Ne Yo Quotes

We've searched our database for all the quotes and captions related to Ne Yo. Here they are! All 12 of them:

I feel there is always room for good music. I want to reach people's soul with my lyrics through whatever vessel God chooses.
Ne-Yo
The toughest part has been getting used to being known. I've always been the guy in the background, being the actual artist is a whole new experience for me!
Ne-Yo
Sen Fiona'ya nasıl hitap ediyorsun? Fio! Aman ne etkileyici.Casa Blanc'da o McCabe denen tuhaf adamı gördüğümüz geceki salak kızın adı neydi peki? Marilyn!'' ''Adını hatırladığına inanamıyorum,'' diye mırıldandı. ''Ona ilk ismiyle hitap ediyordun ama ondan hoşlanmıyordun bile.Ama bana ismimle hitap etmiyorsun.Ama yo, ben Bayan Lane'im.Sonsuza kadar.'' ''İsim meselesine neden böyle kafayı taktın anlamıyorum Mac,'' diye bağırdı. ''Jericho,'' diye bağırdım ben de ona, sonra da onu ittim. Tek eliyle iki bileğimi birden kavradığı için vuramadım ona.Çılgına göndüm.Kafa attım.
Karen Marie Moning (Shadowfever (Fever, #5))
Something that a lot of people don’t know is that I have a five-month old son. Any free time I have now is spent with him. A few people suggested to me that I should try and hide the fact that I have a son because it might damage my career. But as far as I'm concerned, to hide it would suggest that I was ashamed and I'm not ashamed. I love my son. Me and his mom aren't in a relationship. We're actually best friends. We've known each other for years and years and never ever wanted to be in a relationship with each other. But the one time we... got physical, she fell pregnant. Of course, we did a lot of talking to decide how we were gonna handle the situation. We weren't about to start a relationship for the sake of the child 'cos that's not what either of us wanted. So I just said, "You be mom, I'll be dad and let's just raise a son." And though we're not together, that's exactly what we're doing.
Ne-Yo
I'm a movement by myself, but I'm a force when we're together.
Ne-Yo
El trabajo os hará libres" ponía en el cartel que presidía la entrada a Auschwitz. Parece que he seguido , aunque no del todo, el consejo de aquella otra pintada de los situacionistas en las paredes de paris, en Mayo del 68,y que una vez más parece que sólo leí yo:"Ne travaillez jamais
Iñaki Uriarte (Diarios 1999-2003)
The child bounded onto the bed, landing on all fours, her round face wreathed in a smile. “Hein nei nan-ne-i-cut?” “What is your name?” Hunter translated, tousling the imp’s hair as he hunkered beside the bed. “Loh-rhett-ah, eh? Tohobt Nabituh, Blue Eyes.” To Loretta, he said, “Warrior’s daughter, To-oh Hoos-cho, Blackbird.” Blackbird giggled and glanced at her grandmother, who stood watching from across the room. “Loh-rhett-ah!” Loretta scooted toward the head of the bed to press her back against the taut leather wall. The little girl followed, reaching out with a small brown hand to lightly touch the flounces on Loretta’s bloomers. Loretta stared at her. At last, a Comanche she didn’t detest on sight. She was tempted to grab hold of her and never let go. Loretta guessed her to be about three years old, possibly four. While Blackbird satisfied her curiosity about Loretta and examined her form head to toe, Hunter carried on an unintelligible conversation with his mother. From the gestures he made, Loretta guessed he was relating that his captive refused to eat or drink and that her voice had returned. A look of concern flashed across the older woman’s dark face. Hunter rose and thumped the heel of his hand against his forehead, rolling his eyes toward the smoke hole above the firepit. “Ai-ee!” Woman with Many Robes crossed the packed grass-and-dirt floor and leaned forward to peer at Loretta. After babbling shrilly for several seconds, all the while waving her spoon, she crooned, “Nei mi-pe mah-tao-yo,” and placed a gentle hand on Loretta’s hair. “My mother says the poor little one must have no fear.” Woman with Many Robes cast her son a suspicious glance. When it became apparent that he planned to say no more, she brandished her spoon at him. With great reluctance he cleared his throat, eyed the people crowding the doorway, and said, in a very low voice, “You will have no fear of me, eh? If I lift my hand against you, I will be a caum-mom-se, a bald head, and she will thump me with her spoon.” He hesitated and looked as if he found it difficult not to smile. “She will make the great na-ba-dah-kah, battle, with me. And in the end, she will win. She is one mean woman.
Catherine Anderson (Comanche Moon (Comanche, #1))
-Haklısın, biz tükenmeyiz. -Düşünmeyelim diye. -Özrümüz var. -İşitmeyelim diye. -Nedenlerimiz var. -Bütün ölü sesleri. -Kanat çırpar gibi bir gürültü çıkarır. -Yapraklar gibi. -Kum gibi. -Yapraklar gibi. -Bir ağızdan konuşur hepsi. -Her biri kendi kendine. -Fısıldarlar daha çok. -Hışırdarlar. -Mırıldanırlar. -Hışırdarlar. -Ne derler? -Hayatlarından bahsederler. -Yaşamış olmak onlara yetmez. -Bir de bahsetmeleri gerekir. -Ölmüş olmak onlara yetmez. -Yeterli gelmez. -Tüy sesi çıkarırlar. -Yapraklar gibi. -Kül gibi. -Yapraklar gibi. -Bir şey söyle! -Arıyorum. -Ne olursa olsun bir şey söyle! -Şimdi n'apıyoruz? -Godot'yu bekliyoruz. -Ha! -Berbat bir şey! -Bir şarkı söyle! -Yo.yo! Belki yeni baştan başlayabiliriz. -Kolay olmalı. -Başlamaktır zor olan. -Her noktadan yola çıkılabilir. -Evet ama karar vermek gerekir. -Doğru. -Yardım et! -Gayret ediyorum. -İnsan ararken bir şeyler işitir. -Doğru. -Bu da bulmayı engeller. -Doğru. -Düşünmeyi engeller. -Yine de düşünür insan
Samuel Beckett
Burada vaktimizi ziyan etmeyelim. Fırsat çıkmışken bir şeyler yapalım! Her gün bize ihtiyaç duyan biri çıkmaz. Yo yo, şahsen bize ihtiyaç duyulduğunu söylüyor değilim. Başkaları belki çok daha fazla yarar işe. Kulaklarımızda hala çınlayan imdat çığlıkları bütün insanlığa dönük! Ama burada, zamanın bu noktasında insanlık biziz. Hoşumuza gitsin gitmesin. Bunun değerini bilelim, çok geç olmadan! Hadi gidip, bir kere olsun acımasız kaderin bize sunduğu bu görevi hakkıyla yerine getirelim. Ne dersin? Kollarımızı kavuşturup durumun eğrisini doğrusunu ölçüp biçerken de, türümüzü onurlandırdığımız doğrudur. Kaplan kaplanın yardımına hiç düşünmeden koşar ya da balta girmemiş ormanların derinliklerinde kaybolur. Ama mesele bu değil. Burada ne yapmaktayız, işte bütün mesele bu. Ne mutlu bize ki, yanıtı biliyoruz. Evet bu muazzam karışıklığın içinde açık seçik olan bir şey var: Godot'yu bekliyoruz-
Samuel Beckett
We call hostility that which governs almost completely the relationships between beings, relationships of pure estrangement, pure incompatibility between bodies. It may take the shape of benevolence or malevolence, but it is always a distance: I be a t yo u d o wn be c a u s e I am a c o p and yo u a r e a s h i t . I invite you to the restaurant b e c a u s e I want t o f u c k y o u . I leave you the bill because I don’t know how to tell you h o w mu ch I h a te yo u . I ne ve r s to p smi l ing. This is hostility
Anonymous
Desp ite the na me , I d o n’ t think Eye b rig ht is a lo tio n a t a ll.It’ s a ve ry t h in , co o l liq u id th a t yo u c a n a p p ly to a co t t o n b a ll o r p a d. Ju st da b it ove r yo u r c lo se d eye s, an d th e y’ ll inst a n t ly fe e l e ne rg ize d a n d a w a k e. Yo u r e ye s will also lo o k b rig h t e r an d le ss pu ffy fo r th e tim e t o o n yo u b e in g , so eve n tho ug h yo u m a y n o t b e a n ea rly b ird , yo u ’ ll lo o k lik e o n e . If yo u e ve r ne e d so m e e xt ra R& R, try so a k in g 2 c o t t o n pa d s in Eye b rig h t an d p la c e th e m ove r yo u r e ye s fo r ab ou t 10 m in u t e s. It ’ s re la xin g a n d so so o t h in g – d e fin it e ly b e t t e r th a n u sin g c u c um b e r slic e s! I th in k t h e Eye b rig h t So o t h in g Eye Lo t io n is a gre a t wa y to aw a k en an d re v it a lize yo u r e ye s un t il th e re st of yo u r b o d y c a n c a t c h u p . Fin d ou t mo re a t lizea rle . c o mi | P a g e
Anonymous
Miss Independent" Yeah yeah, yeah yeah, yeah yeah, yeah yeah, yeah yeah, yeah yeah yeah [Verse 1] Ooh there's somethin about just somethin about the way she's move And I can't figure it out there's something about her. Said ooh it's somethin about kinda woman that want you but don't need you And I can't figure it out it's somethin about her Cause she walk like a boss talk like a boss Manicured nailed to set the pedicure off She's fly effortlessly Cause she move like a boss do what a boss Do she got me thinkin about gettin involved That's the kinda girl I need [Chorus] She got her own thing that's why I love her Miss Independent Won't you come and spend a little time She got her own thing that's why I love her Miss Independent ooh the way you shine Miss Independent yeah yeah, yeah yeah, yeah yeah, yeah yeah, yeah yeah, yeah yeah, yeah [Verse 2] Ooh there's somethin about kinda woman that can do for herself I look at her and it makes me proud There's something about her Somethin oh so sexy about kinda woman that don't even need my help She said she got it she got it No doubt, it's somethin about her Cause she work like a boss play like a boss Car and a crib she bouta pay em both off And the bills are paid on time yeah She made for a boss only a boss Anything less she telling them to get lost That's the girl that's on my mind [Chorus] [Bridge] Her favorite thing to say Don't worry I got it And everything she got best believe she bought it She gonna steal ma heart ain't no doubt about it You're everything I need, said you're everything I need yeah yeah, yeah yeah, yeah yeah, yeah yeah, yeah yeah, yeah yeah yeah [Chorus] Miss Independent That's why I love her
Ne-Yo