Diamond Age: Or, a Young Lady's Illustrated Primer)
β
Ares always reemerges from the chaos. It will never go away. Athenian civilization defends itself from the forces of Ares with metis, or technology. Technology is built on science. Science is like the alchemists' uroburos, continually eating its own tail. The process of science doesn't work unless young scientists have the freedom to attack and tear down old dogmas, to engage in an ongoing Titanomachia. Science flourishes where art and free speech flourish.
β
β
Neal Stephenson (Cryptonomicon)
β
Chester nods all the way through this, but does not rudely interrupt Randy as a younger nerd would. Your younger nerd takes offense quickly when someone near him begins to utter declarative sentences, because he reads into it an ssertion that he, the nerd, does not already know the information being imparted. But your older nerd has more
self-confidence, and besides, understands that frequently people need to think out loud. And highly advanced nerds will furthermore understand that uttering declarative sentences whose contents are already known to all present is part of the social process of making conversation and therefore should not be construed as aggression under any circumstances.
β
β
Neal Stephenson (Cryptonomicon)
β
Of course, the underlying structure of everything in England is posh. There is no in between with these people. You have to walk a mile to find a telephone booth, but when you find it, it is built as if the senseless dynamiting of pay phones had been a serious problem at some time in the past. And a British mailbox can presumably stop a German tank.
β
β
Neal Stephenson (Cryptonomicon)
β
The Deliverator belongs to an elite order, a hallow subcategory. He's got esprit up to here. Right now, he is preparing to carry out his third mission of the night. His uniform is black as activated charcoal, filtering the very light out of the air. A bullet will bounce off its arachnofiber weave like a wren hitting a patio door, but excess perspiration wafts through it like a breeze through a freshly napalmed forest. Where his body has bony extremities, the suit has sintered armorgel: feels like gritty jello, protects like a stack of telephone books.
β
β
Neal Stephenson (Snow Crash)
β
But then, Cap'n Crunch in a flake form would be suicidal madness; it would last about as long, when immersed in milk, as snowflakes sifting down into a deep fryer. No, the cereal engineers at General Mills had to find a shape that would minimize surface area, and, as some sort of compromise between the sphere that is dictated by Euclidean geometry and whatever sunken treasure related shapes that the cereal aestheticians were probably clamoring for, they came up with this hard -to-pin-down striated pillow formation.
β
β
Neal Stephenson (Cryptonomicon)
β
When it gets down to it β talking trade balances here β once we've brain-drained all our technology into other countries, once things have evened out, they're making cars in Bolivia and microwave ovens in Tadzhikistan and selling them here β once our edge in natural resources has been made irrelevant by giant Hong Kong ships and dirigibles that can ship North Dakota all the way to New Zealand for a nickel β once the Invisible Hand has taken away all those historical inequities and smeared them out into a broad global layer of what a Pakistani brickmaker would consider to be prosperity β y'know what? There's only four things we do better than anyone else:
music
movies
microcode (software)
high-speed pizza delivery
β
β
Neal Stephenson (Snow Crash)
β
An old market had stood there until I'd been about six years old, when the authorities had renamed it the Olde Market, destroyed it, and built a new market devoted to selling T-shirts and other objects with pictures of the old market. Meanwhile, the people who had operated the little stalls in the old market had gone elsewhere and set up a thing on the edge of town that was now called the New Market even though it was actually the old market.
β
β
Neal Stephenson (Anathem)
β
Sorry,β she said, βI got out as fast as I could, but I had to stay and socialize. Protocol, you know.β
βExplain protocol,β Nell said. This was how she always talked to the Primer.
βAt the place weβre going, you need to watch your manners. Donβt say βexplain thisβ or βexplain that.ββ
βWould it impose on your time unduly to provide me with a concise explanation of the term protocol?β Nell said.
Again Rita made that nervous laugh and looked at Nell with an expression that looked like poorly concealed alarm.
β
β
Neal Stephenson (The Diamond Age: Or, a Young Lady's Illustrated Primer)
β
Nell did not imagine that Constable Moore wanted to get into a detailed discussion of recent events, so she changed the subject. "I think I have finally worked out what you were trying to tell me, years ago, about being intelligent," she said.
The Constable brightened all at once. "Pleased to hear it."
The Vickys have an elaborate code of morals and conduct. It grew out of the moral squalor of an earlier generation, just as the original Victorians were preceded by the Georgians and the Regency. The old guard believe in that code because they came to it the hard way. They raise their children to believe in that codeβ but their children believe it for entirely different reasons."
They believe it," the Constable said, "because they have been indoctrinated to believe it."
Yes. Some of them never challenge itβ they grow up to be smallminded people, who can tell you what they believe but not why they believe it. Others become disillusioned by the hypocrisy of the society and rebelβ as did Elizabeth Finkle-McGraw."
Which path do you intend to take, Nell?" said the Constable, sounding very interested. "Conformity or rebellion?"
Neither one. Both ways are simple-mindedβ they are only for people who cannot cope with contradiction and ambiguity.
β
β
Neal Stephenson (The Diamond Age: Or, a Young Lady's Illustrated Primer)
β
What people do isn't determined by where they live. It happens to be their damned fault. They decided to watch TV instead of thinking when they were in high school. They decided to blow-off courses and drink beer instead of reading and trying to learn something. They decided to chicken out and be intolerant bastards instead of being openminded, and finally they decided to go along with their buddies and do things that were terribly wrong when there was no reason they had to. Anyone who hurts someone else decides to hurt them, goes out of their way to do it. . . . The fact that it's hard to be a good person doesn't excuse going along and being an asshole. If they can't overcome their own fear of being unusual, it's not my fault, because any idiot ought to be able to see that if he just acts reasonably and makes a point of not hurting others, he'll be happier.
β
β
Neal Stephenson (The Big U)
β
This "sir, yes sir" business, which would probably sound like horseshit to any civilian in his right mind, makes sense to Shaftoe and to the officers in a deep and important way. Like a lot of others, Shaftoe had trouble with military etiquette at first. He soaked up quite a bit of it growing up in a military family, but living the life was a different matter. Having now experienced all the phases of military existence except for the terminal ones (violent death, court-martial, retirement), he has come to understand the culture for what it is: a system of etiquette within which it becomes possible for groups of men to live together for years, travel to the ends of the earth, and do all kinds of incredibly weird shit without killing each other or completely losing their minds in the process. The extreme formality with which he addresses these officers carries an important subtext: your problem, sir, is deciding what you want me to do, and my problem, sir, is doing it. My gung-ho posture says that once you give the order I'm not going to bother you with any of the details--and your half of the bargain is you had better stay on your side of the line, sir, and not bother me with any of the chickenshit politics that you have to deal with for a living. The implied responsibility placed upon the officer's shoulders by the subordinate's unhesitating willingness to follow orders is a withering burden to any officer with half a brain, and Shaftoe has more than once seen seasoned noncoms reduce green lieutenants to quivering blobs simply by standing before them and agreeing, cheerfully, to carry out their orders.
β
β
Neal Stephenson (Cryptonomicon)
β
...he was fascinated by the mid-western/middle American phenomenon of recombinant cuisine. Rice Krispie Treats being a prototypical example in that they were made by repurposing other foods that had already been prepared (to wit, breakfast cereal and marshmallows). And of course, any recipe that called for a can of cream of mushroom soup fell into the same category. The unifying principle behind all recombinant cuisine seemed to be indifference, if not outright hostility, to the use of anything that a coastal foodie would define as an ingredient.
β
β
Neal Stephenson (Reamde)
β
He walked straight out of college into the waiting arms of the Navy.
They gave him an intelligence test. The first question on the math part had to do with boats on a river: Port Smith is 100 miles upstream of Port Jones. The river flows at 5 miles per hour. The boat goes through water at 10 miles per hour. How long does it take to go from Port Smith to Port Jones? How long to come back?
Lawrence immediately saw that it was a trick question. You would have to be some kind of idiot to make the facile assumption that the current would add or subtract 5 miles per hour to or from the speed of the boat. Clearly, 5 miles per hour was nothing more than the average speed. The current would be faster in the middle of the river and slower at the banks. More complicated variations could be expected at bends in the river. Basically it was a question of hydrodynamics, which could be tackled using certain well-known systems of differential equations. Lawrence dove into the problem, rapidly (or so he thought) covering both sides of ten sheets of paper with calculations. Along the way, he realized that one of his assumptions, in combination with the simplified Navier Stokes equations, had led him into an exploration of a particularly interesting family of partial differential equations. Before he knew it, he had proved a new theorem. If that didn't prove his intelligence, what would?
Then the time bell rang and the papers were collected. Lawrence managed to hang onto his scratch paper. He took it back to his dorm, typed it up, and mailed it to one of the more approachable math professors at Princeton, who promptly arranged for it to be published in a Parisian mathematics journal.
Lawrence received two free, freshly printed copies of the journal a few months later, in San Diego, California, during mail call on board a large ship called the U.S.S. Nevada. The ship had a band, and the Navy had given Lawrence the job of playing the glockenspiel in it, because their testing procedures had proven that he was not intelligent enough to do anything else.
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Neal Stephenson (Cryptonomicon)
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All these beefy Caucasians with guns. Get enough of them together,looking for the America they always believed they'd grow up in, and they glom together like overcooked rice, form integral, starchy little units. With their power tools, portable generators, weapons, four-wheel-drive vehicles, and personal computers, they are like beavers hyped up on crystal meth, manic engineers without a blueprint, chewing through the wilderness, building things and abandoning them, altering the flow of mighty rivers and then moving on because the place ain't what it used to be. The byproduct of the lifestyle is polluted rivers, greenhouse effect, spouse abuse, televangelists, and serial killers. But as long as you have that four-wheel-drive vehicle and can keep driving north, you can sustain it, keep moving just quickly enough to stay one step ahead of your own waste stream. In twenty years, ten million white people will converge on the north pole and park their bagos there. The low-grade waste heat of their thermodynamically intense lifestyle will turn the crystalline icescape pliable and treacherous. It will melt a hole through the polar icecap, and all that metal will sink to the bottom, sucking the biomass down with it.
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Neal Stephenson (Snow Crash)
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World-class cereal-eating is a dance of fine compromises. The giant heaping bowl of sodden cereal, awash in milk, is the mark of the novice. Ideally one wants the bone-dry cereal nuggets and the cryogenic milk to enter the mouth with minimal contact and for the entire reaction between them to take place in the mouth. Randy has worked out a set of mental blueprints for a special cereal-eating spoon that will have a tube running down the handle and a little pump for the milk, so that you can spoon dry cereal up out of a bowl, hit a button with your thumb, and squirt milk into the bowl of the spoon even as you are introducing it into your mouth. The next best thing is to work in small increments, putting only a small amount of Capβn Crunch in your bowl at a time and eating it all up before it becomes a pit of loathsome slime, which, in the case of Capβn Crunch, takes about thirty seconds.
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Neal Stephenson (Cryptonomicon)
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There was no room for dust devils in the laws of physics, as least in the rigid form in which they were usually taught. There is a kind of unspoken collusion going on in mainstream science education: you get your competent but bored, insecure and hence stodgy teacher talking to an audience divided between engineering students, who are going to be responsible for making bridges that wonβt fall down or airplanes that wonβt suddenly plunge vertically into the ground at six hundred miles an hour, and who by definition get sweaty palms and vindictive attitudes when their teacher suddenly veers off track and begins raving about wild and completely nonintuitive phenomena; and physics students, who derive much of their self-esteem from knowing that they are smarter and morally purer than the engineering students, and who by definition donβt want to hear about anything that makes no fucking sense. This collusion results in the professor saying: (something along the lines of) dust is heavier than air, therefore it falls until it hits the ground. Thatβs all there is to know about dust. The engineers love it because they like their issues dead and crucified like butterflies under glass. The physicists love it because they want to think they understand everything. No one asks difficult questions. And outside the windows, the dust devils continue to gambol across the campus.
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Neal Stephenson (Cryptonomicon)